UPC · Release
111 Years of Deutsche Grammophon
Various Artists
028947781684
40 tracksReleased 2009-01-01Deutsche Grammophon
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028947781684 is the Universal Product Code (UPC barcode) for the release “111 Years of Deutsche Grammophon” by Various Artists, released 2009-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include DEF058230904, DEN960731009, DEF056300202.
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Credit Chain
UPC111 Years of Deutsche Grammophon
ISRC40 recordings
ISWC56 works
IPI10 songwriters
Track List (40)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hungarian Dances, WoO 1: No. 5 in G minor: Allegro — Vivace | Wiener Philharmoniker, Claudio Abbado | — | |
| 2 | The Art of Fugue, BWV 1080: Contrapunctus 9 a 4 alla Duodecima | Pierre-Laurent Aimard | — | |
| 3 | Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: II. Allegro molto vivace | Amadeus Quartet | — | |
| 4 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 5 | 24 Préludes, op. 28 no. 23 in F major: Moderato | Martha Argerich | — | |
| 6 | Pavane pour une infante défunte | Orchestre de Paris, Daniel Barenboim | T0030137677 | |
| 7 | Le nozze di Figaro, K. 492: Atto II. No. 12 "Voi che sapete" | Dietrich D. Gerpheide, Cecilia Bartoli, Franz Bartolomey, Robert Scheiwein, Ronald Schneider, Wiener Philharmoniker, Claudio Abbado | — | |
| 8 | 24 Préludes, op. 28: No. 3 in G major: Vivace | Rafał Blechacz | — | |
| 9 | Suite No. 2 in B minor, BWV 1067: VII. "Badinerie" | Festival Strings Lucerne, Rudolf Baumgartner | T0116544843 | |
| 10 | Requiem, op. 48: IV. Pie Jesu “Pie Jesu Domine” | Horst Neumann, Andreas Schmidt, Kathleen Battle, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | T0100658794 | |
| 11 | Préludes 1ᵉʳ Livre: VII. Ce quʼa vu le vent dʼOuest. Animé et tumultueux | Arturo Benedetti Michelangeli | — | |
| 12 | Carmen : Acte I. « L'amour est un oiseau rebelle » | Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T3056256481 | |
| 13 | Candide: Overture | Israel Philharmonic Orchestra, Leonard Bernstein | T-903.288.559-9 | |
| 14 | Requiem in D Minor, K.626: 3. Sequentia: VI. Lacrimosa (from “Amadeus”) | Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Hans Haselböck, Wiener Philharmoniker, Karl Böhm | T-000698858-4 | |
| 15 | Sechs Lieder, Op. 17: II. Ständchen | Measha Brueggergosman, Justus Zeyen | — | |
| 16 | Le sacre du printemps, Part II: "Le sacrifice" VI. "Danse sacrale" - "L'élue" | The Cleveland Orchestra, Pierre Boulez | T0702578877 | |
| 17 | El amor brujo: Canción del amor dolido | Radio-Symphonie-Orchester Berlin, Lorin Maazel | — | |
| 18 | L’africana: Atto IV. “Mi batte il cor” … “O paradiso!” | Enrico Caruso | — | |
| 19 | Concerto for Violin, Strings and Continuo in G minor, RV 325: II. Largo a piacimento | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | T9116400056 | |
| 20 | Tosca: Atto III. "E lucevan le stelle" | José Carreras, Berliner Philharmoniker, Herbert von Karajan | T9100679478 | |
| 6-1 | Recuerdos de la Alhambra | Andrés Segovia | — | |
| 6-2 | Exsultate, jubilate, K. 165: IV. Alleluia | Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | T9054955598 | |
| 6-3 | Nabucco: “Va pensiero sull’ali dorate“ | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | — | |
| 6-4 | Ave Maria | Cheryl Studer, London Symphony Orchestra, Ion Marin | T0115523982 | |
| 6-5 | Cavatina | John Williams | T-011221528-7 | |
| 6-6 | Symphony No. 40 for Orchestra without clarinets in G minor, K. 550 "Great": IV. Allegro assai | Staatskapelle Berlin, Richard Strauss | T3063957864 | |
| 6-7 | Lo spazzacamino | Rita Streich, Deutsches Symphonie-Orchester Berlin, Kurt Gaebel | — | |
| 6-8 | Songs of Travel: The Vagabond | Bryn Terfel, Malcolm Martineau | — | |
| 6-9 | Lohengrin, Akt III.: Vorspiel | The Philadelphia Orchestra, Christian Thielemann | — | |
| 6-10 | Ayre: Nanni | Dawn Upshaw, The Andalucian Dogs | T0723309383 | |
| 6-11 | Rigoletto: Questa o quella | Rolando Villazón, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari | T-912866624-0 | |
| 6-12 | Suite No. 5 in C minor, BWV 1011: III. Courante | Jian Wang | — | |
| 6-13 | Piano Étude No. 10 "The Sorcerer's Apprentice" | 王羽佳 | — | |
| 6-14 | Organ Concerto No. 4 in F major, HWV 292: I. Allegro | Eduard Müller, Schola Cantorum Basiliensis, August Wenzinger | T0701610550 | |
| 6-15 | Zärtliche Liebe, WoO 123 | Fritz Wunderlich, Hubert Giesen | — | |
| 6-16 | Sechs Choräle von verschiedener Art, BWV 645: No. 1 "Wachet auf, ruft uns die Stimme" | Helmut Walcha | T0317220339 | |
| 6-17 | Prelude No.1 in E minor: Andantino espressivo, Più mosso, Primo tempo | Narciso Yepes | — | |
| 6-18 | Chanson dans la nuit | Nicanor Zabaleta | T0700243975 | |
| 6-19 | "F-A-E" Sonata for Piano and Violin, WoO posth. 2: 3. Scherzo. Allegro — Trio. Più Moderato | Daniel Barenboim, Pinchas Zukerman | — | |
| 6-20 | Impromptu in A-flat major, D 899 | Krystian Zimerman | T-304253207-6 |
Hungarian Dances, WoO 1: No. 5 in G minor: Allegro — Vivace
Wiener Philharmoniker, Claudio Abbado
—
The Art of Fugue, BWV 1080: Contrapunctus 9 a 4 alla Duodecima
Pierre-Laurent Aimard
—
Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: II. Allegro molto vivace
Amadeus Quartet
—
Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai
Géza Anda, Camerata Academica des Salzburger Mozarteums
—
24 Préludes, op. 28 no. 23 in F major: Moderato
Martha Argerich
—
Le nozze di Figaro, K. 492: Atto II. No. 12 "Voi che sapete"
Dietrich D. Gerpheide, Cecilia Bartoli, Franz Bartolomey, Robert Scheiwein, Ronald Schneider, Wiener Philharmoniker, Claudio Abbado
—
24 Préludes, op. 28: No. 3 in G major: Vivace
Rafał Blechacz
—
Festival Strings Lucerne, Rudolf Baumgartner
Horst Neumann, Andreas Schmidt, Kathleen Battle, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini
Préludes 1ᵉʳ Livre: VII. Ce quʼa vu le vent dʼOuest. Animé et tumultueux
Arturo Benedetti Michelangeli
—
Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado
Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Hans Haselböck, Wiener Philharmoniker, Karl Böhm
Sechs Lieder, Op. 17: II. Ständchen
Measha Brueggergosman, Justus Zeyen
—
The Cleveland Orchestra, Pierre Boulez
El amor brujo: Canción del amor dolido
Radio-Symphonie-Orchester Berlin, Lorin Maazel
—
L’africana: Atto IV. “Mi batte il cor” … “O paradiso!”
Enrico Caruso
—
Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon
José Carreras, Berliner Philharmoniker, Herbert von Karajan
Recuerdos de la Alhambra
Andrés Segovia
—
Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Nabucco: “Va pensiero sull’ali dorate“
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
—
Staatskapelle Berlin, Richard Strauss
Lo spazzacamino
Rita Streich, Deutsches Symphonie-Orchester Berlin, Kurt Gaebel
—
Songs of Travel: The Vagabond
Bryn Terfel, Malcolm Martineau
—
Lohengrin, Akt III.: Vorspiel
The Philadelphia Orchestra, Christian Thielemann
—
Rolando Villazón, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari
Suite No. 5 in C minor, BWV 1011: III. Courante
Jian Wang
—
Piano Étude No. 10 "The Sorcerer's Apprentice"
王羽佳
—
Eduard Müller, Schola Cantorum Basiliensis, August Wenzinger
Zärtliche Liebe, WoO 123
Fritz Wunderlich, Hubert Giesen
—
Prelude No.1 in E minor: Andantino espressivo, Più mosso, Primo tempo
Narciso Yepes
—
"F-A-E" Sonata for Piano and Violin, WoO posth. 2: 3. Scherzo. Allegro — Trio. Più Moderato
Daniel Barenboim, Pinchas Zukerman
—
Additional database matches (83)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Frühlingsfahrt, Op. 45 No. 2 | Heinrich Schlusnus, Sebastian Peschko | — |
| Winterreise, D 911: XXIV. Der Leiermann | Hans Hotter, Michael Raucheisen | — |
| Porgy and Bess, opera: Act II, Scene II. "It Ain't Necessarily So" | Jascha Heifetz, Emanuel Bay | T-900757862-3 |
| Symphony No. 88 in G major, Hob I/88: IV. Finale (Allegro con spirito) | Berliner Philharmoniker, Wilhelm Furtwängler | T3186765282 |
| Messa da Requiem: Sanctus (coro). Allegro | Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | — |
| Lachen und weinen, D 777 | Irmgard Seefried, Erik Werba | — |
| Boogie Woogie Etude | Shura Cherkassky | — |
| Karelia Suite, op. 11: I. Intermezzo | Berliner Philharmoniker, Hans Rosbaud | — |
| Karelia Suite, op. 11: I. Intermezzo | Berliner Philharmoniker, Hans Rosbaud | T9124563173 |
| Études-Caprices op. 18 for 2 Violins: No. 5 in E major | David Oistrakh, Igor Oistrakh | — |
| Violin Sonata no. 5 in F major, op. 24 “Spring”: 3. Scherzo. Allegro molto | Wolfgang Schneiderhan, Carl Seemann | — |
| Abendglocken | Don Kosaken Chor | T9061131735 |
| Der Nußknacker op. 71a: Suite aus dem Ballett op. 71: II. Danse caractéristiques: a. Marche. Tempo di marcia viva | Berliner Philharmoniker, Ferdinand Leitner | T-304.210.691-8 |
| Der Nußknacker op. 71a: Suite aus dem Ballett op. 71: II. Danse caractéristiques: b. Danse de la fée-Dragée. Andante non troppo | Berliner Philharmoniker, Ferdinand Leitner | — |
| Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | Leningrad Philharmonic Orchestra, Yevgeny Mravinsky | T-902685630-4 |
| Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude | Pierre Fournier | — |
| Concerto pour piano et orchestre No. 21, KV 467: Andante | Géza Anda, Camerata Academica des Salzburger Mozarteums | T0101948713 |
| Symphony no. 5 in D major, op. 107 "Reformation": 2. Allegro vivace | Berliner Philharmoniker, Lorin Maazel | — |
| Symphonie fantastique, op. 14: IV. Marche au supplice | Orchestre Lamoureux, Igor Markevitch | — |
| Mass in B Minor: XXVII. Chor: Dona nobis pacem | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T0500517769 |
| Prelude in G-sharp minor, op. 32 no. 12 | Sviatoslav Richter | — |
| Bagatelle in A minor, WoO 59 "Für Elise": Poco moto | Wilhelm Kempff | — |
| Overture, op. 62 "Coriolan": Allegro con brio | Berliner Philharmoniker, Herbert von Karajan | T-909574378-5 |
| Symphony no. 8 in G major, op. 88, Third Movement: 3. Allegretto grazioso – Molto vivace | Antonín Dvořák | — |
| Symphony no. 8 in G major, op. 88, Third Movement: 3. Allegretto grazioso – Molto vivace | Antonín Dvořák | — |
| Carmina Burana: Blanziflor et Helena: Ave, formosissima | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | — |
| Carmina Burana: Fortuna imperatrix mundi: O Fortuna | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | T-800639771-4 |
| String Quartet No. 1 in E-flat major, Op.12: II. Canzonetta - Allegretto | LaSalle Quartet | — |
| Winterreise, D. 911: 5. “Der Lindenbaum” | Dietrich Fischer-Dieskau, Gerald Moore | — |
| Il barbiere di Siviglia: “Largo al factotum” | Hermann Prey, London Symphony Orchestra, Claudio Abbado | T9021874099 |
| Vier letzte Lieder, AV 150: I. Frühling | Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | — |
| Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente | Emil Gilels | — |
| Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — |
| Symphonie Nr. 5 c‐moll, op. 67: 1. Satz: Allegro con brio | Wiener Philharmoniker, Carlos Kleiber | — |
| Chant du ménéstrel, op. 71 | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
| Polonaise no. 6 in A-flat major, op. 53 "Heroic": Maestoso | Maurizio Pollini | T0602746304 |
| Sorochintsy Fair: Hopak | Nathan Milstein, Georges Pludermacher | — |
| Prelude in D minor, Op. 28 No. 24 | Martha Argerich | T-902876200-7 |
| Bilder einer Ausstellung: 2. Il Vecchio Castello | Chicago Symphony Orchestra, Carlo Maria Giulini | T0116001310 |
| Klaviersonate B-Dur, KV 570: III. Allegretto | Friedrich Gulda | — |
| Swan Lake, op. 20: Act II: no. 10: Scène. Moderato | Boston Symphony Orchestra, Seiji Ozawa | — |
| String Quartet in G minor, op. 10, L. 85: 2. Scherzo (Assez vif et bien rythmé) | Melos Quartett | — |
| Liebesfreud | Clifford Benson, Shlomo Mintz | T-801.289.652-6 |
| Canon et gigue en ré majeur : "Canon" | Musica Antiqua Köln, Reinhard Goebel | — |
| Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T3063957864 |
| Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — |
| Pavane pour une infante défunte | Orchestre de Paris, Daniel Barenboim | — |
| Concerto for Violin, Violoncello, and Orchestra in A minor, op. 102: 2. Andante | Anne-Sophie Mutter, Antônio Meneses, Berliner Philharmoniker, Herbert von Karajan | T-071481827-5 |
| Sonata for Violin & Piano No. 28 in E minor, K. 300c/304: II. Tempo di minuetto | Itzhak Perlman, Daniel Barenboim | — |
| Symphony for Organ no. 5 in F minor, op. 42 no. 1: V. Toccata: Allegro | Simon Preston | — |
| Il trovatore: Di quella pira | Coro dell’Accademia Nazionale di Santa Cecilia, Plácido Domingo, Walter Gullino, Rosalind Plowright, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini | T9215390253 |
| Etude in C-sharp minor, op. 2 no. 1: Andante | Vladimir Horowitz | T-915981383-9 |
| Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning | Gothenburg Symphony Orchestra, Neeme Järvi | — |
| String Quartet no. 4, BB 95, Sz. 91: IV. Allegretto pizzicato | David Finckel, Eugene Drucker, Lawrence Dutton, Emerson String Quartet, Philip Setzer | — |
| Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum | Monteverdi Choir, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — |
| L’elisir d’amore: Atto I. Duetto “Voglio dire, lo stupendo elisir” (Nemorino, Dulcamara) | Enzo Dara, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | — |
| L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino) | Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | T-902504007-7 |
| Candide: Act I, No. 14. I Am Easily Assimilated (Old Lady’s Tango) | June Anderson, London Symphony Chorus, Christa Ludwig, London Symphony Orchestra, Leonard Bernstein | T-070.902.346-0 |
| Carmen Suite: Los Toréadors | Orchestre de l’Opéra Bastille, Myung-Whun Chung | T-308092565-7 |
| Le Carnaval des animaux: XIII. Le Cygne | Mischa Maisky, Orchestre de Paris, Semyon Bychkov | T-317671333-6 |
| Sonata in E major, K. 135: Allegro | Ivo Pogorelich | — |
| Capriccio, Op. 85: Mondscheinmusik | Wiener Philharmoniker, André Previn | — |
| Symphony No. 1 in D major, Op. 25 "Classical": IV. Finale. Molto vivace | Chicago Symphony Orchestra, James Levine | — |
| Sonate Nr. 8 G-Dur, op. 30 Nr. 3: I. Allegro assai | Martha Argerich, Gidon Kremer | — |
| Sonate Nr. 8 G-Dur, op. 30 Nr. 3: III. Allegro vivace | Martha Argerich, Gidon Kremer | — |
| String Quartet no. 15 in D minor, K. 421/417b: III. Minuetto. Allegretto - Trio | Hagen Quartett | — |
| Nocturne no. 5 in F-sharp major, op. 15 no. 2: Larghetto | Maria João Pires | T-306230833-8 |
| Con che soavità | Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel | — |
| Gnomenreigen, S. 145 No. 2 | Михаил Васильевич Плетнёв | — |
| Tannhäuser: „Wie Todesahnung” … „O du mein holder Abendstern” | Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann | — |
| Violin Concerto no. 2 in E, BWV 1042: 3. Allegro assai | Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | T-306395786-4 |
| Das wohltemperierte Klavier: Book 1, BWV 846-869: Prelude In C Major BWV 846 | Hélène Grimaud | T-910415372-2 |
| Kinderszenen, op. 15: VII. Träumerei | Lang Lang | — |
| Dardanus: Tambourins I & II | Les Musiciens du Louvre, Marc Minkowski | — |
| La Traviata: Atto I. “È strano” ... “Sempre libera” | Anna Netrebko, Mahler Chamber Orchestra, Claudio Abbado | — |
| Joshua, oratorio, HWV 64: Act III, Scene XIV. Air "Oh Had I Jubal's Lyre" (Achsah) | Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon | T9002303915 |
| Auf Flügeln des Gesanges, op. 34 no. 2 | Daniel Hope, Sebastian Knauer | — |
| A Spotless Rose | Gabrieli Consort, Paul McCreesh | T-010.434.901-0 |
| Danzas del ballet “Estancia”, op. 8a: II. Danza del trigo | Simón Bolívar Youth Orchesta of Venezuela, Gustavo Dudamel | — |
| Die Hochzeit des Figaro, 4.Akt, Arie der Susanna: "Deh vieni, non tardar" | Patricia Petibon, Concerto Köln, Daniel Harding | T-001424370-9 |
| 12 études d'exécution transcendante: II. Molto vivace | Alice Sara Ott | T9115175821 |
| Lucrezia Borgia, opera: Act II, Scene XXXI. "Il segreto per esser felici" | Coro del Teatro Comunale di Bologna, Elīna Garanča, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado | T-309970241-3 |
| Karelia Suite, op. 11: I. Intermezzo | Berliner Philharmoniker, Hans Rosbaud | — |
Frühlingsfahrt, Op. 45 No. 2
Heinrich Schlusnus, Sebastian Peschko
—
Winterreise, D 911: XXIV. Der Leiermann
Hans Hotter, Michael Raucheisen
—
Jascha Heifetz, Emanuel Bay
Berliner Philharmoniker, Wilhelm Furtwängler
Messa da Requiem: Sanctus (coro). Allegro
Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
—
Lachen und weinen, D 777
Irmgard Seefried, Erik Werba
—
Boogie Woogie Etude
Shura Cherkassky
—
Karelia Suite, op. 11: I. Intermezzo
Berliner Philharmoniker, Hans Rosbaud
—
Berliner Philharmoniker, Hans Rosbaud
Études-Caprices op. 18 for 2 Violins: No. 5 in E major
David Oistrakh, Igor Oistrakh
—
Violin Sonata no. 5 in F major, op. 24 “Spring”: 3. Scherzo. Allegro molto
Wolfgang Schneiderhan, Carl Seemann
—
Don Kosaken Chor
Berliner Philharmoniker, Ferdinand Leitner
Der Nußknacker op. 71a: Suite aus dem Ballett op. 71: II. Danse caractéristiques: b. Danse de la fée-Dragée. Andante non troppo
Berliner Philharmoniker, Ferdinand Leitner
—
Leningrad Philharmonic Orchestra, Yevgeny Mravinsky
Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude
Pierre Fournier
—
Géza Anda, Camerata Academica des Salzburger Mozarteums
Symphony no. 5 in D major, op. 107 "Reformation": 2. Allegro vivace
Berliner Philharmoniker, Lorin Maazel
—
Symphonie fantastique, op. 14: IV. Marche au supplice
Orchestre Lamoureux, Igor Markevitch
—
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Prelude in G-sharp minor, op. 32 no. 12
Sviatoslav Richter
—
Bagatelle in A minor, WoO 59 "Für Elise": Poco moto
Wilhelm Kempff
—
Berliner Philharmoniker, Herbert von Karajan
Symphony no. 8 in G major, op. 88, Third Movement: 3. Allegretto grazioso – Molto vivace
Antonín Dvořák
—
Symphony no. 8 in G major, op. 88, Third Movement: 3. Allegretto grazioso – Molto vivace
Antonín Dvořák
—
Carmina Burana: Blanziflor et Helena: Ave, formosissima
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum
—
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum
String Quartet No. 1 in E-flat major, Op.12: II. Canzonetta - Allegretto
LaSalle Quartet
—
Winterreise, D. 911: 5. “Der Lindenbaum”
Dietrich Fischer-Dieskau, Gerald Moore
—
Hermann Prey, London Symphony Orchestra, Claudio Abbado
Vier letzte Lieder, AV 150: I. Frühling
Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan
—
Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente
Emil Gilels
—
Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro
Wiener Philharmoniker, Carlos Kleiber
—
Symphonie Nr. 5 c‐moll, op. 67: 1. Satz: Allegro con brio
Wiener Philharmoniker, Carlos Kleiber
—
Chant du ménéstrel, op. 71
Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa
—
Sorochintsy Fair: Hopak
Nathan Milstein, Georges Pludermacher
—
Martha Argerich
Chicago Symphony Orchestra, Carlo Maria Giulini
Klaviersonate B-Dur, KV 570: III. Allegretto
Friedrich Gulda
—
Swan Lake, op. 20: Act II: no. 10: Scène. Moderato
Boston Symphony Orchestra, Seiji Ozawa
—
String Quartet in G minor, op. 10, L. 85: 2. Scherzo (Assez vif et bien rythmé)
Melos Quartett
—
Clifford Benson, Shlomo Mintz
Canon et gigue en ré majeur : "Canon"
Musica Antiqua Köln, Reinhard Goebel
—
Trevor Pinnock, Simon Standage, The English Concert
Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro
Trevor Pinnock, Simon Standage, The English Concert
—
Pavane pour une infante défunte
Orchestre de Paris, Daniel Barenboim
—
Anne-Sophie Mutter, Antônio Meneses, Berliner Philharmoniker, Herbert von Karajan
Sonata for Violin & Piano No. 28 in E minor, K. 300c/304: II. Tempo di minuetto
Itzhak Perlman, Daniel Barenboim
—
Symphony for Organ no. 5 in F minor, op. 42 no. 1: V. Toccata: Allegro
Simon Preston
—
Coro dell’Accademia Nazionale di Santa Cecilia, Plácido Domingo, Walter Gullino, Rosalind Plowright, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini
Vladimir Horowitz
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
Gothenburg Symphony Orchestra, Neeme Järvi
—
String Quartet no. 4, BB 95, Sz. 91: IV. Allegretto pizzicato
David Finckel, Eugene Drucker, Lawrence Dutton, Emerson String Quartet, Philip Setzer
—
Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum
Monteverdi Choir, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
—
L’elisir d’amore: Atto I. Duetto “Voglio dire, lo stupendo elisir” (Nemorino, Dulcamara)
Enzo Dara, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine
—
Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine
June Anderson, London Symphony Chorus, Christa Ludwig, London Symphony Orchestra, Leonard Bernstein
Orchestre de l’Opéra Bastille, Myung-Whun Chung
Mischa Maisky, Orchestre de Paris, Semyon Bychkov
Sonata in E major, K. 135: Allegro
Ivo Pogorelich
—
Capriccio, Op. 85: Mondscheinmusik
Wiener Philharmoniker, André Previn
—
Symphony No. 1 in D major, Op. 25 "Classical": IV. Finale. Molto vivace
Chicago Symphony Orchestra, James Levine
—
Sonate Nr. 8 G-Dur, op. 30 Nr. 3: I. Allegro assai
Martha Argerich, Gidon Kremer
—
Sonate Nr. 8 G-Dur, op. 30 Nr. 3: III. Allegro vivace
Martha Argerich, Gidon Kremer
—
String Quartet no. 15 in D minor, K. 421/417b: III. Minuetto. Allegretto - Trio
Hagen Quartett
—
Con che soavità
Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel
—
Gnomenreigen, S. 145 No. 2
Михаил Васильевич Плетнёв
—
Tannhäuser: „Wie Todesahnung” … „O du mein holder Abendstern”
Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann
—
Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane
Kinderszenen, op. 15: VII. Träumerei
Lang Lang
—
Dardanus: Tambourins I & II
Les Musiciens du Louvre, Marc Minkowski
—
La Traviata: Atto I. “È strano” ... “Sempre libera”
Anna Netrebko, Mahler Chamber Orchestra, Claudio Abbado
—
Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon
Auf Flügeln des Gesanges, op. 34 no. 2
Daniel Hope, Sebastian Knauer
—
Gabrieli Consort, Paul McCreesh
Danzas del ballet “Estancia”, op. 8a: II. Danza del trigo
Simón Bolívar Youth Orchesta of Venezuela, Gustavo Dudamel
—
Patricia Petibon, Concerto Köln, Daniel Harding
Coro del Teatro Comunale di Bologna, Elīna Garanča, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado
Karelia Suite, op. 11: I. Intermezzo
Berliner Philharmoniker, Hans Rosbaud
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.434.901-0T-010434901-0T-011.221.528-7T-011221528-7T-070.902.346-0T-070902346-0T-304.210.691-8T-801.289.652-6T-801289652-6T-900017894-9
+46 more
T-902305770-7T-903.288.559-9T-903288559-9T-910.415.372-2T-910415372-2T0006988584T0014243709T0030137677T0100658794T0101948713T0115523982T0116001310T0116544843T0317220339T0500517769T0602746304T0700243975T0701610550T0702578877T0714818275T0723309383T3042532076T3056256481T3062308338T3063957864T3080925657T3099702413T3176713336T3186765282T8006397714T9002303915T9007578623T9021874099T9025040077T9026856304T9028762007T9054955598T9061131735T9095743785T9100679478T9115175821T9116400056T9124563173T9128666240T9159813839T9215390253
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055154948000000005516408900000000551771030000000055188048000000006097350X00000000630859890000000063095503000000006309661000000000737037600000000078537159
+40 more
0000000080158609000000008078489600000000808202360000000081171047000000008125575000000000813071430000000081386486000000008161172700000000816924320000000081844096000000008185359000000000835991350000000083647280000000008414748000000001044225320000000106542394000000010661744800000001067034770000000106752607000000010783223800000001086004390000000108635957000000010865363700000001087226390000000108743333000000010875415500000001087856050000000108802188000000010880238000000001088235010000000108854615000000010888658800000001089353780000000109028569000000010902933400000001091108880000000109144156000000010917819600000001092028110000000109207006
Identifier Graph
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What is UPC 028947781684?
028947781684 is a Universal Product Code (UPC) assigned to 111 Years of Deutsche Grammophon by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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