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The UPC for “120 Years Of Deutsche Grammophon – 120 Legendary Tracks – The Anniversary Edition” by Various Artists is 028948357734. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Deutsche Grammophon. This release contains 117 tracks, each with its own ISRC. Tracks include DEN961700570, DEN961700733, DEN961700750.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fantaisie-Impromptu in C-sharp minor, op. 66 | Daniil Trifonov | — | |
| 2 | Lohengrin, WWV 75: Prelude to Act I | — | ||
| 3 | Suite bergamasque, L. 75: III. Clair de lune | Seong-Jin Cho | T-914.291.310-8 | |
| 4 | Romeo and Juliet, op. 64: Dance of the Knights | Lisa Batiashvili, Chamber Orchestra of Europe, Yannick Nézet-Séguin | T-003.506.743-6 | |
| 5 | Italian Concerto In F Major, BWV 971 - I. Allegro | Rafał Blechacz | T-070.160.313-5 | |
| 6 | La Wally: Atto I. “Ebben? Ne andrò lontana” | Anna Netrebko, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | T-905.172.381-0 | |
| 7 | Étude no. 9 | Víkingur Ólafsson | T-011.128.487-7 | |
| 8 | Iubilate Deo | Sistine Chapel Choir, Massimo Palombella | T-902.877.719-7 | |
| 9 | Mass I. Devotions Before Mass: 2. Hymn and Psalm “A Simple Song” | — | ||
| 10 | French Suite no. 5 in G, BWV 816: VII. Gigue | Murray Perahia | — | |
| 11 | Messa da Requiem: Dies Irae. Ingemisco | — | ||
| 12 | Petrouchka: Three Movements for Piano, 1921 Version. Scene 1: Russian Dance | — | ||
| 13 | Concerto for Violin in G major (Edited by Olivier Fourés): Allegro | — | ||
| 14 | Waltz in C-sharp minor, op. 64 no. 2: Tempo giusto | Alice Sara Ott | T-922.054.556-2 | |
| 15 | Estancia: Danzas del ballet: 4. Danza final (Malambo) | — | ||
| 16 | 24 Préludes, op. 28, C. 166 -189: 24. Allegro Appassionato in D minor, C. 189 | — | ||
| 17 | Auf Flügeln des Gesanges, op. 34 no. 2 | Daniel Hope, Sebastian Knauer | — | |
| 2-1 | Piano Sonata no. 28 in A major, op. 101: Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo) | — | ||
| 2-2 | Bachianas brasileiras no. 5: No. 1. Aria (Cantilena): “Tarde, uma nuvem rósea lenta e transparente” | Elīna Garanča, Staatskapelle Dresden, Fabio Luisi | T-905.380.384-2 | |
| 2-3 | Die Schöpfung: Erster Teil: 14. Trio and Chorus (Gabriel, Uriel, Raphael): “Die Himmel erzählen die Ehre Gottes” / “Dem kommenden Tage sagt es der Tag” | Sylvia McNair, Michael Schade, Gerald Finley, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — | |
| 2-4 | Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino) | Magdalena Kožená, Orchestra of the Age of Enlightenment, Simon Rattle | T-915.310.099-3 | |
| 2-5 | Organum | Max Richter | — | |
| 2-6 | Annie’s Song (Arranged by Charles Gerhardt, Adapted by Craig Leon) | James Galway, London Symphony Orchestra, Klauspeter Seibel | T-901.290.365-0 | |
| 2-7 | Kinderszenen, op. 15: VII. Träumerei | Lang Lang | — | |
| 2-8 | Violin Concerto no. 2 in E, BWV 1042: 3. Allegro assai | Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | T-306.395.786-4 | |
| 2-9 | Requiem, op. 48: IV. Pie Jesu | Roberto Gabbiani, Cecilia Bartoli, Coro dell’Accademia Nazionale di Santa Cecilia, Daniele Rossi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | — | |
| 2-10 | Lohengrin, Akt III.: Vorspiel | The Philadelphia Orchestra, Christian Thielemann | — | |
| 2-11 | Messiah, HWV 56: Part II, Scene VII. Chorus "Hallelujah!" | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 2-12 | Die Schöne Müllerin, D. 795: I. Das Wandern | Thomas Quasthoff, Justus Zeyen | — | |
| 2-13 | Songs of Travel: 3. The Roadside Fire | — | ||
| 2-14 | Baba‐Yaga, op. 56 | — | ||
| 2-15 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: IV. Allegro molto | Emerson String Quartet | T-329.454.787-4 | |
| 2-16 | Sonate Nr. 7 c-Moll, op. 30 Nr. 2: IV. Finale. Allegro - Presto | Martha Argerich, Gidon Kremer | — | |
| 3-1 | Méditation | Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | T-324.744.784-9 | |
| 3-2 | La traviata: Atto III. “Ah, non più!” … “Ah! Gran Dio! Morir sì giovine” | John Keenan, Luciano Pavarotti, Cheryl Studer, Metropolitan Opera Orchestra, James Levine | — | |
| 3-3 | Préludes: Book 1: no. 10: La cathédrale engloutie | Krystian Zimerman | — | |
| 3-4 | L’Arlésienne Suite no. 1, WD 40: Carillon | — | ||
| 3-5 | Sieben frühe Lieder: Die Nachtigall | Anne Sofie von Otter, Bengt Forsberg | — | |
| 3-6 | String Quartet no. 14 in D minor, D. 810 "Death and the Maiden": III. Scherzo. Allegro molto | Hagen Quartett | T-329.454.787-4 | |
| 3-7 | Sonata in C major, K. 545: I. Allegro | Maria João Pires | T-007.303.107-8 | |
| 3-8 | Peer Gynt, op. 23: 2. akt: I Dovregubbens hall | Gösta Ohlin, Gösta Ohlin's Vocal Ensemble, Pro Musica Chamber Choir, Tor Stokke, Gothenburg Symphony Orchestra, Neeme Järvi | T-909.597.505-6 | |
| 3-9 | 12 Études for Piano, op. 8, no. 12 in D‐sharp minor | — | ||
| 3-10 | Sonata for Violin & Piano No. 26 in B-flat major, K. 317d/378: II. Andantino sostenuto e cantabile | Itzhak Perlman, Daniel Barenboim | — | |
| 3-11 | Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-12 | Requiem, op. 48: VII. In Paradisum “In Paradisum deducant angeli” | Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini | T-924.489.944-3 | |
| 3-13 | Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: II. Allegro | Martha Argerich, Mischa Maisky | — | |
| 3-14 | West Side Story: America | — | ||
| 3-15 | Symphony for Organ no. 5 in F minor, op. 42 no. 1: V. Toccata: Allegro | Simon Preston | — | |
| 3-16 | Symphonie Nr. 4 A-Dur, op. 90 "Italienische": 4. Saltarello. Presto | Philharmonia Orchestra, Giuseppe Sinopoli | T-925.645.332-4 | |
| 3-17 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | — | |
| 4-1 | Concerto No. 2 in F major, BWV 1047: II. Andante | The English Concert, Trevor Pinnock | — | |
| 4-2 | Klaviersonate D-dur, KV 576: I. Allegro | Friedrich Gulda | — | |
| 4-3 | Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: f. Danse des mirlitons | Berliner Philharmoniker, Mstislav Rostropovich | T-900.140.239-7 | |
| 4-4 | Préludes 1ᵉʳ Livre: VII. Ce quʼa vu le vent dʼOuest. Animé et tumultueux | Arturo Benedetti Michelangeli | — | |
| 4-5 | La Traviata: “Libiamo ne’lieti calici” (Brindisi) | — | ||
| 4-6 | Suite populaire espagnole: 6. Jota | — | ||
| 4-7 | Nocturne | — | ||
| 4-8 | Antiche danze ed arie, suite III: Anonymus: Italiana | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-9 | 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — | |
| 4-10 | Nabucco: ‘’Va, pensiero, sull’ali dorate’’ | — | ||
| 4-11 | Partita no. 3 E-dur, BWV 1006: I. Preludio | Nathan Milstein | T-041.917.934-2 | |
| 4-12 | Sinfonia in D major, Wq. 183 no. 1: 3. Presto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | T-902.717.414-7 | |
| 4-13 | Fantasia in D minor, K. 397 – Andante – Adagio – Allegretto | — | ||
| 4-14 | Symphony no. 4: I. Bedächtig. Nicht eilen | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — | |
| 4-15 | Piano Sonata in A major, K. 331: II. Menuetto - Trio | Christoph Eschenbach | — | |
| 4-16 | Recuerdos de la Alhambra | Narciso Yepes | — | |
| 4-17 | An die Musik, op. 88 no. 4, D. 547 | Fritz Wunderlich, Hubert Giesen | T-910.203.464-0 | |
| 4-18 | Die Walküre: Aufzug III, Szene III. Feuerzauber | Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | T-306.487.214-2 | |
| 5-1 | Vado, ma dove? o Dei!, K. 583 | Gundula Janowitz, Wiener Symphoniker, Wilfried Böttcher | — | |
| 5-2 | 2 Etudes de Concert, S. 145: no. 1 Waldesrauschen | Géza Anda | — | |
| 5-3 | Locus iste, WAB 23 | Chor des Bayerischen Rundfunks, Eugen Jochum | — | |
| 5-4 | Sonata for Piano no. 29 in B‐flat major, op. 106 “Hammer‐Klavier”: II. Scherzo. Assai vivace | Wilhelm Kempff | T-911.517.582-1 | |
| 5-5 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-6 | Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude | Pierre Fournier | — | |
| 5-7 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato. Allegro | Leningrad Philharmonic Orchestra, Yevgeny Mravinsky | — | |
| 5-8 | Himbeerernte (Arr. Schvedoff) | — | ||
| 5-9 | Études-Caprices op. 18 for 2 Violins: No. 5 in E major | David Oistrakh, Igor Oistrakh | — | |
| 5-10 | Dichterliebe, op. 48: No. 7. Ich grolle nicht | Dietrich Fischer-Dieskau, Jörg Demus | — | |
| 5-11 | Romeo and Juliet: Tybalt’s Death | Berliner Philharmoniker, Lorin Maazel | — | |
| 5-12 | Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart | Sviatoslav Richter | — | |
| 5-13 | Five Neapolitan Songs (1956) for Baritone and Chamber Orchestra: 1. Aggio saputo ca la morte vene | — | ||
| 5-15 | Die Zauberflöte, K. 620, Akt II. “Der Hölle Rache kocht in meinem Herzen” | — | ||
| 5-16 | Weihnachts-Oratorium: Zweiter Teil: Am zweiten Weihnachtsfeiertage. Nr. 15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet" | Helmut Krebs, Berliner Philharmoniker, Fritz Lehmann | — | |
| 5-17 | Symphonie fantastique, op. 14, H 48: 4. Marche au supplice (Allegretto non troppo) | — | ||
| 6-1 | Czech Dances Tance II: 2. Slepicka in B-flat major (moderato) | Stefan Askenase | — | |
| 6-2 | Idomeneo, K. 366: "Non temer, amato bene", K. 490 | Irmgard Seefried, Wolfgang Schneiderhan, Wiener Symphoniker, Ferdinand Leitner | — | |
| 6-3 | Ragtime Bass in C-sharp minor | Földes Andor | — | |
| 6-4 | String Quartet no. 15 in G major, D.887: III. Scherzo (Allegro vivace) | Amadeus Quartet | — | |
| 6-5 | Symphony in G major, Hob. I:88: III. Menuetto | Berliner Philharmoniker, Wilhelm Furtwängler | T-902.876.200-7 | |
| 6-6 | Symphony no. 5 in E minor, op. 64, Th. 29: 3. Valse (Allegro moderato) | — | ||
| 6-7 | Piano Concerto in G major, M. 83: 3. Presto | — | ||
| 6-8 | Toccata and Fugue in D minor, BWV 565: 1. Toccata | — | ||
| 6-9 | Winterreise, D. 911: Der Lindenbaum | Peter Anders, Michael Raucheisen | — | |
| 6-10 | Violin Concerto in D minor, op. 47: 3. Allegro, ma non tanto | — | ||
| 6-11 | Il barbiere di Siviglia: Atto I. No. 5 Cavatina “Una voce poco fa” – “Io sono docile” | — | ||
| 6-12 | Tosca: Atto II. “Vissi d’arte, vissi d’amore” | — | ||
| 6-13 | The Bartered Bride, JB 1–100: Overture | — | ||
| 6-14 | Roman Festivals, P. 157: 1. Circenses | — | ||
| 6-15 | Wesendonck Lieder, WWV 91: 5. Träume “Sag’, welch wunderbare Träume” | — | ||
| 6-16 | Albumblatt, WWV 64 | — | ||
| 7-1 | Turandot: Atto I. “Non piangere, Liù” | — | ||
| 7-2 | Violin Concerto in D major: 2. Aria I | — | ||
| 7-3 | Peer Gynt, op. 23: Act III. Solveig’s Song (Sung in German) | — | ||
| 7-4 | Das Herz, op. 39: Love Theme. Sehr ruhig, lieblich (Molto tranquillo, dolce) | — | ||
| 7-5 | Die Walküre, WWV 86b: Akt III. The Ride of the Valkyries | — | ||
| 7-6 | Cavalleria rusticana: Intermezzo sinfonico | — | ||
| 7-7 | Dir, Dir, Jehova will ich singen BWV 452 | — | ||
| 7-8 | Parsifal, WWV 111: Akt II. “Ich sah das Kind an seiner Mutter Brust” | — | ||
| 7-9 | Undine: Akt III. “O kehr’ zurück” | — | ||
| 7-10 | Frühlingsstimmen, op. 410 (Arr. Alfred Grünfeld) | — | ||
| 7-11 | Hummel Waltz in E‐flat major | — | ||
| 7-13 | Liebesfreud | Fritz Kreisler, Haddon Squire | T-801.289.652-6 | |
| 7-14 | La Bohème: Atto IV. “O Mimì, tu più non torni” | — | ||
| 7-15 | Auld Lang Syne (Traditional) | — | ||
| 7-16 | Ave Maria | Alessandro Moreschi | — | |
| 7-17 | Otello: Atto I. “Esultate!” | — | ||
| 7-18 | Excerpt From a Spoken Letter to His Sister‐in‐Law Sara Hahn | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Boris Godounov, Act IV. "Proshchay, Moy Syn (Death of Boris)" | Feodor Chaliapin | — |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik" (orchestral version): IV. Rondo. Allegro | Berliner Philharmoniker, Karl Böhm | — |
| Piano Sonata in A major, K. 331: III. Alla Turca. Allegretto | Christoph Eschenbach | T-912.655.618-1 |
| Symphony no. 4: IV. Sehr behaglich “Wir genießen die himmlischen Freuden” | Elsie Morison, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — |
| 24 Préludes, op. 28 no. 17 in A‐flat major: Allegretto | Martha Argerich | T-903.060.250-7 |
| Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Michael Laird, Philip Pickett, Trevor Pinnock, David Reichenberg, Simon Standage, The English Concert | T-306.395.786-4 |
| Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | T-001.397.158-8 |
| Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-309.901.323-3 |
| La traviata: Atto II. “Lunge da lei” … “De’ miei bollenti spiriti” | Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | — |
| Sonate Nr. 7 c-Moll, op. 30 Nr. 2: III. Scherzo. Allegro | Martha Argerich, Gidon Kremer | — |
| Nocturnes : II. Fêtes. Animé et très rythmé — Modéré mais toujours très rythmé | The Cleveland Orchestra, Pierre Boulez | T-924.579.128-0 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028948357734 is a Universal Product Code (UPC) assigned to 120 Years Of Deutsche Grammophon – 120 Legendary Tracks – The Anniversary Edition by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 117 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “120 Years Of Deutsche Grammophon – 120 Legendary Tracks – The Anniversary Edition” by Various Artists is 028948357734. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Deutsche Grammophon. This release contains 117 tracks, each with its own ISRC. Tracks include DEN961700570, DEN961700733, DEN961700750.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fantaisie-Impromptu in C-sharp minor, op. 66 | Daniil Trifonov | — | |
| 2 | Lohengrin, WWV 75: Prelude to Act I | — | ||
| 3 | Suite bergamasque, L. 75: III. Clair de lune | Seong-Jin Cho | T-914.291.310-8 | |
| 4 | Romeo and Juliet, op. 64: Dance of the Knights | Lisa Batiashvili, Chamber Orchestra of Europe, Yannick Nézet-Séguin | T-003.506.743-6 | |
| 5 | Italian Concerto In F Major, BWV 971 - I. Allegro | Rafał Blechacz | T-070.160.313-5 | |
| 6 | La Wally: Atto I. “Ebben? Ne andrò lontana” | Anna Netrebko, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | T-905.172.381-0 | |
| 7 | Étude no. 9 | Víkingur Ólafsson | T-011.128.487-7 | |
| 8 | Iubilate Deo | Sistine Chapel Choir, Massimo Palombella | T-902.877.719-7 | |
| 9 | Mass I. Devotions Before Mass: 2. Hymn and Psalm “A Simple Song” | — | ||
| 10 | French Suite no. 5 in G, BWV 816: VII. Gigue | Murray Perahia | — | |
| 11 | Messa da Requiem: Dies Irae. Ingemisco | — | ||
| 12 | Petrouchka: Three Movements for Piano, 1921 Version. Scene 1: Russian Dance | — | ||
| 13 | Concerto for Violin in G major (Edited by Olivier Fourés): Allegro | — | ||
| 14 | Waltz in C-sharp minor, op. 64 no. 2: Tempo giusto | Alice Sara Ott | T-922.054.556-2 | |
| 15 | Estancia: Danzas del ballet: 4. Danza final (Malambo) | — | ||
| 16 | 24 Préludes, op. 28, C. 166 -189: 24. Allegro Appassionato in D minor, C. 189 | — | ||
| 17 | Auf Flügeln des Gesanges, op. 34 no. 2 | Daniel Hope, Sebastian Knauer | — | |
| 2-1 | Piano Sonata no. 28 in A major, op. 101: Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo) | — | ||
| 2-2 | Bachianas brasileiras no. 5: No. 1. Aria (Cantilena): “Tarde, uma nuvem rósea lenta e transparente” | Elīna Garanča, Staatskapelle Dresden, Fabio Luisi | T-905.380.384-2 | |
| 2-3 | Die Schöpfung: Erster Teil: 14. Trio and Chorus (Gabriel, Uriel, Raphael): “Die Himmel erzählen die Ehre Gottes” / “Dem kommenden Tage sagt es der Tag” | Sylvia McNair, Michael Schade, Gerald Finley, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — | |
| 2-4 | Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino) | Magdalena Kožená, Orchestra of the Age of Enlightenment, Simon Rattle | T-915.310.099-3 | |
| 2-5 | Organum | Max Richter | — | |
| 2-6 | Annie’s Song (Arranged by Charles Gerhardt, Adapted by Craig Leon) | James Galway, London Symphony Orchestra, Klauspeter Seibel | T-901.290.365-0 | |
| 2-7 | Kinderszenen, op. 15: VII. Träumerei | Lang Lang | — | |
| 2-8 | Violin Concerto no. 2 in E, BWV 1042: 3. Allegro assai | Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | T-306.395.786-4 | |
| 2-9 | Requiem, op. 48: IV. Pie Jesu | Roberto Gabbiani, Cecilia Bartoli, Coro dell’Accademia Nazionale di Santa Cecilia, Daniele Rossi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | — | |
| 2-10 | Lohengrin, Akt III.: Vorspiel | The Philadelphia Orchestra, Christian Thielemann | — | |
| 2-11 | Messiah, HWV 56: Part II, Scene VII. Chorus "Hallelujah!" | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 2-12 | Die Schöne Müllerin, D. 795: I. Das Wandern | Thomas Quasthoff, Justus Zeyen | — | |
| 2-13 | Songs of Travel: 3. The Roadside Fire | — | ||
| 2-14 | Baba‐Yaga, op. 56 | — | ||
| 2-15 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: IV. Allegro molto | Emerson String Quartet | T-329.454.787-4 | |
| 2-16 | Sonate Nr. 7 c-Moll, op. 30 Nr. 2: IV. Finale. Allegro - Presto | Martha Argerich, Gidon Kremer | — | |
| 3-1 | Méditation | Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | T-324.744.784-9 | |
| 3-2 | La traviata: Atto III. “Ah, non più!” … “Ah! Gran Dio! Morir sì giovine” | John Keenan, Luciano Pavarotti, Cheryl Studer, Metropolitan Opera Orchestra, James Levine | — | |
| 3-3 | Préludes: Book 1: no. 10: La cathédrale engloutie | Krystian Zimerman | — | |
| 3-4 | L’Arlésienne Suite no. 1, WD 40: Carillon | — | ||
| 3-5 | Sieben frühe Lieder: Die Nachtigall | Anne Sofie von Otter, Bengt Forsberg | — | |
| 3-6 | String Quartet no. 14 in D minor, D. 810 "Death and the Maiden": III. Scherzo. Allegro molto | Hagen Quartett | T-329.454.787-4 | |
| 3-7 | Sonata in C major, K. 545: I. Allegro | Maria João Pires | T-007.303.107-8 | |
| 3-8 | Peer Gynt, op. 23: 2. akt: I Dovregubbens hall | Gösta Ohlin, Gösta Ohlin's Vocal Ensemble, Pro Musica Chamber Choir, Tor Stokke, Gothenburg Symphony Orchestra, Neeme Järvi | T-909.597.505-6 | |
| 3-9 | 12 Études for Piano, op. 8, no. 12 in D‐sharp minor | — | ||
| 3-10 | Sonata for Violin & Piano No. 26 in B-flat major, K. 317d/378: II. Andantino sostenuto e cantabile | Itzhak Perlman, Daniel Barenboim | — | |
| 3-11 | Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-12 | Requiem, op. 48: VII. In Paradisum “In Paradisum deducant angeli” | Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini | T-924.489.944-3 | |
| 3-13 | Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: II. Allegro | Martha Argerich, Mischa Maisky | — | |
| 3-14 | West Side Story: America | — | ||
| 3-15 | Symphony for Organ no. 5 in F minor, op. 42 no. 1: V. Toccata: Allegro | Simon Preston | — | |
| 3-16 | Symphonie Nr. 4 A-Dur, op. 90 "Italienische": 4. Saltarello. Presto | Philharmonia Orchestra, Giuseppe Sinopoli | T-925.645.332-4 | |
| 3-17 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | — | |
| 4-1 | Concerto No. 2 in F major, BWV 1047: II. Andante | The English Concert, Trevor Pinnock | — | |
| 4-2 | Klaviersonate D-dur, KV 576: I. Allegro | Friedrich Gulda | — | |
| 4-3 | Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: f. Danse des mirlitons | Berliner Philharmoniker, Mstislav Rostropovich | T-900.140.239-7 | |
| 4-4 | Préludes 1ᵉʳ Livre: VII. Ce quʼa vu le vent dʼOuest. Animé et tumultueux | Arturo Benedetti Michelangeli | — | |
| 4-5 | La Traviata: “Libiamo ne’lieti calici” (Brindisi) | — | ||
| 4-6 | Suite populaire espagnole: 6. Jota | — | ||
| 4-7 | Nocturne | — | ||
| 4-8 | Antiche danze ed arie, suite III: Anonymus: Italiana | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-9 | 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — | |
| 4-10 | Nabucco: ‘’Va, pensiero, sull’ali dorate’’ | — | ||
| 4-11 | Partita no. 3 E-dur, BWV 1006: I. Preludio | Nathan Milstein | T-041.917.934-2 | |
| 4-12 | Sinfonia in D major, Wq. 183 no. 1: 3. Presto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | T-902.717.414-7 | |
| 4-13 | Fantasia in D minor, K. 397 – Andante – Adagio – Allegretto | — | ||
| 4-14 | Symphony no. 4: I. Bedächtig. Nicht eilen | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — | |
| 4-15 | Piano Sonata in A major, K. 331: II. Menuetto - Trio | Christoph Eschenbach | — | |
| 4-16 | Recuerdos de la Alhambra | Narciso Yepes | — | |
| 4-17 | An die Musik, op. 88 no. 4, D. 547 | Fritz Wunderlich, Hubert Giesen | T-910.203.464-0 | |
| 4-18 | Die Walküre: Aufzug III, Szene III. Feuerzauber | Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | T-306.487.214-2 | |
| 5-1 | Vado, ma dove? o Dei!, K. 583 | Gundula Janowitz, Wiener Symphoniker, Wilfried Böttcher | — | |
| 5-2 | 2 Etudes de Concert, S. 145: no. 1 Waldesrauschen | Géza Anda | — | |
| 5-3 | Locus iste, WAB 23 | Chor des Bayerischen Rundfunks, Eugen Jochum | — | |
| 5-4 | Sonata for Piano no. 29 in B‐flat major, op. 106 “Hammer‐Klavier”: II. Scherzo. Assai vivace | Wilhelm Kempff | T-911.517.582-1 | |
| 5-5 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-6 | Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude | Pierre Fournier | — | |
| 5-7 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato. Allegro | Leningrad Philharmonic Orchestra, Yevgeny Mravinsky | — | |
| 5-8 | Himbeerernte (Arr. Schvedoff) | — | ||
| 5-9 | Études-Caprices op. 18 for 2 Violins: No. 5 in E major | David Oistrakh, Igor Oistrakh | — | |
| 5-10 | Dichterliebe, op. 48: No. 7. Ich grolle nicht | Dietrich Fischer-Dieskau, Jörg Demus | — | |
| 5-11 | Romeo and Juliet: Tybalt’s Death | Berliner Philharmoniker, Lorin Maazel | — | |
| 5-12 | Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart | Sviatoslav Richter | — | |
| 5-13 | Five Neapolitan Songs (1956) for Baritone and Chamber Orchestra: 1. Aggio saputo ca la morte vene | — | ||
| 5-15 | Die Zauberflöte, K. 620, Akt II. “Der Hölle Rache kocht in meinem Herzen” | — | ||
| 5-16 | Weihnachts-Oratorium: Zweiter Teil: Am zweiten Weihnachtsfeiertage. Nr. 15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet" | Helmut Krebs, Berliner Philharmoniker, Fritz Lehmann | — | |
| 5-17 | Symphonie fantastique, op. 14, H 48: 4. Marche au supplice (Allegretto non troppo) | — | ||
| 6-1 | Czech Dances Tance II: 2. Slepicka in B-flat major (moderato) | Stefan Askenase | — | |
| 6-2 | Idomeneo, K. 366: "Non temer, amato bene", K. 490 | Irmgard Seefried, Wolfgang Schneiderhan, Wiener Symphoniker, Ferdinand Leitner | — | |
| 6-3 | Ragtime Bass in C-sharp minor | Földes Andor | — | |
| 6-4 | String Quartet no. 15 in G major, D.887: III. Scherzo (Allegro vivace) | Amadeus Quartet | — | |
| 6-5 | Symphony in G major, Hob. I:88: III. Menuetto | Berliner Philharmoniker, Wilhelm Furtwängler | T-902.876.200-7 | |
| 6-6 | Symphony no. 5 in E minor, op. 64, Th. 29: 3. Valse (Allegro moderato) | — | ||
| 6-7 | Piano Concerto in G major, M. 83: 3. Presto | — | ||
| 6-8 | Toccata and Fugue in D minor, BWV 565: 1. Toccata | — | ||
| 6-9 | Winterreise, D. 911: Der Lindenbaum | Peter Anders, Michael Raucheisen | — | |
| 6-10 | Violin Concerto in D minor, op. 47: 3. Allegro, ma non tanto | — | ||
| 6-11 | Il barbiere di Siviglia: Atto I. No. 5 Cavatina “Una voce poco fa” – “Io sono docile” | — | ||
| 6-12 | Tosca: Atto II. “Vissi d’arte, vissi d’amore” | — | ||
| 6-13 | The Bartered Bride, JB 1–100: Overture | — | ||
| 6-14 | Roman Festivals, P. 157: 1. Circenses | — | ||
| 6-15 | Wesendonck Lieder, WWV 91: 5. Träume “Sag’, welch wunderbare Träume” | — | ||
| 6-16 | Albumblatt, WWV 64 | — | ||
| 7-1 | Turandot: Atto I. “Non piangere, Liù” | — | ||
| 7-2 | Violin Concerto in D major: 2. Aria I | — | ||
| 7-3 | Peer Gynt, op. 23: Act III. Solveig’s Song (Sung in German) | — | ||
| 7-4 | Das Herz, op. 39: Love Theme. Sehr ruhig, lieblich (Molto tranquillo, dolce) | — | ||
| 7-5 | Die Walküre, WWV 86b: Akt III. The Ride of the Valkyries | — | ||
| 7-6 | Cavalleria rusticana: Intermezzo sinfonico | — | ||
| 7-7 | Dir, Dir, Jehova will ich singen BWV 452 | — | ||
| 7-8 | Parsifal, WWV 111: Akt II. “Ich sah das Kind an seiner Mutter Brust” | — | ||
| 7-9 | Undine: Akt III. “O kehr’ zurück” | — | ||
| 7-10 | Frühlingsstimmen, op. 410 (Arr. Alfred Grünfeld) | — | ||
| 7-11 | Hummel Waltz in E‐flat major | — | ||
| 7-13 | Liebesfreud | Fritz Kreisler, Haddon Squire | T-801.289.652-6 | |
| 7-14 | La Bohème: Atto IV. “O Mimì, tu più non torni” | — | ||
| 7-15 | Auld Lang Syne (Traditional) | — | ||
| 7-16 | Ave Maria | Alessandro Moreschi | — | |
| 7-17 | Otello: Atto I. “Esultate!” | — | ||
| 7-18 | Excerpt From a Spoken Letter to His Sister‐in‐Law Sara Hahn | — |
