UPC · Release
Various Artists
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4197257809909 is the Universal Product Code (UPC barcode) for the release “DIE ZEIT Klassik-Edition” by Various Artists, released 2006-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 196 tracks, each with its own ISRC. Tracks include GBAYC8801689, GBAYC9702379, GBAYC8000535.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Konzert für Violine und Orchester D-Dur, op. 77: I. Allegro non troppo | — | ||
| 2 | Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio | — | ||
| 3 | Violin Concerto in D major, op. 77: III. Allegro giocoso, Ma non troppo vivace: Poco più presto | Yehudi Menuhin, Berliner Philharmoniker, Rudolf Kempe | T-329.520.403-0 | |
| 4 | Romanze für Violine und Orchester No. 1 in G-Dur, op. 40: Andante | — | ||
| 5 | Konzert für Violine und Orchester Nr. 1 g-Moll, op. 26: I. Allegro moderato | — | ||
| 6 | Konzert für Violine und Orchester G-moll, op. 26: 2. Adagio | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | — | |
| 7 | Konzert für Violine und Orchester Nr. 1 g-Moll, op. 26: III. Allegro energico | — | ||
| 2-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-4 | Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-5 | Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato — Largamente — Allegro moderato | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-6 | Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-7 | Symphony no. 5 in E-flat major, op. 82: III. Allegro molto; Largamente assai | Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-1 | Vier letzte Lieder: 1. Frühling | Elisabeth Schwarzkopf, Radio-Symphonie-Orchester Berlin, George Szell | — | |
| 3-2 | Vier letzte Lieder op. posth.: II. September | — | ||
| 3-3 | Vier letzte Lieder op. posth.: III. Beim Schlafengehen | — | ||
| 3-4 | Vier letzte Lieder op. posth.: IV. Im Abendrot | — | ||
| 3-5 | Zueignung, op. 10 Nr. 1 | Elisabeth Schwarzkopf, Radio-Symphonie-Orchester Berlin, George Szell | — | |
| 3-6 | Freundliche Vision, Op. 48 No. 1 | Elisabeth Schwarzkopf, Radio-Symphonie-Orchester Berlin, George Szell | — | |
| 3-7 | Das Rosenband, op. 36 Nr. 1 | Elisabeth Schwarzkopf, London Symphony Orchestra, George Szell | — | |
| 3-8 | Ruhe, meine Seele, op. 27 Nr. 1 | Elisabeth Schwarzkopf, London Symphony Orchestra, George Szell | — | |
| 3-9 | Morgen, op. 27 Nr. 4 | Elisabeth Schwarzkopf, Edith Peinemann, London Symphony Orchestra, George Szell | — | |
| 3-10 | Der Rosenkavalier, op. 59: Da geht er hin... (Finale 1. Akt, Marschallin - Octavian) | — | ||
| 3-11 | Der Rosenkavalier, op. 59: Marie Theres'!...Hab mir's gelobt... (Finale 3. Akt, Octavian - Marschallin - Sophie - Faninal) | — | ||
| 4-1 | Klarinettenkonzert A-Dur, KV 622: I. Allegro | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — | |
| 4-2 | Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — | |
| 4-3 | Klarinettenkonzert A-Dur, KV 622: III. Rondo. Allegro | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — | |
| 4-4 | Clarinet Concerto no. 1 in F minor, op. 73: I. Allegro | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-5 | Klarinettenkonzert Nr. 1 f-Moll, op. 73: II. Adagio ma non troppo | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-6 | Klarinettenkonzert Nr. 1 f-Moll, op. 73: III. Rondo. Allegretto | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | T-312.542.566-9 | |
| 4-7 | Klarinettenkonzert Nr. 2 Es-Dur, op. 74: I. Allegro | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-8 | Klarinettenkonzert Nr. 2 Es-Dur, op. 74: II. Romanza. Andante | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-9 | Klarinettenkonzert Nr. 2 Es-Dur, op. 74: III. Alla polacca | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-1 | Sinfonie Nr. 4 Es-Dur "Die Romantische": I. Bewegt, nicht zu schnell | — | ||
| 5-2 | Sinfonie Nr. 4 Es-Dur "Die Romantische": II. Andante quasi Allegretto | — | ||
| 5-3 | Sinfonie Nr. 4 Es-Dur "Die Romantische": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend | — | ||
| 5-4 | Sinfonie Nr. 4 Es-Dur "Die Romantische": IV. Finale. Bewegt, doch nicht zu schnell | — | ||
| 6-1 | Cello Suite no. 1 in G: Prelude | Pablo Casals | T-915.432.414-8 | |
| 6-2 | Cello Suite no. 1 in G major, BWV 1007: II. Allemande | Pau Casals | — | |
| 6-3 | Cello Suite no. 1 in G major, BWV 1007: III. Courante | Pau Casals | — | |
| 6-4 | Cello Suite no. 1 in G major, BWV 1007: IV. Sarabande | Pau Casals | — | |
| 6-5 | Cello Suite no. 1 in G major, BWV 1007: V. Menuets I and II | Pau Casals | — | |
| 6-6 | Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | Pau Casals | — | |
| 6-7 | Cello Suite no. 4 in E-flat major, BWV 1010: I. Prelude | Pau Casals | — | |
| 6-8 | Cello Suite no. 4 in E-flat major, BWV 1010: II. Allemande | Pau Casals | T-902.685.630-4 | |
| 6-9 | Cello Suite no. 4 in E-flat major, BWV 1010: III. Courante | Pau Casals | — | |
| 6-10 | Cello Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | Pau Casals | — | |
| 6-11 | Cello Suite no. 4 in E-flat major, BWV 1010: V. Bourrées I and II | Pau Casals | — | |
| 6-12 | Cello Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | Pau Casals | — | |
| 6-13 | Cello Suite no. 5 in C minor, BWV 1011: I. Prélude | Pau Casals | — | |
| 6-14 | Cello Suite no. 5 in C minor, BWV 1011: II. Allemande | Pau Casals | — | |
| 6-15 | Cello Suite no. 5 in C minor, BWV 1011: III. Courante | Pau Casals | — | |
| 6-16 | Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande | Pau Casals | — | |
| 6-17 | Cello Suite no. 5 in C minor, BWV 1011: V. Gavottes I and II | Pau Casals | — | |
| 6-18 | Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue | Pau Casals | — | |
| 7-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T-909.264.262-1 | |
| 7-2 | Piano Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso) | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T-909.264.262-1 | |
| 7-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T-909.264.262-1 | |
| 7-4 | Klavierkonzert Nr. 3, Sz. 119: I. Allegretto | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 7-5 | Klavierkonzert Nr. 3, Sz. 119: II. Adagio religioso - [Poco più mosso] - Tempo I | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 7-6 | Klavierkonzert Nr. 3, Sz. 119: III. [Allegro vivace] - [Presto] | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 7-7 | Klavierkonzert Nr. 1 Des-Dur, op. 10: I. Allegro brioso | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 7-8 | Klavierkonzert Nr. 1 Des-Dur, op. 10: II. Andante assai | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 7-9 | Klavierkonzert Nr. 1 Des-Dur, op. 10: III. Allegro scherzando | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 8-1 | Rienzi (Overture) | — | ||
| 8-2 | Tristan und Isolde - Vorspiel | — | ||
| 8-3 | Tristan und Isolde - Liebestod | — | ||
| 8-4 | Die Meistersinger von Nürnberg - Vorspiel | — | ||
| 8-5 | Siegfried Idyll | — | ||
| 8-6 | Parsifal, Vorspiel | — | ||
| 8-7 | Lohengrin, Akt: Vorspiel | — | ||
| 9-1 | Concerto no. 1 in E, RV 269 “La primavera”: I. Allegro | Nigel Kennedy, English Chamber Orchestra | T-919.442.911-3 | |
| 9-2 | Concerto no. 1 in E, RV 269 “La primavera”: II. Largo | Nigel Kennedy, English Chamber Orchestra | — | |
| 9-3 | Concerto no. 1 in E, RV 269 “La primavera”: III. Allegro | Nigel Kennedy, English Chamber Orchestra | — | |
| 9-4 | Concerto no. 2 in G minor, RV 315 “L’estate”: I. Allegro non molto | Nigel Kennedy, English Chamber Orchestra | — | |
| 9-5 | Concerto no. 2 in G minor, RV 315 “L’estate”: II. Adagio | Nigel Kennedy, English Chamber Orchestra | T-312.542.566-9 | |
| 9-6 | Concerto no. 2 in G minor, RV 315 “L’estate”: III. Presto | Nigel Kennedy, English Chamber Orchestra | — | |
| 9-7 | Concerto no. 3 in F, RV 293 “L’autunno”: I. Allegro | Nigel Kennedy, English Chamber Orchestra | — | |
| 9-8 | Concerto no. 3 in F, RV 293 “L’autunno”: II. Adagio molto | Nigel Kennedy, English Chamber Orchestra | — | |
| 9-9 | Concerto no. 3 in F, RV 293 “L’autunno”: III. Allegro | Nigel Kennedy, English Chamber Orchestra | — | |
| 9-10 | Concerto no. 4 in F minor, RV 297 “L’inverno”: I. Allegro non molto | Nigel Kennedy, English Chamber Orchestra | — | |
| 9-11 | Concerto no. 4 in F minor, RV 297 “L’inverno”: II. Largo | Nigel Kennedy, English Chamber Orchestra | T-312.542.566-9 | |
| 9-12 | Concerto no. 4 in F minor, RV 297 “L’inverno”: III. Allegro | Nigel Kennedy, English Chamber Orchestra | — | |
| 9-13 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Nigel Kennedy, English Chamber Orchestra, Jeffrey Tate | — | |
| 9-14 | Violin Concerto in E minor, op. 64: II. Andante | Nigel Kennedy, English Chamber Orchestra, Jeffrey Tate | — | |
| 9-15 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Nigel Kennedy, English Chamber Orchestra, Jeffrey Tate | — | |
| 10-1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 10-2 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto | Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 10-3 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Adagio | Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 10-4 | Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro ma non troppo - Allegro assai - Presto - Allegro assai vivace: alla marcia - Andante maestoso - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco adagio - Prestissimo | Chor, Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 11-1 | Anna Bolena: Atto II. “Piangete voi?” … “Al dolce guidami castel natio” | Maria Callas, John Lanigan, Philharmonia Chorus, Duncan Robertson, Joseph Rouleau, Monica Sinclair, Philharmonia Orchestra, Nicola Rescigno | — | |
| 11-2 | Lucia di Lammermoor: "Il dolce suono ... Ardon gli incensi ... Spargi d'amaro pianto" (Lucia, Raimondo - NorNormanno - Enrico - Chor, 3. Akt) | — | ||
| 11-3 | Il pirata: "Oh! s'io potessi ... Col sorriso d'innocenza" (Imogene - Chor, Finale 2. Akt) | — | ||
| 11-4 | Hamlet: "À vos yeux ... Partagez vous mes fleurs ... Et maintenant, écoutez ma chanson" (Ophélie - Choror, 4. Akt) | — | ||
| 12-1 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction - Les augures printaniers - Danses des adolescentes - Jeu du rapt | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 12-2 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Ronder printanières - Jeux des cités rivales - Cortège du sage | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 12-3 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Le sage - Danse de la terre | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 12-4 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 12-5 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Cercles mystérieux des adolescentes | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 12-6 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Glorification de l'èlue - Évocation des ancêtres - Action rituelle des ancêtres | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 12-7 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Danse sacrale (L'èlue) | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 12-8 | Sinfonietta, op. 60: I. Allegretto | Philharmonia Orchestra, Simon Rattle | T-312.685.492-6 | |
| 12-9 | Sinfonietta, op. 60: II. Andante | Philharmonia Orchestra, Simon Rattle | T-312.685.492-6 | |
| 12-10 | Sinfonietta, op. 60: III. Moderato | Philharmonia Orchestra, Simon Rattle | T-312.685.492-6 | |
| 12-11 | Sinfonietta, op. 60: IV. Allegretto | Philharmonia Orchestra, Simon Rattle | T-312.685.492-6 | |
| 12-12 | Sinfonietta, op. 60: V. Andante con moto | Philharmonia Orchestra, Simon Rattle | — | |
| 13-1 | Klavierkonzert Nr. 1 e-Moll, op. 11: I. Allegro maestoso risoluto | — | ||
| 13-2 | Klavierkonzert Nr. 1 e-Moll, op. 11: II. Romanze (Larghetto) | — | ||
| 13-3 | Klavierkonzert Nr. 1 e-Moll, op. 11: III. Rondo (Vivace) | — | ||
| 13-4 | Nocturne Nr. 4 F-Dur, op. 15 Nr. 1 | — | ||
| 13-5 | Nocturne no. 5 in F‐sharp major, op. 15 no. 2 | Maurizio Pollini | T-306.230.833-8 | |
| 13-6 | Nocturne Nr. 7 cis-Moll, op. 27 Nr. 1 | — | ||
| 13-7 | Nocturne Nr. 8 Des-Dur, op. 27 Nr. 2 | — | ||
| 13-8 | Ballade Nr. 1 g-Moll, op. 23 | — | ||
| 13-9 | Polonaise Nr. 6 As-dur, op. 53 | — | ||
| 14-1 | Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-919.860.418-1 | |
| 14-2 | Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.156-7 | |
| 14-3 | Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 | |
| 14-4 | Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.154-5 | |
| 14-5 | Cello Sonata no. 2 in F, op. 99: I. Allegro vivace | Daniel Barenboim, Jacqueline du Pré | — | |
| 14-6 | Cello Sonata no. 2 in F, op. 99: II. Adagio affettuoso | Daniel Barenboim, Jacqueline du Pré | — | |
| 14-7 | Cello Sonata no. 2 in F, op. 99: III. Allegro passionato | Daniel Barenboim, Jacqueline du Pré | — | |
| 14-8 | Cello Sonata no. 2 in F, op. 99: IV. Allegro molto | Daniel Barenboim, Jacqueline du Pré | — | |
| 15-1 | Symphonie fantastique, op. 14: I. Rêveries. Largo – Allegro agitato e appassionata assai | Orchestre national de France, Leonard Bernstein | — | |
| 15-2 | Symphonie fantastique, op. 14: II. Un bal. Allegro non troppo | Orchestre national de France, Leonard Bernstein | — | |
| 15-3 | Symphonie fantastique, op. 14: III. Scène aux champs. Adagio | Orchestre national de France, Leonard Bernstein | — | |
| 15-4 | Symphonie fantastique, op. 14: IV. Marche au supplice. Allegro non troppo | Orchestre national de France, Leonard Bernstein | — | |
| 15-5 | Symphonie fantastique, op. 14: V. Songe d’une nuit du Sabbat. Larghetto – Allegro | Orchestre national de France, Leonard Bernstein | — | |
| 15-6 | MILHAUD SAUDADES DO BRASIL OP 67 VII CORCOVADO | Orchestre national de France, Leonard Bernstein | — | |
| 15-7 | MILHAUD SAUDADES DO BRASIL OP 67 IX SUMARÉ | Orchestre national de France, Leonard Bernstein | — | |
| 15-8 | MILHAUD SAUDADES DO BRASIL OP 67 VIII TIJUCA | Orchestre national de France, Leonard Bernstein | — | |
| 15-9 | MILHAUD SAUDADES DO BRASIL OP 67 XI LARENJEIRAS | Orchestre national de France, Leonard Bernstein | — | |
| 16-1 | Streichquartett Nr. 14 d-Moll, D 810 "Der Tod und das Mädchen": I. Allegro | — | ||
| 16-2 | Streichquartett Nr. 14 d-Moll, D 810 "Der Tod und das Mädchen": II. Andante con moto | — | ||
| 16-3 | Streichquartett Nr. 14 d-Moll, D 810 "Der Tod und das Mädchen": III. Scherzo (Allegro molto) | — | ||
| 16-4 | Streichquartett Nr. 14 d-Moll, D 810 "Der Tod und das Mädchen": IV. Presto | — | ||
| 16-5 | Streichquartett Nr. 10 Es-Dur, D 87: I. Allegro moderato | — | ||
| 16-6 | Streichquartett Nr. 10 Es-Dur, D 87: II. Scherzo (Prestissimo) | — | ||
| 16-7 | Streichquartett Nr. 10 Es-Dur, D 87: III. Adagio | — | ||
| 16-8 | Streichquartett Nr. 10 Es-Dur, D 87: IV. Allegro | — | ||
| 16-9 | Streichquartett Nr. 12 c-Moll, D 703 (Quartettsatz): Allegro assai | — | ||
| 17-1 | Winterreise: I. Gute Nacht | — | ||
| 17-2 | Winterreise: II. Die Wetterfahne | — | ||
| 17-3 | Winterreise: III. Gefror'ne Tränen | — | ||
| 17-4 | Winterreise: IV. Erstarrung | — | ||
| 17-5 | Winterreise: V. Der Lindenbaum | — | ||
| 17-6 | Winterreise: VI. Wasserflut | — | ||
| 17-7 | Winterreise: VII. Auf dem Flusse | — | ||
| 17-8 | Winterreise: VIII. Rückblick | — | ||
| 17-9 | Winterreise: IX. Irrlicht | — | ||
| 17-10 | Winterreise: X. Rast | — | ||
| 17-11 | Winterreise: XI. Frühlingstraum | — | ||
| 17-12 | Winterreise: XII. Einsamkeit | — | ||
| 17-13 | Winterreise: XIII. Die Post | — | ||
| 17-14 | Winterreise: XIV. Der greise Kopf | — | ||
| 17-15 | Winterreise: XV. Die Krähe | — | ||
| 17-16 | Winterreise: XVI. Letzte Hoffnung | — | ||
| 17-17 | Winterreise: XVII. Im Dorfe | — | ||
| 17-18 | Winterreise: XVIII. Der stürmische Morgen | — | ||
| 17-19 | Winterreise: XIX. Täuschung | — | ||
| 17-20 | Winterreise: XX. Der Wegweiser | — | ||
| 17-21 | Winterreise: XXI. Das Wirtshaus | — | ||
| 17-22 | Winterreise: XXII. Mut | — | ||
| 17-23 | Winterreise: XXIII. Die Nebensonnen | — | ||
| 17-24 | Winterreise: XXIV. Der Leiermann | — | ||
| 17-25 | Die Forelle, D. 550 | Dietrich Fischer-Dieskau, Gerald Moore | — | |
| 17-26 | Erlkönig, D 328 | — | ||
| 18-1 | Symphony no. 5 in D minor, op. 47: I. Moderato | Wiener Philharmoniker, Mariss Jansons | T-902.876.200-7 | |
| 18-2 | Symphony no. 5 in D minor, op. 47: II. Allegretto | Wiener Philharmoniker, Mariss Jansons | T-902.876.200-7 | |
| 18-3 | Symphony no. 5 in D minor, op. 47: III. Largo | Wiener Philharmoniker, Mariss Jansons | T-902.876.200-7 | |
| 18-4 | Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo | Wiener Philharmoniker, Mariss Jansons | T-902.876.200-7 | |
| 18-5 | Concerto for Piano, Trumpet and Strings, op. 35: I. Allegro moderato | Ole Edvard Antonsen, Mikhail Rudy, Berliner Philharmoniker, Mariss Jansons | — | |
| 18-6 | Concerto for Piano, Trumpet and Strings, op. 35: II. Lento | Ole Edvard Antonsen, Mikhail Rudy, Berliner Philharmoniker, Mariss Jansons | — | |
| 18-7 | Concerto for Piano, Trumpet and Strings, op. 35: III. Moderato | Ole Edvard Antonsen, Mikhail Rudy, Berliner Philharmoniker, Mariss Jansons | — | |
| 18-8 | Concerto for Piano, Trumpet and Strings, op. 35: IV. Allegro brio | Ole Edvard Antonsen, Mikhail Rudy, Berliner Philharmoniker, Mariss Jansons | — | |
| 18-9 | Suite for Jazz Orchestra no. 1, op. 38b: I. Waltz: Moderato | The Philadelphia Orchestra, Mariss Jansons | — | |
| 18-10 | Suite for Jazz Orchestra no. 1, op. 38b: II. Polka: Allegretto | The Philadelphia Orchestra, Mariss Jansons | — | |
| 18-11 | Suite for Jazz Orchestra no. 1, op. 38b: III. Foxtrot (Blues): Moderato | The Philadelphia Orchestra, Mariss Jansons | — | |
| 19-1 | Cello Concerto in B minor, Op. 104, B. 191: I. Allegro | Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini | — | |
| 19-2 | Cello Concerto in B minor, op. 104, B. 191: II. Adagio ma non troppo | Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini | — | |
| 19-3 | Cello Concerto in B minor, Op. 104, B. 191: III. Finale (Allegro moderato) | Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini | — | |
| 19-4 | Cello Concerto in A minor, op. 129: I. Nicht zu schnell | Mstislav Rostropovich, Orchestre National de France, Leonard Bernstein | — | |
| 19-5 | Cello Concerto in A minor, op. 129: II. Langsam | Mstislav Rostropovich, Orchestre national de France, Leonard Bernstein | — | |
| 19-6 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | Mstislav Rostropovich, Orchestre national de France, Leonard Bernstein | — | |
| 20-1 | Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-2 | Symphony no. 2 in C minor "Resurrection": II. Andante moderato | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-3 | Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-4 | Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-5 | Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-6 | Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-7 | Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-8 | Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-9 | Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-10 | Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-11 | Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen | Wilhelm Pitz, Philharmonia Chorus, Hilde Rössel-Majdan, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Clarinet Concerto no. 1 in F minor, op. 73: I. Allegro | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | — |
| Klarinettenkonzert Nr. 1 f-Moll, op. 73: II. Adagio ma non troppo | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | — |
| Klarinettenkonzert Nr. 1 f-Moll, op. 73: III. Rondo. Allegretto | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | — |
| Cello Concerto in B minor, Op. 104, B. 191: I. Allegro | Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Cello Sonata no. 2 in F, op. 99: I. Allegro vivace | Daniel Barenboim, Jacqueline du Pré | — |
| Cello Sonata no. 2 in F, op. 99: II. Adagio affettuoso | Daniel Barenboim, Jacqueline du Pré | — |
| Cello Sonata no. 2 in F, op. 99: III. Allegro passionato | Daniel Barenboim, Jacqueline du Pré | — |
| Cello Sonata no. 2 in F, op. 99: IV. Allegro molto | Daniel Barenboim, Jacqueline du Pré | — |
| Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso | Philharmonia Orchestra, Otto Klemperer | — |
| Symphony no. 2 in C minor "Resurrection": II. Andante moderato | Philharmonia Orchestra, Otto Klemperer | — |
| Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung | Philharmonia Orchestra, Otto Klemperer | — |
| Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen | Wilhelm Pitz, Philharmonia Chorus, Hilde Rössel-Majdan, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — |
| Cello Concerto in B minor, op. 104, B. 191: II. Adagio ma non troppo | Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini | — |
| Cello Concerto in B minor, Op. 104, B. 191: III. Finale (Allegro moderato) | Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini | — |
| Symphonie fantastique, op. 14: IV. Marche au supplice. Allegro non troppo | Orchestre national de France, Leonard Bernstein | T-922.067.243-5 |
| Symphonie fantastique, op. 14: V. Songe d’une nuit du Sabbat. Larghetto – Allegro | Orchestre national de France, Leonard Bernstein | T-922.067.243-5 |
| Cello Concerto in B minor, op. 104, B. 191: II. Adagio ma non troppo | Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini | — |
| Cello Sonata no. 2 in F, op. 99: I. Allegro vivace | Daniel Barenboim, Jacqueline du Pré | T-322.186.546-5 |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Cello Concerto in A minor, op. 129: I. Nicht zu schnell | Mstislav Rostropovich, Orchestre National de France, Leonard Bernstein | — |
| Cello Concerto in A minor, op. 129: II. Langsam | Mstislav Rostropovich, Orchestre national de France, Leonard Bernstein | — |
| Cello Concerto in A minor, op. 129: III. Sehr lebhaft | Mstislav Rostropovich, Orchestre national de France, Leonard Bernstein | — |
| Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso | Philharmonia Orchestra, Otto Klemperer | — |
| Symphony no. 2 in C minor "Resurrection": II. Andante moderato | Philharmonia Orchestra, Otto Klemperer | — |
| Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung | Philharmonia Orchestra, Otto Klemperer | — |
| Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen | Wilhelm Pitz, Philharmonia Chorus, Hilde Rössel-Majdan, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — |
| Cello Concerto in A minor, op. 129: III. Sehr lebhaft | Mstislav Rostropovich, Orchestre national de France, Leonard Bernstein | — |
| Cello Suite no. 1 in G: Prelude | Pablo Casals | — |
| Cello Suite no. 1 in G major, BWV 1007: II. Allemande | Pau Casals | — |
| Cello Suite no. 1 in G major, BWV 1007: III. Courante | Pau Casals | — |
| Cello Suite no. 1 in G major, BWV 1007: IV. Sarabande | Pau Casals | — |
| Cello Suite no. 1 in G major, BWV 1007: V. Menuets I and II | Pau Casals | — |
| Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | Pau Casals | — |
| Cello Suite no. 4 in E-flat major, BWV 1010: I. Prelude | Pau Casals | — |
| Cello Suite no. 4 in E-flat major, BWV 1010: II. Allemande | Pau Casals | — |
| Cello Suite no. 4 in E-flat major, BWV 1010: III. Courante | Pau Casals | — |
| Cello Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | Pau Casals | — |
| Cello Suite no. 4 in E-flat major, BWV 1010: V. Bourrées I and II | Pau Casals | — |
| Cello Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | Pau Casals | — |
| Cello Suite no. 5 in C minor, BWV 1011: I. Prélude | Pau Casals | — |
| Cello Suite no. 5 in C minor, BWV 1011: II. Allemande | Pau Casals | — |
| Cello Suite no. 5 in C minor, BWV 1011: III. Courante | Pau Casals | — |
| Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande | Pau Casals | — |
| Cello Suite no. 5 in C minor, BWV 1011: V. Gavottes I and II | Pau Casals | — |
| Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue | Pau Casals | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
4197257809909 is a Universal Product Code (UPC) assigned to DIE ZEIT Klassik-Edition by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 196 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
4197257809909 is the Universal Product Code (UPC barcode) for the release “DIE ZEIT Klassik-Edition” by Various Artists, released 2006-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 196 tracks, each with its own ISRC. Tracks include GBAYC8801689, GBAYC9702379, GBAYC8000535.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Konzert für Violine und Orchester D-Dur, op. 77: I. Allegro non troppo | — | ||
| 2 | Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio | — | ||
| 3 | Violin Concerto in D major, op. 77: III. Allegro giocoso, Ma non troppo vivace: Poco più presto | Yehudi Menuhin, Berliner Philharmoniker, Rudolf Kempe | T-329.520.403-0 | |
| 4 | Romanze für Violine und Orchester No. 1 in G-Dur, op. 40: Andante | — | ||
| 5 | Konzert für Violine und Orchester Nr. 1 g-Moll, op. 26: I. Allegro moderato | — | ||
| 6 | Konzert für Violine und Orchester G-moll, op. 26: 2. Adagio | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | — | |
| 7 | Konzert für Violine und Orchester Nr. 1 g-Moll, op. 26: III. Allegro energico | — | ||
| 2-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-4 | Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-5 | Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato — Largamente — Allegro moderato | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-6 | Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-7 | Symphony no. 5 in E-flat major, op. 82: III. Allegro molto; Largamente assai | Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-1 | Vier letzte Lieder: 1. Frühling | Elisabeth Schwarzkopf, Radio-Symphonie-Orchester Berlin, George Szell | — | |
| 3-2 | Vier letzte Lieder op. posth.: II. September | — | ||
| 3-3 | Vier letzte Lieder op. posth.: III. Beim Schlafengehen | — | ||
| 3-4 | Vier letzte Lieder op. posth.: IV. Im Abendrot | — | ||
| 3-5 | Zueignung, op. 10 Nr. 1 | Elisabeth Schwarzkopf, Radio-Symphonie-Orchester Berlin, George Szell | — | |
| 3-6 | Freundliche Vision, Op. 48 No. 1 | Elisabeth Schwarzkopf, Radio-Symphonie-Orchester Berlin, George Szell | — | |
| 3-7 | Das Rosenband, op. 36 Nr. 1 | Elisabeth Schwarzkopf, London Symphony Orchestra, George Szell | — | |
| 3-8 | Ruhe, meine Seele, op. 27 Nr. 1 | Elisabeth Schwarzkopf, London Symphony Orchestra, George Szell | — | |
| 3-9 | Morgen, op. 27 Nr. 4 | Elisabeth Schwarzkopf, Edith Peinemann, London Symphony Orchestra, George Szell | — | |
| 3-10 | Der Rosenkavalier, op. 59: Da geht er hin... (Finale 1. Akt, Marschallin - Octavian) | — | ||
| 3-11 | Der Rosenkavalier, op. 59: Marie Theres'!...Hab mir's gelobt... (Finale 3. Akt, Octavian - Marschallin - Sophie - Faninal) | — | ||
| 4-1 | Klarinettenkonzert A-Dur, KV 622: I. Allegro | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — | |
| 4-2 | Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — | |
| 4-3 | Klarinettenkonzert A-Dur, KV 622: III. Rondo. Allegro | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — | |
| 4-4 | Clarinet Concerto no. 1 in F minor, op. 73: I. Allegro | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-5 | Klarinettenkonzert Nr. 1 f-Moll, op. 73: II. Adagio ma non troppo | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-6 | Klarinettenkonzert Nr. 1 f-Moll, op. 73: III. Rondo. Allegretto | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | T-312.542.566-9 | |
| 4-7 | Klarinettenkonzert Nr. 2 Es-Dur, op. 74: I. Allegro | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-8 | Klarinettenkonzert Nr. 2 Es-Dur, op. 74: II. Romanza. Andante | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 4-9 | Klarinettenkonzert Nr. 2 Es-Dur, op. 74: III. Alla polacca | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 5-1 | Sinfonie Nr. 4 Es-Dur "Die Romantische": I. Bewegt, nicht zu schnell | — | ||
| 5-2 | Sinfonie Nr. 4 Es-Dur "Die Romantische": II. Andante quasi Allegretto | — | ||
| 5-3 | Sinfonie Nr. 4 Es-Dur "Die Romantische": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend | — | ||
| 5-4 | Sinfonie Nr. 4 Es-Dur "Die Romantische": IV. Finale. Bewegt, doch nicht zu schnell | — | ||
| 6-1 | Cello Suite no. 1 in G: Prelude | Pablo Casals | T-915.432.414-8 | |
| 6-2 | Cello Suite no. 1 in G major, BWV 1007: II. Allemande | Pau Casals | — | |
| 6-3 | Cello Suite no. 1 in G major, BWV 1007: III. Courante | Pau Casals | — | |
| 6-4 | Cello Suite no. 1 in G major, BWV 1007: IV. Sarabande | Pau Casals | — | |
| 6-5 | Cello Suite no. 1 in G major, BWV 1007: V. Menuets I and II | Pau Casals | — | |
| 6-6 | Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | Pau Casals | — | |
| 6-7 | Cello Suite no. 4 in E-flat major, BWV 1010: I. Prelude | Pau Casals | — | |
| 6-8 | Cello Suite no. 4 in E-flat major, BWV 1010: II. Allemande | Pau Casals | T-902.685.630-4 | |
| 6-9 | Cello Suite no. 4 in E-flat major, BWV 1010: III. Courante | Pau Casals | — | |
| 6-10 | Cello Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | Pau Casals | — | |
| 6-11 | Cello Suite no. 4 in E-flat major, BWV 1010: V. Bourrées I and II | Pau Casals | — | |
| 6-12 | Cello Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | Pau Casals | — | |
| 6-13 | Cello Suite no. 5 in C minor, BWV 1011: I. Prélude | Pau Casals | — | |
| 6-14 | Cello Suite no. 5 in C minor, BWV 1011: II. Allemande | Pau Casals | — | |
| 6-15 | Cello Suite no. 5 in C minor, BWV 1011: III. Courante | Pau Casals | — | |
| 6-16 | Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande | Pau Casals | — | |
| 6-17 | Cello Suite no. 5 in C minor, BWV 1011: V. Gavottes I and II | Pau Casals | — | |
| 6-18 | Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue | Pau Casals | — | |
| 7-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T-909.264.262-1 | |
| 7-2 | Piano Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso) | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T-909.264.262-1 | |
| 7-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T-909.264.262-1 | |
| 7-4 | Klavierkonzert Nr. 3, Sz. 119: I. Allegretto | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 7-5 | Klavierkonzert Nr. 3, Sz. 119: II. Adagio religioso - [Poco più mosso] - Tempo I | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 7-6 | Klavierkonzert Nr. 3, Sz. 119: III. [Allegro vivace] - [Presto] | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 7-7 | Klavierkonzert Nr. 1 Des-Dur, op. 10: I. Allegro brioso | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 7-8 | Klavierkonzert Nr. 1 Des-Dur, op. 10: II. Andante assai | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 7-9 | Klavierkonzert Nr. 1 Des-Dur, op. 10: III. Allegro scherzando | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 8-1 | Rienzi (Overture) | — | ||
| 8-2 | Tristan und Isolde - Vorspiel | — | ||
| 8-3 | Tristan und Isolde - Liebestod | — | ||
| 8-4 | Die Meistersinger von Nürnberg - Vorspiel | — | ||
| 8-5 | Siegfried Idyll | — | ||
| 8-6 | Parsifal, Vorspiel | — | ||
| 8-7 | Lohengrin, Akt: Vorspiel | — | ||
| 9-1 | Concerto no. 1 in E, RV 269 “La primavera”: I. Allegro | Nigel Kennedy, English Chamber Orchestra | T-919.442.911-3 | |
| 9-2 | Concerto no. 1 in E, RV 269 “La primavera”: II. Largo | Nigel Kennedy, English Chamber Orchestra | — | |
| 9-3 | Concerto no. 1 in E, RV 269 “La primavera”: III. Allegro | Nigel Kennedy, English Chamber Orchestra | — | |
| 9-4 | Concerto no. 2 in G minor, RV 315 “L’estate”: I. Allegro non molto | Nigel Kennedy, English Chamber Orchestra | — | |
| 9-5 | Concerto no. 2 in G minor, RV 315 “L’estate”: II. Adagio | Nigel Kennedy, English Chamber Orchestra | T-312.542.566-9 | |
| 9-6 | Concerto no. 2 in G minor, RV 315 “L’estate”: III. Presto | Nigel Kennedy, English Chamber Orchestra | — | |
| 9-7 | Concerto no. 3 in F, RV 293 “L’autunno”: I. Allegro | Nigel Kennedy, English Chamber Orchestra | — | |
| 9-8 | Concerto no. 3 in F, RV 293 “L’autunno”: II. Adagio molto | Nigel Kennedy, English Chamber Orchestra | — | |
| 9-9 | Concerto no. 3 in F, RV 293 “L’autunno”: III. Allegro | Nigel Kennedy, English Chamber Orchestra | — | |
| 9-10 | Concerto no. 4 in F minor, RV 297 “L’inverno”: I. Allegro non molto | Nigel Kennedy, English Chamber Orchestra | — | |
| 9-11 | Concerto no. 4 in F minor, RV 297 “L’inverno”: II. Largo | Nigel Kennedy, English Chamber Orchestra | T-312.542.566-9 | |
| 9-12 | Concerto no. 4 in F minor, RV 297 “L’inverno”: III. Allegro | Nigel Kennedy, English Chamber Orchestra | — | |
| 9-13 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Nigel Kennedy, English Chamber Orchestra, Jeffrey Tate | — | |
| 9-14 | Violin Concerto in E minor, op. 64: II. Andante | Nigel Kennedy, English Chamber Orchestra, Jeffrey Tate | — | |
| 9-15 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Nigel Kennedy, English Chamber Orchestra, Jeffrey Tate | — | |
| 10-1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 10-2 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto | Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 10-3 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Adagio | Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 10-4 | Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro ma non troppo - Allegro assai - Presto - Allegro assai vivace: alla marcia - Andante maestoso - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco adagio - Prestissimo | Chor, Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 11-1 | Anna Bolena: Atto II. “Piangete voi?” … “Al dolce guidami castel natio” | Maria Callas, John Lanigan, Philharmonia Chorus, Duncan Robertson, Joseph Rouleau, Monica Sinclair, Philharmonia Orchestra, Nicola Rescigno | — | |
| 11-2 | Lucia di Lammermoor: "Il dolce suono ... Ardon gli incensi ... Spargi d'amaro pianto" (Lucia, Raimondo - NorNormanno - Enrico - Chor, 3. Akt) | — | ||
| 11-3 | Il pirata: "Oh! s'io potessi ... Col sorriso d'innocenza" (Imogene - Chor, Finale 2. Akt) | — | ||
| 11-4 | Hamlet: "À vos yeux ... Partagez vous mes fleurs ... Et maintenant, écoutez ma chanson" (Ophélie - Choror, 4. Akt) | — | ||
| 12-1 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction - Les augures printaniers - Danses des adolescentes - Jeu du rapt | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 12-2 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Ronder printanières - Jeux des cités rivales - Cortège du sage | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 12-3 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Le sage - Danse de la terre | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 12-4 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 12-5 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Cercles mystérieux des adolescentes | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 12-6 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Glorification de l'èlue - Évocation des ancêtres - Action rituelle des ancêtres | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 12-7 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Danse sacrale (L'èlue) | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 12-8 | Sinfonietta, op. 60: I. Allegretto | Philharmonia Orchestra, Simon Rattle | T-312.685.492-6 | |
| 12-9 | Sinfonietta, op. 60: II. Andante | Philharmonia Orchestra, Simon Rattle | T-312.685.492-6 | |
| 12-10 | Sinfonietta, op. 60: III. Moderato | Philharmonia Orchestra, Simon Rattle | T-312.685.492-6 | |
| 12-11 | Sinfonietta, op. 60: IV. Allegretto | Philharmonia Orchestra, Simon Rattle | T-312.685.492-6 | |
| 12-12 | Sinfonietta, op. 60: V. Andante con moto | Philharmonia Orchestra, Simon Rattle | — | |
| 13-1 | Klavierkonzert Nr. 1 e-Moll, op. 11: I. Allegro maestoso risoluto | — | ||
| 13-2 | Klavierkonzert Nr. 1 e-Moll, op. 11: II. Romanze (Larghetto) | — | ||
| 13-3 | Klavierkonzert Nr. 1 e-Moll, op. 11: III. Rondo (Vivace) | — | ||
| 13-4 | Nocturne Nr. 4 F-Dur, op. 15 Nr. 1 | — | ||
| 13-5 | Nocturne no. 5 in F‐sharp major, op. 15 no. 2 | Maurizio Pollini | T-306.230.833-8 | |
| 13-6 | Nocturne Nr. 7 cis-Moll, op. 27 Nr. 1 | — | ||
| 13-7 | Nocturne Nr. 8 Des-Dur, op. 27 Nr. 2 | — | ||
| 13-8 | Ballade Nr. 1 g-Moll, op. 23 | — | ||
| 13-9 | Polonaise Nr. 6 As-dur, op. 53 | — | ||
| 14-1 | Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-919.860.418-1 | |
| 14-2 | Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.156-7 | |
| 14-3 | Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 | |
| 14-4 | Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.154-5 | |
| 14-5 | Cello Sonata no. 2 in F, op. 99: I. Allegro vivace | Daniel Barenboim, Jacqueline du Pré | — | |
| 14-6 | Cello Sonata no. 2 in F, op. 99: II. Adagio affettuoso | Daniel Barenboim, Jacqueline du Pré | — | |
| 14-7 | Cello Sonata no. 2 in F, op. 99: III. Allegro passionato | Daniel Barenboim, Jacqueline du Pré | — | |
| 14-8 | Cello Sonata no. 2 in F, op. 99: IV. Allegro molto | Daniel Barenboim, Jacqueline du Pré | — | |
| 15-1 | Symphonie fantastique, op. 14: I. Rêveries. Largo – Allegro agitato e appassionata assai | Orchestre national de France, Leonard Bernstein | — | |
| 15-2 | Symphonie fantastique, op. 14: II. Un bal. Allegro non troppo | Orchestre national de France, Leonard Bernstein | — | |
| 15-3 | Symphonie fantastique, op. 14: III. Scène aux champs. Adagio | Orchestre national de France, Leonard Bernstein | — | |
| 15-4 | Symphonie fantastique, op. 14: IV. Marche au supplice. Allegro non troppo | Orchestre national de France, Leonard Bernstein | — | |
| 15-5 | Symphonie fantastique, op. 14: V. Songe d’une nuit du Sabbat. Larghetto – Allegro | Orchestre national de France, Leonard Bernstein | — | |
| 15-6 | MILHAUD SAUDADES DO BRASIL OP 67 VII CORCOVADO | Orchestre national de France, Leonard Bernstein | — | |
| 15-7 | MILHAUD SAUDADES DO BRASIL OP 67 IX SUMARÉ | Orchestre national de France, Leonard Bernstein | — | |
| 15-8 | MILHAUD SAUDADES DO BRASIL OP 67 VIII TIJUCA | Orchestre national de France, Leonard Bernstein | — | |
| 15-9 | MILHAUD SAUDADES DO BRASIL OP 67 XI LARENJEIRAS | Orchestre national de France, Leonard Bernstein | — | |
| 16-1 | Streichquartett Nr. 14 d-Moll, D 810 "Der Tod und das Mädchen": I. Allegro | — | ||
| 16-2 | Streichquartett Nr. 14 d-Moll, D 810 "Der Tod und das Mädchen": II. Andante con moto | — | ||
| 16-3 | Streichquartett Nr. 14 d-Moll, D 810 "Der Tod und das Mädchen": III. Scherzo (Allegro molto) | — | ||
| 16-4 | Streichquartett Nr. 14 d-Moll, D 810 "Der Tod und das Mädchen": IV. Presto | — | ||
| 16-5 | Streichquartett Nr. 10 Es-Dur, D 87: I. Allegro moderato | — | ||
| 16-6 | Streichquartett Nr. 10 Es-Dur, D 87: II. Scherzo (Prestissimo) | — | ||
| 16-7 | Streichquartett Nr. 10 Es-Dur, D 87: III. Adagio | — | ||
| 16-8 | Streichquartett Nr. 10 Es-Dur, D 87: IV. Allegro | — | ||
| 16-9 | Streichquartett Nr. 12 c-Moll, D 703 (Quartettsatz): Allegro assai | — | ||
| 17-1 | Winterreise: I. Gute Nacht | — | ||
| 17-2 | Winterreise: II. Die Wetterfahne | — | ||
| 17-3 | Winterreise: III. Gefror'ne Tränen | — | ||
| 17-4 | Winterreise: IV. Erstarrung | — | ||
| 17-5 | Winterreise: V. Der Lindenbaum | — | ||
| 17-6 | Winterreise: VI. Wasserflut | — | ||
| 17-7 | Winterreise: VII. Auf dem Flusse | — | ||
| 17-8 | Winterreise: VIII. Rückblick | — | ||
| 17-9 | Winterreise: IX. Irrlicht | — | ||
| 17-10 | Winterreise: X. Rast | — | ||
| 17-11 | Winterreise: XI. Frühlingstraum | — | ||
| 17-12 | Winterreise: XII. Einsamkeit | — | ||
| 17-13 | Winterreise: XIII. Die Post | — | ||
| 17-14 | Winterreise: XIV. Der greise Kopf | — | ||
| 17-15 | Winterreise: XV. Die Krähe | — | ||
| 17-16 | Winterreise: XVI. Letzte Hoffnung | — | ||
| 17-17 | Winterreise: XVII. Im Dorfe | — | ||
| 17-18 | Winterreise: XVIII. Der stürmische Morgen | — | ||
| 17-19 | Winterreise: XIX. Täuschung | — | ||
| 17-20 | Winterreise: XX. Der Wegweiser | — | ||
| 17-21 | Winterreise: XXI. Das Wirtshaus | — | ||
| 17-22 | Winterreise: XXII. Mut | — | ||
| 17-23 | Winterreise: XXIII. Die Nebensonnen | — | ||
| 17-24 | Winterreise: XXIV. Der Leiermann | — | ||
| 17-25 | Die Forelle, D. 550 | Dietrich Fischer-Dieskau, Gerald Moore | — | |
| 17-26 | Erlkönig, D 328 | — | ||
| 18-1 | Symphony no. 5 in D minor, op. 47: I. Moderato | Wiener Philharmoniker, Mariss Jansons | T-902.876.200-7 | |
| 18-2 | Symphony no. 5 in D minor, op. 47: II. Allegretto | Wiener Philharmoniker, Mariss Jansons | T-902.876.200-7 | |
| 18-3 | Symphony no. 5 in D minor, op. 47: III. Largo | Wiener Philharmoniker, Mariss Jansons | T-902.876.200-7 | |
| 18-4 | Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo | Wiener Philharmoniker, Mariss Jansons | T-902.876.200-7 | |
| 18-5 | Concerto for Piano, Trumpet and Strings, op. 35: I. Allegro moderato | Ole Edvard Antonsen, Mikhail Rudy, Berliner Philharmoniker, Mariss Jansons | — | |
| 18-6 | Concerto for Piano, Trumpet and Strings, op. 35: II. Lento | Ole Edvard Antonsen, Mikhail Rudy, Berliner Philharmoniker, Mariss Jansons | — | |
| 18-7 | Concerto for Piano, Trumpet and Strings, op. 35: III. Moderato | Ole Edvard Antonsen, Mikhail Rudy, Berliner Philharmoniker, Mariss Jansons | — | |
| 18-8 | Concerto for Piano, Trumpet and Strings, op. 35: IV. Allegro brio | Ole Edvard Antonsen, Mikhail Rudy, Berliner Philharmoniker, Mariss Jansons | — | |
| 18-9 | Suite for Jazz Orchestra no. 1, op. 38b: I. Waltz: Moderato | The Philadelphia Orchestra, Mariss Jansons | — | |
| 18-10 | Suite for Jazz Orchestra no. 1, op. 38b: II. Polka: Allegretto | The Philadelphia Orchestra, Mariss Jansons | — | |
| 18-11 | Suite for Jazz Orchestra no. 1, op. 38b: III. Foxtrot (Blues): Moderato | The Philadelphia Orchestra, Mariss Jansons | — | |
| 19-1 | Cello Concerto in B minor, Op. 104, B. 191: I. Allegro | Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini | — | |
| 19-2 | Cello Concerto in B minor, op. 104, B. 191: II. Adagio ma non troppo | Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini | — | |
| 19-3 | Cello Concerto in B minor, Op. 104, B. 191: III. Finale (Allegro moderato) | Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini | — | |
| 19-4 | Cello Concerto in A minor, op. 129: I. Nicht zu schnell | Mstislav Rostropovich, Orchestre National de France, Leonard Bernstein | — | |
| 19-5 | Cello Concerto in A minor, op. 129: II. Langsam | Mstislav Rostropovich, Orchestre national de France, Leonard Bernstein | — | |
| 19-6 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | Mstislav Rostropovich, Orchestre national de France, Leonard Bernstein | — | |
| 20-1 | Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-2 | Symphony no. 2 in C minor "Resurrection": II. Andante moderato | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-3 | Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-4 | Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-5 | Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-6 | Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-7 | Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-8 | Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-9 | Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-10 | Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-11 | Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen | Wilhelm Pitz, Philharmonia Chorus, Hilde Rössel-Majdan, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Clarinet Concerto no. 1 in F minor, op. 73: I. Allegro | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | — |
| Klarinettenkonzert Nr. 1 f-Moll, op. 73: II. Adagio ma non troppo | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | — |
| Klarinettenkonzert Nr. 1 f-Moll, op. 73: III. Rondo. Allegretto | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | — |
| Cello Concerto in B minor, Op. 104, B. 191: I. Allegro | Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Cello Sonata no. 2 in F, op. 99: I. Allegro vivace | Daniel Barenboim, Jacqueline du Pré | — |
| Cello Sonata no. 2 in F, op. 99: II. Adagio affettuoso | Daniel Barenboim, Jacqueline du Pré | — |
| Cello Sonata no. 2 in F, op. 99: III. Allegro passionato | Daniel Barenboim, Jacqueline du Pré | — |
| Cello Sonata no. 2 in F, op. 99: IV. Allegro molto | Daniel Barenboim, Jacqueline du Pré | — |
| Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso | Philharmonia Orchestra, Otto Klemperer | — |
| Symphony no. 2 in C minor "Resurrection": II. Andante moderato | Philharmonia Orchestra, Otto Klemperer | — |
| Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung | Philharmonia Orchestra, Otto Klemperer | — |
| Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen | Wilhelm Pitz, Philharmonia Chorus, Hilde Rössel-Majdan, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — |
| Cello Concerto in B minor, op. 104, B. 191: II. Adagio ma non troppo | Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini | — |
| Cello Concerto in B minor, Op. 104, B. 191: III. Finale (Allegro moderato) | Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini | — |
| Symphonie fantastique, op. 14: IV. Marche au supplice. Allegro non troppo | Orchestre national de France, Leonard Bernstein | T-922.067.243-5 |
| Symphonie fantastique, op. 14: V. Songe d’une nuit du Sabbat. Larghetto – Allegro | Orchestre national de France, Leonard Bernstein | T-922.067.243-5 |
| Cello Concerto in B minor, op. 104, B. 191: II. Adagio ma non troppo | Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini | — |
| Cello Sonata no. 2 in F, op. 99: I. Allegro vivace | Daniel Barenboim, Jacqueline du Pré | T-322.186.546-5 |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Cello Concerto in A minor, op. 129: I. Nicht zu schnell | Mstislav Rostropovich, Orchestre National de France, Leonard Bernstein | — |
| Cello Concerto in A minor, op. 129: II. Langsam | Mstislav Rostropovich, Orchestre national de France, Leonard Bernstein | — |
| Cello Concerto in A minor, op. 129: III. Sehr lebhaft | Mstislav Rostropovich, Orchestre national de France, Leonard Bernstein | — |
| Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso | Philharmonia Orchestra, Otto Klemperer | — |
| Symphony no. 2 in C minor "Resurrection": II. Andante moderato | Philharmonia Orchestra, Otto Klemperer | — |
| Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung | Philharmonia Orchestra, Otto Klemperer | — |
| Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter | Philharmonia Orchestra, Otto Klemperer | — |
| Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen | Wilhelm Pitz, Philharmonia Chorus, Hilde Rössel-Majdan, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — |
| Cello Concerto in A minor, op. 129: III. Sehr lebhaft | Mstislav Rostropovich, Orchestre national de France, Leonard Bernstein | — |
| Cello Suite no. 1 in G: Prelude | Pablo Casals | — |
| Cello Suite no. 1 in G major, BWV 1007: II. Allemande | Pau Casals | — |
| Cello Suite no. 1 in G major, BWV 1007: III. Courante | Pau Casals | — |
| Cello Suite no. 1 in G major, BWV 1007: IV. Sarabande | Pau Casals | — |
| Cello Suite no. 1 in G major, BWV 1007: V. Menuets I and II | Pau Casals | — |
| Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | Pau Casals | — |
| Cello Suite no. 4 in E-flat major, BWV 1010: I. Prelude | Pau Casals | — |
| Cello Suite no. 4 in E-flat major, BWV 1010: II. Allemande | Pau Casals | — |
| Cello Suite no. 4 in E-flat major, BWV 1010: III. Courante | Pau Casals | — |
| Cello Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | Pau Casals | — |
| Cello Suite no. 4 in E-flat major, BWV 1010: V. Bourrées I and II | Pau Casals | — |
| Cello Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | Pau Casals | — |
| Cello Suite no. 5 in C minor, BWV 1011: I. Prélude | Pau Casals | — |
| Cello Suite no. 5 in C minor, BWV 1011: II. Allemande | Pau Casals | — |
| Cello Suite no. 5 in C minor, BWV 1011: III. Courante | Pau Casals | — |
| Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande | Pau Casals | — |
| Cello Suite no. 5 in C minor, BWV 1011: V. Gavottes I and II | Pau Casals | — |
| Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue | Pau Casals | — |
