UPC · Release

The Anniversary Edition: 120 Years Deutsche Grammophon

Various ArtistsVarious Artists

028948352685

989 tracksReleased 2018-01-01Deutsche Grammophon

Last verified: July 3, 2026

028948352685 is the Universal Product Code (UPC barcode) for the release “The Anniversary Edition: 120 Years Deutsche Grammophon” by Various Artists, released 2018-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 989 tracks, each with its own ISRC. Tracks include GBAYC0202269, DEF053802214, DEF055100040.

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Credit Chain

UPCThe Anniversary Edition: 120 Years Deutsche Grammophon

ISRC617 recordings

ISWC30 works

IPI26 songwriters

Track List (989)

#	Track Title	Artist(s)	ISWC
1	Symphony no. 5 in C minor, op. 67: I. Allegro con brio	Berliner Philharmoniker, Artúr Nikisch	—
2	Symphony no. 5 in C minor, op. 67: II. Andante con moto		—
3	Symphony no. 5 in C minor, op. 67: III. Allegro		—
4	Symphony no. 5 in C minor, op. 67: IV. Allegro		—
5	Le carnaval romain, op. 9, H 95		—
6	Parsifal, WWV 111, Act 1: Prelude		—
7	Parsifal, WWV 111, Act 1: Verwandlungsmusik		—
8	Parsifal, WWV 111, Act 3: Verwandlungsmusik		—
9	Parsifal, WWV 111, Act 3: Karfreitagszauber		—
2-1	The Hebrides, op. 26: "Fingal's Cave": Overture		—
2-2	Symphony no. 7 in A major, op. 92: IV. Allegro con brio		—
2-3	Coriolan Overture, op. 62		—
2-4	6 German Dances, K. 600: no. 2 in F		—
2-5	Cavalleria rusticana: Intermezzo sinfonico		—
2-6	Visione lirica		—
2-7	Aida, Act 2: Ballet Music		—
2-8	Siegfried, WWV 86C, Act 2: Waldweben		—
2-9	Salome, op. 54, TrV 215, Scene 4: Salome's Dance of the Seven Veils		—
2-10	Iphigénie en Aulide, Wq 40: Overture		—
2-11	Euryanthe, op. 81, J. 291: Overture		—
2-12	Má Vlast, JB1:112: II. Vltava		—
3-1	Die Walküre, WWV 86B, Act 3: The Ride of the Valkyries		—
3-2	Symphony no. 7 in E major, WAB 107: IV. Finale (Bewegt, doch nicht schnell)		—
3-3	Das Herz, op. 39: Love Theme. Sehr ruhig, lieblich (Molto tranquillo, dolce)		—
3-4	Music To Goethe's Tragedy "Egmont", op. 84: Overture		—
3-5	Brandenburg Concerto no. 5 in D Bwv 1050		—
3-6	Der Freischütz, op. 77, J. 277: Overture		—
3-7	Symphony no. 2 in C major, op. 61: III. Adagio espressivo		—
3-8	Symphony no. 3 in E-Flat major, op. 55 "Eroica": I. Allegro con brio		—
4-1	Roman Festivals, P. 157: I. Circenses		—
4-2	Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino): Presto ma non assai		—
4-3	Symphony no. 91 in E-Flat major, Hob.I:91: IV. Finale (Vivace)	Berliner Philharmoniker, Viscount Hidemaro Konoye	—
4-4	Night on Bald Mountain		—
4-5	Die lustigen Weiber von Windsor: Overture		—
4-6	The Bartered Bride, JB 1:100: Overture		—
4-7	Japanische Festmusik, op. 84, TrV 277: Allegro moderato: Allegro - Allegro maestoso		—
4-8	Der Zigeunerbaron, Act 1: Overture		—
4-9	Allegro symphonique		—
5-1	Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto	Berliner Philharmoniker, Wilhelm Furtwängler	—
5-2	Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto	Berliner Philharmoniker, Wilhelm Furtwängler	—
5-3	Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto	Berliner Philharmoniker, Wilhelm Furtwängler	—
5-4	Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto	Berliner Philharmoniker, Wilhelm Furtwängler	—
5-5	Symphony in G major, Hob. I:88: I. Adagio - Allegro	Berliner Philharmoniker, Wilhelm Furtwängler	—
5-6	Symphony in G major, Hob. I:88: II. Largo	Berliner Philharmoniker, Wilhelm Furtwängler	—
5-7	Symphony in G major, Hob. I:88: III. Menuetto	Berliner Philharmoniker, Wilhelm Furtwängler	T-902.876.200-7
5-8	Symphony No. 88 in G major, Hob I/88: IV. Finale (Allegro con spirito)	Berliner Philharmoniker, Wilhelm Furtwängler	T-318.676.528-2
6-1	Sinfonie Nr. 9 d-moll: I. Feierlich, misterioso	Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum	—
6-2	Sinfonie Nr. 9 d-moll: II. Scherzo. Bewegt, lebhaft	Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum	—
6-3	Sinfonie Nr. 9 d-moll: III. Adagio. Langsam, feierlich	Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum	—
7-1	Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio – Allegro molto	Berliner Philharmoniker, Ferenc Fricsay	—
7-2	Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo	Berliner Philharmoniker, Ferenc Fricsay	T-902.286.256-2
7-3	Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo. Molto vivace	Berliner Philharmoniker, Ferenc Fricsay	T-902.876.200-7
7-4	Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco	Berliner Philharmoniker, Ferenc Fricsay	—
7-5	Die Moldau	Berliner Philharmoniker, Ferenc Fricsay	T-922.052.943-1
7-6	Les Préludes	Radio-Symphonie-Orchester Berlin, Ferenc Fricsay	—
8-1	Symphony no. 6 in B minor, op. 74, TH 30: "Pathétique": I. Adagio - Allegro non troppo		—
8-2	Symphony no. 6 in B minor, op. 74, TH 30: "Pathétique": II. Allegro con grazia		—
8-3	Symphony no. 6 in B minor, op. 74, TH 30: "Pathétique": III. Allegro molto vivace		—
8-4	Symphony no. 6 in B minor, op. 74, TH 30: "Pathétique": IV. Finale (Adagio lamentoso - Andante)		—
9-1	Symphonie no. 39 Es‐Dur, KV 543: I. Adagio – Allegro	Berliner Philharmoniker, Karl Böhm	—
9-2	Symphonie no. 39 Es‐Dur, KV 543: I. Adagio – Allegro	Berliner Philharmoniker, Karl Böhm	—
9-3	Symphonie no. 39 Es‐Dur, KV 543: I. Adagio – Allegro	Berliner Philharmoniker, Karl Böhm	—
9-4	Symphonie no. 39 Es‐Dur, KV 543: I. Adagio – Allegro	Berliner Philharmoniker, Karl Böhm	—
9-5	Symphonie no. 40 g‐Moll, KV 550: I. Molto allegro	Berliner Philharmoniker, Karl Böhm	—
9-6	Symphonie no. 40 g‐Moll, KV 550: I. Molto allegro	Berliner Philharmoniker, Karl Böhm	—
9-7	Symphonie no. 40 g‐Moll, KV 550: I. Molto allegro	Berliner Philharmoniker, Karl Böhm	—
9-8	Symphonie no. 40 g‐Moll, KV 550: I. Molto allegro	Berliner Philharmoniker, Karl Böhm	—
9-9	Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio	Berliner Philharmoniker, Karl Böhm	—
9-10	Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio	Berliner Philharmoniker, Karl Böhm	—
9-11	Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio	Berliner Philharmoniker, Karl Böhm	—
9-12	Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio	Berliner Philharmoniker, Karl Böhm	—
10-1	Symphonie fantastique, op. 14: I. Rêveries – Passions	Orchestre Lamoureux, Igor Markevitch	—
10-2	Symphonie fantastique, op. 14: II. Un bal	Orchestre Lamoureux, Igor Markevitch	—
10-3	Symphonie fantastique, op. 14: III. Scène aux champs	Orchestre Lamoureux, Igor Markevitch	—
10-4	Symphonie fantastique, op. 14: IV. Marche au supplice	Orchestre Lamoureux, Igor Markevitch	—
10-5	Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat	Orchestre Lamoureux, Igor Markevitch	—
10-6	Anacréon: Ouverture	Orchestre Lamoureux, Igor Markevitch	—
10-7	La Muette de Portici: Ouverture	Orchestre Lamoureux, Igor Markevitch	—
11-1	Overture, op. 62 "Coriolan": Allegro con brio	Berliner Philharmoniker, Herbert von Karajan	T-909.574.378-5
11-2	Symphonie No. 9 d-Moll op. 125: 4. Presto	Berliner Philharmoniker, Herbert von Karajan	—
11-3	Symphonie No. 9 d-Moll op. 125: 4. Presto	Berliner Philharmoniker, Herbert von Karajan	—
11-4	Symphonie No. 9 d-Moll op. 125: 4. Presto	Berliner Philharmoniker, Herbert von Karajan	—
11-5	Symphonie No. 9 d-Moll op. 125: 4. Presto	Berliner Philharmoniker, Herbert von Karajan	—
11-6	Symphonie No. 9 d-Moll op. 125: 4. Presto	Berliner Philharmoniker, Herbert von Karajan	—
12-1	Symphonie no. 1 D-dur: IV. Stürmisch bewegt	Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík	T-900.953.062-5
12-5	Lieder eines fahrenden Gesellen: 1. Wenn mein Schatz Hochzeit macht	Dietrich Fischer-Dieskau, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík	—
12-6	Lieder eines fahrenden Gesellen: 2. Ging heut Morgen übers Feld	Dietrich Fischer-Dieskau, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík	—
12-7	Lieder eines fahrenden Gesellen: 3. Ich hab ein glühend Messer	Dietrich Fischer-Dieskau, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík	—
12-8	Lieder eines fahrenden Gesellen: 4. Die zwei blauen Augen	Dietrich Fischer-Dieskau, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík	—
13-1	Also sprach Zarathustra: 3. Von der großen Sehnsucht	Boston Symphony Orchestra, William Steinberg	—
13-2	Also sprach Zarathustra: 3. Von der großen Sehnsucht	Boston Symphony Orchestra, William Steinberg	—
13-3	Also sprach Zarathustra: 3. Von der großen Sehnsucht	Boston Symphony Orchestra, William Steinberg	—
13-4	Also sprach Zarathustra: 3. Von der großen Sehnsucht	Boston Symphony Orchestra, William Steinberg	—
13-5	Also sprach Zarathustra: 3. Von der großen Sehnsucht	Boston Symphony Orchestra, William Steinberg	—
13-6	Also sprach Zarathustra: 3. Von der großen Sehnsucht	Boston Symphony Orchestra, William Steinberg	—
13-7	Also sprach Zarathustra: 3. Von der großen Sehnsucht	Boston Symphony Orchestra, William Steinberg	—
13-8	Also sprach Zarathustra: 3. Von der großen Sehnsucht	Boston Symphony Orchestra, William Steinberg	—
13-9	Also sprach Zarathustra: 3. Von der großen Sehnsucht	Boston Symphony Orchestra, William Steinberg	—
13-10	The Planets, op. 32: 1. Mars, the Bringer of War	Boston Symphony Orchestra, William Steinberg	T-923.663.725-5
13-11	The Planets, op. 32: 2. Venus, the Bringer of Peace	Boston Symphony Orchestra, William Steinberg	—
13-12	The Planets, op. 32: 3. Mercury, the Winged Messenger	Boston Symphony Orchestra, William Steinberg	—
13-13	The Planets, op. 32: 4. Jupiter, the Bringer of Jollity	Boston Symphony Orchestra, William Steinberg	T-101.257.909-6
13-14	The Planets, op. 32: 5. Saturn, the Bringer of Old Age	Boston Symphony Orchestra, William Steinberg	—
13-15	The Planets, op. 32: 6. Uranus, the Magician	Boston Symphony Orchestra, William Steinberg	—
13-16	The Planets, op. 32: 7. Neptune, the Mystic	Lorna Cooke deVaron, New England Conservatory Chorus, Boston Symphony Orchestra, William Steinberg	—
14-1	Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro	Wiener Philharmoniker, Carlos Kleiber	—
14-2	Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro	Wiener Philharmoniker, Carlos Kleiber	—
14-3	Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro	Wiener Philharmoniker, Carlos Kleiber	—
14-4	Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro	Wiener Philharmoniker, Carlos Kleiber	—
14-5	Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace	Wiener Philharmoniker, Carlos Kleiber	—
14-6	Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace	Wiener Philharmoniker, Carlos Kleiber	—
14-7	Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace	Wiener Philharmoniker, Carlos Kleiber	—
14-8	Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace	Wiener Philharmoniker, Carlos Kleiber	—
15-1	Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 1. Adagio – Allegro moderato – Poco adagio	Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim	—
15-2	Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 1. Adagio – Allegro moderato – Poco adagio	Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim	—
15-3	Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 1. Adagio – Allegro moderato – Poco adagio	Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim	—
15-4	Samson et Dalila : Acte III. Tableau 2: Ballet (Bacchanale)	Orchestre de Paris, Daniel Barenboim	T-926.158.921-3
15-5	Le Déluge, op. 45: Prélude: Adagio – Andante sostenuto – Andantino	Orchestre de Paris, Daniel Barenboim	T-329.459.157-0
15-6	Danse macabre, op. 40	Luben Yordanoff, Orchestre de Paris, Daniel Barenboim	T-003.008.160-7
16-1	La Mer: III. Dialogue du vent et de la mer. Animé	Los Angeles Philharmonic, Carlo Maria Giulini	—
16-2	La Mer: III. Dialogue du vent et de la mer. Animé	Los Angeles Philharmonic, Carlo Maria Giulini	—
16-3	La Mer: III. Dialogue du vent et de la mer. Animé	Los Angeles Philharmonic, Carlo Maria Giulini	—
16-4	Ma mère l'Oye, M. 60: I. Pavane de la Belle au bois dormant		—
16-5	Ma mère l'Oye, M. 60: II. Petit Poucet		—
16-6	Ma mère l'Oye, M. 60: III. Laideronnette, impératrice des Pagodes		—
16-7	Ma mère l'Oye, M. 60: IV. Les entretiens de la Belle et de la Bête		—
16-8	Ma mère l'Oye, M. 60: V. Le jardin féerique		—
16-9	Rapsodie espagnole, M. 54: I. Prélude à la nuit		—
16-10	Rapsodie espagnole, M. 54: II. Malagueña		—
16-11	Rapsodie espagnole, M. 54: III. Habanera		—
16-12	Rapsodie espagnole, M. 54: IV. Feria		—
17-1	Eine Alpensinfonie, op. 64: I. Nacht	David Bell, Berliner Philharmoniker, Herbert von Karajan	—
17-2	Eine Alpensinfonie, op. 64: II. Sonnenaufgang	David Bell, Berliner Philharmoniker, Herbert von Karajan	T-802.713.366-1
17-3	Eine Alpensinfonie, op. 64: III. Der Anstieg	David Bell, Berliner Philharmoniker, Herbert von Karajan	—
17-4	Eine Alpensinfonie, op. 64: IV. Eintritt in den Wald	David Bell, Berliner Philharmoniker, Herbert von Karajan	—
17-5	Eine Alpensinfonie, op. 64: V. Wanderung neben dem Bache	David Bell, Berliner Philharmoniker, Herbert von Karajan	—
17-6	Eine Alpensinfonie, op. 64: VI. Am Wasserfall	David Bell, Berliner Philharmoniker, Herbert von Karajan	—
17-7	Eine Alpensinfonie, op. 64: VII. Erscheinung	David Bell, Berliner Philharmoniker, Herbert von Karajan	—
17-8	Eine Alpensinfonie, op. 64: VIII. Auf blumige Wiesen	David Bell, Berliner Philharmoniker, Herbert von Karajan	—
17-9	Eine Alpensinfonie, op. 64: IX. Auf der Alm	David Bell, Berliner Philharmoniker, Herbert von Karajan	—
17-10	Eine Alpensinfonie, op. 64: X. Durch Dickicht und Gestrüpp auf Irrwegen	David Bell, Berliner Philharmoniker, Herbert von Karajan	—
17-11	Eine Alpensinfonie, op. 64: XI. Auf dem Gletscher	David Bell, Berliner Philharmoniker, Herbert von Karajan	T-900.798.623-4
17-12	Eine Alpensinfonie, op. 64: XII. Gefahrvolle Augenblicke	David Bell, Berliner Philharmoniker, Herbert von Karajan	—
17-13	Eine Alpensinfonie, op. 64: XIII. Auf dem Gipfel	David Bell, Berliner Philharmoniker, Herbert von Karajan	—
17-14	Eine Alpensinfonie, op. 64: XIV. Vision	David Bell, Berliner Philharmoniker, Herbert von Karajan	—
17-15	Eine Alpensinfonie, op. 64: XV. Nebel steigen auf	David Bell, Berliner Philharmoniker, Herbert von Karajan	—
17-16	Eine Alpensinfonie, op. 64: XVI. Die Sonne verdüstert sich allmählich	David Bell, Berliner Philharmoniker, Herbert von Karajan	—
17-17	Eine Alpensinfonie, op. 64: XVII. Elegie	David Bell, Berliner Philharmoniker, Herbert von Karajan	T-000.611.993-2
17-18	Eine Alpensinfonie, op. 64: XVIII. Stille vor dem Sturm	David Bell, Berliner Philharmoniker, Herbert von Karajan	—
17-19	Eine Alpensinfonie, op. 64: XIX. Gewitter und Sturm, Abstieg	David Bell, Berliner Philharmoniker, Herbert von Karajan	—
17-20	Eine Alpensinfonie, op. 64: XX. Sonnenuntergang	David Bell, Berliner Philharmoniker, Herbert von Karajan	—
17-21	Eine Alpensinfonie, op. 64: XXI. Ausklang	David Bell, Berliner Philharmoniker, Herbert von Karajan	—
17-22	Eine Alpensinfonie, op. 64: XXII. Nacht	David Bell, Berliner Philharmoniker, Herbert von Karajan	—
18-1	Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam	Wiener Philharmoniker, Leonard Bernstein	—
18-2	Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam	Wiener Philharmoniker, Leonard Bernstein	—
18-3	Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam	Wiener Philharmoniker, Leonard Bernstein	—
18-4	Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam	Wiener Philharmoniker, Leonard Bernstein	—
18-5	Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam	Wiener Philharmoniker, Leonard Bernstein	—
19-1	Appalachian Spring, 1945 Suite: Very slowly-Allegro-Moderato-Fast-More deliberate tempo-Molto moderato-Allegro-Presto-Meno mosso-As at first(slowly)-Doppio movimento-A trifle slower-Broadly		—
19-2	Short Symphony (no. 2): I. Tempo = 144 (incisivo)		—
19-3	Short Symphony (no. 2): II. Tempo = circa 44		—
19-4	Short Symphony (no. 2): III. Tempo = 144 (preciso e ritmico)		—
19-5	Quiet City for Cor Anglais, Trumpet and Strings: Slow: Slower - Largamente - Tempo I		—
19-6	Three Latin American Sketches: I. Estribillo (Bold,-sharply accented)		—
19-7	Three Latin American Sketches: II. Paisaje Mexicano(Soft and sad, in a moderate tempo)		—
19-8	Three Latin American Sketches: III. Danza de Jalisco (Lively and fast)		—
20-1	Turangalîla-Symphonie: Introduction. Modéré, un peu vif	Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung	T-003.017.772-0
20-2	Turangalîla-Symphonie: Chant d'amour 1. Modéré, lourd	Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung	T-003.017.772-0
20-3	Turangalîla-Symphonie: Turangalîla 1. Presque lent, rêveur	Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung	T-003.017.772-0
20-4	Turangalîla-Symphonie: Chant d'amour 2. Bien modéré	Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung	T-003.017.772-0
20-5	Turangalîla-Symphonie: Joie du sang des étoiles. Vif, passionné, avec joie	Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung	T-003.017.772-0
20-6	Turangalîla-Symphonie: Jardin du sommeil d'amour. Très modéré, très tendre	Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung	T-003.017.772-0
20-7	Turangalîla-Symphonie: Turangalîla 2. Un peu vif - bien modéré	Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung	T-003.017.772-0
20-8	Turangalîla-Symphonie: Développement de l'amour. Bien modéré	Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung	T-003.017.772-0
20-9	Turangalîla-Symphonie: Turangalîla 3. Bien modéré	Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung	T-003.017.772-0
20-10	Turangalîla‐Symphonie: Final. Modéré, presque vif, avec une grande joie	Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung	T-003.017.772-0
21-1	Pétrouchka: First Tableau	The Cleveland Orchestra, Pierre Boulez	—
21-2	Pétrouchka: Second Tableau	The Cleveland Orchestra, Pierre Boulez	—
21-3	Pétrouchka: Third Tableau	The Cleveland Orchestra, Pierre Boulez	—
21-4	Pétrouchka: Fourth Tableau	The Cleveland Orchestra, Pierre Boulez	—
21-5	The Rite of Spring: I. The Adoration of the Earth	The Cleveland Orchestra, Pierre Boulez	T-070.257.887-7
21-6	The Rite of Spring: II. The Sacrifice	The Cleveland Orchestra, Pierre Boulez	T-070.257.887-7
22-1	Symphony in D minor, FWV 48: I. Lento: Allegro ma non troppo - Allegro	Boston Symphony Orchestra, Seiji Ozawa	T-312.184.211-9
22-2	Symphony in D minor, FWV 48: II. Allegretto	Boston Symphony Orchestra, Seiji Ozawa	T-312.184.211-9
22-3	Symphony in D minor, FWV 48: III. Allegro non troppo	Boston Symphony Orchestra, Seiji Ozawa	T-312.184.211-9
22-4	Concerto in G minor for Organ, Strings and Timpani: I. Andante - Allegro giocoso	Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa	T-070.126.537-3
22-5	Concerto in G minor for Organ, Strings and Timpani: II. Subito andante moderato	Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa	T-003.007.872-8
22-6	Concerto in G minor for Organ, Strings and Timpani: III. Tempo allegro, molto agitato - Très calme, lent - Tempo de l'allegro initial - Tempo introduction: Largo	Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa	T-003.007.872-8
23-1	Tannhäuser, WWV 70: Overture		—
23-2	Parsifal, WWV 111: Prelude		—
23-3	Parsifal, WWV 111, Suite: Compiled By Claudio Abbado: Karfreitagszauber		—
23-4	Parsifal, WWV 111, Suite: Compiled By Claudio Abbado: Sehr ruhig, ohne Dehnung (ciff. 4)		—
23-5	Parsifal, WWV 111, Suite: Compiled By Claudio Abbado: Langsam: Glockengeläute		—
23-6	Parsifal, WWV 111, Suite: Compiled By Claudio Abbado: Breit (ciff. 287)		—
23-7	Tristan und Isolde, WWV 90, Concert version: Prelude		—
23-8	Tristan und Isolde, WWV 90, Concert version: Liebestod		—
24-1	A Midsummer Night's Dream, op. 21: Overture		—
24-2	Euryanthe, op. 81, J. 291: Overture		—
24-3	Oberon, J. 306: Overture		—
24-4	The Hebrides, op. 26: "Fingal's Cave": Allegro moderato		—
24-5	Die lustigen Weiber von Windsor: Overture		—
24-6	Hans Heiling, op. 80: Overture		—
24-7	Rienzi, WWV 49: Overture		—
25-1	Pictures at an Exhibition: Promenade I	Wiener Philharmoniker, Gustavo Dudamel	T-303.792.647-5
25-2	Pictures at an Exhibition: Gnomus	Wiener Philharmoniker, Gustavo Dudamel	—
25-3	Pictures at an Exhibition: Promenade II	Wiener Philharmoniker, Gustavo Dudamel	T-900.140.545-4
25-4	Pictures at an Exhibition: The Old Castle	Wiener Philharmoniker, Gustavo Dudamel	—
25-5	Pictures at an Exhibition: Promenade III	Wiener Philharmoniker, Gustavo Dudamel	—
25-6	Pictures at an Exhibition: Tuileries Gardens	Wiener Philharmoniker, Gustavo Dudamel	—
25-7	Pictures at an Exhibition: Bydlo	Wiener Philharmoniker, Gustavo Dudamel	—
25-8	Pictures at an Exhibition: Promenade IV	Wiener Philharmoniker, Gustavo Dudamel	T-900.107.356-9
25-9	Pictures at an Exhibition: Ballet of the Unhatched Chicks	Wiener Philharmoniker, Gustavo Dudamel	—
25-10	Pictures at an Exhibition: Samuel Goldenberg Und Schmuÿle	Wiener Philharmoniker, Gustavo Dudamel	—
25-11	Pictures at an Exhibition: The Market at Limoges	Wiener Philharmoniker, Gustavo Dudamel	—
25-12	Pictures at an Exhibition: Catacombae (Sepulchrum Romanum)	Wiener Philharmoniker, Gustavo Dudamel	—
25-13	Pictures at an Exhibition: Cum Mortuis in Lingua Mortua	Wiener Philharmoniker, Gustavo Dudamel	—
25-14	Pictures at an Exhibition: The Hut on Chicken's Legs	Wiener Philharmoniker, Gustavo Dudamel	—
25-15	Pictures at an Exhibition: The Great Gate of Kiev	Wiener Philharmoniker, Gustavo Dudamel	T-061.792.492-1
25-16	Night on Bald Mountain	Wiener Philharmoniker, Gustavo Dudamel	—
25-17	Swan Lake Suite, op. 20a: Scéne: II. Waltz	Wiener Philharmoniker, Gustavo Dudamel	T-910.950.463-4
26-1	Symphony no. 4 in A major, op. 90, MWV N 16, "Italian": I. Allegro vivace		—
26-2	Symphony no. 4 in A major, op. 90, MWV N 16, "Italian": II. Andante con moto		—
26-3	Symphony no. 4 in A major, op. 90, MWV N 16, "Italian": III. Menuetto. Con moto moderato		—
26-4	Symphony no. 4 in A major, op. 90, MWV N 16, "Italian": IV. Saltarello. Presto		—
26-5	Symphony no. 5 in D minor, op. 107, MWV N 15: "Reformation": I. Andante - Allegro con fuoco		—
26-6	Symphony no. 5 in D minor, op. 107, MWV N 15: "Reformation": II. Allegro vivace		—
26-7	Symphony no. 5 in D minor, op. 107, MWV N 15: "Reformation": 3a. Andante		—
26-8	Symphony no. 5 in D minor, op. 107, MWV N 15: "Reformation": 3b. Recitative		—
26-9	Symphony no. 5 in D minor, op. 107, MWV N 15: "Reformation": IV. Chorale: "Ein feste Burg ist unser Gott" - Allegro vivace - Allegro maestoso		—
27-1	Lohengrin: Prelude	Gewandhausorchester Leipzig, Andris Nelsons	—
27-2	Symphony no. 4 in E-flat major “Romantic”, WAB 104: 1. Bewegt, nicht zu schnell	Gewandhausorchester Leipzig, Andris Nelsons	T-911.362.261-0
27-3	Symphony no. 4 in E-flat major “Romantic”, WAB 104: 2. Andante quasi allegretto	Gewandhausorchester Leipzig, Andris Nelsons	—
28-1	Piano Concerto no. 1 in E minor, op. 11: III. Rondo (Vivace)		—
28-2	Violin Concerto in D major: I. Toccata		—
28-3	Violin Concerto in D major: II. Aria I		—
28-4	Violin Concerto in D major: III. Aria II		—
28-5	Violin Concerto in D major: IV. Capriccio		—
28-6	Piano Concerto no. 2 in B-flat Opus 83		—
28-7	Concert-Rondo in D K382		—
28-8	Piano Concerto no. 20 in D minor, K. 466: III. Rondo (Allegro assai)		—
28-9	Cello Concerto in A minor, op. 129: III. Sehr lebhaft		—
28-10	Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel (Allegro moderato)		—
28-11	Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto		—
29-1	Piano Concerto no. 2 in C minor, op. 18: I. Moderato	Sviatoslav Richter, Warsaw Philharmonic Orchestra, Stanisław Wisłocki	T-902.685.630-4
29-2	Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto	Sviatoslav Richter, Warsaw Philharmonic Orchestra, Stanisław Wisłocki	—
29-3	Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando	Sviatoslav Richter, Warsaw Philharmonic Orchestra, Stanisław Wisłocki	T-071.926.821-9
29-4	Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco	Sviatoslav Richter, Wiener Symphoniker, Herbert von Karajan	—
29-5	Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco	Sviatoslav Richter, Wiener Symphoniker, Herbert von Karajan	—
29-6	Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco	Sviatoslav Richter, Wiener Symphoniker, Herbert von Karajan	—
30-1	Cello Concerto in D minor: I. Prélude: Lento-Allegro maestoso	Pierre Fournier, Orchestre Lamoureux, Jean Martinon	T-307.241.800-5
30-2	Cello Concerto in D minor: II. Intermezzo: Andantino con moto-Allegro presto	Pierre Fournier, Orchestre Lamoureux, Jean Martinon	T-307.241.800-5
30-3	Cello Concerto in D minor: III. Andante-Allegro vivace	Pierre Fournier, Orchestre Lamoureux, Jean Martinon	T-307.241.800-5
30-4	Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo	Pierre Fournier, Orchestre Lamoureux, Jean Martinon	—
30-5	Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto	Pierre Fournier, Orchestre Lamoureux, Jean Martinon	—
30-6	Cello Concerto no. 1 in A minor, op. 33: III. Un peu moins vite	Pierre Fournier, Orchestre Lamoureux, Jean Martinon	—
30-7	Kol Nidrei, op. 47 (Adagio nach hebräischen Melodien für Violoncello und Orchester): Adagio ma non troppo - Un poco più animato	Pierre Fournier, Orchestre Lamoureux, Jean Martinon	—
30-8	Schelomo (Hebräische Rhapsodie für Violoncello und Orchester): Lento moderato - Andante moderato - Allegro moderato - Allegro - Andante moderato	Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein	—
31-1	Concerto for violin, strings and continuo in A minor, BWV 1041: II. Andante	David Oistrakh, Wiener Symphoniker	—
31-2	Concerto for violin, strings and continuo in A minor, BWV 1041: II. Andante	David Oistrakh, Wiener Symphoniker	—
31-3	Concerto for violin, strings and continuo in A minor, BWV 1041: II. Andante	David Oistrakh, Wiener Symphoniker	—
31-4	Concerto for violin, strings and continuo in E major, BWV 1042: II. Adagio	David Oistrakh, Wiener Symphoniker	—
31-5	Concerto for violin, strings and continuo in E major, BWV 1042: II. Adagio	David Oistrakh, Wiener Symphoniker	—
31-6	Concerto for violin, strings and continuo in E major, BWV 1042: II. Adagio	David Oistrakh, Wiener Symphoniker	—
31-7	Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: I. Vivace	David Oistrakh, Igor Oistrakh, Royal Philharmonic Orchestra, Sir Eugene Goossens	T-011.154.974-6
31-8	Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: II. Largo Ma Non Tanto	George Malcolm, David Oistrakh, Igor Oistrakh, Royal Philharmonic Orchestra, Sir Eugene Goossens	—
31-9	Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: III. Allegro	David Oistrakh, Igor Oistrakh, Royal Philharmonic Orchestra, Sir Eugene Goossens	—
31-10	Romanze für Violine und Orchester no. 1 in G-Dur, op. 40	David Oistrakh, Royal Philharmonic Orchestra, Eugene Goossens	—
31-11	Violin-Romanze Nr. 2 F-Dur op. 50	David Oistrach, Royal Philharmonic Orchestra, Sir Eugene Goossens	—
32-1	Violin Concerto no. 1 in B-flat major, K. 207, Cadenza by Wolfgang Schneiderhan: I. Allegro moderato		—
32-2	Violin Concerto no. 1 in B-flat major, K. 207, Cadenza by Wolfgang Schneiderhan: II. Adagio		—
32-3	Violin Concerto no. 1 in B-flat major, K. 207, Cadenza by Wolfgang Schneiderhan: III. Presto		—
32-4	Violin Concerto no. 2 in D major, K. 211, Cadenza by Wolfgang Schneiderhan: I. Allegro moderato		—
32-5	Violin Concerto no. 2 in D major, K. 211, Cadenza by Wolfgang Schneiderhan: II. andante		—
32-6	Violin Concerto no. 2 in D major, K. 211, Cadenza by Wolfgang Schneiderhan: III. Rondeau. Allegro		—
32-7	Adagio for Violin and Orchestra in E, K. 261: Cadenza: Wolfgang Schneiderhan		—
32-8	Rondo for Violin and Orchestra in B-flat major, K. 269: Allegro		—
32-9	Rondo For Violin and Orchestra in C, K. 373		—
33-1	Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante	Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado	—
33-2	Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante	Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado	—
33-3	Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante	Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado	—
33-4	Konzert für Violine und Orchester e-Moll, Op. 64: I. Allegro molto appassionato	Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado	—
33-5	Konzert für Violine und Orchester e-Moll, Op. 64: I. Allegro molto appassionato	Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado	—
33-6	Konzert für Violine und Orchester e-Moll, Op. 64: I. Allegro molto appassionato	Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado	—
34-1	Concerto for Piano no. 20 in D minor, K. 466: II. Romanze	Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado	—
34-2	Concerto for Piano no. 20 in D minor, K. 466: II. Romanze	Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado	—
34-3	Concerto for Piano no. 20 in D minor, K. 466: II. Romanze	Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado	—
34-4	Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro	Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado	—
34-5	Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro	Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado	—
34-6	Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro	Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado	—
35-1	Cellokonzert Nr. 2: I. Allegro	Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher	—
35-2	Cellokonzert Nr. 2: II. Adagio	Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher	T-802.445.410-3
35-3	Cellokonzert Nr. 2: III. Allegro	Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher	—
35-4	Cello Concerto in C major, RV 398: I. (Allegro)	Martin Derungs, Mstislav Rostropovich, Alexandre Stein, Collegium Musicum Zürich, Paul Sacher	T-911.640.004-5
35-5	Cello Concerto in C major, RV 398: II. (Largo)	Martin Derungs, Mstislav Rostropovich, Alexandre Stein, Collegium Musicum Zürich, Paul Sacher	T-801.397.798-6
35-6	Cello Concerto in C major, RV 398: III. (Allegro)	Martin Derungs, Mstislav Rostropovich, Alexandre Stein, Collegium Musicum Zürich, Paul Sacher	T-902.717.414-7
35-7	Cello Concerto in A major: I. (Allegro)	Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher	—
35-8	Cello Concerto in A major: II. (Larghetto)	Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher	—
35-9	Cello Concerto in A major: III. (Allegro assai)	Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher	T-306.395.786-4
35-10	Cello Concerto in G, R.413: I. (Allegro)	Martin Derungs, Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher	T-911.640.004-5
35-11	Cello Concerto in G, R.413: II. (Largo)	Martin Derungs, Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher	T-911.640.005-6
35-12	Cello Concerto in G, R.413: III. (Allegro)	Martin Derungs, Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher	T-902.717.414-7
36-1	Piano Concerto no. 1 in C major, op. 15, Cadenza: Ludwig van Beethoven: I. Allegro con brio: Cadenza: Ludwig van Beethoven		—
36-2	Piano Concerto no. 1 in C major, op. 15, Cadenza: Ludwig van Beethoven: II. Largo		—
36-3	Piano Concerto no. 1 in C major, op. 15, Cadenza: Ludwig van Beethoven: III. Rondo. Allegro: Cadenza: Ludwig van Beethoven		—
36-4	Piano Concerto no. 3 in C minor, op. 37, Kadenz: Ludwig van Beethoven: I. Allegro con brio: Cadenza: Beethoven		—
36-5	Piano Concerto no. 3 in C minor, op. 37, Kadenz: Ludwig van Beethoven: II. Largo		—
36-6	Piano Concerto no. 3 in C minor, op. 37, Kadenz: Ludwig van Beethoven: III. Rondo (Allegro)		—
37-1	Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 1. Maestoso — Poco più moderato	Maurizio Pollini, Wiener Philharmoniker, Karl Böhm	—
37-2	Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 2. Adagio	Maurizio Pollini, Wiener Philharmoniker, Karl Böhm	—
37-3	Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 3. Rondo. Allegro non troppo	Maurizio Pollini, Wiener Philharmoniker, Karl Böhm	—
38-1	Concerto for Violoncello and Orchestra in B minor, op. 104: I. Allegro	Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein	T-007.303.107-8
38-2	Concerto for Violoncello and Orchestra in B minor, op. 104: II. Adagio, ma no troppo	Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein	—
38-3	Concerto for Violoncello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato	Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein	—
38-4	Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft	Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein	—
38-5	Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft	Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein	—
38-6	Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft	Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein	—
39-1	Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 1. Allegro maestoso	Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa	—
39-2	Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 2. Quasi adagio – Allegretto vivace – Allegro animato	Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa	—
39-3	Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 3. Allegro marziale animato – Presto	Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa	—
39-4	Concerto for Piano and Orchestra no. 2 in A major, S. 125: 1. Adagio sostenuto assai - Allegro agitato assai -	Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman	—
39-5	Concerto for Piano and Orchestra no. 2 in A major, S. 125: 2. Allegro moderato - Allegro deciso -	Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman	—
39-6	Concerto for Piano and Orchestra no. 2 in A major, S. 125: 3. Marziale un poco meno allegro -	Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman	—
39-7	Concerto for Piano and Orchestra no. 2 in A major, S. 125: 4. Allegro animato - Stretto (molto accelerando)	Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman	—
39-8	Totentanz (Danse macabre)	Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman	—
40-1	Concerto for Clarinet in A major, K. 622: I. Allegro	Charles Neidich, Orpheus Chamber Orchestra	—
40-2	Concerto for Clarinet in A major, K. 622: II. Adagio	Charles Neidich, Orpheus Chamber Orchestra	—
40-3	Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro	Charles Neidich, Orpheus Chamber Orchestra	—
40-4	Konzert für Horn und Orchester no. 1 D-Dur, K. 386b/514: I. Allegro	David Jolley, Orpheus Chamber Orchestra	T-329.458.935-4
40-5	Konzert für Horn und Orchester no. 1 D-Dur, K. 386b/514: II. Rondo. Allegro	David Jolley, Orpheus Chamber Orchestra	T-329.458.935-4
40-6	Konzert für Horn und Orchester no. 4 Es-Dur, K. 495: I. Allegro maestoso	David Jolley, Orpheus Chamber Orchestra	T-900.137.696-1
40-7	Konzert für Horn und Orchester no. 4 Es-Dur, K. 495: II. Romanze. Andante cantabile	David Jolley, Orpheus Chamber Orchestra	T-900.137.696-1
40-8	Horn Concerto No. 4 in E flat, K. 495: III. Rondo (Allegro vivace)	David Jolley, Orpheus Chamber Orchestra	—
41-1	Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: Più mosso – Animato	Yevgeny Kissin, Berliner Philharmoniker, Claudio Abbado	—
41-2	Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: Più mosso – Animato	Yevgeny Kissin, Berliner Philharmoniker, Claudio Abbado	—
41-3	Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: Più mosso – Animato	Yevgeny Kissin, Berliner Philharmoniker, Claudio Abbado	—
41-4	Concerto for Piano and Orchestra no. 3 in C major, op. 26: I. Andante – Allegro	Yevgeny Kissin, Berliner Philharmoniker, Claudio Abbado	—
41-5	Concerto for Piano and Orchestra no. 3 in C major, op. 26: I. Andante – Allegro	Yevgeny Kissin, Berliner Philharmoniker, Claudio Abbado	—
41-6	Concerto for Piano and Orchestra no. 3 in C major, op. 26: I. Andante – Allegro	Yevgeny Kissin, Berliner Philharmoniker, Claudio Abbado	—
42-1	Piano Concerto no. 1, op. 35: I. Allegro moderato	Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn	T-902.685.630-4
42-2	Piano Concerto no. 1, op. 35: II. Lento	Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn	—
42-3	Piano Concerto no. 1, op. 35: III. Moderato	Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn	—
42-4	Piano Concerto no. 1, op. 35: IV. Allegro con brio	Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn	—
42-5	Piano Concerto in D major, Hob.WVIII:11: I. Vivace	Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn	—
42-6	Piano Concerto in D major, Hob.WVIII:11: II. Un poco Adagio	Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn	—
42-7	Piano Concerto in D major, Hob.WVIII:11: III. Rondo all'Ungarese. Allegro assai	Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn	—
43-1	Konzert für Violine und Orchester D‐Dur op. 77: I. Allegro non troppo	Anne-Sophie Mutter, New York Philharmonic, Kurt Masur	T-902.764.002-4
43-2	Konzert für Violine und Orchester D‐Dur op. 77: II. Adagio	Anne-Sophie Mutter, Joseph Robinson, New York Philharmonic, Kurt Masur	T-304.292.274-3
43-3	Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto	Anne-Sophie Mutter, New York Philharmonic, Kurt Masur	—
43-4	Fantasy for Violin and Orchestra in C major, op. 131	Anne-Sophie Mutter, New York Philharmonic, Kurt Masur	—
44-1	Fantasia on an Ostinato	Hélène Grimaud	—
44-2	Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo - Allegro	Hélène Grimaud	T-310.769.687-3
44-3	Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio	Hélène Grimaud	T-310.769.687-3
44-4	Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto	Hélène Grimaud	T-310.769.687-3
44-5	Fantasia for Piano, Chorus and Orchestra in C minor, op. 80 "Choral Fantasy": I. Adagio	Sveriges Radios Symfoniorkester, Esa-Pekka Salonen, Radiokören, Hélène Grimaud	T-070.160.313-5
44-6	Fantasia for Piano, Chorus and Orchestra in C minor, op. 80 "Choral Fantasy": II. Finale: Allegro. Meno allegro. Allegro molto. Adagio ma non troppo. Marcia, assai vivace	Sveriges Radios Symfoniorkester, Esa-Pekka Salonen, Radiokören, Hélène Grimaud	T-802.445.410-3
44-7	Credo, for Piano, Chorus & Orchestra	Stefan Parkman, Radiokören, Hélène Grimaud, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen	—
45-1	Violin Concerto no. 1, op. 77: I. Nocturne: Moderato	Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen	—
45-2	Violin Concerto no. 1, op. 77: II. Scherzo: Allegro	Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen	—
45-3	Violin Concerto no. 1, op. 77: III. Passacaglia: Andante - Cadenza	Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen	—
45-4	Violin Concerto no. 1, op. 77: IV. Burlesque: Allegro con brio - Presto	Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen	—
45-5	V & V	Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen	T-801.794.611-2
45-6	Seven Dolls' Dances: Lyrical Waltz	Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen	—
45-7	Spiegel im Spiegel	Lisa Batiashvili, Hélène Grimaud	—
45-8	Vocalise, op. 34 no. 14	Lisa Batiashvili, Hélène Grimaud	T-900.222.366-7
46-1	Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto	Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel	—
46-2	Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo: Adagio	Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel	—
46-3	Piano Concerto no. 3 in D minor, op. 30: III. Finale: Alla breve	Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel	—
46-4	Piano Concerto no. 2 in G minor, op. 16: I. Andantino - Allegretto	Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel	—
46-5	Piano Concerto no. 2 in G minor, op. 16: II. Scherzo: Vivace	Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel	—
46-6	Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo: Allegro moderato	Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel	—
46-7	Piano Concerto no. 2 in G minor, op. 16: IV. Finale: Allegro tempestoso	Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel	T-318.676.528-2
47-1	Violin Concerto no. 5 in A major, K. 219: 1. Allegro aperto	Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi	T-318.583.906-5
47-2	Violin Concerto no. 5 in A major, K. 219: 2. Adagio	Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi	T-318.583.906-5
47-3	Violin Concerto no. 5 in A major, K. 219: 3. Rondeau: Tempo di Menuetto	Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi	—
47-4	Violin Concerto no. 4 in D minor, op. 31: 1. Andante – Moderato	Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi	—
47-5	Violin Concerto no. 4 in D minor, op. 31: 2. Adagio religioso	Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi	—
47-6	Violin Concerto no. 4 in D minor, op. 31: 3. Scherzo: Vivace – Trio: Meno mosso	Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi	—
47-7	Violin Concerto no. 4 in D minor, op. 31: 4. Finale marziale: Andante – Allegro	Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi	—
48-1	Concerto for Oboe and Orchestra in C major, Konzert für Oboe und Orchester C-Dur: I. Allegro con brio		—
48-2	Concerto for Oboe and Orchestra in C major, Konzert für Oboe und Orchester C-Dur: II. Adagio		—
48-3	Concerto for Oboe and Orchestra in C major, Konzert für Oboe und Orchester C-Dur: III. Rondo Allegro		—
48-4	Concerto for Oboe and Orchestra no. 2 in G minor: I. Allegro		—
48-5	Concerto for Oboe and Orchestra no. 2 in G minor: II. Adagio		—
48-6	Concerto for Oboe and Orchestra no. 2 in G minor: III. Rondo Allegro		—
48-7	Concerto for English Horn and Orchestra in C major, Concerto For English Horn And Orchestra in C Major: I. Allegro moderato		—
48-8	Concerto for English Horn and Orchestra in C major, Concerto For English Horn And Orchestra in C Major: II. Adagio cantabile		—
48-9	Concerto for English Horn and Orchestra in C major, Concerto For English Horn And Orchestra in C Major: III. Allegro assai		—
48-10	Concerto for Oboe and Orchestra in F major, Concerto For Oboe And Orchestra in F Major: I. Vivace		—
48-11	Concerto for Oboe and Orchestra in F major, Concerto For Oboe And Orchestra in F Major: II. Adagio		—
48-12	Concerto for Oboe and Orchestra in F major, Concerto For Oboe And Orchestra in F Major: III. Rondo Allegretto		—
49-1	Piano Concerto No. 1 in E minor, Op. 11: I. Allegro maestoso	Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda	—
49-2	Piano Concerto No. 1 in E minor, Op. 11: II. Romance (Larghetto)	Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda	T-308.381.369-4
49-3	Piano Concerto No. 1 in E minor, Op. 11: III. Rondo (Vivace)	Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda	—
49-4	Ballade No. 1 in G minor, Op. 23	Seong-Jin Cho	T-917.141.447-4
49-5	Ballade No. 2 in F major, Op. 38	Seong-Jin Cho	—
49-6	Ballade No. 3 in A-flat major, Op. 47	Seong-Jin Cho	T-913.821.070-5
49-7	Ballade No. 4 in F minor, Op. 52	Seong-Jin Cho	—
50-1	Guitare, op. 45, no. 2		—
50-2	Frühlingsstimmen, op. 410		—
50-3	Piano Sonata no. 11 in A major, K. 331: III. Alla Turca (Allegretto)		—
50-4	Rhapsodie espagnole, S. 254		—
50-5	Wachet auf, ruft uns die Stimme, Cantata BWV 140: Wachet auf! ruft uns die Stimme		—
50-6	3 Nocturnes, op. 9: no. 2 in E-flat		—
50-7	24 Préludes, op. 28, C. 166-189: I. Agitato in C major, C. 166		—
50-8	24 Préludes, op. 28, C. 166-189: II. Lento in A minor, C. 167		—
50-9	24 Préludes, op. 28, C. 166-189: III. Vivace in G major, C. 168		—
50-10	12 German Dances, op. posth. 171, D 790		—
50-11	Symphonic Etudes, op. 13: I. Thema. Andante	Anda Géza	—
50-12	Symphonic Etudes, op. 13: Etude I (Var. I). Un poco più vivo	Anda Géza	—
50-13	Symphonic Etudes, op. 13: Etude II (Var. II)	Anda Géza	—
50-14	Symphonic Etudes, op. 13: Etude III. Vivace	Anda Géza	—
50-15	Symphonic Etudes, op. 13: Etude IV (Var. III)	Anda Géza	—
50-16	Symphonic Etudes, op. 13: Etude V (Var. IV). Vivacissimo	Anda Géza	—
50-17	Symphonic Etudes, op. 13: Etude VI (Var. V). Agitato	Anda Géza	—
50-18	Symphonic Etudes, op. 13: Variation (posthume) II	Anda Géza	—
50-19	Symphonic Etudes, op. 13: Etude VII (Var. VI). Allegro molto	Anda Géza	—
50-20	Symphonic Etudes, op. 13: Etude VIII (Var. VII). Andante	Anda Géza	—
50-21	Symphonic Etudes, op. 13: Variation (posthume) V	Anda Géza	—
50-22	Symphonic Etudes, op. 13: Etude IX. Presto possibile	Anda Géza	—
50-23	Symphonic Etudes, op. 13: Etude X (Var. VIII). Allegro	Anda Géza	—
50-24	Symphonic Etudes, op. 13: Etude XI (Var. IX). Con espressione	Anda Géza	—
50-25	Symphonic Etudes, op. 13: Finale. Etude XII. Allegro brillante	Anda Géza	—
51-1	Sonatine, M. 40: 1. Modéré	Monique Haas	T-003.016.390-6
51-2	Sonatine, M. 40: 2. Mouvement de menuet	Monique Haas	T-003.016.390-6
51-3	Sonatine, M. 40: 3. Animé	Monique Haas	T-003.016.390-6
51-4	Valses nobles et sentimentales: 1. Modéré - très franc	Monique Haas	—
51-5	Valses nobles et sentimentales: 2. Assez lent - avec une expression intense	Monique Haas	—
51-6	Valses nobles et sentimentales: 3. Modéré	Monique Haas	T-003.017.935-1
51-7	Valses nobles et sentimentales: 4. Assez animé	Monique Haas	T-003.017.935-1
51-8	Valses nobles et sentimentales: 5. Presque lent - dans un sentiment intime	Monique Haas	T-003.017.935-1
51-9	Valses nobles et sentimentales: 6. Assez vif	Monique Haas	T-003.017.935-1
51-10	Valses nobles et sentimentales: 7. Moins vif	Monique Haas	T-003.017.935-1
51-11	Valses nobles et sentimentales: 8. Epilogue (Lent)	Monique Haas	T-003.017.935-1
51-12	Le tombeau de Couperin M. 68a: 1. Prélude	Monique Haas	T-306.061.747-8
51-13	Le tombeau de Couperin M. 68a: 2. Fugue	Monique Haas	T-922.046.111-0
51-14	Le tombeau de Couperin M. 68a: 3. Forlane	Monique Haas	T-305.194.353-0
51-15	Le tombeau de Couperin M. 68a: 4. Rigaudon	Monique Haas	T-305.199.226-4
51-16	Le tombeau de Couperin M. 68a: 5. Menuet	Monique Haas	T-305.131.442-8
51-17	Le tombeau de Couperin M. 68a: 6. Toccata	Monique Haas	—
51-18	Pour le piano, L. 95: 3. Toccata	Monique Haas	—
51-19	3 Pièces pour piano, op. 49: 1. Allegro con brio	Monique Haas	—
51-20	3 Pièces pour piano, op. 49: 2. Allegro grazioso	Monique Haas	—
51-21	3 Pièces pour piano, op. 49: 3. Allegro con spirito	Monique Haas	—
51-22	Sonatine: 1. Allegretto - Allegro	Monique Haas	T-007.183.929-6
51-23	Sonatine: 2. Moderato	Monique Haas	T-007.183.929-6
51-24	Sonatine: 3. Allegro vivace	Monique Haas	T-007.183.929-6
52-1	Piano Sonata no. 8 in C minor, op. 13 "Pathétique": I. Grave: Allegro di molto e con brio		—
52-2	Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile		—
52-3	Piano Sonata no. 8 in C minor, op. 13 "Pathétique": III. Rondo (Allegro)		—
52-4	Piano Sonata no. 14 in C-Sharp minor, op. 27 No. 2 "Moonlight": I. Adagio sostenuto		—
52-5	Piano Sonata no. 14 in C-Sharp minor, op. 27 No. 2 "Moonlight": II. Allegretto		—
52-6	Piano Sonata no. 14 in C-Sharp minor, op. 27 No. 2 "Moonlight": III. Presto agitato		—
52-7	Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai		—
52-8	Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto		—
52-9	Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo		—
52-10	Piano Sonata no. 31 in A-Flat major, op. 110: I. Moderato cantabile molto espressivo		—
52-11	Piano Sonata no. 31 in A-Flat major, op. 110: II. Allegro molto		—
52-12	Piano Sonata no. 31 in A-Flat major, op. 110: III. Adagio ma non troppo: Fuga (Allegro ma non troppo)		—
53-1	Piano Sonata in A major, D. 664: I. Allegro moderato	Wilhelm Kempff	T-902.685.630-4
53-2	Piano Sonata in A major, D. 664: II. Andante	Wilhelm Kempff	—
53-3	Piano Sonata in A major, D. 664: III. Allegro	Wilhelm Kempff	—
53-4	6 Moments musicaux, op. 94, D. 780: I. Moderato		—
53-5	Moment Musicaux no. 2 in A-flat major. Andantino	Wilhelm Kempff	—
53-6	Moments musicaux, D. 780 no. 3 in F minor. Allegro moderato	Wilhelm Kempff	—
53-7	6 Moments musicaux, op. 94, D. 780: IV. Moderato		—
53-8	Moments musicaux, D. 780 no. 5 in F minor. Allegro vivace	Wilhelm Kempff	—
53-9	6 Moments musicaux, op. 94, D. 780: VI. Allegretto		—
53-10	13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V	Wilhelm Kempff	—
53-11	13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V	Wilhelm Kempff	—
53-12	13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V	Wilhelm Kempff	—
53-13	13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V	Wilhelm Kempff	—
53-14	13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V	Wilhelm Kempff	—
53-15	13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V	Wilhelm Kempff	—
53-16	13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V	Wilhelm Kempff	—
53-17	13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V	Wilhelm Kempff	—
53-18	13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V	Wilhelm Kempff	—
53-19	13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V	Wilhelm Kempff	—
53-20	13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V	Wilhelm Kempff	—
53-21	13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V	Wilhelm Kempff	—
53-22	13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V	Wilhelm Kempff	—
53-23	13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V	Wilhelm Kempff	—
54-1	Images 1: I. Reflets dans l'Eau. Andantino molto	Arturo Benedetti Michelangeli	—
54-2	Images 1: II. Hommage à Rameau. Lent et grave	Arturo Benedetti Michelangeli	—
54-3	Images 1: III. Mouvement. Animé	Arturo Benedetti Michelangeli	—
54-4	Images 2: I. Cloches à travers les Feuilles. Lent	Arturo Benedetti Michelangeli	—
54-5	Images 2: II. Et la Lune Descend sur le Temple qui Fut. Lent	Arturo Benedetti Michelangeli	—
54-6	Images 2: III. Poissons d'Or. Animé	Arturo Benedetti Michelangeli	—
54-7	Children's Corner: I. Doctor Gradus ad Parnassum. Modérément animé	Arturo Benedetti Michelangeli	—
54-8	Children's Corner: II. Jimbo's Lullaby. Assez modéré	Arturo Benedetti Michelangeli	—
54-9	Children's Corner: III. Serenade for the Doll. Allegretto ma non troppo	Arturo Benedetti Michelangeli	—
54-10	Children's Corner, L. 113: 4. The Snow Is Dancing	Arturo Benedetti Michelangeli	—
54-11	Children's Corner: V. The Little Shepherd. Très modéré	Arturo Benedetti Michelangeli	—
54-12	Children's Corner: VI. Golliwogg's Cake-walk. Allegro giusto	Arturo Benedetti Michelangeli	—
55-1	Petrouchka: Russian Dance	Maurizio Pollini	—
55-2	Petrouchka: Petrouchka's Room	Maurizio Pollini	—
55-3	Three Movements ’Petruschka’: La semaine grasse. Con Moto - Allegretto - Tempo giusto - Agitato	Maurizio Pollini	—
55-4	Piano Sonata no. 7 in B-flat major, op. 83: I. Allegro inquieto - Andantino	Maurizio Pollini	—
55-5	Piano Sonata no. 7 in B-flat major, op. 83: II. Andante caloroso	Maurizio Pollini	—
55-6	Piano Sonata no. 7 in B-flat major, op. 83: III. Precipitato	Maurizio Pollini	—
55-7	Piano Variations, op. 27: Sehr mässig	Maurizio Pollini	—
55-8	Piano Variations, op. 27: Sehr schnell	Maurizio Pollini	—
55-9	Piano Variations, op. 27: Ruhig, fliessend	Maurizio Pollini	T-329.454.645-1
55-10	Second sonata for Piano: I. Extrêmement rapide	Maurizio Pollini	—
55-11	Second sonata for Piano: II. Lent	Maurizio Pollini	—
55-12	Second sonata for Piano: III. Modéré, presque vif	Maurizio Pollini	—
55-13	Second sonata for Piano: IV. Vif	Maurizio Pollini	—
56-1	Piano Sonata no. 17 in D minor, op. 31 No. 2 "The Tempest": I. Largo: Allegro		—
56-2	Piano Sonata no. 17 in D minor, op. 31 No. 2 "The Tempest": II. Adagio		—
56-3	Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto	Emil Gilels	—
56-4	Piano Sonata no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio	Emil Gilels	—
56-5	Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto	Emil Gilels	—
56-6	Klaviersonate Nr. 21 C-Dur, op. 53 »Waldstein-Sonate«: III. Rondo. Allegretto moderato – Prestissimo	Emil Gilels	T-312.439.094-5
56-7	Klaviersonate Nr. 21 C-Dur, op. 53 »Waldstein-Sonate«: IV. Prestissimo	Emil Gilels	—
56-8	Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro	Emil Gilels	—
56-9	Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo	Emil Gilels	T-800.722.074-9
56-10	Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente	Emil Gilels	—
57-1	Theme and Variations in D minor: Andante ma moderato	Daniel Barenboim	—
57-2	Variations on a Theme by Robert Schumann in F-sharp minor, op. 9: Thema. Ziemlich langsam. Variation 1 · Var. 2. Poco più moto · Var. 3. Tempo di tema · Var. 4. Poco più moto · Var. 5. Allegro capriccioso · Var. 6. Allegro · Var. 7. Andante · Var. 8. Andante (non troppo lento) · Var. 9. Schnell · Var. 10. Poco Adagio · Var. 11. Un poco più animato · Var. 12. Allegretto, poco scherzando · Var. 13. Non troppo Presto · Var. 14. Andante · Var. 15. Poco adagio · Var. 16. Adagio	Daniel Barenboim	T-322.186.695-7
57-3	Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Aria. Variation 1 · Var. 2 · Var. 3 · Var. 4. Risoluto · Var. 5. Espessivo · Var. 6 · Var. 7. Con vivacità · Var. 8 · Var. 9. Poco sostenuto · Var. 10 · Var. 11 · Var. 12 · Var. 13. Largamente, ma non più · Var. 14 · Var. 15 · Var. 16 · Var. 17. Più mosso · Var. 18 · Var. 19. Leggiero e vivace · Var. 20 · Var. 21 · Var. 22 · Var. 23. Vivace e staccato · Var. 24 · Var. 25 · Fuga	Daniel Barenboim	T-329.395.032-6
58-1	Hungarian Dance for 2 Pianos, WoO 1: Book I, no. 1 in G minor: Allegro molto	Klavierduo Kontarsky	T-902.753.155-1
58-2	Hungarian Dance for 2 Pianos, WoO 1: Book I, no. 2 in D minor: Allegro non assai — Vivo	Klavierduo Kontarsky	—
58-3	Hungarian Dance for 2 Pianos, WoO 1: Book I, no. 3 in F major: Allegretto	Klavierduo Kontarsky	—
58-4	Hungarian Dance for 2 Pianos, WoO 1: Book I, no. 4 in F minor: Poco sostenuto — Vivace — Molto Allegro	Klavierduo Kontarsky	—
58-5	Hungarian Dance for 2 Pianos, WoO 1: Book I, no. 5 in F-sharp minor: Allegro — Vivace	Klavierduo Kontarsky	T-918.063.801-1
58-6	Hungarian Dance for 2 Pianos, WoO 1: Book I, no. 6 in D-flat major: Vivace — Molto sostenuto	Klavierduo Kontarsky	—
58-7	Hungarian Dance for 2 Pianos, WoO 1: Book II, no. 7 in F major: Allegretto	Klavierduo Kontarsky	T-915.710.750-1
58-8	Hungarian Dance for 2 Pianos, WoO 1: Book II, no. 8 in A minor: Presto	Klavierduo Kontarsky	—
58-9	Hungarian Dance for 2 Pianos, WoO 1: Book II, no. 9 in E minor: Allegro non troppo — Poco sostenuto	Klavierduo Kontarsky	T-900.021.735-6
58-10	Hungarian Dance for 2 Pianos, WoO 1: Book II, no. 10 in E major: Presto	Klavierduo Kontarsky	—
58-11	Hungarian Dance for 2 Pianos, WoO 1: Book III, no. 11 in A minor: Poco Andante	Klavierduo Kontarsky	—
58-12	Hungarian Dance for 2 Pianos, WoO 1: Book III, no. 12 in D minor: Presto — Poco meno presto	Klavierduo Kontarsky	—
58-13	Hungarian Dance for 2 Pianos, WoO 1: Book III, no. 13 in D major: Andantino grazioso — Vivace	Klavierduo Kontarsky	—
58-14	Hungarian Dance for 2 Pianos, WoO 1: Book III, no. 14 in D minor: Un poco Andante	Klavierduo Kontarsky	—
58-15	Hungarian Dance for 2 Pianos, WoO 1: Book III, no. 15 in B-flat major: Allegretto grazioso	Klavierduo Kontarsky	T-322.446.992-1
58-16	Hungarian Dance for 2 Pianos, WoO 1: Book III, no. 16 in F minor: Con moto — Presto — Poco meno presto	Klavierduo Kontarsky	—
58-17	Hungarian Dance for 2 Pianos, WoO 1: Book IV, no. 17 in F-sharp minor: Andantino — Vivace — Meno presto	Klavierduo Kontarsky	—
58-18	Hungarian Dance for 2 Pianos, WoO 1: Book IV, no. 18 in D major: Molto vivace	Klavierduo Kontarsky	—
58-19	Hungarian Dance for 2 Pianos, WoO 1: Book IV, no. 19 in B minor: Allegretto — Più presto	Klavierduo Kontarsky	T-915.711.980-7
58-20	Hungarian Dance for 2 Pianos, WoO 1: Book IV, no. 20 in E minor: Poco Allegretto — Vivace	Klavierduo Kontarsky	—
58-21	Hungarian Dance for 2 Pianos, WoO 1: Book IV, no. 21 in E minor: Vivace — Più presto	Klavierduo Kontarsky	T-329.391.160-7
58-22	Waltzes for piano four hands, op. 39, no. 1 in B major: Tempo giusto	Klavierduo Kontarsky	T-070.161.055-0
58-23	Waltzes for piano four hands, op. 39, no. 2 in E major	Klavierduo Kontarsky	—
58-24	Waltzes for piano four hands, op. 39, no. 3 in G-sharp minor	Klavierduo Kontarsky	—
58-25	Waltzes for piano four hands, op. 39, no. 4 in E minor: Poco sostenuto	Klavierduo Kontarsky	—
58-26	Waltzes for piano four hands, op. 39, no. 5 in E major	Klavierduo Kontarsky	—
58-27	Waltzes for piano four hands, op. 39, no. 6 in C-sharp major: Vivace	Klavierduo Kontarsky	—
58-28	Waltzes for piano four hands, op. 39, no. 7 in C-sharp minor: Poco più andante	Klavierduo Kontarsky	—
58-29	Waltzes for piano four hands, op. 39, no. 8 in B-flat major	Klavierduo Kontarsky	—
58-30	Waltzes for piano four hands, op. 39, no. 9 in D minor	Klavierduo Kontarsky	—
58-31	Waltzes for piano four hands, op. 39, no. 10 in G major	Klavierduo Kontarsky	T-306.437.048-1
58-32	Waltzes for piano four hands, op. 39, no. 11 in B minor	Klavierduo Kontarsky	—
58-33	Waltzes for piano four hands, op. 39, no. 12 in E major	Klavierduo Kontarsky	—
58-34	Waltzes for piano four hands, op. 39, no. 13 in B major	Klavierduo Kontarsky	—
58-35	Waltzes for piano four hands, op. 39, no. 14 in G-sharp minor	Klavierduo Kontarsky	—
58-36	Waltzes for piano four hands, op. 39, no. 15 in A-flat major	Klavierduo Kontarsky	T-306.229.926-3
58-37	Waltzes for piano four hands, op. 39, no. 16 in C-sharp minor	Klavierduo Kontarsky	T-322.186.558-9
59-1	Piano Sonata no. 2 in B‐flat minor, op. 35: Grave – Doppio movimento	Martha Argerich	—
59-2	Piano Sonata no. 2 in B‐flat minor, op. 35: Scherzo	Martha Argerich	—
59-3	Piano Sonata no. 2 in B‐flat minor, op. 35: Marche funèbre: Lento	Martha Argerich	T-321.421.851-2
59-4	Piano Sonata no. 2 in B‐flat minor, op. 35: Finale: Presto	Martha Argerich	T-309.554.578-7
59-5	Scherzo no. 3 in C-sharp minor, op. 39: Presto con fuoco	Martha Argerich	T-918.063.801-1
59-6	Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso	Martha Argerich	T-309.554.584-5
59-7	Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace	Martha Argerich	T-911.517.582-1
59-8	Piano Sonata no. 3 in B minor, op. 58: III. Largo	Martha Argerich	T-309.554.580-1
59-9	Piano Sonata no. 3 in B minor, op. 58: IV. Presto ma non tanto	Martha Argerich	T-309.554.578-7
60-1	Gaspard de la Nuit: I. Ondine: Lent	Ivo Pogorelich	T-071.203.683-3
60-2	Gaspard de la Nuit: II. Le Gibet: Très lent.	Ivo Pogorelich	T-902.777.490-9
60-3	Gaspard de la Nuit: III. Scarbo: Modéré	Ivo Pogorelich	T-902.777.490-9
60-4	Piano Sonata no. 6 in A major, op. 82: I. Allegro moderato	Ivo Pogorelich	—
60-5	Piano Sonata no. 6 in A major, op. 82: II. Allegretto	Ivo Pogorelich	—
60-6	Piano Sonata no. 6 in A major, op. 82: III. Tempo di valzer lentissimo	Ivo Pogorelich	—
60-7	Piano Sonata no. 6 in A major, op. 82: IV. Vivace	Ivo Pogorelich	—
61-1	Piano Sonata no. 21 in B-flat major, D. 960: I. Molto moderato	Владимир Самойлович Горовиц	—
61-2	Piano Sonata no. 21 in B-flat major, D. 960: II. Andante sostenuto	Владимир Самойлович Горовиц	—
61-3	Piano Sonata no. 21 in B-flat major, D. 960: III. Scherzo: Allegro vivace con delicatezza	Владимир Самойлович Горовиц	—
61-4	Piano Sonata no. 21 in B-flat major, D. 960: IV. Allegro ma non troppo	Владимир Самойлович Горовиц	T-031.682.208-8
61-5	Kinderszenen, op. 15: I. Von fremden Ländern und Menschen	Владимир Самойлович Горовиц	T-314.629.927-2
61-6	Kinderszenen, op. 15: II. Kuriose Geschichte	Владимир Самойлович Горовиц	T-913.873.556-5
61-7	Kinderszenen, op. 15: III. Haschemann	Владимир Самойлович Горовиц	T-913.870.630-6
61-8	Kinderszenen, op. 15: IV. Bittendes Kind	Владимир Самойлович Горовиц	T-001.216.772-4
61-9	Kinderszenen, op. 15: V. Glückes genug	Владимир Самойлович Горовиц	T-330.120.791-6
61-10	Kinderszenen, op. 15: VI. Wichtige Begebenheit	Владимир Самойлович Горовиц	—
61-11	Kinderszenen, op. 15: VII. Träumerei	Владимир Самойлович Горовиц	—
61-12	Kinderszenen, op. 15: VIII. Am Kamin	Владимир Самойлович Горовиц	T-913.871.548-7
61-13	Kinderszenen, op. 15: IX. Ritter vom Steckenpferd	Владимир Самойлович Горовиц	T-330.117.403-4
61-14	Kinderszenen, op. 15: X. Fast zu ernst	Владимир Самойлович Горовиц	T-913.870.570-1
61-15	Kinderszenen, op. 15: XI. Fürchtenmachen	Владимир Самойлович Горовиц	—
61-16	Kinderszenen, op. 15: XII. Kind im Einschlummern	Владимир Самойлович Горовиц	—
61-17	Kinderszenen, op. 15: XIII. Der Dichter spricht	Владимир Самойлович Горовиц	T-330.117.420-5
62-1	Fantasia in C minor, K. 475: Adagio - Allegro - Andantino - Più allegro - Primo tempo	Maria João Pires	—
62-2	Sonata in C minor, K. 457: I. Molto allegro	Maria João Pires	T-003.035.132-6
62-3	Sonata in C minor, K. 457: II. Adagio	Maria João Pires	T-320.053.756-6
62-4	Sonata in C minor, K. 457: III. Allegro assai	Maria João Pires	T-306.395.786-4
62-5	Fantasia for piano in D minor, KV 397	Maria João Pires	—
62-6	Sonata in A major, K. 331: I. Andante grazioso. Tema - Variation I-IV - Variation V. Adagio - Variation VI. Allegro	Maria João Pires	—
62-7	Sonata in A major, K. 331: II. Menuetto - Trio	Maria João Pires	T-313.706.466-1
62-8	Sonata in A major, K. 331: III. Alla turca. Allegretto	Maria João Pires	—
63-1	[applause]	[no artist]	T-072.571.419-1
63-2	Abegg Variations, op. 1	Lang Lang	—
63-3	Piano Sonata in C major, Hob. XVI:50: I. Allegro	Lang Lang	—
63-4	Piano Sonata in C major, Hob. XVI:50: II. Adagio	Lang Lang	T-802.445.410-3
63-5	Piano Sonata in C Major, Hob. XVI:50, Allegro Molto	Lang Lang	T-329.454.787-4
63-6	Fantasy in C major, D. 760 "Wanderer": I. Allegro con fuoco ma non troppo	Lang Lang	—
63-7	Fantasy in C major, D. 760 "Wanderer": II. Adagio	Lang Lang	T-802.445.410-3
63-8	Fantasy in C major, D. 760 "Wanderer": III. Presto	Lang Lang	—
63-9	Fantasy in C major, D. 760 "Wanderer": IV. Allegro	Lang Lang	T-318.676.528-2
63-10	Eight Memories in Watercolour, op. 1: I. Missing Moon	Lang Lang	—
63-11	Eight Memories in Watercolour, op. 1: II. Beans	Lang Lang	—
63-12	Eight Memories in Watercolour, op. 1: III. Herdboy's Song	Lang Lang	—
63-13	Eight Memories in Watercolour, op. 1: IV. Blue Nun	Lang Lang	—
63-14	Eight Memories in Watercolour, op. 1: VII. Red Wilderness	Lang Lang	—
63-15	Eight Memories in Watercolour, op. 1: V. Ancient Burial	Lang Lang	—
63-16	Eight Memories in Watercolour, op. 1: VI. Floating Clouds	Lang Lang	—
63-17	Eight Memories in Watercolour, op. 1: VIII. Sunrain	Lang Lang	—
63-18	Nocturne no. 8 in D-flat major, op. 27 no. 2	Lang Lang	T-306.230.835-0
64-1	Piano Sonata no. 2 in G-sharp minor, op. 19 "Sonate-fantasie": I. Andante	Daniil Trifonov	—
64-2	Piano Sonata no. 2 in G-sharp minor, op. 19 "Sonate-fantasie": II. Presto	Daniil Trifonov	—
64-3	Piano Sonata in B minor, S. 178: Lento assai - Allegro energico	Daniil Trifonov	—
64-4	Piano Sonata in B minor, S. 178: Più mosso - Andante sostenuto	Daniil Trifonov	—
64-5	Piano Sonata in B minor, S. 178: Allegro energico - Andante sostenuto - Lento assai	Daniil Trifonov	—
64-6	24 Preludes, op. 28: no. 1 in C major	Daniil Trifonov	—
64-7	24 Preludes, op. 28: no. 2 in A minor	Daniil Trifonov	T-922.054.556-2
64-8	24 Preludes, op. 28: no. 3 in G major	Daniil Trifonov	—
64-9	24 Preludes, op. 28: no. 4 in E minor	Daniil Trifonov	—
64-10	24 Preludes, op. 28: no. 5 in D major	Daniil Trifonov	T-329.459.382-7
64-11	24 Preludes, op. 28: no. 6 in B minor	Daniil Trifonov	—
64-12	24 Preludes, op. 28: no. 7 in A major	Daniil Trifonov	T-329.459.382-7
64-13	24 Preludes, op. 28: no. 8 in F-sharp minor	Daniil Trifonov	—
64-14	24 Preludes, op. 28: no. 9 in E major	Daniil Trifonov	—
64-15	24 Preludes, op. 28: no. 10 in C-sharp minor	Daniil Trifonov	—
64-16	24 Preludes, op. 28: no. 11 in B major	Daniil Trifonov	—
64-17	24 Preludes, op. 28: no. 12 in G-sharp minor	Daniil Trifonov	—
64-18	24 Preludes, op. 28: no. 13 in F-sharp major	Daniil Trifonov	—
64-19	24 Preludes, op. 28: no. 14 in E-flat minor	Daniil Trifonov	—
64-20	24 Preludes, op. 28: no. 15 in D-flat major	Daniil Trifonov	—
64-21	24 Preludes, op. 28: no. 16 in B-flat minor	Daniil Trifonov	—
64-22	24 Preludes, op. 28: no. 17 in A-flat major	Daniil Trifonov	—
64-23	24 Preludes, op. 28: no. 18 in F minor	Daniil Trifonov	—
64-24	24 Preludes, op. 28: no. 19 in E-flat major	Daniil Trifonov	—
64-25	24 Preludes, op. 28: no. 20 in C minor	Daniil Trifonov	T-310.766.142-3
64-26	24 Preludes, op. 28: no. 21 in B-flat major	Daniil Trifonov	—
64-27	24 Preludes, op. 28: no. 22 in G minor	Daniil Trifonov	—
64-28	24 Preludes, op. 28: no. 23 in F major	Daniil Trifonov	—
64-29	24 Preludes, op. 28: no. 24 in D minor	Daniil Trifonov	—
64-30	Skazki, op. 26 "Fairy Tales": no. 2 in E-flat major	Daniil Trifonov	—
65-1	French Suite no. 1 in D minor, BWV 812: I. Allemande	Murray Perahia	—
65-2	French Suite no. 1 in D minor, BWV 812: II. Courante	Murray Perahia	—
65-3	French Suite no. 1 in D minor, BWV 812: III. Sarabande	Murray Perahia	—
65-4	French Suite no. 1 in D minor, BWV 812: IV. Menuet I-II	Murray Perahia	—
65-5	French Suite no. 1 in D minor, BWV 812: V. Gigue	Murray Perahia	—
65-6	French Suite no. 2 in C minor, BWV 813: I. Allemande	Murray Perahia	—
65-7	French Suite no. 2 in C minor, BWV 813: II. Courante	Murray Perahia	—
65-8	French Suite no. 2 in C minor, BWV 813: III. Sarabande	Murray Perahia	—
65-9	French Suite no. 2 in C minor, BWV 813: IV. Air	Murray Perahia	—
65-10	French Suite no. 2 in C minor, BWV 813: V. Menuet I-II	Murray Perahia	—
65-11	French Suite no. 2 in C minor, BWV 813: VI. Gigue	Murray Perahia	—
65-12	French Suite no. 3 in B minor, BWV 814: I. Allemande	Murray Perahia	—
65-13	French Suite no. 3 in B minor, BWV 814: II. Courante	Murray Perahia	—
65-14	French Suite no. 3 in B minor, BWV 814: III. Sarabande	Murray Perahia	—
65-15	French Suite no. 3 in B minor, BWV 814: IV. Anglaise	Murray Perahia	T-902.029.590-3
65-16	French Suite no. 3 in B minor, BWV 814: V. Menuet	Murray Perahia	—
65-17	French Suite no. 3 in B minor, BWV 814: VI. Gigue	Murray Perahia	—
66-1	4 Impromptus, op. 90, D. 899: no. 1 in C minor (Allegro molto moderato)		—
66-2	4 Impromptus, op. 90, D. 899: no. 2 in E-Flat major (Allegro)		—
66-3	4 Impromptus, op. 90, D. 899: no. 3 in G-Flat major (Andante)		—
66-4	4 Impromptus, op. 90, D. 899: no. 4 in A-Flat major (Allegretto)		—
66-5	3 Klavierstücke, D. 946: no. 1 in E-flat minor (Allegro assai)		—
66-6	3 Klavierstücke, D. 946: no. 2 in E-flat (Allegretto)		—
66-7	3 Klavierstücke, D. 946: no. 3 in C (Allegro)		—
67-1	3 Old Viennese Dances, 3 Old Viennese Dances, hierarchy: I. Liebesfreud		—
67-2	3 Old Viennese Dances, 3 Old Viennese Dances, hierarchy: II. Liebesleid		—
67-3	Waltz in E-Flat major		—
67-4	Variations on a Theme by Corelli		—
67-5	String Trio no. 1 Opus 34		—
67-6	Violin Sonata: III. Recitativo-Fantasia: Ben moderato		—
67-7	String Quartet no. 12 in F major, op. 96 "American" B. 179: I. Allegro ma non troppo		—
67-8	Sonata For Violin And Piano no. 3 in E-Flat, op. 12 No.3: III. Rondo (Allegro molto)		—
67-9	Sonata no. 9 for Violin and Piano in A major, op. 47 "Kreutzer": III. Finale. Presto	Wilhelm Kempff, Georg Kulenkampff	—
67-10	Zigeunerweisen, op. 20		—
67-11	Sonata in A major, op. 1, no. 14, HWV 372		—
67-12	Menuet From Petite Suite		—
67-13	Introduction and Variations on "Dal tuo stellato" from Rossini's Opera "Mosè"		—
67-14	8 Humoresques, op. 101, B. 187: VII. Poco Lento e grazioso ((Arr. For Violin And Piano By August Wilhelmj))		—
67-15	Sonata in A major For Violin & Piano, FWV 8: I. Allegretto ben moderato		—
67-16	Notturno e Tarantella, op. 28: I. Notturno		—
67-17	Notturno e Tarantella, op. 28: II. Tarantella		—
68-1	String Quartet no. 14 in D minor, D. 810 "Death and the Maiden": I. Allegro		—
68-2	String Quartet no. 14 in D minor, D. 810 "Death and the Maiden": II. Andante con moto		—
68-3	String Quartet no. 14 in D minor, D. 810 "Death and the Maiden": III. Scherzo (Allegro molto)		—
68-4	String Quartet no. 14 in D minor, D. 810 "Death and the Maiden": IV. Presto		—
68-5	Piano Quintet in A major, D. 667 "Trout": I. Allegro vivace		—
68-6	Piano Quintet in A major, D. 667 "Trout": II. Andante		—
68-7	Piano Quintet in A major, D. 667 "Trout": III. Scherzo (Presto)		—
68-8	Piano Quintet in A major, D. 667 "Trout": IV. Thema: Andantino - Variazioni I-V - Allegretto		—
68-9	Piano Quintet in A major, D. 667 "Trout": V. Finale (Allegro giusto)		—
69-1	String Quartet in D minor, op. 76 no. 2 "Fifths", Hoboken III: 76: I. Allegro	Amadeus Quartet	—
69-2	String Quartet in D minor, op. 76 no. 2 "Fifths", Hoboken III: 76: II. Andante o più tosto Allegretto	Amadeus Quartet	T-910.783.706-9
69-3	String Quartet in D minor, op. 76 no. 2 "Fifths", Hoboken III: 76: III. Menuetto	Amadeus Quartet	—
69-4	String Quartet in D minor, op. 76 no. 2 "Fifths", Hoboken III: 76: IV. Finale. Presto	Amadeus Quartet	T-003.055.867-8
69-5	String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: I. Allegro	Amadeus Quartet	—
69-6	String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: II. Poco Adagio. Cantabile. Variazioni I - IV	Amadeus Quartet	T-001.397.158-8
69-7	String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: III. Menuetto	Amadeus Quartet	—
69-8	String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: IV. Finale. Presto	Amadeus Quartet	T-003.055.867-8
69-9	String Quartet no. 17 in B-Flat major, K. 458 "The Hunt": I. Allegro vivace assai		—
69-10	String Quartet no. 17 in B-Flat major, K. 458 "The Hunt": II. Moderato		—
69-11	String Quartet no. 17 in B-Flat major, K. 458 "The Hunt": III. Adagio		—
69-12	String Quartet no. 17 in B-Flat major, K. 458 "The Hunt": IV. Allegro assai		—
70-1	Sonata for Piano and Violin in F major, K. 13: I. Allegro		—
70-2	Sonata for Piano and Violin in F major, K. 13: II. Andante		—
70-3	Sonata for Piano and Violin in F major, K. 13: III. Menuetto primo: Menuetto secondo		—
70-4	Syrinx, L. 129		—
70-5	Pièce pour flûte seule		—
70-6	Sequenza I for flute (1958)		—
70-7	Mei for Flute solo		—
70-8	Partita in A minor For Solo Flute, BWV 1013: I. Allemande		—
70-9	Partita in A minor For Solo Flute, BWV 1013: II. Corrente		—
70-10	Partita in A minor For Solo Flute, BWV 1013: III. Sarabande		—
70-11	Partita in A minor For Solo Flute, BWV 1013: IV. Bourrée anglaise		—
70-12	Introduction & Variations for flute & piano, D.802 (op. 160): Introduktion. Andante		—
70-13	Introduction & Variations for flute & piano, D.802 (op. 160): Thema. Andantino		—
70-14	Introduction & Variations for flute & piano, D.802 (op. 160): Variation I		—
70-15	Introduction & Variations for flute & piano, D.802 (op. 160): Variation II		—
70-16	Introduction & Variations for flute & piano, D.802 (op. 160): Variation III		—
70-17	Introduction & Variations for flute & piano, D.802 (op. 160): Variation IV		—
70-18	Introduction & Variations for flute & piano, D.802 (op. 160): Variation V		—
70-19	Introduction & Variations for flute & piano, D.802 (op. 160): Variation VI		—
70-20	Introduction & Variations for flute & piano, D.802 (op. 160): Variation VII. Allegro		—
71-1	String Quartet no. 3 in B-flat, op. 67: I. Vivace		—
71-2	String Quartet no. 3 in B-flat, op. 67: II. Andante		—
71-3	String Quartet no. 3 in B-flat, op. 67: III. Agitato (Allegretto non troppo)		—
71-4	String Quartet no. 3 in B-flat, op. 67: IV. Poco allegretto con variazioni: Doppio movimento		—
71-5	String Quartet no. 1 in C minor, op. 51 No.1: I. Allegro		—
71-6	String Quartet no. 1 in C minor, op. 51 No.1: II. Romanze (Poco adagio)		—
71-7	String Quartet no. 1 in C minor, op. 51 No.1: III. Allegretto molto moderato e comodo: Un poco più animato		—
71-8	String Quartet no. 1 in C minor, op. 51 No.1: IV. Allegro		—
71-9	String Quartet in B-Flat major, Hob.III:78, op. 76, no. 4 "Sunrise": I. Allegro con spirito		—
71-10	String Quartet in B-Flat major, Hob.III:78, op. 76, no. 4 "Sunrise": II. Adagio		—
71-11	String Quartet in B-Flat major, Hob.III:78, op. 76, no. 4 "Sunrise": III. Menuetto (Allegro)		—
71-12	String Quartet in B-Flat major, Hob.III:78, op. 76, no. 4 "Sunrise": IV. Finale (Allegro ma non troppo)		—
72-6	String Trio, op. 45: Part I		—
72-7	String Trio, op. 45: 1st Episode		—
72-8	String Trio, op. 45: Part II		—
72-9	String Trio, op. 45: 2nd Episode		—
72-10	String Trio, op. 45: Part III		—
73-1	String Quartet in G minor, op. 10, L. 85: I. Animé et très décidé		—
73-2	String Quartet in G minor, op. 10, L. 85: II. Scherzo (Assez vif et bien rythmé)		—
73-3	String Quartet in G minor, op. 10, L. 85: III. Andantino doucement expressif		—
73-4	String Quartet in G minor, op. 10, L. 85: IV. Très modéré: Très mouvementé - Très animé		—
73-5	String Quartet in F major, M.35: I. Allegro moderato. Très doux		—
73-6	String Quartet in F major, M.35: II. Assez vif. Très rythmé		—
73-7	String Quartet in F major, M.35: III. Très lent		—
73-8	String Quartet in F major, M.35: IV. Vif et agité		—
73-9	String Quartet (1905)		—
74-1	String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: I. Introduzione: Andante con moto - Allegro vivace	Emerson String Quartet	—
74-2	String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: II. Andante con moto quasi allegretto	Emerson String Quartet	—
74-3	String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: III. Menuetto grazioso - attacca	Emerson String Quartet	T-700.095.171-5
74-4	String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: IV. Allegro molto	Emerson String Quartet	T-329.454.787-4
74-5	String Quartet no. 10 in E-flat major, op. 74 "Harp": I. Poco adagio - Allegro	Emerson String Quartet	T-915.714.772-3
74-6	String Quartet no. 10 in E-flat major, op. 74 "Harp": II. Adagio ma non troppo	Emerson String Quartet	—
74-7	String Quartet no. 10 in E-flat major, op. 74 "Harp": III. Presto - Piu presto quasi prestissimo - attacca	Emerson String Quartet	—
74-8	String Quartet no. 10 in E-flat major, op. 74 "Harp": IV. Allegretto con variazioni	Emerson String Quartet	—
74-9	String Quartet no. 11 in F minor, op. 95 "Serioso": I. Allegro con brio	Emerson String Quartet	—
74-10	String Quartet no. 11 in F minor, op. 95 "Serioso": II. Allegretto ma non troppo - attacca	Emerson String Quartet	—
74-11	String Quartet no. 11 in F minor, op. 95 "Serioso": III. Allegro assai vivace ma serioso	Emerson String Quartet	—
74-12	String Quartet no. 11 in F minor, op. 95 "Serioso": IV. Larghetto espressivo - Allegretto agitato - Allegro	Emerson String Quartet	—
75-1	Klavierquartett Nr. 1 g-Moll, op. 25: I. Allegro	Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky	—
75-2	Klavierquartett Nr. 1 g-Moll, op. 25: II. Intermezzo: Allegro ma non troppo – Trio: Animato	Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky	—
75-3	Klavierquartett Nr. 1 g-Moll, op. 25: III. Andante con moto	Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky	—
75-4	Klavierquartett Nr. 1 g-Moll, op. 25: IV. Rondo alla Zingarese	Martha Argerich, Yuri Bashmet, Gidon Kremer, Mischa Maisky	T-001.269.912-5
75-5	Fantasiestücke, op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck	Martha Argerich, Gidon Kremer, Mischa Maisky	—
75-6	Fantasiestücke, op. 88: II. Humoreske: Lebhaft	Martha Argerich, Gidon Kremer, Mischa Maisky	—
75-7	Fantasiestücke, op. 88: III. Duett: Langsam und mit Ausdruck	Martha Argerich, Gidon Kremer, Mischa Maisky	—
75-8	Fantasiestücke, op. 88: IV. Finale: Im Marschtempo	Martha Argerich, Gidon Kremer, Mischa Maisky	—
76-1	Piano Trio in C, K. 548: I. Allegro		—
76-2	Piano Trio in C, K. 548: II. Andante cantabile		—
76-3	Piano Trio in C, K. 548: III. Allegro		—
76-4	Piano Trio in E, K. 542: I. Allegro		—
76-5	Piano Trio in E, K. 542: II. Andante grazioso		—
76-6	Piano Trio in E, K. 542: III. Allegro		—
76-7	Piano Trio in B-flat, K. 502: I. Allegro		—
76-8	Piano Trio in B-flat, K. 502: II. Larghetto		—
76-9	Piano Trio in B-flat, K. 502: III. Allegretto		—
77-1	VIOLIN CONCERTO IN E MINOR, OP. 64: I. ALLEGRO MOLTO APPASSIONATO	Daniel Hope, Chamber Orchestra of Europe, Thomas Hengelbrock	—
77-2	Violin Concerto in E minor, op. 64, MWV O 14: II. Andante		—
77-3	Violin Concerto in E minor, op. 64, MWV O 14: III. Allegro molto vivace		—
77-4	Octet in E-Flat major, op. 20, MWV R20: I. Allegro moderato, ma con fuoco		—
77-5	Octet in E-Flat major, op. 20, MWV R20: II. Andante		—
77-6	Octet in E-Flat major, op. 20, MWV R20: III. Scherzo (Allegro leggierissimo)		—
77-7	Octet in E-Flat major, op. 20, MWV R20: IV. Presto		—
77-8	Lieder op.8: VIII. Hexenlied (Anderes Maienlied)		—
77-9	Six Songs, op. 34: IV. Suleika, MWV K92		—
77-10	Auf Flügeln des Gesanges, op. 34 no. 2	Daniel Hope, Sebastian Knauer	—
78-1	Otello, Act 1: Esultate!		—
78-2	Otello, Act 2: Ora e per sempre addio		—
78-3	La Bohème: Atto I. “O soave fanciulla”	Enrico Caruso, Nellie Melba, Walter B. Rogers	T-900.134.452-1
78-4	La Bohème, Act 4: O Mimì, tu più non torni		—
78-5	L’africana: Atto IV. “Mi batte il cor” … “O paradiso!”	Enrico Caruso	—
78-6	L'elisir d'amore, Act 2: "Una furtiva lagrima"		—
78-8	Un ballo in maschera, Act 1: "Für dein Glück" ("Alla vita che t'arride")		—
78-9	Rigoletto, Act 2: "Cortigiani, vil razza dannata"		—
78-10	Pagliacci, Act 1: "Recitar!": "Vesti la giubba"		—
78-11	Cavalleria rusticana: "O lola ch'ai di latti la cammisa" (Siciliana)		—
78-12	Otello, Act 2: Tu?! Indietro! fuggi!		—
78-13	La Bohème: Akt I. "Will ich allein des Abends" (Walzer der Musette) (sung in german)		—
78-14	Rigoletto: Akt I. "Teurer Name" (Caro nome) (sung in german)		—
78-15	Rigoletto: Akt III. "La donna è mobile" … "È là il vostr'uomo" (Duca / Sparafucile, Rigoletto) (sung in german)		—
78-16	Tosca, New edition R. Parker; Libr. Giacosa & Illica after Sardou, Act 1: "Recondita armonia"		—
78-17	Turandot, Act 1: "Non piangere, Liu"		—
78-18	La forza del destino, Act 3: Oh, tu che in seno		—
78-19	Aida, Act 1: I sacri nomi di padre...d'amante		—
78-20	Tosca, Act 3: "E lucevan le stelle"		—
78-21	L'elisir d'amore, Act 2: "Una furtiva lagrima...Eccola!"		—
78-22	Il barbiere di Siviglia, Act 1: no. 5 Cavatina: "Una voce poco fa": "Io sono docile"		—
78-23	Il barbiere di Siviglia, Act 1: no. 6 Aria: "La calunnia è un venticello"		—
78-24	Tosca, Act 2: "Vissi d'arte, vissi d'amore"		—
78-25	Turandot, Act 3: "Nessun dorma"		—
79-1	Undine: Akt III. "Nun ist's vollbracht!"		—
79-2	Die Zauberflöte, K. 620, (E. Schikaneder), Act 1: "Bei Männern, welche Liebe fühlen"		—
79-3	Die Zauberflöte, K. 620, (E. Schikaneder), Act 2: "Ein Mädchen oder Weibchen"		—
79-4	Die Zauberflöte, K. 620, (E. Schikaneder), Act 2: "In diesen heil'gen Hallen"		—
79-5	Die Entführung aus dem Serail, K. 384, Act 1: "Konstanze, dich wiederzusehen, dich!"		—
79-6	Martha: Akt II. "Letzte Rose"		—
79-7	Martha: Akt III. "Ach, so fromm"		—
79-8	Der Freischütz, op. 77, J. 277, Act 3: "Einst träumte meiner sel'gen Base" … "Trübe Augen, Liebchen, taugen"		—
79-9	Ariadne auf Naxos, op. 60, TrV 228, Prologue: "An Ihre Plätze, meine Damen und Herrn!"		—
79-10	Parsifal, WWV 111, Act 2: "Ich sah das Kind an seiner Mutter Brust"		—
79-11	Lohengrin, WWV 75, Act 3: "In fernem Land" … "Mein lieber Schwan"		—
79-12	Die Meistersinger von Nürnberg, WWV 96, Act 3: "Morgenlich leuchtend"		—
79-13	Parsifal, WWV 111, Act 1: "Des Weihgefäßes göttlicher Gehalt" (Amfortas Klage)		—
79-14	Das Rheingold, WWV 86A, Scene 4: "Weiche, Wotan, weiche!"		—
79-15	Rienzi, WWV 49: "Allmächt'ger Vater" (Rienzi's prayer)		—
79-16	Die Meistersinger von Nürnberg, WWV 96, Act 2: "Was duftet doch der Flieder"		—
79-17	Die Meistersinger von Nürnberg, WWV 96, Act 3: "Wahn! Wahn! Überall Wahn!"		—
80-1	Der Freischütz, op. 77, J. 277, Act 1: Ouvertüre		—
80-2	Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 1: "Victoria! Der Meister soll leben"		—
80-3	Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 1: "Jetzt schlag er sich die Grillen aus dem Kopf"		—
80-4	Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 1: "Da bist du ja noch, Kamerad"		—
80-5	Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 2: "Schelm! Halt fest!"		—
80-6	Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 2: "Wie nahte mir der Schlummer"		—
80-7	Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 2: Alles pflegt schon längst der Ruh		—
80-8	Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 2: "Bist du endlich da, lieber Max!"		—
80-9	Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 2: "Milch des Mondes fiel aufs Kraut!"		—
80-10	Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 2: "Hier bin ich! Was hab' ich zu tun?"		—
80-11	Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 3: "Und ob die Wolke sie verhülle"		—
80-12	Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 3: "Aber du bist ja so wehmütig. Ich glaube gar, du hast geweint?"		—
80-13	Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 3: "Horch, da kommen die Brautjungfern schon!"		—
80-14	Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 3: "Genug nun der Freuden des Mahls"		—
80-15	Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 3: "Wer legt auf ihn so strengen Bann!"		—
80-16	Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 3: "Doch sonst stets rein und bieder war"		—
81-1	Idomeneo, re di Creta, K. 366, (G. Varesco), Act 3: "Zeffiretti lusinghieri"		—
81-2	Die Zauberflöte, K. 620, (E. Schikaneder), Act 2: "Der Hölle Rache kocht in meinem Herze"		—
81-3	Semiramide, Act 1: "Bel raggio lusinghier"		—
81-4	Don Pasquale, Act 1: Quel guardo di cavaliere ... So anch'io la virtù magica		—
81-5	Der Freischütz, op. 77, J. 277, Act 2: "Kommt ein schlanker Bursch gegangen"		—
81-6	Rigoletto, Act 1: "Gualtier Maldè...Caro nome"		—
81-7	Un ballo in maschera, Act 1: "Volta la terrea"		—
81-8	Un ballo in maschera, Act 3: "Saper vorreste"		—
81-9	I vespri siciliani, Act 5: "Mercè, dilette amiche"		—
81-10	Les Huguenots, Act 1: "Nobles seigneurs, salut"		—
81-11	Mignon, Act 2: "Oui, pour ce soir je suis reine des fées"		—
81-12	La Bohème, Act 2: "Quando m'en vo"		—
81-13	Der Hirt auf dem Felsen, op. 129, D.965		—
82-1	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-2	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-3	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-4	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-5	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-6	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-7	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-8	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-9	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-10	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-11	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-12	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-13	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-14	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-15	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-16	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-17	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-18	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-19	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-20	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-21	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
82-22	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
83-1	La traviata: Atto II. “Avrem lieta di maschere la notte” (Flora, Marqués, Doctor)	Giovanni Foiani, Alfredo Giacomotti, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber	—
83-2	La traviata: Atto II. “Noi siamo zingarelle” (Coro, Flora, Marqués)	Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Giovanni Foiani, Alfredo Giacomotti, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber	T-005.003.222-8
83-3	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
83-4	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
83-5	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
83-6	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
83-7	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
83-8	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
83-9	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
83-10	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
83-11	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
83-12	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
83-13	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
83-14	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
83-15	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
83-16	La traviata: Preludio	Bayerisches Staatsorchester, Carlos Kleiber	—
84-1	L'elisir d'amore, Act 2: "Una furtiva lagrima"		—
84-2	Lucia di Lammermoor, Act 3: "Tombe degl'avi miei": "Fra poco a me ricovero"		—
84-3	Ernani, Part 1: Mercé, diletti amici ...Come rugiada al cespite		—
84-4	Il Trovatore, Act 3: "Ah sì, ben mio...l'onda de'suoni mistici...Di quella		—
84-5	Aida, Act 1: "Se quel guerrier io fossi!": "Celeste Aida"		—
84-6	La Juive, Act 4: "Rachel, quand du Seigneur la grâce tutélaire"		—
84-7	L'Africaine, Act 4: Pays merveilleux ... O paradis		—
84-8	Les pêcheurs de perles, WD 13, Act 1: no. 4 b) Romance: "Je crois entendre encore"		—
84-9	Carmen, WD 31, Act 2: "La fleur que tu m'avais jetée"		—
85-1	Der fliegende Holländer, WWV 63: Overture		—
85-2	Der fliegende Holländer, WWV 63, Act 1: "Die Frist ist um": "Ew'ge Vernichtung, nimm uns auf" (Holländer, Mannschaft des Holländers)		—
85-3	Die Meistersinger von Nürnberg, WWV 96, Act 3: "Wahn! Wahn! Überall Wahn!"		—
85-4	Die Meistersinger von Nürnberg, WWV 96, Act 2: "Was duftet doch der Flieder"		—
85-5	Tannhäuser, WWV 70, Act 3: Wie Todesahnung... O du mein holder Abendstern (Wolfram)		—
85-6	Parsifal, WWV 111, Act 1: Nein! Lasst ihn unenthüllt		—
85-7	Parsifal, WWV 111, Act 3: Ja, Wehe! Wehe! Weh' über mich! (Amfortas, Ritter)		—
85-8	Die Walküre, WWV 86B, Act 3: Wotan's Farewell & Magic Fire Music		—
86-1	Le nozze di Figaro, K. 492, Act 4: Giunse alfin il momento...Deh, vieni, non tardar...		—
86-2	Le nozze di Figaro, K. 492, with embellishments by Domenico Corri, Act 2: Voi che sapete		—
86-3	Ch'io mi scordi di te... Non temer, amato bene, K. 505		—
86-4	Così fan tutte, K. 588, Act 1: "In uomini, in soldati"		—
86-5	Così fan tutte, K. 588, Act 2: "Ei parte...Per pietà"		—
86-6	Così fan tutte, K. 588, Act 2: "E amore un ladroncello"		—
86-7	La clemenza di Tito, K. 621, Act 2: "Non più di fiori"		—
86-8	Idomeneo, re di Creta, K. 366, Act 1: "Quando avran fine omai": "Padre, germani, addio!"		—
86-9	Vado, ma dove? oh Dei!, K. 583		—
86-10	Le nozze di Figaro, K. 492, Act 1: "Non so più cosa son, cosa faccio"		—
86-11	Alma grande e nobil core, K. 578		—
86-12	Le nozze di Figaro, K. 492, Act 3: "Giunse alfin..." _ "Al desio di chi t'adora" (K.577)		—
87-1	La Bohème, Act 1: "O soave fanciulla"		—
87-2	Lucia di Lammermoor, Act 1: Lucia perdona...Sulla tomba		—
87-3	Rigoletto, Act 1: "Giovanna, ho dei rimorsi...E il sol dell'anima"		—
87-4	Roméo et Juliette, CG 9, Act 4: Va! je t'ai pardonné ... Nuit d'hyménée		—
87-5	Les pêcheurs de perles, WD 13, Act 2: no. 8 Chanson: "De mon amie, fleur endormie": No.9 Duo "Léila! Léila! Dieu puissant"		—
87-6	Manon, Act 3: Toi! Vous!... Ah! Viens, Manon, je t'aime!		—
87-7	Iolanta op. 69, TH 11: "Tvajo malchan'je nepan'atna"		—
87-8	Luisa Fernanda, Act 3: Cállate, corazón! Duèrmete y calla!		—
88-1	Lucrezia Borgia, Act 2: Il segreto per esser felici		—
88-2	L'assedio di Calais, Act 1: Al mio core		—
88-3	Roberto Devereux, Act 1: All'afflitto è dolce il pianto (Sara)		—
88-4	Dom Sébastien, Roi de Portugal, Act 2: Que faire: Sol adoré de la patrie		—
88-5	Adelson e Salvini, Act 1: Dopo l'oscuro nembo		—
88-6	Maria Stuarda, Act 1: Si, vuol di Francia il Rege (Elisabetta)		—
88-7	Maria Stuarda, Act 1: Ah! quando all'ara scorgemi		—
88-8	Maria Stuarda, Act 1: In tal giorno di contento		—
88-9	Maria Stuarda, Act 1: Ah! dal ciel discenda un raggio		—
88-10	Tancredi, Act 1: Andante		—
88-11	Tancredi, Act 1: O patria! dolce, e ingrata patria		—
88-12	Tancredi, Act 1: Di tanti palpiti		—
88-13	Maometto II, Act 2: Terzetto: "In questi estremi istanti" (Calbo, Anna, Erisso)		—
88-14	I Capuleti e i Montecchi: Eccomi in lieta vesta, Act 1: Lieto del dolce incarco		—
88-15	I Capuleti e i Montecchi: Eccomi in lieta vesta, Act 1: Ascolta, se Romeo t'uccise		—
88-16	I Capuleti e i Montecchi: Eccomi in lieta vesta, Act 1: Riedi al campo		—
88-17	I Capuleti e i Montecchi: Eccomi in lieta vesta, Act 1: La tremenda ultrice spada		—
88-18	L'assedio di Calais, Act 2: Io l'udia chiarmarmi a nome		—
88-19	L'assedio di Calais, Act 2: Suon tremendo!		—
88-20	L'assedio di Calais, Act 2: La speme un dolce palpito		—
89-1	La Création : Première Partie : Le Premier Jour: 1. Die Vorstellung des Chaos (Largo)	Berliner Philharmoniker, Herbert von Karajan	T-001.322.740-1
89-2	La Création : Première Partie : Le Premier Jour: Récitatif avec chœur : « Im Anfange schuf Gott Himmel und Erde »	Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan	—
89-3	La Création : Première Partie : Le Premier Jour: 2. Air avec chœur (Andante – Allegro moderato) : « Nun schwanden vor dem heiligen Strahle »	Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan	—
89-4	Die Schöpfung: Erster Teil. Der Zweite Tag. 3. Rezitativ "Und Gott machte das Firmament" (Raphael)	Berliner Philharmoniker, Herbert von Karajan	—
89-5	Die Schöpfung: Erster Teil. Der Zweite Tag. 4. Sopran-Solomit Chor "Mit Staunen sieht das Wunderwerk" (Gabriel, Chor)	Berliner Philharmoniker, Herbert von Karajan	—
89-6	Die Schöpfung: Erster Teil. Der Dritte Tag. 5. Rezitativ "Und Gott sprach; Es sammle sich das Wasser" (Raphael)	Berliner Philharmoniker, Herbert von Karajan	—
89-7	La Création : Première Partie : Le Troisième Jour: 6. Air (Allegro assai) « Rollend in schäumenden Wellen »	Walter Berry, Berliner Philharmoniker, Herbert von Karajan	—
89-8	Die Schöpfung: Erster Teil. Der Dritte Tag. 7. Rezitativ "Und Gott sprach; Es bringe die Erde Gras hervor" (Gabriel)	Berliner Philharmoniker, Herbert von Karajan	—
89-9	La Création : Première Partie : Le Troisième Jour: 8. Air (Andante) : « Nun beut die Flur das frische Grün »	Berliner Philharmoniker, Herbert von Karajan	—
89-10	Die Schöpfung: Erster Teil. Der Dritte Tag. 9. Rezitativ "Und die himmlischen Heerscharen verkündigten" (Uriel)	Berliner Philharmoniker, Herbert von Karajan	—
89-11	Die Schöpfung: Erster Teil. Der Dritte Tag. 10. Chor "Stimmt an die Saiten" (Chor)	Berliner Philharmoniker, Herbert von Karajan	—
89-12	Die Schöpfung: Erster Teil. Der Vierte Tag. 11. Rezitativ "Und Gott sprach: Es sei'n Lichter an der Feste des Himmels" (Uriel)	Berliner Philharmoniker, Herbert von Karajan	—
89-13	La Création : Première Partie : Le Quatrième Jour: 12. Récitatif (Andante allegro) : « In vollem Glanze steiget jetzt »	Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan	—
89-14	La Création : Première Partie : Le Quatrième Jour: 13. Chœur avec soliste (Allegro) : « Die Himmel erzählen die Ehre Gottes »	Wiener Singverein, Walter Berry, Gundula Janowitz, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan	—
89-15	Die Schöpfung: Zweiter Teil. Der Fünfte Tag. 14. Rezitativ "Und Gott sprach; Es bringe das Wasser in der Fülle hervor" (Gabriel)	Berliner Philharmoniker, Herbert von Karajan	—
89-16	Die Schöpfung: Zweiter Teil. Der Fünfte Tag. 15. Arie "Auf starkem Fittiche" (Gabriel)	Berliner Philharmoniker, Herbert von Karajan	—
89-17	Die Schöpfung: Zweiter Teil. Der Fünfte Tag. 16. Rezitativ "Und Gott schuf grosse Walfische" (Raphael)	Berliner Philharmoniker, Herbert von Karajan	—
89-18	Die Schöpfung: Zweiter Teil. Der Fünfte Tag. 17. Rezitativ "Und die Engel rührten ihr" (Raphael)	Berliner Philharmoniker, Herbert von Karajan	—
89-19	Die Schöpfung, Hob. XXI:2, Zweiter Teil: 1VIII. Terzett: in holder Anmut stehn		—
89-20	Die Schöpfung, Hob. XXI:2, Zweiter Teil: 1IX. Chor mit Soli: Der Herr ist groß in seiner Macht		—
90-1	Die Schöpfung: Zweiter Teil. Der Sechste Tag. 20. Rezitativ "Und Gott sprach; Es bringe die erde hervor lebende Geschöpfe" (Raphael)	Berliner Philharmoniker, Herbert von Karajan	—
90-2	La Création : Deuxième Partie : Le Sixième Jour: 21. Récitatif (Presto – Andante – Adagio) « Gleich öffnet sich der Erde Schoss »	Walter Berry, Berliner Philharmoniker, Herbert von Karajan	—
90-3	La Création : Deuxième Partie : Le Sixième Jour: 22. Air (Maestoso): « Nun scheint in vollen Glanze der Himmel »	Walter Berry, Berliner Philharmoniker, Herbert von Karajan	—
90-4	Die Schöpfung: Zweiter Teil. Der Sechste Tag. 23. Rezitativ "Und Gott schuf den Menschen nach seinem" (Uriel)	Berliner Philharmoniker, Herbert von Karajan	—
90-5	La Création : Deuxième Partie : Le Sixième Jour: 24. Air (Andante): « Mit Würd und Hoheit angetan »	Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan	—
90-6	Die Schöpfung: Zweiter Teil. Der Sechste Tag. 25. Rezitativ "Und Gott sah jedes Ding" (Raphael)	Berliner Philharmoniker, Herbert von Karajan	—
90-7	La Création : Deuxième Partie : Le Sixième Jour: 26. Chœur (Vivace): « Vollendet ist das grosse Werk » / 27. Trio (Poco adagio): « Zu Dir o Herr, blickt alles auf » / 28. Chœur: « Vollendet ist das grosse Werke »	Walter Berry, Gundula Janowitz, Werner Krenn, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan	—
90-8	Die Schöpfung: Dritter Teil. 29. Orchestereinleitung (Largo) und Rezitativ "Aus Rosenwolken bricht" (Uriel)	Berliner Philharmoniker, Herbert von Karajan	—
90-9	Die Schöpfung: Dritter Teil. 30. Duett mit Chor "Von deiner Güt, o Herr und Gott" (Eva, Adam, Chor)	Berliner Philharmoniker, Herbert von Karajan	—
90-10	Die Schöpfung: Dritter Teil. 31. Rezitativ "Nun ist die erste Pflicht erfüllt" (Adam, Eva)	Berliner Philharmoniker, Herbert von Karajan	—
90-11	La Création : Troisième Partie: 32. Duo (Adagio – Allegro) : « Holde Gattin, dir zur Seite »	Dietrich Fischer-Dieskau, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan	—
90-12	Die Schöpfung: Dritter Teil. 33. Rezitativ "O glücklich Paar" (Uriel)	Berliner Philharmoniker, Herbert von Karajan	—

Symphony no. 5 in C minor, op. 67: I. Allegro con brio

Berliner Philharmoniker, Artúr Nikisch

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Symphony no. 5 in C minor, op. 67: II. Andante con moto

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Symphony no. 5 in C minor, op. 67: III. Allegro

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Symphony no. 5 in C minor, op. 67: IV. Allegro

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Le carnaval romain, op. 9, H 95

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Parsifal, WWV 111, Act 1: Prelude

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Parsifal, WWV 111, Act 1: Verwandlungsmusik

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Parsifal, WWV 111, Act 3: Verwandlungsmusik

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Parsifal, WWV 111, Act 3: Karfreitagszauber

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The Hebrides, op. 26: "Fingal's Cave": Overture

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Symphony no. 7 in A major, op. 92: IV. Allegro con brio

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Coriolan Overture, op. 62

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6 German Dances, K. 600: no. 2 in F

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Cavalleria rusticana: Intermezzo sinfonico

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Visione lirica

—

Aida, Act 2: Ballet Music

—

Siegfried, WWV 86C, Act 2: Waldweben

—

Salome, op. 54, TrV 215, Scene 4: Salome's Dance of the Seven Veils

—

Iphigénie en Aulide, Wq 40: Overture

—

Euryanthe, op. 81, J. 291: Overture

—

Má Vlast, JB1:112: II. Vltava

—

Die Walküre, WWV 86B, Act 3: The Ride of the Valkyries

—

Symphony no. 7 in E major, WAB 107: IV. Finale (Bewegt, doch nicht schnell)

—

Das Herz, op. 39: Love Theme. Sehr ruhig, lieblich (Molto tranquillo, dolce)

—

Music To Goethe's Tragedy "Egmont", op. 84: Overture

—

Brandenburg Concerto no. 5 in D Bwv 1050

—

Der Freischütz, op. 77, J. 277: Overture

—

Symphony no. 2 in C major, op. 61: III. Adagio espressivo

—

Symphony no. 3 in E-Flat major, op. 55 "Eroica": I. Allegro con brio

—

Roman Festivals, P. 157: I. Circenses

—

Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino): Presto ma non assai

—

Symphony no. 91 in E-Flat major, Hob.I:91: IV. Finale (Vivace)

Berliner Philharmoniker, Viscount Hidemaro Konoye

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Night on Bald Mountain

—

Die lustigen Weiber von Windsor: Overture

—

The Bartered Bride, JB 1:100: Overture

—

Japanische Festmusik, op. 84, TrV 277: Allegro moderato: Allegro - Allegro maestoso

—

Der Zigeunerbaron, Act 1: Overture

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Allegro symphonique

—

Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto

Berliner Philharmoniker, Wilhelm Furtwängler

—

Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto

Berliner Philharmoniker, Wilhelm Furtwängler

—

Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto

Berliner Philharmoniker, Wilhelm Furtwängler

—

Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto

Berliner Philharmoniker, Wilhelm Furtwängler

—

Symphony in G major, Hob. I:88: I. Adagio - Allegro

Berliner Philharmoniker, Wilhelm Furtwängler

—

Symphony in G major, Hob. I:88: II. Largo

Berliner Philharmoniker, Wilhelm Furtwängler

—

Symphony in G major, Hob. I:88: III. Menuetto

Berliner Philharmoniker, Wilhelm Furtwängler

T-902.876.200-7

Symphony No. 88 in G major, Hob I/88: IV. Finale (Allegro con spirito)

Berliner Philharmoniker, Wilhelm Furtwängler

T-318.676.528-2

Sinfonie Nr. 9 d-moll: I. Feierlich, misterioso

Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum

—

Sinfonie Nr. 9 d-moll: II. Scherzo. Bewegt, lebhaft

Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum

—

Sinfonie Nr. 9 d-moll: III. Adagio. Langsam, feierlich

Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum

—

Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio – Allegro molto

Berliner Philharmoniker, Ferenc Fricsay

—

Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo

Berliner Philharmoniker, Ferenc Fricsay

T-902.286.256-2

Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo. Molto vivace

Berliner Philharmoniker, Ferenc Fricsay

T-902.876.200-7

Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco

Berliner Philharmoniker, Ferenc Fricsay

—

Die Moldau

Berliner Philharmoniker, Ferenc Fricsay

T-922.052.943-1

Les Préludes

Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

—

Symphony no. 6 in B minor, op. 74, TH 30: "Pathétique": I. Adagio - Allegro non troppo

—

Symphony no. 6 in B minor, op. 74, TH 30: "Pathétique": II. Allegro con grazia

—

Symphony no. 6 in B minor, op. 74, TH 30: "Pathétique": III. Allegro molto vivace

—

Symphony no. 6 in B minor, op. 74, TH 30: "Pathétique": IV. Finale (Adagio lamentoso - Andante)

—

Symphonie no. 39 Es‐Dur, KV 543: I. Adagio – Allegro

Berliner Philharmoniker, Karl Böhm

—

Symphonie no. 39 Es‐Dur, KV 543: I. Adagio – Allegro

Berliner Philharmoniker, Karl Böhm

—

Symphonie no. 39 Es‐Dur, KV 543: I. Adagio – Allegro

Berliner Philharmoniker, Karl Böhm

—

Symphonie no. 39 Es‐Dur, KV 543: I. Adagio – Allegro

Berliner Philharmoniker, Karl Böhm

—

Symphonie no. 40 g‐Moll, KV 550: I. Molto allegro

Berliner Philharmoniker, Karl Böhm

—

Symphonie no. 40 g‐Moll, KV 550: I. Molto allegro

Berliner Philharmoniker, Karl Böhm

—

Symphonie no. 40 g‐Moll, KV 550: I. Molto allegro

Berliner Philharmoniker, Karl Böhm

—

Symphonie no. 40 g‐Moll, KV 550: I. Molto allegro

Berliner Philharmoniker, Karl Böhm

—

Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio

Berliner Philharmoniker, Karl Böhm

—

Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio

Berliner Philharmoniker, Karl Böhm

—

Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio

Berliner Philharmoniker, Karl Böhm

—

Symphonie no. 41 C‐Dur, KV 551 »Jupiter Symphonie«: III. Menuetto. Allegretto – Trio

Berliner Philharmoniker, Karl Böhm

—

Symphonie fantastique, op. 14: I. Rêveries – Passions

Orchestre Lamoureux, Igor Markevitch

—

Symphonie fantastique, op. 14: II. Un bal

Orchestre Lamoureux, Igor Markevitch

—

Symphonie fantastique, op. 14: III. Scène aux champs

Orchestre Lamoureux, Igor Markevitch

—

Symphonie fantastique, op. 14: IV. Marche au supplice

Orchestre Lamoureux, Igor Markevitch

—

Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat

Orchestre Lamoureux, Igor Markevitch

—

Anacréon: Ouverture

Orchestre Lamoureux, Igor Markevitch

—

La Muette de Portici: Ouverture

Orchestre Lamoureux, Igor Markevitch

—

Overture, op. 62 "Coriolan": Allegro con brio

Berliner Philharmoniker, Herbert von Karajan

T-909.574.378-5

Symphonie No. 9 d-Moll op. 125: 4. Presto

Berliner Philharmoniker, Herbert von Karajan

—

Symphonie No. 9 d-Moll op. 125: 4. Presto

Berliner Philharmoniker, Herbert von Karajan

—

Symphonie No. 9 d-Moll op. 125: 4. Presto

Berliner Philharmoniker, Herbert von Karajan

—

Symphonie No. 9 d-Moll op. 125: 4. Presto

Berliner Philharmoniker, Herbert von Karajan

—

Symphonie No. 9 d-Moll op. 125: 4. Presto

Berliner Philharmoniker, Herbert von Karajan

—

Symphonie no. 1 D-dur: IV. Stürmisch bewegt

Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík

T-900.953.062-5

Lieder eines fahrenden Gesellen: 1. Wenn mein Schatz Hochzeit macht

Dietrich Fischer-Dieskau, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík

—

Lieder eines fahrenden Gesellen: 2. Ging heut Morgen übers Feld

Dietrich Fischer-Dieskau, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík

—

Lieder eines fahrenden Gesellen: 3. Ich hab ein glühend Messer

Dietrich Fischer-Dieskau, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík

—

Lieder eines fahrenden Gesellen: 4. Die zwei blauen Augen

Dietrich Fischer-Dieskau, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík

—

Also sprach Zarathustra: 3. Von der großen Sehnsucht

Boston Symphony Orchestra, William Steinberg

—

Also sprach Zarathustra: 3. Von der großen Sehnsucht

Boston Symphony Orchestra, William Steinberg

—

Also sprach Zarathustra: 3. Von der großen Sehnsucht

Boston Symphony Orchestra, William Steinberg

—

Also sprach Zarathustra: 3. Von der großen Sehnsucht

Boston Symphony Orchestra, William Steinberg

—

Also sprach Zarathustra: 3. Von der großen Sehnsucht

Boston Symphony Orchestra, William Steinberg

—

Also sprach Zarathustra: 3. Von der großen Sehnsucht

Boston Symphony Orchestra, William Steinberg

—

Also sprach Zarathustra: 3. Von der großen Sehnsucht

Boston Symphony Orchestra, William Steinberg

—

Also sprach Zarathustra: 3. Von der großen Sehnsucht

Boston Symphony Orchestra, William Steinberg

—

Also sprach Zarathustra: 3. Von der großen Sehnsucht

Boston Symphony Orchestra, William Steinberg

—

The Planets, op. 32: 1. Mars, the Bringer of War

Boston Symphony Orchestra, William Steinberg

T-923.663.725-5

The Planets, op. 32: 2. Venus, the Bringer of Peace

Boston Symphony Orchestra, William Steinberg

—

The Planets, op. 32: 3. Mercury, the Winged Messenger

Boston Symphony Orchestra, William Steinberg

—

The Planets, op. 32: 4. Jupiter, the Bringer of Jollity

Boston Symphony Orchestra, William Steinberg

T-101.257.909-6

The Planets, op. 32: 5. Saturn, the Bringer of Old Age

Boston Symphony Orchestra, William Steinberg

—

The Planets, op. 32: 6. Uranus, the Magician

Boston Symphony Orchestra, William Steinberg

—

The Planets, op. 32: 7. Neptune, the Mystic

Lorna Cooke deVaron, New England Conservatory Chorus, Boston Symphony Orchestra, William Steinberg

—

Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro

Wiener Philharmoniker, Carlos Kleiber

—

Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro

Wiener Philharmoniker, Carlos Kleiber

—

Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro

Wiener Philharmoniker, Carlos Kleiber

—

Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro

Wiener Philharmoniker, Carlos Kleiber

—

Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace

Wiener Philharmoniker, Carlos Kleiber

—

Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace

Wiener Philharmoniker, Carlos Kleiber

—

Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace

Wiener Philharmoniker, Carlos Kleiber

—

Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace

Wiener Philharmoniker, Carlos Kleiber

—

Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 1. Adagio – Allegro moderato – Poco adagio

Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim

—

Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 1. Adagio – Allegro moderato – Poco adagio

Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim

—

Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 1. Adagio – Allegro moderato – Poco adagio

Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim

—

Samson et Dalila : Acte III. Tableau 2: Ballet (Bacchanale)

Orchestre de Paris, Daniel Barenboim

T-926.158.921-3

Le Déluge, op. 45: Prélude: Adagio – Andante sostenuto – Andantino

Orchestre de Paris, Daniel Barenboim

T-329.459.157-0

Danse macabre, op. 40

Luben Yordanoff, Orchestre de Paris, Daniel Barenboim

T-003.008.160-7

La Mer: III. Dialogue du vent et de la mer. Animé

Los Angeles Philharmonic, Carlo Maria Giulini

—

La Mer: III. Dialogue du vent et de la mer. Animé

Los Angeles Philharmonic, Carlo Maria Giulini

—

La Mer: III. Dialogue du vent et de la mer. Animé

Los Angeles Philharmonic, Carlo Maria Giulini

—

Ma mère l'Oye, M. 60: I. Pavane de la Belle au bois dormant

—

Ma mère l'Oye, M. 60: II. Petit Poucet

—

Ma mère l'Oye, M. 60: III. Laideronnette, impératrice des Pagodes

—

Ma mère l'Oye, M. 60: IV. Les entretiens de la Belle et de la Bête

—

Ma mère l'Oye, M. 60: V. Le jardin féerique

—

Rapsodie espagnole, M. 54: I. Prélude à la nuit

—

Rapsodie espagnole, M. 54: II. Malagueña

—

Rapsodie espagnole, M. 54: III. Habanera

—

Rapsodie espagnole, M. 54: IV. Feria

—

Eine Alpensinfonie, op. 64: I. Nacht

David Bell, Berliner Philharmoniker, Herbert von Karajan

—

Eine Alpensinfonie, op. 64: II. Sonnenaufgang

David Bell, Berliner Philharmoniker, Herbert von Karajan

T-802.713.366-1

Eine Alpensinfonie, op. 64: III. Der Anstieg

David Bell, Berliner Philharmoniker, Herbert von Karajan

—

Eine Alpensinfonie, op. 64: IV. Eintritt in den Wald

David Bell, Berliner Philharmoniker, Herbert von Karajan

—

Eine Alpensinfonie, op. 64: V. Wanderung neben dem Bache

David Bell, Berliner Philharmoniker, Herbert von Karajan

—

Eine Alpensinfonie, op. 64: VI. Am Wasserfall

David Bell, Berliner Philharmoniker, Herbert von Karajan

—

Eine Alpensinfonie, op. 64: VII. Erscheinung

David Bell, Berliner Philharmoniker, Herbert von Karajan

—

Eine Alpensinfonie, op. 64: VIII. Auf blumige Wiesen

David Bell, Berliner Philharmoniker, Herbert von Karajan

—

Eine Alpensinfonie, op. 64: IX. Auf der Alm

David Bell, Berliner Philharmoniker, Herbert von Karajan

—

Eine Alpensinfonie, op. 64: X. Durch Dickicht und Gestrüpp auf Irrwegen

David Bell, Berliner Philharmoniker, Herbert von Karajan

—

Eine Alpensinfonie, op. 64: XI. Auf dem Gletscher

David Bell, Berliner Philharmoniker, Herbert von Karajan

T-900.798.623-4

Eine Alpensinfonie, op. 64: XII. Gefahrvolle Augenblicke

David Bell, Berliner Philharmoniker, Herbert von Karajan

—

Eine Alpensinfonie, op. 64: XIII. Auf dem Gipfel

David Bell, Berliner Philharmoniker, Herbert von Karajan

—

Eine Alpensinfonie, op. 64: XIV. Vision

David Bell, Berliner Philharmoniker, Herbert von Karajan

—

Eine Alpensinfonie, op. 64: XV. Nebel steigen auf

David Bell, Berliner Philharmoniker, Herbert von Karajan

—

Eine Alpensinfonie, op. 64: XVI. Die Sonne verdüstert sich allmählich

David Bell, Berliner Philharmoniker, Herbert von Karajan

—

Eine Alpensinfonie, op. 64: XVII. Elegie

David Bell, Berliner Philharmoniker, Herbert von Karajan

T-000.611.993-2

Eine Alpensinfonie, op. 64: XVIII. Stille vor dem Sturm

David Bell, Berliner Philharmoniker, Herbert von Karajan

—

Eine Alpensinfonie, op. 64: XIX. Gewitter und Sturm, Abstieg

David Bell, Berliner Philharmoniker, Herbert von Karajan

—

Eine Alpensinfonie, op. 64: XX. Sonnenuntergang

David Bell, Berliner Philharmoniker, Herbert von Karajan

—

Eine Alpensinfonie, op. 64: XXI. Ausklang

David Bell, Berliner Philharmoniker, Herbert von Karajan

—

Eine Alpensinfonie, op. 64: XXII. Nacht

David Bell, Berliner Philharmoniker, Herbert von Karajan

—

Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam

Wiener Philharmoniker, Leonard Bernstein

—

Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam

Wiener Philharmoniker, Leonard Bernstein

—

Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam

Wiener Philharmoniker, Leonard Bernstein

—

Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam

Wiener Philharmoniker, Leonard Bernstein

—

Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam

Wiener Philharmoniker, Leonard Bernstein

—

Appalachian Spring, 1945 Suite: Very slowly-Allegro-Moderato-Fast-More deliberate tempo-Molto moderato-Allegro-Presto-Meno mosso-As at first(slowly)-Doppio movimento-A trifle slower-Broadly

—

Short Symphony (no. 2): I. Tempo = 144 (incisivo)

—

Short Symphony (no. 2): II. Tempo = circa 44

—

Short Symphony (no. 2): III. Tempo = 144 (preciso e ritmico)

—

Quiet City for Cor Anglais, Trumpet and Strings: Slow: Slower - Largamente - Tempo I

—

Three Latin American Sketches: I. Estribillo (Bold,-sharply accented)

—

Three Latin American Sketches: II. Paisaje Mexicano(Soft and sad, in a moderate tempo)

—

Three Latin American Sketches: III. Danza de Jalisco (Lively and fast)

—

Turangalîla-Symphonie: Introduction. Modéré, un peu vif

Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung

T-003.017.772-0

Turangalîla-Symphonie: Chant d'amour 1. Modéré, lourd

Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung

T-003.017.772-0

Turangalîla-Symphonie: Turangalîla 1. Presque lent, rêveur

Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung

T-003.017.772-0

Turangalîla-Symphonie: Chant d'amour 2. Bien modéré

Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung

T-003.017.772-0

Turangalîla-Symphonie: Joie du sang des étoiles. Vif, passionné, avec joie

Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung

T-003.017.772-0

Turangalîla-Symphonie: Jardin du sommeil d'amour. Très modéré, très tendre

Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung

T-003.017.772-0

Turangalîla-Symphonie: Turangalîla 2. Un peu vif - bien modéré

Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung

T-003.017.772-0

Turangalîla-Symphonie: Développement de l'amour. Bien modéré

Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung

T-003.017.772-0

Turangalîla-Symphonie: Turangalîla 3. Bien modéré

Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung

T-003.017.772-0

Turangalîla‐Symphonie: Final. Modéré, presque vif, avec une grande joie

Jeanne Loriod, Yvonne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung

T-003.017.772-0

Pétrouchka: First Tableau

The Cleveland Orchestra, Pierre Boulez

—

Pétrouchka: Second Tableau

The Cleveland Orchestra, Pierre Boulez

—

Pétrouchka: Third Tableau

The Cleveland Orchestra, Pierre Boulez

—

Pétrouchka: Fourth Tableau

The Cleveland Orchestra, Pierre Boulez

—

The Rite of Spring: I. The Adoration of the Earth

The Cleveland Orchestra, Pierre Boulez

T-070.257.887-7

The Rite of Spring: II. The Sacrifice

The Cleveland Orchestra, Pierre Boulez

T-070.257.887-7

Symphony in D minor, FWV 48: I. Lento: Allegro ma non troppo - Allegro

Boston Symphony Orchestra, Seiji Ozawa

T-312.184.211-9

Symphony in D minor, FWV 48: II. Allegretto

Boston Symphony Orchestra, Seiji Ozawa

T-312.184.211-9

Symphony in D minor, FWV 48: III. Allegro non troppo

Boston Symphony Orchestra, Seiji Ozawa

T-312.184.211-9

Concerto in G minor for Organ, Strings and Timpani: I. Andante - Allegro giocoso

Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa

T-070.126.537-3

Concerto in G minor for Organ, Strings and Timpani: II. Subito andante moderato

Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa

T-003.007.872-8

Concerto in G minor for Organ, Strings and Timpani: III. Tempo allegro, molto agitato - Très calme, lent - Tempo de l'allegro initial - Tempo introduction: Largo

Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa

T-003.007.872-8

Tannhäuser, WWV 70: Overture

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Parsifal, WWV 111: Prelude

—

Parsifal, WWV 111, Suite: Compiled By Claudio Abbado: Karfreitagszauber

—

Parsifal, WWV 111, Suite: Compiled By Claudio Abbado: Sehr ruhig, ohne Dehnung (ciff. 4)

—

Parsifal, WWV 111, Suite: Compiled By Claudio Abbado: Langsam: Glockengeläute

—

Parsifal, WWV 111, Suite: Compiled By Claudio Abbado: Breit (ciff. 287)

—

Tristan und Isolde, WWV 90, Concert version: Prelude

—

Tristan und Isolde, WWV 90, Concert version: Liebestod

—

A Midsummer Night's Dream, op. 21: Overture

—

Euryanthe, op. 81, J. 291: Overture

—

Oberon, J. 306: Overture

—

The Hebrides, op. 26: "Fingal's Cave": Allegro moderato

—

Die lustigen Weiber von Windsor: Overture

—

Hans Heiling, op. 80: Overture

—

Rienzi, WWV 49: Overture

—

Pictures at an Exhibition: Promenade I

Wiener Philharmoniker, Gustavo Dudamel

T-303.792.647-5

Pictures at an Exhibition: Gnomus

Wiener Philharmoniker, Gustavo Dudamel

—

Pictures at an Exhibition: Promenade II

Wiener Philharmoniker, Gustavo Dudamel

T-900.140.545-4

Pictures at an Exhibition: The Old Castle

Wiener Philharmoniker, Gustavo Dudamel

—

Pictures at an Exhibition: Promenade III

Wiener Philharmoniker, Gustavo Dudamel

—

Pictures at an Exhibition: Tuileries Gardens

Wiener Philharmoniker, Gustavo Dudamel

—

Pictures at an Exhibition: Bydlo

Wiener Philharmoniker, Gustavo Dudamel

—

Pictures at an Exhibition: Promenade IV

Wiener Philharmoniker, Gustavo Dudamel

T-900.107.356-9

Pictures at an Exhibition: Ballet of the Unhatched Chicks

Wiener Philharmoniker, Gustavo Dudamel

—

Pictures at an Exhibition: Samuel Goldenberg Und Schmuÿle

Wiener Philharmoniker, Gustavo Dudamel

—

Pictures at an Exhibition: The Market at Limoges

Wiener Philharmoniker, Gustavo Dudamel

—

Pictures at an Exhibition: Catacombae (Sepulchrum Romanum)

Wiener Philharmoniker, Gustavo Dudamel

—

Pictures at an Exhibition: Cum Mortuis in Lingua Mortua

Wiener Philharmoniker, Gustavo Dudamel

—

Pictures at an Exhibition: The Hut on Chicken's Legs

Wiener Philharmoniker, Gustavo Dudamel

—

Pictures at an Exhibition: The Great Gate of Kiev

Wiener Philharmoniker, Gustavo Dudamel

T-061.792.492-1

Night on Bald Mountain

Wiener Philharmoniker, Gustavo Dudamel

—

Swan Lake Suite, op. 20a: Scéne: II. Waltz

Wiener Philharmoniker, Gustavo Dudamel

T-910.950.463-4

Symphony no. 4 in A major, op. 90, MWV N 16, "Italian": I. Allegro vivace

—

Symphony no. 4 in A major, op. 90, MWV N 16, "Italian": II. Andante con moto

—

Symphony no. 4 in A major, op. 90, MWV N 16, "Italian": III. Menuetto. Con moto moderato

—

Symphony no. 4 in A major, op. 90, MWV N 16, "Italian": IV. Saltarello. Presto

—

Symphony no. 5 in D minor, op. 107, MWV N 15: "Reformation": I. Andante - Allegro con fuoco

—

Symphony no. 5 in D minor, op. 107, MWV N 15: "Reformation": II. Allegro vivace

—

Symphony no. 5 in D minor, op. 107, MWV N 15: "Reformation": 3a. Andante

—

Symphony no. 5 in D minor, op. 107, MWV N 15: "Reformation": 3b. Recitative

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Symphony no. 5 in D minor, op. 107, MWV N 15: "Reformation": IV. Chorale: "Ein feste Burg ist unser Gott" - Allegro vivace - Allegro maestoso

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Lohengrin: Prelude

Gewandhausorchester Leipzig, Andris Nelsons

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Symphony no. 4 in E-flat major “Romantic”, WAB 104: 1. Bewegt, nicht zu schnell

Gewandhausorchester Leipzig, Andris Nelsons

T-911.362.261-0

Symphony no. 4 in E-flat major “Romantic”, WAB 104: 2. Andante quasi allegretto

Gewandhausorchester Leipzig, Andris Nelsons

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Piano Concerto no. 1 in E minor, op. 11: III. Rondo (Vivace)

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Violin Concerto in D major: I. Toccata

—

Violin Concerto in D major: II. Aria I

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Violin Concerto in D major: III. Aria II

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Violin Concerto in D major: IV. Capriccio

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Piano Concerto no. 2 in B-flat Opus 83

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Concert-Rondo in D K382

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Piano Concerto no. 20 in D minor, K. 466: III. Rondo (Allegro assai)

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Cello Concerto in A minor, op. 129: III. Sehr lebhaft

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Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel (Allegro moderato)

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Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto

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Piano Concerto no. 2 in C minor, op. 18: I. Moderato

Sviatoslav Richter, Warsaw Philharmonic Orchestra, Stanisław Wisłocki

T-902.685.630-4

Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto

Sviatoslav Richter, Warsaw Philharmonic Orchestra, Stanisław Wisłocki

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Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando

Sviatoslav Richter, Warsaw Philharmonic Orchestra, Stanisław Wisłocki

T-071.926.821-9

Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco

Sviatoslav Richter, Wiener Symphoniker, Herbert von Karajan

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Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco

Sviatoslav Richter, Wiener Symphoniker, Herbert von Karajan

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Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco

Sviatoslav Richter, Wiener Symphoniker, Herbert von Karajan

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Cello Concerto in D minor: I. Prélude: Lento-Allegro maestoso

Pierre Fournier, Orchestre Lamoureux, Jean Martinon

T-307.241.800-5

Cello Concerto in D minor: II. Intermezzo: Andantino con moto-Allegro presto

Pierre Fournier, Orchestre Lamoureux, Jean Martinon

T-307.241.800-5

Cello Concerto in D minor: III. Andante-Allegro vivace

Pierre Fournier, Orchestre Lamoureux, Jean Martinon

T-307.241.800-5

Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo

Pierre Fournier, Orchestre Lamoureux, Jean Martinon

—

Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto

Pierre Fournier, Orchestre Lamoureux, Jean Martinon

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Cello Concerto no. 1 in A minor, op. 33: III. Un peu moins vite

Pierre Fournier, Orchestre Lamoureux, Jean Martinon

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Kol Nidrei, op. 47 (Adagio nach hebräischen Melodien für Violoncello und Orchester): Adagio ma non troppo - Un poco più animato

Pierre Fournier, Orchestre Lamoureux, Jean Martinon

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Schelomo (Hebräische Rhapsodie für Violoncello und Orchester): Lento moderato - Andante moderato - Allegro moderato - Allegro - Andante moderato

Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein

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Concerto for violin, strings and continuo in A minor, BWV 1041: II. Andante

David Oistrakh, Wiener Symphoniker

—

Concerto for violin, strings and continuo in A minor, BWV 1041: II. Andante

David Oistrakh, Wiener Symphoniker

—

Concerto for violin, strings and continuo in A minor, BWV 1041: II. Andante

David Oistrakh, Wiener Symphoniker

—

Concerto for violin, strings and continuo in E major, BWV 1042: II. Adagio

David Oistrakh, Wiener Symphoniker

—

Concerto for violin, strings and continuo in E major, BWV 1042: II. Adagio

David Oistrakh, Wiener Symphoniker

—

Concerto for violin, strings and continuo in E major, BWV 1042: II. Adagio

David Oistrakh, Wiener Symphoniker

—

Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: I. Vivace

David Oistrakh, Igor Oistrakh, Royal Philharmonic Orchestra, Sir Eugene Goossens

T-011.154.974-6

Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: II. Largo Ma Non Tanto

George Malcolm, David Oistrakh, Igor Oistrakh, Royal Philharmonic Orchestra, Sir Eugene Goossens

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Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: III. Allegro

David Oistrakh, Igor Oistrakh, Royal Philharmonic Orchestra, Sir Eugene Goossens

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Romanze für Violine und Orchester no. 1 in G-Dur, op. 40

David Oistrakh, Royal Philharmonic Orchestra, Eugene Goossens

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Violin-Romanze Nr. 2 F-Dur op. 50

David Oistrach, Royal Philharmonic Orchestra, Sir Eugene Goossens

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Violin Concerto no. 1 in B-flat major, K. 207, Cadenza by Wolfgang Schneiderhan: I. Allegro moderato

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Violin Concerto no. 1 in B-flat major, K. 207, Cadenza by Wolfgang Schneiderhan: II. Adagio

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Violin Concerto no. 1 in B-flat major, K. 207, Cadenza by Wolfgang Schneiderhan: III. Presto

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Violin Concerto no. 2 in D major, K. 211, Cadenza by Wolfgang Schneiderhan: I. Allegro moderato

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Violin Concerto no. 2 in D major, K. 211, Cadenza by Wolfgang Schneiderhan: II. andante

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Violin Concerto no. 2 in D major, K. 211, Cadenza by Wolfgang Schneiderhan: III. Rondeau. Allegro

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Adagio for Violin and Orchestra in E, K. 261: Cadenza: Wolfgang Schneiderhan

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Rondo for Violin and Orchestra in B-flat major, K. 269: Allegro

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Rondo For Violin and Orchestra in C, K. 373

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Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante

Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado

—

Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante

Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado

—

Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante

Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado

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Konzert für Violine und Orchester e-Moll, Op. 64: I. Allegro molto appassionato

Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado

—

Konzert für Violine und Orchester e-Moll, Op. 64: I. Allegro molto appassionato

Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado

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Konzert für Violine und Orchester e-Moll, Op. 64: I. Allegro molto appassionato

Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado

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Concerto for Piano no. 20 in D minor, K. 466: II. Romanze

Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado

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Concerto for Piano no. 20 in D minor, K. 466: II. Romanze

Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado

—

Concerto for Piano no. 20 in D minor, K. 466: II. Romanze

Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado

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Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro

Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado

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Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro

Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado

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Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro

Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado

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Cellokonzert Nr. 2: I. Allegro

Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher

—

Cellokonzert Nr. 2: II. Adagio

Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher

T-802.445.410-3

Cellokonzert Nr. 2: III. Allegro

Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher

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Cello Concerto in C major, RV 398: I. (Allegro)

Martin Derungs, Mstislav Rostropovich, Alexandre Stein, Collegium Musicum Zürich, Paul Sacher

T-911.640.004-5

Cello Concerto in C major, RV 398: II. (Largo)

Martin Derungs, Mstislav Rostropovich, Alexandre Stein, Collegium Musicum Zürich, Paul Sacher

T-801.397.798-6

Cello Concerto in C major, RV 398: III. (Allegro)

Martin Derungs, Mstislav Rostropovich, Alexandre Stein, Collegium Musicum Zürich, Paul Sacher

T-902.717.414-7

Cello Concerto in A major: I. (Allegro)

Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher

—

Cello Concerto in A major: II. (Larghetto)

Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher

—

Cello Concerto in A major: III. (Allegro assai)

Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher

T-306.395.786-4

Cello Concerto in G, R.413: I. (Allegro)

Martin Derungs, Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher

T-911.640.004-5

Cello Concerto in G, R.413: II. (Largo)

Martin Derungs, Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher

T-911.640.005-6

Cello Concerto in G, R.413: III. (Allegro)

Martin Derungs, Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher

T-902.717.414-7

Piano Concerto no. 1 in C major, op. 15, Cadenza: Ludwig van Beethoven: I. Allegro con brio: Cadenza: Ludwig van Beethoven

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Piano Concerto no. 1 in C major, op. 15, Cadenza: Ludwig van Beethoven: II. Largo

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Piano Concerto no. 1 in C major, op. 15, Cadenza: Ludwig van Beethoven: III. Rondo. Allegro: Cadenza: Ludwig van Beethoven

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Piano Concerto no. 3 in C minor, op. 37, Kadenz: Ludwig van Beethoven: I. Allegro con brio: Cadenza: Beethoven

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Piano Concerto no. 3 in C minor, op. 37, Kadenz: Ludwig van Beethoven: II. Largo

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Piano Concerto no. 3 in C minor, op. 37, Kadenz: Ludwig van Beethoven: III. Rondo (Allegro)

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Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 1. Maestoso — Poco più moderato

Maurizio Pollini, Wiener Philharmoniker, Karl Böhm

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Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 2. Adagio

Maurizio Pollini, Wiener Philharmoniker, Karl Böhm

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Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 3. Rondo. Allegro non troppo

Maurizio Pollini, Wiener Philharmoniker, Karl Böhm

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Concerto for Violoncello and Orchestra in B minor, op. 104: I. Allegro

Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein

T-007.303.107-8

Concerto for Violoncello and Orchestra in B minor, op. 104: II. Adagio, ma no troppo

Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein

—

Concerto for Violoncello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato

Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein

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Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft

Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein

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Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft

Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein

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Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft

Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein

—

Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 1. Allegro maestoso

Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa

—

Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 2. Quasi adagio – Allegretto vivace – Allegro animato

Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa

—

Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 3. Allegro marziale animato – Presto

Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa

—

Concerto for Piano and Orchestra no. 2 in A major, S. 125: 1. Adagio sostenuto assai - Allegro agitato assai -

Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman

—

Concerto for Piano and Orchestra no. 2 in A major, S. 125: 2. Allegro moderato - Allegro deciso -

Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman

—

Concerto for Piano and Orchestra no. 2 in A major, S. 125: 3. Marziale un poco meno allegro -

Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman

—

Concerto for Piano and Orchestra no. 2 in A major, S. 125: 4. Allegro animato - Stretto (molto accelerando)

Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman

—

Totentanz (Danse macabre)

Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman

—

Concerto for Clarinet in A major, K. 622: I. Allegro

Charles Neidich, Orpheus Chamber Orchestra

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Concerto for Clarinet in A major, K. 622: II. Adagio

Charles Neidich, Orpheus Chamber Orchestra

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Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro

Charles Neidich, Orpheus Chamber Orchestra

—

Konzert für Horn und Orchester no. 1 D-Dur, K. 386b/514: I. Allegro

David Jolley, Orpheus Chamber Orchestra

T-329.458.935-4

Konzert für Horn und Orchester no. 1 D-Dur, K. 386b/514: II. Rondo. Allegro

David Jolley, Orpheus Chamber Orchestra

T-329.458.935-4

Konzert für Horn und Orchester no. 4 Es-Dur, K. 495: I. Allegro maestoso

David Jolley, Orpheus Chamber Orchestra

T-900.137.696-1

Konzert für Horn und Orchester no. 4 Es-Dur, K. 495: II. Romanze. Andante cantabile

David Jolley, Orpheus Chamber Orchestra

T-900.137.696-1

Horn Concerto No. 4 in E flat, K. 495: III. Rondo (Allegro vivace)

David Jolley, Orpheus Chamber Orchestra

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Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: Più mosso – Animato

Yevgeny Kissin, Berliner Philharmoniker, Claudio Abbado

—

Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: Più mosso – Animato

Yevgeny Kissin, Berliner Philharmoniker, Claudio Abbado

—

Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: Più mosso – Animato

Yevgeny Kissin, Berliner Philharmoniker, Claudio Abbado

—

Concerto for Piano and Orchestra no. 3 in C major, op. 26: I. Andante – Allegro

Yevgeny Kissin, Berliner Philharmoniker, Claudio Abbado

—

Concerto for Piano and Orchestra no. 3 in C major, op. 26: I. Andante – Allegro

Yevgeny Kissin, Berliner Philharmoniker, Claudio Abbado

—

Concerto for Piano and Orchestra no. 3 in C major, op. 26: I. Andante – Allegro

Yevgeny Kissin, Berliner Philharmoniker, Claudio Abbado

—

Piano Concerto no. 1, op. 35: I. Allegro moderato

Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn

T-902.685.630-4

Piano Concerto no. 1, op. 35: II. Lento

Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn

—

Piano Concerto no. 1, op. 35: III. Moderato

Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn

—

Piano Concerto no. 1, op. 35: IV. Allegro con brio

Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn

—

Piano Concerto in D major, Hob.WVIII:11: I. Vivace

Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn

—

Piano Concerto in D major, Hob.WVIII:11: II. Un poco Adagio

Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn

—

Piano Concerto in D major, Hob.WVIII:11: III. Rondo all'Ungarese. Allegro assai

Martha Argerich, Jörg Faerber, Württembergisches Kammerorchester Heilbronn

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Konzert für Violine und Orchester D‐Dur op. 77: I. Allegro non troppo

Anne-Sophie Mutter, New York Philharmonic, Kurt Masur

T-902.764.002-4

Konzert für Violine und Orchester D‐Dur op. 77: II. Adagio

Anne-Sophie Mutter, Joseph Robinson, New York Philharmonic, Kurt Masur

T-304.292.274-3

Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto

Anne-Sophie Mutter, New York Philharmonic, Kurt Masur

—

Fantasy for Violin and Orchestra in C major, op. 131

Anne-Sophie Mutter, New York Philharmonic, Kurt Masur

—

Fantasia on an Ostinato

Hélène Grimaud

—

Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo - Allegro

Hélène Grimaud

T-310.769.687-3

Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio

Hélène Grimaud

T-310.769.687-3

Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto

Hélène Grimaud

T-310.769.687-3

Fantasia for Piano, Chorus and Orchestra in C minor, op. 80 "Choral Fantasy": I. Adagio

Sveriges Radios Symfoniorkester, Esa-Pekka Salonen, Radiokören, Hélène Grimaud

T-070.160.313-5

Fantasia for Piano, Chorus and Orchestra in C minor, op. 80 "Choral Fantasy": II. Finale: Allegro. Meno allegro. Allegro molto. Adagio ma non troppo. Marcia, assai vivace

Sveriges Radios Symfoniorkester, Esa-Pekka Salonen, Radiokören, Hélène Grimaud

T-802.445.410-3

Credo, for Piano, Chorus & Orchestra

Stefan Parkman, Radiokören, Hélène Grimaud, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen

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Violin Concerto no. 1, op. 77: I. Nocturne: Moderato

Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen

—

Violin Concerto no. 1, op. 77: II. Scherzo: Allegro

Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen

—

Violin Concerto no. 1, op. 77: III. Passacaglia: Andante - Cadenza

Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen

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Violin Concerto no. 1, op. 77: IV. Burlesque: Allegro con brio - Presto

Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen

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V & V

Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen

T-801.794.611-2

Seven Dolls' Dances: Lyrical Waltz

Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen

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Spiegel im Spiegel

Lisa Batiashvili, Hélène Grimaud

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Vocalise, op. 34 no. 14

Lisa Batiashvili, Hélène Grimaud

T-900.222.366-7

Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto

Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel

—

Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo: Adagio

Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel

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Piano Concerto no. 3 in D minor, op. 30: III. Finale: Alla breve

Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel

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Piano Concerto no. 2 in G minor, op. 16: I. Andantino - Allegretto

Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel

—

Piano Concerto no. 2 in G minor, op. 16: II. Scherzo: Vivace

Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel

—

Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo: Allegro moderato

Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel

—

Piano Concerto no. 2 in G minor, op. 16: IV. Finale: Allegro tempestoso

Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel

T-318.676.528-2

Violin Concerto no. 5 in A major, K. 219: 1. Allegro aperto

Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi

T-318.583.906-5

Violin Concerto no. 5 in A major, K. 219: 2. Adagio

Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi

T-318.583.906-5

Violin Concerto no. 5 in A major, K. 219: 3. Rondeau: Tempo di Menuetto

Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi

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Violin Concerto no. 4 in D minor, op. 31: 1. Andante – Moderato

Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi

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Violin Concerto no. 4 in D minor, op. 31: 2. Adagio religioso

Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi

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Violin Concerto no. 4 in D minor, op. 31: 3. Scherzo: Vivace – Trio: Meno mosso

Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi

—

Violin Concerto no. 4 in D minor, op. 31: 4. Finale marziale: Andante – Allegro

Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi

—

Concerto for Oboe and Orchestra in C major, Konzert für Oboe und Orchester C-Dur: I. Allegro con brio

—

Concerto for Oboe and Orchestra in C major, Konzert für Oboe und Orchester C-Dur: II. Adagio

—

Concerto for Oboe and Orchestra in C major, Konzert für Oboe und Orchester C-Dur: III. Rondo Allegro

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Concerto for Oboe and Orchestra no. 2 in G minor: I. Allegro

—

Concerto for Oboe and Orchestra no. 2 in G minor: II. Adagio

—

Concerto for Oboe and Orchestra no. 2 in G minor: III. Rondo Allegro

—

Concerto for English Horn and Orchestra in C major, Concerto For English Horn And Orchestra in C Major: I. Allegro moderato

—

Concerto for English Horn and Orchestra in C major, Concerto For English Horn And Orchestra in C Major: II. Adagio cantabile

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Concerto for English Horn and Orchestra in C major, Concerto For English Horn And Orchestra in C Major: III. Allegro assai

—

Concerto for Oboe and Orchestra in F major, Concerto For Oboe And Orchestra in F Major: I. Vivace

—

Concerto for Oboe and Orchestra in F major, Concerto For Oboe And Orchestra in F Major: II. Adagio

—

Concerto for Oboe and Orchestra in F major, Concerto For Oboe And Orchestra in F Major: III. Rondo Allegretto

—

Piano Concerto No. 1 in E minor, Op. 11: I. Allegro maestoso

Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda

—

Piano Concerto No. 1 in E minor, Op. 11: II. Romance (Larghetto)

Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda

T-308.381.369-4

Piano Concerto No. 1 in E minor, Op. 11: III. Rondo (Vivace)

Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda

—

Ballade No. 1 in G minor, Op. 23

Seong-Jin Cho

T-917.141.447-4

Ballade No. 2 in F major, Op. 38

Seong-Jin Cho

—

Ballade No. 3 in A-flat major, Op. 47

Seong-Jin Cho

T-913.821.070-5

Ballade No. 4 in F minor, Op. 52

Seong-Jin Cho

—

Guitare, op. 45, no. 2

—

Frühlingsstimmen, op. 410

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Piano Sonata no. 11 in A major, K. 331: III. Alla Turca (Allegretto)

—

Rhapsodie espagnole, S. 254

—

Wachet auf, ruft uns die Stimme, Cantata BWV 140: Wachet auf! ruft uns die Stimme

—

3 Nocturnes, op. 9: no. 2 in E-flat

—

24 Préludes, op. 28, C. 166-189: I. Agitato in C major, C. 166

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24 Préludes, op. 28, C. 166-189: II. Lento in A minor, C. 167

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24 Préludes, op. 28, C. 166-189: III. Vivace in G major, C. 168

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12 German Dances, op. posth. 171, D 790

—

Symphonic Etudes, op. 13: I. Thema. Andante

Anda Géza

—

Symphonic Etudes, op. 13: Etude I (Var. I). Un poco più vivo

Anda Géza

—

Symphonic Etudes, op. 13: Etude II (Var. II)

Anda Géza

—

Symphonic Etudes, op. 13: Etude III. Vivace

Anda Géza

—

Symphonic Etudes, op. 13: Etude IV (Var. III)

Anda Géza

—

Symphonic Etudes, op. 13: Etude V (Var. IV). Vivacissimo

Anda Géza

—

Symphonic Etudes, op. 13: Etude VI (Var. V). Agitato

Anda Géza

—

Symphonic Etudes, op. 13: Variation (posthume) II

Anda Géza

—

Symphonic Etudes, op. 13: Etude VII (Var. VI). Allegro molto

Anda Géza

—

Symphonic Etudes, op. 13: Etude VIII (Var. VII). Andante

Anda Géza

—

Symphonic Etudes, op. 13: Variation (posthume) V

Anda Géza

—

Symphonic Etudes, op. 13: Etude IX. Presto possibile

Anda Géza

—

Symphonic Etudes, op. 13: Etude X (Var. VIII). Allegro

Anda Géza

—

Symphonic Etudes, op. 13: Etude XI (Var. IX). Con espressione

Anda Géza

—

Symphonic Etudes, op. 13: Finale. Etude XII. Allegro brillante

Anda Géza

—

Sonatine, M. 40: 1. Modéré

Monique Haas

T-003.016.390-6

Sonatine, M. 40: 2. Mouvement de menuet

Monique Haas

T-003.016.390-6

Sonatine, M. 40: 3. Animé

Monique Haas

T-003.016.390-6

Valses nobles et sentimentales: 1. Modéré - très franc

Monique Haas

—

Valses nobles et sentimentales: 2. Assez lent - avec une expression intense

Monique Haas

—

Valses nobles et sentimentales: 3. Modéré

Monique Haas

T-003.017.935-1

Valses nobles et sentimentales: 4. Assez animé

Monique Haas

T-003.017.935-1

Valses nobles et sentimentales: 5. Presque lent - dans un sentiment intime

Monique Haas

T-003.017.935-1

Valses nobles et sentimentales: 6. Assez vif

Monique Haas

T-003.017.935-1

Valses nobles et sentimentales: 7. Moins vif

Monique Haas

T-003.017.935-1

Valses nobles et sentimentales: 8. Epilogue (Lent)

Monique Haas

T-003.017.935-1

Le tombeau de Couperin M. 68a: 1. Prélude

Monique Haas

T-306.061.747-8

Le tombeau de Couperin M. 68a: 2. Fugue

Monique Haas

T-922.046.111-0

Le tombeau de Couperin M. 68a: 3. Forlane

Monique Haas

T-305.194.353-0

Le tombeau de Couperin M. 68a: 4. Rigaudon

Monique Haas

T-305.199.226-4

Le tombeau de Couperin M. 68a: 5. Menuet

Monique Haas

T-305.131.442-8

Le tombeau de Couperin M. 68a: 6. Toccata

Monique Haas

—

Pour le piano, L. 95: 3. Toccata

Monique Haas

—

3 Pièces pour piano, op. 49: 1. Allegro con brio

Monique Haas

—

3 Pièces pour piano, op. 49: 2. Allegro grazioso

Monique Haas

—

3 Pièces pour piano, op. 49: 3. Allegro con spirito

Monique Haas

—

Sonatine: 1. Allegretto - Allegro

Monique Haas

T-007.183.929-6

Sonatine: 2. Moderato

Monique Haas

T-007.183.929-6

Sonatine: 3. Allegro vivace

Monique Haas

T-007.183.929-6

Piano Sonata no. 8 in C minor, op. 13 "Pathétique": I. Grave: Allegro di molto e con brio

—

Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile

—

Piano Sonata no. 8 in C minor, op. 13 "Pathétique": III. Rondo (Allegro)

—

Piano Sonata no. 14 in C-Sharp minor, op. 27 No. 2 "Moonlight": I. Adagio sostenuto

—

Piano Sonata no. 14 in C-Sharp minor, op. 27 No. 2 "Moonlight": II. Allegretto

—

Piano Sonata no. 14 in C-Sharp minor, op. 27 No. 2 "Moonlight": III. Presto agitato

—

Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai

—

Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto

—

Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo

—

Piano Sonata no. 31 in A-Flat major, op. 110: I. Moderato cantabile molto espressivo

—

Piano Sonata no. 31 in A-Flat major, op. 110: II. Allegro molto

—

Piano Sonata no. 31 in A-Flat major, op. 110: III. Adagio ma non troppo: Fuga (Allegro ma non troppo)

—

Piano Sonata in A major, D. 664: I. Allegro moderato

Wilhelm Kempff

T-902.685.630-4

Piano Sonata in A major, D. 664: II. Andante

Wilhelm Kempff

—

Piano Sonata in A major, D. 664: III. Allegro

Wilhelm Kempff

—

6 Moments musicaux, op. 94, D. 780: I. Moderato

—

Moment Musicaux no. 2 in A-flat major. Andantino

Wilhelm Kempff

—

Moments musicaux, D. 780 no. 3 in F minor. Allegro moderato

Wilhelm Kempff

—

6 Moments musicaux, op. 94, D. 780: IV. Moderato

—

Moments musicaux, D. 780 no. 5 in F minor. Allegro vivace

Wilhelm Kempff

—

6 Moments musicaux, op. 94, D. 780: VI. Allegretto

—

13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V

Wilhelm Kempff

—

13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V

Wilhelm Kempff

—

13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V

Wilhelm Kempff

—

13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V

Wilhelm Kempff

—

13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V

Wilhelm Kempff

—

13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V

Wilhelm Kempff

—

13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V

Wilhelm Kempff

—

13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V

Wilhelm Kempff

—

13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V

Wilhelm Kempff

—

13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V

Wilhelm Kempff

—

13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V

Wilhelm Kempff

—

13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V

Wilhelm Kempff

—

13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V

Wilhelm Kempff

—

13 Variations on a Theme by Anselm Hüttenbrenner, D. 576: Variation V

Wilhelm Kempff

—

Images 1: I. Reflets dans l'Eau. Andantino molto

Arturo Benedetti Michelangeli

—

Images 1: II. Hommage à Rameau. Lent et grave

Arturo Benedetti Michelangeli

—

Images 1: III. Mouvement. Animé

Arturo Benedetti Michelangeli

—

Images 2: I. Cloches à travers les Feuilles. Lent

Arturo Benedetti Michelangeli

—

Images 2: II. Et la Lune Descend sur le Temple qui Fut. Lent

Arturo Benedetti Michelangeli

—

Images 2: III. Poissons d'Or. Animé

Arturo Benedetti Michelangeli

—

Children's Corner: I. Doctor Gradus ad Parnassum. Modérément animé

Arturo Benedetti Michelangeli

—

Children's Corner: II. Jimbo's Lullaby. Assez modéré

Arturo Benedetti Michelangeli

—

Children's Corner: III. Serenade for the Doll. Allegretto ma non troppo

Arturo Benedetti Michelangeli

—

Children's Corner, L. 113: 4. The Snow Is Dancing

Arturo Benedetti Michelangeli

—

Children's Corner: V. The Little Shepherd. Très modéré

Arturo Benedetti Michelangeli

—

Children's Corner: VI. Golliwogg's Cake-walk. Allegro giusto

Arturo Benedetti Michelangeli

—

Petrouchka: Russian Dance

Maurizio Pollini

—

Petrouchka: Petrouchka's Room

Maurizio Pollini

—

Three Movements ’Petruschka’: La semaine grasse. Con Moto - Allegretto - Tempo giusto - Agitato

Maurizio Pollini

—

Piano Sonata no. 7 in B-flat major, op. 83: I. Allegro inquieto - Andantino

Maurizio Pollini

—

Piano Sonata no. 7 in B-flat major, op. 83: II. Andante caloroso

Maurizio Pollini

—

Piano Sonata no. 7 in B-flat major, op. 83: III. Precipitato

Maurizio Pollini

—

Piano Variations, op. 27: Sehr mässig

Maurizio Pollini

—

Piano Variations, op. 27: Sehr schnell

Maurizio Pollini

—

Piano Variations, op. 27: Ruhig, fliessend

Maurizio Pollini

T-329.454.645-1

Second sonata for Piano: I. Extrêmement rapide

Maurizio Pollini

—

Second sonata for Piano: II. Lent

Maurizio Pollini

—

Second sonata for Piano: III. Modéré, presque vif

Maurizio Pollini

—

Second sonata for Piano: IV. Vif

Maurizio Pollini

—

Piano Sonata no. 17 in D minor, op. 31 No. 2 "The Tempest": I. Largo: Allegro

—

Piano Sonata no. 17 in D minor, op. 31 No. 2 "The Tempest": II. Adagio

—

Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto

Emil Gilels

—

Piano Sonata no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio

Emil Gilels

—

Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto

Emil Gilels

—

Klaviersonate Nr. 21 C-Dur, op. 53 »Waldstein-Sonate«: III. Rondo. Allegretto moderato – Prestissimo

Emil Gilels

T-312.439.094-5

Klaviersonate Nr. 21 C-Dur, op. 53 »Waldstein-Sonate«: IV. Prestissimo

Emil Gilels

—

Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro

Emil Gilels

—

Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo

Emil Gilels

T-800.722.074-9

Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente

Emil Gilels

—

Theme and Variations in D minor: Andante ma moderato

Daniel Barenboim

—

Variations on a Theme by Robert Schumann in F-sharp minor, op. 9: Thema. Ziemlich langsam. Variation 1 · Var. 2. Poco più moto · Var. 3. Tempo di tema · Var. 4. Poco più moto · Var. 5. Allegro capriccioso · Var. 6. Allegro · Var. 7. Andante · Var. 8. Andante (non troppo lento) · Var. 9. Schnell · Var. 10. Poco Adagio · Var. 11. Un poco più animato · Var. 12. Allegretto, poco scherzando · Var. 13. Non troppo Presto · Var. 14. Andante · Var. 15. Poco adagio · Var. 16. Adagio

Daniel Barenboim

T-322.186.695-7

Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Aria. Variation 1 · Var. 2 · Var. 3 · Var. 4. Risoluto · Var. 5. Espessivo · Var. 6 · Var. 7. Con vivacità · Var. 8 · Var. 9. Poco sostenuto · Var. 10 · Var. 11 · Var. 12 · Var. 13. Largamente, ma non più · Var. 14 · Var. 15 · Var. 16 · Var. 17. Più mosso · Var. 18 · Var. 19. Leggiero e vivace · Var. 20 · Var. 21 · Var. 22 · Var. 23. Vivace e staccato · Var. 24 · Var. 25 · Fuga

Daniel Barenboim

T-329.395.032-6

Hungarian Dance for 2 Pianos, WoO 1: Book I, no. 1 in G minor: Allegro molto

Klavierduo Kontarsky

T-902.753.155-1

Hungarian Dance for 2 Pianos, WoO 1: Book I, no. 2 in D minor: Allegro non assai — Vivo

Klavierduo Kontarsky

—

Hungarian Dance for 2 Pianos, WoO 1: Book I, no. 3 in F major: Allegretto

Klavierduo Kontarsky

—

Hungarian Dance for 2 Pianos, WoO 1: Book I, no. 4 in F minor: Poco sostenuto — Vivace — Molto Allegro

Klavierduo Kontarsky

—

Hungarian Dance for 2 Pianos, WoO 1: Book I, no. 5 in F-sharp minor: Allegro — Vivace

Klavierduo Kontarsky

T-918.063.801-1

Hungarian Dance for 2 Pianos, WoO 1: Book I, no. 6 in D-flat major: Vivace — Molto sostenuto

Klavierduo Kontarsky

—

Hungarian Dance for 2 Pianos, WoO 1: Book II, no. 7 in F major: Allegretto

Klavierduo Kontarsky

T-915.710.750-1

Hungarian Dance for 2 Pianos, WoO 1: Book II, no. 8 in A minor: Presto

Klavierduo Kontarsky

—

Hungarian Dance for 2 Pianos, WoO 1: Book II, no. 9 in E minor: Allegro non troppo — Poco sostenuto

Klavierduo Kontarsky

T-900.021.735-6

Hungarian Dance for 2 Pianos, WoO 1: Book II, no. 10 in E major: Presto

Klavierduo Kontarsky

—

Hungarian Dance for 2 Pianos, WoO 1: Book III, no. 11 in A minor: Poco Andante

Klavierduo Kontarsky

—

Hungarian Dance for 2 Pianos, WoO 1: Book III, no. 12 in D minor: Presto — Poco meno presto

Klavierduo Kontarsky

—

Hungarian Dance for 2 Pianos, WoO 1: Book III, no. 13 in D major: Andantino grazioso — Vivace

Klavierduo Kontarsky

—

Hungarian Dance for 2 Pianos, WoO 1: Book III, no. 14 in D minor: Un poco Andante

Klavierduo Kontarsky

—

Hungarian Dance for 2 Pianos, WoO 1: Book III, no. 15 in B-flat major: Allegretto grazioso

Klavierduo Kontarsky

T-322.446.992-1

Hungarian Dance for 2 Pianos, WoO 1: Book III, no. 16 in F minor: Con moto — Presto — Poco meno presto

Klavierduo Kontarsky

—

Hungarian Dance for 2 Pianos, WoO 1: Book IV, no. 17 in F-sharp minor: Andantino — Vivace — Meno presto

Klavierduo Kontarsky

—

Hungarian Dance for 2 Pianos, WoO 1: Book IV, no. 18 in D major: Molto vivace

Klavierduo Kontarsky

—

Hungarian Dance for 2 Pianos, WoO 1: Book IV, no. 19 in B minor: Allegretto — Più presto

Klavierduo Kontarsky

T-915.711.980-7

Hungarian Dance for 2 Pianos, WoO 1: Book IV, no. 20 in E minor: Poco Allegretto — Vivace

Klavierduo Kontarsky

—

Hungarian Dance for 2 Pianos, WoO 1: Book IV, no. 21 in E minor: Vivace — Più presto

Klavierduo Kontarsky

T-329.391.160-7

Waltzes for piano four hands, op. 39, no. 1 in B major: Tempo giusto

Klavierduo Kontarsky

T-070.161.055-0

Waltzes for piano four hands, op. 39, no. 2 in E major

Klavierduo Kontarsky

—

Waltzes for piano four hands, op. 39, no. 3 in G-sharp minor

Klavierduo Kontarsky

—

Waltzes for piano four hands, op. 39, no. 4 in E minor: Poco sostenuto

Klavierduo Kontarsky

—

Waltzes for piano four hands, op. 39, no. 5 in E major

Klavierduo Kontarsky

—

Waltzes for piano four hands, op. 39, no. 6 in C-sharp major: Vivace

Klavierduo Kontarsky

—

Waltzes for piano four hands, op. 39, no. 7 in C-sharp minor: Poco più andante

Klavierduo Kontarsky

—

Waltzes for piano four hands, op. 39, no. 8 in B-flat major

Klavierduo Kontarsky

—

Waltzes for piano four hands, op. 39, no. 9 in D minor

Klavierduo Kontarsky

—

Waltzes for piano four hands, op. 39, no. 10 in G major

Klavierduo Kontarsky

T-306.437.048-1

Waltzes for piano four hands, op. 39, no. 11 in B minor

Klavierduo Kontarsky

—

Waltzes for piano four hands, op. 39, no. 12 in E major

Klavierduo Kontarsky

—

Waltzes for piano four hands, op. 39, no. 13 in B major

Klavierduo Kontarsky

—

Waltzes for piano four hands, op. 39, no. 14 in G-sharp minor

Klavierduo Kontarsky

—

Waltzes for piano four hands, op. 39, no. 15 in A-flat major

Klavierduo Kontarsky

T-306.229.926-3

Waltzes for piano four hands, op. 39, no. 16 in C-sharp minor

Klavierduo Kontarsky

T-322.186.558-9

Piano Sonata no. 2 in B‐flat minor, op. 35: Grave – Doppio movimento

Martha Argerich

—

Piano Sonata no. 2 in B‐flat minor, op. 35: Scherzo

Martha Argerich

—

Piano Sonata no. 2 in B‐flat minor, op. 35: Marche funèbre: Lento

Martha Argerich

T-321.421.851-2

Piano Sonata no. 2 in B‐flat minor, op. 35: Finale: Presto

Martha Argerich

T-309.554.578-7

Scherzo no. 3 in C-sharp minor, op. 39: Presto con fuoco

Martha Argerich

T-918.063.801-1

Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso

Martha Argerich

T-309.554.584-5

Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace

Martha Argerich

T-911.517.582-1

Piano Sonata no. 3 in B minor, op. 58: III. Largo

Martha Argerich

T-309.554.580-1

Piano Sonata no. 3 in B minor, op. 58: IV. Presto ma non tanto

Martha Argerich

T-309.554.578-7

Gaspard de la Nuit: I. Ondine: Lent

Ivo Pogorelich

T-071.203.683-3

Gaspard de la Nuit: II. Le Gibet: Très lent.

Ivo Pogorelich

T-902.777.490-9

Gaspard de la Nuit: III. Scarbo: Modéré

Ivo Pogorelich

T-902.777.490-9

Piano Sonata no. 6 in A major, op. 82: I. Allegro moderato

Ivo Pogorelich

—

Piano Sonata no. 6 in A major, op. 82: II. Allegretto

Ivo Pogorelich

—

Piano Sonata no. 6 in A major, op. 82: III. Tempo di valzer lentissimo

Ivo Pogorelich

—

Piano Sonata no. 6 in A major, op. 82: IV. Vivace

Ivo Pogorelich

—

Piano Sonata no. 21 in B-flat major, D. 960: I. Molto moderato

Владимир Самойлович Горовиц

—

Piano Sonata no. 21 in B-flat major, D. 960: II. Andante sostenuto

Владимир Самойлович Горовиц

—

Piano Sonata no. 21 in B-flat major, D. 960: III. Scherzo: Allegro vivace con delicatezza

Владимир Самойлович Горовиц

—

Piano Sonata no. 21 in B-flat major, D. 960: IV. Allegro ma non troppo

Владимир Самойлович Горовиц

T-031.682.208-8

Kinderszenen, op. 15: I. Von fremden Ländern und Menschen

Владимир Самойлович Горовиц

T-314.629.927-2

Kinderszenen, op. 15: II. Kuriose Geschichte

Владимир Самойлович Горовиц

T-913.873.556-5

Kinderszenen, op. 15: III. Haschemann

Владимир Самойлович Горовиц

T-913.870.630-6

Kinderszenen, op. 15: IV. Bittendes Kind

Владимир Самойлович Горовиц

T-001.216.772-4

Kinderszenen, op. 15: V. Glückes genug

Владимир Самойлович Горовиц

T-330.120.791-6

Kinderszenen, op. 15: VI. Wichtige Begebenheit

Владимир Самойлович Горовиц

—

Kinderszenen, op. 15: VII. Träumerei

Владимир Самойлович Горовиц

—

Kinderszenen, op. 15: VIII. Am Kamin

Владимир Самойлович Горовиц

T-913.871.548-7

Kinderszenen, op. 15: IX. Ritter vom Steckenpferd

Владимир Самойлович Горовиц

T-330.117.403-4

Kinderszenen, op. 15: X. Fast zu ernst

Владимир Самойлович Горовиц

T-913.870.570-1

Kinderszenen, op. 15: XI. Fürchtenmachen

Владимир Самойлович Горовиц

—

Kinderszenen, op. 15: XII. Kind im Einschlummern

Владимир Самойлович Горовиц

—

Kinderszenen, op. 15: XIII. Der Dichter spricht

Владимир Самойлович Горовиц

T-330.117.420-5

Fantasia in C minor, K. 475: Adagio - Allegro - Andantino - Più allegro - Primo tempo

Maria João Pires

—

Sonata in C minor, K. 457: I. Molto allegro

Maria João Pires

T-003.035.132-6

Sonata in C minor, K. 457: II. Adagio

Maria João Pires

T-320.053.756-6

Sonata in C minor, K. 457: III. Allegro assai

Maria João Pires

T-306.395.786-4

Fantasia for piano in D minor, KV 397

Maria João Pires

—

Sonata in A major, K. 331: I. Andante grazioso. Tema - Variation I-IV - Variation V. Adagio - Variation VI. Allegro

Maria João Pires

—

Sonata in A major, K. 331: II. Menuetto - Trio

Maria João Pires

T-313.706.466-1

Sonata in A major, K. 331: III. Alla turca. Allegretto

Maria João Pires

—

[applause]

[no artist]

T-072.571.419-1

Abegg Variations, op. 1

Lang Lang

—

Piano Sonata in C major, Hob. XVI:50: I. Allegro

Lang Lang

—

Piano Sonata in C major, Hob. XVI:50: II. Adagio

Lang Lang

T-802.445.410-3

Piano Sonata in C Major, Hob. XVI:50, Allegro Molto

Lang Lang

T-329.454.787-4

Fantasy in C major, D. 760 "Wanderer": I. Allegro con fuoco ma non troppo

Lang Lang

—

Fantasy in C major, D. 760 "Wanderer": II. Adagio

Lang Lang

T-802.445.410-3

Fantasy in C major, D. 760 "Wanderer": III. Presto

Lang Lang

—

Fantasy in C major, D. 760 "Wanderer": IV. Allegro

Lang Lang

T-318.676.528-2

Eight Memories in Watercolour, op. 1: I. Missing Moon

Lang Lang

—

Eight Memories in Watercolour, op. 1: II. Beans

Lang Lang

—

Eight Memories in Watercolour, op. 1: III. Herdboy's Song

Lang Lang

—

Eight Memories in Watercolour, op. 1: IV. Blue Nun

Lang Lang

—

Eight Memories in Watercolour, op. 1: VII. Red Wilderness

Lang Lang

—

Eight Memories in Watercolour, op. 1: V. Ancient Burial

Lang Lang

—

Eight Memories in Watercolour, op. 1: VI. Floating Clouds

Lang Lang

—

Eight Memories in Watercolour, op. 1: VIII. Sunrain

Lang Lang

—

Nocturne no. 8 in D-flat major, op. 27 no. 2

Lang Lang

T-306.230.835-0

Piano Sonata no. 2 in G-sharp minor, op. 19 "Sonate-fantasie": I. Andante

Daniil Trifonov

—

Piano Sonata no. 2 in G-sharp minor, op. 19 "Sonate-fantasie": II. Presto

Daniil Trifonov

—

Piano Sonata in B minor, S. 178: Lento assai - Allegro energico

Daniil Trifonov

—

Piano Sonata in B minor, S. 178: Più mosso - Andante sostenuto

Daniil Trifonov

—

Piano Sonata in B minor, S. 178: Allegro energico - Andante sostenuto - Lento assai

Daniil Trifonov

—

24 Preludes, op. 28: no. 1 in C major

Daniil Trifonov

—

24 Preludes, op. 28: no. 2 in A minor

Daniil Trifonov

T-922.054.556-2

24 Preludes, op. 28: no. 3 in G major

Daniil Trifonov

—

24 Preludes, op. 28: no. 4 in E minor

Daniil Trifonov

—

24 Preludes, op. 28: no. 5 in D major

Daniil Trifonov

T-329.459.382-7

24 Preludes, op. 28: no. 6 in B minor

Daniil Trifonov

—

24 Preludes, op. 28: no. 7 in A major

Daniil Trifonov

T-329.459.382-7

24 Preludes, op. 28: no. 8 in F-sharp minor

Daniil Trifonov

—

24 Preludes, op. 28: no. 9 in E major

Daniil Trifonov

—

24 Preludes, op. 28: no. 10 in C-sharp minor

Daniil Trifonov

—

24 Preludes, op. 28: no. 11 in B major

Daniil Trifonov

—

24 Preludes, op. 28: no. 12 in G-sharp minor

Daniil Trifonov

—

24 Preludes, op. 28: no. 13 in F-sharp major

Daniil Trifonov

—

24 Preludes, op. 28: no. 14 in E-flat minor

Daniil Trifonov

—

24 Preludes, op. 28: no. 15 in D-flat major

Daniil Trifonov

—

24 Preludes, op. 28: no. 16 in B-flat minor

Daniil Trifonov

—

24 Preludes, op. 28: no. 17 in A-flat major

Daniil Trifonov

—

24 Preludes, op. 28: no. 18 in F minor

Daniil Trifonov

—

24 Preludes, op. 28: no. 19 in E-flat major

Daniil Trifonov

—

24 Preludes, op. 28: no. 20 in C minor

Daniil Trifonov

T-310.766.142-3

24 Preludes, op. 28: no. 21 in B-flat major

Daniil Trifonov

—

24 Preludes, op. 28: no. 22 in G minor

Daniil Trifonov

—

24 Preludes, op. 28: no. 23 in F major

Daniil Trifonov

—

24 Preludes, op. 28: no. 24 in D minor

Daniil Trifonov

—

Skazki, op. 26 "Fairy Tales": no. 2 in E-flat major

Daniil Trifonov

—

French Suite no. 1 in D minor, BWV 812: I. Allemande

Murray Perahia

—

French Suite no. 1 in D minor, BWV 812: II. Courante

Murray Perahia

—

French Suite no. 1 in D minor, BWV 812: III. Sarabande

Murray Perahia

—

French Suite no. 1 in D minor, BWV 812: IV. Menuet I-II

Murray Perahia

—

French Suite no. 1 in D minor, BWV 812: V. Gigue

Murray Perahia

—

French Suite no. 2 in C minor, BWV 813: I. Allemande

Murray Perahia

—

French Suite no. 2 in C minor, BWV 813: II. Courante

Murray Perahia

—

French Suite no. 2 in C minor, BWV 813: III. Sarabande

Murray Perahia

—

French Suite no. 2 in C minor, BWV 813: IV. Air

Murray Perahia

—

French Suite no. 2 in C minor, BWV 813: V. Menuet I-II

Murray Perahia

—

French Suite no. 2 in C minor, BWV 813: VI. Gigue

Murray Perahia

—

French Suite no. 3 in B minor, BWV 814: I. Allemande

Murray Perahia

—

French Suite no. 3 in B minor, BWV 814: II. Courante

Murray Perahia

—

French Suite no. 3 in B minor, BWV 814: III. Sarabande

Murray Perahia

—

French Suite no. 3 in B minor, BWV 814: IV. Anglaise

Murray Perahia

T-902.029.590-3

French Suite no. 3 in B minor, BWV 814: V. Menuet

Murray Perahia

—

French Suite no. 3 in B minor, BWV 814: VI. Gigue

Murray Perahia

—

4 Impromptus, op. 90, D. 899: no. 1 in C minor (Allegro molto moderato)

—

4 Impromptus, op. 90, D. 899: no. 2 in E-Flat major (Allegro)

—

4 Impromptus, op. 90, D. 899: no. 3 in G-Flat major (Andante)

—

4 Impromptus, op. 90, D. 899: no. 4 in A-Flat major (Allegretto)

—

3 Klavierstücke, D. 946: no. 1 in E-flat minor (Allegro assai)

—

3 Klavierstücke, D. 946: no. 2 in E-flat (Allegretto)

—

3 Klavierstücke, D. 946: no. 3 in C (Allegro)

—

3 Old Viennese Dances, 3 Old Viennese Dances, hierarchy: I. Liebesfreud

—

3 Old Viennese Dances, 3 Old Viennese Dances, hierarchy: II. Liebesleid

—

Waltz in E-Flat major

—

Variations on a Theme by Corelli

—

String Trio no. 1 Opus 34

—

Violin Sonata: III. Recitativo-Fantasia: Ben moderato

—

String Quartet no. 12 in F major, op. 96 "American" B. 179: I. Allegro ma non troppo

—

Sonata For Violin And Piano no. 3 in E-Flat, op. 12 No.3: III. Rondo (Allegro molto)

—

Sonata no. 9 for Violin and Piano in A major, op. 47 "Kreutzer": III. Finale. Presto

Wilhelm Kempff, Georg Kulenkampff

—

Zigeunerweisen, op. 20

—

Sonata in A major, op. 1, no. 14, HWV 372

—

Menuet From Petite Suite

—

Introduction and Variations on "Dal tuo stellato" from Rossini's Opera "Mosè"

—

8 Humoresques, op. 101, B. 187: VII. Poco Lento e grazioso ((Arr. For Violin And Piano By August Wilhelmj))

—

Sonata in A major For Violin & Piano, FWV 8: I. Allegretto ben moderato

—

Notturno e Tarantella, op. 28: I. Notturno

—

Notturno e Tarantella, op. 28: II. Tarantella

—

String Quartet no. 14 in D minor, D. 810 "Death and the Maiden": I. Allegro

—

String Quartet no. 14 in D minor, D. 810 "Death and the Maiden": II. Andante con moto

—

String Quartet no. 14 in D minor, D. 810 "Death and the Maiden": III. Scherzo (Allegro molto)

—

String Quartet no. 14 in D minor, D. 810 "Death and the Maiden": IV. Presto

—

Piano Quintet in A major, D. 667 "Trout": I. Allegro vivace

—

Piano Quintet in A major, D. 667 "Trout": II. Andante

—

Piano Quintet in A major, D. 667 "Trout": III. Scherzo (Presto)

—

Piano Quintet in A major, D. 667 "Trout": IV. Thema: Andantino - Variazioni I-V - Allegretto

—

Piano Quintet in A major, D. 667 "Trout": V. Finale (Allegro giusto)

—

String Quartet in D minor, op. 76 no. 2 "Fifths", Hoboken III: 76: I. Allegro

Amadeus Quartet

—

String Quartet in D minor, op. 76 no. 2 "Fifths", Hoboken III: 76: II. Andante o più tosto Allegretto

Amadeus Quartet

T-910.783.706-9

String Quartet in D minor, op. 76 no. 2 "Fifths", Hoboken III: 76: III. Menuetto

Amadeus Quartet

—

String Quartet in D minor, op. 76 no. 2 "Fifths", Hoboken III: 76: IV. Finale. Presto

Amadeus Quartet

T-003.055.867-8

String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: I. Allegro

Amadeus Quartet

—

String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: II. Poco Adagio. Cantabile. Variazioni I - IV

Amadeus Quartet

T-001.397.158-8

String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: III. Menuetto

Amadeus Quartet

—

String Quartet in C major, op. 76 no. 3 "Emperor", Hoboken III: 77: IV. Finale. Presto

Amadeus Quartet

T-003.055.867-8

String Quartet no. 17 in B-Flat major, K. 458 "The Hunt": I. Allegro vivace assai

—

String Quartet no. 17 in B-Flat major, K. 458 "The Hunt": II. Moderato

—

String Quartet no. 17 in B-Flat major, K. 458 "The Hunt": III. Adagio

—

String Quartet no. 17 in B-Flat major, K. 458 "The Hunt": IV. Allegro assai

—

Sonata for Piano and Violin in F major, K. 13: I. Allegro

—

Sonata for Piano and Violin in F major, K. 13: II. Andante

—

Sonata for Piano and Violin in F major, K. 13: III. Menuetto primo: Menuetto secondo

—

Syrinx, L. 129

—

Pièce pour flûte seule

—

Sequenza I for flute (1958)

—

Mei for Flute solo

—

Partita in A minor For Solo Flute, BWV 1013: I. Allemande

—

Partita in A minor For Solo Flute, BWV 1013: II. Corrente

—

Partita in A minor For Solo Flute, BWV 1013: III. Sarabande

—

Partita in A minor For Solo Flute, BWV 1013: IV. Bourrée anglaise

—

Introduction & Variations for flute & piano, D.802 (op. 160): Introduktion. Andante

—

Introduction & Variations for flute & piano, D.802 (op. 160): Thema. Andantino

—

Introduction & Variations for flute & piano, D.802 (op. 160): Variation I

—

Introduction & Variations for flute & piano, D.802 (op. 160): Variation II

—

Introduction & Variations for flute & piano, D.802 (op. 160): Variation III

—

Introduction & Variations for flute & piano, D.802 (op. 160): Variation IV

—

Introduction & Variations for flute & piano, D.802 (op. 160): Variation V

—

Introduction & Variations for flute & piano, D.802 (op. 160): Variation VI

—

Introduction & Variations for flute & piano, D.802 (op. 160): Variation VII. Allegro

—

String Quartet no. 3 in B-flat, op. 67: I. Vivace

—

String Quartet no. 3 in B-flat, op. 67: II. Andante

—

String Quartet no. 3 in B-flat, op. 67: III. Agitato (Allegretto non troppo)

—

String Quartet no. 3 in B-flat, op. 67: IV. Poco allegretto con variazioni: Doppio movimento

—

String Quartet no. 1 in C minor, op. 51 No.1: I. Allegro

—

String Quartet no. 1 in C minor, op. 51 No.1: II. Romanze (Poco adagio)

—

String Quartet no. 1 in C minor, op. 51 No.1: III. Allegretto molto moderato e comodo: Un poco più animato

—

String Quartet no. 1 in C minor, op. 51 No.1: IV. Allegro

—

String Quartet in B-Flat major, Hob.III:78, op. 76, no. 4 "Sunrise": I. Allegro con spirito

—

String Quartet in B-Flat major, Hob.III:78, op. 76, no. 4 "Sunrise": II. Adagio

—

String Quartet in B-Flat major, Hob.III:78, op. 76, no. 4 "Sunrise": III. Menuetto (Allegro)

—

String Quartet in B-Flat major, Hob.III:78, op. 76, no. 4 "Sunrise": IV. Finale (Allegro ma non troppo)

—

String Trio, op. 45: Part I

—

String Trio, op. 45: 1st Episode

—

String Trio, op. 45: Part II

—

String Trio, op. 45: 2nd Episode

—

String Trio, op. 45: Part III

—

String Quartet in G minor, op. 10, L. 85: I. Animé et très décidé

—

String Quartet in G minor, op. 10, L. 85: II. Scherzo (Assez vif et bien rythmé)

—

String Quartet in G minor, op. 10, L. 85: III. Andantino doucement expressif

—

String Quartet in G minor, op. 10, L. 85: IV. Très modéré: Très mouvementé - Très animé

—

String Quartet in F major, M.35: I. Allegro moderato. Très doux

—

String Quartet in F major, M.35: II. Assez vif. Très rythmé

—

String Quartet in F major, M.35: III. Très lent

—

String Quartet in F major, M.35: IV. Vif et agité

—

String Quartet (1905)

—

String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: I. Introduzione: Andante con moto - Allegro vivace

Emerson String Quartet

—

String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: II. Andante con moto quasi allegretto

Emerson String Quartet

—

String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: III. Menuetto grazioso - attacca

Emerson String Quartet

T-700.095.171-5

String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: IV. Allegro molto

Emerson String Quartet

T-329.454.787-4

String Quartet no. 10 in E-flat major, op. 74 "Harp": I. Poco adagio - Allegro

Emerson String Quartet

T-915.714.772-3

String Quartet no. 10 in E-flat major, op. 74 "Harp": II. Adagio ma non troppo

Emerson String Quartet

—

String Quartet no. 10 in E-flat major, op. 74 "Harp": III. Presto - Piu presto quasi prestissimo - attacca

Emerson String Quartet

—

String Quartet no. 10 in E-flat major, op. 74 "Harp": IV. Allegretto con variazioni

Emerson String Quartet

—

String Quartet no. 11 in F minor, op. 95 "Serioso": I. Allegro con brio

Emerson String Quartet

—

String Quartet no. 11 in F minor, op. 95 "Serioso": II. Allegretto ma non troppo - attacca

Emerson String Quartet

—

String Quartet no. 11 in F minor, op. 95 "Serioso": III. Allegro assai vivace ma serioso

Emerson String Quartet

—

String Quartet no. 11 in F minor, op. 95 "Serioso": IV. Larghetto espressivo - Allegretto agitato - Allegro

Emerson String Quartet

—

Klavierquartett Nr. 1 g-Moll, op. 25: I. Allegro

Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky

—

Klavierquartett Nr. 1 g-Moll, op. 25: II. Intermezzo: Allegro ma non troppo – Trio: Animato

Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky

—

Klavierquartett Nr. 1 g-Moll, op. 25: III. Andante con moto

Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky

—

Klavierquartett Nr. 1 g-Moll, op. 25: IV. Rondo alla Zingarese

Martha Argerich, Yuri Bashmet, Gidon Kremer, Mischa Maisky

T-001.269.912-5

Fantasiestücke, op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck

Martha Argerich, Gidon Kremer, Mischa Maisky

—

Fantasiestücke, op. 88: II. Humoreske: Lebhaft

Martha Argerich, Gidon Kremer, Mischa Maisky

—

Fantasiestücke, op. 88: III. Duett: Langsam und mit Ausdruck

Martha Argerich, Gidon Kremer, Mischa Maisky

—

Fantasiestücke, op. 88: IV. Finale: Im Marschtempo

Martha Argerich, Gidon Kremer, Mischa Maisky

—

Piano Trio in C, K. 548: I. Allegro

—

Piano Trio in C, K. 548: II. Andante cantabile

—

Piano Trio in C, K. 548: III. Allegro

—

Piano Trio in E, K. 542: I. Allegro

—

Piano Trio in E, K. 542: II. Andante grazioso

—

Piano Trio in E, K. 542: III. Allegro

—

Piano Trio in B-flat, K. 502: I. Allegro

—

Piano Trio in B-flat, K. 502: II. Larghetto

—

Piano Trio in B-flat, K. 502: III. Allegretto

—

VIOLIN CONCERTO IN E MINOR, OP. 64: I. ALLEGRO MOLTO APPASSIONATO

Daniel Hope, Chamber Orchestra of Europe, Thomas Hengelbrock

—

Violin Concerto in E minor, op. 64, MWV O 14: II. Andante

—

Violin Concerto in E minor, op. 64, MWV O 14: III. Allegro molto vivace

—

Octet in E-Flat major, op. 20, MWV R20: I. Allegro moderato, ma con fuoco

—

Octet in E-Flat major, op. 20, MWV R20: II. Andante

—

Octet in E-Flat major, op. 20, MWV R20: III. Scherzo (Allegro leggierissimo)

—

Octet in E-Flat major, op. 20, MWV R20: IV. Presto

—

Lieder op.8: VIII. Hexenlied (Anderes Maienlied)

—

Six Songs, op. 34: IV. Suleika, MWV K92

—

Auf Flügeln des Gesanges, op. 34 no. 2

Daniel Hope, Sebastian Knauer

—

Otello, Act 1: Esultate!

—

Otello, Act 2: Ora e per sempre addio

—

La Bohème: Atto I. “O soave fanciulla”

Enrico Caruso, Nellie Melba, Walter B. Rogers

T-900.134.452-1

La Bohème, Act 4: O Mimì, tu più non torni

—

L’africana: Atto IV. “Mi batte il cor” … “O paradiso!”

Enrico Caruso

—

L'elisir d'amore, Act 2: "Una furtiva lagrima"

—

Un ballo in maschera, Act 1: "Für dein Glück" ("Alla vita che t'arride")

—

Rigoletto, Act 2: "Cortigiani, vil razza dannata"

—

Pagliacci, Act 1: "Recitar!": "Vesti la giubba"

—

Cavalleria rusticana: "O lola ch'ai di latti la cammisa" (Siciliana)

—

Otello, Act 2: Tu?! Indietro! fuggi!

—

La Bohème: Akt I. "Will ich allein des Abends" (Walzer der Musette) (sung in german)

—

Rigoletto: Akt I. "Teurer Name" (Caro nome) (sung in german)

—

Rigoletto: Akt III. "La donna è mobile" … "È là il vostr'uomo" (Duca / Sparafucile, Rigoletto) (sung in german)

—

Tosca, New edition R. Parker; Libr. Giacosa & Illica after Sardou, Act 1: "Recondita armonia"

—

Turandot, Act 1: "Non piangere, Liu"

—

La forza del destino, Act 3: Oh, tu che in seno

—

Aida, Act 1: I sacri nomi di padre...d'amante

—

Tosca, Act 3: "E lucevan le stelle"

—

L'elisir d'amore, Act 2: "Una furtiva lagrima...Eccola!"

—

Il barbiere di Siviglia, Act 1: no. 5 Cavatina: "Una voce poco fa": "Io sono docile"

—

Il barbiere di Siviglia, Act 1: no. 6 Aria: "La calunnia è un venticello"

—

Tosca, Act 2: "Vissi d'arte, vissi d'amore"

—

Turandot, Act 3: "Nessun dorma"

—

Undine: Akt III. "Nun ist's vollbracht!"

—

Die Zauberflöte, K. 620, (E. Schikaneder), Act 1: "Bei Männern, welche Liebe fühlen"

—

Die Zauberflöte, K. 620, (E. Schikaneder), Act 2: "Ein Mädchen oder Weibchen"

—

Die Zauberflöte, K. 620, (E. Schikaneder), Act 2: "In diesen heil'gen Hallen"

—

Die Entführung aus dem Serail, K. 384, Act 1: "Konstanze, dich wiederzusehen, dich!"

—

Martha: Akt II. "Letzte Rose"

—

Martha: Akt III. "Ach, so fromm"

—

Der Freischütz, op. 77, J. 277, Act 3: "Einst träumte meiner sel'gen Base" … "Trübe Augen, Liebchen, taugen"

—

Ariadne auf Naxos, op. 60, TrV 228, Prologue: "An Ihre Plätze, meine Damen und Herrn!"

—

Parsifal, WWV 111, Act 2: "Ich sah das Kind an seiner Mutter Brust"

—

Lohengrin, WWV 75, Act 3: "In fernem Land" … "Mein lieber Schwan"

—

Die Meistersinger von Nürnberg, WWV 96, Act 3: "Morgenlich leuchtend"

—

Parsifal, WWV 111, Act 1: "Des Weihgefäßes göttlicher Gehalt" (Amfortas Klage)

—

Das Rheingold, WWV 86A, Scene 4: "Weiche, Wotan, weiche!"

—

Rienzi, WWV 49: "Allmächt'ger Vater" (Rienzi's prayer)

—

Die Meistersinger von Nürnberg, WWV 96, Act 2: "Was duftet doch der Flieder"

—

Die Meistersinger von Nürnberg, WWV 96, Act 3: "Wahn! Wahn! Überall Wahn!"

—

Der Freischütz, op. 77, J. 277, Act 1: Ouvertüre

—

Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 1: "Victoria! Der Meister soll leben"

—

Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 1: "Jetzt schlag er sich die Grillen aus dem Kopf"

—

Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 1: "Da bist du ja noch, Kamerad"

—

Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 2: "Schelm! Halt fest!"

—

Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 2: "Wie nahte mir der Schlummer"

—

Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 2: Alles pflegt schon längst der Ruh

—

Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 2: "Bist du endlich da, lieber Max!"

—

Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 2: "Milch des Mondes fiel aufs Kraut!"

—

Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 2: "Hier bin ich! Was hab' ich zu tun?"

—

Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 3: "Und ob die Wolke sie verhülle"

—

Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 3: "Aber du bist ja so wehmütig. Ich glaube gar, du hast geweint?"

—

Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 3: "Horch, da kommen die Brautjungfern schon!"

—

Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 3: "Genug nun der Freuden des Mahls"

—

Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 3: "Wer legt auf ihn so strengen Bann!"

—

Der Freischütz, op. 77, J. 277, Arr. by Hans Maeder, Act 3: "Doch sonst stets rein und bieder war"

—

Idomeneo, re di Creta, K. 366, (G. Varesco), Act 3: "Zeffiretti lusinghieri"

—

Die Zauberflöte, K. 620, (E. Schikaneder), Act 2: "Der Hölle Rache kocht in meinem Herze"

—

Semiramide, Act 1: "Bel raggio lusinghier"

—

Don Pasquale, Act 1: Quel guardo di cavaliere ... So anch'io la virtù magica

—

Der Freischütz, op. 77, J. 277, Act 2: "Kommt ein schlanker Bursch gegangen"

—

Rigoletto, Act 1: "Gualtier Maldè...Caro nome"

—

Un ballo in maschera, Act 1: "Volta la terrea"

—

Un ballo in maschera, Act 3: "Saper vorreste"

—

I vespri siciliani, Act 5: "Mercè, dilette amiche"

—

Les Huguenots, Act 1: "Nobles seigneurs, salut"

—

Mignon, Act 2: "Oui, pour ce soir je suis reine des fées"

—

La Bohème, Act 2: "Quando m'en vo"

—

Der Hirt auf dem Felsen, op. 129, D.965

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Atto II. “Avrem lieta di maschere la notte” (Flora, Marqués, Doctor)

Giovanni Foiani, Alfredo Giacomotti, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Atto II. “Noi siamo zingarelle” (Coro, Flora, Marqués)

Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Giovanni Foiani, Alfredo Giacomotti, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber

T-005.003.222-8

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

La traviata: Preludio

Bayerisches Staatsorchester, Carlos Kleiber

—

L'elisir d'amore, Act 2: "Una furtiva lagrima"

—

Lucia di Lammermoor, Act 3: "Tombe degl'avi miei": "Fra poco a me ricovero"

—

Ernani, Part 1: Mercé, diletti amici ...Come rugiada al cespite

—

Il Trovatore, Act 3: "Ah sì, ben mio...l'onda de'suoni mistici...Di quella

—

Aida, Act 1: "Se quel guerrier io fossi!": "Celeste Aida"

—

La Juive, Act 4: "Rachel, quand du Seigneur la grâce tutélaire"

—

L'Africaine, Act 4: Pays merveilleux ... O paradis

—

Les pêcheurs de perles, WD 13, Act 1: no. 4 b) Romance: "Je crois entendre encore"

—

Carmen, WD 31, Act 2: "La fleur que tu m'avais jetée"

—

Der fliegende Holländer, WWV 63: Overture

—

Der fliegende Holländer, WWV 63, Act 1: "Die Frist ist um": "Ew'ge Vernichtung, nimm uns auf" (Holländer, Mannschaft des Holländers)

—

Die Meistersinger von Nürnberg, WWV 96, Act 3: "Wahn! Wahn! Überall Wahn!"

—

Die Meistersinger von Nürnberg, WWV 96, Act 2: "Was duftet doch der Flieder"

—

Tannhäuser, WWV 70, Act 3: Wie Todesahnung... O du mein holder Abendstern (Wolfram)

—

Parsifal, WWV 111, Act 1: Nein! Lasst ihn unenthüllt

—

Parsifal, WWV 111, Act 3: Ja, Wehe! Wehe! Weh' über mich! (Amfortas, Ritter)

—

Die Walküre, WWV 86B, Act 3: Wotan's Farewell & Magic Fire Music

—

Le nozze di Figaro, K. 492, Act 4: Giunse alfin il momento...Deh, vieni, non tardar...

—

Le nozze di Figaro, K. 492, with embellishments by Domenico Corri, Act 2: Voi che sapete

—

Ch'io mi scordi di te... Non temer, amato bene, K. 505

—

Così fan tutte, K. 588, Act 1: "In uomini, in soldati"

—

Così fan tutte, K. 588, Act 2: "Ei parte...Per pietà"

—

Così fan tutte, K. 588, Act 2: "E amore un ladroncello"

—

La clemenza di Tito, K. 621, Act 2: "Non più di fiori"

—

Idomeneo, re di Creta, K. 366, Act 1: "Quando avran fine omai": "Padre, germani, addio!"

—

Vado, ma dove? oh Dei!, K. 583

—

Le nozze di Figaro, K. 492, Act 1: "Non so più cosa son, cosa faccio"

—

Alma grande e nobil core, K. 578

—

Le nozze di Figaro, K. 492, Act 3: "Giunse alfin..." _ "Al desio di chi t'adora" (K.577)

—

La Bohème, Act 1: "O soave fanciulla"

—

Lucia di Lammermoor, Act 1: Lucia perdona...Sulla tomba

—

Rigoletto, Act 1: "Giovanna, ho dei rimorsi...E il sol dell'anima"

—

Roméo et Juliette, CG 9, Act 4: Va! je t'ai pardonné ... Nuit d'hyménée

—

Les pêcheurs de perles, WD 13, Act 2: no. 8 Chanson: "De mon amie, fleur endormie": No.9 Duo "Léila! Léila! Dieu puissant"

—

Manon, Act 3: Toi! Vous!... Ah! Viens, Manon, je t'aime!

—

Iolanta op. 69, TH 11: "Tvajo malchan'je nepan'atna"

—

Luisa Fernanda, Act 3: Cállate, corazón! Duèrmete y calla!

—

Lucrezia Borgia, Act 2: Il segreto per esser felici

—

L'assedio di Calais, Act 1: Al mio core

—

Roberto Devereux, Act 1: All'afflitto è dolce il pianto (Sara)

—

Dom Sébastien, Roi de Portugal, Act 2: Que faire: Sol adoré de la patrie

—

Adelson e Salvini, Act 1: Dopo l'oscuro nembo

—

Maria Stuarda, Act 1: Si, vuol di Francia il Rege (Elisabetta)

—

Maria Stuarda, Act 1: Ah! quando all'ara scorgemi

—

Maria Stuarda, Act 1: In tal giorno di contento

—

Maria Stuarda, Act 1: Ah! dal ciel discenda un raggio

—

Tancredi, Act 1: Andante

—

Tancredi, Act 1: O patria! dolce, e ingrata patria

—

Tancredi, Act 1: Di tanti palpiti

—

Maometto II, Act 2: Terzetto: "In questi estremi istanti" (Calbo, Anna, Erisso)

—

I Capuleti e i Montecchi: Eccomi in lieta vesta, Act 1: Lieto del dolce incarco

—

I Capuleti e i Montecchi: Eccomi in lieta vesta, Act 1: Ascolta, se Romeo t'uccise

—

I Capuleti e i Montecchi: Eccomi in lieta vesta, Act 1: Riedi al campo

—

I Capuleti e i Montecchi: Eccomi in lieta vesta, Act 1: La tremenda ultrice spada

—

L'assedio di Calais, Act 2: Io l'udia chiarmarmi a nome

—

L'assedio di Calais, Act 2: Suon tremendo!

—

L'assedio di Calais, Act 2: La speme un dolce palpito

—

La Création : Première Partie : Le Premier Jour: 1. Die Vorstellung des Chaos (Largo)

Berliner Philharmoniker, Herbert von Karajan

T-001.322.740-1

La Création : Première Partie : Le Premier Jour: Récitatif avec chœur : « Im Anfange schuf Gott Himmel und Erde »

Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan

—

La Création : Première Partie : Le Premier Jour: 2. Air avec chœur (Andante – Allegro moderato) : « Nun schwanden vor dem heiligen Strahle »

Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan

—

Die Schöpfung: Erster Teil. Der Zweite Tag. 3. Rezitativ "Und Gott machte das Firmament" (Raphael)

Berliner Philharmoniker, Herbert von Karajan

—

Die Schöpfung: Erster Teil. Der Zweite Tag. 4. Sopran-Solomit Chor "Mit Staunen sieht das Wunderwerk" (Gabriel, Chor)

Berliner Philharmoniker, Herbert von Karajan

—

Die Schöpfung: Erster Teil. Der Dritte Tag. 5. Rezitativ "Und Gott sprach; Es sammle sich das Wasser" (Raphael)

Berliner Philharmoniker, Herbert von Karajan

—

La Création : Première Partie : Le Troisième Jour: 6. Air (Allegro assai) « Rollend in schäumenden Wellen »

Walter Berry, Berliner Philharmoniker, Herbert von Karajan

—

Die Schöpfung: Erster Teil. Der Dritte Tag. 7. Rezitativ "Und Gott sprach; Es bringe die Erde Gras hervor" (Gabriel)

Berliner Philharmoniker, Herbert von Karajan

—

La Création : Première Partie : Le Troisième Jour: 8. Air (Andante) : « Nun beut die Flur das frische Grün »

Berliner Philharmoniker, Herbert von Karajan

—

Die Schöpfung: Erster Teil. Der Dritte Tag. 9. Rezitativ "Und die himmlischen Heerscharen verkündigten" (Uriel)

Berliner Philharmoniker, Herbert von Karajan

—

Die Schöpfung: Erster Teil. Der Dritte Tag. 10. Chor "Stimmt an die Saiten" (Chor)

Berliner Philharmoniker, Herbert von Karajan

—

Die Schöpfung: Erster Teil. Der Vierte Tag. 11. Rezitativ "Und Gott sprach: Es sei'n Lichter an der Feste des Himmels" (Uriel)

Berliner Philharmoniker, Herbert von Karajan

—

La Création : Première Partie : Le Quatrième Jour: 12. Récitatif (Andante allegro) : « In vollem Glanze steiget jetzt »

Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan

—

La Création : Première Partie : Le Quatrième Jour: 13. Chœur avec soliste (Allegro) : « Die Himmel erzählen die Ehre Gottes »

Wiener Singverein, Walter Berry, Gundula Janowitz, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan

—

Die Schöpfung: Zweiter Teil. Der Fünfte Tag. 14. Rezitativ "Und Gott sprach; Es bringe das Wasser in der Fülle hervor" (Gabriel)

Berliner Philharmoniker, Herbert von Karajan

—

Die Schöpfung: Zweiter Teil. Der Fünfte Tag. 15. Arie "Auf starkem Fittiche" (Gabriel)

Berliner Philharmoniker, Herbert von Karajan

—

Die Schöpfung: Zweiter Teil. Der Fünfte Tag. 16. Rezitativ "Und Gott schuf grosse Walfische" (Raphael)

Berliner Philharmoniker, Herbert von Karajan

—

Die Schöpfung: Zweiter Teil. Der Fünfte Tag. 17. Rezitativ "Und die Engel rührten ihr" (Raphael)

Berliner Philharmoniker, Herbert von Karajan

—

Die Schöpfung, Hob. XXI:2, Zweiter Teil: 1VIII. Terzett: in holder Anmut stehn

—

Die Schöpfung, Hob. XXI:2, Zweiter Teil: 1IX. Chor mit Soli: Der Herr ist groß in seiner Macht

—

Die Schöpfung: Zweiter Teil. Der Sechste Tag. 20. Rezitativ "Und Gott sprach; Es bringe die erde hervor lebende Geschöpfe" (Raphael)

Berliner Philharmoniker, Herbert von Karajan

—

La Création : Deuxième Partie : Le Sixième Jour: 21. Récitatif (Presto – Andante – Adagio) « Gleich öffnet sich der Erde Schoss »

Walter Berry, Berliner Philharmoniker, Herbert von Karajan

—

La Création : Deuxième Partie : Le Sixième Jour: 22. Air (Maestoso): « Nun scheint in vollen Glanze der Himmel »

Walter Berry, Berliner Philharmoniker, Herbert von Karajan

—

Die Schöpfung: Zweiter Teil. Der Sechste Tag. 23. Rezitativ "Und Gott schuf den Menschen nach seinem" (Uriel)

Berliner Philharmoniker, Herbert von Karajan

—

La Création : Deuxième Partie : Le Sixième Jour: 24. Air (Andante): « Mit Würd und Hoheit angetan »

Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan

—

Die Schöpfung: Zweiter Teil. Der Sechste Tag. 25. Rezitativ "Und Gott sah jedes Ding" (Raphael)

Berliner Philharmoniker, Herbert von Karajan

—

La Création : Deuxième Partie : Le Sixième Jour: 26. Chœur (Vivace): « Vollendet ist das grosse Werk » / 27. Trio (Poco adagio): « Zu Dir o Herr, blickt alles auf » / 28. Chœur: « Vollendet ist das grosse Werke »

Walter Berry, Gundula Janowitz, Werner Krenn, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan

—

Die Schöpfung: Dritter Teil. 29. Orchestereinleitung (Largo) und Rezitativ "Aus Rosenwolken bricht" (Uriel)

Berliner Philharmoniker, Herbert von Karajan

—

Die Schöpfung: Dritter Teil. 30. Duett mit Chor "Von deiner Güt, o Herr und Gott" (Eva, Adam, Chor)

Berliner Philharmoniker, Herbert von Karajan

—

Die Schöpfung: Dritter Teil. 31. Rezitativ "Nun ist die erste Pflicht erfüllt" (Adam, Eva)

Berliner Philharmoniker, Herbert von Karajan

—

La Création : Troisième Partie: 32. Duo (Adagio – Allegro) : « Holde Gattin, dir zur Seite »

Dietrich Fischer-Dieskau, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan

—

Die Schöpfung: Dritter Teil. 33. Rezitativ "O glücklich Paar" (Uriel)

Berliner Philharmoniker, Herbert von Karajan

—

Additional database matches (44)

Track Title	Artist(s)	ISWC
Zueignung, Op. 10 No. 1	Heinrich Schlusnus, Richard Strauss	—
Winterreise, D. 911: Gute Nacht	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Die Wetterfahne	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Gefrorne Tränen	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Erstarrung	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Der Lindenbaum	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Wasserflut	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Auf dem Flusse	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Rückblick	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Irrlicht	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Rast	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Frühlingstraum	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Einsamkeit	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Die Post	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Der greise Kopf	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Die Krähe	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Letzte Hoffnung	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Im Dorfe	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Der stürmische Morgen	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Täuschung	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Der Wegweiser	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Das Wirtshaus	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Mut	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Die Nebensonnen	Peter Anders, Michael Raucheisen	—
Winterreise, D. 911: Der Leiermann	Peter Anders, Michael Raucheisen	—
Trio Sonata no. 1 in E-flat major, BWV 525: 1. [without tempo indication]	Helmut Walcha	T-801.411.105-9
Trio Sonata no. 1 in E-flat major, BWV 525: 2. Adagio	Helmut Walcha	T-001.439.586-8
Trio Sonata no. 1 in E-flat major, BWV 525: 3. Allegro	Helmut Walcha	—
Sonate Nr. 6 für 2 Manuale und Pedal G-Dur, BWV 530: I. Vivace	Helmut Walcha	—
Sonate Nr. 6 für 2 Manuale und Pedal G-Dur, BWV 530: II. Lento	Helmut Walcha	T-010.888.057-4
Sonate Nr. 6 für 2 Manuale und Pedal G-Dur, BWV 530: III. Allegro	Helmut Walcha	T-010.888.057-4
Six Chorales of Diverse Kinds, "Schübler Chorales": Wachet auf, ruft uns die Stimme, BWV 645	Helmut Walcha	T-031.722.033-9
Six Chorales of Diverse Kinds, "Schübler Chorales": Wo soll ich fliehen hin, oder: Auf meinen lieben Gott, BWV 646	Helmut Walcha	—
Six Chorales of Diverse Kinds, "Schübler Chorales": Wer nur den lieben Gott lässt walten, BWV 647	Helmut Walcha	—
Six Chorales of Diverse Kinds, "Schübler Chorales": Meine Seele erhebet den Herrn, BWV 648	Helmut Walcha	—
Six Chorales of Diverse Kinds, "Schübler Chorales": Ach bleib bei uns, Herr Jesu Christ, BWV 649	Helmut Walcha	—
Six Chorales of Diverse Kinds, "Schübler Chorales": Kommst du nun, Jesu, vom Himmel herunter, BWV 650	Helmut Walcha	—
Partite diverse sopra: Sei gegrüßet, Jesu gütig, BWV 768	Helmut Walcha	—
Toccata und Fuge d-Moll, BWV 565	Helmut Walcha	T-909.243.105-5
Fugue in E-flat major, BWV 552	Helmut Walcha	T-922.046.111-0
Symphony no. 9 in C major, D. 944 "Great": I. Andante. Allegro ma non troppo	Berliner Philharmoniker, Wilhelm Furtwängler	—
Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto	Berliner Philharmoniker, Wilhelm Furtwängler	—
Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace - Trio	Berliner Philharmoniker, Wilhelm Furtwängler	—
Symphony no. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace	Berliner Philharmoniker, Wilhelm Furtwängler	—

Zueignung, Op. 10 No. 1

Heinrich Schlusnus, Richard Strauss

—

Winterreise, D. 911: Gute Nacht

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Die Wetterfahne

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Gefrorne Tränen

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Erstarrung

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Der Lindenbaum

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Wasserflut

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Auf dem Flusse

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Rückblick

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Irrlicht

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Rast

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Frühlingstraum

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Einsamkeit

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Die Post

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Der greise Kopf

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Die Krähe

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Letzte Hoffnung

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Im Dorfe

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Der stürmische Morgen

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Täuschung

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Der Wegweiser

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Das Wirtshaus

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Mut

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Die Nebensonnen

Peter Anders, Michael Raucheisen

—

Winterreise, D. 911: Der Leiermann

Peter Anders, Michael Raucheisen

—

Trio Sonata no. 1 in E-flat major, BWV 525: 1. [without tempo indication]

Helmut Walcha

T-801.411.105-9

Trio Sonata no. 1 in E-flat major, BWV 525: 2. Adagio

Helmut Walcha

T-001.439.586-8

Trio Sonata no. 1 in E-flat major, BWV 525: 3. Allegro

Helmut Walcha

—

Sonate Nr. 6 für 2 Manuale und Pedal G-Dur, BWV 530: I. Vivace

Helmut Walcha

—

Sonate Nr. 6 für 2 Manuale und Pedal G-Dur, BWV 530: II. Lento

Helmut Walcha

T-010.888.057-4

Sonate Nr. 6 für 2 Manuale und Pedal G-Dur, BWV 530: III. Allegro

Helmut Walcha

T-010.888.057-4

Six Chorales of Diverse Kinds, "Schübler Chorales": Wachet auf, ruft uns die Stimme, BWV 645

Helmut Walcha

T-031.722.033-9

Six Chorales of Diverse Kinds, "Schübler Chorales": Wo soll ich fliehen hin, oder: Auf meinen lieben Gott, BWV 646

Helmut Walcha

—

Six Chorales of Diverse Kinds, "Schübler Chorales": Wer nur den lieben Gott lässt walten, BWV 647

Helmut Walcha

—

Six Chorales of Diverse Kinds, "Schübler Chorales": Meine Seele erhebet den Herrn, BWV 648

Helmut Walcha

—

Six Chorales of Diverse Kinds, "Schübler Chorales": Ach bleib bei uns, Herr Jesu Christ, BWV 649

Helmut Walcha

—

Six Chorales of Diverse Kinds, "Schübler Chorales": Kommst du nun, Jesu, vom Himmel herunter, BWV 650

Helmut Walcha

—

Partite diverse sopra: Sei gegrüßet, Jesu gütig, BWV 768

Helmut Walcha

—

Toccata und Fuge d-Moll, BWV 565

Helmut Walcha

T-909.243.105-5

Fugue in E-flat major, BWV 552

Helmut Walcha

T-922.046.111-0

Symphony no. 9 in C major, D. 944 "Great": I. Andante. Allegro ma non troppo

Berliner Philharmoniker, Wilhelm Furtwängler

—

Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto

Berliner Philharmoniker, Wilhelm Furtwängler

—

Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace - Trio

Berliner Philharmoniker, Wilhelm Furtwängler

—

Symphony no. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace

Berliner Philharmoniker, Wilhelm Furtwängler

—

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What is UPC 028948352685?

028948352685 is a Universal Product Code (UPC) assigned to The Anniversary Edition: 120 Years Deutsche Grammophon by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 989 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

The Anniversary Edition: 120 Years Deutsche Grammophon

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Track List (989)

Additional database matches (44)

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What is UPC 028948352685?

Track List (989)

Additional database matches (44)