UPC · Release
The History of Classical Music, Part 3: Early to Late Romantic: From Berlioz to Tchaikovsky
Various Artists
028947923022
37 tracksReleased 2013-10-14
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028947923022 is the Universal Product Code (UPC barcode) for the release “The History of Classical Music, Part 3: Early to Late Romantic: From Berlioz to Tchaikovsky” by Various Artists, released 2013-10-14. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 37 tracks, each with its own ISRC. Tracks include DEF057300851, DEF057300852, DEF057300853.
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Credit Chain
UPCThe History of Classical Music, Part 3: Early to Late Romantic: From Berlioz to Tchaikovsky
ISRC37 recordings
ISWC65 works
IPI3 songwriters
Track List (37)
Wilhelm Kempff, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
Concierto para piano y orquesta en La menor, Op. 54: II. Intermezzo. Andantino grazioso - Attacca (Orquesta Sinfónica de la Radio de Baviera feat. conductor: Rafael Kubelik, piano: Wilhelm Kempff)
Wilhelm Kempff, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
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Wilhelm Kempff, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
Kinderszenen, op. 15: V. Glückes genug
Wilhelm Kempff
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Kinderszenen, op. 15: VII. Träumerei
Wilhelm Kempff
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Kinderszenen, op. 15: X. Fast zu ernst
Wilhelm Kempff
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Kinderszenen, op. 15: XII. Kind im Einschlummern
Wilhelm Kempff
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Carnaval, Op. 9: I. Preámbulo. Quasi maestoso - Più moto - Animato - Vivo - Presto (piano: Wilhelm Kempff)
Wilhelm Kempff
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Carnaval, Op. 9: IX. Mariposas. Prestissimo (piano: Wilhelm Kempff)
Wilhelm Kempff
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Carnaval, Op. 9: X. A.S.C.H. S.C.H.A. (Lettres dansantes). Presto (piano: Wilhelm Kempff)
Wilhelm Kempff
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Carnaval, Op. 9: XIX. Paseo. Comodo (piano: Wilhelm Kempff)
Wilhelm Kempff
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Additional database matches (137)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Scherzo no. 3 in C-sharp minor, op. 39: Presto con fuoco | Martha Argerich | T9180638011 |
| Barcarolle in F-sharp Major, op. 60 | Martha Argerich | T-303629706-6 |
| Hungarian Rhapsody in D-flat major, S. 244 no. 6: Tempo giusto - Presto - Andante allegro - Presto | Martha Argerich | — |
| Concerto for Violoncello and Orchestra in B minor, op. 104: I. Allegro | Pierre Fournier, Berliner Philharmoniker, George Szell | T0701603135 |
| Concerto for Violoncello and Orchestra in B minor, op. 104: II. Adagio ma non troppo | Pierre Fournier, Berliner Philharmoniker, George Szell | — |
| Concerto for Violoncello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato | Pierre Fournier, Berliner Philharmoniker, George Szell | — |
| Konzert für Klavier und Orchester a-Moll, op. 16: II. Adagio | Géza Anda, Berliner Philharmoniker, Rafael Kubelík | — |
| Ein Sommernachtstraum. Trauermarsch: Andante comodo | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | T9007956492 |
| Mazurka No. 47 in A minor, Op. 68 No. 2 | Tamás Vásáry | T-031612538-8 |
| Impromptu no. 1 As‐dur, op. 29: Allegro assai, quasi presto | Tamás Vásáry | — |
| Ballade no. 1 in G minor, op. 23 | Tamás Vásáry | T-917141447-4 |
| Waltz No. 14 in E minor, B. 56 | Tamás Vásáry | T1066484931 |
| Symphony no. 8 in G major, op. 88, Third Movement: 3. Allegretto grazioso – Molto vivace | Antonín Dvořák | — |
| Symphony no. 8 in G major, op. 88, First Movement: 1. Allegro con brio | Antonín Dvořák | — |
| Symphony no. 8 in G major, op. 88, Second Movement: 2. Adagio | Antonín Dvořák | — |
| Symphony no. 8 in G major, op. 88, Third Movement: 3. Allegretto grazioso – Molto vivace | Antonín Dvořák | — |
| Symphony no. 8 in G major, op. 88, Fourth Movement: 4. Allegro, ma non troppo | Antonín Dvořák | T9126232960 |
| The Nutcracker Suite, op. 71a: I. Ouverture Miniature: Allegro giusto | Berliner Philharmoniker, Herbert von Karajan | T3121993639 |
| Der Nußknacker, op. 71a: II. Danses caractéristiques: a. Marche, Tempo di marcia viva | Berliner Philharmoniker, Herbert von Karajan | T-304210691-8 |
| The Nutcracker Suite, op. 71a: II. Danse caractéristiques: b. Danse de la Fée Dragée: Andante non troppo | Berliner Philharmoniker, Herbert von Karajan | — |
| The Nutcracker Suite, op. 71a: II. Danse caractéristiques: c. Danse russe Trépak: Tempo di Trepak, molto vivace | Berliner Philharmoniker, Herbert von Karajan | — |
| The Nutcracker Suite, op. 71a: II. Danse caractéristiques: d. Danse arabe: Allegretto | Berliner Philharmoniker, Herbert von Karajan | — |
| The Nutcracker Suite: II. Danse caractéristiques: e. Danse chinoise: Allegro moderato | Berliner Philharmoniker, Herbert von Karajan | — |
| Der Nußknacker, op. 71a: II. Danses caractéristiques: f. Danse des mirlitons, Moderato assai | Berliner Philharmoniker, Herbert von Karajan | — |
| Der Nußknacker, op. 71a: III. Valse des fleurs: Tempo di Valse | Berliner Philharmoniker, Herbert von Karajan | — |
| Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso | Martha Argerich, London Symphony Orchestra, Claudio Abbado | T-308381369-4 |
| Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto | Martha Argerich, London Symphony Orchestra, Claudio Abbado | T-308381369-4 |
| Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — |
| Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: I. Allegro maestoso | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — |
| Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: II. Quasi adagio / III. Allegretto vivace - Allegro animato | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — |
| Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato | Martha Argerich, London Symphony Orchestra, Claudio Abbado | — |
| Má vlast: II. Vltava, JB 1:112/2 | Boston Symphony Orchestra, Rafael Kubelík | T8015579268 |
| Má vlast: IV. Z českých luhů a hájů, JB 1:112/4 | Boston Symphony Orchestra, Rafael Kubelík | T8015579268 |
| Peer Gynt Suite no. 1, op. 46: I. Morgenstimmung | Berliner Philharmoniker, Herbert von Karajan | — |
| Peer Gynt Suite no. 1, op. 46: II. Aase's Death | Berliner Philharmoniker, Herbert von Karajan | T-914527681-9 |
| Peer Gynt Suite no. 1, op. 46: III. Anitra's Dance | Berliner Philharmoniker, Herbert von Karajan | T-925645322-2 |
| Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King | Berliner Philharmoniker, Herbert von Karajan | — |
| Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride. Ingrid's Lament | Berliner Philharmoniker, Herbert von Karajan | T-071721093-9 |
| Peer Gynt Suite no. 2, op. 55: II. Arabian Dance | Berliner Philharmoniker, Herbert von Karajan | — |
| Peer Gynt Suite no. 2, op. 55: III. Peer Gynt's Homecoming | Berliner Philharmoniker, Herbert von Karajan | — |
| Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song | Berliner Philharmoniker, Herbert von Karajan | — |
| Piano Sonata in B minor, S. 178: I. Lento assai - Allegro energico | Martha Argerich | — |
| Piano Sonata in B minor, S. 178: II. Grandioso | Martha Argerich | — |
| Piano Sonata in B Minor, S.178: Cantando espressivo | Martha Argerich | — |
| Piano Sonata in B minor, S. 178: IV. Pesante - Recitativo | Martha Argerich | — |
| Piano Sonata in B Minor, S.178: Andante sostenuto | Martha Argerich | — |
| Piano Sonata in B minor, S. 178: VI. Quasi Adagio | Martha Argerich | T0701257499 |
| Sonate pour piano en Si mineur, S. 178: Allegro energico | Martha Argerich | — |
| Piano Sonata in B Minor, S.178: Più mosso | Martha Argerich | — |
| Piano Sonata in B minor, S. 178: IX. Cantando Espressivo senza slentare | Martha Argerich | — |
| Piano Sonata in B minor, S. 178: X. Stretta quasi Presto - Presto - Prestissimo | Martha Argerich | — |
| Piano Sonata in B minor, S. 178: XI. Andante sostenuto - Allegro moderato - Lento assai | Martha Argerich | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo: Molto vivace | Berliner Philharmoniker, Rafael Kubelík | — |
| Symphonie Nr. 9 e-Moll op. 95 »Aus der neuen Welt«: 2. Largo | Berliner Philharmoniker, Rafael Kubelík | T9022862562 |
| Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo: Molto vivace | Berliner Philharmoniker, Rafael Kubelík | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto | Berliner Philharmoniker, Rafael Kubelík | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | Berliner Philharmoniker, Rafael Kubelík | — |
| Piano Concerto no. 2 in B‐flat major, op. 83: IV. Allegretto grazioso | Emil Gilels, Berliner Philharmoniker, Eugen Jochum | — |
| Piano Concerto no. 2 in B‐flat major, op. 83: III. Andante | Emil Gilels, Berliner Philharmoniker, Eugen Jochum | T3224499003 |
| Piano Concerto no. 2 in B‐flat major, op. 83: I. Allegro non troppo | Emil Gilels, Berliner Philharmoniker, Eugen Jochum | T3224468768 |
| Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appassionato | Emil Gilels, Berliner Philharmoniker, Eugen Jochum | T3221859098 |
| Piano Concerto no. 2 in B‐flat major, op. 83: IV. Allegretto grazioso | Emil Gilels, Berliner Philharmoniker, Eugen Jochum | — |
| Symphony no. 4 in E‐flat major, WAB 104 “Romantic” (Ed. Haas): I. Bewegt, nicht zu schnell | Chicago Symphony Orchestra, Daniel Barenboim | — |
| Symphony no. 4 in E‐flat major, WAB 104 “Romantic” (Ed. Haas): II. Andante quasi Allegretto | Chicago Symphony Orchestra, Daniel Barenboim | — |
| Symphony no. 4 in E‐flat major, WAB 104 “Romantic” (Ed. Haas): III. Scherzo: Bewegt | Chicago Symphony Orchestra, Daniel Barenboim | — |
| Symphony no. 4 in E‐flat major, WAB 104 “Romantic” (Ed. Haas): IV. Finale: Bewegt, doch nicht zu schnell | Chicago Symphony Orchestra, Daniel Barenboim | — |
| Sonate für Klavier und Violine G-dur op. 78: I. Vivace ma non troppo | Daniel Barenboim, Pinchas Zukerman | — |
| Sonate für Klavier und Violine G-dur op. 78: II. Adagio | Daniel Barenboim, Pinchas Zukerman | — |
| Sonate für Klavier und Violine G-dur op. 78: III. Allegro molto moderato | Daniel Barenboim, Pinchas Zukerman | — |
| Fantasia no. 1 in D minor, op. 116: Cappricio. Presto energico | Emil Gilels | — |
| Fantasia no. 2 in A minor, op. 116: Intermezzo. Andante | Emil Gilels | — |
| Fantasia no. 3 in G minor, op. 116: Capriccio. Allegro passionato | Emil Gilels | — |
| Fantasia no. 4 in E major, op. 116: Intermezzo. Adagio | Emil Gilels | — |
| Fantasia no. 5 in E minor, op. 116: Intermezzo. Andante con grazia ed intimissimo sentimento | Emil Gilels | — |
| Fantasia no. 6 in E major, op. 116: Intermezzo. Andanti teneramente | Emil Gilels | — |
| Fantasia no. 7 in D minor, op. 116: Capriccio. Allegro agitato | Emil Gilels | — |
| 24 Préludes, op. 28 no. 1 in C major: Agitato | Martha Argerich | — |
| 24 Préludes, Op. 28: No. 1 in C Major | Martha Argerich | — |
| 24 Préludes, op. 28 no. 3 in G major: Vivace | Martha Argerich | — |
| 24 Préludes, op. 28 no. 4 in E minor: Largo | Martha Argerich | — |
| 24 Préludes, Op. 28: No. 5 in D Major | Martha Argerich | — |
| 24 Préludes, Op. 28: No. 6 in B Minor: Lento assai | Martha Argerich | T-308384655-9 |
| 24 Préludes, op. 28 no. 9 in E major: Largo | Martha Argerich | T-906148797-6 |
| 24 Préludes, op. 28 no. 10 in C‐sharp minor: Allegro molto | Martha Argerich | T9180638011 |
| 24 Préludes, op. 28 no. 15 in D‐flat major: Sostenuto | Martha Argerich | T-306229926-3 |
| 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — |
| 24 Préludes, op. 28 no. 17 in A‐flat major: Allegretto | Martha Argerich | T-903060250-7 |
| 24 Préludes, op. 28 no. 20 in C minor: Largo | Martha Argerich | T-310766142-3 |
| 24 Préludes, op. 28 no. 22 in G minor: Molto agitato | Martha Argerich | — |
| 24 Préludes, op. 28 no. 23 in F major: Moderato | Martha Argerich | — |
| Prelude in D minor, Op. 28 No. 24 | Martha Argerich | T-902876200-7 |
| Romanzen und Balladen, op. 49: I. Die beiden Grenadiere | Dietrich Fischer-Dieskau, Christoph Eschenbach | — |
| Romanzen und Balladen, op. 49: II. Die feindlichen Brüder | Dietrich Fischer-Dieskau, Christoph Eschenbach | — |
| Dichterliebe, op. 48: 1. Im wunderschönen Monat Mai | Dietrich Fischer-Dieskau, Christoph Eschenbach | T9121511066 |
| Dichterliebe, op. 48: 2. Aus meinen Tränen sprießen | Dietrich Fischer-Dieskau, Christoph Eschenbach | — |
| Dichterliebe, op. 48: 3. Die Rose, die Lilie, die Taube, die Sonne | Dietrich Fischer-Dieskau, Christoph Eschenbach | — |
| Dichterliebe, op. 48: 4. Wenn ich in deine Augen seh’ | Dietrich Fischer-Dieskau, Christoph Eschenbach | T8002135221 |
| Dichterliebe, op. 48: 5. Ich will meine Seele tauchen | Dietrich Fischer-Dieskau, Christoph Eschenbach | — |
| Dichterliebe, op. 48: 6. Im Rhein, im heiligen Strome | Dietrich Fischer-Dieskau, Christoph Eschenbach | — |
| Dichterliebe, op. 48: 7. Ich grolle nicht | Dietrich Fischer-Dieskau, Christoph Eschenbach | — |
| Dichterliebe, op. 48: 8. Und wüßten’s die Blumen, die kleinen | Dietrich Fischer-Dieskau, Christoph Eschenbach | — |
| Dichterliebe, op. 48: 9. Das ist ein Flöten und Geigen | Dietrich Fischer-Dieskau, Christoph Eschenbach | — |
| Dichterliebe, op. 48: 10. Hör’ ich das Liedchen klingen | Dietrich Fischer-Dieskau, Christoph Eschenbach | — |
| Dichterliebe, op. 48: 11. Ein Jüngling liebt ein Mädchen | Dietrich Fischer-Dieskau, Christoph Eschenbach | — |
| Dichterliebe, op. 48: 12. Am leuchtenden Sommermorgen | Dietrich Fischer-Dieskau, Christoph Eschenbach | T9001390063 |
| Dichterliebe, op. 48: 13. Ich hab’ im Traum geweinet | Dietrich Fischer-Dieskau, Christoph Eschenbach | — |
| Dichterliebe, op. 48: 14. Allnächtlich im Traume seh’ ich dich | Dietrich Fischer-Dieskau, Christoph Eschenbach | — |
| Dichterliebe, op. 48: 15. Aus alten Märchen winkt es | Dietrich Fischer-Dieskau, Christoph Eschenbach | — |
| Dichterliebe, op. 48: 16. Die alten, bösen Lieder | Dietrich Fischer-Dieskau, Christoph Eschenbach | — |
| Liederalbum für die Jugend, op. 79: 7. Zigeunerliedchen I »Unter die Soldaten« | Dietrich Fischer-Dieskau, Christoph Eschenbach | — |
| Liederalbum für die Jugend, op. 79: 8. Zigeunerliedchen II »Jeden Morgen, in der Frühe« | Dietrich Fischer-Dieskau, Christoph Eschenbach | — |
| Vier Gesänge, op. 142: IV. Mein Wagen rollet langsam | Dietrich Fischer-Dieskau, Christoph Eschenbach | — |
| Années de pèlerinage : Première année : Suisse, S.160, No. 6 : Vallée d'Obermann | Lazar Berman | T0118018839 |
| Années de pèlerinage : Troisième année, S.163, No. 4 : Les Jeux d'eaux à la Villa d'Este | Lazar Berman | — |
| Carmen, WD 31: Overture (Prelude) | London Symphony Orchestra, Claudio Abbado | T-031673380-8 |
| Carmen : Acte I. “Voici la cloche qui sonne, mon lieutenant ” … “La cloche a sonné” | Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — |
| Carmen : Acte I. « L'amour est un oiseau rebelle » | Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T3056256481 |
| Carmen : Acte I, Nº 9. Chanson (Séguedille) et Duo « Près des remparts de Séville » (Carmen, Don José) | Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | — |
| Carmen : Acte II, Nº 11. Chanson « Les tringles des sistres tintaient » (Carmen, Mercédès, Frasquita) | Teresa Berganza, Yvonne Kenny, Alicia Nafé, London Symphony Orchestra, Claudio Abbado | T9221667136 |
| Carmen : Acte II. Couplets “Votre toast, je peux vous le rendre” | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Jean Lainé, Robert Lloyd, Sherrill Milnes, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — |
| Carmen : Acte II. Air de la fleur « La Fleur que tu m’avais jetée » (Don José) | Plácido Domingo, London Symphony Orchestra, Claudio Abbado | T-928635311-5 |
| Carmen : Acte III, Nº 21. Air « Je dis que rien ne m’épouvante » (Micaëla) | Ileana Cotrubaș, London Symphony Orchestra, Claudio Abbado | — |
| Carmen : Acte III, Nº 25. Chœur et Scène « Les voici, voici le quadrille » (Chœur) | Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — |
| Carmen : Acte IV, Nº 26. Duo final « C’est toi ? » / « C’est‐moi ! » (Carmen, Don José, Chœur) | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Plácido Domingo, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — |
| Carmen : Acte III, Nº 25. Chœur et Scène « Les voici, voici le quadrille » (Chœur) | Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | T9286353137 |
| Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, Frasquita, Mercédès) | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Sherrill Milnes, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — |
| Psalm 150, for Soprano, Chorus and Orchestra, WAB 38 | Ruth Welting, Chicago Symphony Chorus, Chicago Symphony Orchestra, Daniel Barenboim | — |
| An der schönen, blauen Donau, op. 314 | Wiener Philharmoniker, Lorin Maazel | T9126569297 |
| Frühlingsstimmen, op. 410 | Vienna Philharmonic Orchestra, Lorin Maazel | — |
| Nocturne no. 15 in F minor, op. 55 no. 1: Andante | Daniel Barenboim | T-321286787-9 |
| Nocturne no. 18 in E major, op. 62 no. 2: Lento | Daniel Barenboim | T9061487976 |
| Nocturne no. 19 in E minor, op. 72 no. 1: Andante | Daniel Barenboim | T9050401586 |
| Eljen a Magyar! op. 332 | Wiener Philharmoniker, Lorin Maazel | T-902189169-0 |
| String Serenade in C major, op. 48: III. Elégie: Larghetto elegiaco | Orpheus Chamber Orchestra | — |
| Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse | Orpheus Chamber Orchestra | — |
| Ouverture solennelle 1812, op. 49 | Göteborgs Symfoniker, Neeme Järvi, Gothenburg Symphony Brass Band, Göteborgs Symfoniska Kör, Gothenburg Artillery Division | T-005005728-7 |
| 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — |
Martha Argerich
Hungarian Rhapsody in D-flat major, S. 244 no. 6: Tempo giusto - Presto - Andante allegro - Presto
Martha Argerich
—
Pierre Fournier, Berliner Philharmoniker, George Szell
Concerto for Violoncello and Orchestra in B minor, op. 104: II. Adagio ma non troppo
Pierre Fournier, Berliner Philharmoniker, George Szell
—
Concerto for Violoncello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato
Pierre Fournier, Berliner Philharmoniker, George Szell
—
Konzert für Klavier und Orchester a-Moll, op. 16: II. Adagio
Géza Anda, Berliner Philharmoniker, Rafael Kubelík
—
Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
Impromptu no. 1 As‐dur, op. 29: Allegro assai, quasi presto
Tamás Vásáry
—
Tamás Vásáry
Tamás Vásáry
Symphony no. 8 in G major, op. 88, Third Movement: 3. Allegretto grazioso – Molto vivace
Antonín Dvořák
—
Symphony no. 8 in G major, op. 88, First Movement: 1. Allegro con brio
Antonín Dvořák
—
Symphony no. 8 in G major, op. 88, Second Movement: 2. Adagio
Antonín Dvořák
—
Symphony no. 8 in G major, op. 88, Third Movement: 3. Allegretto grazioso – Molto vivace
Antonín Dvořák
—
Berliner Philharmoniker, Herbert von Karajan
Berliner Philharmoniker, Herbert von Karajan
The Nutcracker Suite, op. 71a: II. Danse caractéristiques: b. Danse de la Fée Dragée: Andante non troppo
Berliner Philharmoniker, Herbert von Karajan
—
The Nutcracker Suite, op. 71a: II. Danse caractéristiques: c. Danse russe Trépak: Tempo di Trepak, molto vivace
Berliner Philharmoniker, Herbert von Karajan
—
The Nutcracker Suite, op. 71a: II. Danse caractéristiques: d. Danse arabe: Allegretto
Berliner Philharmoniker, Herbert von Karajan
—
The Nutcracker Suite: II. Danse caractéristiques: e. Danse chinoise: Allegro moderato
Berliner Philharmoniker, Herbert von Karajan
—
Der Nußknacker, op. 71a: II. Danses caractéristiques: f. Danse des mirlitons, Moderato assai
Berliner Philharmoniker, Herbert von Karajan
—
Der Nußknacker, op. 71a: III. Valse des fleurs: Tempo di Valse
Berliner Philharmoniker, Herbert von Karajan
—
Martha Argerich, London Symphony Orchestra, Claudio Abbado
Martha Argerich, London Symphony Orchestra, Claudio Abbado
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace
Martha Argerich, London Symphony Orchestra, Claudio Abbado
—
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: I. Allegro maestoso
Martha Argerich, London Symphony Orchestra, Claudio Abbado
—
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: II. Quasi adagio / III. Allegretto vivace - Allegro animato
Martha Argerich, London Symphony Orchestra, Claudio Abbado
—
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato
Martha Argerich, London Symphony Orchestra, Claudio Abbado
—
Boston Symphony Orchestra, Rafael Kubelík
Boston Symphony Orchestra, Rafael Kubelík
Peer Gynt Suite no. 1, op. 46: I. Morgenstimmung
Berliner Philharmoniker, Herbert von Karajan
—
Berliner Philharmoniker, Herbert von Karajan
Berliner Philharmoniker, Herbert von Karajan
Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King
Berliner Philharmoniker, Herbert von Karajan
—
Berliner Philharmoniker, Herbert von Karajan
Peer Gynt Suite no. 2, op. 55: II. Arabian Dance
Berliner Philharmoniker, Herbert von Karajan
—
Peer Gynt Suite no. 2, op. 55: III. Peer Gynt's Homecoming
Berliner Philharmoniker, Herbert von Karajan
—
Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song
Berliner Philharmoniker, Herbert von Karajan
—
Piano Sonata in B minor, S. 178: I. Lento assai - Allegro energico
Martha Argerich
—
Piano Sonata in B minor, S. 178: II. Grandioso
Martha Argerich
—
Piano Sonata in B Minor, S.178: Cantando espressivo
Martha Argerich
—
Piano Sonata in B minor, S. 178: IV. Pesante - Recitativo
Martha Argerich
—
Piano Sonata in B Minor, S.178: Andante sostenuto
Martha Argerich
—
Martha Argerich
Sonate pour piano en Si mineur, S. 178: Allegro energico
Martha Argerich
—
Piano Sonata in B Minor, S.178: Più mosso
Martha Argerich
—
Piano Sonata in B minor, S. 178: IX. Cantando Espressivo senza slentare
Martha Argerich
—
Piano Sonata in B minor, S. 178: X. Stretta quasi Presto - Presto - Prestissimo
Martha Argerich
—
Piano Sonata in B minor, S. 178: XI. Andante sostenuto - Allegro moderato - Lento assai
Martha Argerich
—
Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo: Molto vivace
Berliner Philharmoniker, Rafael Kubelík
—
Berliner Philharmoniker, Rafael Kubelík
Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo: Molto vivace
Berliner Philharmoniker, Rafael Kubelík
—
Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto
Berliner Philharmoniker, Rafael Kubelík
—
Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco
Berliner Philharmoniker, Rafael Kubelík
—
Piano Concerto no. 2 in B‐flat major, op. 83: IV. Allegretto grazioso
Emil Gilels, Berliner Philharmoniker, Eugen Jochum
—
Emil Gilels, Berliner Philharmoniker, Eugen Jochum
Emil Gilels, Berliner Philharmoniker, Eugen Jochum
Emil Gilels, Berliner Philharmoniker, Eugen Jochum
Piano Concerto no. 2 in B‐flat major, op. 83: IV. Allegretto grazioso
Emil Gilels, Berliner Philharmoniker, Eugen Jochum
—
Symphony no. 4 in E‐flat major, WAB 104 “Romantic” (Ed. Haas): I. Bewegt, nicht zu schnell
Chicago Symphony Orchestra, Daniel Barenboim
—
Symphony no. 4 in E‐flat major, WAB 104 “Romantic” (Ed. Haas): II. Andante quasi Allegretto
Chicago Symphony Orchestra, Daniel Barenboim
—
Symphony no. 4 in E‐flat major, WAB 104 “Romantic” (Ed. Haas): III. Scherzo: Bewegt
Chicago Symphony Orchestra, Daniel Barenboim
—
Symphony no. 4 in E‐flat major, WAB 104 “Romantic” (Ed. Haas): IV. Finale: Bewegt, doch nicht zu schnell
Chicago Symphony Orchestra, Daniel Barenboim
—
Sonate für Klavier und Violine G-dur op. 78: I. Vivace ma non troppo
Daniel Barenboim, Pinchas Zukerman
—
Sonate für Klavier und Violine G-dur op. 78: II. Adagio
Daniel Barenboim, Pinchas Zukerman
—
Sonate für Klavier und Violine G-dur op. 78: III. Allegro molto moderato
Daniel Barenboim, Pinchas Zukerman
—
Fantasia no. 1 in D minor, op. 116: Cappricio. Presto energico
Emil Gilels
—
Fantasia no. 2 in A minor, op. 116: Intermezzo. Andante
Emil Gilels
—
Fantasia no. 3 in G minor, op. 116: Capriccio. Allegro passionato
Emil Gilels
—
Fantasia no. 4 in E major, op. 116: Intermezzo. Adagio
Emil Gilels
—
Fantasia no. 5 in E minor, op. 116: Intermezzo. Andante con grazia ed intimissimo sentimento
Emil Gilels
—
Fantasia no. 6 in E major, op. 116: Intermezzo. Andanti teneramente
Emil Gilels
—
Fantasia no. 7 in D minor, op. 116: Capriccio. Allegro agitato
Emil Gilels
—
24 Préludes, op. 28 no. 1 in C major: Agitato
Martha Argerich
—
24 Préludes, Op. 28: No. 1 in C Major
Martha Argerich
—
24 Préludes, op. 28 no. 3 in G major: Vivace
Martha Argerich
—
24 Préludes, op. 28 no. 4 in E minor: Largo
Martha Argerich
—
24 Préludes, Op. 28: No. 5 in D Major
Martha Argerich
—
Martha Argerich
24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco
Martha Argerich
—
Martha Argerich
24 Préludes, op. 28 no. 22 in G minor: Molto agitato
Martha Argerich
—
24 Préludes, op. 28 no. 23 in F major: Moderato
Martha Argerich
—
Martha Argerich
Romanzen und Balladen, op. 49: I. Die beiden Grenadiere
Dietrich Fischer-Dieskau, Christoph Eschenbach
—
Romanzen und Balladen, op. 49: II. Die feindlichen Brüder
Dietrich Fischer-Dieskau, Christoph Eschenbach
—
Dietrich Fischer-Dieskau, Christoph Eschenbach
Dichterliebe, op. 48: 2. Aus meinen Tränen sprießen
Dietrich Fischer-Dieskau, Christoph Eschenbach
—
Dichterliebe, op. 48: 3. Die Rose, die Lilie, die Taube, die Sonne
Dietrich Fischer-Dieskau, Christoph Eschenbach
—
Dietrich Fischer-Dieskau, Christoph Eschenbach
Dichterliebe, op. 48: 5. Ich will meine Seele tauchen
Dietrich Fischer-Dieskau, Christoph Eschenbach
—
Dichterliebe, op. 48: 6. Im Rhein, im heiligen Strome
Dietrich Fischer-Dieskau, Christoph Eschenbach
—
Dichterliebe, op. 48: 7. Ich grolle nicht
Dietrich Fischer-Dieskau, Christoph Eschenbach
—
Dichterliebe, op. 48: 8. Und wüßten’s die Blumen, die kleinen
Dietrich Fischer-Dieskau, Christoph Eschenbach
—
Dichterliebe, op. 48: 9. Das ist ein Flöten und Geigen
Dietrich Fischer-Dieskau, Christoph Eschenbach
—
Dichterliebe, op. 48: 10. Hör’ ich das Liedchen klingen
Dietrich Fischer-Dieskau, Christoph Eschenbach
—
Dichterliebe, op. 48: 11. Ein Jüngling liebt ein Mädchen
Dietrich Fischer-Dieskau, Christoph Eschenbach
—
Dietrich Fischer-Dieskau, Christoph Eschenbach
Dichterliebe, op. 48: 13. Ich hab’ im Traum geweinet
Dietrich Fischer-Dieskau, Christoph Eschenbach
—
Dichterliebe, op. 48: 14. Allnächtlich im Traume seh’ ich dich
Dietrich Fischer-Dieskau, Christoph Eschenbach
—
Dichterliebe, op. 48: 15. Aus alten Märchen winkt es
Dietrich Fischer-Dieskau, Christoph Eschenbach
—
Dichterliebe, op. 48: 16. Die alten, bösen Lieder
Dietrich Fischer-Dieskau, Christoph Eschenbach
—
Liederalbum für die Jugend, op. 79: 7. Zigeunerliedchen I »Unter die Soldaten«
Dietrich Fischer-Dieskau, Christoph Eschenbach
—
Liederalbum für die Jugend, op. 79: 8. Zigeunerliedchen II »Jeden Morgen, in der Frühe«
Dietrich Fischer-Dieskau, Christoph Eschenbach
—
Vier Gesänge, op. 142: IV. Mein Wagen rollet langsam
Dietrich Fischer-Dieskau, Christoph Eschenbach
—
Années de pèlerinage : Troisième année, S.163, No. 4 : Les Jeux d'eaux à la Villa d'Este
Lazar Berman
—
London Symphony Orchestra, Claudio Abbado
Carmen : Acte I. “Voici la cloche qui sonne, mon lieutenant ” … “La cloche a sonné”
Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
—
Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado
Carmen : Acte I, Nº 9. Chanson (Séguedille) et Duo « Près des remparts de Séville » (Carmen, Don José)
Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
—
Teresa Berganza, Yvonne Kenny, Alicia Nafé, London Symphony Orchestra, Claudio Abbado
Carmen : Acte II. Couplets “Votre toast, je peux vous le rendre”
Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Jean Lainé, Robert Lloyd, Sherrill Milnes, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
—
Plácido Domingo, London Symphony Orchestra, Claudio Abbado
Carmen : Acte III, Nº 21. Air « Je dis que rien ne m’épouvante » (Micaëla)
Ileana Cotrubaș, London Symphony Orchestra, Claudio Abbado
—
Carmen : Acte III, Nº 25. Chœur et Scène « Les voici, voici le quadrille » (Chœur)
Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
—
Carmen : Acte IV, Nº 26. Duo final « C’est toi ? » / « C’est‐moi ! » (Carmen, Don José, Chœur)
Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Plácido Domingo, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
—
Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, Frasquita, Mercédès)
Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Sherrill Milnes, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
—
Psalm 150, for Soprano, Chorus and Orchestra, WAB 38
Ruth Welting, Chicago Symphony Chorus, Chicago Symphony Orchestra, Daniel Barenboim
—
Wiener Philharmoniker, Lorin Maazel
Frühlingsstimmen, op. 410
Vienna Philharmonic Orchestra, Lorin Maazel
—
Daniel Barenboim
Daniel Barenboim
Daniel Barenboim
Wiener Philharmoniker, Lorin Maazel
String Serenade in C major, op. 48: III. Elégie: Larghetto elegiaco
Orpheus Chamber Orchestra
—
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse
Orpheus Chamber Orchestra
—
Göteborgs Symfoniker, Neeme Järvi, Gothenburg Symphony Brass Band, Göteborgs Symfoniska Kör, Gothenburg Artillery Division
24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco
Martha Argerich
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-304.210.691-8T-304210691-8T-911510772-7T-926360287-5T0010983182T0012167724T0050057287T0118018839T0316125388T0316733808
+55 more
T0701257499T0701603135T0717210939T1066484931T3036297066T3056256481T3062299263T3083813694T3083846559T3107661423T3121993639T3146299272T3212867879T3221859098T3224468768T3224499003T8002135221T8015579268T9001390063T9007956492T9021891690T9022862562T9028762007T9030602507T9050401586T9061487976T9092642621T9107606019T9107606020T9107606031T9107606042T9107606053T9107606064T9107606086T9107606097T9107606100T9107606111T9107606133T9107606144T9107606177T9107606188T9107606199T9107606202T9121511066T9126232960T9126569297T9138706306T9138735565T9145276819T9171414474T9180638011T9221667136T9256453222T9286353115T9286353137
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000063015286000000007359690X00000000782749850000000083869465000000010661744800000001087226390000000108854631000000010888658800000001089353780000000109127487
+40 more
00000001091609810000000109178196000000010921023X000000010921888000000001093004890000000109350136000000010935867200000001094168010000000109426524000000010943348400000001094421370000000109442735000000010946531200000001100713020000000110203918000000011022566600000001102923240000000110363356000000011440352X000000011455486200000001147146510000000114800445000000011480248300000001150728570000000118866951000000011954617500000001195660880000000120191498000000012030894000000001203212640000000120341097000000012095971900000001209780120000000121106128000000012114424700000001213366870000000121385649000000012138969000000001214244090000000121425807
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What is UPC 028947923022?
028947923022 is a Universal Product Code (UPC) assigned to The History of Classical Music, Part 3: Early to Late Romantic: From Berlioz to Tchaikovsky by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 37 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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