UPC · Release
The Yellow Guide: Classical Music
Various Artists
028945744025
42 tracksReleased 1997-01-01Deutsche Grammophon
Last verified:
028945744025 is the Universal Product Code (UPC barcode) for the release “The Yellow Guide: Classical Music” by Various Artists, released 1997-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 42 tracks, each with its own ISRC. Tracks include DEF058500680, DEF058630503, DEF059304291.
Format
0Number system
28945Manufacturer
74402Product
5Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Yellow Guide: Classical Music
ISRC42 recordings
ISWC28 works
IPI2 songwriters
Track List (42)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Missa Papae Marcelli: Agnus Dei I/II | Choir of Westminster Abbey, Simon Preston | — | |
| 2 | L'Orfeo: Atto primo. "In questo lieto e fortunato giorno" / "Vieni, Imeneo" / "Muse, onor di Parnaso" | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Nancy Argenta, Mark Tucker | T-702.928.999-6 | |
| 3 | Concerto in F minor "Winter", RV 297: I. Allegro non molto | Gil Shaham, Orpheus Chamber Orchestra | T-910.793.958-2 | |
| 4 | Messiah, HWV 56: XLIV. Chorus “Hallelujah” | The English Concert Choir, The English Concert, Trevor Pinnock | T-071.071.619-0 | |
| 5 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | Musica Antiqua Köln, Reinhard Goebel | T-914.248.874-2 | |
| 6 | Streichquartett C-dur op. 76 No.3 „Kaiser-Quartett“: 2. Poco Adagio. Cantabile | Amadeus Quartet | T-001.397.158-8 | |
| 7 | Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" | Helmuth Froschauer, Wiener Singverein, Rudolf Scholz, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Los Angeles Philharmonic, Carlo Maria Giulini | T-902.876.200-7 | |
| 9 | Caprice for Solo Violin, op. 1 no. 24: Tema, Quasi Presto - Variazioni - Finale in A minor | Shlomo Mintz | T-902.571.014-9 | |
| 10 | William Tell Overture (excerpt) | The Chamber Orchestra of Europe, Claudio Abbado | T-900.248.424-4 | |
| 11 | Forellenquintett D667: IV. Thema: Andantino - Variazioni I-V - Allegretto | Amadeus Quartet, Emil Gilels | — | |
| 12 | Symphonie Fantastique, op. 14: II. Un Bal | The Cleveland Orchestra, Pierre Boulez | T-922.067.243-5 | |
| 13 | A Midsummer Night’s Dream, op. 61: IX. Wedding March | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14 | Étude in G-sharp minor, op. 25 no. 6 | Ivo Pogorelich | — | |
| 15 | Kinderszenen, op. 15: VII. Träumerei | Martha Argerich | — | |
| 2-1 | Hungarian Rhapsody in D-flat major, S. 244 no. 6: Tempo giusto - Presto - Andante allegro - Presto | Martha Argerich | — | |
| 2-2 | Die Walküre: Ride of the Valkyries | Ruthild Engert-Ely, Linda Kelm, Diane Kesling, Marilyn Mims, Marita Napier, Meredith Parsons, Reinhild Runkel, Anne Wilkens, Metropolitan Opera Orchestra, James Levine | — | |
| 2-3 | Nabucco: “Va pensiero sull’ali dorate“ | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | — | |
| 2-4 | Prodaná nevěsta: Overture | Wiener Philharmoniker, James Levine | T-913.828.907-3 | |
| 2-5 | Te Deum, WAB 45: I. Te Deum. Allegro | Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Eugen Jochum | — | |
| 2-6 | An der schönen blauen Donau, op. 314 | Berliner Philharmoniker, Herbert von Karajan | T-902.100.912-1 | |
| 2-7 | Symphonie Nr. 3 in F-dur, op. 90: III. Poco Allegretto | Berliner Philharmoniker, Claudio Abbado | — | |
| 2-8 | Le Carnaval des animaux: XIII. Le Cygne | Mischa Maisky, Orchestre de Paris, Semyon Bychkov | T-317.671.333-6 | |
| 2-9 | Carmen : Acte I. « L'amour est un oiseau rebelle » | Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T-305.625.648-1 | |
| 2-10 | Pictures at an Exhibition: La Grande Porte de Kiev | Chicago Symphony Orchestra, Carlo Maria Giulini | T-061.792.492-1 | |
| 2-11 | Symphony no. 5 in E minor, op. 64: 3. Valse. Allegro moderato | Russian National Orchestra, Mikhail Pletnev | — | |
| 2-12 | Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo (excerpt) | Wiener Philharmoniker, Lorin Maazel | — | |
| 2-13 | Peer Gynt: In de hal van de bergkoning | Göteborgs Symfoniker, Neeme Järvi | T-011.778.125-5 | |
| 3-1 | Madama Butterfly: Atto II. “Un bel dì vedremo” | Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli | T-314.728.609-3 | |
| 3-2 | Symphonie No. 5: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Pierre Boulez | T-800.652.468-2 | |
| 3-3 | Feux dʼartifice | Krystian Zimerman | — | |
| 3-4 | Also sprach Zarathustra, op. 30: I. Einleitung | Berliner Philharmoniker, Herbert von Karajan | T-011.355.807-8 | |
| 3-5 | Valse triste, op. 44 no. 1 | Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-6 | Gymnopédie no. 3 (arr. Claude Debussy) | Orpheus Chamber Orchestra | T-050.018.340-3 | |
| 3-7 | Rhapsody on a Theme of Paganini op. 43: Variation no. 18 | Tamás Vásáry, London Symphony Orchestra, Yuri Ahronovitch | T-902.858.745-3 | |
| 3-8 | Pavane pour une infante défunte, M. 19: Lent | London Symphony Orchestra, Claudio Abbado | T-003.013.767-7 | |
| 3-9 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 3-10 | L'Oiseau de feu: III. Danse infernale du roi Kachtcheï | Orchestre de l’Opéra Bastille, Myung-Whun Chung | — | |
| 3-11 | Lulu-Suite: III. Lied der Lulu. Comodo | London Symphony Orchestra, Claudio Abbado, Margaret Price | — | |
| 3-12 | Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante | Boston Symphony Orchestra, Seiji Ozawa | T-003.506.743-6 | |
| 3-13 | Cuban Overture | Chicago Symphony Orchestra, James Levine | T-010.086.407-0 | |
| 3-14 | Concerto for Violin and Orchestra: I. ♩ = 104 – ♩ = 120 | Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | T-922.975.221-0 |
Missa Papae Marcelli: Agnus Dei I/II
Choir of Westminster Abbey, Simon Preston
—
John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Nancy Argenta, Mark Tucker
Gil Shaham, Orpheus Chamber Orchestra
The English Concert Choir, The English Concert, Trevor Pinnock
Musica Antiqua Köln, Reinhard Goebel
Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa"
Helmuth Froschauer, Wiener Singverein, Rudolf Scholz, Berliner Philharmoniker, Herbert von Karajan
—
Los Angeles Philharmonic, Carlo Maria Giulini
Shlomo Mintz
Forellenquintett D667: IV. Thema: Andantino - Variazioni I-V - Allegretto
Amadeus Quartet, Emil Gilels
—
A Midsummer Night’s Dream, op. 61: IX. Wedding March
Boston Symphony Orchestra, Seiji Ozawa
—
Étude in G-sharp minor, op. 25 no. 6
Ivo Pogorelich
—
Kinderszenen, op. 15: VII. Träumerei
Martha Argerich
—
Hungarian Rhapsody in D-flat major, S. 244 no. 6: Tempo giusto - Presto - Andante allegro - Presto
Martha Argerich
—
Die Walküre: Ride of the Valkyries
Ruthild Engert-Ely, Linda Kelm, Diane Kesling, Marilyn Mims, Marita Napier, Meredith Parsons, Reinhild Runkel, Anne Wilkens, Metropolitan Opera Orchestra, James Levine
—
Nabucco: “Va pensiero sull’ali dorate“
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
—
Te Deum, WAB 45: I. Te Deum. Allegro
Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Eugen Jochum
—
Symphonie Nr. 3 in F-dur, op. 90: III. Poco Allegretto
Berliner Philharmoniker, Claudio Abbado
—
Mischa Maisky, Orchestre de Paris, Semyon Bychkov
Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado
Chicago Symphony Orchestra, Carlo Maria Giulini
Symphony no. 5 in E minor, op. 64: 3. Valse. Allegro moderato
Russian National Orchestra, Mikhail Pletnev
—
Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo (excerpt)
Wiener Philharmoniker, Lorin Maazel
—
Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli
Feux dʼartifice
Krystian Zimerman
—
Berliner Philharmoniker, Herbert von Karajan
Valse triste, op. 44 no. 1
Berliner Philharmoniker, Herbert von Karajan
—
Tamás Vásáry, London Symphony Orchestra, Yuri Ahronovitch
London Symphony Orchestra, Claudio Abbado
Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando
Chicago Symphony Orchestra, Pierre Boulez
—
L'Oiseau de feu: III. Danse infernale du roi Kachtcheï
Orchestre de l’Opéra Bastille, Myung-Whun Chung
—
Lulu-Suite: III. Lied der Lulu. Comodo
London Symphony Orchestra, Claudio Abbado, Margaret Price
—
Boston Symphony Orchestra, Seiji Ozawa
Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphonie no. 5 c–Moll, op. 67: II. Andante con moto | Los Angeles Philharmonic, Carlo Maria Giulini | — |
| Missa Papae Marcelli: Kyrie | Choir of Westminster Abbey, Simon Preston | T-011.724.735-4 |
Symphonie no. 5 c–Moll, op. 67: II. Andante con moto
Los Angeles Philharmonic, Carlo Maria Giulini
—
Choir of Westminster Abbey, Simon Preston
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000002303428X000000004014871300000000551403270000000055148820000000005516039500000000551711740000000055171457000000007839865400000000798120010000000080969305
+40 more
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What is UPC 028945744025?
028945744025 is a Universal Product Code (UPC) assigned to The Yellow Guide: Classical Music by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 42 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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