20th Century Masterpieces: 100 Years of Classical Music

UPC · Release

20th Century Masterpieces: 100 Years of Classical Music

Various Artists

5099921750021
5 tracksReleased 2008-01-01EMI Classics

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5099921750021 is the Universal Product Code (UPC barcode) for the release 20th Century Masterpieces: 100 Years of Classical Music by Various Artists, released 2008-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 5 tracks, each with its own ISRC. Tracks include GBAYC9700815, GBAYC9700816, GBAYC9700817.

Format

509GS1 prefix
9921Company prefix
75002Product
1Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPC20th Century Masterpieces: 100 Years of Classical Music
ISRC5 recordings
ISWC24 works
IPI6 songwriters

Track List (5)

Concerto for organ, strings & timpani
Concerto for organ, strings & timpani
Gillian Weir, City of London Sinfonia, Richard Hickox

Additional database matches (137)

Piano Concerto no. 2 in C minor, op. 18: I. Moderato
Leif Ove Andsnes, Berliner Philharmoniker, Antonio Pappano
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Leif Ove Andsnes, Berliner Philharmoniker, Antonio Pappano
Leif Ove Andsnes, Berliner Philharmoniker, Antonio Pappano
La Mer, CD 111, L. 109: I. De l’aube à midi sur la mer
Philharmonia Orchestra, Carlo Maria Giulini
La Mer, CD 111, L. 109: II. Jeux de vagues
Philharmonia Orchestra, Carlo Maria Giulini
La Mer, CD 111, L. 109: III. Dialogue du vent et de la mer
Philharmonia Orchestra, Carlo Maria Giulini
5 Orchesterstücke, op. 16: I. Vorgefühle: Sehr rasch
City of Birmingham Symphony Orchestra, Simon Rattle
5 Orchesterstücke, op. 16: II. Vergangenes: Mässige Viertel
City of Birmingham Symphony Orchestra, Simon Rattle
5 Orchesterstücke, op. 16: III. Farben: Mässige Viertel
City of Birmingham Symphony Orchestra, Simon Rattle
5 Orchesterstücke, op.16: IV. Peripetie, sehr rasch
City of Birmingham Symphony Orchestra, Simon Rattle
5 Orchesterstücke, op. 16: V. Das obligate Rezitativ: Bewegte Achtel
City of Birmingham Symphony Orchestra, Simon Rattle
6 Orchesterstücke, op. 6: I. Langsam
City of Birmingham Symphony Orchestra, Simon Rattle
6 Orchesterstücke, op. 6: II. Bewegt
City of Birmingham Symphony Orchestra, Simon Rattle
6 Orchesterstücke, op. 6: III. Mässig
City of Birmingham Symphony Orchestra, Simon Rattle
6 Orchesterstücke, op. 6: IV. Sehr mässig
City of Birmingham Symphony Orchestra, Simon Rattle
6 Orchesterstücke, op. 6: V. Sehr langsam
City of Birmingham Symphony Orchestra, Simon Rattle
6 Orchesterstücke, op. 6: VI. Langsam
City of Birmingham Symphony Orchestra, Simon Rattle
Klavierkonzert Nr. 1 Des-Dur, op. 10: I. Allegro brioso
Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit
Klavierkonzert Nr. 1 Des-Dur, op. 10: II. Andante assai
Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit
Klavierkonzert Nr. 1 Des-Dur, op. 10: III. Allegro scherzando
Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit
The Rite of Spring: Part One, Adoration of the Earth: Adoration of the Earth
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
The Rite of Spring: Part Two, The Sacrifice: Sacrificial Dance (The Chosen One)
London Philharmonic Orchestra, Charles Mackerras
Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato
Helsinki Philharmonic Orchestra, Paavo Berglund
Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto
Helsinki Philharmonic Orchestra, Paavo Berglund
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Un pochettino largamente
Helsinki Philharmonic Orchestra, Paavo Berglund
The Planets, op. 32: I. Mars, the Bringer of War (Allegro)
London Philharmonic Orchestra, Sir Adrian Boult
The Planets, op. 32: II. Venus, the Bringer of Peace (Adagio)
London Philharmonic Orchestra, Sir Adrian Boult
The Planets, op. 32: III. Mercury, the Winged Messenger (Vivace)
London Philharmonic Orchestra, Sir Adrian Boult
The Planets, op. 32: V. Saturn, the Bringer of Old Age (Adagio)
London Philharmonic Orchestra, Sir Adrian Boult
The Planets, op. 32: VI. Uranus, the Magician (Allegro)
London Philharmonic Orchestra, Sir Adrian Boult
The Planets, op. 32: VII. Neptune, the Mystic (Andante)
Geoffrey Mitchell Choir, London Philharmonic Orchestra, Sir Adrian Boult
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Orchestre national de France, Leonard Bernstein
Pini di Roma: I. I pini di Villa Borghese
London Symphony Orchestra, Lamberto Gardelli
Pro Arte Orchestra of London, Charles Mackerras
Pro Arte Orchestra of London, Charles Mackerras
Pro Arte Orchestra of London, Charles Mackerras
Pro Arte Orchestra of London, Charles Mackerras
Pro Arte Orchestra of London, Charles Mackerras
Berliner Philharmoniker, Herbert von Karajan
New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carmina Burana: I. Primo Vere: Veris leta facies
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Sinfonia da Requiem, op. 20: I. Lacrymosa: Andante ben misurato -
City of Birmingham Symphony Orchestra, Simon Rattle
Sinfonia da Requiem, op. 20: II. Dies irae: Allegro con fuoco -
City of Birmingham Symphony Orchestra, Simon Rattle
Sinfonia da Requiem, op. 20: III. Requiem aeternam: Andante molto tranquillo
City of Birmingham Symphony Orchestra, Simon Rattle
Masquerade: Waltz
Philharmonia Orchestra, Efrem Kurtz
Klavierkonzert Nr. 3, Sz. 119: I. Allegretto
Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit
Klavierkonzert Nr. 3, Sz. 119: II. Adagio religioso - [Poco più mosso] - Tempo I
Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit
Klavierkonzert Nr. 3, Sz. 119: III. [Allegro vivace] - [Presto]
Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit
Concerto for Orchestra: I. Intrada. Allegro maestoso
Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Witold Lutosławski
Concerto for Orchestra: II. Capriccio notturno e Arioso. Vivace
Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Witold Lutosławski
Concerto for Orchestra: III. Passacaglia, Toccata e Corale. Andante con moto - Allegro giusto
Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Witold Lutosławski
Le Soleil des eaux : Complainte du Lézard Amoureux
BBC Symphony Orchestra, BBC Symphony Chorus, Pierre Boulez, Josephine Nendick, Barry McDaniel, Louis Devos
Le Soleil des eaux : La Sorgue
BBC Symphony Orchestra, BBC Symphony Chorus, Pierre Boulez, Josephine Nendick, Barry McDaniel, Louis Devos
Threnody for the Victims of Hiroshima
Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Krzysztof Penderecki
City of Birmingham Symphony Orchestra, Paavo Järvi
City of Birmingham Symphony Orchestra, Paavo Järvi
City of Birmingham Symphony Orchestra, Paavo Järvi
City of Birmingham Symphony Orchestra, Paavo Järvi
City of Birmingham Symphony Orchestra, Paavo Järvi
City of Birmingham Symphony Orchestra, Paavo Järvi
City of Birmingham Symphony Orchestra, Paavo Järvi
City of Birmingham Symphony Orchestra, Paavo Järvi
Orchestre de Paris, Ensemble de Percussion de l'Orchestre de Paris, Serge Baudo
Et exspecto resurrectionem mortuorum: Le Christ ressuscité des morts ne meurt plus
Orchestre de Paris, Ensemble de Percussion de l'Orchestre de Paris, Serge Baudo
Et exspecto resurrectionem mortuorum: L’heure vient où les morts entendront la voix du fils de Dieu
Orchestre de Paris, Ensemble de Percussion de l'Orchestre de Paris, Serge Baudo
Et exspecto resurrectionem mortuorum: Ils ressusciteront glorieux avec un nom nouveau dans le concert joyeux des étoiles
Orchestre de Paris, Ensemble de Percussion de l'Orchestre de Paris, Serge Baudo
Et exspecto resurrectionem mortuorum: Et j’entends la voix d’une foule immense
Orchestre de Paris, Ensemble de Percussion de l'Orchestre de Paris, Serge Baudo
Cello Concerto "Tout un monde lointain": I. Énigme (Très libre et flexible)
Mstislav Rostropovich, Orchestre de Paris, Serge Baudo
Cello Concerto "Tout un monde lointain": II. Regard (Extrêmement calme)
Mstislav Rostropovich, Orchestre de Paris, Serge Baudo
Cello Concerto "Tout un monde lointain": III. Houles (Large et ample)
Mstislav Rostropovich, Orchestre de Paris, Serge Baudo
Cello Concerto "Tout un monde lointain": IV. Miroirs (Lent et extatique)
Mstislav Rostropovich, Orchestre de Paris, Serge Baudo
Cello Concerto "Tout un monde lointain": V. Hymne (Allegro)
Mstislav Rostropovich, Orchestre de Paris, Serge Baudo
City of Birmingham Symphony Orchestra, Simon Rattle
Tasmin Little, Martin Roscoe
The Chairman Dances: Foxtrot for Orchestra
City of Birmingham Symphony Orchestra, Simon Rattle
The Protecting Veil: The Incarnation
Steven Isserlis, London Symphony Orchestra, Gennadi Rozhdestvenski
Minuet
Yuri Bashmet, Gidon Kremer, Mstislav Rostropovich
Asyla, op. 17: I
City of Birmingham Symphony Orchestra, Sir Simon Rattle
City of Birmingham Symphony Orchestra, Sir Simon Rattle
Asyla, op. 17: III. Ecstasio
City of Birmingham Symphony Orchestra, Sir Simon Rattle
Asyla, op. 17: IV
City of Birmingham Symphony Orchestra, Sir Simon Rattle
Cello Concerto in E minor Op. 85 I. Adagio - Moderato
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Cello Concerto in E minor Op. 85 I. Adagio - Moderato
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
La Mer, CD 111, L. 109: I. De l’aube à midi sur la mer
Philharmonia Orchestra, Carlo Maria Giulini
La Mer, CD 111, L. 109: II. Jeux de vagues
Philharmonia Orchestra, Carlo Maria Giulini
La Mer, CD 111, L. 109: III. Dialogue du vent et de la mer
Philharmonia Orchestra, Carlo Maria Giulini
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli

Identifier Graph

UPC20th Century Ma…ISRCSymphony no. 5 …ISRCSymphony no. 5 …ISRCSymphony no. 5 …ISRCSymphony no. 5 …ISRCConcerto for or…

People also ask

What is UPC 5099921750021?
UPC 5099921750021 is the Universal Product Code (barcode) for "20th Century Masterpieces: 100 Years of Classical Music" by Various Artists, released on EMI Classics.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 5099921750021?
UPC 5099921750021 contains 5 tracks, each with its own ISRC.
SourcesMLCMusicBrainzNotesDiscogs4 sources

Verified on

What is UPC 5099921750021?

5099921750021 is a Universal Product Code (UPC) assigned to 20th Century Masterpieces: 100 Years of Classical Music by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 5 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm