UPC · Release
Various Artists
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The UPC for “111 Years of Deutsche Grammophon” by Various Artists is 00028947781684. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. This release contains 109 tracks, each with its own ISRC. Tracks include DEF058230904, DEF056300202, DEF056100240.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hungarian Dances, WoO 1: No. 5 in G minor: Allegro — Vivace | Wiener Philharmoniker, Claudio Abbado | — | |
| 3 | Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: II. Allegro molto vivace | Amadeus Quartet | — | |
| 4 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 5 | 24 Préludes, op. 28 no. 23 in F major: Moderato | Martha Argerich | — | |
| 7 | Le nozze di Figaro, K. 492: Atto II. No. 12 "Voi che sapete" | Dietrich D. Gerpheide, Cecilia Bartoli, Franz Bartolomey, Robert Scheiwein, Ronald Schneider, Wiener Philharmoniker, Claudio Abbado | — | |
| 8 | 24 Préludes, op. 28: No. 3 in G major: Vivace | Rafał Blechacz | T-913.706.053-8 | |
| 9 | Suite No. 2 in B minor, BWV 1067: VII. "Badinerie" | Festival Strings Lucerne, Rudolf Baumgartner | T-011.654.484-3 | |
| 10 | Requiem, op. 48: IV. Pie Jesu “Pie Jesu Domine” | Horst Neumann, Andreas Schmidt, Kathleen Battle, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | T-010.065.879-4 | |
| 11 | Préludes 1ᵉʳ Livre: VII. Ce quʼa vu le vent dʼOuest. Animé et tumultueux | Arturo Benedetti Michelangeli | — | |
| 12 | Carmen : Acte I. « L'amour est un oiseau rebelle » | Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T-305.625.648-1 | |
| 13 | Candide: Overture | Israel Philharmonic Orchestra, Leonard Bernstein | T-903.288.559-9 | |
| 14 | Requiem in D Minor, K.626: 3. Sequentia: VI. Lacrimosa (from “Amadeus”) | Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Hans Haselböck, Wiener Philharmoniker, Karl Böhm | T-000.698.858-4 | |
| 15 | Sechs Lieder, Op. 17: II. Ständchen | Measha Brueggergosman, Justus Zeyen | — | |
| 16 | Le sacre du printemps, Part II: "Le sacrifice" VI. "Danse sacrale" - "L'élue" | The Cleveland Orchestra, Pierre Boulez | T-070.257.887-7 | |
| 17 | El amor brujo: Canción del amor dolido | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 18 | L’africana: Atto IV. “Mi batte il cor” … “O paradiso!” | Enrico Caruso | — | |
| 19 | Concerto for Violin, Strings and Continuo in G minor, RV 325: II. Largo a piacimento | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | T-911.640.005-6 | |
| 20 | Tosca: Atto III. "E lucevan le stelle" | José Carreras, Berliner Philharmoniker, Herbert von Karajan | T-910.067.947-8 | |
| 2-1 | Carmen Suite: Los Toréadors | Orchestre de l’Opéra Bastille, Myung-Whun Chung | T-308.092.565-7 | |
| 2-2 | Boogie Woogie Etude | Shura Cherkassky | — | |
| 2-3 | Il trovatore: Di quella pira | Coro dell’Accademia Nazionale di Santa Cecilia, Plácido Domingo, Walter Gullino, Rosalind Plowright, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini | T-921.539.025-3 | |
| 2-4 | Abendglocken | Don Kosaken Chor | T-906.113.173-5 | |
| 2-5 | Danzas del ballet “Estancia”, op. 8a: II. Danza del trigo | Simón Bolívar Youth Orchesta of Venezuela, Gustavo Dudamel | — | |
| 2-6 | String Quartet no. 4, BB 95, Sz. 91: IV. Allegretto pizzicato | David Finckel, Eugene Drucker, Lawrence Dutton, Emerson String Quartet, Philip Setzer | — | |
| 2-7 | Winterreise, D. 911: 5. “Der Lindenbaum” | Dietrich Fischer-Dieskau, Gerald Moore | — | |
| 2-8 | Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude | Pierre Fournier | — | |
| 2-9 | Messa da Requiem: Sanctus (coro). Allegro | Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 2-10 | Symphony No. 88 in G major, Hob I/88: IV. Finale (Allegro con spirito) | Berliner Philharmoniker, Wilhelm Furtwängler | T-318.676.528-2 | |
| 2-11 | Lucrezia Borgia, opera: Act II, Scene XXXI. "Il segreto per esser felici" | Coro del Teatro Comunale di Bologna, Elīna Garanča, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado | T-309.970.241-3 | |
| 2-12 | Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum | Monteverdi Choir, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 2-13 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente | Emil Gilels | — | |
| 2-14 | Bilder einer Ausstellung: 2. Il Vecchio Castello | Chicago Symphony Orchestra, Carlo Maria Giulini | T-011.600.131-0 | |
| 2-15 | Das wohltemperierte Klavier: Book 1, BWV 846-869: Prelude In C Major BWV 846 | Hélène Grimaud | T-910.415.372-2 | |
| 2-16 | Canon et gigue en ré majeur : "Canon" | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-17 | Klaviersonate B-Dur, KV 570: III. Allegretto | Friedrich Gulda | — | |
| 2-18 | String Quartet no. 15 in D minor, K. 421/417b: III. Minuetto. Allegretto - Trio | Hagen Quartett | — | |
| 2-19 | Violin Concerto no. 2 in E, BWV 1042: 3. Allegro assai | Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | T-306.395.786-4 | |
| 3-1 | Auf Flügeln des Gesanges, op. 34 no. 2 | Daniel Hope, Sebastian Knauer | — | |
| 3-2 | Etude in C-sharp minor, op. 2 no. 1: Andante | Vladimir Horowitz | T-915.981.383-9 | |
| 3-3 | Porgy and Bess, opera: Act II, Scene II. "It Ain't Necessarily So" | Jascha Heifetz, Emanuel Bay | T-900.757.862-3 | |
| 3-4 | Winterreise, D 911: XXIV. Der Leiermann | Hans Hotter, Michael Raucheisen | — | |
| 3-5 | Vier letzte Lieder, AV 150: I. Frühling | Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-6 | Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 3-7 | Carmina Burana: Blanziflor et Helena: Ave, formosissima | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | — | |
| 3-8 | Overture, op. 62 "Coriolan": Allegro con brio | Berliner Philharmoniker, Herbert von Karajan | T-909.574.378-5 | |
| 3-9 | Bagatelle in A minor, WoO 59 "Für Elise": Poco moto | Wilhelm Kempff | — | |
| 3-10 | Joshua, oratorio, HWV 64: Act III, Scene XIV. Air "Oh Had I Jubal's Lyre" (Achsah) | Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon | T-900.230.391-5 | |
| 3-11 | Symphony no. 8 in G major, op. 88, Third Movement: 3. Allegretto grazioso – Molto vivace | Antonín Dvořák | — | |
| 3-12 | Sonate Nr. 8 G-Dur, op. 30 Nr. 3: I. Allegro assai | Martha Argerich, Gidon Kremer | — | |
| 3-13 | Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — | |
| 3-14 | Kinderszenen, op. 15: VII. Träumerei | Lang Lang | — | |
| 3-15 | String Quartet No. 1 in E-flat major, Op.12: II. Canzonetta - Allegretto | LaSalle Quartet | — | |
| 3-16 | Candide: Act I, No. 14. I Am Easily Assimilated (Old Lady’s Tango) | June Anderson, London Symphony Chorus, Christa Ludwig, London Symphony Orchestra, Leonard Bernstein | T-070.902.346-0 | |
| 4-1 | Der Nußknacker op. 71a: Suite aus dem Ballett op. 71: II. Danse caractéristiques: a. Marche. Tempo di marcia viva | Berliner Philharmoniker, Ferdinand Leitner | T-304.210.691-8 | |
| 4-2 | Symphony No. 1 in D major, Op. 25 "Classical": IV. Finale. Molto vivace | Chicago Symphony Orchestra, James Levine | — | |
| 4-3 | Le Carnaval des animaux: XIII. Le Cygne | Mischa Maisky, Orchestre de Paris, Semyon Bychkov | T-317.671.333-6 | |
| 4-4 | Symphony no. 5 in D major, op. 107 "Reformation": 2. Allegro vivace | Berliner Philharmoniker, Lorin Maazel | — | |
| 4-5 | Concerto for Violin, Violoncello, and Orchestra in A minor, op. 102: 2. Andante | Anne-Sophie Mutter, Antônio Meneses, Berliner Philharmoniker, Herbert von Karajan | T-071.481.827-5 | |
| 4-6 | A Spotless Rose | Gabrieli Consort, Paul McCreesh | T-010.434.901-0 | |
| 4-7 | String Quartet in G minor, op. 10, L. 85: 2. Scherzo (Assez vif et bien rythmé) | Melos Quartett | — | |
| 4-8 | Symphonie fantastique, op. 14: IV. Marche au supplice | Orchestre Lamoureux, Igor Markevitch | — | |
| 4-9 | Sorochintsy Fair: Hopak | Nathan Milstein, Georges Pludermacher | — | |
| 4-10 | Dardanus: Tambourins I & II | Les Musiciens du Louvre, Marc Minkowski | — | |
| 4-11 | Liebesfreud | Clifford Benson, Shlomo Mintz | T-801.289.652-6 | |
| 4-12 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | Leningrad Philharmonic Orchestra, Yevgeny Mravinsky | T-902.685.630-4 | |
| 4-13 | La Traviata: Atto I. “È strano” ... “Sempre libera” | Anna Netrebko, Mahler Chamber Orchestra, Claudio Abbado | — | |
| 4-14 | Études-Caprices op. 18 for 2 Violins: No. 5 in E major | David Oistrakh, Igor Oistrakh | — | |
| 4-15 | 12 études d'exécution transcendante: II. Molto vivace | Alice Sara Ott | T-911.517.582-1 | |
| 4-16 | Con che soavità | Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-17 | Swan Lake, op. 20: Act II: no. 10: Scène. Moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-18 | Sonata in E major, K. 135: Allegro | Ivo Pogorelich | — | |
| 5-1 | L’elisir d’amore: Atto I. Duetto “Voglio dire, lo stupendo elisir” (Nemorino, Dulcamara) | Enzo Dara, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | — | |
| 5-2 | Nocturne no. 5 in F-sharp major, op. 15 no. 2: Larghetto | Maria João Pires | T-306.230.833-8 | |
| 5-3 | Sonata for Violin & Piano No. 28 in E minor, K. 300c/304: II. Tempo di minuetto | Itzhak Perlman, Daniel Barenboim | — | |
| 5-4 | Die Hochzeit des Figaro, 4.Akt, Arie der Susanna: "Deh vieni, non tardar" | Patricia Petibon, Concerto Köln, Daniel Harding | T-001.424.370-9 | |
| 5-5 | Gnomenreigen, S. 145 No. 2 | Михаил Васильевич Плетнёв | T-900.009.052-8 | |
| 5-6 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-306.395.786-4 | |
| 5-7 | Polonaise no. 6 in A-flat major, op. 53 "Heroic": Maestoso | Maurizio Pollini | T-060.274.630-4 | |
| 5-8 | Capriccio, Op. 85: Mondscheinmusik | Wiener Philharmoniker, André Previn | — | |
| 5-9 | Il barbiere di Siviglia: “Largo al factotum” | Hermann Prey, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 5-10 | Symphony for Organ no. 5 in F minor, op. 42 no. 1: V. Toccata: Allegro | Simon Preston | — | |
| 5-11 | Tannhäuser: „Wie Todesahnung” … „O du mein holder Abendstern” | Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 5-12 | Mass in B Minor: XXVII. Chor: Dona nobis pacem | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T-050.051.776-9 | |
| 5-13 | Prelude in G-sharp minor, op. 32 no. 12 | Sviatoslav Richter | — | |
| 5-14 | Karelia Suite, op. 11: I. Intermezzo | Berliner Philharmoniker, Hans Rosbaud | — | |
| 5-15 | Chant du ménéstrel, op. 71 | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 5-16 | Frühlingsfahrt, Op. 45 No. 2 | Heinrich Schlusnus, Sebastian Peschko | — | |
| 5-17 | Violin Sonata no. 5 in F major, op. 24 “Spring”: 3. Scherzo. Allegro molto | Wolfgang Schneiderhan, Carl Seemann | — | |
| 5-18 | Lachen und weinen, D 777 | Irmgard Seefried, Erik Werba | — | |
| 6-1 | Recuerdos de la Alhambra | Andrés Segovia | — | |
| 6-2 | Exsultate, jubilate, K. 165: IV. Alleluia | Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | T-905.495.559-8 | |
| 6-3 | Nabucco: “Va pensiero sull’ali dorate“ | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | — | |
| 6-4 | Ave Maria | Cheryl Studer, London Symphony Orchestra, Ion Marin | T-011.552.398-2 | |
| 6-5 | Cavatina | John Williams | T-011.221.528-7 | |
| 6-6 | Symphony No. 40 for Orchestra without clarinets in G minor, K. 550 "Great": IV. Allegro assai | Staatskapelle Berlin, Richard Strauss | T-306.395.786-4 | |
| 6-7 | Lo spazzacamino | Rita Streich, Deutsches Symphonie-Orchester Berlin, Kurt Gaebel | — | |
| 6-8 | Songs of Travel: The Vagabond | Bryn Terfel, Malcolm Martineau | — | |
| 6-9 | Lohengrin, Akt III.: Vorspiel | The Philadelphia Orchestra, Christian Thielemann | — | |
| 6-10 | Ayre: Nanni | Dawn Upshaw, The Andalucian Dogs | T-072.330.938-3 | |
| 6-11 | Rigoletto: Questa o quella | Rolando Villazón, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari | T-912.866.624-0 | |
| 6-12 | Suite No. 5 in C minor, BWV 1011: III. Courante | Jian Wang | — | |
| 6-13 | Piano Étude No. 10 "The Sorcerer's Apprentice" | 王羽佳 | — | |
| 6-14 | Organ Concerto No. 4 in F major, HWV 292: I. Allegro | Eduard Müller, Schola Cantorum Basiliensis, August Wenzinger | T-070.161.055-0 | |
| 6-15 | Zärtliche Liebe, WoO 123 | Fritz Wunderlich, Hubert Giesen | — | |
| 6-16 | Sechs Choräle von verschiedener Art, BWV 645: No. 1 "Wachet auf, ruft uns die Stimme" | Helmut Walcha | T-031.722.033-9 | |
| 6-17 | Prelude No.1 in E minor: Andantino espressivo, Più mosso, Primo tempo | Narciso Yepes | — | |
| 6-18 | Chanson dans la nuit | Nicanor Zabaleta | T-070.024.397-5 | |
| 6-19 | "F-A-E" Sonata for Piano and Violin, WoO posth. 2: 3. Scherzo. Allegro — Trio. Più Moderato | Daniel Barenboim, Pinchas Zukerman | — | |
| 6-20 | Impromptu in A-flat major, D 899 | Krystian Zimerman | T-304.253.207-6 |
Identifier Graph
00028947781684 is a Universal Product Code (UPC) assigned to 111 Years of Deutsche Grammophon by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 109 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Art of Fugue, BWV 1080: Contrapunctus 9 a 4 alla Duodecima | Pierre-Laurent Aimard | — |
| Pavane pour une infante défunte | Orchestre de Paris, Daniel Barenboim | T-003.013.767-7 |
| Karelia Suite, op. 11: I. Intermezzo | Berliner Philharmoniker, Hans Rosbaud | T-912.456.317-3 |
| Der Nußknacker op. 71a: Suite aus dem Ballett op. 71: II. Danse caractéristiques: b. Danse de la fée-Dragée. Andante non troppo | Berliner Philharmoniker, Ferdinand Leitner | — |
| Concerto pour piano et orchestre No. 21, KV 467: Andante | Géza Anda, Camerata Academica des Salzburger Mozarteums | T-010.194.871-3 |
| Symphony no. 8 in G major, op. 88, Third Movement: 3. Allegretto grazioso – Molto vivace | Antonín Dvořák | — |
| Carmina Burana: Fortuna imperatrix mundi: O Fortuna | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | T-800.639.771-4 |
| Symphonie Nr. 5 c‐moll, op. 67: 1. Satz: Allegro con brio | Wiener Philharmoniker, Carlos Kleiber | — |
| Prelude in D minor, Op. 28 No. 24 | Martha Argerich | T-902.876.200-7 |
| Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — |
| Pavane pour une infante défunte | Orchestre de Paris, Daniel Barenboim | — |
| L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino) | Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | T-902.504.007-7 |
| Sonate Nr. 8 G-Dur, op. 30 Nr. 3: III. Allegro vivace | Martha Argerich, Gidon Kremer | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “111 Years of Deutsche Grammophon” by Various Artists is 00028947781684. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. This release contains 109 tracks, each with its own ISRC. Tracks include DEF058230904, DEF056300202, DEF056100240.
