UPC · Release
Chopin
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The UPC for “Complete Edition” by Chopin is 0028946304723. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1999-08-03. This release contains 257 tracks, each with its own ISRC. Tracks include NLA037902011, NLA037902012, NLA037902013.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | Krystian Zimerman, Koninklijk Concertgebouworkest, Кирилл Петрович Кондрашин | — | |
| 2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance: Larghetto | Krystian Zimerman, Koninklijk Concertgebouworkest, Кирилл Петрович Кондрашин | — | |
| 3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo: Vivace | Krystian Zimerman, Koninklijk Concertgebouworkest, Кирилл Петрович Кондрашин | — | |
| 4 | Piano Concerto no. 2 in F minor, op. 21: Maestoso | Krystian Zimerman, Los Angeles Philharmonic, Carlo Maria Giulini | — | |
| 5 | Piano Concerto no. 2 in F minor, op. 21: Larghetto | Krystian Zimerman, Los Angeles Philharmonic, Carlo Maria Giulini | T-800.132.125-2 | |
| 6 | Piano Concerto no. 2 in F minor, op. 21: Allegro vivace | Krystian Zimerman, Los Angeles Philharmonic, Carlo Maria Giulini | T-902.804.388-1 | |
| 2-1 | Variations on "Là ci darem la mano" (from Mozart's "Don Giovanni") in B flat major, Op. 2 | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 2-2 | Fantasia on Polish Airs in A major, op. 13 | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 2-3 | Krakowiak, op. 14 | Stefan Askenase, Hague Resident Orchestra, Willem van Otterloo | — | |
| 2-4 | Grande Polonaise brillante précédée d'un Andante spianato Es-Dur, op. 22: Andante spianato. Tranquillo | Krystian Zimerman, London Philharmonic Orchestra, Carlo Maria Giulini | T-301.225.953-5 | |
| 2-5 | Grande Polonaise brillante précédée d'un Andante spianato Es-Dur, op. 22: Polonaise. Allegro molto | Krystian Zimerman, London Philharmonic Orchestra, Carlo Maria Giulini | T-301.225.953-5 | |
| 3-1 | Ballade no. 1 in G minor, op. 23 | Krystian Zimerman | T-917.141.447-4 | |
| 3-2 | Ballade no. 2 in F major, op. 38 | Krystian Zimerman | — | |
| 3-3 | Ballade no. 3 in A‐flat major, op. 47 | Krystian Zimerman | T-913.821.070-5 | |
| 3-4 | Ballade no. 4 in F minor, op. 52 | Krystian Zimerman | — | |
| 3-5 | Fantaisie in F minor, op. 49 | Krystian Zimerman | — | |
| 3-6 | Nouvelle étude in F minor, B. 130 no. 1 | Anatol Ugorski | — | |
| 3-7 | Etude in A flat, Op. posth. “ Méthode des méthodes “ | Frédéric Chopin | — | |
| 3-8 | Nouvelle étude in D‐flat major, B. 130 no. 3 | Anatol Ugorski | — | |
| 3-9 | Funeral March in C minor, op. 72 no. 2 | Anatol Ugorski | — | |
| 3-10 | Ecossaise no. 1 in D major, op. 72 no. 3a | Anatol Ugorski | — | |
| 3-11 | Ecossaise no. 2 in G major, op. 72 no. 3b | Anatol Ugorski | — | |
| 3-12 | Ecossaise no. 3 in D‐flat major, op. 72 no. 3c | Anatol Ugorski | T-913.821.070-5 | |
| 4-1 | Études op. 10: No. 1 in C major: Allegro | Maurizio Pollini | T-329.456.966-3 | |
| 4-2 | Études op. 10: No. 2 in A minor “Chromatique”: Allegro | Maurizio Pollini | T-329.458.384-5 | |
| 4-3 | Études op. 10: No. 3 in E major “Tristesse”: Lento, ma non troppo | Maurizio Pollini | T-329.459.340-7 | |
| 4-4 | Études op. 10: No. 4 in C‐sharp minor: Presto | Maurizio Pollini | T-915.981.383-9 | |
| 4-5 | Études op. 10: No. 5 in G‐flat major “Black Keys”: Vivace | Maurizio Pollini | T-329.453.534-1 | |
| 4-6 | Études op. 10: No. 6 in E‐flat minor: Andante | Maurizio Pollini | T-329.458.108-7 | |
| 4-7 | Études op. 10: No. 7 in C major: Vivace | Maurizio Pollini | T-329.457.242-8 | |
| 4-8 | Études op. 10: No. 8 in F major: Allegro | Maurizio Pollini | T-329.458.487-1 | |
| 4-9 | Études op. 10: No. 9 in F minor: Allegro, molto agitato | Maurizio Pollini | T-329.456.945-8 | |
| 4-10 | Études op. 10: No. 10 in A‐flat major: Vivace assai | Maurizio Pollini | T-329.454.326-9 | |
| 4-11 | Études, op. 10: No. 11 in E‐flat major: Allegretto | Maurizio Pollini | T-329.456.687-9 | |
| 4-12 | Études, op. 10: No. 12 in C minor “Revolutionary”: Allegro con fuoco | Maurizio Pollini | T-915.981.383-9 | |
| 4-13 | 12 Études, Op. 25: No. 1 in A‐Flat Major “Harp Study” | Maurizio Pollini | — | |
| 4-14 | Études, op. 25: No. 2 in F minor: Presto | Maurizio Pollini | T-329.456.945-8 | |
| 4-15 | Études, op. 25: No. 3 in F major: Allegro | Maurizio Pollini | T-329.456.945-8 | |
| 4-16 | Études, op. 25: No. 4 in A minor: Agitato | Maurizio Pollini | T-329.457.500-7 | |
| 4-17 | Études, op. 25: No. 5 in E minor: Vivace | Maurizio Pollini | T-329.458.108-7 | |
| 4-18 | Études, op. 25: No. 6 in G sharp minor: Allegro | Maurizio Pollini | T-915.981.383-9 | |
| 4-19 | Etude no. 19 in C‐sharp minor, op. 25 no. 7 | Maurizio Pollini | T-915.981.383-9 | |
| 4-20 | Études, op. 25: No. 8 in D flat major: Vivace | Maurizio Pollini | — | |
| 4-21 | 12 Études, Op. 25: No. 9 in G‐Flat Major “Butterfly Wings” | Maurizio Pollini | — | |
| 4-22 | 12 Études, Op. 25: No. 10 in B Minor “Octave” | Maurizio Pollini | T-308.384.655-9 | |
| 4-23 | 12 Études, Op. 25: No. 11 in A Minor “Winter Wind” | Maurizio Pollini | T-308.381.369-4 | |
| 4-24 | 12 Études, Op. 25: No. 12 in C Minor “Ocean” | Maurizio Pollini | T-310.766.142-3 | |
| 4-25 | Barcarolle in F-sharp major, Op. 60 | Maurizio Pollini | T-905.382.146-8 | |
| 4-26 | Berceuse in D flat, Op. 57 | Maurizio Pollini | — | |
| 5-1 | Mazurka no. 1 in F‐sharp minor, op. 6 no. 1 | — | ||
| 5-2 | Mazurka no. 2 in C‐sharp minor, op. 6 no. 2 | — | ||
| 5-3 | Mazurka no. 3 in E major, op. 6 no. 3 | — | ||
| 5-4 | Mazurka No. 4 in E flat minor, Op. 6 No. 4 | Jean-Marc Luisada | T-329.453.978-5 | |
| 5-5 | Mazurka no. 5 in B‐flat major, op. 7 no. 1 | — | ||
| 5-6 | Mazurka no. 6 in A minor, op. 7 no. 2 | — | ||
| 5-7 | Mazurka no. 7 in F minor, op. 7 no. 3 | — | ||
| 5-8 | Mazurka no. 8 in A‐flat major, op. 7 no. 4 | — | ||
| 5-9 | Mazurka no. 9 in C major, op. 7 no. 5 | — | ||
| 5-10 | Mazurka no. 10 in B‐flat major, op. 17 no. 1 | — | ||
| 5-11 | Mazurka no. 11 in E minor, op. 17 no. 2 | — | ||
| 5-12 | Mazurka no. 12 in A‐flat major, op. 17 no. 3 | — | ||
| 5-13 | Mazurka no. 13 in A minor, op. 17 no. 4 | — | ||
| 5-14 | Mazurka no. 14 in G minor, op. 24 no. 1 | — | ||
| 5-15 | Mazurka no. 15 in C major, op. 24 no. 2 | — | ||
| 5-16 | Mazurka no. 16 in A‐flat major, op. 24 no. 3 | — | ||
| 5-17 | Mazurka no. 17 in B‐flat minor, op. 24 no. 4 | — | ||
| 5-18 | Mazurka no. 18 in C minor, op. 30 no. 1 | — | ||
| 5-19 | Mazurka no. 19 in B minor, op. 30 no. 2 | — | ||
| 5-20 | Mazurka no. 20 in D‐flat major, op. 30 no. 3 | — | ||
| 5-21 | Mazurka no. 21 in C‐sharp minor, op. 30 no. 4 | — | ||
| 5-22 | Mazurka no. 22 in G‐sharp minor, op. 33 no. 1 | — | ||
| 5-23 | Mazurka no. 23 in D major, op. 33 no. 2 | — | ||
| 5-24 | Mazurka no. 24 in C major, op. 33 no. 3 | — | ||
| 5-25 | Mazurka no. 25 in B minor, op. 33 no. 4 | — | ||
| 5-26 | Mazurka no. 26 in C‐sharp minor, op. 41 no. 1 | — | ||
| 5-27 | Mazurka No. 27 in E minor op.41 No. 2 | Frédéric Chopin | — | |
| 5-28 | Mazurka no. 28 in B major, op. 41 no. 3 | — | ||
| 5-29 | Mazurka no. 29 in A‐flat major, op. 41 no. 4 | — | ||
| 6-1 | Mazurka no. 30 in G major, op. 50 no. 1 | — | ||
| 6-2 | Mazurka no. 31 in A‐flat major, op. 50 no. 2 | — | ||
| 6-3 | Mazurka no. 32 in C‐sharp minor, op. 50 no. 3 | — | ||
| 6-4 | Mazurka no. 33 in B major, op. 56 no. 1 | — | ||
| 6-5 | Mazurka no. 34 in C major, op. 56 no. 2 | — | ||
| 6-6 | Mazurka no. 35 in C minor, op. 56 no. 3 | — | ||
| 6-7 | Mazurka no. 36 in A minor, op. 59 no. 1 | — | ||
| 6-8 | Mazurka no. 37 in A‐flat major, op. 59 no. 2 | — | ||
| 6-9 | Mazurka no. 38 in F‐sharp minor, op. 59 no. 3 | — | ||
| 6-10 | Mazurka no. 39 in B major, op. 63 no. 1 | — | ||
| 6-11 | Mazurka no. 40 in F minor, op. 63 no. 2 | — | ||
| 6-12 | Mazurka no. 41 in C‐sharp minor, op. 63 no. 3 | — | ||
| 6-13 | Mazurka no. 42 in G major, op. 67 no. 1 | — | ||
| 6-14 | Mazurka no. 43 in G minor, op. 67 no. 2 | — | ||
| 6-15 | Mazurka no. 44 in C major, op. 67 no. 3 | — | ||
| 6-16 | Mazurka no. 45 in A minor, op. 67 no. 4 | — | ||
| 6-17 | Mazurka no. 46 in C major, op. 68 no. 1 | — | ||
| 6-18 | Mazurka no. 47 in A minor, op. 68 no. 2 | — | ||
| 6-19 | Mazurka no. 48 in F major, op. 68 no. 3 | — | ||
| 6-20 | Mazurka no. 49 in F minor, op. 68 no. 4 | — | ||
| 6-21 | Mazurka in A minor “à Émile Gaillard”, B. 140 | — | ||
| 6-22 | Mazurka in A minor “Notre temps”, B. 134 | — | ||
| 6-23 | Mazurka in B‐flat major, B. 16 no. 2 | — | ||
| 6-24 | Mazurka in G major “Prague”, B. 16 no. 1 | — | ||
| 6-25 | Mazurka in A‐flat major “Szymanowska”, B. 85 | — | ||
| 6-26 | Mazurka in C major, B. 82 | — | ||
| 6-27 | Mazurka in B‐flat major “à Alexandra Wolowska”, B. 73 | — | ||
| 6-28 | Mazurka in D major, B. 71 | — | ||
| 7-1 | Nocturne no. 1 in B‐flat minor, op. 9 no. 1 | — | ||
| 7-2 | Nocturne no. 2 in E‐flat major, op. 9 no. 2 | — | ||
| 7-3 | Nocturne no. 3 in B major, op. 9 no. 3 | — | ||
| 7-4 | Nocturne no. 4 in F major, op. 15 no. 1 | — | ||
| 7-5 | Nocturne in F-sharp major, op. 15 no. 2 | Daniel Barenboim | T-306.230.833-8 | |
| 7-6 | Nocturne no. 6 in G minor, op. 15 no. 3 | — | ||
| 7-7 | Nocturne no. 7 in C‐sharp minor, op. 27 no. 1 | — | ||
| 7-8 | Nocturne no. 8 in D‐flat major, op. 27 no. 2 | — | ||
| 7-9 | Nocturne no. 9 in B major, op. 32 no. 1 | — | ||
| 7-10 | Nocturne no. 10 in A‐flat major, op. 32 no. 2 | — | ||
| 7-11 | Nocturne no. 11 in G minor, op. 37 no. 1 | — | ||
| 8-1 | Nocturne no. 12 in G major, op. 37 no. 2 | — | ||
| 8-2 | Nocturne no. 13 in C minor, op. 48 no. 1 | — | ||
| 8-3 | Nocturne no. 14 in F‐sharp minor, op. 48 no. 2 | — | ||
| 8-4 | Nocturne no. 15 in F minor, op. 55 no. 1: Andante | Daniel Barenboim | T-321.286.787-9 | |
| 8-5 | Nocturne no. 16 in E-flat major, op. 55 no. 2: Lento Sostenuto | Daniel Barenboim | — | |
| 8-6 | Nocturne no. 17 in B major, op. 62 no. 1: Andante | Daniel Barenboim | — | |
| 8-7 | Nocturne no. 18 in E major, op. 62 no. 2: Lento | Daniel Barenboim | T-906.148.797-6 | |
| 8-8 | Nocturne no. 19 in E minor, op. 72 no. 1: Andante | Daniel Barenboim | T-905.040.158-6 | |
| 8-9 | Nocturne no. 20 in C-sharp minor, B. 49: Lento con Gran Espressione | Daniel Barenboim | — | |
| 8-10 | Nocturne no. 21 in C minor, B. 108 | Daniel Barenboim | — | |
| 9-1 | Polonaise no. 1 in C‐sharp minor, op. 26 no. 1: Allegro appassionato | Maurizio Pollini | — | |
| 9-2 | Polonaise no. 2 in E-flat minor, op. 26 no. 2: Maestoso | Maurizio Pollini | — | |
| 9-3 | Polonaise no. 3 in A major, op. 40 no. 1 "Military": Allegro con brio | Maurizio Pollini | — | |
| 9-4 | Polonaise no. 4 in C minor, op. 40 no. 2: Allegro maestoso | Maurizio Pollini | T-922.054.556-2 | |
| 9-5 | Polonaise no. 5 in F-sharp minor, op. 44: Tempo di polacca - doppio movimento, tempo di Mazurka - Tempo I | Maurizio Pollini | T-918.019.319-5 | |
| 9-6 | Polonaise no. 6 in A-flat major, op. 53 "Heroic": Maestoso | Maurizio Pollini | T-060.274.630-4 | |
| 9-7 | Polonaise-Fantaisie no. 7 in A-flat major, op. 61: Allegro maestoso | Maurizio Pollini | — | |
| 10-1 | Andante Spianato and Grande Polonaise, Op. 22: I. Andante spianato: Tranquillo | Martha Argerich | — | |
| 10-2 | Andante spianato et Grande polonaise brillante in E-flat Major, op. 22: Polonaise. Allegro molto | Martha Argerich | T-902.781.050-0 | |
| 10-3 | Polonaise No. 8 in D minor, Op. 71 No. 1 | Anatol Ugorski | — | |
| 10-4 | Polonaise No. 9 in B flat major, Op. 71 No. 2 | Anatol Ugorski | — | |
| 10-5 | Polonaise No. 10 in F minor, Op. 71 No. 3 | Anatol Ugorski | — | |
| 10-6 | Polonaise in B flat minor, B. 13 | Anatol Ugorski | — | |
| 10-7 | Polonaise in G flat major, B. 36 | Anatol Ugorski | — | |
| 10-8 | Polonaise in G minor, B. 1 | Anatol Ugorski | T-106.634.516-0 | |
| 10-9 | Polonaise in B flat major, B. 3 | Anatol Ugorski | T-918.019.319-5 | |
| 10-10 | Polonaise in A flat major, B. 5 | Anatol Ugorski | T-060.274.630-4 | |
| 10-11 | Polonaise in G sharp minor, B. 6 | Anatol Ugorski | — | |
| 10-12 | Bourrée in G minor, B. 160 No. 1 | Anatol Ugorski | T-917.141.447-4 | |
| 10-13 | 2 Bourrees, B160b: No. 2 In A Major | Frédéric Chopin | — | |
| 10-14 | Galop in A flat major "Marquis", KK IV/c13 | Anatol Ugorski | — | |
| 10-15 | Moderato in E major "Albumleaf", B. 151 | Anatol Ugorski | T-902.781.050-0 | |
| 10-16 | Cantabile in B flat major, B. 84 | Anatol Ugorski | — | |
| 10-17 | Fugue in A minor, B. 144 | Anatol Ugorski | — | |
| 10-18 | Largo in E flat major, B. 109 | Anatol Ugorski | T-106.670.526-6 | |
| 11-1 | 24 Préludes, op. 28 no. 1 in C major: Agitato | Martha Argerich | — | |
| 11-2 | 24 Préludes, Op. 28: No. 1 in C Major | Martha Argerich | — | |
| 11-3 | 24 Préludes, op. 28 no. 3 in G major: Vivace | Martha Argerich | — | |
| 11-4 | 24 Préludes, op. 28 no. 4 in E minor: Largo | Martha Argerich | — | |
| 11-5 | 24 Préludes, Op. 28: No. 4 in E Minor | Martha Argerich | T-902.764.002-4 | |
| 11-6 | 24 Préludes, Op. 28: No. 5 in D Major | Martha Argerich | T-912.623.361-2 | |
| 11-7 | 24 Préludes, Op. 28: No. 6 in B Minor: Lento assai | Martha Argerich | T-308.384.655-9 | |
| 11-8 | 24 Préludes, Op. 28: No. 7 in A Major | Martha Argerich | T-915.710.750-1 | |
| 11-9 | 24 Préludes, op. 28 no. 9 in E major: Largo | Martha Argerich | T-909.573.827-5 | |
| 11-10 | 24 Préludes, op. 28 no. 9 in E major: Largo | Martha Argerich | T-906.148.797-6 | |
| 11-11 | 24 Préludes, op. 28 no. 10 in C‐sharp minor: Allegro molto | Martha Argerich | T-918.063.801-1 | |
| 11-12 | 24 Préludes, op. 28 no. 12 in G‐sharp minor: Presto | Martha Argerich | — | |
| 11-13 | 24 Préludes, Op. 28: No. 12. in G‐Sharp Minor | Martha Argerich | T-702.884.109-2 | |
| 11-14 | 24 Préludes, op. 28 no. 14 in E‐flat minor: Allegro | Martha Argerich | T-918.063.801-1 | |
| 11-15 | 24 Préludes, op. 28 no. 15 in D‐flat major: Sostenuto | Martha Argerich | T-306.229.926-3 | |
| 11-16 | 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — | |
| 11-17 | 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — | |
| 11-18 | 24 Préludes, op. 28 no. 17 in A‐flat major: Allegretto | Martha Argerich | T-903.060.250-7 | |
| 11-19 | 24 Préludes, op. 28 no. 19 in E‐flat major: Vivace | Martha Argerich | T-906.148.797-6 | |
| 11-20 | 24 Préludes, op. 28 no. 20 in C minor: Largo | Martha Argerich | T-310.766.142-3 | |
| 11-22 | 24 Préludes, op. 28 no. 22 in G minor: Molto agitato | Martha Argerich | — | |
| 11-23 | 24 Préludes, op. 28 no. 23 in F major: Moderato | Martha Argerich | T-917.141.447-4 | |
| 11-24 | 24 Préludes, op. 28 no. 23 in F major: Moderato | Martha Argerich | — | |
| 11-25 | Prélude in C‐sharp minor, op. 45: Sostenuto | Martha Argerich | — | |
| 11-26 | Prélude in A‐flat major, op. posth.: Presto con leggierezza | Martha Argerich | — | |
| 11-27 | Impromptu no. 1 in A‐flat major, op. 29 | — | ||
| 11-28 | Impromptu no. 2 in F‐sharp major, op. 36 | — | ||
| 11-29 | Impromptu no. 3 in G‐flat major, op. 51 | — | ||
| 11-30 | Impromptu no. 4 in C‐sharp minor “Fantasy‐Impromptu”, op. 66 | — | ||
| 12-1 | Scherzo no. 1 in B minor, op. 20 | Maurizio Pollini | T-308.384.655-9 | |
| 12-2 | Scherzo no. 2 in B‐flat minor, op. 31 | Maurizio Pollini | — | |
| 12-3 | Scherzo no. 3 in C‐sharp minor, op. 39 | Maurizio Pollini | T-918.063.801-1 | |
| 12-4 | Scherzo no. 4 in E major, op. 54 | Maurizio Pollini | — | |
| 12-5 | Rondo in C minor, Op. 1 | Lilya Zilberstein | T-106.648.488-4 | |
| 12-6 | Rondo à la Mazur in F major, Op. 5 | Lilya Zilberstein | T-106.648.493-1 | |
| 12-7 | Introduction in C minor and Rondo in E flat major, Op. 16 | Михаил Васильевич Плетнёв | — | |
| 12-8 | Rondo in C major, Op. 73 | Kurt Bauer, Heidi Bung | — | |
| 13-1 | Piano Sonata no. 1 in C minor, op. 4: I. Allegro maestoso | Lilya Zilberstein | — | |
| 13-2 | Piano Sonata no. 1 in C minor, op. 4: II. Menuetto: Allegretto | Lilya Zilberstein | — | |
| 13-3 | Piano Sonata no. 1 in C minor, op. 4: III. Larghetto | Lilya Zilberstein | — | |
| 13-4 | Piano Sonata no. 1 in C minor, op. 4: IV. Finale: Presto | Lilya Zilberstein | T-309.554.578-7 | |
| 13-5 | Piano Sonata No. 2 in B flat minor, Op. 35: I. Grave - Doppio movimento | Maurizio Pollini | — | |
| 13-6 | Piano Sonata No. 2 in B flat minor, Op. 35: II. Scherzo | Maurizio Pollini | — | |
| 13-7 | Piano Sonata No. 2 in B flat minor, Op. 35: III. Marche funèbre. Lento - attacca: | Maurizio Pollini | T-915.712.196-5 | |
| 13-8 | Piano Sonata no. 2 in B-flat minor, op. 35: IV. Finale. Presto | Maurizio Pollini | T-309.554.578-7 | |
| 13-9 | Piano Sonata No. 3, Op. 58: I. Allegro maestoso | Maurizio Pollini | T-911.517.582-1 | |
| 13-10 | Piano Sonata No. 3, Op. 58: II. Scherzo. Molto vivace | Maurizio Pollini | T-911.517.582-1 | |
| 13-11 | Piano Sonata No. 3, Op. 58: III. Largo | Maurizio Pollini | T-911.517.582-1 | |
| 13-12 | Piano Sonata No. 3, Op. 58: IV. Finale. Presto ma non tanto | Maurizio Pollini | T-309.554.578-7 | |
| 14-1 | Introduction and Variations on a German Air in E major “Der Schweizerbub”, B. 14 | — | ||
| 14-2 | Variations in A major “Souvenir de Paganini”, B. 37 | — | ||
| 14-3 | Variations brillantes on “Je vends des scapulaires” (from Hérold’s “Ludovic”) in B‐flat major, op. 12 | — | ||
| 14-4 | Variations on a Theme of Moore in D major, B. 12a | Vladimir Ashkenazy, Vovka Ashkenazy | — | |
| 14-5 | Hexaméron: Variation no. 6 in E major | Vladimir Ashkenazy | — | |
| 14-6 | Allegro de Concert in A major, op. 46 | Vladimir Ashkenazy | — | |
| 14-7 | Bolero, op. 19 | — | ||
| 14-8 | Tarantella in A‐flat major, op. 43 | — | ||
| 15-1 | Waltz no. 1 in E‐flat major “Grande valse brillante”, op. 18 | — | ||
| 15-2 | Waltz no. 2 in A‐flat major, op. 34 no. 1 | — | ||
| 15-3 | Waltz no. 3 in A minor, op. 34 no. 2 | — | ||
| 15-4 | Waltz no. 4 in F major, op. 34 no. 3 | — | ||
| 15-5 | Waltz no. 5 in A‐flat major, op. 42 “Grande valse” | — | ||
| 15-6 | Waltz in D-flat major, Op. 64 No. 1 "Minutewaltz" | Jean-Marc Luisada | T-918.248.975-4 | |
| 15-7 | Waltz no. 7 in C‐sharp minor, op. 64 no. 2 | — | ||
| 15-8 | Waltz no. 8 in A‐flat major, op. 64 no. 3 | — | ||
| 15-9 | Waltz no. 9 in A‐flat major, op. 69 no. 1 “L’adieu” | — | ||
| 15-10 | Waltz no. 10 in B minor, op. 69 no. 2 | — | ||
| 15-11 | Waltz no. 11 in G‐flat major, op. 70 no. 1 | — | ||
| 15-12 | Waltz no. 12 in F minor, op. 70 no. 2 | — | ||
| 15-13 | Waltz no. 13 in D‐flat major, op. 70 no. 3 | — | ||
| 15-14 | Waltz no. 14 in E minor, B. 56 | — | ||
| 15-15 | Waltz no. 16 in A‐flat major, B. 21 | — | ||
| 15-16 | Waltz no. 15 in E major, B. 44 | — | ||
| 15-17 | Waltz no. 17 in E‐flat major, B. 46 | — | ||
| 15-18 | Waltz in E‐flat major “Sostenuto”, B. 133 | — | ||
| 15-19 | Waltz in A minor, B. 150 | — | ||
| 16-1 | Piano Trio in G minor, Op. 8: I. Allegro con fuoco | Beaux Arts Trio | — | |
| 16-2 | Piano Trio in G minor, Op. 8: II. Scherzo: Con moto ma non troppo | Beaux Arts Trio | — | |
| 16-3 | Piano Trio in G minor, Op. 8: III. Adagio sostenuto | Beaux Arts Trio | — | |
| 16-4 | Piano Trio in G minor, Op. 8: IV. Allegretto | Beaux Arts Trio | T-318.676.528-2 | |
| 16-5 | Introduction and Polonaise brillante in C major, op. 3 | Martha Argerich, Mstislav Rostropovich | — | |
| 16-6 | Grand Duo Concertant in E major on Themes from "Robert le Diable", B. 70 | Frédéric Chopin | — | |
| 16-7 | Sonata for Piano and Violoncello in G minor, op. 65: I. Allegro moderato | Martha Argerich, Mstislav Rostropovich | T-902.781.050-0 | |
| 16-8 | Sonata for Piano and Violoncello in G minor, op. 65: II. Scherzo. Allegro con brio | Martha Argerich, Mstislav Rostropovich | — | |
| 16-9 | Sonata for Piano and Violoncello in G minor, op. 65: III. Largo | Martha Argerich, Mstislav Rostropovich | — | |
| 16-10 | Sonata for Piano and Violoncello in G minor, op. 65: IV. Finale. Allegro | Martha Argerich, Mstislav Rostropovich | T-318.676.528-2 | |
| 17-1 | Życzenie, Op. 74 No. 1 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-2 | Wiosna, Op. 74 No. 2 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-3 | Smutna rzeka, Op. 74 No. 3 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-4 | Hulanka, Op. 74 No. 4 | Elzbieta Szmytka, Malcolm Martineau | T-932.644.323-6 | |
| 17-5 | Gdzie lubi, Op. 74 No. 5 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-6 | Precz z moich oczu, Op. 74 No. 6 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-7 | Poseł, Op. 74 No. 7 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-8 | Śliczny chłopiec, Op. 74 No. 8 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-9 | Melodia, Op. 74 No. 9 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-10 | Wojak, Op. 74 No. 10 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-11 | Dwojaki koniec, Op. 74 No. 11 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-12 | Moja pieszczotka, Op. 74 No. 12 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-13 | Nie ma czego trzeba, Op. 74 No. 13 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-14 | Pierścień, Op. 74 No. 14 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-15 | Narzeczony, Op. 74 No. 15 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-16 | Piosnka litewska, Op. 74 No. 16 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-17 | Śpiew z mogiły, Op. 74 No. 17 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-18 | Czary, B. 51 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-19 | Dumka, B. 132 | Elzbieta Szmytka, Malcolm Martineau | — |
Identifier Graph
0028946304723 is a Universal Product Code (UPC) assigned to Complete Edition by Chopin. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 257 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 24 Préludes, op. 28 no. 14 in E‐flat minor: Allegro | Martha Argerich | — |
| 24 Préludes, op. 28 no. 18 in F minor: Allegro molto | Martha Argerich | T-918.063.801-1 |
| Prelude in D minor, Op. 28 No. 24 | Martha Argerich | T-902.876.200-7 |
Songwriters/Publishers (IPI)
The UPC for “Complete Edition” by Chopin is 0028946304723. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1999-08-03. This release contains 257 tracks, each with its own ISRC. Tracks include NLA037902011, NLA037902012, NLA037902013.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | Krystian Zimerman, Koninklijk Concertgebouworkest, Кирилл Петрович Кондрашин | — | |
| 2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance: Larghetto | Krystian Zimerman, Koninklijk Concertgebouworkest, Кирилл Петрович Кондрашин | — | |
| 3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo: Vivace | Krystian Zimerman, Koninklijk Concertgebouworkest, Кирилл Петрович Кондрашин | — | |
| 4 | Piano Concerto no. 2 in F minor, op. 21: Maestoso | Krystian Zimerman, Los Angeles Philharmonic, Carlo Maria Giulini | — | |
| 5 | Piano Concerto no. 2 in F minor, op. 21: Larghetto | Krystian Zimerman, Los Angeles Philharmonic, Carlo Maria Giulini | T-800.132.125-2 | |
| 6 | Piano Concerto no. 2 in F minor, op. 21: Allegro vivace | Krystian Zimerman, Los Angeles Philharmonic, Carlo Maria Giulini | T-902.804.388-1 | |
| 2-1 | Variations on "Là ci darem la mano" (from Mozart's "Don Giovanni") in B flat major, Op. 2 | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 2-2 | Fantasia on Polish Airs in A major, op. 13 | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 2-3 | Krakowiak, op. 14 | Stefan Askenase, Hague Resident Orchestra, Willem van Otterloo | — | |
| 2-4 | Grande Polonaise brillante précédée d'un Andante spianato Es-Dur, op. 22: Andante spianato. Tranquillo | Krystian Zimerman, London Philharmonic Orchestra, Carlo Maria Giulini | T-301.225.953-5 | |
| 2-5 | Grande Polonaise brillante précédée d'un Andante spianato Es-Dur, op. 22: Polonaise. Allegro molto | Krystian Zimerman, London Philharmonic Orchestra, Carlo Maria Giulini | T-301.225.953-5 | |
| 3-1 | Ballade no. 1 in G minor, op. 23 | Krystian Zimerman | T-917.141.447-4 | |
| 3-2 | Ballade no. 2 in F major, op. 38 | Krystian Zimerman | — | |
| 3-3 | Ballade no. 3 in A‐flat major, op. 47 | Krystian Zimerman | T-913.821.070-5 | |
| 3-4 | Ballade no. 4 in F minor, op. 52 | Krystian Zimerman | — | |
| 3-5 | Fantaisie in F minor, op. 49 | Krystian Zimerman | — | |
| 3-6 | Nouvelle étude in F minor, B. 130 no. 1 | Anatol Ugorski | — | |
| 3-7 | Etude in A flat, Op. posth. “ Méthode des méthodes “ | Frédéric Chopin | — | |
| 3-8 | Nouvelle étude in D‐flat major, B. 130 no. 3 | Anatol Ugorski | — | |
| 3-9 | Funeral March in C minor, op. 72 no. 2 | Anatol Ugorski | — | |
| 3-10 | Ecossaise no. 1 in D major, op. 72 no. 3a | Anatol Ugorski | — | |
| 3-11 | Ecossaise no. 2 in G major, op. 72 no. 3b | Anatol Ugorski | — | |
| 3-12 | Ecossaise no. 3 in D‐flat major, op. 72 no. 3c | Anatol Ugorski | T-913.821.070-5 | |
| 4-1 | Études op. 10: No. 1 in C major: Allegro | Maurizio Pollini | T-329.456.966-3 | |
| 4-2 | Études op. 10: No. 2 in A minor “Chromatique”: Allegro | Maurizio Pollini | T-329.458.384-5 | |
| 4-3 | Études op. 10: No. 3 in E major “Tristesse”: Lento, ma non troppo | Maurizio Pollini | T-329.459.340-7 | |
| 4-4 | Études op. 10: No. 4 in C‐sharp minor: Presto | Maurizio Pollini | T-915.981.383-9 | |
| 4-5 | Études op. 10: No. 5 in G‐flat major “Black Keys”: Vivace | Maurizio Pollini | T-329.453.534-1 | |
| 4-6 | Études op. 10: No. 6 in E‐flat minor: Andante | Maurizio Pollini | T-329.458.108-7 | |
| 4-7 | Études op. 10: No. 7 in C major: Vivace | Maurizio Pollini | T-329.457.242-8 | |
| 4-8 | Études op. 10: No. 8 in F major: Allegro | Maurizio Pollini | T-329.458.487-1 | |
| 4-9 | Études op. 10: No. 9 in F minor: Allegro, molto agitato | Maurizio Pollini | T-329.456.945-8 | |
| 4-10 | Études op. 10: No. 10 in A‐flat major: Vivace assai | Maurizio Pollini | T-329.454.326-9 | |
| 4-11 | Études, op. 10: No. 11 in E‐flat major: Allegretto | Maurizio Pollini | T-329.456.687-9 | |
| 4-12 | Études, op. 10: No. 12 in C minor “Revolutionary”: Allegro con fuoco | Maurizio Pollini | T-915.981.383-9 | |
| 4-13 | 12 Études, Op. 25: No. 1 in A‐Flat Major “Harp Study” | Maurizio Pollini | — | |
| 4-14 | Études, op. 25: No. 2 in F minor: Presto | Maurizio Pollini | T-329.456.945-8 | |
| 4-15 | Études, op. 25: No. 3 in F major: Allegro | Maurizio Pollini | T-329.456.945-8 | |
| 4-16 | Études, op. 25: No. 4 in A minor: Agitato | Maurizio Pollini | T-329.457.500-7 | |
| 4-17 | Études, op. 25: No. 5 in E minor: Vivace | Maurizio Pollini | T-329.458.108-7 | |
| 4-18 | Études, op. 25: No. 6 in G sharp minor: Allegro | Maurizio Pollini | T-915.981.383-9 | |
| 4-19 | Etude no. 19 in C‐sharp minor, op. 25 no. 7 | Maurizio Pollini | T-915.981.383-9 | |
| 4-20 | Études, op. 25: No. 8 in D flat major: Vivace | Maurizio Pollini | — | |
| 4-21 | 12 Études, Op. 25: No. 9 in G‐Flat Major “Butterfly Wings” | Maurizio Pollini | — | |
| 4-22 | 12 Études, Op. 25: No. 10 in B Minor “Octave” | Maurizio Pollini | T-308.384.655-9 | |
| 4-23 | 12 Études, Op. 25: No. 11 in A Minor “Winter Wind” | Maurizio Pollini | T-308.381.369-4 | |
| 4-24 | 12 Études, Op. 25: No. 12 in C Minor “Ocean” | Maurizio Pollini | T-310.766.142-3 | |
| 4-25 | Barcarolle in F-sharp major, Op. 60 | Maurizio Pollini | T-905.382.146-8 | |
| 4-26 | Berceuse in D flat, Op. 57 | Maurizio Pollini | — | |
| 5-1 | Mazurka no. 1 in F‐sharp minor, op. 6 no. 1 | — | ||
| 5-2 | Mazurka no. 2 in C‐sharp minor, op. 6 no. 2 | — | ||
| 5-3 | Mazurka no. 3 in E major, op. 6 no. 3 | — | ||
| 5-4 | Mazurka No. 4 in E flat minor, Op. 6 No. 4 | Jean-Marc Luisada | T-329.453.978-5 | |
| 5-5 | Mazurka no. 5 in B‐flat major, op. 7 no. 1 | — | ||
| 5-6 | Mazurka no. 6 in A minor, op. 7 no. 2 | — | ||
| 5-7 | Mazurka no. 7 in F minor, op. 7 no. 3 | — | ||
| 5-8 | Mazurka no. 8 in A‐flat major, op. 7 no. 4 | — | ||
| 5-9 | Mazurka no. 9 in C major, op. 7 no. 5 | — | ||
| 5-10 | Mazurka no. 10 in B‐flat major, op. 17 no. 1 | — | ||
| 5-11 | Mazurka no. 11 in E minor, op. 17 no. 2 | — | ||
| 5-12 | Mazurka no. 12 in A‐flat major, op. 17 no. 3 | — | ||
| 5-13 | Mazurka no. 13 in A minor, op. 17 no. 4 | — | ||
| 5-14 | Mazurka no. 14 in G minor, op. 24 no. 1 | — | ||
| 5-15 | Mazurka no. 15 in C major, op. 24 no. 2 | — | ||
| 5-16 | Mazurka no. 16 in A‐flat major, op. 24 no. 3 | — | ||
| 5-17 | Mazurka no. 17 in B‐flat minor, op. 24 no. 4 | — | ||
| 5-18 | Mazurka no. 18 in C minor, op. 30 no. 1 | — | ||
| 5-19 | Mazurka no. 19 in B minor, op. 30 no. 2 | — | ||
| 5-20 | Mazurka no. 20 in D‐flat major, op. 30 no. 3 | — | ||
| 5-21 | Mazurka no. 21 in C‐sharp minor, op. 30 no. 4 | — | ||
| 5-22 | Mazurka no. 22 in G‐sharp minor, op. 33 no. 1 | — | ||
| 5-23 | Mazurka no. 23 in D major, op. 33 no. 2 | — | ||
| 5-24 | Mazurka no. 24 in C major, op. 33 no. 3 | — | ||
| 5-25 | Mazurka no. 25 in B minor, op. 33 no. 4 | — | ||
| 5-26 | Mazurka no. 26 in C‐sharp minor, op. 41 no. 1 | — | ||
| 5-27 | Mazurka No. 27 in E minor op.41 No. 2 | Frédéric Chopin | — | |
| 5-28 | Mazurka no. 28 in B major, op. 41 no. 3 | — | ||
| 5-29 | Mazurka no. 29 in A‐flat major, op. 41 no. 4 | — | ||
| 6-1 | Mazurka no. 30 in G major, op. 50 no. 1 | — | ||
| 6-2 | Mazurka no. 31 in A‐flat major, op. 50 no. 2 | — | ||
| 6-3 | Mazurka no. 32 in C‐sharp minor, op. 50 no. 3 | — | ||
| 6-4 | Mazurka no. 33 in B major, op. 56 no. 1 | — | ||
| 6-5 | Mazurka no. 34 in C major, op. 56 no. 2 | — | ||
| 6-6 | Mazurka no. 35 in C minor, op. 56 no. 3 | — | ||
| 6-7 | Mazurka no. 36 in A minor, op. 59 no. 1 | — | ||
| 6-8 | Mazurka no. 37 in A‐flat major, op. 59 no. 2 | — | ||
| 6-9 | Mazurka no. 38 in F‐sharp minor, op. 59 no. 3 | — | ||
| 6-10 | Mazurka no. 39 in B major, op. 63 no. 1 | — | ||
| 6-11 | Mazurka no. 40 in F minor, op. 63 no. 2 | — | ||
| 6-12 | Mazurka no. 41 in C‐sharp minor, op. 63 no. 3 | — | ||
| 6-13 | Mazurka no. 42 in G major, op. 67 no. 1 | — | ||
| 6-14 | Mazurka no. 43 in G minor, op. 67 no. 2 | — | ||
| 6-15 | Mazurka no. 44 in C major, op. 67 no. 3 | — | ||
| 6-16 | Mazurka no. 45 in A minor, op. 67 no. 4 | — | ||
| 6-17 | Mazurka no. 46 in C major, op. 68 no. 1 | — | ||
| 6-18 | Mazurka no. 47 in A minor, op. 68 no. 2 | — | ||
| 6-19 | Mazurka no. 48 in F major, op. 68 no. 3 | — | ||
| 6-20 | Mazurka no. 49 in F minor, op. 68 no. 4 | — | ||
| 6-21 | Mazurka in A minor “à Émile Gaillard”, B. 140 | — | ||
| 6-22 | Mazurka in A minor “Notre temps”, B. 134 | — | ||
| 6-23 | Mazurka in B‐flat major, B. 16 no. 2 | — | ||
| 6-24 | Mazurka in G major “Prague”, B. 16 no. 1 | — | ||
| 6-25 | Mazurka in A‐flat major “Szymanowska”, B. 85 | — | ||
| 6-26 | Mazurka in C major, B. 82 | — | ||
| 6-27 | Mazurka in B‐flat major “à Alexandra Wolowska”, B. 73 | — | ||
| 6-28 | Mazurka in D major, B. 71 | — | ||
| 7-1 | Nocturne no. 1 in B‐flat minor, op. 9 no. 1 | — | ||
| 7-2 | Nocturne no. 2 in E‐flat major, op. 9 no. 2 | — | ||
| 7-3 | Nocturne no. 3 in B major, op. 9 no. 3 | — | ||
| 7-4 | Nocturne no. 4 in F major, op. 15 no. 1 | — | ||
| 7-5 | Nocturne in F-sharp major, op. 15 no. 2 | Daniel Barenboim | T-306.230.833-8 | |
| 7-6 | Nocturne no. 6 in G minor, op. 15 no. 3 | — | ||
| 7-7 | Nocturne no. 7 in C‐sharp minor, op. 27 no. 1 | — | ||
| 7-8 | Nocturne no. 8 in D‐flat major, op. 27 no. 2 | — | ||
| 7-9 | Nocturne no. 9 in B major, op. 32 no. 1 | — | ||
| 7-10 | Nocturne no. 10 in A‐flat major, op. 32 no. 2 | — | ||
| 7-11 | Nocturne no. 11 in G minor, op. 37 no. 1 | — | ||
| 8-1 | Nocturne no. 12 in G major, op. 37 no. 2 | — | ||
| 8-2 | Nocturne no. 13 in C minor, op. 48 no. 1 | — | ||
| 8-3 | Nocturne no. 14 in F‐sharp minor, op. 48 no. 2 | — | ||
| 8-4 | Nocturne no. 15 in F minor, op. 55 no. 1: Andante | Daniel Barenboim | T-321.286.787-9 | |
| 8-5 | Nocturne no. 16 in E-flat major, op. 55 no. 2: Lento Sostenuto | Daniel Barenboim | — | |
| 8-6 | Nocturne no. 17 in B major, op. 62 no. 1: Andante | Daniel Barenboim | — | |
| 8-7 | Nocturne no. 18 in E major, op. 62 no. 2: Lento | Daniel Barenboim | T-906.148.797-6 | |
| 8-8 | Nocturne no. 19 in E minor, op. 72 no. 1: Andante | Daniel Barenboim | T-905.040.158-6 | |
| 8-9 | Nocturne no. 20 in C-sharp minor, B. 49: Lento con Gran Espressione | Daniel Barenboim | — | |
| 8-10 | Nocturne no. 21 in C minor, B. 108 | Daniel Barenboim | — | |
| 9-1 | Polonaise no. 1 in C‐sharp minor, op. 26 no. 1: Allegro appassionato | Maurizio Pollini | — | |
| 9-2 | Polonaise no. 2 in E-flat minor, op. 26 no. 2: Maestoso | Maurizio Pollini | — | |
| 9-3 | Polonaise no. 3 in A major, op. 40 no. 1 "Military": Allegro con brio | Maurizio Pollini | — | |
| 9-4 | Polonaise no. 4 in C minor, op. 40 no. 2: Allegro maestoso | Maurizio Pollini | T-922.054.556-2 | |
| 9-5 | Polonaise no. 5 in F-sharp minor, op. 44: Tempo di polacca - doppio movimento, tempo di Mazurka - Tempo I | Maurizio Pollini | T-918.019.319-5 | |
| 9-6 | Polonaise no. 6 in A-flat major, op. 53 "Heroic": Maestoso | Maurizio Pollini | T-060.274.630-4 | |
| 9-7 | Polonaise-Fantaisie no. 7 in A-flat major, op. 61: Allegro maestoso | Maurizio Pollini | — | |
| 10-1 | Andante Spianato and Grande Polonaise, Op. 22: I. Andante spianato: Tranquillo | Martha Argerich | — | |
| 10-2 | Andante spianato et Grande polonaise brillante in E-flat Major, op. 22: Polonaise. Allegro molto | Martha Argerich | T-902.781.050-0 | |
| 10-3 | Polonaise No. 8 in D minor, Op. 71 No. 1 | Anatol Ugorski | — | |
| 10-4 | Polonaise No. 9 in B flat major, Op. 71 No. 2 | Anatol Ugorski | — | |
| 10-5 | Polonaise No. 10 in F minor, Op. 71 No. 3 | Anatol Ugorski | — | |
| 10-6 | Polonaise in B flat minor, B. 13 | Anatol Ugorski | — | |
| 10-7 | Polonaise in G flat major, B. 36 | Anatol Ugorski | — | |
| 10-8 | Polonaise in G minor, B. 1 | Anatol Ugorski | T-106.634.516-0 | |
| 10-9 | Polonaise in B flat major, B. 3 | Anatol Ugorski | T-918.019.319-5 | |
| 10-10 | Polonaise in A flat major, B. 5 | Anatol Ugorski | T-060.274.630-4 | |
| 10-11 | Polonaise in G sharp minor, B. 6 | Anatol Ugorski | — | |
| 10-12 | Bourrée in G minor, B. 160 No. 1 | Anatol Ugorski | T-917.141.447-4 | |
| 10-13 | 2 Bourrees, B160b: No. 2 In A Major | Frédéric Chopin | — | |
| 10-14 | Galop in A flat major "Marquis", KK IV/c13 | Anatol Ugorski | — | |
| 10-15 | Moderato in E major "Albumleaf", B. 151 | Anatol Ugorski | T-902.781.050-0 | |
| 10-16 | Cantabile in B flat major, B. 84 | Anatol Ugorski | — | |
| 10-17 | Fugue in A minor, B. 144 | Anatol Ugorski | — | |
| 10-18 | Largo in E flat major, B. 109 | Anatol Ugorski | T-106.670.526-6 | |
| 11-1 | 24 Préludes, op. 28 no. 1 in C major: Agitato | Martha Argerich | — | |
| 11-2 | 24 Préludes, Op. 28: No. 1 in C Major | Martha Argerich | — | |
| 11-3 | 24 Préludes, op. 28 no. 3 in G major: Vivace | Martha Argerich | — | |
| 11-4 | 24 Préludes, op. 28 no. 4 in E minor: Largo | Martha Argerich | — | |
| 11-5 | 24 Préludes, Op. 28: No. 4 in E Minor | Martha Argerich | T-902.764.002-4 | |
| 11-6 | 24 Préludes, Op. 28: No. 5 in D Major | Martha Argerich | T-912.623.361-2 | |
| 11-7 | 24 Préludes, Op. 28: No. 6 in B Minor: Lento assai | Martha Argerich | T-308.384.655-9 | |
| 11-8 | 24 Préludes, Op. 28: No. 7 in A Major | Martha Argerich | T-915.710.750-1 | |
| 11-9 | 24 Préludes, op. 28 no. 9 in E major: Largo | Martha Argerich | T-909.573.827-5 | |
| 11-10 | 24 Préludes, op. 28 no. 9 in E major: Largo | Martha Argerich | T-906.148.797-6 | |
| 11-11 | 24 Préludes, op. 28 no. 10 in C‐sharp minor: Allegro molto | Martha Argerich | T-918.063.801-1 | |
| 11-12 | 24 Préludes, op. 28 no. 12 in G‐sharp minor: Presto | Martha Argerich | — | |
| 11-13 | 24 Préludes, Op. 28: No. 12. in G‐Sharp Minor | Martha Argerich | T-702.884.109-2 | |
| 11-14 | 24 Préludes, op. 28 no. 14 in E‐flat minor: Allegro | Martha Argerich | T-918.063.801-1 | |
| 11-15 | 24 Préludes, op. 28 no. 15 in D‐flat major: Sostenuto | Martha Argerich | T-306.229.926-3 | |
| 11-16 | 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — | |
| 11-17 | 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — | |
| 11-18 | 24 Préludes, op. 28 no. 17 in A‐flat major: Allegretto | Martha Argerich | T-903.060.250-7 | |
| 11-19 | 24 Préludes, op. 28 no. 19 in E‐flat major: Vivace | Martha Argerich | T-906.148.797-6 | |
| 11-20 | 24 Préludes, op. 28 no. 20 in C minor: Largo | Martha Argerich | T-310.766.142-3 | |
| 11-22 | 24 Préludes, op. 28 no. 22 in G minor: Molto agitato | Martha Argerich | — | |
| 11-23 | 24 Préludes, op. 28 no. 23 in F major: Moderato | Martha Argerich | T-917.141.447-4 | |
| 11-24 | 24 Préludes, op. 28 no. 23 in F major: Moderato | Martha Argerich | — | |
| 11-25 | Prélude in C‐sharp minor, op. 45: Sostenuto | Martha Argerich | — | |
| 11-26 | Prélude in A‐flat major, op. posth.: Presto con leggierezza | Martha Argerich | — | |
| 11-27 | Impromptu no. 1 in A‐flat major, op. 29 | — | ||
| 11-28 | Impromptu no. 2 in F‐sharp major, op. 36 | — | ||
| 11-29 | Impromptu no. 3 in G‐flat major, op. 51 | — | ||
| 11-30 | Impromptu no. 4 in C‐sharp minor “Fantasy‐Impromptu”, op. 66 | — | ||
| 12-1 | Scherzo no. 1 in B minor, op. 20 | Maurizio Pollini | T-308.384.655-9 | |
| 12-2 | Scherzo no. 2 in B‐flat minor, op. 31 | Maurizio Pollini | — | |
| 12-3 | Scherzo no. 3 in C‐sharp minor, op. 39 | Maurizio Pollini | T-918.063.801-1 | |
| 12-4 | Scherzo no. 4 in E major, op. 54 | Maurizio Pollini | — | |
| 12-5 | Rondo in C minor, Op. 1 | Lilya Zilberstein | T-106.648.488-4 | |
| 12-6 | Rondo à la Mazur in F major, Op. 5 | Lilya Zilberstein | T-106.648.493-1 | |
| 12-7 | Introduction in C minor and Rondo in E flat major, Op. 16 | Михаил Васильевич Плетнёв | — | |
| 12-8 | Rondo in C major, Op. 73 | Kurt Bauer, Heidi Bung | — | |
| 13-1 | Piano Sonata no. 1 in C minor, op. 4: I. Allegro maestoso | Lilya Zilberstein | — | |
| 13-2 | Piano Sonata no. 1 in C minor, op. 4: II. Menuetto: Allegretto | Lilya Zilberstein | — | |
| 13-3 | Piano Sonata no. 1 in C minor, op. 4: III. Larghetto | Lilya Zilberstein | — | |
| 13-4 | Piano Sonata no. 1 in C minor, op. 4: IV. Finale: Presto | Lilya Zilberstein | T-309.554.578-7 | |
| 13-5 | Piano Sonata No. 2 in B flat minor, Op. 35: I. Grave - Doppio movimento | Maurizio Pollini | — | |
| 13-6 | Piano Sonata No. 2 in B flat minor, Op. 35: II. Scherzo | Maurizio Pollini | — | |
| 13-7 | Piano Sonata No. 2 in B flat minor, Op. 35: III. Marche funèbre. Lento - attacca: | Maurizio Pollini | T-915.712.196-5 | |
| 13-8 | Piano Sonata no. 2 in B-flat minor, op. 35: IV. Finale. Presto | Maurizio Pollini | T-309.554.578-7 | |
| 13-9 | Piano Sonata No. 3, Op. 58: I. Allegro maestoso | Maurizio Pollini | T-911.517.582-1 | |
| 13-10 | Piano Sonata No. 3, Op. 58: II. Scherzo. Molto vivace | Maurizio Pollini | T-911.517.582-1 | |
| 13-11 | Piano Sonata No. 3, Op. 58: III. Largo | Maurizio Pollini | T-911.517.582-1 | |
| 13-12 | Piano Sonata No. 3, Op. 58: IV. Finale. Presto ma non tanto | Maurizio Pollini | T-309.554.578-7 | |
| 14-1 | Introduction and Variations on a German Air in E major “Der Schweizerbub”, B. 14 | — | ||
| 14-2 | Variations in A major “Souvenir de Paganini”, B. 37 | — | ||
| 14-3 | Variations brillantes on “Je vends des scapulaires” (from Hérold’s “Ludovic”) in B‐flat major, op. 12 | — | ||
| 14-4 | Variations on a Theme of Moore in D major, B. 12a | Vladimir Ashkenazy, Vovka Ashkenazy | — | |
| 14-5 | Hexaméron: Variation no. 6 in E major | Vladimir Ashkenazy | — | |
| 14-6 | Allegro de Concert in A major, op. 46 | Vladimir Ashkenazy | — | |
| 14-7 | Bolero, op. 19 | — | ||
| 14-8 | Tarantella in A‐flat major, op. 43 | — | ||
| 15-1 | Waltz no. 1 in E‐flat major “Grande valse brillante”, op. 18 | — | ||
| 15-2 | Waltz no. 2 in A‐flat major, op. 34 no. 1 | — | ||
| 15-3 | Waltz no. 3 in A minor, op. 34 no. 2 | — | ||
| 15-4 | Waltz no. 4 in F major, op. 34 no. 3 | — | ||
| 15-5 | Waltz no. 5 in A‐flat major, op. 42 “Grande valse” | — | ||
| 15-6 | Waltz in D-flat major, Op. 64 No. 1 "Minutewaltz" | Jean-Marc Luisada | T-918.248.975-4 | |
| 15-7 | Waltz no. 7 in C‐sharp minor, op. 64 no. 2 | — | ||
| 15-8 | Waltz no. 8 in A‐flat major, op. 64 no. 3 | — | ||
| 15-9 | Waltz no. 9 in A‐flat major, op. 69 no. 1 “L’adieu” | — | ||
| 15-10 | Waltz no. 10 in B minor, op. 69 no. 2 | — | ||
| 15-11 | Waltz no. 11 in G‐flat major, op. 70 no. 1 | — | ||
| 15-12 | Waltz no. 12 in F minor, op. 70 no. 2 | — | ||
| 15-13 | Waltz no. 13 in D‐flat major, op. 70 no. 3 | — | ||
| 15-14 | Waltz no. 14 in E minor, B. 56 | — | ||
| 15-15 | Waltz no. 16 in A‐flat major, B. 21 | — | ||
| 15-16 | Waltz no. 15 in E major, B. 44 | — | ||
| 15-17 | Waltz no. 17 in E‐flat major, B. 46 | — | ||
| 15-18 | Waltz in E‐flat major “Sostenuto”, B. 133 | — | ||
| 15-19 | Waltz in A minor, B. 150 | — | ||
| 16-1 | Piano Trio in G minor, Op. 8: I. Allegro con fuoco | Beaux Arts Trio | — | |
| 16-2 | Piano Trio in G minor, Op. 8: II. Scherzo: Con moto ma non troppo | Beaux Arts Trio | — | |
| 16-3 | Piano Trio in G minor, Op. 8: III. Adagio sostenuto | Beaux Arts Trio | — | |
| 16-4 | Piano Trio in G minor, Op. 8: IV. Allegretto | Beaux Arts Trio | T-318.676.528-2 | |
| 16-5 | Introduction and Polonaise brillante in C major, op. 3 | Martha Argerich, Mstislav Rostropovich | — | |
| 16-6 | Grand Duo Concertant in E major on Themes from "Robert le Diable", B. 70 | Frédéric Chopin | — | |
| 16-7 | Sonata for Piano and Violoncello in G minor, op. 65: I. Allegro moderato | Martha Argerich, Mstislav Rostropovich | T-902.781.050-0 | |
| 16-8 | Sonata for Piano and Violoncello in G minor, op. 65: II. Scherzo. Allegro con brio | Martha Argerich, Mstislav Rostropovich | — | |
| 16-9 | Sonata for Piano and Violoncello in G minor, op. 65: III. Largo | Martha Argerich, Mstislav Rostropovich | — | |
| 16-10 | Sonata for Piano and Violoncello in G minor, op. 65: IV. Finale. Allegro | Martha Argerich, Mstislav Rostropovich | T-318.676.528-2 | |
| 17-1 | Życzenie, Op. 74 No. 1 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-2 | Wiosna, Op. 74 No. 2 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-3 | Smutna rzeka, Op. 74 No. 3 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-4 | Hulanka, Op. 74 No. 4 | Elzbieta Szmytka, Malcolm Martineau | T-932.644.323-6 | |
| 17-5 | Gdzie lubi, Op. 74 No. 5 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-6 | Precz z moich oczu, Op. 74 No. 6 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-7 | Poseł, Op. 74 No. 7 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-8 | Śliczny chłopiec, Op. 74 No. 8 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-9 | Melodia, Op. 74 No. 9 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-10 | Wojak, Op. 74 No. 10 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-11 | Dwojaki koniec, Op. 74 No. 11 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-12 | Moja pieszczotka, Op. 74 No. 12 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-13 | Nie ma czego trzeba, Op. 74 No. 13 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-14 | Pierścień, Op. 74 No. 14 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-15 | Narzeczony, Op. 74 No. 15 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-16 | Piosnka litewska, Op. 74 No. 16 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-17 | Śpiew z mogiły, Op. 74 No. 17 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-18 | Czary, B. 51 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-19 | Dumka, B. 132 | Elzbieta Szmytka, Malcolm Martineau | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 24 Préludes, op. 28 no. 14 in E‐flat minor: Allegro | Martha Argerich | — |
| 24 Préludes, op. 28 no. 18 in F minor: Allegro molto | Martha Argerich | T-918.063.801-1 |
| Prelude in D minor, Op. 28 No. 24 | Martha Argerich | T-902.876.200-7 |
