UPC · Album

The Collection 1: The Solo Recordings

Martha Argerich

028947758709
111 tracksReleased 2008-01-01Deutsche Grammophon

Last verified:

028947758709 is the Universal Product Code (UPC barcode) for the release The Collection 1: The Solo Recordings by Martha Argerich, released 2008-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 111 tracks, each with its own ISRC. Tracks include DEF056000040, DEF056000050, DEF056000051.

Format

0Number system
28947Manufacturer
75870Product
9Check digit
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Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Collection 1: The Solo Recordings
ISRC114 recordings
ISWC40 works

Track List (114)

Scherzo no. 3 in C-sharp minor, op. 39: Presto con fuoco
Martha Argerich
2 Rhapsodies, op. 79: No. 1 in B minor: Agitato
Martha Argerich
2 Rhapsodies, op. 79: No. 2 in G minor: Molto passionato, ma non troppo allegro
Martha Argerich
Toccata, op. 11
Martha Argerich
Jeux d'eau: Très doux
Martha Argerich
Barcarolle in F-sharp Major, op. 60
Martha Argerich
Hungarian Rhapsody in D-flat major, S. 244 no. 6: Tempo giusto - Presto - Andante allegro - Presto
Martha Argerich
Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso
Martha Argerich
Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace
Martha Argerich
Piano Sonata no. 3 in B minor, op. 58: III. Largo
Martha Argerich
Piano Sonata no. 3 in B minor, op. 58: IV. Presto ma non tanto
Martha Argerich
Polonaise-fantaisie no. 7 in A-flat major, op. 61: Allegro maestoso
Martha Argerich
Polonaise in A-flat, op. 53 "Heroic"
Martha Argerich
Mazurka in A minor, Op. 59 No. 1
Martha Argerich
3 Mazurkas, op. 59: No. 2 in A-flat major. Allegretto
Martha Argerich
3 Mazurkas, Op. 59: No. 3 in F‐Sharp Minor: Vivace
Frédéric Chopin
Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace
Martha Argerich
Piano Sonata no. 2 In G Minor, op. 22: 1. So rasch wie möglich - Schneller - Noch schneller
Martha Argerich
Piano Sonata No. 2 in G minor, Op. 22: II. Andantino. Getragen
Martha Argerich
Piano Sonata no. 2 In G Minor, op. 22: 3. Scherzo (Sehr rasch und markiert)
Martha Argerich
Piano Sonata no. 2 In G Minor, op. 22: 4. Rondo (Presto - Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller)
Martha Argerich
Piano Sonata in B minor, S. 178: I. Lento assai - Allegro energico
Martha Argerich
Piano Sonata in B minor, S. 178: II. Grandioso
Martha Argerich
Piano Sonata in B Minor, S.178: Cantando espressivo
Martha Argerich
Piano Sonata in B minor, S. 178: IV. Pesante - Recitativo
Martha Argerich
Piano Sonata in B Minor, S.178: Andante sostenuto
Martha Argerich
Piano Sonata in B minor, S. 178: VI. Quasi Adagio
Martha Argerich
Sonate pour piano en Si mineur, S. 178: Allegro energico
Martha Argerich
Piano Sonata in B Minor, S.178: Più mosso
Martha Argerich
Piano Sonata in B minor, S. 178: IX. Cantando Espressivo senza slentare
Martha Argerich
Piano Sonata in B minor, S. 178: X. Stretta quasi Presto - Presto - Prestissimo
Martha Argerich
Piano Sonata in B minor, S. 178: XI. Andante sostenuto - Allegro moderato - Lento assai
Martha Argerich
Piano Sonata no. 2 in B‐flat minor, op. 35: Marche funèbre: Lento
Martha Argerich
Piano Sonata no. 2 in B‐flat minor, op. 35: Grave – Doppio movimento
Martha Argerich
Piano Sonata no. 2 in B‐flat minor, op. 35: Scherzo
Martha Argerich
Piano Sonata no. 2 in B‐flat minor, op. 35: Finale: Presto
Martha Argerich
Grande Polonaise brillante précédée d'un Andante spianato, op. 22
Martha Argerich
Scherzo no. 2 in B-flat minor, op. 31
Martha Argerich
Gaspard de la nuit, Poèmes d'après Aloysius Bertrand: I. Ondine
Martha Argerich
Gaspard de la nuit, M.55: II. Le Gibet. Très Lent
Martha Argerich
Gaspard de la nuit, Poèmes d'après Aloysius Bertrand: III. Scarbo
Martha Argerich
Sonatine: I. Modéré
Martha Argerich
Sonatine: II. Mouvement de Menuet
Martha Argerich
Sonatine: III. Animé
Martha Argerich
Valses nobles et sentimentales: I. Modéré - très franc
Martha Argerich
Valses nobles et sentimentales: II. Assez lent - avec une expression intense
Martha Argerich
Valses nobles et sentimentales: III. Modéré
Martha Argerich
Valses nobles et sentimentales: IV. Assez animé
Martha Argerich
Valses nobles et sentimentales: V. Presque lent - dans un sentiment intime
Martha Argerich
Valses nobles et sentimentales: VI. Vif
Martha Argerich
Valses nobles et sentimentales: VII. Moins vif
Martha Argerich
Valses nobles et sentimentales: VIII. Epilogue. Lent
Martha Argerich
24 Préludes, op. 28 no. 1 in C major: Agitato
Martha Argerich
24 Préludes, Op. 28: No. 1 in C Major
Martha Argerich
24 Préludes, op. 28 no. 3 in G major: Vivace
Martha Argerich
24 Préludes, op. 28 no. 4 in E minor: Largo
Martha Argerich
24 Préludes, Op. 28: No. 4 in E Minor
Martha Argerich
24 Préludes, Op. 28: No. 5 in D Major
Martha Argerich
24 Préludes, Op. 28: No. 6 in B Minor: Lento assai
Martha Argerich
24 Préludes, Op. 28: No. 7 in A Major
Martha Argerich
24 Préludes, op. 28 no. 9 in E major: Largo
Martha Argerich
24 Préludes, op. 28 no. 9 in E major: Largo
Martha Argerich
24 Préludes, op. 28 no. 10 in C‐sharp minor: Allegro molto
Martha Argerich
24 Préludes, op. 28 no. 12 in G‐sharp minor: Presto
Martha Argerich
24 Préludes, Op. 28: No. 12. in G‐Sharp Minor
Martha Argerich
24 Préludes, op. 28 no. 14 in E‐flat minor: Allegro
Martha Argerich
24 Préludes, op. 28 no. 14 in E‐flat minor: Allegro
Martha Argerich
24 Préludes, op. 28 no. 15 in D‐flat major: Sostenuto
Martha Argerich
24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco
Martha Argerich
24 Préludes, op. 28 no. 17 in A‐flat major: Allegretto
Martha Argerich
24 Préludes, op. 28 no. 18 in F minor: Allegro molto
Martha Argerich
24 Préludes, op. 28 no. 19 in E‐flat major: Vivace
Martha Argerich
24 Préludes, op. 28 no. 20 in C minor: Largo
Martha Argerich
24 Préludes, op. 28 no. 22 in G minor: Molto agitato
Martha Argerich
24 Préludes, op. 28 no. 23 in F major: Moderato
Martha Argerich
24 Préludes, op. 28 no. 23 in F major: Moderato
Martha Argerich
Prelude in D minor, Op. 28 No. 24
Martha Argerich
Prélude in C‐sharp minor, op. 45: Sostenuto
Martha Argerich
Prélude in A‐flat major, op. posth.: Presto con leggierezza
Martha Argerich
Toccata in C minor, BWV 911
Martha Argerich
Partita no. 2 in C minor, BWV 826: I. Sinfonia
Martha Argerich
Partita no. 2 in C minor, BWV 826: II. Allemande
Martha Argerich
Partita no. 2 in C minor, BWV 826: III. Courante
Martha Argerich
Partita no. 2 in C minor, BWV 826: IV. Sarabande
Martha Argerich
Partita no. 2 in C minor, BWV 826: V. Rondeau
Martha Argerich
Partita no. 2 in C minor, BWV 826: VI. Capriccio
Martha Argerich
English Suite no. 2 in A minor, BWV 807: I. Prélude
Martha Argerich
English Suite no. 2 in A minor, BWV 807: II. Allemande
Martha Argerich
English Suite no. 2 in A minor, BWV 807: III. Courante
Martha Argerich
English Suite no. 2 in A minor, BWV 807: IV. Sarabande
Martha Argerich
English Suite no. 2 in A minor, BWV 807: V. Bourrée I & II
Martha Argerich
English Suite no. 2 in A minor, BWV 807: VI. Gigue
Martha Argerich
Kreisleriana, op. 16: I. Äußerst bewegt. Agitatissimo
Martha Argerich
Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch. Con molta espressione, non troppo presto
Martha Argerich
Kreisleriana, op. 16: III. Sehr aufgeregt. Molto agitato
Martha Argerich
Kreisleriana, op. 16: IV. Sehr langsam. Lento assai
Martha Argerich
Kreisleriana, op. 16: V. Sehr lebhaft. Vivace assai
Martha Argerich
Kreisleriana, op. 16: VI. Sehr langsam. Lento assai
Martha Argerich
Kreisleriana, op. 16: VII. Sehr rasch. Molto presto
Martha Argerich
Kreisleriana, op. 16: VIII. Schnell und spielend. Vivace e scherzando
Martha Argerich
Kinderszenen, op. 15: VII. Träumerei
Martha Argerich
Kinderszenen, op. 15: I. Von fremden Ländern und Menschen
Martha Argerich
Kinderszenen, op. 15: II. Kuriose Geschichte
Martha Argerich
Kinderszenen, op. 15: III. Haschemann
Martha Argerich
Kinderszenen, op. 15: IV. Bittendes Kind
Martha Argerich
Kinderszenen, op. 15: V. Glückes genug
Martha Argerich
Kinderszenen, op. 15: VI. Wichtige Begebenheit
Martha Argerich
Kinderszenen, op. 15: VIII. Am Kamin
Martha Argerich
Kinderszenen, op. 15: IX. Ritter vom Steckenpferd
Martha Argerich
Kinderszenen, op. 15: X. Fast zu ernst
Martha Argerich
Kinderszenen, op. 15: XI. Fürchtenmachen
Martha Argerich
Kinderszenen, op. 15: XII. Kind im Einschlummern
Martha Argerich
Kinderszenen, op. 15: XIII. Der Dichter spricht
Martha Argerich
24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco
Martha Argerich

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What is UPC 028947758709?
UPC 028947758709 is the Universal Product Code (barcode) for "The Collection 1: The Solo Recordings" by Martha Argerich, released on Deutsche Grammophon.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028947758709?
UPC 028947758709 contains 111 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 028947758709?

028947758709 is a Universal Product Code (UPC) assigned to The Collection 1: The Solo Recordings by Martha Argerich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 111 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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