UPC · Release
Various Artists
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5099921750021 is the Universal Product Code (UPC barcode) for the release “20th Century Masterpieces: 100 Years of Classical Music” by Various Artists, released 2008-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 189 tracks, each with its own ISRC. Tracks include GBAYC0500932, GBAYC0500933, GBAYC0500934.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Leif Ove Andsnes, Berliner Philharmoniker, Antonio Pappano | — | |
| 2 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Leif Ove Andsnes, Berliner Philharmoniker, Antonio Pappano | — | |
| 3 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Leif Ove Andsnes, Berliner Philharmoniker, Antonio Pappano | T-071.926.821-9 | |
| 4 | La Mer, CD 111, L. 109: I. De l’aube à midi sur la mer | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 5 | La Mer, CD 111, L. 109: II. Jeux de vagues | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 6 | La Mer, CD 111, L. 109: III. Dialogue du vent et de la mer | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 7 | Brigg Fair (An English Rhapsody) | — | ||
| 2-1 | Das Lied von der Erde: Der Abschied | — | ||
| 2-2 | 5 Orchesterstücke, op. 16: I. Vorgefühle: Sehr rasch | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-3 | 5 Orchesterstücke, op. 16: II. Vergangenes: Mässige Viertel | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-4 | 5 Orchesterstücke, op. 16: III. Farben: Mässige Viertel | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-5 | 5 Orchesterstücke, op.16: IV. Peripetie, sehr rasch | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-6 | 5 Orchesterstücke, op. 16: V. Das obligate Rezitativ: Bewegte Achtel | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-7 | 6 Orchesterstücke, op. 6: I. Langsam | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-8 | 6 Orchesterstücke, op. 6: II. Bewegt | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-9 | 6 Orchesterstücke, op. 6: III. Mässig | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-10 | 6 Orchesterstücke, op. 6: IV. Sehr mässig | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-11 | 6 Orchesterstücke, op. 6: V. Sehr langsam | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-12 | 6 Orchesterstücke, op. 6: VI. Langsam | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-13 | Klavierkonzert Nr. 1 Des-Dur, op. 10: I. Allegro brioso | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 2-14 | Klavierkonzert Nr. 1 Des-Dur, op. 10: II. Andante assai | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 2-15 | Klavierkonzert Nr. 1 Des-Dur, op. 10: III. Allegro scherzando | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 3-1 | The Rite of Spring: Part One, Adoration of the Earth: Introduction | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 3-2 | The Rite of Spring: Part One, Adoration of the Earth: The Augurs of Spring – Dance of the Maidens | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 3-3 | The Rite of Spring: Part One, Adoration of the Earth: Ritual of Abduction | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 3-4 | The Rite of Spring: Part One, Adoration of the Earth: Spring Rounds | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 3-5 | The Rite of Spring: Part One, Adoration of the Earth: Ritual of the Rival Tribes | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 3-6 | The Rite of Spring: Part One, Adoration of the Earth: Procession of the Sage | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 3-7 | The Rite of Spring: Part One, Adoration of the Earth: Adoration of the Earth | London Philharmonic Orchestra, Charles Mackerras | — | |
| 3-8 | The Rite of Spring: Part One, Adoration of the Earth: Dance of the Earth | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 3-9 | The Rite of Spring: Part Two, The Sacrifice: Introduction | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 3-10 | The Rite of Spring: Part Two, The Sacrifice: Mystic Circles of the Maidens | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 3-11 | The Rite of Spring: Part Two, The Sacrifice: Glorification of the Chosen One | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 3-12 | The Rite of Spring: Part Two, The Sacrifice: Evocation of the Ancestors | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 3-13 | The Rite of Spring: Part Two, The Sacrifice: Ritual of the Ancestors | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 3-14 | The Rite of Spring: Part Two, The Sacrifice: Sacrificial Dance (The Chosen One) | London Philharmonic Orchestra, Charles Mackerras | — | |
| 3-15 | The Lark Ascending | — | ||
| 3-16 | Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato | Helsinki Philharmonic Orchestra, Paavo Berglund | — | |
| 3-17 | Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto | Helsinki Philharmonic Orchestra, Paavo Berglund | — | |
| 3-18 | Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Un pochettino largamente | Helsinki Philharmonic Orchestra, Paavo Berglund | — | |
| 4-1 | Noches en los jardines de España: I. En la Generalife | — | ||
| 4-2 | Noches en los jardines de España: II. Danza lejana | — | ||
| 4-3 | Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba | — | ||
| 4-4 | The Planets, op. 32: I. Mars, the Bringer of War (Allegro) | London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 4-5 | The Planets, op. 32: II. Venus, the Bringer of Peace (Adagio) | London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 4-6 | The Planets, op. 32: III. Mercury, the Winged Messenger (Vivace) | London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 4-7 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (Allegro giocoso - Andante maestoso) | London Philharmonic Orchestra, Sir Adrian Boult | T-101.257.909-6 | |
| 4-8 | The Planets, op. 32: V. Saturn, the Bringer of Old Age (Adagio) | London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 4-9 | The Planets, op. 32: VI. Uranus, the Magician (Allegro) | London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 4-10 | The Planets, op. 32: VII. Neptune, the Mystic (Andante) | Geoffrey Mitchell Choir, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 5-1 | Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-919.860.418-1 | |
| 5-2 | Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.156-7 | |
| 5-3 | Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 | |
| 5-4 | Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.154-5 | |
| 5-5 | Symphony No. 5 Op. 50 FS97: Ia. Tempo giusto | — | ||
| 5-6 | Symphony No. 5 Op. 50 FS97: Ib. Adagio non troppo | — | ||
| 5-7 | Symphony No. 5 Op. 50 FS97: IIa. Allegro | — | ||
| 5-8 | Symphony No. 5 Op. 50 FS97: IIb. Allegro | — | ||
| 5-9 | Symphony No. 5 Op. 50 FS97: IIc. Andante un poco tranquillo | — | ||
| 5-10 | Symphony No. 5 Op. 50 FS97: IId. Allegro | — | ||
| 5-11 | Mouvement symphonique No. 1 - Pacific 231 | — | ||
| 6-1 | LA CRÉATION DU MONDE, OP. 81 | Orchestre national de France, Leonard Bernstein | T-003.008.050-2 | |
| 6-2 | Pini di Roma: I. I pini di Villa Borghese | London Symphony Orchestra, Lamberto Gardelli | — | |
| 6-3 | Pini di Roma: Pines near a Catacomb | — | ||
| 6-4 | Pini di Roma: The Pines of the Janiculum | — | ||
| 6-5 | Pini di Roma: The Pines of the Appian Way | — | ||
| 6-6 | Rhapsody in Blue (orch. Grofé) | — | ||
| 6-7 | Sinfonietta: I. Allegretto | Pro Arte Orchestra of London, Charles Mackerras | T-312.685.492-6 | |
| 6-8 | Sinfonietta: II. Andante | Pro Arte Orchestra of London, Charles Mackerras | T-312.685.492-6 | |
| 6-9 | Sinfonietta: III. Moderato | Pro Arte Orchestra of London, Charles Mackerras | T-312.685.492-6 | |
| 6-10 | Sinfonietta: IV. Allegretto | Pro Arte Orchestra of London, Charles Mackerras | T-312.685.492-6 | |
| 6-11 | Sinfonietta: V. Andante con moto | Pro Arte Orchestra of London, Charles Mackerras | T-312.685.492-6 | |
| 7-1 | Boléro | Berliner Philharmoniker, Herbert von Karajan | T-003.006.377-4 | |
| 7-2 | Symphony - Mathis der Maler: I. Engelskonzert | — | ||
| 7-3 | Symphony - Mathis der Maler: II. Grablegung | — | ||
| 7-4 | Symphony - Mathis der Maler: III. Versuchung des heilingen Antonius | — | ||
| 7-5 | Violin Concerto 'Dem Andenken eines Engels': I. Andante - Allegretto | — | ||
| 7-6 | Violin Concerto 'Dem Andenken eines Engels': II. Allegro - Adagio | — | ||
| 8-1 | Symphony no. 5 in D minor, op. 47: I. Moderato | Wiener Philharmoniker, Mariss Jansons | T-902.876.200-7 | |
| 8-2 | Symphony no. 5 in D minor, op. 47: II. Allegretto | Wiener Philharmoniker, Mariss Jansons | T-902.876.200-7 | |
| 8-3 | Symphony no. 5 in D minor, op. 47: III. Largo | Wiener Philharmoniker, Mariss Jansons | T-902.876.200-7 | |
| 8-4 | Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo | Wiener Philharmoniker, Mariss Jansons | T-902.876.200-7 | |
| 8-5 | Concerto for organ, strings & timpani | Gillian Weir, City of London Sinfonia, Richard Hickox | — | |
| 9-1 | Carmina Burana: Fortuna Imperatrix Mundi: No. 1. O Fortuna | New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-800.639.771-4 | |
| 9-2 | Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-3 | Carmina Burana: I. Primo Vere: Veris leta facies | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | — | |
| 9-4 | Carmina Burana: I. Primo Vere: Omnia Sol temperat | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-5 | Carmina Burana: I. Primo Vere: Ecce gratum | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-6 | Carmina Burana: I. Uf dem Anger: Tanz | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-7 | Carmina Burana: I. Uf dem Anger: Floret silva nobilis | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-8 | Carmina Burana: I. Uf dem Anger: Chramer, gip die varwe mir | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-9 | Carmina Burana: I. Uf dem Anger: Reie - Swaz hie gat umbe - Chume, chum geselle min - Swaz hie gat umbe | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-10 | Carmina Burana: I. Uf dem Anger: Were diu werlt alle min | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-11 | Carmina Burana: II. In taberna: Estuans interius | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-12 | Carmina Burana: II. In taberna: Olim lacus colueram | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-13 | Carmina Burana: II. In taberna: Ego sum abbas | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-14 | Carmina Burana: II. In taberna: In taberna quando sumus | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-15 | Carmina Burana: III. Cours d’amour: Amor volat undique | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-16 | Carmina Burana: III. Cours d’amour: Dies, nox et omnia | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-17 | Carmina Burana: III. Cours d’amour: Stetit puella | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-18 | Carmina Burana: III. Cours d’amour: Circa mea pectora | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-19 | Carmina Burana: III. Cours d’amour: Si puer cum puellula | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-20 | Carmina Burana: III. Cours d’amour: Veni, veni, venias | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-21 | Carmina Burana: III. Cours d’amour: In trutina | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-22 | Carmina Burana: III. Cours d’amour: Tempus est iocundum | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-23 | Carmina Burana: III. Cours d’amour: Dulcissime | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-24 | Carmina Burana: Blanziflor et Helena: Ave formosissima | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-25 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-26 | Adagio for Strings Op. 11 | — | ||
| 10-1 | Concierto de Aranjuez: I. Allegro con spirito | — | ||
| 10-2 | Concierto de Aranjuez: II. Adagio | — | ||
| 10-3 | Concierto de Aranjuez: III. Allegro gentile | — | ||
| 10-4 | Sinfonia da Requiem, op. 20: I. Lacrymosa: Andante ben misurato - | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 10-5 | Sinfonia da Requiem, op. 20: II. Dies irae: Allegro con fuoco - | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 10-6 | Sinfonia da Requiem, op. 20: III. Requiem aeternam: Andante molto tranquillo | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 10-7 | Fanfare for the Common Man | — | ||
| 10-8 | Masquerade: Waltz | Philharmonia Orchestra, Efrem Kurtz | — | |
| 10-9 | Masquerade: Galop | — | ||
| 10-10 | Klavierkonzert Nr. 3, Sz. 119: I. Allegretto | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 10-11 | Klavierkonzert Nr. 3, Sz. 119: II. Adagio religioso - [Poco più mosso] - Tempo I | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 10-12 | Klavierkonzert Nr. 3, Sz. 119: III. [Allegro vivace] - [Presto] | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 11-1 | Vier letzte Lieder: I. Frühling | — | ||
| 11-2 | Vier letzte Lieder: II. September | — | ||
| 11-3 | Vier letzte Lieder: III. Beim Schlafengehen | — | ||
| 11-4 | Vier letzte Lieder: IV. Im Abendrot | — | ||
| 11-5 | Fantasia concertante on a theme of Corelli | — | ||
| 11-6 | Concerto for Orchestra: I. Intrada. Allegro maestoso | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Witold Lutosławski | — | |
| 11-7 | Concerto for Orchestra: II. Capriccio notturno e Arioso. Vivace | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Witold Lutosławski | — | |
| 11-8 | Concerto for Orchestra: III. Passacaglia, Toccata e Corale. Andante con moto - Allegro giusto | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Witold Lutosławski | — | |
| 12-1 | Cello Concerto: I. Moderato | — | ||
| 12-2 | Cello Concerto: II. Allegro appassionato | — | ||
| 12-3 | Cello Concerto: III. Lento - Brioso - Allegro molto - Rapsodicamente - Adagio | — | ||
| 12-4 | Le Soleil des eaux : Complainte du Lézard Amoureux | BBC Symphony Orchestra, BBC Symphony Chorus, Pierre Boulez, Josephine Nendick, Barry McDaniel, Louis Devos | — | |
| 12-5 | Le Soleil des eaux : La Sorgue | BBC Symphony Orchestra, BBC Symphony Chorus, Pierre Boulez, Josephine Nendick, Barry McDaniel, Louis Devos | — | |
| 12-6 | Threnody for the Victims of Hiroshima | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Krzysztof Penderecki | — | |
| 12-7 | Danses Symphoniques De West Side Story: Prologue | City of Birmingham Symphony Orchestra, Paavo Järvi | T-070.139.164-1 | |
| 12-8 | Symphonic Dances from West Side Story: II. Somewhere | City of Birmingham Symphony Orchestra, Paavo Järvi | T-070.139.164-1 | |
| 12-9 | Symphonic Dances from West Side Story: III. Scherzo | City of Birmingham Symphony Orchestra, Paavo Järvi | T-070.139.164-1 | |
| 12-10 | Symphonic Dances from West Side Story: IV. Mambo | City of Birmingham Symphony Orchestra, Paavo Järvi | T-070.139.164-1 | |
| 12-11 | Symphonic Dances from West Side Story: V. Cha-Cha | City of Birmingham Symphony Orchestra, Paavo Järvi | T-070.139.164-1 | |
| 12-12 | Symphonic Dances from West Side Story: VI. Meeting Scene | City of Birmingham Symphony Orchestra, Paavo Järvi | T-070.139.164-1 | |
| 12-13 | Symphonic Dances from West Side Story: VII. Rumble | City of Birmingham Symphony Orchestra, Paavo Järvi | T-070.139.164-1 | |
| 12-14 | Symphonic Dances From West Side Story: VIII. Finale | City of Birmingham Symphony Orchestra, Paavo Järvi | T-070.139.164-1 | |
| 13-1 | Et exspecto resurrectionem mortuorum: Des profondeurs de l’Abime, je crie vers toi Seigneur | Orchestre de Paris, Ensemble de Percussion de l'Orchestre de Paris, Serge Baudo | T-003.009.229-5 | |
| 13-2 | Et exspecto resurrectionem mortuorum: Le Christ ressuscité des morts ne meurt plus | Orchestre de Paris, Ensemble de Percussion de l'Orchestre de Paris, Serge Baudo | — | |
| 13-3 | Et exspecto resurrectionem mortuorum: L’heure vient où les morts entendront la voix du fils de Dieu | Orchestre de Paris, Ensemble de Percussion de l'Orchestre de Paris, Serge Baudo | — | |
| 13-4 | Et exspecto resurrectionem mortuorum: Ils ressusciteront glorieux avec un nom nouveau dans le concert joyeux des étoiles | Orchestre de Paris, Ensemble de Percussion de l'Orchestre de Paris, Serge Baudo | — | |
| 13-5 | Et exspecto resurrectionem mortuorum: Et j’entends la voix d’une foule immense | Orchestre de Paris, Ensemble de Percussion de l'Orchestre de Paris, Serge Baudo | — | |
| 13-6 | Tragoedia: Prologue | — | ||
| 13-7 | Tragoedia: Parados | — | ||
| 13-8 | Tragoedia: Episodion: Strophe I | — | ||
| 13-9 | Tragoedia: Episodion: Anapaest I | — | ||
| 13-10 | Tragoedia: Episodion: Antistrophe I | — | ||
| 13-11 | Tragoedia: Stasimon | — | ||
| 13-12 | Tragoedia: Episidion: Strophe II | — | ||
| 13-13 | Tragoedia: Episidion: Anapaest II | — | ||
| 13-14 | Tragoedia: Episidion: Antistrophe II | — | ||
| 13-15 | Tragoedia: Exodus | — | ||
| 13-16 | Cello Concerto "Tout un monde lointain": I. Énigme (Très libre et flexible) | Mstislav Rostropovich, Orchestre de Paris, Serge Baudo | — | |
| 13-17 | Cello Concerto "Tout un monde lointain": II. Regard (Extrêmement calme) | Mstislav Rostropovich, Orchestre de Paris, Serge Baudo | — | |
| 13-18 | Cello Concerto "Tout un monde lointain": III. Houles (Large et ample) | Mstislav Rostropovich, Orchestre de Paris, Serge Baudo | — | |
| 13-19 | Cello Concerto "Tout un monde lointain": IV. Miroirs (Lent et extatique) | Mstislav Rostropovich, Orchestre de Paris, Serge Baudo | — | |
| 13-20 | Cello Concerto "Tout un monde lointain": V. Hymne (Allegro) | Mstislav Rostropovich, Orchestre de Paris, Serge Baudo | — | |
| 14-1 | Symphony No. 3 Op. 36 'Symphony of Sorrowful Songs' I. Lento, sostenuto tranquillo ma cantabile | — | ||
| 14-2 | Symphony No. 3 Op. 36 'Symphony of Sorrowful Songs' II. Lento e largo, tranquillissimo | — | ||
| 14-3 | Symphony No. 3 Op. 36 'Symphony of Sorrowful Songs' III. Lento, cantabile - semplice | — | ||
| 14-4 | Barcarola per grande orchestra | City of Birmingham Symphony Orchestra, Simon Rattle | T-800.135.194-7 | |
| 15-1 | Spiegel im Spiegel | Tasmin Little, Martin Roscoe | T-800.638.693-3 | |
| 15-2 | Water-Ways | — | ||
| 15-3 | The Chairman Dances: Foxtrot for Orchestra | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 15-4 | The Protecting Veil: The Protecting Veil | — | ||
| 15-5 | The Protecting Veil: The Nativity of the Mother of God | — | ||
| 15-6 | The Protecting Veil: The Annunciation | — | ||
| 15-7 | The Protecting Veil: The Incarnation | Steven Isserlis, London Symphony Orchestra, Gennadi Rozhdestvenski | — | |
| 15-8 | The Protecting Veil: The Lament of the Mother of God at the Cross | — | ||
| 15-9 | The Protecting Veil: The Resurrection | — | ||
| 15-10 | The Protecting Veil: The Dormition | — | ||
| 15-11 | The Protecting Veil: The Protecting Veil | — | ||
| 16-1 | Adagio cantabile for string orchestra | — | ||
| 16-2 | Drowned Out | — | ||
| 16-3 | Minuet | Yuri Bashmet, Gidon Kremer, Mstislav Rostropovich | — | |
| 16-4 | Dance Scenes: I. Molto animato e brillante | — | ||
| 16-5 | Dance Scenes: II. Andante pesante | — | ||
| 16-6 | Dance Scenes: III. Allegretto tranquillo | — | ||
| 16-7 | Dance Scenes: IV. Molto allegro | — | ||
| 16-8 | Asyla, op. 17: I | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 16-9 | Asyla, op. 17: II | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-010.315.914-3 | |
| 16-10 | Asyla, op. 17: III. Ecstasio | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 16-11 | Asyla, op. 17: IV | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| La Mer, CD 111, L. 109: I. De l’aube à midi sur la mer | Philharmonia Orchestra, Carlo Maria Giulini | — |
| La Mer, CD 111, L. 109: II. Jeux de vagues | Philharmonia Orchestra, Carlo Maria Giulini | — |
| La Mer, CD 111, L. 109: III. Dialogue du vent et de la mer | Philharmonia Orchestra, Carlo Maria Giulini | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5099921750021 is a Universal Product Code (UPC) assigned to 20th Century Masterpieces: 100 Years of Classical Music by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 189 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099921750021 is the Universal Product Code (UPC barcode) for the release “20th Century Masterpieces: 100 Years of Classical Music” by Various Artists, released 2008-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 189 tracks, each with its own ISRC. Tracks include GBAYC0500932, GBAYC0500933, GBAYC0500934.
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| La Mer, CD 111, L. 109: I. De l’aube à midi sur la mer | Philharmonia Orchestra, Carlo Maria Giulini | — |
| La Mer, CD 111, L. 109: II. Jeux de vagues | Philharmonia Orchestra, Carlo Maria Giulini | — |
| La Mer, CD 111, L. 109: III. Dialogue du vent et de la mer | Philharmonia Orchestra, Carlo Maria Giulini | — |
