UPC · Release
111 Years of Deutsche Grammophon
Various Artists
028947781684
111 tracksReleased 2009-01-01Deutsche Grammophon
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028947781684 is the Universal Product Code (UPC barcode) for the release “111 Years of Deutsche Grammophon” by Various Artists, released 2009-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 111 tracks, each with its own ISRC. Tracks include DEF058230904, DEN960731009, DEF056300202.
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UPC111 Years of Deutsche Grammophon
ISRC111 recordings
ISWC30 works
IPI10 songwriters
Track List (111)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hungarian Dances, WoO 1: No. 5 in G minor: Allegro — Vivace | Wiener Philharmoniker, Claudio Abbado | — | |
| 2 | The Art of Fugue, BWV 1080: Contrapunctus 9 a 4 alla Duodecima | Pierre-Laurent Aimard | — | |
| 3 | Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: II. Allegro molto vivace | Amadeus Quartet | — | |
| 4 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 5 | 24 Préludes, op. 28 no. 23 in F major: Moderato | Martha Argerich | — | |
| 6 | Pavane pour une infante défunte | Orchestre de Paris, Daniel Barenboim | T-003.013.767-7 | |
| 7 | Le nozze di Figaro, K. 492: Atto II. No. 12 "Voi che sapete" | Dietrich D. Gerpheide, Cecilia Bartoli, Franz Bartolomey, Robert Scheiwein, Ronald Schneider, Wiener Philharmoniker, Claudio Abbado | — | |
| 8 | 24 Préludes, op. 28: No. 3 in G major: Vivace | Rafał Blechacz | — | |
| 9 | Suite No. 2 in B minor, BWV 1067: VII. "Badinerie" | Festival Strings Lucerne, Rudolf Baumgartner | T-011.654.484-3 | |
| 10 | Requiem, op. 48: IV. Pie Jesu “Pie Jesu Domine” | Horst Neumann, Andreas Schmidt, Kathleen Battle, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | T-010.065.879-4 | |
| 11 | Préludes 1ᵉʳ Livre: VII. Ce quʼa vu le vent dʼOuest. Animé et tumultueux | Arturo Benedetti Michelangeli | — | |
| 12 | Carmen : Acte I. « L'amour est un oiseau rebelle » | Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T-305.625.648-1 | |
| 13 | Candide: Overture | Israel Philharmonic Orchestra, Leonard Bernstein | T-903.288.559-9 | |
| 14 | Requiem in D Minor, K.626: 3. Sequentia: VI. Lacrimosa (from “Amadeus”) | Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Hans Haselböck, Wiener Philharmoniker, Karl Böhm | T-000.698.858-4 | |
| 15 | Sechs Lieder, Op. 17: II. Ständchen | Measha Brueggergosman, Justus Zeyen | — | |
| 16 | Le sacre du printemps, Part II: "Le sacrifice" VI. "Danse sacrale" - "L'élue" | The Cleveland Orchestra, Pierre Boulez | T-070.257.887-7 | |
| 17 | El amor brujo: Canción del amor dolido | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 18 | L’africana: Atto IV. “Mi batte il cor” … “O paradiso!” | Enrico Caruso | — | |
| 19 | Concerto for Violin, Strings and Continuo in G minor, RV 325: II. Largo a piacimento | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | T-911.640.005-6 | |
| 20 | Tosca: Atto III. "E lucevan le stelle" | José Carreras, Berliner Philharmoniker, Herbert von Karajan | T-910.067.947-8 | |
| 2-1 | Carmen Suite: Los Toréadors | Orchestre de l’Opéra Bastille, Myung-Whun Chung | T-308.092.565-7 | |
| 2-2 | Boogie Woogie Etude | Shura Cherkassky | — | |
| 2-3 | Il trovatore: Di quella pira | Coro dell’Accademia Nazionale di Santa Cecilia, Plácido Domingo, Walter Gullino, Rosalind Plowright, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini | T-921.539.025-3 | |
| 2-4 | Abendglocken | Don Kosaken Chor | T-906.113.173-5 | |
| 2-5 | Danzas del ballet “Estancia”, op. 8a: II. Danza del trigo | Simón Bolívar Youth Orchesta of Venezuela, Gustavo Dudamel | — | |
| 2-6 | String Quartet no. 4, BB 95, Sz. 91: IV. Allegretto pizzicato | David Finckel, Eugene Drucker, Lawrence Dutton, Emerson String Quartet, Philip Setzer | — | |
| 2-7 | Winterreise, D. 911: 5. “Der Lindenbaum” | Dietrich Fischer-Dieskau, Gerald Moore | — | |
| 2-8 | Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude | Pierre Fournier | — | |
| 2-9 | Messa da Requiem: Sanctus (coro). Allegro | Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 2-10 | Symphony No. 88 in G major, Hob I/88: IV. Finale (Allegro con spirito) | Berliner Philharmoniker, Wilhelm Furtwängler | T-318.676.528-2 | |
| 2-11 | Lucrezia Borgia, opera: Act II, Scene XXXI. "Il segreto per esser felici" | Coro del Teatro Comunale di Bologna, Elīna Garanča, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado | T-309.970.241-3 | |
| 2-12 | Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum | Monteverdi Choir, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 2-13 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente | Emil Gilels | — | |
| 2-14 | Bilder einer Ausstellung: 2. Il Vecchio Castello | Chicago Symphony Orchestra, Carlo Maria Giulini | T-011.600.131-0 | |
| 2-15 | Das wohltemperierte Klavier: Book 1, BWV 846-869: Prelude In C Major BWV 846 | Hélène Grimaud | T-910.415.372-2 | |
| 2-16 | Canon et gigue en ré majeur : "Canon" | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-17 | Klaviersonate B-Dur, KV 570: III. Allegretto | Friedrich Gulda | — | |
| 2-18 | String Quartet no. 15 in D minor, K. 421/417b: III. Minuetto. Allegretto - Trio | Hagen Quartett | — | |
| 2-19 | Violin Concerto no. 2 in E, BWV 1042: 3. Allegro assai | Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | T-306.395.786-4 | |
| 3-1 | Auf Flügeln des Gesanges, op. 34 no. 2 | Daniel Hope, Sebastian Knauer | — | |
| 3-2 | Etude in C-sharp minor, op. 2 no. 1: Andante | Vladimir Horowitz | T-915.981.383-9 | |
| 3-3 | Porgy and Bess, opera: Act II, Scene II. "It Ain't Necessarily So" | Jascha Heifetz, Emanuel Bay | T-900.757.862-3 | |
| 3-4 | Winterreise, D 911: XXIV. Der Leiermann | Hans Hotter, Michael Raucheisen | — | |
| 3-5 | Vier letzte Lieder, AV 150: I. Frühling | Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-6 | Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 3-7 | Carmina Burana: Blanziflor et Helena: Ave, formosissima | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | — | |
| 3-8 | Overture, op. 62 "Coriolan": Allegro con brio | Berliner Philharmoniker, Herbert von Karajan | T-909.574.378-5 | |
| 3-9 | Bagatelle in A minor, WoO 59 "Für Elise": Poco moto | Wilhelm Kempff | — | |
| 3-10 | Joshua, oratorio, HWV 64: Act III, Scene XIV. Air "Oh Had I Jubal's Lyre" (Achsah) | Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon | T-900.230.391-5 | |
| 3-11 | Symphony no. 8 in G major, op. 88, Third Movement: 3. Allegretto grazioso – Molto vivace | Antonín Dvořák | — | |
| 3-12 | Sonate Nr. 8 G-Dur, op. 30 Nr. 3: I. Allegro assai | Martha Argerich, Gidon Kremer | — | |
| 3-13 | Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — | |
| 3-14 | Kinderszenen, op. 15: VII. Träumerei | Lang Lang | — | |
| 3-15 | String Quartet No. 1 in E-flat major, Op.12: II. Canzonetta - Allegretto | LaSalle Quartet | — | |
| 3-16 | Candide: Act I, No. 14. I Am Easily Assimilated (Old Lady’s Tango) | June Anderson, London Symphony Chorus, Christa Ludwig, London Symphony Orchestra, Leonard Bernstein | T-070.902.346-0 | |
| 4-1 | Der Nußknacker op. 71a: Suite aus dem Ballett op. 71: II. Danse caractéristiques: a. Marche. Tempo di marcia viva | Berliner Philharmoniker, Ferdinand Leitner | T-304.210.691-8 | |
| 4-2 | Symphony No. 1 in D major, Op. 25 "Classical": IV. Finale. Molto vivace | Chicago Symphony Orchestra, James Levine | — | |
| 4-3 | Le Carnaval des animaux: XIII. Le Cygne | Mischa Maisky, Orchestre de Paris, Semyon Bychkov | T-317.671.333-6 | |
| 4-4 | Symphony no. 5 in D major, op. 107 "Reformation": 2. Allegro vivace | Berliner Philharmoniker, Lorin Maazel | — | |
| 4-5 | Concerto for Violin, Violoncello, and Orchestra in A minor, op. 102: 2. Andante | Anne-Sophie Mutter, Antônio Meneses, Berliner Philharmoniker, Herbert von Karajan | T-071.481.827-5 | |
| 4-6 | A Spotless Rose | Gabrieli Consort, Paul McCreesh | T-010.434.901-0 | |
| 4-7 | String Quartet in G minor, op. 10, L. 85: 2. Scherzo (Assez vif et bien rythmé) | Melos Quartett | — | |
| 4-8 | Symphonie fantastique, op. 14: IV. Marche au supplice | Orchestre Lamoureux, Igor Markevitch | — | |
| 4-9 | Sorochintsy Fair: Hopak | Nathan Milstein, Georges Pludermacher | — | |
| 4-10 | Dardanus: Tambourins I & II | Les Musiciens du Louvre, Marc Minkowski | — | |
| 4-11 | Liebesfreud | Clifford Benson, Shlomo Mintz | T-801.289.652-6 | |
| 4-12 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | Leningrad Philharmonic Orchestra, Yevgeny Mravinsky | T-902.685.630-4 | |
| 4-13 | La Traviata: Atto I. “È strano” ... “Sempre libera” | Anna Netrebko, Mahler Chamber Orchestra, Claudio Abbado | — | |
| 4-14 | Études-Caprices op. 18 for 2 Violins: No. 5 in E major | David Oistrakh, Igor Oistrakh | — | |
| 4-15 | 12 études d'exécution transcendante: II. Molto vivace | Alice Sara Ott | T-911.517.582-1 | |
| 4-16 | Con che soavità | Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-17 | Swan Lake, op. 20: Act II: no. 10: Scène. Moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-18 | Sonata in E major, K. 135: Allegro | Ivo Pogorelich | — | |
| 5-1 | L’elisir d’amore: Atto I. Duetto “Voglio dire, lo stupendo elisir” (Nemorino, Dulcamara) | Enzo Dara, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | — | |
| 5-2 | Nocturne no. 5 in F-sharp major, op. 15 no. 2: Larghetto | Maria João Pires | T-306.230.833-8 | |
| 5-3 | Sonata for Violin & Piano No. 28 in E minor, K. 300c/304: II. Tempo di minuetto | Itzhak Perlman, Daniel Barenboim | — | |
| 5-4 | Die Hochzeit des Figaro, 4.Akt, Arie der Susanna: "Deh vieni, non tardar" | Patricia Petibon, Concerto Köln, Daniel Harding | T-001.424.370-9 | |
| 5-5 | Gnomenreigen, S. 145 No. 2 | Михаил Васильевич Плетнёв | — | |
| 5-6 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-306.395.786-4 | |
| 5-7 | Polonaise no. 6 in A-flat major, op. 53 "Heroic": Maestoso | Maurizio Pollini | T-060.274.630-4 | |
| 5-8 | Capriccio, Op. 85: Mondscheinmusik | Wiener Philharmoniker, André Previn | — | |
| 5-9 | Il barbiere di Siviglia: “Largo al factotum” | Hermann Prey, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 5-10 | Symphony for Organ no. 5 in F minor, op. 42 no. 1: V. Toccata: Allegro | Simon Preston | — | |
| 5-11 | Tannhäuser: „Wie Todesahnung” … „O du mein holder Abendstern” | Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 5-12 | Mass in B Minor: XXVII. Chor: Dona nobis pacem | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T-050.051.776-9 | |
| 5-13 | Prelude in G-sharp minor, op. 32 no. 12 | Sviatoslav Richter | — | |
| 5-14 | Karelia Suite, op. 11: I. Intermezzo | Berliner Philharmoniker, Hans Rosbaud | — | |
| 5-15 | Chant du ménéstrel, op. 71 | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 5-16 | Frühlingsfahrt, Op. 45 No. 2 | Heinrich Schlusnus, Sebastian Peschko | — | |
| 5-17 | Violin Sonata no. 5 in F major, op. 24 “Spring”: 3. Scherzo. Allegro molto | Wolfgang Schneiderhan, Carl Seemann | — | |
| 5-18 | Lachen und weinen, D 777 | Irmgard Seefried, Erik Werba | — | |
| 6-1 | Recuerdos de la Alhambra | Andrés Segovia | — | |
| 6-2 | Exsultate, jubilate, K. 165: IV. Alleluia | Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | T-905.495.559-8 | |
| 6-3 | Nabucco: “Va pensiero sull’ali dorate“ | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | — | |
| 6-4 | Ave Maria | Cheryl Studer, London Symphony Orchestra, Ion Marin | T-011.552.398-2 | |
| 6-5 | Cavatina | John Williams | T-011.221.528-7 | |
| 6-6 | Symphony No. 40 for Orchestra without clarinets in G minor, K. 550 "Great": IV. Allegro assai | Staatskapelle Berlin, Richard Strauss | T-306.395.786-4 | |
| 6-7 | Lo spazzacamino | Rita Streich, Deutsches Symphonie-Orchester Berlin, Kurt Gaebel | — | |
| 6-8 | Songs of Travel: The Vagabond | Bryn Terfel, Malcolm Martineau | — | |
| 6-9 | Lohengrin, Akt III.: Vorspiel | The Philadelphia Orchestra, Christian Thielemann | — | |
| 6-10 | Ayre: Nanni | Dawn Upshaw, The Andalucian Dogs | T-072.330.938-3 | |
| 6-11 | Rigoletto: Questa o quella | Rolando Villazón, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari | T-912.866.624-0 | |
| 6-12 | Suite No. 5 in C minor, BWV 1011: III. Courante | Jian Wang | — | |
| 6-13 | Piano Étude No. 10 "The Sorcerer's Apprentice" | 王羽佳 | — | |
| 6-14 | Organ Concerto No. 4 in F major, HWV 292: I. Allegro | Eduard Müller, Schola Cantorum Basiliensis, August Wenzinger | T-070.161.055-0 | |
| 6-15 | Zärtliche Liebe, WoO 123 | Fritz Wunderlich, Hubert Giesen | — | |
| 6-16 | Sechs Choräle von verschiedener Art, BWV 645: No. 1 "Wachet auf, ruft uns die Stimme" | Helmut Walcha | T-031.722.033-9 | |
| 6-17 | Prelude No.1 in E minor: Andantino espressivo, Più mosso, Primo tempo | Narciso Yepes | — | |
| 6-18 | Chanson dans la nuit | Nicanor Zabaleta | T-070.024.397-5 | |
| 6-19 | "F-A-E" Sonata for Piano and Violin, WoO posth. 2: 3. Scherzo. Allegro — Trio. Più Moderato | Daniel Barenboim, Pinchas Zukerman | — | |
| 6-20 | Impromptu in A-flat major, D 899 | Krystian Zimerman | T-304.253.207-6 |
Hungarian Dances, WoO 1: No. 5 in G minor: Allegro — Vivace
Wiener Philharmoniker, Claudio Abbado
—
The Art of Fugue, BWV 1080: Contrapunctus 9 a 4 alla Duodecima
Pierre-Laurent Aimard
—
Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: II. Allegro molto vivace
Amadeus Quartet
—
Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai
Géza Anda, Camerata Academica des Salzburger Mozarteums
—
24 Préludes, op. 28 no. 23 in F major: Moderato
Martha Argerich
—
Le nozze di Figaro, K. 492: Atto II. No. 12 "Voi che sapete"
Dietrich D. Gerpheide, Cecilia Bartoli, Franz Bartolomey, Robert Scheiwein, Ronald Schneider, Wiener Philharmoniker, Claudio Abbado
—
24 Préludes, op. 28: No. 3 in G major: Vivace
Rafał Blechacz
—
Festival Strings Lucerne, Rudolf Baumgartner
Horst Neumann, Andreas Schmidt, Kathleen Battle, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini
Préludes 1ᵉʳ Livre: VII. Ce quʼa vu le vent dʼOuest. Animé et tumultueux
Arturo Benedetti Michelangeli
—
Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado
Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Hans Haselböck, Wiener Philharmoniker, Karl Böhm
Sechs Lieder, Op. 17: II. Ständchen
Measha Brueggergosman, Justus Zeyen
—
The Cleveland Orchestra, Pierre Boulez
El amor brujo: Canción del amor dolido
Radio-Symphonie-Orchester Berlin, Lorin Maazel
—
L’africana: Atto IV. “Mi batte il cor” … “O paradiso!”
Enrico Caruso
—
Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon
José Carreras, Berliner Philharmoniker, Herbert von Karajan
Boogie Woogie Etude
Shura Cherkassky
—
Coro dell’Accademia Nazionale di Santa Cecilia, Plácido Domingo, Walter Gullino, Rosalind Plowright, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini
Danzas del ballet “Estancia”, op. 8a: II. Danza del trigo
Simón Bolívar Youth Orchesta of Venezuela, Gustavo Dudamel
—
String Quartet no. 4, BB 95, Sz. 91: IV. Allegretto pizzicato
David Finckel, Eugene Drucker, Lawrence Dutton, Emerson String Quartet, Philip Setzer
—
Winterreise, D. 911: 5. “Der Lindenbaum”
Dietrich Fischer-Dieskau, Gerald Moore
—
Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude
Pierre Fournier
—
Messa da Requiem: Sanctus (coro). Allegro
Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
—
Berliner Philharmoniker, Wilhelm Furtwängler
Coro del Teatro Comunale di Bologna, Elīna Garanča, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado
Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum
Monteverdi Choir, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
—
Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente
Emil Gilels
—
Chicago Symphony Orchestra, Carlo Maria Giulini
Canon et gigue en ré majeur : "Canon"
Musica Antiqua Köln, Reinhard Goebel
—
Klaviersonate B-Dur, KV 570: III. Allegretto
Friedrich Gulda
—
String Quartet no. 15 in D minor, K. 421/417b: III. Minuetto. Allegretto - Trio
Hagen Quartett
—
Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane
Auf Flügeln des Gesanges, op. 34 no. 2
Daniel Hope, Sebastian Knauer
—
Jascha Heifetz, Emanuel Bay
Winterreise, D 911: XXIV. Der Leiermann
Hans Hotter, Michael Raucheisen
—
Vier letzte Lieder, AV 150: I. Frühling
Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan
—
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
Gothenburg Symphony Orchestra, Neeme Järvi
—
Carmina Burana: Blanziflor et Helena: Ave, formosissima
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum
—
Berliner Philharmoniker, Herbert von Karajan
Bagatelle in A minor, WoO 59 "Für Elise": Poco moto
Wilhelm Kempff
—
Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon
Symphony no. 8 in G major, op. 88, Third Movement: 3. Allegretto grazioso – Molto vivace
Antonín Dvořák
—
Sonate Nr. 8 G-Dur, op. 30 Nr. 3: I. Allegro assai
Martha Argerich, Gidon Kremer
—
Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro
Wiener Philharmoniker, Carlos Kleiber
—
Kinderszenen, op. 15: VII. Träumerei
Lang Lang
—
String Quartet No. 1 in E-flat major, Op.12: II. Canzonetta - Allegretto
LaSalle Quartet
—
June Anderson, London Symphony Chorus, Christa Ludwig, London Symphony Orchestra, Leonard Bernstein
Berliner Philharmoniker, Ferdinand Leitner
Symphony No. 1 in D major, Op. 25 "Classical": IV. Finale. Molto vivace
Chicago Symphony Orchestra, James Levine
—
Mischa Maisky, Orchestre de Paris, Semyon Bychkov
Symphony no. 5 in D major, op. 107 "Reformation": 2. Allegro vivace
Berliner Philharmoniker, Lorin Maazel
—
Anne-Sophie Mutter, Antônio Meneses, Berliner Philharmoniker, Herbert von Karajan
String Quartet in G minor, op. 10, L. 85: 2. Scherzo (Assez vif et bien rythmé)
Melos Quartett
—
Symphonie fantastique, op. 14: IV. Marche au supplice
Orchestre Lamoureux, Igor Markevitch
—
Sorochintsy Fair: Hopak
Nathan Milstein, Georges Pludermacher
—
Dardanus: Tambourins I & II
Les Musiciens du Louvre, Marc Minkowski
—
Leningrad Philharmonic Orchestra, Yevgeny Mravinsky
La Traviata: Atto I. “È strano” ... “Sempre libera”
Anna Netrebko, Mahler Chamber Orchestra, Claudio Abbado
—
Études-Caprices op. 18 for 2 Violins: No. 5 in E major
David Oistrakh, Igor Oistrakh
—
Con che soavità
Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel
—
Swan Lake, op. 20: Act II: no. 10: Scène. Moderato
Boston Symphony Orchestra, Seiji Ozawa
—
Sonata in E major, K. 135: Allegro
Ivo Pogorelich
—
L’elisir d’amore: Atto I. Duetto “Voglio dire, lo stupendo elisir” (Nemorino, Dulcamara)
Enzo Dara, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine
—
Sonata for Violin & Piano No. 28 in E minor, K. 300c/304: II. Tempo di minuetto
Itzhak Perlman, Daniel Barenboim
—
Patricia Petibon, Concerto Köln, Daniel Harding
Gnomenreigen, S. 145 No. 2
Михаил Васильевич Плетнёв
—
Trevor Pinnock, Simon Standage, The English Concert
Capriccio, Op. 85: Mondscheinmusik
Wiener Philharmoniker, André Previn
—
Hermann Prey, London Symphony Orchestra, Claudio Abbado
Symphony for Organ no. 5 in F minor, op. 42 no. 1: V. Toccata: Allegro
Simon Preston
—
Tannhäuser: „Wie Todesahnung” … „O du mein holder Abendstern”
Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann
—
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Prelude in G-sharp minor, op. 32 no. 12
Sviatoslav Richter
—
Karelia Suite, op. 11: I. Intermezzo
Berliner Philharmoniker, Hans Rosbaud
—
Chant du ménéstrel, op. 71
Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa
—
Frühlingsfahrt, Op. 45 No. 2
Heinrich Schlusnus, Sebastian Peschko
—
Violin Sonata no. 5 in F major, op. 24 “Spring”: 3. Scherzo. Allegro molto
Wolfgang Schneiderhan, Carl Seemann
—
Lachen und weinen, D 777
Irmgard Seefried, Erik Werba
—
Recuerdos de la Alhambra
Andrés Segovia
—
Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Nabucco: “Va pensiero sull’ali dorate“
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
—
Staatskapelle Berlin, Richard Strauss
Lo spazzacamino
Rita Streich, Deutsches Symphonie-Orchester Berlin, Kurt Gaebel
—
Songs of Travel: The Vagabond
Bryn Terfel, Malcolm Martineau
—
Lohengrin, Akt III.: Vorspiel
The Philadelphia Orchestra, Christian Thielemann
—
Rolando Villazón, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari
Suite No. 5 in C minor, BWV 1011: III. Courante
Jian Wang
—
Piano Étude No. 10 "The Sorcerer's Apprentice"
王羽佳
—
Eduard Müller, Schola Cantorum Basiliensis, August Wenzinger
Zärtliche Liebe, WoO 123
Fritz Wunderlich, Hubert Giesen
—
Prelude No.1 in E minor: Andantino espressivo, Più mosso, Primo tempo
Narciso Yepes
—
"F-A-E" Sonata for Piano and Violin, WoO posth. 2: 3. Scherzo. Allegro — Trio. Più Moderato
Daniel Barenboim, Pinchas Zukerman
—
Additional database matches (11)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Karelia Suite, op. 11: I. Intermezzo | Berliner Philharmoniker, Hans Rosbaud | T-912.456.317-3 |
| Der Nußknacker op. 71a: Suite aus dem Ballett op. 71: II. Danse caractéristiques: b. Danse de la fée-Dragée. Andante non troppo | Berliner Philharmoniker, Ferdinand Leitner | — |
| Concerto pour piano et orchestre No. 21, KV 467: Andante | Géza Anda, Camerata Academica des Salzburger Mozarteums | T-010.194.871-3 |
| Symphony no. 8 in G major, op. 88, Third Movement: 3. Allegretto grazioso – Molto vivace | Antonín Dvořák | — |
| Carmina Burana: Fortuna imperatrix mundi: O Fortuna | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | T-800.639.771-4 |
| Symphonie Nr. 5 c‐moll, op. 67: 1. Satz: Allegro con brio | Wiener Philharmoniker, Carlos Kleiber | — |
| Prelude in D minor, Op. 28 No. 24 | Martha Argerich | T-902.876.200-7 |
| Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — |
| Pavane pour une infante défunte | Orchestre de Paris, Daniel Barenboim | — |
| L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino) | Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | T-902.504.007-7 |
| Sonate Nr. 8 G-Dur, op. 30 Nr. 3: III. Allegro vivace | Martha Argerich, Gidon Kremer | — |
Berliner Philharmoniker, Hans Rosbaud
Der Nußknacker op. 71a: Suite aus dem Ballett op. 71: II. Danse caractéristiques: b. Danse de la fée-Dragée. Andante non troppo
Berliner Philharmoniker, Ferdinand Leitner
—
Géza Anda, Camerata Academica des Salzburger Mozarteums
Symphony no. 8 in G major, op. 88, Third Movement: 3. Allegretto grazioso – Molto vivace
Antonín Dvořák
—
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum
Symphonie Nr. 5 c‐moll, op. 67: 1. Satz: Allegro con brio
Wiener Philharmoniker, Carlos Kleiber
—
Martha Argerich
Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro
Trevor Pinnock, Simon Standage, The English Concert
—
Pavane pour une infante défunte
Orchestre de Paris, Daniel Barenboim
—
Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine
Sonate Nr. 8 G-Dur, op. 30 Nr. 3: III. Allegro vivace
Martha Argerich, Gidon Kremer
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-000.698.858-4T-001.424.370-9T-010.434.901-0T-010.434.901-0T-011.221.528-7T-011.221.528-7T-070.902.346-0T-070.902.346-0T-071.481.827-5T-304.210.691-8
+20 more
T-304.253.207-6T-306.230.833-8T-306.395.786-4T-308.092.565-7T-309.970.241-3T-317.671.333-6T-800.639.771-4T-801.289.652-6T-801.289.652-6T-900.017.894-9T-900.757.862-3T-902.305.770-7T-902.504.007-7T-902.685.630-4T-902.876.200-7T-903.288.559-9T-903.288.559-9T-909.574.378-5T-910.415.372-2T-910.415.372-2
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055154948000000005516408900000000551771030000000055188048000000006097350X00000000630859890000000063095503000000006309661000000000737037600000000078537159
+20 more
00000000801586090000000080784896000000008082023600000000811710470000000081255750000000008130714300000000813864860000000081611727000000008169243200000000818440960000000081853590000000008359913500000000836472800000000084147480000000010442253200000001065423940000000106617448000000010670347700000001067526070000000107832238
Identifier Graph
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What is UPC 028947781684?
028947781684 is a Universal Product Code (UPC) assigned to 111 Years of Deutsche Grammophon by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 111 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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