UPC · Release
Complete Edition
Chopin
0028946304723
257 tracksReleased 1999-08-03
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0028946304723 is the Universal Product Code (UPC barcode) for the release “Complete Edition” by Chopin, released 1999-08-03. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 257 tracks, each with its own ISRC. Tracks include NLA037902011, NLA037902012, NLA037902013.
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Credit Chain
UPCComplete Edition
ISRC162 recordings
ISWC30 works
IPI1 songwriter
Track List (257)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | Krystian Zimerman, Koninklijk Concertgebouworkest, Кирилл Петрович Кондрашин | — | |
| 2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance: Larghetto | Krystian Zimerman, Koninklijk Concertgebouworkest, Кирилл Петрович Кондрашин | — | |
| 3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo: Vivace | Krystian Zimerman, Koninklijk Concertgebouworkest, Кирилл Петрович Кондрашин | — | |
| 4 | Piano Concerto no. 2 in F minor, op. 21: Maestoso | Krystian Zimerman, Los Angeles Philharmonic, Carlo Maria Giulini | — | |
| 5 | Piano Concerto no. 2 in F minor, op. 21: Larghetto | Krystian Zimerman, Los Angeles Philharmonic, Carlo Maria Giulini | T-800.132.125-2 | |
| 6 | Piano Concerto no. 2 in F minor, op. 21: Allegro vivace | Krystian Zimerman, Los Angeles Philharmonic, Carlo Maria Giulini | T-902.804.388-1 | |
| 2-1 | Variations on "Là ci darem la mano" (from Mozart's "Don Giovanni") in B flat major, Op. 2 | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 2-2 | Fantasia on Polish Airs in A major, op. 13 | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 2-3 | Krakowiak, op. 14 | Stefan Askenase, Hague Resident Orchestra, Willem van Otterloo | — | |
| 2-4 | Grande Polonaise brillante précédée d'un Andante spianato Es-Dur, op. 22: Andante spianato. Tranquillo | Krystian Zimerman, London Philharmonic Orchestra, Carlo Maria Giulini | T-301.225.953-5 | |
| 2-5 | Grande Polonaise brillante précédée d'un Andante spianato Es-Dur, op. 22: Polonaise. Allegro molto | Krystian Zimerman, London Philharmonic Orchestra, Carlo Maria Giulini | T-301.225.953-5 | |
| 3-1 | Ballade no. 1 in G minor, op. 23 | Krystian Zimerman | T-917.141.447-4 | |
| 3-2 | Ballade no. 2 in F major, op. 38 | Krystian Zimerman | — | |
| 3-3 | Ballade no. 3 in A‐flat major, op. 47 | Krystian Zimerman | T-913.821.070-5 | |
| 3-4 | Ballade no. 4 in F minor, op. 52 | Krystian Zimerman | — | |
| 3-5 | Fantaisie in F minor, op. 49 | Krystian Zimerman | — | |
| 3-6 | Nouvelle étude in F minor, B. 130 no. 1 | Anatol Ugorski | — | |
| 3-7 | Etude in A flat, Op. posth. “ Méthode des méthodes “ | Frédéric Chopin | — | |
| 3-8 | Nouvelle étude in D‐flat major, B. 130 no. 3 | Anatol Ugorski | — | |
| 3-9 | Funeral March in C minor, op. 72 no. 2 | Anatol Ugorski | — | |
| 3-10 | Ecossaise no. 1 in D major, op. 72 no. 3a | Anatol Ugorski | — | |
| 3-11 | Ecossaise no. 2 in G major, op. 72 no. 3b | Anatol Ugorski | — | |
| 3-12 | Ecossaise no. 3 in D‐flat major, op. 72 no. 3c | Anatol Ugorski | T-913.821.070-5 | |
| 4-1 | Études op. 10: No. 1 in C major: Allegro | Maurizio Pollini | T-329.456.966-3 | |
| 4-2 | Études op. 10: No. 2 in A minor “Chromatique”: Allegro | Maurizio Pollini | T-329.458.384-5 | |
| 4-3 | Études op. 10: No. 3 in E major “Tristesse”: Lento, ma non troppo | Maurizio Pollini | T-329.459.340-7 | |
| 4-4 | Études op. 10: No. 4 in C‐sharp minor: Presto | Maurizio Pollini | T-915.981.383-9 | |
| 4-5 | Études op. 10: No. 5 in G‐flat major “Black Keys”: Vivace | Maurizio Pollini | T-329.453.534-1 | |
| 4-6 | Études op. 10: No. 6 in E‐flat minor: Andante | Maurizio Pollini | T-329.458.108-7 | |
| 4-7 | Études op. 10: No. 7 in C major: Vivace | Maurizio Pollini | T-329.457.242-8 | |
| 4-8 | Études op. 10: No. 8 in F major: Allegro | Maurizio Pollini | T-329.458.487-1 | |
| 4-9 | Études op. 10: No. 9 in F minor: Allegro, molto agitato | Maurizio Pollini | T-329.456.945-8 | |
| 4-10 | Études op. 10: No. 10 in A‐flat major: Vivace assai | Maurizio Pollini | T-329.454.326-9 | |
| 4-11 | Études, op. 10: No. 11 in E‐flat major: Allegretto | Maurizio Pollini | T-329.456.687-9 | |
| 4-12 | Études, op. 10: No. 12 in C minor “Revolutionary”: Allegro con fuoco | Maurizio Pollini | T-915.981.383-9 | |
| 4-13 | 12 Études, Op. 25: No. 1 in A‐Flat Major “Harp Study” | Maurizio Pollini | — | |
| 4-14 | Études, op. 25: No. 2 in F minor: Presto | Maurizio Pollini | T-329.456.945-8 | |
| 4-15 | Études, op. 25: No. 3 in F major: Allegro | Maurizio Pollini | T-329.456.945-8 | |
| 4-16 | Études, op. 25: No. 4 in A minor: Agitato | Maurizio Pollini | T-329.457.500-7 | |
| 4-17 | Études, op. 25: No. 5 in E minor: Vivace | Maurizio Pollini | T-329.458.108-7 | |
| 4-18 | Études, op. 25: No. 6 in G sharp minor: Allegro | Maurizio Pollini | T-915.981.383-9 | |
| 4-19 | Etude no. 19 in C‐sharp minor, op. 25 no. 7 | Maurizio Pollini | T-915.981.383-9 | |
| 4-20 | Études, op. 25: No. 8 in D flat major: Vivace | Maurizio Pollini | — | |
| 4-21 | 12 Études, Op. 25: No. 9 in G‐Flat Major “Butterfly Wings” | Maurizio Pollini | — | |
| 4-22 | 12 Études, Op. 25: No. 10 in B Minor “Octave” | Maurizio Pollini | T-308.384.655-9 | |
| 4-23 | 12 Études, Op. 25: No. 11 in A Minor “Winter Wind” | Maurizio Pollini | T-308.381.369-4 | |
| 4-24 | 12 Études, Op. 25: No. 12 in C Minor “Ocean” | Maurizio Pollini | T-310.766.142-3 | |
| 4-25 | Barcarolle in F-sharp major, Op. 60 | Maurizio Pollini | T-905.382.146-8 | |
| 4-26 | Berceuse in D flat, Op. 57 | Maurizio Pollini | — | |
| 5-1 | Mazurka no. 1 in F‐sharp minor, op. 6 no. 1 | — | ||
| 5-2 | Mazurka no. 2 in C‐sharp minor, op. 6 no. 2 | — | ||
| 5-3 | Mazurka no. 3 in E major, op. 6 no. 3 | — | ||
| 5-4 | Mazurka No. 4 in E flat minor, Op. 6 No. 4 | Jean-Marc Luisada | T-329.453.978-5 | |
| 5-5 | Mazurka no. 5 in B‐flat major, op. 7 no. 1 | — | ||
| 5-6 | Mazurka no. 6 in A minor, op. 7 no. 2 | — | ||
| 5-7 | Mazurka no. 7 in F minor, op. 7 no. 3 | — | ||
| 5-8 | Mazurka no. 8 in A‐flat major, op. 7 no. 4 | — | ||
| 5-9 | Mazurka no. 9 in C major, op. 7 no. 5 | — | ||
| 5-10 | Mazurka no. 10 in B‐flat major, op. 17 no. 1 | — | ||
| 5-11 | Mazurka no. 11 in E minor, op. 17 no. 2 | — | ||
| 5-12 | Mazurka no. 12 in A‐flat major, op. 17 no. 3 | — | ||
| 5-13 | Mazurka no. 13 in A minor, op. 17 no. 4 | — | ||
| 5-14 | Mazurka no. 14 in G minor, op. 24 no. 1 | — | ||
| 5-15 | Mazurka no. 15 in C major, op. 24 no. 2 | — | ||
| 5-16 | Mazurka no. 16 in A‐flat major, op. 24 no. 3 | — | ||
| 5-17 | Mazurka no. 17 in B‐flat minor, op. 24 no. 4 | — | ||
| 5-18 | Mazurka no. 18 in C minor, op. 30 no. 1 | — | ||
| 5-19 | Mazurka no. 19 in B minor, op. 30 no. 2 | — | ||
| 5-20 | Mazurka no. 20 in D‐flat major, op. 30 no. 3 | — | ||
| 5-21 | Mazurka no. 21 in C‐sharp minor, op. 30 no. 4 | — | ||
| 5-22 | Mazurka no. 22 in G‐sharp minor, op. 33 no. 1 | — | ||
| 5-23 | Mazurka no. 23 in D major, op. 33 no. 2 | — | ||
| 5-24 | Mazurka no. 24 in C major, op. 33 no. 3 | — | ||
| 5-25 | Mazurka no. 25 in B minor, op. 33 no. 4 | — | ||
| 5-26 | Mazurka no. 26 in C‐sharp minor, op. 41 no. 1 | — | ||
| 5-27 | Mazurka No. 27 in E minor op.41 No. 2 | Frédéric Chopin | — | |
| 5-28 | Mazurka no. 28 in B major, op. 41 no. 3 | — | ||
| 5-29 | Mazurka no. 29 in A‐flat major, op. 41 no. 4 | — | ||
| 6-1 | Mazurka no. 30 in G major, op. 50 no. 1 | — | ||
| 6-2 | Mazurka no. 31 in A‐flat major, op. 50 no. 2 | — | ||
| 6-3 | Mazurka no. 32 in C‐sharp minor, op. 50 no. 3 | — | ||
| 6-4 | Mazurka no. 33 in B major, op. 56 no. 1 | — | ||
| 6-5 | Mazurka no. 34 in C major, op. 56 no. 2 | — | ||
| 6-6 | Mazurka no. 35 in C minor, op. 56 no. 3 | — | ||
| 6-7 | Mazurka no. 36 in A minor, op. 59 no. 1 | — | ||
| 6-8 | Mazurka no. 37 in A‐flat major, op. 59 no. 2 | — | ||
| 6-9 | Mazurka no. 38 in F‐sharp minor, op. 59 no. 3 | — | ||
| 6-10 | Mazurka no. 39 in B major, op. 63 no. 1 | — | ||
| 6-11 | Mazurka no. 40 in F minor, op. 63 no. 2 | — | ||
| 6-12 | Mazurka no. 41 in C‐sharp minor, op. 63 no. 3 | — | ||
| 6-13 | Mazurka no. 42 in G major, op. 67 no. 1 | — | ||
| 6-14 | Mazurka no. 43 in G minor, op. 67 no. 2 | — | ||
| 6-15 | Mazurka no. 44 in C major, op. 67 no. 3 | — | ||
| 6-16 | Mazurka no. 45 in A minor, op. 67 no. 4 | — | ||
| 6-17 | Mazurka no. 46 in C major, op. 68 no. 1 | — | ||
| 6-18 | Mazurka no. 47 in A minor, op. 68 no. 2 | — | ||
| 6-19 | Mazurka no. 48 in F major, op. 68 no. 3 | — | ||
| 6-20 | Mazurka no. 49 in F minor, op. 68 no. 4 | — | ||
| 6-21 | Mazurka in A minor “à Émile Gaillard”, B. 140 | — | ||
| 6-22 | Mazurka in A minor “Notre temps”, B. 134 | — | ||
| 6-23 | Mazurka in B‐flat major, B. 16 no. 2 | — | ||
| 6-24 | Mazurka in G major “Prague”, B. 16 no. 1 | — | ||
| 6-25 | Mazurka in A‐flat major “Szymanowska”, B. 85 | — | ||
| 6-26 | Mazurka in C major, B. 82 | — | ||
| 6-27 | Mazurka in B‐flat major “à Alexandra Wolowska”, B. 73 | — | ||
| 6-28 | Mazurka in D major, B. 71 | — | ||
| 7-1 | Nocturne no. 1 in B‐flat minor, op. 9 no. 1 | — | ||
| 7-2 | Nocturne no. 2 in E‐flat major, op. 9 no. 2 | — | ||
| 7-3 | Nocturne no. 3 in B major, op. 9 no. 3 | — | ||
| 7-4 | Nocturne no. 4 in F major, op. 15 no. 1 | — | ||
| 7-5 | Nocturne in F-sharp major, op. 15 no. 2 | Daniel Barenboim | T-306.230.833-8 | |
| 7-6 | Nocturne no. 6 in G minor, op. 15 no. 3 | — | ||
| 7-7 | Nocturne no. 7 in C‐sharp minor, op. 27 no. 1 | — | ||
| 7-8 | Nocturne no. 8 in D‐flat major, op. 27 no. 2 | — | ||
| 7-9 | Nocturne no. 9 in B major, op. 32 no. 1 | — | ||
| 7-10 | Nocturne no. 10 in A‐flat major, op. 32 no. 2 | — | ||
| 7-11 | Nocturne no. 11 in G minor, op. 37 no. 1 | — | ||
| 8-1 | Nocturne no. 12 in G major, op. 37 no. 2 | — | ||
| 8-2 | Nocturne no. 13 in C minor, op. 48 no. 1 | — | ||
| 8-3 | Nocturne no. 14 in F‐sharp minor, op. 48 no. 2 | — | ||
| 8-4 | Nocturne no. 15 in F minor, op. 55 no. 1: Andante | Daniel Barenboim | T-321.286.787-9 | |
| 8-5 | Nocturne no. 16 in E-flat major, op. 55 no. 2: Lento Sostenuto | Daniel Barenboim | — | |
| 8-6 | Nocturne no. 17 in B major, op. 62 no. 1: Andante | Daniel Barenboim | — | |
| 8-7 | Nocturne no. 18 in E major, op. 62 no. 2: Lento | Daniel Barenboim | T-906.148.797-6 | |
| 8-8 | Nocturne no. 19 in E minor, op. 72 no. 1: Andante | Daniel Barenboim | T-905.040.158-6 | |
| 8-9 | Nocturne no. 20 in C-sharp minor, B. 49: Lento con Gran Espressione | Daniel Barenboim | — | |
| 8-10 | Nocturne no. 21 in C minor, B. 108 | Daniel Barenboim | — | |
| 9-1 | Polonaise no. 1 in C‐sharp minor, op. 26 no. 1: Allegro appassionato | Maurizio Pollini | — | |
| 9-2 | Polonaise no. 2 in E-flat minor, op. 26 no. 2: Maestoso | Maurizio Pollini | — | |
| 9-3 | Polonaise no. 3 in A major, op. 40 no. 1 "Military": Allegro con brio | Maurizio Pollini | — | |
| 9-4 | Polonaise no. 4 in C minor, op. 40 no. 2: Allegro maestoso | Maurizio Pollini | T-922.054.556-2 | |
| 9-5 | Polonaise no. 5 in F-sharp minor, op. 44: Tempo di polacca - doppio movimento, tempo di Mazurka - Tempo I | Maurizio Pollini | T-918.019.319-5 | |
| 9-6 | Polonaise no. 6 in A-flat major, op. 53 "Heroic": Maestoso | Maurizio Pollini | T-060.274.630-4 | |
| 9-7 | Polonaise-Fantaisie no. 7 in A-flat major, op. 61: Allegro maestoso | Maurizio Pollini | — | |
| 10-1 | Andante Spianato and Grande Polonaise, Op. 22: I. Andante spianato: Tranquillo | Martha Argerich | — | |
| 10-2 | Andante spianato et Grande polonaise brillante in E-flat Major, op. 22: Polonaise. Allegro molto | Martha Argerich | T-902.781.050-0 | |
| 10-3 | Polonaise No. 8 in D minor, Op. 71 No. 1 | Anatol Ugorski | — | |
| 10-4 | Polonaise No. 9 in B flat major, Op. 71 No. 2 | Anatol Ugorski | — | |
| 10-5 | Polonaise No. 10 in F minor, Op. 71 No. 3 | Anatol Ugorski | — | |
| 10-6 | Polonaise in B flat minor, B. 13 | Anatol Ugorski | — | |
| 10-7 | Polonaise in G flat major, B. 36 | Anatol Ugorski | — | |
| 10-8 | Polonaise in G minor, B. 1 | Anatol Ugorski | T-106.634.516-0 | |
| 10-9 | Polonaise in B flat major, B. 3 | Anatol Ugorski | T-918.019.319-5 | |
| 10-10 | Polonaise in A flat major, B. 5 | Anatol Ugorski | T-060.274.630-4 | |
| 10-11 | Polonaise in G sharp minor, B. 6 | Anatol Ugorski | — | |
| 10-12 | Bourrée in G minor, B. 160 No. 1 | Anatol Ugorski | T-917.141.447-4 | |
| 10-13 | 2 Bourrees, B160b: No. 2 In A Major | Frédéric Chopin | — | |
| 10-14 | Galop in A flat major "Marquis", KK IV/c13 | Anatol Ugorski | — | |
| 10-15 | Moderato in E major "Albumleaf", B. 151 | Anatol Ugorski | T-902.781.050-0 | |
| 10-16 | Cantabile in B flat major, B. 84 | Anatol Ugorski | — | |
| 10-17 | Fugue in A minor, B. 144 | Anatol Ugorski | — | |
| 10-18 | Largo in E flat major, B. 109 | Anatol Ugorski | T-106.670.526-6 | |
| 11-1 | 24 Préludes, op. 28 no. 1 in C major: Agitato | Martha Argerich | — | |
| 11-2 | 24 Préludes, Op. 28: No. 1 in C Major | Martha Argerich | — | |
| 11-3 | 24 Préludes, op. 28 no. 3 in G major: Vivace | Martha Argerich | — | |
| 11-4 | 24 Préludes, op. 28 no. 4 in E minor: Largo | Martha Argerich | — | |
| 11-5 | 24 Préludes, Op. 28: No. 4 in E Minor | Martha Argerich | T-902.764.002-4 | |
| 11-6 | 24 Préludes, Op. 28: No. 5 in D Major | Martha Argerich | — | |
| 11-7 | 24 Préludes, Op. 28: No. 6 in B Minor: Lento assai | Martha Argerich | T-308.384.655-9 | |
| 11-8 | 24 Préludes, Op. 28: No. 7 in A Major | Martha Argerich | T-915.710.750-1 | |
| 11-9 | 24 Préludes, op. 28 no. 9 in E major: Largo | Martha Argerich | T-909.573.827-5 | |
| 11-10 | 24 Préludes, op. 28 no. 9 in E major: Largo | Martha Argerich | T-906.148.797-6 | |
| 11-11 | 24 Préludes, op. 28 no. 10 in C‐sharp minor: Allegro molto | Martha Argerich | T-918.063.801-1 | |
| 11-12 | 24 Préludes, op. 28 no. 12 in G‐sharp minor: Presto | Martha Argerich | — | |
| 11-13 | 24 Préludes, Op. 28: No. 12. in G‐Sharp Minor | Martha Argerich | T-702.884.109-2 | |
| 11-14 | 24 Préludes, op. 28 no. 14 in E‐flat minor: Allegro | Martha Argerich | T-918.063.801-1 | |
| 11-15 | 24 Préludes, op. 28 no. 15 in D‐flat major: Sostenuto | Martha Argerich | T-306.229.926-3 | |
| 11-16 | 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — | |
| 11-17 | 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — | |
| 11-18 | 24 Préludes, op. 28 no. 17 in A‐flat major: Allegretto | Martha Argerich | T-903.060.250-7 | |
| 11-19 | 24 Préludes, op. 28 no. 19 in E‐flat major: Vivace | Martha Argerich | T-906.148.797-6 | |
| 11-20 | 24 Préludes, op. 28 no. 20 in C minor: Largo | Martha Argerich | T-310.766.142-3 | |
| 11-22 | 24 Préludes, op. 28 no. 22 in G minor: Molto agitato | Martha Argerich | — | |
| 11-23 | 24 Préludes, op. 28 no. 23 in F major: Moderato | Martha Argerich | T-917.141.447-4 | |
| 11-24 | 24 Préludes, op. 28 no. 23 in F major: Moderato | Martha Argerich | — | |
| 11-25 | Prélude in C‐sharp minor, op. 45: Sostenuto | Martha Argerich | — | |
| 11-26 | Prélude in A‐flat major, op. posth.: Presto con leggierezza | Martha Argerich | — | |
| 11-27 | Impromptu no. 1 in A‐flat major, op. 29 | — | ||
| 11-28 | Impromptu no. 2 in F‐sharp major, op. 36 | — | ||
| 11-29 | Impromptu no. 3 in G‐flat major, op. 51 | — | ||
| 11-30 | Impromptu no. 4 in C‐sharp minor “Fantasy‐Impromptu”, op. 66 | — | ||
| 12-1 | Scherzo no. 1 in B minor, op. 20 | Maurizio Pollini | T-308.384.655-9 | |
| 12-2 | Scherzo no. 2 in B‐flat minor, op. 31 | Maurizio Pollini | — | |
| 12-3 | Scherzo no. 3 in C‐sharp minor, op. 39 | Maurizio Pollini | T-918.063.801-1 | |
| 12-4 | Scherzo no. 4 in E major, op. 54 | Maurizio Pollini | — | |
| 12-5 | Rondo in C minor, Op. 1 | Lilya Zilberstein | T-106.648.488-4 | |
| 12-6 | Rondo à la Mazur in F major, Op. 5 | Lilya Zilberstein | T-106.648.493-1 | |
| 12-7 | Introduction in C minor and Rondo in E flat major, Op. 16 | Михаил Васильевич Плетнёв | — | |
| 12-8 | Rondo in C major, Op. 73 | Kurt Bauer, Heidi Bung | — | |
| 13-1 | Piano Sonata no. 1 in C minor, op. 4: I. Allegro maestoso | Lilya Zilberstein | — | |
| 13-2 | Piano Sonata no. 1 in C minor, op. 4: II. Menuetto: Allegretto | Lilya Zilberstein | — | |
| 13-3 | Piano Sonata no. 1 in C minor, op. 4: III. Larghetto | Lilya Zilberstein | — | |
| 13-4 | Piano Sonata no. 1 in C minor, op. 4: IV. Finale: Presto | Lilya Zilberstein | T-309.554.578-7 | |
| 13-5 | Piano Sonata No. 2 in B flat minor, Op. 35: I. Grave - Doppio movimento | Maurizio Pollini | — | |
| 13-6 | Piano Sonata No. 2 in B flat minor, Op. 35: II. Scherzo | Maurizio Pollini | — | |
| 13-7 | Piano Sonata No. 2 in B flat minor, Op. 35: III. Marche funèbre. Lento - attacca: | Maurizio Pollini | T-915.712.196-5 | |
| 13-8 | Piano Sonata no. 2 in B-flat minor, op. 35: IV. Finale. Presto | Maurizio Pollini | T-309.554.578-7 | |
| 13-9 | Piano Sonata No. 3, Op. 58: I. Allegro maestoso | Maurizio Pollini | T-911.517.582-1 | |
| 13-10 | Piano Sonata No. 3, Op. 58: II. Scherzo. Molto vivace | Maurizio Pollini | T-911.517.582-1 | |
| 13-11 | Piano Sonata No. 3, Op. 58: III. Largo | Maurizio Pollini | T-911.517.582-1 | |
| 13-12 | Piano Sonata No. 3, Op. 58: IV. Finale. Presto ma non tanto | Maurizio Pollini | T-309.554.578-7 | |
| 14-1 | Introduction and Variations on a German Air in E major “Der Schweizerbub”, B. 14 | — | ||
| 14-2 | Variations in A major “Souvenir de Paganini”, B. 37 | — | ||
| 14-3 | Variations brillantes on “Je vends des scapulaires” (from Hérold’s “Ludovic”) in B‐flat major, op. 12 | — | ||
| 14-4 | Variations on a Theme of Moore in D major, B. 12a | Vladimir Ashkenazy, Vovka Ashkenazy | — | |
| 14-5 | Hexaméron: Variation no. 6 in E major | Vladimir Ashkenazy | — | |
| 14-6 | Allegro de Concert in A major, op. 46 | Vladimir Ashkenazy | — | |
| 14-7 | Bolero, op. 19 | — | ||
| 14-8 | Tarantella in A‐flat major, op. 43 | — | ||
| 15-1 | Waltz no. 1 in E‐flat major “Grande valse brillante”, op. 18 | — | ||
| 15-2 | Waltz no. 2 in A‐flat major, op. 34 no. 1 | — | ||
| 15-3 | Waltz no. 3 in A minor, op. 34 no. 2 | — | ||
| 15-4 | Waltz no. 4 in F major, op. 34 no. 3 | — | ||
| 15-5 | Waltz no. 5 in A‐flat major, op. 42 “Grande valse” | — | ||
| 15-6 | Waltz in D-flat major, Op. 64 No. 1 "Minutewaltz" | Jean-Marc Luisada | T-918.248.975-4 | |
| 15-7 | Waltz no. 7 in C‐sharp minor, op. 64 no. 2 | — | ||
| 15-8 | Waltz no. 8 in A‐flat major, op. 64 no. 3 | — | ||
| 15-9 | Waltz no. 9 in A‐flat major, op. 69 no. 1 “L’adieu” | — | ||
| 15-10 | Waltz no. 10 in B minor, op. 69 no. 2 | — | ||
| 15-11 | Waltz no. 11 in G‐flat major, op. 70 no. 1 | — | ||
| 15-12 | Waltz no. 12 in F minor, op. 70 no. 2 | — | ||
| 15-13 | Waltz no. 13 in D‐flat major, op. 70 no. 3 | — | ||
| 15-14 | Waltz no. 14 in E minor, B. 56 | — | ||
| 15-15 | Waltz no. 16 in A‐flat major, B. 21 | — | ||
| 15-16 | Waltz no. 15 in E major, B. 44 | — | ||
| 15-17 | Waltz no. 17 in E‐flat major, B. 46 | — | ||
| 15-18 | Waltz in E‐flat major “Sostenuto”, B. 133 | — | ||
| 15-19 | Waltz in A minor, B. 150 | — | ||
| 16-1 | Piano Trio in G minor, Op. 8: I. Allegro con fuoco | Beaux Arts Trio | — | |
| 16-2 | Piano Trio in G minor, Op. 8: II. Scherzo: Con moto ma non troppo | Beaux Arts Trio | — | |
| 16-3 | Piano Trio in G minor, Op. 8: III. Adagio sostenuto | Beaux Arts Trio | — | |
| 16-4 | Piano Trio in G minor, Op. 8: IV. Allegretto | Beaux Arts Trio | T-318.676.528-2 | |
| 16-5 | Introduction and Polonaise brillante in C major, op. 3 | Martha Argerich, Mstislav Rostropovich | — | |
| 16-6 | Grand Duo Concertant in E major on Themes from "Robert le Diable", B. 70 | Frédéric Chopin | — | |
| 16-7 | Sonata for Piano and Violoncello in G minor, op. 65: I. Allegro moderato | Martha Argerich, Mstislav Rostropovich | T-902.781.050-0 | |
| 16-8 | Sonata for Piano and Violoncello in G minor, op. 65: II. Scherzo. Allegro con brio | Martha Argerich, Mstislav Rostropovich | — | |
| 16-9 | Sonata for Piano and Violoncello in G minor, op. 65: III. Largo | Martha Argerich, Mstislav Rostropovich | — | |
| 16-10 | Sonata for Piano and Violoncello in G minor, op. 65: IV. Finale. Allegro | Martha Argerich, Mstislav Rostropovich | T-318.676.528-2 | |
| 17-1 | Życzenie, Op. 74 No. 1 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-2 | Wiosna, Op. 74 No. 2 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-3 | Smutna rzeka, Op. 74 No. 3 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-4 | Hulanka, Op. 74 No. 4 | Elzbieta Szmytka, Malcolm Martineau | T-932.644.323-6 | |
| 17-5 | Gdzie lubi, Op. 74 No. 5 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-6 | Precz z moich oczu, Op. 74 No. 6 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-7 | Poseł, Op. 74 No. 7 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-8 | Śliczny chłopiec, Op. 74 No. 8 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-9 | Melodia, Op. 74 No. 9 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-10 | Wojak, Op. 74 No. 10 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-11 | Dwojaki koniec, Op. 74 No. 11 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-12 | Moja pieszczotka, Op. 74 No. 12 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-13 | Nie ma czego trzeba, Op. 74 No. 13 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-14 | Pierścień, Op. 74 No. 14 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-15 | Narzeczony, Op. 74 No. 15 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-16 | Piosnka litewska, Op. 74 No. 16 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-17 | Śpiew z mogiły, Op. 74 No. 17 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-18 | Czary, B. 51 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-19 | Dumka, B. 132 | Elzbieta Szmytka, Malcolm Martineau | — |
Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso
Krystian Zimerman, Koninklijk Concertgebouworkest, Кирилл Петрович Кондрашин
—
Piano Concerto no. 1 in E minor, op. 11: II. Romance: Larghetto
Krystian Zimerman, Koninklijk Concertgebouworkest, Кирилл Петрович Кондрашин
—
Piano Concerto no. 1 in E minor, op. 11: III. Rondo: Vivace
Krystian Zimerman, Koninklijk Concertgebouworkest, Кирилл Петрович Кондрашин
—
Piano Concerto no. 2 in F minor, op. 21: Maestoso
Krystian Zimerman, Los Angeles Philharmonic, Carlo Maria Giulini
—
Krystian Zimerman, Los Angeles Philharmonic, Carlo Maria Giulini
Krystian Zimerman, Los Angeles Philharmonic, Carlo Maria Giulini
Variations on "Là ci darem la mano" (from Mozart's "Don Giovanni") in B flat major, Op. 2
Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal
—
Fantasia on Polish Airs in A major, op. 13
Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal
—
Krakowiak, op. 14
Stefan Askenase, Hague Resident Orchestra, Willem van Otterloo
—
Krystian Zimerman, London Philharmonic Orchestra, Carlo Maria Giulini
Krystian Zimerman, London Philharmonic Orchestra, Carlo Maria Giulini
Ballade no. 2 in F major, op. 38
Krystian Zimerman
—
Ballade no. 4 in F minor, op. 52
Krystian Zimerman
—
Fantaisie in F minor, op. 49
Krystian Zimerman
—
Nouvelle étude in F minor, B. 130 no. 1
Anatol Ugorski
—
Etude in A flat, Op. posth. “ Méthode des méthodes “
Frédéric Chopin
—
Nouvelle étude in D‐flat major, B. 130 no. 3
Anatol Ugorski
—
Funeral March in C minor, op. 72 no. 2
Anatol Ugorski
—
Ecossaise no. 1 in D major, op. 72 no. 3a
Anatol Ugorski
—
Ecossaise no. 2 in G major, op. 72 no. 3b
Anatol Ugorski
—
12 Études, Op. 25: No. 1 in A‐Flat Major “Harp Study”
Maurizio Pollini
—
Études, op. 25: No. 8 in D flat major: Vivace
Maurizio Pollini
—
12 Études, Op. 25: No. 9 in G‐Flat Major “Butterfly Wings”
Maurizio Pollini
—
Berceuse in D flat, Op. 57
Maurizio Pollini
—
Mazurka no. 1 in F‐sharp minor, op. 6 no. 1
—
Mazurka no. 2 in C‐sharp minor, op. 6 no. 2
—
Mazurka no. 3 in E major, op. 6 no. 3
—
Mazurka no. 5 in B‐flat major, op. 7 no. 1
—
Mazurka no. 6 in A minor, op. 7 no. 2
—
Mazurka no. 7 in F minor, op. 7 no. 3
—
Mazurka no. 8 in A‐flat major, op. 7 no. 4
—
Mazurka no. 9 in C major, op. 7 no. 5
—
Mazurka no. 10 in B‐flat major, op. 17 no. 1
—
Mazurka no. 11 in E minor, op. 17 no. 2
—
Mazurka no. 12 in A‐flat major, op. 17 no. 3
—
Mazurka no. 13 in A minor, op. 17 no. 4
—
Mazurka no. 14 in G minor, op. 24 no. 1
—
Mazurka no. 15 in C major, op. 24 no. 2
—
Mazurka no. 16 in A‐flat major, op. 24 no. 3
—
Mazurka no. 17 in B‐flat minor, op. 24 no. 4
—
Mazurka no. 18 in C minor, op. 30 no. 1
—
Mazurka no. 19 in B minor, op. 30 no. 2
—
Mazurka no. 20 in D‐flat major, op. 30 no. 3
—
Mazurka no. 21 in C‐sharp minor, op. 30 no. 4
—
Mazurka no. 22 in G‐sharp minor, op. 33 no. 1
—
Mazurka no. 23 in D major, op. 33 no. 2
—
Mazurka no. 24 in C major, op. 33 no. 3
—
Mazurka no. 25 in B minor, op. 33 no. 4
—
Mazurka no. 26 in C‐sharp minor, op. 41 no. 1
—
Mazurka No. 27 in E minor op.41 No. 2
Frédéric Chopin
—
Mazurka no. 28 in B major, op. 41 no. 3
—
Mazurka no. 29 in A‐flat major, op. 41 no. 4
—
Mazurka no. 30 in G major, op. 50 no. 1
—
Mazurka no. 31 in A‐flat major, op. 50 no. 2
—
Mazurka no. 32 in C‐sharp minor, op. 50 no. 3
—
Mazurka no. 33 in B major, op. 56 no. 1
—
Mazurka no. 34 in C major, op. 56 no. 2
—
Mazurka no. 35 in C minor, op. 56 no. 3
—
Mazurka no. 36 in A minor, op. 59 no. 1
—
Mazurka no. 37 in A‐flat major, op. 59 no. 2
—
Mazurka no. 38 in F‐sharp minor, op. 59 no. 3
—
Mazurka no. 39 in B major, op. 63 no. 1
—
Mazurka no. 40 in F minor, op. 63 no. 2
—
Mazurka no. 41 in C‐sharp minor, op. 63 no. 3
—
Mazurka no. 42 in G major, op. 67 no. 1
—
Mazurka no. 43 in G minor, op. 67 no. 2
—
Mazurka no. 44 in C major, op. 67 no. 3
—
Mazurka no. 45 in A minor, op. 67 no. 4
—
Mazurka no. 46 in C major, op. 68 no. 1
—
Mazurka no. 47 in A minor, op. 68 no. 2
—
Mazurka no. 48 in F major, op. 68 no. 3
—
Mazurka no. 49 in F minor, op. 68 no. 4
—
Mazurka in A minor “à Émile Gaillard”, B. 140
—
Mazurka in A minor “Notre temps”, B. 134
—
Mazurka in B‐flat major, B. 16 no. 2
—
Mazurka in G major “Prague”, B. 16 no. 1
—
Mazurka in A‐flat major “Szymanowska”, B. 85
—
Mazurka in C major, B. 82
—
Mazurka in B‐flat major “à Alexandra Wolowska”, B. 73
—
Mazurka in D major, B. 71
—
Nocturne no. 1 in B‐flat minor, op. 9 no. 1
—
Nocturne no. 2 in E‐flat major, op. 9 no. 2
—
Nocturne no. 3 in B major, op. 9 no. 3
—
Nocturne no. 4 in F major, op. 15 no. 1
—
Nocturne no. 6 in G minor, op. 15 no. 3
—
Nocturne no. 7 in C‐sharp minor, op. 27 no. 1
—
Nocturne no. 8 in D‐flat major, op. 27 no. 2
—
Nocturne no. 9 in B major, op. 32 no. 1
—
Nocturne no. 10 in A‐flat major, op. 32 no. 2
—
Nocturne no. 11 in G minor, op. 37 no. 1
—
Nocturne no. 12 in G major, op. 37 no. 2
—
Nocturne no. 13 in C minor, op. 48 no. 1
—
Nocturne no. 14 in F‐sharp minor, op. 48 no. 2
—
Nocturne no. 16 in E-flat major, op. 55 no. 2: Lento Sostenuto
Daniel Barenboim
—
Nocturne no. 17 in B major, op. 62 no. 1: Andante
Daniel Barenboim
—
Nocturne no. 20 in C-sharp minor, B. 49: Lento con Gran Espressione
Daniel Barenboim
—
Nocturne no. 21 in C minor, B. 108
Daniel Barenboim
—
Polonaise no. 1 in C‐sharp minor, op. 26 no. 1: Allegro appassionato
Maurizio Pollini
—
Polonaise no. 2 in E-flat minor, op. 26 no. 2: Maestoso
Maurizio Pollini
—
Polonaise no. 3 in A major, op. 40 no. 1 "Military": Allegro con brio
Maurizio Pollini
—
Maurizio Pollini
Polonaise-Fantaisie no. 7 in A-flat major, op. 61: Allegro maestoso
Maurizio Pollini
—
Andante Spianato and Grande Polonaise, Op. 22: I. Andante spianato: Tranquillo
Martha Argerich
—
Martha Argerich
Polonaise No. 8 in D minor, Op. 71 No. 1
Anatol Ugorski
—
Polonaise No. 9 in B flat major, Op. 71 No. 2
Anatol Ugorski
—
Polonaise No. 10 in F minor, Op. 71 No. 3
Anatol Ugorski
—
Polonaise in B flat minor, B. 13
Anatol Ugorski
—
Polonaise in G flat major, B. 36
Anatol Ugorski
—
Polonaise in G sharp minor, B. 6
Anatol Ugorski
—
2 Bourrees, B160b: No. 2 In A Major
Frédéric Chopin
—
Galop in A flat major "Marquis", KK IV/c13
Anatol Ugorski
—
Cantabile in B flat major, B. 84
Anatol Ugorski
—
Fugue in A minor, B. 144
Anatol Ugorski
—
24 Préludes, op. 28 no. 1 in C major: Agitato
Martha Argerich
—
24 Préludes, Op. 28: No. 1 in C Major
Martha Argerich
—
24 Préludes, op. 28 no. 3 in G major: Vivace
Martha Argerich
—
24 Préludes, op. 28 no. 4 in E minor: Largo
Martha Argerich
—
24 Préludes, Op. 28: No. 5 in D Major
Martha Argerich
—
24 Préludes, op. 28 no. 12 in G‐sharp minor: Presto
Martha Argerich
—
24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco
Martha Argerich
—
24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco
Martha Argerich
—
24 Préludes, op. 28 no. 22 in G minor: Molto agitato
Martha Argerich
—
24 Préludes, op. 28 no. 23 in F major: Moderato
Martha Argerich
—
Prélude in C‐sharp minor, op. 45: Sostenuto
Martha Argerich
—
Prélude in A‐flat major, op. posth.: Presto con leggierezza
Martha Argerich
—
Impromptu no. 1 in A‐flat major, op. 29
—
Impromptu no. 2 in F‐sharp major, op. 36
—
Impromptu no. 3 in G‐flat major, op. 51
—
Impromptu no. 4 in C‐sharp minor “Fantasy‐Impromptu”, op. 66
—
Scherzo no. 2 in B‐flat minor, op. 31
Maurizio Pollini
—
Scherzo no. 4 in E major, op. 54
Maurizio Pollini
—
Introduction in C minor and Rondo in E flat major, Op. 16
Михаил Васильевич Плетнёв
—
Rondo in C major, Op. 73
Kurt Bauer, Heidi Bung
—
Piano Sonata no. 1 in C minor, op. 4: I. Allegro maestoso
Lilya Zilberstein
—
Piano Sonata no. 1 in C minor, op. 4: II. Menuetto: Allegretto
Lilya Zilberstein
—
Piano Sonata no. 1 in C minor, op. 4: III. Larghetto
Lilya Zilberstein
—
Piano Sonata No. 2 in B flat minor, Op. 35: I. Grave - Doppio movimento
Maurizio Pollini
—
Piano Sonata No. 2 in B flat minor, Op. 35: II. Scherzo
Maurizio Pollini
—
Introduction and Variations on a German Air in E major “Der Schweizerbub”, B. 14
—
Variations in A major “Souvenir de Paganini”, B. 37
—
Variations brillantes on “Je vends des scapulaires” (from Hérold’s “Ludovic”) in B‐flat major, op. 12
—
Variations on a Theme of Moore in D major, B. 12a
Vladimir Ashkenazy, Vovka Ashkenazy
—
Hexaméron: Variation no. 6 in E major
Vladimir Ashkenazy
—
Allegro de Concert in A major, op. 46
Vladimir Ashkenazy
—
Bolero, op. 19
—
Tarantella in A‐flat major, op. 43
—
Waltz no. 1 in E‐flat major “Grande valse brillante”, op. 18
—
Waltz no. 2 in A‐flat major, op. 34 no. 1
—
Waltz no. 3 in A minor, op. 34 no. 2
—
Waltz no. 4 in F major, op. 34 no. 3
—
Waltz no. 5 in A‐flat major, op. 42 “Grande valse”
—
Waltz no. 7 in C‐sharp minor, op. 64 no. 2
—
Waltz no. 8 in A‐flat major, op. 64 no. 3
—
Waltz no. 9 in A‐flat major, op. 69 no. 1 “L’adieu”
—
Waltz no. 10 in B minor, op. 69 no. 2
—
Waltz no. 11 in G‐flat major, op. 70 no. 1
—
Waltz no. 12 in F minor, op. 70 no. 2
—
Waltz no. 13 in D‐flat major, op. 70 no. 3
—
Waltz no. 14 in E minor, B. 56
—
Waltz no. 16 in A‐flat major, B. 21
—
Waltz no. 15 in E major, B. 44
—
Waltz no. 17 in E‐flat major, B. 46
—
Waltz in E‐flat major “Sostenuto”, B. 133
—
Waltz in A minor, B. 150
—
Piano Trio in G minor, Op. 8: I. Allegro con fuoco
Beaux Arts Trio
—
Piano Trio in G minor, Op. 8: II. Scherzo: Con moto ma non troppo
Beaux Arts Trio
—
Piano Trio in G minor, Op. 8: III. Adagio sostenuto
Beaux Arts Trio
—
Introduction and Polonaise brillante in C major, op. 3
Martha Argerich, Mstislav Rostropovich
—
Grand Duo Concertant in E major on Themes from "Robert le Diable", B. 70
Frédéric Chopin
—
Martha Argerich, Mstislav Rostropovich
Sonata for Piano and Violoncello in G minor, op. 65: II. Scherzo. Allegro con brio
Martha Argerich, Mstislav Rostropovich
—
Sonata for Piano and Violoncello in G minor, op. 65: III. Largo
Martha Argerich, Mstislav Rostropovich
—
Martha Argerich, Mstislav Rostropovich
Życzenie, Op. 74 No. 1
Elzbieta Szmytka, Malcolm Martineau
—
Wiosna, Op. 74 No. 2
Elzbieta Szmytka, Malcolm Martineau
—
Smutna rzeka, Op. 74 No. 3
Elzbieta Szmytka, Malcolm Martineau
—
Gdzie lubi, Op. 74 No. 5
Elzbieta Szmytka, Malcolm Martineau
—
Precz z moich oczu, Op. 74 No. 6
Elzbieta Szmytka, Malcolm Martineau
—
Poseł, Op. 74 No. 7
Elzbieta Szmytka, Malcolm Martineau
—
Śliczny chłopiec, Op. 74 No. 8
Elzbieta Szmytka, Malcolm Martineau
—
Melodia, Op. 74 No. 9
Elzbieta Szmytka, Malcolm Martineau
—
Wojak, Op. 74 No. 10
Elzbieta Szmytka, Malcolm Martineau
—
Dwojaki koniec, Op. 74 No. 11
Elzbieta Szmytka, Malcolm Martineau
—
Moja pieszczotka, Op. 74 No. 12
Elzbieta Szmytka, Malcolm Martineau
—
Nie ma czego trzeba, Op. 74 No. 13
Elzbieta Szmytka, Malcolm Martineau
—
Pierścień, Op. 74 No. 14
Elzbieta Szmytka, Malcolm Martineau
—
Narzeczony, Op. 74 No. 15
Elzbieta Szmytka, Malcolm Martineau
—
Piosnka litewska, Op. 74 No. 16
Elzbieta Szmytka, Malcolm Martineau
—
Śpiew z mogiły, Op. 74 No. 17
Elzbieta Szmytka, Malcolm Martineau
—
Czary, B. 51
Elzbieta Szmytka, Malcolm Martineau
—
Dumka, B. 132
Elzbieta Szmytka, Malcolm Martineau
—
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 24 Préludes, op. 28 no. 14 in E‐flat minor: Allegro | Martha Argerich | — |
| 24 Préludes, op. 28 no. 18 in F minor: Allegro molto | Martha Argerich | T-918.063.801-1 |
| Prelude in D minor, Op. 28 No. 24 | Martha Argerich | T-902.876.200-7 |
24 Préludes, op. 28 no. 14 in E‐flat minor: Allegro
Martha Argerich
—
Martha Argerich
What other identifiers does this connect to?
Musical Works (ISWC)
T-306.229.926-3T-306.230.833-8T-308.381.369-4T-308.384.655-9T-309.554.578-7T-310.766.142-3T-318.676.528-2T-321.286.787-9T-329.454.326-9T-329.456.945-8
+20 more
T-329.456.966-3T-329.457.242-8T-329.457.500-7T-329.458.108-7T-329.458.384-5T-329.458.487-1T-329.459.340-7T-702.884.109-2T-800.132.125-2T-902.781.050-0T-902.804.388-1T-902.876.200-7T-903.060.250-7T-906.148.797-6T-909.573.827-5T-911.517.582-1T-913.821.070-5T-915.710.750-1T-915.712.196-5T-915.981.383-9
Songwriters/Publishers (IPI)
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