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20th Century Masterpieces: 100 Years of Classical Music
Various Artists
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5099921750021 is the Universal Product Code (UPC barcode) for the release “20th Century Masterpieces: 100 Years of Classical Music” by Various Artists, released 2008-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 5 tracks, each with its own ISRC. Tracks include GBAYC9700815, GBAYC9700816, GBAYC9700817.
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Track List (5)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 8-1 | Symphony no. 5 in D minor, op. 47: I. Moderato | Wiener Philharmoniker, Mariss Jansons | T-902876200-7 | |
| 8-2 | Symphony no. 5 in D minor, op. 47: II. Allegretto | Wiener Philharmoniker, Mariss Jansons | T9028762007 | |
| 8-3 | Symphony no. 5 in D minor, op. 47: III. Largo | Wiener Philharmoniker, Mariss Jansons | T-902876200-7 | |
| 8-4 | Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo | Wiener Philharmoniker, Mariss Jansons | T-902876200-7 | |
| 8-5 | Concerto for organ, strings & timpani | Gillian Weir, City of London Sinfonia, Richard Hickox | — |
Additional database matches (137)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Leif Ove Andsnes, Berliner Philharmoniker, Antonio Pappano | — |
| Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Leif Ove Andsnes, Berliner Philharmoniker, Antonio Pappano | — |
| Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Leif Ove Andsnes, Berliner Philharmoniker, Antonio Pappano | T-071926821-9 |
| La Mer, CD 111, L. 109: I. De l’aube à midi sur la mer | Philharmonia Orchestra, Carlo Maria Giulini | — |
| La Mer, CD 111, L. 109: II. Jeux de vagues | Philharmonia Orchestra, Carlo Maria Giulini | — |
| La Mer, CD 111, L. 109: III. Dialogue du vent et de la mer | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 5 Orchesterstücke, op. 16: I. Vorgefühle: Sehr rasch | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| 5 Orchesterstücke, op. 16: II. Vergangenes: Mässige Viertel | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| 5 Orchesterstücke, op. 16: III. Farben: Mässige Viertel | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| 5 Orchesterstücke, op.16: IV. Peripetie, sehr rasch | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| 5 Orchesterstücke, op. 16: V. Das obligate Rezitativ: Bewegte Achtel | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| 6 Orchesterstücke, op. 6: I. Langsam | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| 6 Orchesterstücke, op. 6: II. Bewegt | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| 6 Orchesterstücke, op. 6: III. Mässig | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| 6 Orchesterstücke, op. 6: IV. Sehr mässig | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| 6 Orchesterstücke, op. 6: V. Sehr langsam | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| 6 Orchesterstücke, op. 6: VI. Langsam | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Klavierkonzert Nr. 1 Des-Dur, op. 10: I. Allegro brioso | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — |
| Klavierkonzert Nr. 1 Des-Dur, op. 10: II. Andante assai | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — |
| Klavierkonzert Nr. 1 Des-Dur, op. 10: III. Allegro scherzando | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — |
| The Rite of Spring: Part One, Adoration of the Earth: Introduction | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part One, Adoration of the Earth: The Augurs of Spring – Dance of the Maidens | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part One, Adoration of the Earth: Ritual of Abduction | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part One, Adoration of the Earth: Spring Rounds | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part One, Adoration of the Earth: Ritual of the Rival Tribes | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part One, Adoration of the Earth: Procession of the Sage | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part One, Adoration of the Earth: Adoration of the Earth | London Philharmonic Orchestra, Charles Mackerras | — |
| The Rite of Spring: Part One, Adoration of the Earth: Dance of the Earth | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part Two, The Sacrifice: Introduction | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part Two, The Sacrifice: Mystic Circles of the Maidens | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part Two, The Sacrifice: Glorification of the Chosen One | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part Two, The Sacrifice: Evocation of the Ancestors | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part Two, The Sacrifice: Ritual of the Ancestors | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part Two, The Sacrifice: Sacrificial Dance (The Chosen One) | London Philharmonic Orchestra, Charles Mackerras | — |
| Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato | Helsinki Philharmonic Orchestra, Paavo Berglund | — |
| Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto | Helsinki Philharmonic Orchestra, Paavo Berglund | — |
| Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Un pochettino largamente | Helsinki Philharmonic Orchestra, Paavo Berglund | — |
| The Planets, op. 32: I. Mars, the Bringer of War (Allegro) | London Philharmonic Orchestra, Sir Adrian Boult | — |
| The Planets, op. 32: II. Venus, the Bringer of Peace (Adagio) | London Philharmonic Orchestra, Sir Adrian Boult | — |
| The Planets, op. 32: III. Mercury, the Winged Messenger (Vivace) | London Philharmonic Orchestra, Sir Adrian Boult | — |
| The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (Allegro giocoso - Andante maestoso) | London Philharmonic Orchestra, Sir Adrian Boult | T1012579096 |
| The Planets, op. 32: V. Saturn, the Bringer of Old Age (Adagio) | London Philharmonic Orchestra, Sir Adrian Boult | — |
| The Planets, op. 32: VI. Uranus, the Magician (Allegro) | London Philharmonic Orchestra, Sir Adrian Boult | — |
| The Planets, op. 32: VII. Neptune, the Mystic (Andante) | Geoffrey Mitchell Choir, London Philharmonic Orchestra, Sir Adrian Boult | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-919860418-1 |
| Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.156-7 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 |
| Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.154-5 |
| LA CRÉATION DU MONDE, OP. 81 | Orchestre national de France, Leonard Bernstein | T0030080502 |
| Pini di Roma: I. I pini di Villa Borghese | London Symphony Orchestra, Lamberto Gardelli | — |
| Sinfonietta: I. Allegretto | Pro Arte Orchestra of London, Charles Mackerras | T3126854926 |
| Sinfonietta: II. Andante | Pro Arte Orchestra of London, Charles Mackerras | T3126854926 |
| Sinfonietta: III. Moderato | Pro Arte Orchestra of London, Charles Mackerras | T3126854926 |
| Sinfonietta: IV. Allegretto | Pro Arte Orchestra of London, Charles Mackerras | T3126854926 |
| Sinfonietta: V. Andante con moto | Pro Arte Orchestra of London, Charles Mackerras | T3126854926 |
| Boléro | Berliner Philharmoniker, Herbert von Karajan | T0030063774 |
| Carmina Burana: Fortuna Imperatrix Mundi: No. 1. O Fortuna | New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos | T8006397714 |
| Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: I. Primo Vere: Veris leta facies | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | — |
| Carmina Burana: I. Primo Vere: Omnia Sol temperat | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: I. Primo Vere: Ecce gratum | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: I. Uf dem Anger: Tanz | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: I. Uf dem Anger: Floret silva nobilis | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: I. Uf dem Anger: Chramer, gip die varwe mir | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: I. Uf dem Anger: Reie - Swaz hie gat umbe - Chume, chum geselle min - Swaz hie gat umbe | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: I. Uf dem Anger: Were diu werlt alle min | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: II. In taberna: Estuans interius | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: II. In taberna: Olim lacus colueram | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: II. In taberna: Ego sum abbas | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: II. In taberna: In taberna quando sumus | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: III. Cours d’amour: Amor volat undique | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: III. Cours d’amour: Dies, nox et omnia | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: III. Cours d’amour: Stetit puella | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: III. Cours d’amour: Circa mea pectora | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: III. Cours d’amour: Si puer cum puellula | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: III. Cours d’amour: Veni, veni, venias | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: III. Cours d’amour: In trutina | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: III. Cours d’amour: Tempus est iocundum | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: III. Cours d’amour: Dulcissime | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: Blanziflor et Helena: Ave formosissima | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Sinfonia da Requiem, op. 20: I. Lacrymosa: Andante ben misurato - | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Sinfonia da Requiem, op. 20: II. Dies irae: Allegro con fuoco - | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Sinfonia da Requiem, op. 20: III. Requiem aeternam: Andante molto tranquillo | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Masquerade: Waltz | Philharmonia Orchestra, Efrem Kurtz | — |
| Klavierkonzert Nr. 3, Sz. 119: I. Allegretto | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — |
| Klavierkonzert Nr. 3, Sz. 119: II. Adagio religioso - [Poco più mosso] - Tempo I | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — |
| Klavierkonzert Nr. 3, Sz. 119: III. [Allegro vivace] - [Presto] | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — |
| Concerto for Orchestra: I. Intrada. Allegro maestoso | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Witold Lutosławski | — |
| Concerto for Orchestra: II. Capriccio notturno e Arioso. Vivace | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Witold Lutosławski | — |
| Concerto for Orchestra: III. Passacaglia, Toccata e Corale. Andante con moto - Allegro giusto | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Witold Lutosławski | — |
| Le Soleil des eaux : Complainte du Lézard Amoureux | BBC Symphony Orchestra, BBC Symphony Chorus, Pierre Boulez, Josephine Nendick, Barry McDaniel, Louis Devos | — |
| Le Soleil des eaux : La Sorgue | BBC Symphony Orchestra, BBC Symphony Chorus, Pierre Boulez, Josephine Nendick, Barry McDaniel, Louis Devos | — |
| Threnody for the Victims of Hiroshima | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Krzysztof Penderecki | — |
| Danses Symphoniques De West Side Story: Prologue | City of Birmingham Symphony Orchestra, Paavo Järvi | T-070139164-1 |
| Symphonic Dances from West Side Story: II. Somewhere | City of Birmingham Symphony Orchestra, Paavo Järvi | T-070139164-1 |
| Symphonic Dances from West Side Story: III. Scherzo | City of Birmingham Symphony Orchestra, Paavo Järvi | T-070139164-1 |
| Symphonic Dances from West Side Story: IV. Mambo | City of Birmingham Symphony Orchestra, Paavo Järvi | T0701391641 |
| Symphonic Dances from West Side Story: V. Cha-Cha | City of Birmingham Symphony Orchestra, Paavo Järvi | T-070139164-1 |
| Symphonic Dances from West Side Story: VI. Meeting Scene | City of Birmingham Symphony Orchestra, Paavo Järvi | T-070139164-1 |
| Symphonic Dances from West Side Story: VII. Rumble | City of Birmingham Symphony Orchestra, Paavo Järvi | T-070139164-1 |
| Symphonic Dances From West Side Story: VIII. Finale | City of Birmingham Symphony Orchestra, Paavo Järvi | T-070139164-1 |
| Et exspecto resurrectionem mortuorum: Des profondeurs de l’Abime, je crie vers toi Seigneur | Orchestre de Paris, Ensemble de Percussion de l'Orchestre de Paris, Serge Baudo | T0030092295 |
| Et exspecto resurrectionem mortuorum: Le Christ ressuscité des morts ne meurt plus | Orchestre de Paris, Ensemble de Percussion de l'Orchestre de Paris, Serge Baudo | — |
| Et exspecto resurrectionem mortuorum: L’heure vient où les morts entendront la voix du fils de Dieu | Orchestre de Paris, Ensemble de Percussion de l'Orchestre de Paris, Serge Baudo | — |
| Et exspecto resurrectionem mortuorum: Ils ressusciteront glorieux avec un nom nouveau dans le concert joyeux des étoiles | Orchestre de Paris, Ensemble de Percussion de l'Orchestre de Paris, Serge Baudo | — |
| Et exspecto resurrectionem mortuorum: Et j’entends la voix d’une foule immense | Orchestre de Paris, Ensemble de Percussion de l'Orchestre de Paris, Serge Baudo | — |
| Cello Concerto "Tout un monde lointain": I. Énigme (Très libre et flexible) | Mstislav Rostropovich, Orchestre de Paris, Serge Baudo | — |
| Cello Concerto "Tout un monde lointain": II. Regard (Extrêmement calme) | Mstislav Rostropovich, Orchestre de Paris, Serge Baudo | — |
| Cello Concerto "Tout un monde lointain": III. Houles (Large et ample) | Mstislav Rostropovich, Orchestre de Paris, Serge Baudo | — |
| Cello Concerto "Tout un monde lointain": IV. Miroirs (Lent et extatique) | Mstislav Rostropovich, Orchestre de Paris, Serge Baudo | — |
| Cello Concerto "Tout un monde lointain": V. Hymne (Allegro) | Mstislav Rostropovich, Orchestre de Paris, Serge Baudo | — |
| Barcarola per grande orchestra | City of Birmingham Symphony Orchestra, Simon Rattle | T8001351947 |
| Spiegel im Spiegel | Tasmin Little, Martin Roscoe | T-800638693-3 |
| The Chairman Dances: Foxtrot for Orchestra | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| The Protecting Veil: The Incarnation | Steven Isserlis, London Symphony Orchestra, Gennadi Rozhdestvenski | — |
| Minuet | Yuri Bashmet, Gidon Kremer, Mstislav Rostropovich | — |
| Asyla, op. 17: I | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — |
| Asyla, op. 17: II | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T0103159143 |
| Asyla, op. 17: III. Ecstasio | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — |
| Asyla, op. 17: IV | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| La Mer, CD 111, L. 109: I. De l’aube à midi sur la mer | Philharmonia Orchestra, Carlo Maria Giulini | — |
| La Mer, CD 111, L. 109: II. Jeux de vagues | Philharmonia Orchestra, Carlo Maria Giulini | — |
| La Mer, CD 111, L. 109: III. Dialogue du vent et de la mer | Philharmonia Orchestra, Carlo Maria Giulini | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T9198604181 |
| Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.156-7 |
| Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.156-7 |
| Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.156-7 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 |
| Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.154-5 |
| Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.154-5 |
| Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.154-5 |
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What is UPC 5099921750021?
5099921750021 is a Universal Product Code (UPC) assigned to 20th Century Masterpieces: 100 Years of Classical Music by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 5 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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