UPC · Release
120 Years Of Deutsche Grammophon – 120 Legendary Tracks – The Anniversary Edition
Various Artists
028948357734
17 tracksReleased 2018-01-01Deutsche Grammophon
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028948357734 is the Universal Product Code (UPC barcode) for the release “120 Years Of Deutsche Grammophon – 120 Legendary Tracks – The Anniversary Edition” by Various Artists, released 2018-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC. Tracks include DEF059204040, DEF059130800, DEF059131410.
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UPC120 Years Of Deutsche Grammophon – 120 Legendary Tracks – The Anniversary Edition
ISRC14 recordings
ISWC34 works
IPI10 songwriters
Track List (17)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 3-1 | Méditation | Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | T-324744784-9 | |
| 3-2 | La traviata: Atto III. “Ah, non più!” … “Ah! Gran Dio! Morir sì giovine” | John Keenan, Luciano Pavarotti, Cheryl Studer, Metropolitan Opera Orchestra, James Levine | — | |
| 3-3 | Préludes: Book 1: no. 10: La cathédrale engloutie | Krystian Zimerman | — | |
| 3-4 | L’Arlésienne Suite no. 1, WD 40: Carillon | — | ||
| 3-5 | Sieben frühe Lieder: Die Nachtigall | Anne Sofie von Otter, Bengt Forsberg | — | |
| 3-6 | String Quartet no. 14 in D minor, D. 810 "Death and the Maiden": III. Scherzo. Allegro molto | Hagen Quartett | T3294547874 | |
| 3-7 | Sonata in C major, K. 545: I. Allegro | Maria João Pires | T-007303107-8 | |
| 3-8 | Peer Gynt, op. 23: 2. akt: I Dovregubbens hall | Gösta Ohlin, Gösta Ohlin's Vocal Ensemble, Pro Musica Chamber Choir, Tor Stokke, Gothenburg Symphony Orchestra, Neeme Järvi | T9095975056 | |
| 3-9 | 12 Études for Piano, op. 8, no. 12 in D‐sharp minor | — | ||
| 3-10 | Sonata for Violin & Piano No. 26 in B-flat major, K. 317d/378: II. Andantino sostenuto e cantabile | Itzhak Perlman, Daniel Barenboim | — | |
| 3-11 | Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-12 | Requiem, op. 48: VII. In Paradisum “In Paradisum deducant angeli” | Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini | T-924.489.944-3 | |
| 3-13 | Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: II. Allegro | Martha Argerich, Mischa Maisky | — | |
| 3-14 | West Side Story: America | — | ||
| 3-15 | Symphony for Organ no. 5 in F minor, op. 42 no. 1: V. Toccata: Allegro | Simon Preston | — | |
| 3-16 | Symphonie Nr. 4 A-Dur, op. 90 "Italienische": 4. Saltarello. Presto | Philharmonia Orchestra, Giuseppe Sinopoli | T9256453324 | |
| 3-17 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | — |
La traviata: Atto III. “Ah, non più!” … “Ah! Gran Dio! Morir sì giovine”
John Keenan, Luciano Pavarotti, Cheryl Studer, Metropolitan Opera Orchestra, James Levine
—
Préludes: Book 1: no. 10: La cathédrale engloutie
Krystian Zimerman
—
L’Arlésienne Suite no. 1, WD 40: Carillon
—
Sieben frühe Lieder: Die Nachtigall
Anne Sofie von Otter, Bengt Forsberg
—
Hagen Quartett
Gösta Ohlin, Gösta Ohlin's Vocal Ensemble, Pro Musica Chamber Choir, Tor Stokke, Gothenburg Symphony Orchestra, Neeme Järvi
12 Études for Piano, op. 8, no. 12 in D‐sharp minor
—
Sonata for Violin & Piano No. 26 in B-flat major, K. 317d/378: II. Andantino sostenuto e cantabile
Itzhak Perlman, Daniel Barenboim
—
Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro
Musica Antiqua Köln, Reinhard Goebel
—
Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini
Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: II. Allegro
Martha Argerich, Mischa Maisky
—
West Side Story: America
—
Symphony for Organ no. 5 in F minor, op. 42 no. 1: V. Toccata: Allegro
Simon Preston
—
Philharmonia Orchestra, Giuseppe Sinopoli
Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile
Daniel Barenboim
—
Additional database matches (67)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Liebesfreud | Fritz Kreisler, Haddon Squire | T-801.289.652-6 |
| Boris Godounov, Act IV. "Proshchay, Moy Syn (Death of Boris)" | Feodor Chaliapin | — |
| Winterreise, D. 911: Der Lindenbaum | Peter Anders, Michael Raucheisen | — |
| Symphony in G major, Hob. I:88: III. Menuetto | Berliner Philharmoniker, Wilhelm Furtwängler | T9028762007 |
| Ragtime Bass in C-sharp minor | Földes Andor | — |
| String Quartet no. 15 in G major, D.887: III. Scherzo (Allegro vivace) | Amadeus Quartet | — |
| Idomeneo, K. 366: "Non temer, amato bene", K. 490 | Irmgard Seefried, Wolfgang Schneiderhan, Wiener Symphoniker, Ferdinand Leitner | — |
| Czech Dances Tance II: 2. Slepicka in B-flat major (moderato) | Stefan Askenase | — |
| Weihnachts-Oratorium: Zweiter Teil: Am zweiten Weihnachtsfeiertage. Nr. 15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet" | Helmut Krebs, Berliner Philharmoniker, Fritz Lehmann | — |
| Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart | Sviatoslav Richter | — |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik" (orchestral version): IV. Rondo. Allegro | Berliner Philharmoniker, Karl Böhm | — |
| Romeo and Juliet: Tybalt’s Death | Berliner Philharmoniker, Lorin Maazel | — |
| Études-Caprices op. 18 for 2 Violins: No. 5 in E major | David Oistrakh, Igor Oistrakh | — |
| Dichterliebe, op. 48: No. 7. Ich grolle nicht | Dietrich Fischer-Dieskau, Jörg Demus | — |
| Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato. Allegro | Leningrad Philharmonic Orchestra, Yevgeny Mravinsky | — |
| Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude | Pierre Fournier | — |
| Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace | Berliner Philharmoniker, Herbert von Karajan | — |
| Sonata for Piano no. 29 in B‐flat major, op. 106 “Hammer‐Klavier”: II. Scherzo. Assai vivace | Wilhelm Kempff | T9115175821 |
| Locus iste, WAB 23 | Chor des Bayerischen Rundfunks, Eugen Jochum | — |
| An die Musik, op. 88 no. 4, D. 547 | Fritz Wunderlich, Hubert Giesen | T-910203464-0 |
| Vado, ma dove? o Dei!, K. 583 | Gundula Janowitz, Wiener Symphoniker, Wilfried Böttcher | — |
| 2 Etudes de Concert, S. 145: no. 1 Waldesrauschen | Géza Anda | — |
| Die Walküre: Aufzug III, Szene III. Feuerzauber | Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | T-306487214-2 |
| Recuerdos de la Alhambra | Narciso Yepes | — |
| Piano Sonata in A major, K. 331: II. Menuetto - Trio | Christoph Eschenbach | — |
| Piano Sonata in A major, K. 331: III. Alla Turca. Allegretto | Christoph Eschenbach | T-912655618-1 |
| Symphony no. 4: I. Bedächtig. Nicht eilen | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — |
| Symphony no. 4: IV. Sehr behaglich “Wir genießen die himmlischen Freuden” | Elsie Morison, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — |
| Sinfonia in D major, Wq. 183 no. 1: 3. Presto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | T9027174147 |
| Partita no. 3 E-dur, BWV 1006: I. Preludio | Nathan Milstein | T0419179342 |
| 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — |
| 24 Préludes, op. 28 no. 17 in A‐flat major: Allegretto | Martha Argerich | T-903060250-7 |
| Préludes 1ᵉʳ Livre: VII. Ce quʼa vu le vent dʼOuest. Animé et tumultueux | Arturo Benedetti Michelangeli | — |
| Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: f. Danse des mirlitons | Berliner Philharmoniker, Mstislav Rostropovich | T9001402397 |
| Klaviersonate D-dur, KV 576: I. Allegro | Friedrich Gulda | — |
| Antiche danze ed arie, suite III: Anonymus: Italiana | Boston Symphony Orchestra, Seiji Ozawa | — |
| Concerto No. 2 in F major, BWV 1047: II. Andante | The English Concert, Trevor Pinnock | — |
| Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Michael Laird, Philip Pickett, Trevor Pinnock, David Reichenberg, Simon Standage, The English Concert | T3063957864 |
| Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | T0013971588 |
| Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro | Musica Antiqua Köln, Reinhard Goebel | T3099013233 |
| La traviata: Atto II. “Lunge da lei” … “De’ miei bollenti spiriti” | Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | — |
| Sonate Nr. 7 c-Moll, op. 30 Nr. 2: IV. Finale. Allegro - Presto | Martha Argerich, Gidon Kremer | — |
| Sonate Nr. 7 c-Moll, op. 30 Nr. 2: III. Scherzo. Allegro | Martha Argerich, Gidon Kremer | — |
| Nocturnes : II. Fêtes. Animé et très rythmé — Modéré mais toujours très rythmé | The Cleveland Orchestra, Pierre Boulez | T9245791280 |
| String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: IV. Allegro molto | Emerson String Quartet | T3294547874 |
| Die Schöpfung: Erster Teil: 14. Trio and Chorus (Gabriel, Uriel, Raphael): “Die Himmel erzählen die Ehre Gottes” / “Dem kommenden Tage sagt es der Tag” | Sylvia McNair, Michael Schade, Gerald Finley, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — |
| Messiah, HWV 56: Part II, Scene VII. Chorus "Hallelujah!" | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — |
| Lohengrin, Akt III.: Vorspiel | The Philadelphia Orchestra, Christian Thielemann | — |
| Requiem, op. 48: IV. Pie Jesu | Roberto Gabbiani, Cecilia Bartoli, Coro dell’Accademia Nazionale di Santa Cecilia, Daniele Rossi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | — |
| Violin Concerto no. 2 in E, BWV 1042: 3. Allegro assai | Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | T-306395786-4 |
| Kinderszenen, op. 15: VII. Träumerei | Lang Lang | — |
| Annie’s Song (Arranged by Charles Gerhardt, Adapted by Craig Leon) | James Galway, London Symphony Orchestra, Klauspeter Seibel | T-901.290.365-0 |
| Die Schöne Müllerin, D. 795: I. Das Wandern | Thomas Quasthoff, Justus Zeyen | — |
| Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino) | Magdalena Kožená, Orchestra of the Age of Enlightenment, Simon Rattle | T9153100993 |
| Bachianas brasileiras no. 5: No. 1. Aria (Cantilena): “Tarde, uma nuvem rósea lenta e transparente” | Elīna Garanča, Staatskapelle Dresden, Fabio Luisi | T-905380384-2 |
| Auf Flügeln des Gesanges, op. 34 no. 2 | Daniel Hope, Sebastian Knauer | — |
| Waltz in C-sharp minor, op. 64 no. 2: Tempo giusto | Alice Sara Ott | T-922054556-2 |
| French Suite no. 5 in G, BWV 816: VII. Gigue | Murray Perahia | — |
| Iubilate Deo | Sistine Chapel Choir, Massimo Palombella | T9028777197 |
| La Wally: Atto I. “Ebben? Ne andrò lontana” | Anna Netrebko, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | T9051723810 |
| Italian Concerto In F Major, BWV 971 - I. Allegro | Rafał Blechacz | T-070160313-5 |
| Étude no. 9 | Víkingur Ólafsson | T-011128487-7 |
| Fantaisie-Impromptu in C-sharp minor, op. 66 | Daniil Trifonov | — |
| Suite bergamasque, L. 75: III. Clair de lune | Seong-Jin Cho | T-914291310-8 |
| Romeo and Juliet, op. 64: Dance of the Knights | Lisa Batiashvili, Chamber Orchestra of Europe, Yannick Nézet-Séguin | T0035067436 |
| Ave Maria | Alessandro Moreschi | — |
| Organum | Max Richter | — |
Fritz Kreisler, Haddon Squire
Boris Godounov, Act IV. "Proshchay, Moy Syn (Death of Boris)"
Feodor Chaliapin
—
Winterreise, D. 911: Der Lindenbaum
Peter Anders, Michael Raucheisen
—
Berliner Philharmoniker, Wilhelm Furtwängler
Ragtime Bass in C-sharp minor
Földes Andor
—
String Quartet no. 15 in G major, D.887: III. Scherzo (Allegro vivace)
Amadeus Quartet
—
Idomeneo, K. 366: "Non temer, amato bene", K. 490
Irmgard Seefried, Wolfgang Schneiderhan, Wiener Symphoniker, Ferdinand Leitner
—
Czech Dances Tance II: 2. Slepicka in B-flat major (moderato)
Stefan Askenase
—
Weihnachts-Oratorium: Zweiter Teil: Am zweiten Weihnachtsfeiertage. Nr. 15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet"
Helmut Krebs, Berliner Philharmoniker, Fritz Lehmann
—
Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart
Sviatoslav Richter
—
Serenade in G major, K. 525 "Eine kleine Nachtmusik" (orchestral version): IV. Rondo. Allegro
Berliner Philharmoniker, Karl Böhm
—
Romeo and Juliet: Tybalt’s Death
Berliner Philharmoniker, Lorin Maazel
—
Études-Caprices op. 18 for 2 Violins: No. 5 in E major
David Oistrakh, Igor Oistrakh
—
Dichterliebe, op. 48: No. 7. Ich grolle nicht
Dietrich Fischer-Dieskau, Jörg Demus
—
Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato. Allegro
Leningrad Philharmonic Orchestra, Yevgeny Mravinsky
—
Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude
Pierre Fournier
—
Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace
Berliner Philharmoniker, Herbert von Karajan
—
Wilhelm Kempff
Locus iste, WAB 23
Chor des Bayerischen Rundfunks, Eugen Jochum
—
Fritz Wunderlich, Hubert Giesen
Vado, ma dove? o Dei!, K. 583
Gundula Janowitz, Wiener Symphoniker, Wilfried Böttcher
—
2 Etudes de Concert, S. 145: no. 1 Waldesrauschen
Géza Anda
—
Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan
Recuerdos de la Alhambra
Narciso Yepes
—
Piano Sonata in A major, K. 331: II. Menuetto - Trio
Christoph Eschenbach
—
Christoph Eschenbach
Symphony no. 4: I. Bedächtig. Nicht eilen
Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
—
Symphony no. 4: IV. Sehr behaglich “Wir genießen die himmlischen Freuden”
Elsie Morison, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
—
Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter
Nathan Milstein
24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco
Martha Argerich
—
Préludes 1ᵉʳ Livre: VII. Ce quʼa vu le vent dʼOuest. Animé et tumultueux
Arturo Benedetti Michelangeli
—
Berliner Philharmoniker, Mstislav Rostropovich
Klaviersonate D-dur, KV 576: I. Allegro
Friedrich Gulda
—
Antiche danze ed arie, suite III: Anonymus: Italiana
Boston Symphony Orchestra, Seiji Ozawa
—
Concerto No. 2 in F major, BWV 1047: II. Andante
The English Concert, Trevor Pinnock
—
Michael Laird, Philip Pickett, Trevor Pinnock, David Reichenberg, Simon Standage, The English Concert
Musica Antiqua Köln, Reinhard Goebel
La traviata: Atto II. “Lunge da lei” … “De’ miei bollenti spiriti”
Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine
—
Sonate Nr. 7 c-Moll, op. 30 Nr. 2: IV. Finale. Allegro - Presto
Martha Argerich, Gidon Kremer
—
Sonate Nr. 7 c-Moll, op. 30 Nr. 2: III. Scherzo. Allegro
Martha Argerich, Gidon Kremer
—
The Cleveland Orchestra, Pierre Boulez
Emerson String Quartet
Die Schöpfung: Erster Teil: 14. Trio and Chorus (Gabriel, Uriel, Raphael): “Die Himmel erzählen die Ehre Gottes” / “Dem kommenden Tage sagt es der Tag”
Sylvia McNair, Michael Schade, Gerald Finley, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
—
Messiah, HWV 56: Part II, Scene VII. Chorus "Hallelujah!"
Gabrieli Consort, Gabrieli Players, Paul McCreesh
—
Lohengrin, Akt III.: Vorspiel
The Philadelphia Orchestra, Christian Thielemann
—
Requiem, op. 48: IV. Pie Jesu
Roberto Gabbiani, Cecilia Bartoli, Coro dell’Accademia Nazionale di Santa Cecilia, Daniele Rossi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Myung-Whun Chung
—
Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane
Kinderszenen, op. 15: VII. Träumerei
Lang Lang
—
James Galway, London Symphony Orchestra, Klauspeter Seibel
Die Schöne Müllerin, D. 795: I. Das Wandern
Thomas Quasthoff, Justus Zeyen
—
Magdalena Kožená, Orchestra of the Age of Enlightenment, Simon Rattle
Elīna Garanča, Staatskapelle Dresden, Fabio Luisi
Auf Flügeln des Gesanges, op. 34 no. 2
Daniel Hope, Sebastian Knauer
—
French Suite no. 5 in G, BWV 816: VII. Gigue
Murray Perahia
—
Sistine Chapel Choir, Massimo Palombella
Anna Netrebko, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano
Víkingur Ólafsson
Fantaisie-Impromptu in C-sharp minor, op. 66
Daniil Trifonov
—
Lisa Batiashvili, Chamber Orchestra of Europe, Yannick Nézet-Séguin
Ave Maria
Alessandro Moreschi
—
Organum
Max Richter
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000023349476000000003872506700000000551771030000000059222119000000005941110400000000630399310000000063043260000000006310721X00000000714089010000000078395656
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0000000078395939000000007853715900000000797302680000000080158609000000008045090900000000807848960000000080820236000000008084708400000000809441910000000081014746000000008117104700000000812099730000000081255750000000008130714300000000813331490000000081360753000000008136085X000000008138648600000000814605860000000081490566000000008154294400000000816117270000000081782665000000008352626X0000000083562121000000008359913500000000836245640000000083647280000000008367853800000000838765340000000083924620000000010670347700000001077584100000000108577654000000010860043900000001086065740000000108634663000000010863595700000001087102400000000108722639
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What is UPC 028948357734?
028948357734 is a Universal Product Code (UPC) assigned to 120 Years Of Deutsche Grammophon – 120 Legendary Tracks – The Anniversary Edition by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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