UPC · Release
Ludwig van Beethoven
Last verified:
028948367672 is the Universal Product Code (UPC barcode) for the release “BTHVN 2020: The New Complete Edition” by Ludwig van Beethoven, released 2019-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 998 tracks, each with its own ISRC. Tracks include GBBBA0700931, GBBBA0700932, GBBBA0700933.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio | Gewandhausorchester Leipzig, Riccardo Chailly | T-915.714.772-3 | |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Gewandhausorchester Leipzig, Riccardo Chailly | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace | Gewandhausorchester Leipzig, Riccardo Chailly | T-300.456.250-5 | |
| 4 | Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace | Gewandhausorchester Leipzig, Riccardo Chailly | T-318.676.528-2 | |
| 5 | Overture "Die Geschöpfe des Prometheus", op. 43 | Gewandhausorchester Leipzig, Riccardo Chailly | T-909.574.378-5 | |
| 6 | Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio | Gewandhausorchester Leipzig, Riccardo Chailly | — | |
| 7 | Symphony no. 2 in D major, op. 36: II. Larghetto | Gewandhausorchester Leipzig, Riccardo Chailly | — | |
| 8 | Symphony no. 2 in D major, op. 36: III. Scherzo: Allegro | Gewandhausorchester Leipzig, Riccardo Chailly | — | |
| 9 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Gewandhausorchester Leipzig, Riccardo Chailly | — | |
| 10 | Overture "Leonore" no. 3, op. 72a | Gewandhausorchester Leipzig, Riccardo Chailly | — | |
| 2-1 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: 1. Allegro con brio | Berliner Philharmoniker, Claudio Abbado | — | |
| 2-2 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: 2. Marcia funebre. Adagio assai | Berliner Philharmoniker, Claudio Abbado | — | |
| 2-3 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: 3. Scherzo. Allegro vivace – Trio | Berliner Philharmoniker, Claudio Abbado | — | |
| 2-4 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: 4. Finale. Allegro molto – Poco andante – Presto | Berliner Philharmoniker, Claudio Abbado | T-318.676.528-2 | |
| 2-5 | Symphony no. 4 in B‐flat major, op. 60: 1. Adagio – Allegro vivace | Berliner Philharmoniker, Claudio Abbado | T-001.444.317-4 | |
| 2-6 | Symphony no. 4 in B‐flat major, op. 60: 2. Adagio | Berliner Philharmoniker, Claudio Abbado | T-001.444.317-4 | |
| 2-7 | Symphony no. 4 in B‐flat major, op. 60: 3. Allegro molto e vivace – Trio. Un poco meno allegro | Berliner Philharmoniker, Claudio Abbado | T-001.444.317-4 | |
| 2-8 | Symphony no. 4 in B‐flat major, op. 60: 4. Allegro ma non troppo | Berliner Philharmoniker, Claudio Abbado | T-001.444.317-4 | |
| 3-1 | Overture "Coriolan", op. 62 | Gewandhausorchester Leipzig, Riccardo Chailly | — | |
| 3-2 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Los Angeles Philharmonic, Carlo Maria Giulini | T-902.876.200-7 | |
| 3-3 | Symphonie no. 5 c–Moll, op. 67: II. Andante con moto | Los Angeles Philharmonic, Carlo Maria Giulini | — | |
| 3-4 | Symphonie no. 5 c–Moll, op. 67: II. Andante con moto | Los Angeles Philharmonic, Carlo Maria Giulini | — | |
| 3-5 | Symphonie no. 5 c–Moll, op. 67: II. Andante con moto | Los Angeles Philharmonic, Carlo Maria Giulini | — | |
| 3-6 | Symphony no. 6 in F, op. 68 “Pastoral”: I. Allegro ma non troppo “Erwachen heiterer Gefühle bei der Ankunft auf dem Lande” | — | ||
| 3-7 | Symphony no. 6 in F, op. 68 “Pastoral”: II. Andante molto mosso “Szene am Bach” | — | ||
| 3-8 | Symphony no. 6 in F, op. 68 “Pastoral”: III. Allegro “Lustiges Zusammensein der Landleute” | — | ||
| 3-9 | Symphony no. 6 in F, op. 68 “Pastoral”: IV. Allegro “Gewitter. Sturm” | — | ||
| 3-10 | Symphony no. 6 in F, op. 68 “Pastoral”: V. Allegretto “Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm” | — | ||
| 4-1 | Symphony no. 7 in A, op. 92: I. Poco sostenuto - Vivace | — | ||
| 4-2 | Symphony no. 7 in A, op. 92: II. Allegretto | — | ||
| 4-3 | Symphony no. 7 in A, op. 92: III. Presto | — | ||
| 4-4 | Symphony no. 7 in A, op. 92: IV. Allegro con brio | — | ||
| 4-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Gewandhausorchester Leipzig, Riccardo Chailly | — | |
| 4-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Gewandhausorchester Leipzig, Riccardo Chailly | T-909.821.799-3 | |
| 4-7 | Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto | Gewandhausorchester Leipzig, Riccardo Chailly | T-909.821.799-3 | |
| 4-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Gewandhausorchester Leipzig, Riccardo Chailly | T-909.821.799-3 | |
| 4-9 | Overture “Zur Namensfeier”, op. 115 | Gewandhausorchester Leipzig, Riccardo Chailly | T-925.645.304-0 | |
| 4-10 | Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91 | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-3 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-5 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-1 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6-2 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6-3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6-4 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6-5 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6-6 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6-7 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6-8 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6-9 | Egmont, Incidental Music, op. 84: Overture | Wiener Philharmoniker, George Szell | T-909.574.378-5 | |
| 6-10 | Egmont, Incidental Music, op. 84: Lied „Die Trommel gerühret“ | Pilar Lorengar, Wiener Philharmoniker, George Szell | — | |
| 6-11 | Egmont, Incidental Music, op. 84: Zwischenakt I. Andante | Wiener Philharmoniker, George Szell | — | |
| 6-12 | Egmont, Incidental Music, op. 84: Zwischenakt II. Larghetto | Wiener Philharmoniker, George Szell | — | |
| 6-13 | Egmont, Incidental Music, op. 84: Lied „Freudvoll und leidvoll“ | Pilar Lorengar, Wiener Philharmoniker, George Szell | — | |
| 6-14 | Egmont, Incidental Music, op. 84: Siegessymphonie. Allegro con brio | Wiener Philharmoniker, George Szell | — | |
| 7-1 | Symphony no. 3 in E-flat, op. 55 “Eroica”: I. Allegro con brio | — | ||
| 7-2 | Symphony no. 3 in E-flat, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | — | ||
| 7-3 | Symphony no. 3 in E-flat, op. 55 “Eroica”: III. Scherzo. Allegro vivace | — | ||
| 7-4 | Symphony no. 3 in E-flat, op. 55 “Eroica”: IV. Finale. Allegro molto | — | ||
| 7-5 | Symphony no. 4 in B‐flat major, op. 60: I. Adagio – Allegro vivace | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 7-6 | Symphony no. 4 in B‐flat major, op. 60: II. Adagio | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 7-7 | Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 7-8 | Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 8-1 | Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — | |
| 8-2 | Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — | |
| 8-3 | Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — | |
| 8-4 | Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — | |
| 8-5 | Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace | Wiener Philharmoniker, Carlos Kleiber | — | |
| 8-6 | Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace | Wiener Philharmoniker, Carlos Kleiber | — | |
| 8-7 | Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace | Wiener Philharmoniker, Carlos Kleiber | — | |
| 8-8 | Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace | Wiener Philharmoniker, Carlos Kleiber | — | |
| 9-1 | Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo | Wiener Philharmoniker, Karl Böhm | — | |
| 9-2 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso | Wiener Philharmoniker, Karl Böhm | — | |
| 9-3 | Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 9-4 | Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 9-5 | Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto | Wiener Philharmoniker, Karl Böhm | — | |
| 9-6 | Symphony no. 8 in F, op. 93: I. Allegro vivace e con brio | — | ||
| 9-7 | Symphony no. 8 in F, op. 93: II. Allegretto scherzando | — | ||
| 9-8 | Symphony no. 8 in F, op. 93: III. Tempo di Menuetto | — | ||
| 9-9 | Symphony no. 8 in F, op. 93: IV. Allegro vivace | — | ||
| 10-1 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-3 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-4 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-5 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-915.714.772-3 | |
| 11-2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 11-3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 11-4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-318.676.528-2 | |
| 11-5 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-915.714.772-3 | |
| 11-6 | Symphony no. 2 in D major, op. 36: II. Larghetto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 11-7 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 11-8 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 12-1 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 12-2 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 12-3 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 12-4 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 12-5 | Symphony no. 4 in B‐flat major, op. 60: I. Adagio - Allegro vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-001.444.317-4 | |
| 12-6 | Symphony no. 4 in B‐flat major, op. 60: II. Adagio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-001.444.317-4 | |
| 12-7 | Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-001.444.317-4 | |
| 12-8 | Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-001.444.317-4 | |
| 13-1 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 13-2 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 13-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 13-4 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 13-5 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 13-6 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach: Andante molto mosso | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 13-7 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute: Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 13-8 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm: Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 13-9 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang: Frohe und dankbare Gefühle nach dem Sturm: Allegretto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 14-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 14-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-314.638.300-4 | |
| 14-3 | Symphony no. 7 in A major, op. 92: III. Presto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-931.717.518-1 | |
| 14-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 14-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 14-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-909.821.799-3 | |
| 14-7 | Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-909.821.799-3 | |
| 14-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-909.821.799-3 | |
| 15-1 | Symphony no. 9 in D minor, op. 125: Allegro ma non troppo, un poco maestoso | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 15-2 | Symphony no. 9 in D minor, op. 125: Molto vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-909.876.841-3 | |
| 15-3 | Symphony no. 9 in D minor, op. 125: Adagio molto e cantabile | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-912.747.871-1 | |
| 15-4 | Symphony no. 9 in D minor, op. 125: Presto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 15-5 | Symphony no. 9 in D minor, op. 125: Presto: “O Freunde, nicht diese Töne!” Allegro assai | Gilles Cachemaille, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Anthony Rolfe Johnson, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 15-6 | Fantasia for Piano, Chorus and Orchestra in c, op. 80 (“Choral Fantasy”): Adagio | — | ||
| 15-7 | Fantasia for Piano, Chorus and Orchestra in c, op. 80 (“Choral Fantasy”): Finale. Allegro - Meno allegro (Allegretto) - Allegro molto - Adagio ma non troppo - Marcia assai vivace - Allegro - Allegretto ma non troppo quasi andante con moto “Schmeichelnd hold und lieblich klingen” - Presto | — | ||
| 16-1 | Piano Concerto E-flat, WoO 4: I. Allegro moderato | — | ||
| 16-2 | Piano Concerto E-flat, WoO 4: II. Larghetto | — | ||
| 16-3 | Piano Concerto E-flat, WoO 4: III. Rondo. Allegretto | — | ||
| 16-4 | Piano Concerto no. 2 in B-flat, op. 19: I. Allegro con brio | — | ||
| 16-5 | Piano Concerto no. 2 in B-flat, op. 19: II. Adagio | — | ||
| 16-6 | Piano Concerto no. 2 in B-flat, op. 19: III. Rondo. Molto allegro | — | ||
| 16-7 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | Martha Argerich, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 16-8 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Martha Argerich, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 16-9 | Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | Martha Argerich, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 17-1 | Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 17-2 | Piano Concerto No. 3 in C minor, Op. 37: II. Largo | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 17-3 | Piano Concerto No. 3 in C minor, Op. 37: III. Rondo. Allegro | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | T-700.095.171-5 | |
| 17-4 | Klavierkonzert Nr. 4 G-dur, Op. 58: I. Allegro moderato | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 17-5 | Klavierkonzert Nr. 4 G-dur, Op. 58: II. Andante con moto | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 17-6 | Klavierkonzert Nr. 4 G-dur, Op. 58: III. Rondo: Vivace | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 18-1 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: I. Allegro | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-007.303.107-8 | |
| 18-2 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco moto – attacca | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-928.635.608-9 | |
| 18-3 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: III. Rondo. Allegro | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-031.682.208-8 | |
| 18-4 | Violin Concerto in D, op. 61: I. Allegro ma non troppo (cadenza: Fritz Kreisler) | — | ||
| 18-5 | Violin Concerto in D, op. 61: II. Larghetto - attacca | — | ||
| 18-6 | Violin Concerto in D, op. 61: III. Rondo. Allegro (cadenza: Fritz Kreisler) | — | ||
| 19-1 | Violinkonzert D-dur, Op. 61: I. Allegro ma non troppo | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | T-031.682.208-8 | |
| 19-2 | Violinkonzert D-dur, Op. 61: II. Larghetto | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — | |
| 19-3 | Violinkonzert D-dur, Op. 61: III. Rondo. Allegro | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — | |
| 19-4 | Romance for Violin and Orchestra no. 1 in G major, op. 40 | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 19-5 | Violin Romance no. 2 in F major, op. 50 | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 19-6 | Romance cantabile for Piano, Flute and Bassoon Accompanied by 2 Oboes and Strings in e, WoO 207: Andante cantabile | — | ||
| 20-1 | Piano Concerto no. 1 in C, op. 15: I. Allegro con brio | — | ||
| 20-2 | Piano Concerto no. 1 in C, op. 15: II. Largo | — | ||
| 20-3 | Piano Concerto no. 1 in C, op. 15: III. Rondo. Allegro scherzando | — | ||
| 20-4 | Piano Concerto no. 2 in B, op. 19: I. Allegro con brio | — | ||
| 20-5 | Piano Concerto no. 2 in B, op. 19: II. Adagio | — | ||
| 20-6 | Piano Concerto no. 2 in B, op. 19: I. Rondo. Molto allegro | — | ||
| 20-7 | Rondo for Piano and Orchestra in B, WoO 6: Allegro | — | ||
| 20-8 | Cadenza for Piano Concerto no. 1, Hess 76 | — | ||
| 21-1 | Klavierkonzert Nr. 3 c-Moll, op. 37: I. Allegro con brio | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 21-2 | Klavierkonzert Nr. 3 c-Moll, Op. 37: II. Largo | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 21-3 | Klavierkonzert Nr. 3 c-Moll, op. 37: III. Rondo. Allegro | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 21-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 21-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 21-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-909.876.873-1 | |
| 21-7 | Fantasia for Piano, Chorus and Orchestra in c, op. 80: Adagio | — | ||
| 21-8 | Fantasia for Piano, Chorus and Orchestra in c, op. 80: Finale. Allegro - Meno allegro (Allegretto) - Allegro molto - Adagio ma non troppo - Marcia assai vivace - Allegro - Allegretto man non troppo quasi andante con moto “Schmeichelnd hold und lieblich klingen” - Presto | — | ||
| 22-1 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Wilhelm Kempff, Berliner Philharmoniker, Ferdinand Leitner | T-070.242.672-9 | |
| 22-2 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso | Wilhelm Kempff, Berliner Philharmoniker, Ferdinand Leitner | — | |
| 22-3 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro | Wilhelm Kempff, Berliner Philharmoniker, Ferdinand Leitner | — | |
| 22-4 | Klavierkonzert nach dem Violinkonzert D-dur, Op. 61: I. Allegro ma non troppo | English Chamber Orchestra, Daniel Barenboim | — | |
| 22-5 | Klavierkonzert nach dem Violinkonzert D-dur, Op. 61: II. Larghetto | English Chamber Orchestra, Daniel Barenboim | — | |
| 22-6 | Klavierkonzert nach dem Violinkonzert D-dur, Op. 61: III. Rondo. Allegro | English Chamber Orchestra, Daniel Barenboim | T-700.095.171-5 | |
| 23-1 | Concerto for Piano, Violin, Cello, and Orchestra in C, op. 56 (“Triple Concerto”): I. Allegro | — | ||
| 23-2 | Concerto for Piano, Violin, Cello, and Orchestra in C, op. 56 (“Triple Concerto”): II. Largo – attacca | — | ||
| 23-3 | Concerto for Piano, Violin, Cello, and Orchestra in C, op. 56 (“Triple Concerto”): III. Rondo alla Polacca | — | ||
| 23-4 | Violin Concerto Movement in C, WoO 5 | — | ||
| 23-5 | Konzert für Klavier und Orchester no. 20 D-moll KV 466: I. Allegro | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | T-011.422.353-8 | |
| 23-6 | Konzert für Klavier und Orchester no. 20 D-moll KV 466: II. Romance | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 23-7 | Konzert für Klavier und Orchester no. 20 D-moll KV 466: III. Rondo (Allegro assai) | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | T-306.395.786-4 | |
| 24-1 | Music for a Ballet on Horseback, WoO 1: I. March | Berliner Philharmoniker, Herbert von Karajan | T-923.366.890-1 | |
| 24-2 | Music for a Ballet on Horseback, WoO 1: II. German Song. Allegro moderato | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-3 | Music for a Ballet on Horseback, WoO 1: IIIa. Hunting Song. Allegretto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-4 | Music for a Ballet on Horseback, WoO 1: IIIb. German Song (da capo) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-5 | Music for a Ballet on Horseback, WoO 1: IVa. Romance. Andantino | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-6 | Music for a Ballet on Horseback, WoO 1: IVb. German Song (da capo) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-7 | Music for a Ballet on Horseback, WoO 1: Va. War Song. Allegro assai con brio | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-8 | Music for a Ballet on Horseback, WoO 1: Vb. German Song (da capo) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-9 | Music for a Ballet on Horseback, WoO 1: VIa. Drinking Song. Allegro con brio “Mihi est propositum” | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-10 | Music for a Ballet on Horseback, WoO 1: VIb. German Song (da capo) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-11 | Music for a Ballet on Horseback, WoO 1: VII. German Dance. Waltz | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-12 | Music for a Ballet on Horseback, WoO 1: VIII. Coda. Allegro vivace | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-13 | Die Geschöpfe des Prometheus, op. 43: Overtura: Adagio - Allegro molto e con brio - attacca | — | ||
| 24-14 | Die Geschöpfe des Prometheus, op. 43: [Introduzione] La Tempesta. Allegro non troppo - (attacca) | — | ||
| 24-15 | Die Geschöpfe des Prometheus, op. 43: No. 1 Poco Adagio - Allegro con brio - Poco Adagio - Allegro con brio | — | ||
| 24-16 | Die Geschöpfe des Prometheus, op. 43: No. 2 Adagio - Allegro con brio | — | ||
| 24-17 | Die Geschöpfe des Prometheus, op. 43: No. 3 Allegro vivace | — | ||
| 24-18 | Die Geschöpfe des Prometheus, op. 43: No. 4 Maestoso - Andante | — | ||
| 24-19 | Die Geschöpfe des Prometheus, op. 43: No. 5 Adagio - Andante quasi Allegretto | — | ||
| 24-20 | Die Geschöpfe des Prometheus, op. 43: No. 6 Un poco Adagio - Allegro - (attacca) | — | ||
| 24-21 | Die Geschöpfe des Prometheus, op. 43: No. 7 Grave - (attacca) | — | ||
| 24-22 | Die Geschöpfe des Prometheus, op. 43: No. 8 Allegro con brio - Presto | — | ||
| 24-23 | Die Geschöpfe des Prometheus, op. 43: No. 9 Adagio - Adagio - Allegro molto | — | ||
| 24-24 | Die Geschöpfe des Prometheus, op. 43: No. 10 Pastorale. Allegro | — | ||
| 24-25 | Die Geschöpfe des Prometheus, op. 43: No. 11 Coro di Gioja. Andante - (attacca) | — | ||
| 24-26 | Die Geschöpfe des Prometheus, op. 43: No. 12 Solo di Gioja. Maestoso - Adagio - Allegro | — | ||
| 24-27 | Die Geschöpfe des Prometheus, op. 43: No. 13 Terzettino - Grotteschi. Allegro - Comodo - Coda | — | ||
| 24-28 | Die Geschöpfe des Prometheus, op. 43: No. 14 Solo della Signora Cassentini. Andante - Adagio - Allegro - Allegretto | — | ||
| 24-29 | Die Geschöpfe des Prometheus, op. 43: No. 15 Coro (e) Solo de Viganzò. Andantino - Adagio - Allegro | — | ||
| 24-30 | Die Geschöpfe des Prometheus, op. 43: No. 16 Finale. Allegretto - Allegro molto - Presto | — | ||
| 25-1 | 12 Minuets for Orchestra, WoO 7 no. 1 in D major | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 25-2 | 12 Minuets for Orchestra, WoO 7 no. 2 in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-3 | 12 Minuets for Orchestra, WoO 7 no. 3 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-4 | 12 Minuets for Orchestra, WoO 7 no. 4 in E-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 25-5 | 12 Minuets for Orchestra, WoO 7 no. 5 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | T-916.194.049-4 | |
| 25-6 | 12 Minuets for Orchestra, WoO 7 no. 6 in A major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-7 | 12 Minuets for Orchestra, WoO 7 no. 7 in D major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-8 | 12 Minuets for Orchestra, WoO 7 no. 8 in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-9 | 12 Minuets for Orchestra, WoO 7 no. 9 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 25-10 | 12 Minuets for Orchestra, WoO 7 no. 10 in E-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-11 | 12 Minuets for Orchestra, WoO 7 no. 11 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-12 | 12 Minuets for Orchestra, WoO 7 no. 12 in F major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-13 | 12 German Dances, WoO 8 no. 1 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 25-14 | 12 German Dances, WoO 8 no. 2 in A major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-15 | 12 German Dances, WoO 8 no. 3 in F major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-16 | 12 German Dances, WoO 8 no. 4 in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 25-17 | 12 German Dances, WoO 8 no. 5 in E-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | T-916.194.049-4 | |
| 25-18 | 12 German Dances, WoO 8 no. 6 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-19 | 12 German Dances, WoO 8 no. 7 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 25-20 | 12 German Dances, WoO 8 no. 8 in A major | Academy of St Martin in the Fields, Sir Neville Marriner | T-800.003.086-5 | |
| 25-21 | 12 German Dances, WoO 8 no. 9 in F major | Academy of St Martin in the Fields, Sir Neville Marriner | T-909.695.614-8 | |
| 25-22 | 12 German Dances, WoO 8 no. 10 in D major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-23 | 12 German Dances, WoO 8 no. 11 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-24 | 12 German Dances, WoO 8 no. 12 in C major - Coda | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-25 | 12 Contredanses for Orchestra, WoO 14: No. 1 in C major | Berliner Philharmoniker, Lorin Maazel | T-010.437.719-6 | |
| 25-26 | 12 Contredanses for Orchestra, WoO 14: No. 2 in A major | Berliner Philharmoniker, Lorin Maazel | T-060.019.661-9 | |
| 25-27 | 12 Contredanses for Orchestra, WoO 14: No. 3 in D major | Berliner Philharmoniker, Lorin Maazel | — | |
| 25-28 | 12 Contredanses for Orchestra, WoO 14: No. 4 in B-flat major | Berliner Philharmoniker, Lorin Maazel | T-312.542.381-2 | |
| 25-29 | 12 Contredanses for Orchestra, WoO 14: No. 5 in E-flat major | Berliner Philharmoniker, Lorin Maazel | T-902.876.200-7 | |
| 25-30 | 12 Contredanses for Orchestra, WoO 14: No. 6 in C major | Berliner Philharmoniker, Lorin Maazel | — | |
| 25-31 | 12 Contredanses for Orchestra, WoO 14: No. 7 in E-flat major | Berliner Philharmoniker, Lorin Maazel | — | |
| 25-32 | 12 Contredanses for Orchestra, WoO 14: No. 8 in C major | Berliner Philharmoniker, Lorin Maazel | — | |
| 25-33 | 12 Contredanses for Orchestra, WoO 14: No. 9 in A major | Berliner Philharmoniker, Lorin Maazel | — | |
| 25-34 | 12 Contredanses for Orchestra, WoO 14: No. 10 in C major | Berliner Philharmoniker, Lorin Maazel | T-312.958.225-4 | |
| 25-35 | 12 Contredanses for Orchestra, WoO 14: No. 11 in G major | Berliner Philharmoniker, Lorin Maazel | — | |
| 25-36 | 12 Contredanses for Orchestra, WoO 14: No. 12 in E-flat major | Berliner Philharmoniker, Lorin Maazel | — | |
| 25-37 | 6 Ländler for 2 Violins and Bass, WoO 15: No. 1 in D | — | ||
| 25-38 | 6 Ländler for 2 Violins and Bass, WoO 15: No. 2 in D | — | ||
| 25-39 | 6 Ländler for 2 Violins and Bass, WoO 15: No. 3 in D | — | ||
| 25-40 | 6 Ländler for 2 Violins and Bass, WoO 15: No. 4 in d | — | ||
| 25-41 | 6 Ländler for 2 Violins and Bass, WoO 15: No. 5 in D | — | ||
| 25-42 | 6 Ländler for 2 Violins and Bass, WoO 15: No. 6 in D | — | ||
| 25-43 | Marsch für Militärmusik F-dur WoO 18 »Yorck'scher Marsch« | Berliner Philharmoniker, Herbert von Karajan | — | |
| 25-44 | March no. 2 in F for Military Band, WoO 19 (with Trio in f, c. 1822) | — | ||
| 25-45 | March in C for Military Band, WoO 20 (“Zapfenstreich”; with Trio in F, c. 1822) | — | ||
| 25-46 | Polonaise in D for Military Band, WoO 21 | — | ||
| 25-47 | Ecossaise für Militärmusik D-dur WoO22 | Bläser der Berliner Philharmoniker, Herbert von Karajan | — | |
| 25-48 | March in D for Military Band, WoO 24 | — | ||
| 26-1 | Egmont, op. 84: Overture. Sostenuto, ma non troppo - Allegro | Berliner Philharmoniker, Claudio Abbado | T-901.164.507-1 | |
| 26-2 | Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 1 Song: “Die Trommel gerühret” (Clärchen). Vivace | — | ||
| 26-3 | Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 2 Entr’acte I. Andante - Allegro con brio “Es ist keine falsche Ader an ihm” (Clärchen) | — | ||
| 26-4 | Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 3 Entr’acte II. Larghetto | — | ||
| 26-5 | Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 4 Song: “Freudvoll und leidvoll” (Clärchen). Andante con moto - Allegro assai vivace | — | ||
| 26-6 | Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 5 Entr’acte III. Allegro - Marcia. Vivace. “Der König meint” (Regent) | — | ||
| 26-7 | Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 6 Entr’acte IV. Poco sostenuto e risoluto - Larghetto - Andante agitato | — | ||
| 26-8 | Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 7 Clärchen’s Death. Larghetto. “Arme Seele!” (Egmont) | — | ||
| 26-9 | Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 8 Melodrama. “Süßer Schlaf! Du kommst wie ein reines Glück” (Egmont). Poco sostenuto | — | ||
| 26-10 | Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 9 Victory Symphony. Allegro con brio | — | ||
| 26-11 | Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: Overture. Andante con moto - Allegro ma non troppo | — | ||
| 26-12 | Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 1 Chorus: “Tochter des mächtigen Zeus”. Andante poco sostenuto | — | ||
| 26-13 | Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 2 Duet: “Ohne Verschulden Knechtschaft dulden”. Andante con moto - Poco più mosso (A Greek Man, a Greek Woman) | — | ||
| 26-14 | Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 3 Chorus of Dervishes: “Du hast in deines Ärmels Falten den Mond getragen”. Allegro ma non troppo | — | ||
| 26-15 | Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 4 Marcia alla turca. Vivace / [No. 5 Offstage Music: “Es wandelt schon das Volk im Feierkleide”. Allegro assai ma non troppo] | — | ||
| 26-16 | Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 6. March and Chorus: “Schmückt die Altäre!”. Assai moderato | — | ||
| 26-17 | Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: Recitative: “Mit reger Freude, die nie erkaltet”. Poco Adagio (High Priest) | — | ||
| 26-18 | Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 7 Chorus: “Wir tragen empfängliche Herzen im Busen”. Allegretto, ma non troppo | — | ||
| 26-19 | Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: Aria with Chorus: “Will unser Genius noch einen Wunsch gewähren”. Adagio | — | ||
| 26-20 | Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 8 Chorus: “Heil unserm König! Heil!”. Allegro con fuoco | — | ||
| 26-21 | Congratulatory Minuet for Orchestra in E-flat major, WoO 3: Tempo di menuetto quasi allegretto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 27-1 | Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: Overture. Andante con moto - Presto | — | ||
| 27-2 | Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 1 Chorus: “Ruhend von seinen Taten”. Andante maestoso e con moto / “Seid mir gegrüßt an dieses Thrones Stufen” (Ling Stephen) | — | ||
| 27-3 | Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 2 Chorus: “Auf dunkelm Irrweg in finstern Hainen”. Allegro con brio / “Fürst! Mich sandten die Edlen im Heere” (A Warrior, King Stephen) | — | ||
| 27-4 | Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 3 Siegesmarsch / Feurig und stolz / “Ihr tapfern Krieger, Ungarns Stolz und Zierde” (King Stephen, Gyula, Bavarian Ambassador) | — | ||
| 27-5 | Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 4 Chorus: “Wo die Unschuld Blumen streute”. Andante con moto all’Ongarese | — | ||
| 27-6 | Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 5 Melodrama: “Du hast dein Vaterland, dein Fürstenhaus verlassen” (King Stephen, Gisela). Vivace | — | ||
| 27-7 | Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 6 Chorus: “Eine neue strahlende Sonne”. Vivace | — | ||
| 27-8 | Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 7 Melodrama: “Ihr edlen Ungarn! Hört meine Stimme! ... Empfanget sie aus eures Fürsten Händen” (King Stephen). Maestoso con moto - Andante maestoso - Maestoso con moto | — | ||
| 27-9 | Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 8 Ecclesiastical March, Chorus and Melodrama. March - Moderato / “In der schönsten deiner Lebensstunden” (An Elder) / Chorus: “Heil unsern Könige”. Allegro vivace e con brio / Melodrama: “Ich schmücke ehrfurchtsvoll mein Haupt” (King Stephen). Grave risoluto e ben marcato - Allegro - Andante moss - Presto | — | ||
| 27-10 | Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 9 Final Chorus: “Heil! Heil unsern Enkeln”. Presto | — | ||
| 27-11 | Triumphal March from Christoph Kuffner's Tragedy “Tarpeja”, WoO 2a: Marcia. Lebhaft und stolz | — | ||
| 27-12 | Music for Carl Meisl's Occasional Play “Die Weihe des Hauses”: Overture, op. 124. Maestoso e sostenuto - Allegro con brio | — | ||
| 27-13 | Music for Carl Meisl's Occasional Play “Die Weihe des Hauses”: [No. 5] Chorus with Soprano Solo, WoO 98: “Wo sich die Pulse jugendlich jagen ... Lasst uns im Tanze”. Allegro ma non troppo e un poco maestoso | — | ||
| 27-14 | Music for Carl Meisl's Occasional Play “Die Weihe des Hauses”: No. 6 March and Chorus, op. 114: “Schmückt die Altäre!”. Assai moderato | — | ||
| 27-15 | Music for Carl Meisl's Occasional Play “Die Weihe des Hauses”: No. 7 Offstage Music [Melodrama], op. 113 no. 5: “Es wandelt schon das Volk im Feierkleide” (High Priest). Allegro assai ma non troppo | — | ||
| 27-16 | Music to Johann Friedrich Duncker's Play “Leonore Prohaska”, WoO 96: No. 1 Chorus of Warriors: “Wir bauen und sterben” | — | ||
| 27-17 | Music to Johann Friedrich Duncker's Play “Leonore Prohaska”, WoO 96: No. 2 Romance: “Es blüht eine Blume im Garten mein” (soprano). In gehender Bewegung (Sopran) | — | ||
| 27-18 | Music to Johann Friedrich Duncker's Play “Leonore Prohaska”, WoO 96: No. 3 Melodrama: “Du, dem sie gewunden” (recitant). Feierlich, doch nicht schleppend | — | ||
| 27-19 | Music to Johann Friedrich Duncker's Play “Leonore Prohaska”, WoO 96: No. 4 Trauermarsch. In gehender, annehmlicher Bewegung | — | ||
| 28-1 | Leonore, Hess 109: Overture “Leonore” no. 2 | — | ||
| 28-2 | Leonore, Hess 109: Act I. “Twas in truth an hour of universal ferment” (Erzähler) | — | ||
| 28-3 | Leonore, Hess 109: Act I. No. 1 Aria: “O wär’ ich schon mit dir vereint” (Marzelline) | — | ||
| 28-4 | Leonore, Hess 109: Act I. “Beharrlich bleibt auf dem Liebespfad” (Erzähler) | — | ||
| 28-5 | Leonore, Hess 109: Act I. No. 2 Duet: “Jetzt Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) | — | ||
| 28-6 | Leonore, Hess 109: Act I. “Der Kerkermeister, Rocco, der Vater” (Erzähler) | — | ||
| 28-7 | Leonore, Hess 109: Act I. No. 3 Trio: “Ein Mann ist bald genommen” (Rocco, Marzelline, Jaquino) | — | ||
| 28-8 | Leonore, Hess 109: Act I. “Fidelio kam - und niemand weiß woher” (Erzähler) | — | ||
| 28-9 | Leonore, Hess 109: Act I. No. 4 Quartet: “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | — | ||
| 28-10 | Leonore, Hess 109: Act I. “Gefühl ist gut, doch Geld ist besser” (Erzähler) | — | ||
| 28-11 | Leonore, Hess 109: Act I. No. 5 Aria: “Hat man nicht auch Gold beineben” (Rocco) | — | ||
| 28-12 | Leonore, Hess 109: Act I. “Unantastbar klar birgt Leonores Brust” (Erzähler) | — | ||
| 28-13 | Leonore, Hess 109: Act I. No. 6 Trio: “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline) | — | ||
| 28-14 | Leonore, Hess 109: Act II. No. 7 Introduction, WoO 2b | — | ||
| 28-15 | Leonore, Hess 109: Act II. “Der Gouverneur ist da” (Erzähler) | — | ||
| 28-16 | Leonore, Hess 109: Act II. No. 8 Aria with Chorus: “Ha! Welch ein Augenblick!” (Pizarro, Guards) | — | ||
| 28-17 | Leonore, Hess 109: Act II. “Postiert eine Trompete auf dem Wachturm!” (Erzähler) | — | ||
| 28-18 | Leonore, Hess 109: Act II. No. 9 Duet: “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco) | — | ||
| 28-19 | Leonore, Hess 109: Act II. “Und Leonore begegnet Marzelline” (Erzähler) | — | ||
| 28-20 | Leonore, Hess 109: Act II. No. 10 Duet: “Um in der Ehe froh zu leben” (Marzelline, Leonore) | — | ||
| 28-21 | Leonore, Hess 109: Act II. “Die ernsten Steine des dumpfen Gemäuers” (Erzähler) | — | ||
| 28-22 | Leonore, Hess 109: Act II. No. 14 Recitative and Aria: “Ach, brich noch nicht, du mattes Herz! ... Komm, Hoffnung, lass den letzten Stern des Müden nicht erbleichen!” (Leonore) | — | ||
| 29-1 | Leonore, Hess 109: Act II. No. 12 Finale: “O welche Lust, in freier Luft den Atem leicht zu heben” (Prisoners, First Prisoner, Second Prisoner) | — | ||
| 29-2 | Leonore, Hess 109: Act II. No. 12 Finale: [Recitative]: “Entfernt euch jetzt! Nun, könnt ihr eilen?” (Rocco) / “Nun sprecht, wie ging’s?” (Leonore, Rocco) / [Duet]: “Noch heute, noch heute?” (Leonore, Rocco) | — | ||
| 29-3 | Leonore, Hess 109: Act II. No. 12 Finale: [Duet]: “Wir müssen gleich zu Werke schreiten” (Rocco, Leonore) / [Quartet]: “Ach Vater, eilt!” (Marzelline, Rocco, Leonore, Pizarro) | — | ||
| 29-4 | Leonore, Hess 109: Act II. No. 12 Finale: [Aria]: “Auf euch nur will ich bauen” (Pizarro, Officers and Soldiers) | — | ||
| 29-5 | Leonore, Hess 109: Act III. “Florestans Not im Dunkel tauber Einsamkeit” (Erzähler) | — | ||
| 29-6 | Leonore, Hess 109: Act III. No. 13 Recitative and Aria: “Gott! Welch Dunkel hier! ... In des Lebens Frühlingstagen” (Florestan) | — | ||
| 29-7 | Leonore, Hess 109: Act III. No. 14 Melodrama and Duet: “Wie kalt ist es in diesem unterirdischen Gewölbe!” (Leonore, Rocco) | — | ||
| 29-8 | Leonore, Hess 109: Act III. No. 14 Melodrama and Duet: [Duet]: “Nur hurtig fort, nur frisch gegraben” (Rocco, Leonore) | — | ||
| 29-9 | Leonore, Hess 109: Act III. “Dort, in der Tiefe” (Erzähler) | — | ||
| 29-10 | Leonore, Hess 109: Act III. No. 15 Trio: “Euch werde Lohn in bessern Welten” (Florestan, Rocco, Leonore) | — | ||
| 29-11 | Leonore, Hess 109: Act III. “Und Rocco eilt” (Erzähler) | — | ||
| 29-12 | Leonore, Hess 109: Act III. No. 16 Quartet: “Er sterbe! Doch er soll erst wissen” (Pizarro, Florestan, Leonore, Rocco) | — | ||
| 29-13 | Leonore, Hess 109: Act III. “Oh Leonore! Alles was dein Mut gewagt - verloren!” (Erzähler) | — | ||
| 29-14 | Leonore, Hess 109: Act III. No. 17 Recitative and Duet: “Ich kann mich noch nicht fassen ... O namenlose Freude!” (Leonore, Florestan) | — | ||
| 29-15 | Leonore, Hess 109: Act III. No. 18 Finale: “Zur Rache! Zur Rache!” (Don Fernando's Retinue, Guards, Prisoners, Townspeople, Leonore, Florestan, Rocco, Don Fernando, Jaquino, Marzelline) | — | ||
| 29-16 | Leonore, Hess 109: Act III. No. 18 Finale: “O Gott! O welch ein Augenblick!” (Leonore, Marzelline, Florestan, Jaquino, Don Fernando, Rocco, Don Fernando Retinue, Guards, Prisoners, Townspeople) | — | ||
| 29-17 | Leonore, Hess 109: Act III. No. 18 Finale: “So müssen endlich Aufgeklärte und Unaufgeklärte” (Erzähler) | — | ||
| 29-18 | Leonore, Hess 109: Act III. No. 18 Finale: “Doch höre erst, du Bösewicht” (Don Fernando, his Retinue, Guards, Prisoners, Townspeople) | — | ||
| 29-19 | Leonore, Hess 109: Act III. No. 18 Finale: “Dann herrscht allgemeine Freiheit und Gleichheit der Geister” (Erzähler) | — | ||
| 29-20 | Leonore, Hess 109: Act III. No. 18 Finale: “Nein, nein, nein! Er ist noch zu gering bestraft!” (Don Fernando's Retinue, Guards, Prisoners, Townspeople) | — | ||
| 29-21 | Leonore, Hess 109: Act III. No. 18 Finale: “Ein höherer Geist, vom Himmel gesandt” (Erzähler) | — | ||
| 29-22 | Leonore, Hess 109: Act III. No. 18 Finale: [Recitative]: “Der König wird dein Richter sein!” (Don Fernando, his Retinue, Guards, Prisoners, Townspeople) | — | ||
| 29-23 | Leonore, Hess 109: Act III. No. 18 Finale: “Wer ein holdes Weib errungen, stimm in unsern Jubel ein!” (Marzelline, Jaquino, Rocco, Don Fernando, his Retinue, Guards, Prisoners, Townspeople, Florestan, Leonore) | — | ||
| 30-1 | Fidelio, op. 72: Overture | — | ||
| 30-2 | Fidelio, op. 72: Act 1. No. 1 Duet: “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) | — | ||
| 30-3 | Fidelio, op. 72: Act 1. Monologue: “Seit Fidelio bei uns ist, ist die Welt wie verwandelt” (Marzelline) | — | ||
| 30-4 | Fidelio, op. 72: Act 1. No. 2 Aria: “O wär' ich schon mit dir vereint” (Marzelline) | — | ||
| 30-5 | Fidelio, op. 72: Act 1. Monologue: “Ich täusche die Menschen, die mich ernähren” (Leonore, Rocco) | — | ||
| 30-6 | Fidelio, op. 72: Act 1. No. 3 Quartet: “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | — | ||
| 30-7 | Fidelio, op. 72: Act 1. Monologue: “Marzelline und Fidelio haben sich offensichtlich recht lieb” (Rocco) | — | ||
| 30-8 | Fidelio, op. 72: Act 1. No. 4 Aria: “Hat man nicht auch Gold beineben” (Rocco) | — | ||
| 30-9 | Fidelio, op. 72: Act 1. Monologue: “In den finstersten Gewölben sitzt ein Gefangener” (Rocco) | — | ||
| 30-10 | Fidelio, op. 72: Act 1. No. 5 Trio: “Gut, Söhnchen, gut”(Rocco, Leonore, Marzelline) | — | ||
| 30-11 | Fidelio, op. 72: Act 1. No. 6 Marsch | — | ||
| 30-12 | Fidelio, op. 72: Act 1. Dialogue: “Was Neues vorgefallen?” (Pizarro, Rocco) | — | ||
| 30-13 | Fidelio, op. 72: Act 1. No. 7 Aria with Chorus: “Ha! Welch ein Augenblick!” (Pizarro, Guards) | — | ||
| 30-14 | Fidelio, op. 72: Act 1. Dialogue: “Und nun zu dir mein lieber Rocco!” (Pizarro, Rocco) | — | ||
| 30-15 | Fidelio, op. 72: Act 1. No. 8 Duet: “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco) | — | ||
| 30-16 | Fidelio, op. 72: Act 1. No. 9 Recitative and Aria: “Abscheulicher! Wo eilst du hin? ... Komm, Hoffnung, lass den letzten Stern der Müden nicht erbleichen!” (Leonore) | — | ||
| 30-17 | Fidelio, op. 72: Act 1. Monologue: “Wie Fidelio das wieder geschafft hatte, war mir ein Rätsel” (Jaquino) | — | ||
| 30-18 | Fidelio, op. 72: Act 1. No. 10 Finale: “O welche Lust, in freier Luft den Atem leicht zu heben!” (Prisoners, First Prisoner, Second Prisoner) | — | ||
| 30-19 | Fidelio, op. 72: Act 1. No. 10 Finale: [Recitative and Duet]: “Nun sprecht, wie ging's? ... Noch heute, noch heute!” (Leonore, Rocco) | — | ||
| 30-20 | Fidelio, op. 72: Act 1. No. 10 Finale: “Ach, Vater, eilt!” (Marzelline, Rocco, Jaquino, Leonore) | — | ||
| 30-21 | Fidelio, op. 72: Act 1. No. 10 Finale: “Verwegener Alter! Welche Rechte legst du dir frevelnd selber bei?” (Pizarro, Rocco) | — | ||
| 30-22 | Fidelio, op. 72: Act 1. No. 10 Finale: “Leb wohl, du warmes Sonnenlicht” (Prisoners, Marzelline, Leonore, Jaquino, Pizarro, Rocco) | — | ||
| 31-1 | Fidelio op. 72: Act 2. No. 11 Introduction and Aria: “Gott! Welch Dunkel hier! ... In des Lebens Frühlingstagen” (Florestan) | — | ||
| 31-2 | Fidelio op. 72: Act 2. No. 12 Melodrama and Duet: “Wie kalt ist es diesem unterirdischen Gewölbe! ... Nur hurtig fort, nur frisch gegraben” (Leonore, Rocco) | — | ||
| 31-3 | Fidelio op. 72: Act 2. Dialogue: “Ihr habt wieder geruht?” (Rocco, Florestan, Leonore) | — | ||
| 31-4 | Fidelio op. 72: Act 2. No. 13 Trio: “Euch werde Lohn in bessern Welten” (Florestan, Rocco, Leonore) | — | ||
| 31-5 | Fidelio op. 72: Act 2. Dialogue: “Ist alles bereit?” (Pizarro, Rocco) | — | ||
| 31-6 | Fidelio op. 72: Act 2. No. 14 Quartet: “Er sterbe!” (Pizarro, Florestan, Leonore, Rocco) | — | ||
| 31-7 | Fidelio op. 72: Act 2. No. 15 Duet: “O namenlose Freude!” (Leonore, Florestan) | — | ||
| 31-8 | Fidelio op. 72: Act 2. No. 16 Finale: “Heil sei dem Tag ... Des besten Königs Wink und Wille ... Wer ein holdes Weib errungen, stimm in unsern Jubel ein!” (Prisoners and People, Fernando, Rocco, Pizarro, Leonore, Marzelline, Florestan, Jaquino) | — | ||
| 31-9 | Overture “Leonore” no. 1, op. 138 | — | ||
| 31-10 | Two Insertion Arias for Ignaz Umlauf's Singspiel “Die schöne Schusterin, oder Die pücefarbenen Schuhe”, WoO 91: “O welch ein Leben!” | — | ||
| 31-11 | Two Insertion Arias for Ignaz Umlauf's Singspiel “Die schöne Schusterin, oder Die pücefarbenen Schuhe”, WoO 91: “Soll ein Schuh nicht drücken” | — | ||
| 31-12 | Scene [I] from “Vestas Feuer”, Unv 15 [Hess 115] for vocal quartet and orchestra: “Blick, o Herr, durch diese Bäume ... Liebe Freundin, lebe wohl!” | — | ||
| 31-13 | “Germania”, WoO 94: Final number from Friedrich Treitschke's Singspiel “Die gute Nachricht” for bass, chorus and orchestra | — | ||
| 31-14 | “Es ist vollbracht”, WoO 97: Final number from Friedrich Treitschke Singspiel “Die Ehrenpforten” for bass, chorus and orchestra | — | ||
| 32-1 | Sonata no. 1 in f, op. 2 no. 1: I. Allegro | — | ||
| 32-2 | Sonata no. 1 in f, op. 2 no. 1: II. Adagio | — | ||
| 32-3 | Sonata no. 1 in f, op. 2 no. 1: III. Menuetto. Allegretto | — | ||
| 32-4 | Sonata no. 1 in f, op. 2 no. 1: IV. Prestissimo | — | ||
| 32-5 | Sonata no. 2 in A, op. 2 no. 2: I. Allegro vivace | — | ||
| 32-6 | Sonata no. 2 in A, op. 2 no. 2: II. Largo appassionato | — | ||
| 32-7 | Piano Sonatas, op. 2 no. 2 in A major: III. Scherzo. Allegretto | Maurizio Pollini | — | |
| 32-8 | Sonata no. 2 in A, op. 2 no. 2: IV. Rondo. Grazioso | — | ||
| 32-9 | Sonata no. 3 in C, op. 2 no. 3: I. Allegro con brio | — | ||
| 32-10 | Sonata no. 3 in C, op. 2 no. 3: II. Adagio | — | ||
| 32-11 | Piano Sonatas, op. 2 no. 3 in C major: III. Scherzo. Allegro | Maurizio Pollini | T-911.517.582-1 | |
| 32-12 | Sonata no. 3 in C, op. 2 no. 3: IV. Allegro assai | — | ||
| 33-1 | Piano Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | Emil Gilels | — | |
| 33-2 | Piano Sonata no. 4 in E-flat major, op. 7: II. Largo con gran espressione | Emil Gilels | — | |
| 33-3 | Piano Sonata no. 4 in E-flat major, op. 7: III. Allegro - Minore - Allegro | Emil Gilels | — | |
| 33-4 | Piano Sonata no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso | Emil Gilels | — | |
| 33-5 | Sonata no. 5 in c, op. 10 no. 1: I. Allegro molto e con brio | — | ||
| 33-6 | Sonata no. 5 in c, op. 10 no. 1: II. Adagio molto | — | ||
| 33-7 | Sonata no. 5 in c, op. 10 no. 1: III. Finale. Prestissimo | — | ||
| 33-8 | Sonata no. 6 in F, op. 10 no. 2: I. Allegro | — | ||
| 33-9 | Sonata no. 6 in F, op. 10 no. 2: II. Allegretto | — | ||
| 33-10 | Sonata no. 6 in F, op. 10 no. 2: III. Presto | — | ||
| 33-11 | Sonata no. 8 in c, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | — | ||
| 33-12 | Sonata no. 8 in c, op. 13 "Pathétique": II. Adagio cantabile | — | ||
| 33-13 | Sonata no. 8 in c, op. 13 "Pathétique": III. Rondo. Allegro | — | ||
| 34-1 | Sonata no. 7 in D, op. 10 no. 3: I. Presto | — | ||
| 34-2 | Sonata no. 7 in D, op. 10 no. 3: II. Largo e mesto | — | ||
| 34-3 | Sonata no. 7 in D, op. 10 no. 3: III. Menuetto. Allegro | — | ||
| 34-4 | Sonata no. 7 in D, op. 10 no. 3: IV. Rondo. Allegro | — | ||
| 34-5 | Sonata no. 9 in E, op. 14 no. 1: I. Allegro | — | ||
| 34-6 | Sonata no. 9 in E, op. 14 no. 1: II. Allegretto | — | ||
| 34-7 | Sonata no. 9 in E, op. 14 no. 1: III. Rondo. Allegro comodo | — | ||
| 34-8 | Sonata no. 10 in G, op. 14 no. 2: I. Allegro | — | ||
| 34-9 | Sonata no. 10 in G, op. 14 no. 2: II. Andante | — | ||
| 34-10 | Sonata no. 10 in G, op. 14 no. 2: III. Scherzo. Allegro assai | — | ||
| 34-11 | Sonata no. 11 in B-flat, op. 22: I. Allegro con brio | — | ||
| 34-12 | Sonata no. 11 in B-flat, op. 22: II. Adagio con molto espressione | — | ||
| 34-13 | Sonata no. 11 in B-flat, op. 22: III. Menuetto | — | ||
| 34-14 | Sonata no. 11 in B-flat, op. 22: IV. Rondo. Allegretto | — | ||
| 35-1 | Sonata no. 12 in A-flat, op. 26: I. Andante con variazioni | — | ||
| 35-2 | Sonata no. 12 in A-flat, op. 26: II. Scherzo. Allegro molto | — | ||
| 35-3 | Sonata no. 12 in A-flat, op. 26: III. Marcia funebre sulla morte d'un eroe | — | ||
| 35-4 | Sonata no. 12 in A-flat, op. 26: IV. Allegro | — | ||
| 35-5 | Sonata no. 13 in E-flat, op. 27 no. 1 (Sonata quasi una fantasia): I. Andante - Allegro - Tempo I | — | ||
| 35-6 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace | Emil Gilels | — | |
| 35-7 | Sonata no. 13 in E-flat, op. 27 no. 1 (Sonata quasi una fantasia): III. Adagio con espressione - | — | ||
| 35-8 | Sonata no. 13 in E-flat, op. 27 no. 1 (Sonata quasi una fantasia): IV. Allegro vivace - Tempo I - Presto | — | ||
| 35-9 | Moonlight Sonata | Nelson Freire | — | |
| 35-10 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto | Nelson Freire | — | |
| 35-11 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato | Nelson Freire | — | |
| 35-12 | Sonata no. 15 in D major, op. 28 "Pastoral": I. Allegro | Alfred Brendel | — | |
| 35-13 | Sonata no. 15 in D major, op. 28 "Pastoral": II. Andante | Alfred Brendel | T-800.722.074-9 | |
| 35-14 | Sonata no. 15 in D major, op. 28 "Pastoral": III. Scherzo. Allegro assai | Alfred Brendel | T-306.395.786-4 | |
| 35-15 | Sonata no. 15 in D major, op. 28 "Pastoral": IV. Rondo. Allegro ma non troppo | Alfred Brendel | T-031.682.208-8 | |
| 35-16 | Piano Sonata no. 19 in G minor, op. 49 no. 1: I. Andante | Radu Lupu | T-902.919.739-5 | |
| 35-17 | Piano Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo. Allegro | Radu Lupu | — | |
| 36-1 | Sonata no. 16 in G, op. 31 no. 1: I. Allegro vivace | — | ||
| 36-2 | Sonata no. 16 in G, op. 31 no. 1: II. Adagio grazioso | — | ||
| 36-3 | Sonata no. 16 in G, op. 31 no. 1: III. Rondo. Allegretto | — | ||
| 36-4 | Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): I. Largo - Allegro | — | ||
| 36-5 | Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): II. Adagio | — | ||
| 36-6 | Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): III. Allegretto | — | ||
| 36-7 | Sonata no. 18 in E-flat, op. 31 no. 3: I. Allegro | — | ||
| 36-8 | Sonata no. 18 in E-flat, op. 31 no. 3: II. Scherzo. Allegretto vivace | — | ||
| 36-9 | Sonata no. 18 in E-flat, op. 31 no. 3: III. Menuetto. Moderato e grazioso | — | ||
| 36-10 | Sonata no. 18 in E-flat, op. 31 no. 3: IV. Presto con fuoco | — | ||
| 36-11 | Piano Sonata no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo | Radu Lupu | — | |
| 36-12 | Piano Sonata no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto | Radu Lupu | — | |
| 37-1 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio | Emil Gilels | — | |
| 37-2 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto | Emil Gilels | — | |
| 37-3 | Sonata no. 21 in C, op. 53 “Waldstein”: Rondo. Allegretto moderato - Prestissimo | — | ||
| 37-4 | Sonata no. 22 in F, op. 54: I. In tempo d'un menuetto | — | ||
| 37-5 | Sonata no. 22 in F, op. 54: II. Allegretto | — | ||
| 37-6 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | Emil Gilels | T-306.395.786-4 | |
| 37-7 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto | Emil Gilels | — | |
| 37-8 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo | Emil Gilels | — | |
| 37-9 | Sonata no. 24 in F-sharp, op. 78: I. Adagio cantabile - Allegro ma non troppo | — | ||
| 37-10 | Sonata no. 24 in F-sharp, op. 78: II. Allegro vivace | — | ||
| 37-11 | Sonata no. 25 in G, op. 79: I. Presto alla tedesca | — | ||
| 37-12 | Sonata no. 25 in G, op. 79: II. Andante | — | ||
| 37-13 | Sonata no. 25 in G, op. 79: III. Vivace | — | ||
| 38-1 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro | Emil Gilels | — | |
| 38-2 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo | Emil Gilels | T-800.722.074-9 | |
| 38-3 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente | Emil Gilels | — | |
| 38-4 | Sonata no. 27 in e, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 38-5 | Sonata no. 27 in e, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 38-6 | Sonata no. 29 in B-flat, op. 106 “Hammerklavier”: I. Allegro | — | ||
| 38-7 | Sonata no. 29 in B-flat, op. 106 “Hammerklavier”: II. Scherzo. Assai vivace | — | ||
| 38-8 | Sonata no. 29 in B-flat, op. 106 “Hammerklavier”: III. Adagio sostenuto, appassionato e con molto sentimento | — | ||
| 38-9 | Sonata no. 29 in B-flat, op. 106 “Hammerklavier”: IV. Largo - Allegro risoluto | — | ||
| 39-1 | Piano Sonata no. 28 in A, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo) | Maurizio Pollini | — | |
| 39-2 | Piano Sonata no. 28 in A, op. 101: II. Lebhaft, marschmäßig (Vivace alla marcia) | Maurizio Pollini | — | |
| 39-3 | Piano Sonata no. 28 in A, op. 101: III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) | Maurizio Pollini | — | |
| 39-4 | Piano Sonata no. 28 in A, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit (Allegro) | Maurizio Pollini | — | |
| 39-5 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": I. Allegro | Maurizio Pollini | T-070.160.313-5 | |
| 39-6 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": II. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I) | Maurizio Pollini | T-911.517.582-1 | |
| 39-7 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": III. Adagio sostenuto | Maurizio Pollini | — | |
| 39-8 | Sonate No. 29 B-Dur, Op. 106 "Hammerklavier": IV. Largo - Allegro Risoluto | Maurizio Pollini | — | |
| 40-1 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I | Maurizio Pollini | — | |
| 40-2 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | Maurizio Pollini | — | |
| 40-3 | Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) | Maurizio Pollini | — | |
| 40-4 | Piano Sonata no. 31 in A-Flat major, op. 110: I. Moderato cantabile molto espressivo | Maurizio Pollini | — | |
| 40-5 | Piano Sonata no. 31 in A-Flat major, op. 110: II. Allegro molto | Maurizio Pollini | — | |
| 40-6 | Piano Sonata no. 31 in A-Flat major, op. 110: III. Adagio ma non troppo - Fuga (Allegro ma non troppo) | Maurizio Pollini | — | |
| 40-7 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | Maurizio Pollini | — | |
| 40-8 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta (Adagio molto semplice e cantabile) | Maurizio Pollini | — | |
| 41-1 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | Radu Lupu | — | |
| 41-2 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Radu Lupu | T-001.397.158-8 | |
| 41-3 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro | Radu Lupu | — | |
| 41-4 | Klaviersonate Nr. 14 in cis-Moll op. 27, Nr. 2 "Mondscheinsonate" - II. Adagio sostenuto | Murray Perahia | — | |
| 41-5 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto | Murray Perahia | — | |
| 41-6 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato | Murray Perahia | — | |
| 41-7 | Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): I. Largo - Allegro | — | ||
| 41-8 | Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): II. Adagio | — | ||
| 41-9 | Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): III. Allegretto | — | ||
| 41-10 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio | Nelson Freire | — | |
| 41-11 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto | Nelson Freire | — | |
| 41-12 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo | Nelson Freire | — | |
| 42-1 | Sonata no. 23 in f, op. 57 “Appassionata”: I. Allegro | — | ||
| 42-2 | Sonata no. 23 in f, op. 57 “Appassionata”: II. Andante con moto | — | ||
| 42-3 | Sonata no. 23 in f, op. 57 “Appassionata”: III. Allegro ma non troppo | — | ||
| 42-4 | Piano Sonata No. 26 in E flat major "Les Adieux", op. 81a: 1. Das Lebewohl / Les Adieux | Evgeny Kissin | — | |
| 42-5 | Piano Sonata No. 26 in E flat major "Les Adieux", op. 81a: 2. Abwesenheit / L'Absence | Evgeny Kissin | — | |
| 42-6 | Piano Sonata No. 26 in E flat major "Les Adieux", op. 81a: 3. Das Wiedersehen / Le Retour | Evgeny Kissin | — | |
| 42-7 | Piano Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: I. Allegro | Murray Perahia | T-070.160.313-5 | |
| 42-8 | Piano Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: II. Scherzo. Assai vivace | Murray Perahia | T-911.517.582-1 | |
| 42-9 | Piano Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: III. Adagio sostenuto | Murray Perahia | — | |
| 42-10 | Piano Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: IV. Largo: Allegro risoluto | Murray Perahia | — | |
| 43-1 | Piano Sonata no. 30 in E major, op. 109: I. Vivace ma non troppo - Adagio espressivo - Tempo I | Emil Gilels | — | |
| 43-2 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | Emil Gilels | — | |
| 43-3 | Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | Emil Gilels | — | |
| 43-4 | Piano Sonata no. 30 in E major, op. 109: IV. Variation I. Molto espressivo | Emil Gilels | — | |
| 43-5 | Piano Sonata no. 30 in E major, op. 109: V. Variation II. Leggiermente | Emil Gilels | — | |
| 43-6 | Piano Sonata no. 30 in E major, op. 109: VI. Variation III. Allegro vivace | Emil Gilels | — | |
| 43-7 | Piano Sonata no. 30 in E major, op. 109: VII. Variation IV. Etwas langsamer als das Thema | Emil Gilels | — | |
| 43-8 | Piano Sonata no. 30 in E major, op. 109: VIII. Variation V. Allegro, ma non troppo | Emil Gilels | — | |
| 43-9 | Piano Sonata no. 30 in E major, op. 109: IX. Variation VI. Tempo I del tema | Emil Gilels | — | |
| 43-10 | Sonata no. 31 in A-flat, op. 110: I. Moderato cantabile, molto espressivo | — | ||
| 43-11 | Sonata no. 31 in A-flat, op. 110: II. Allegro molto | — | ||
| 43-12 | Sonata no. 31 in A-flat, op. 110: III. Adagio, ma non troppo - Arioso dolente - | — | ||
| 43-13 | Sonata no. 31 in A-flat, op. 110: III. Fuga. Allegro, ma non troppo - L'istesso tempo di Arioso - L'inversione della Fuga | — | ||
| 43-14 | Sonata no. 32 in c, op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 43-15 | Sonata no. 32 in c, op. 111: II. Arietta. Adagio molto semplice e cantabile | — | ||
| 44-1 | 7 Bagatelles, op. 33: I. Andante grazioso, quasi Allegretto | Alicia de Larrocha | — | |
| 44-2 | 7 Bagatelles, Op. 33: 2. Scherzo. Allegro | Alicia de Larrocha | — | |
| 44-3 | 7 Bagatelles, op. 33: III. Allegretto | Alicia de Larrocha | — | |
| 44-4 | 7 Bagatelles, op. 33: IV. Andante | Alicia de Larrocha | — | |
| 44-5 | 7 Bagatelles, op. 33: V. Allegro, ma non troppo | Alicia de Larrocha | T-921.408.279-8 | |
| 44-6 | 7 Bagatelles, op. 33: VI. Allegretto quasi Andante | Alicia de Larrocha | — | |
| 44-7 | 7 Bagatelles, op. 33: VII. Presto | Alicia de Larrocha | — | |
| 44-8 | 11 Bagatelles, op. 119: No. 1 Allegretto | — | ||
| 44-9 | 11 Bagatelles, op. 119: No. 2 Andante con brio | — | ||
| 44-10 | 11 Bagatelles, op. 119: No. 3 À l'allemande | — | ||
| 44-11 | 11 Bagatelles, op. 119: No. 4 Andante cantabile | — | ||
| 44-12 | 11 Bagatelles, Op. 119: Risoluto | Alfred Brendel | — | |
| 44-13 | 11 Bagatelles, op. 119: No. 6 Andante - Allegretto Leggiermente | — | ||
| 44-14 | 11 Bagatelles, Op. 119: Allegro ma non troppo | Alfred Brendel | T-031.682.208-8 | |
| 44-15 | 11 Bagatelles, op. 119: No. 8 Moderato cantabile | — | ||
| 44-16 | 11 Bagatelles, op. 119: No. 9 Vivace moderato | — | ||
| 44-17 | 11 Bagatelles, op. 119: No. 10 Allegramente | — | ||
| 44-18 | 11 Bagatelles, op. 119: No. 11 Andante, ma non troppo | — | ||
| 44-19 | 6 Bagatelles, op. 126: No. 1 Andante con moto | — | ||
| 44-20 | 6 Bagatelles, op. 126: No. 2 Allegro | — | ||
| 44-21 | 6 Bagatelles, op. 126: 3. Andante | Stephen Kovacevich | — | |
| 44-22 | 6 Bagatelles, op. 126: No. 4 Presto | — | ||
| 44-23 | 6 Bagatelles, op. 126: No. 5 Quasi allegretto | — | ||
| 44-24 | 6 Bagatelles, op. 126: No. 6 Presto - Andante amabile e con moto - Tempo I | — | ||
| 44-25 | Bagatelle in C, WoO 56: Allegretto | — | ||
| 44-26 | Bagatelle no. 25 in A minor, WoO 59 “Für Elise” | Lang Lang | T-304.254.199-7 | |
| 44-27 | “Lustig-Traurig” for Piano in C major, WoO 54 | Gianluca Cascioli | — | |
| 44-28 | Piece for Piano in B-flat major, WoO 60 | Gianluca Cascioli | — | |
| 44-29 | Allemande for Piano in A major, WoO 81 | Gianluca Cascioli | — | |
| 44-30 | Allegretto for Piano in C minor, Hess 69 | Gianluca Cascioli | — | |
| 45-1 | Piano Sonata in E-flat major, WoO 47 No. 1 "Kurfürsten-Sonata": I. Allegro cantabile | Emil Gilels | T-001.397.158-8 | |
| 45-2 | Piano Sonata in E-flat major, WoO 47 No. 1 "Kurfürsten-Sonata": II. Andante | Emil Gilels | T-329.516.968-1 | |
| 45-3 | Piano Sonata in E-flat major, WoO 47 No. 1 "Kurfürsten-Sonata": III. Rondo vivace | Emil Gilels | — | |
| 45-4 | Piano Sonata in F minor, WoO 47 No. 2: I. Larghetto maestoso - Allegro assai | Emil Gilels | — | |
| 45-5 | Piano Sonata in F minor, WoO 47 No. 2: II. Andante | Emil Gilels | — | |
| 45-6 | Piano Sonata in F minor, WoO 47 No. 2: III. Presto | Emil Gilels | — | |
| 45-7 | Sonata no. 3 in D, WoO 47 (“Kurfürstensonaten” / “Electoral Sonatas”): I. Allegro | — | ||
| 45-8 | Sonata no. 3 in D, WoO 47 (“Kurfürstensonaten” / “Electoral Sonatas”): II. Menuetto. Sostenuto - Var. I-VI | — | ||
| 45-9 | Sonata no. 3 in D, WoO 47 (“Kurfürstensonaten” / “Electoral Sonatas”): III. Scherzando. Allegro, ma non troppo | — | ||
| 45-10 | Rondo in C, WoO 48: Allegretto | — | ||
| 45-11 | Rondo in A major, WoO 49: Allegretto | Mikhail Pletnev | T-912.576.580-2 | |
| 45-12 | Sonata for Piano in F major, WoO 50: I. () | Gianluca Cascioli | — | |
| 45-13 | Sonatina in F, WoO 50: II. Allegretto | — | ||
| 45-14 | Sonata in C, WoO 51: I. Allegro | — | ||
| 45-15 | Sonata in C, WoO 51: II. Adagio | — | ||
| 45-16 | Bagatelle in c, WoO 52: Presto | — | ||
| 45-17 | Allegretto in c, WoO 53 | — | ||
| 45-18 | Andante favori in F major, WoO 57: Andante grazioso con moto | Alice Sara Ott | — | |
| 45-19 | Rondo a capriccio in G, op. 129 (“Die Wut über den verlornen Groschen” / “The Rage over the Lost Penny”): Allegro vivace | — | ||
| 46-1 | Rondo in C major, op. 51 no. 1 | Radu Lupu | — | |
| 46-2 | Rondo in G major, op. 51 no. 2 | Radu Lupu | — | |
| 46-3 | Fantasie in g, op. 77: Allegro - Poco adagio - Allegro ma non troppo - Allegro con brio - Adagio - Presto - Adagio - Allegretto - Adagio | — | ||
| 46-4 | Polonaise in C, op. 89 | Julius Katchen | — | |
| 46-5 | 6 Minuets, WoO 10: no. 1 in C, | — | ||
| 46-6 | 6 Minuets for Piano, WoO 10 no. 2 in G major | Mikhail Pletnev | — | |
| 46-7 | 6 Minuets, WoO 10: no. 3 in E-flat | — | ||
| 46-8 | 6 Minuets for Piano, WoO 10 no. 4 in B‐flat major | Mikhail Pletnev | T-001.444.317-4 | |
| 46-10 | 6 Minuets for Piano, WoO 10 no. 6 in C major | Mikhail Pletnev | — | |
| 46-11 | 7 Ländler in D, WoO 11 | — | ||
| 46-12 | 12 Deutsche Tänze, WoO 13: no. 1 in D / no. 2 in B-flat / no. 3 in G / no. 4 in D / no. 5 in F / no. 6 B-flat / no. 7 in D / no. 8 in G / no. 9 in E-flat / no. 10 in D / no. 11 in A / no. 12 in D | — | ||
| 46-13 | Prelude in f, WoO 55 | — | ||
| 46-14 | Klavierstück (Allegretto) in b, WoO 61 | — | ||
| 46-15 | Allegretto quasi andante in g, WoO 61a | — | ||
| 46-16 | Minuet in E-flat, WoO 82: Moderato | — | ||
| 46-17 | 6 Ecossaises in E-flat, WoO 83 | — | ||
| 46-18 | Waltz for Piano in E-flat major, WoO 84 | Gianluca Cascioli | — | |
| 46-19 | Waltz for Piano in D major, WoO 85 | Gianluca Cascioli | — | |
| 46-20 | Ecossaise in E-flat, WoO 86 | — | ||
| 46-21 | 3-Part Fugue in C, WoO 215 [Hess 64] | — | ||
| 46-22 | Minuet in C, WoO 218 [Biamonti 74] | Lang Lang | — | |
| 47-1 | 9 Variations (in c) on a March by Ernst Christoph Dressler, WoO 63: Thema. Maestoso / Var. I-VIII / Var. IX (in C) Allegro | — | ||
| 47-2 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Thema. Allegretto | — | ||
| 47-3 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. I | — | ||
| 47-4 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. II | — | ||
| 47-5 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. III | — | ||
| 47-6 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. IV | — | ||
| 47-7 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. V | — | ||
| 47-8 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. VI | — | ||
| 47-9 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. VII | — | ||
| 47-10 | 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. VIII | Mikhail Pletnev | — | |
| 47-11 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. IX | — | ||
| 47-12 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. X | — | ||
| 47-13 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XI | — | ||
| 47-14 | 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XII | Mikhail Pletnev | — | |
| 47-15 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XIII | — | ||
| 47-16 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XIV Allegretto - Adagio | — | ||
| 47-17 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XV | — | ||
| 47-18 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XVI | — | ||
| 47-19 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XVII | — | ||
| 47-20 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XVIII | — | ||
| 47-21 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XIX | — | ||
| 47-22 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XX Scherzando | — | ||
| 47-23 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XXI | — | ||
| 47-24 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XXII | — | ||
| 47-25 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XXIII Adagio sostenuto | — | ||
| 47-26 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XXIV Allegro - Allegro stringendo - Presto assai | — | ||
| 47-27 | 13 Variations (in A) on the Arietta “Es war einmal ein alter Mann” from Ditterdorf's Singspiel “Das rote Käppchen”, WoO 66: Thema. Allegretto | — | ||
| 47-28 | 6 Variations in F on a Swiss Song, WoO 64: Thema. Andante con moto / Var. I-VI | — | ||
| 47-29 | 12 Variations (in C) on the “Menuett à la Viganò” from Jakob Haibel's Ballet “Le nozze disturbate”, WoO 68: Thema. Allegretto / Var. I-XI / Var. XII Allegro - Adagio | — | ||
| 47-30 | 9 Variations (in A) on the Aria “Quant'è più bello” from Giovanni Paisiello's Opera “La molinara”, WoO 69: Thema. Allegretto / Var. I-III / Var. IV Minore / Var. V Maggiore / Var. VI-VIII / Var. IX Tempo di Minuetto | — | ||
| 47-31 | 6 Variations (in G) on the Duet “Nel cor più non mi sento” from Giovanni Paisiello's Opera “La molinara”, WoO 70: Thema. Andantino / Var. I-VI | — | ||
| 47-32 | 12 Variations on the Russian Dance from the Ballet "Das Waldmadschen", WoO 71 | Vladimir Ashkenazy | — | |
| 48-1 | 8 Variations (in C) on the Romance “Une fièvre brûlante” from Grétry's Opera “Richard Cœur de Lion”, WoO 72: Thema. Allegretto / Var. I-III / Var. IV Minore / Var. V Maggiore / Var. VI-VII / Var. VIII Allegro - Presto | — | ||
| 48-2 | 10 Variations (in B-flat) on the Duet “La stessa, la stessissima” from Antonio Salieri's Opera “Falstaff”, WoO 73: Thema. Andante con moto / Var. I-IV / Var. V Minore / Var. VI Maggiore / Var. VII-IX / Var. X Allegretto, alla Austriaca - Tempo I | — | ||
| 48-3 | 7 Variations (in F) on the Quartet “Kind, willst du ruhig schlafen?” from Peter Winter's Opera “Das unterbrochene Opferfest”, WoO 75: Thema. Allegretto / Var. I-V / Var. VI Minore / Var. VII Maggiore. Allegro - Allegro molto | — | ||
| 48-4 | 8 Variations (in F) on the Trio “Tändeln und Scherzen” from Franz X. Süssmayr's Opera “Soliman II”, WoO 76: Thema. Andante, quasi Allegretto / Var. I-VI / Var. VII Adagio molto ed espressivo - attacca / Var. VIII Allegro vivace - Adagio | — | ||
| 48-5 | 6 Variations (in G) on an Original Theme, WoO 77: Thema. Andante, quasi Allegretto / Var. I-III / Var. IV Minore / Var. V Maggiore / Var. VI | — | ||
| 48-6 | 6 Variations (in F) on an Original Theme, op. 34: Thema. Adagio | — | ||
| 48-7 | 6 Variations (in F) on an Original Theme, op. 34: Var. I | — | ||
| 48-8 | 6 Variations for Piano on an Original Theme in F major, op. 34: Var II. Allegro ma non troppo | Mikhail Pletnev | — | |
| 48-9 | 6 Variations (in F) on an Original Theme, op. 34: Var. III Allegretto | — | ||
| 48-10 | 6 Variations for Piano on an Original Theme in F major, op. 34: Var. IV. Tempo di menuetto | Mikhail Pletnev | — | |
| 48-11 | 6 Variations (in F) on an Original Theme, op. 34: Var. V Marcia. Allegretto | — | ||
| 48-12 | 6 Variations (in F) on an Original Theme, op. 34: Var. VI Allegretto - Adagio molto | — | ||
| 48-13 | 15 Variations and a Fugue for Piano in E‐flat major on an Original Theme, op. 35 “Eroica Variations”: Introduzione col basso del tema. Allegretto vivace | Emil Gilels | — | |
| 48-14 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Tema | Emil Gilels | T-061.792.500-4 | |
| 48-15 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. I | Emil Gilels | T-003.038.364-2 | |
| 48-16 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. II | Emil Gilels | T-003.038.364-2 | |
| 48-17 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. III | Emil Gilels | T-003.038.364-2 | |
| 48-18 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. IV | Emil Gilels | — | |
| 48-19 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. V | Emil Gilels | T-003.038.364-2 | |
| 48-20 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VI | Emil Gilels | T-912.658.196-2 | |
| 48-21 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VII. Canone all’ottava | Emil Gilels | — | |
| 48-22 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VIII | Emil Gilels | T-921.242.859-6 | |
| 48-23 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. IX | Emil Gilels | T-003.038.364-2 | |
| 48-24 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. X | Emil Gilels | T-010.512.679-1 | |
| 48-25 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XI | Emil Gilels | T-010.512.679-1 | |
| 48-26 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XII | Emil Gilels | — | |
| 48-27 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XIII | Emil Gilels | T-912.658.196-2 | |
| 48-28 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XIV | Emil Gilels | — | |
| 48-29 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XV. Largo | Emil Gilels | — | |
| 48-30 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Coda | Emil Gilels | T-003.044.937-6 | |
| 48-31 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Finale. Alla Fuga. Allegro con brio - Andante con moto | Emil Gilels | — | |
| 49-1 | 32 Variations (in c) on an Original Theme, WoO 80: Thema. Allegretto / Var. I-XI / Var. XII-XVI Maggiore / Var. XVII-XXXII Minore | 内田光子 | — | |
| 49-2 | 7 Variations (in C) on “God Save the King”, WoO 78: Thema / Var. I-V / Var. VI Allegro. Alla Marcia / Var. VII [Allegro] - Adagio - Allegro | — | ||
| 49-3 | 5 Variations (in D) on “Rule, Britannia” (from Thomas Arne's Masque “Alfred”), WoO 79: Thema: Tempo moderato / Var. I-V | — | ||
| 49-4 | 6 Variations (in D) on an Original Theme, op. 76: Thema. Allegro risoluto / Var. I-V / Var. VI. Presto - Tempo I | — | ||
| 49-5 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Tema (Vivace), Variation I (Alla marcia maestoso) | Stephen Kovacevich | — | |
| 49-6 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation II (Poco allegro) | Stephen Kovacevich | — | |
| 49-7 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation III (L’istesso tempo) | Stephen Kovacevich | — | |
| 49-8 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation IV (Un poco più vivace) | Stephen Kovacevich | T-010.204.251-2 | |
| 49-9 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation V (Allegro vivace) | Stephen Kovacevich | T-003.038.364-2 | |
| 49-10 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation VI (Allegro ma non troppo e serioso) | Stephen Kovacevich | — | |
| 49-11 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation VII (Un poco più allegro) | Stephen Kovacevich | — | |
| 49-12 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation VIII (Poco vivace) | Stephen Kovacevich | — | |
| 49-13 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation IX (Allegro pesante e risoluto) | Stephen Kovacevich | — | |
| 49-14 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation X (Presto) | Stephen Kovacevich | — | |
| 49-15 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XI (Allegretto) | Stephen Kovacevich | — | |
| 49-16 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XII (Un poco più moto) | Stephen Kovacevich | — | |
| 49-17 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XIII (Vivace) | Stephen Kovacevich | — | |
| 49-18 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XIV (Grave e maestoso) | Stephen Kovacevich | — | |
| 49-19 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XV (Presto scherzando) | Stephen Kovacevich | — | |
| 49-20 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XVI (Allegro) | Stephen Kovacevich | — | |
| 49-21 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XVII | Stephen Kovacevich | — | |
| 49-22 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XVIII (Poco moderato) | Stephen Kovacevich | — | |
| 49-23 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XIX (Presto) | Stephen Kovacevich | — | |
| 49-24 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XX (Andante) | Stephen Kovacevich | — | |
| 49-25 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXI (Allegro con brio - Meno allegro - Tempo I) | Stephen Kovacevich | — | |
| 49-26 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXII (Allegro molto): Alla “Notte e giorno faticar” di Mozart | Stephen Kovacevich | — | |
| 49-27 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXIII (Allegro assai) | Stephen Kovacevich | — | |
| 49-28 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXIV: Fughetta (Andante) | Stephen Kovacevich | — | |
| 49-29 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXV (Allegro) | Stephen Kovacevich | — | |
| 49-30 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVI | Stephen Kovacevich | — | |
| 49-31 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVII (Vivace) | Stephen Kovacevich | — | |
| 49-32 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVIII (Allegro) | Stephen Kovacevich | — | |
| 49-33 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXIX (Adagio ma non troppo) | Stephen Kovacevich | — | |
| 49-34 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXX (Andante, sempre cantabile) | Stephen Kovacevich | — | |
| 49-35 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXXI (Largo, molto espressivo) | Stephen Kovacevich | — | |
| 49-36 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXXII: Fuga (Allegro poco adagio) | Stephen Kovacevich | — | |
| 49-37 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXXIII (Tempo di minuetto moderato, ma non tirarsi dietro) | Stephen Kovacevich | — | |
| 50-1 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Tema. Vivace / Var. I Alla Marcia maestoso | — | ||
| 50-2 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. II Poco allegro | — | ||
| 50-3 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. III L'istesso tempo | — | ||
| 50-4 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. IV Un poco più vivace | — | ||
| 50-5 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. V Allegro vivace | — | ||
| 50-6 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. VI Allegro ma non troppo e serioso | — | ||
| 50-7 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. VII Un poco più Allegro | — | ||
| 50-8 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. VIII Poco vivace | — | ||
| 50-9 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. IX Allegro pesante e risoluto | — | ||
| 50-10 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. X Presto | — | ||
| 50-11 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XI Allegretto | — | ||
| 50-12 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XII Un poco più moto | — | ||
| 50-13 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XIII Vivace | — | ||
| 50-14 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XIV Grave e maestoso | — | ||
| 50-15 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XV Presto scherzando | — | ||
| 50-16 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XVI Allegro | — | ||
| 50-17 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XVII Allegro | — | ||
| 50-18 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XVIII Poco moderato | — | ||
| 50-19 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XIX Presto | — | ||
| 50-20 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XX Andante | — | ||
| 50-21 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXI Allegro con Brio - Meno Allegro | — | ||
| 50-22 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXII Allegro molto (Alla “Notte e giorno faticar” di Mozart) | — | ||
| 50-23 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXIII Allegro assai | — | ||
| 50-24 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXIV Fughetta. Andante | — | ||
| 50-25 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXV Allegro | — | ||
| 50-26 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXVI (Piacevole) | — | ||
| 50-27 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXVII Vivace | — | ||
| 50-28 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXVIII Allegro | — | ||
| 50-29 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXIX Adagio ma non troppo | — | ||
| 50-30 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXX Andante, sempre cantabile | — | ||
| 50-31 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXXI Largo, molto espressivo | — | ||
| 50-32 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXXII Fuga. Allegro - Poco Adagio | — | ||
| 50-33 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXXIII Tempo di Minuetto, moderato | — | ||
| 50-34 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": I. Introduzione col Basso del Tema: Allegretto vivace | Sir Clifford Curzon | — | |
| 50-35 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": III. Variation 1 | Sir Clifford Curzon | — | |
| 50-36 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": IV. Variation 2 | Sir Clifford Curzon | T-912.658.196-2 | |
| 50-37 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": V. Variation 3 | Sir Clifford Curzon | T-900.021.950-1 | |
| 50-38 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": VI. Variation 4 | Sir Clifford Curzon | — | |
| 50-39 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": VII. Variation 5 | Sir Clifford Curzon | T-912.658.196-2 | |
| 50-40 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": VIII. Variation 6 | Sir Clifford Curzon | T-912.658.196-2 | |
| 50-41 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": IX. Variation 7 Canone all'Ottava | Sir Clifford Curzon | — | |
| 50-42 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": X. Variation 8 | Sir Clifford Curzon | T-921.242.859-6 | |
| 50-43 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1I. Variation 9 | Sir Clifford Curzon | T-912.658.196-2 | |
| 50-44 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1II. Variation 10 | Sir Clifford Curzon | T-010.512.679-1 | |
| 50-45 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1III. Variation 11 | Sir Clifford Curzon | T-010.512.679-1 | |
| 50-46 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1IV. Variation 12 | Sir Clifford Curzon | T-010.512.679-1 | |
| 50-47 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1V. Variation 13 | Sir Clifford Curzon | T-010.512.679-1 | |
| 50-48 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1VI. Variation 14 minore | Sir Clifford Curzon | — | |
| 50-49 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1VII. Variation 15 Maggiore. Largo | Sir Clifford Curzon | — | |
| 50-50 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1VIII. Finale. Alla Fuga. Allegro con brio | Sir Clifford Curzon | — | |
| 51-1 | Acht Variationen über ein Thema des Grafen von Waldstein, WoO 67 | Lucas & Arthur Jussen | — | |
| 51-2 | Sonata in D, op. 6: I. Allegro molto | — | ||
| 51-3 | Sonata in D, op. 6: II. Ronda. Moderato | — | ||
| 51-4 | 3 Marches, op. 45: no. 1 in C. Allegro ma non troppo | — | ||
| 51-5 | 3 Marches, op. 45: no. 2 in E-flat. Vivace | — | ||
| 51-6 | 3 Marches, op. 45: no. 3 in D. Vivace | — | ||
| 51-7 | Grosse Fuge in B-flat (Beethoven's Arrangement for Piano Duet of the “Grosse Fuge” for String Quartet, op. 133), op. 134: Overtura. Allegro - Meno mosso e moderato - Allegro - Fuga. [Allegro] - Meno mosso e moderato - Allegro (molton e con brio) | — | ||
| 51-8 | 6 Variations (in D) on the Lied “Ich denke dein”, WoO 74: Lied. Andantino cantabile / Var. I-VI | — | ||
| 51-9 | 2 Preludes Through All 12 Major Keys for piano or organ, op. 39 no. 1 | — | ||
| 51-10 | 2 Preludes Through All 12 Major Keys for piano or organ, op. 39 no. 2 | — | ||
| 51-11 | Fugue in D for organ, WoO 31 | — | ||
| 51-12 | 5 Pieces for Mechanical Clock, WoO 33: no. 1 in F. Adagio assai | — | ||
| 51-13 | 5 Pieces for Mechanical Clock, WoO 33: no. 2 in G. Scherzo. Allegro | — | ||
| 51-14 | 5 Pieces for Mechanical Clock, WoO 33: no. 3 in G. Allegro | — | ||
| 51-15 | 5 Pieces for Mechanical Clock, WoO 33: no. 4 in C. Allegro non più molto | — | ||
| 51-16 | 5 Pieces for Mechanical Clock, WoO 33: no. 5 in C. Menuett. Allegretto | — | ||
| 51-17 | Grenadier March in F for Mechanical Clock, Hess 107 | — | ||
| 51-18 | 6 Variations in F on a Swiss Song for piano or harp, WoO 64: Thema. Andante con moto / Var. I-VI | — | ||
| 52-1 | Sonata no. 1 in D major, op. 12 no. 1: I. Allegro con brio | Martha Argerich, Gidon Kremer | — | |
| 52-2 | Sonata no. 1 in D major, op. 12 no. 1: I. Allegro con brio | Martha Argerich, Gidon Kremer | — | |
| 52-3 | Sonata no. 1 in D major, op. 12 no. 1: I. Allegro con brio | Martha Argerich, Gidon Kremer | — | |
| 52-4 | Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacèvole | Martha Argerich, Gidon Kremer | — | |
| 52-5 | Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacèvole | Martha Argerich, Gidon Kremer | — | |
| 52-6 | Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacèvole | Martha Argerich, Gidon Kremer | — | |
| 52-7 | Sonata no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molto espressione | Martha Argerich, Gidon Kremer | — | |
| 52-8 | Sonata no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molto espressione | Martha Argerich, Gidon Kremer | — | |
| 52-9 | Sonata no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molto espressione | Martha Argerich, Gidon Kremer | — | |
| 52-10 | Sonate Nr. 4 a-Moll, op. 23: I. Presto | Martha Argerich, Gidon Kremer | T-070.161.055-0 | |
| 52-11 | Sonate Nr. 4 a-Moll, op. 23: II. Andante scherzoso, più allegretto | Martha Argerich, Gidon Kremer | — | |
| 52-12 | Sonate Nr. 4 a-Moll, op. 23: III. Allegro molto | Martha Argerich, Gidon Kremer | T-329.454.787-4 | |
| 53-1 | Violin Sonata no. 5 in F major, op. 24 "Spring": I. Allegro | Vladimir Ashkenazy, Itzhak Perlman | T-070.161.055-0 | |
| 53-2 | Violin Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo | Itzhak Perlman, Vladimir Ashkenazy | — | |
| 53-3 | Violin Sonata no. 5 in F major, op. 24 "Spring": III. Scherzo & Trio: Allegro molto | Itzhak Perlman, Vladimir Ashkenazy | — | |
| 53-4 | Violin Sonata no. 5 in F major, op. 24 "Spring": IV. Rondo. Allegro ma non troppo | Itzhak Perlman, Vladimir Ashkenazy | T-031.682.208-8 | |
| 53-5 | Violin Sonata no. 6 in A major, op. 30 no. 1: I. Allegro | Itzhak Perlman, Vladimir Ashkenazy | T-070.160.313-5 | |
| 53-6 | Violin Sonata no. 6 in A major, op. 30 no. 1: II. Adagio molto espressivo | Itzhak Perlman, Vladimir Ashkenazy | — | |
| 53-7 | Violin Sonata no. 6 in A major, op. 30 no. 1: III. Allegretto con variazioni | Itzhak Perlman, Vladimir Ashkenazy | — | |
| 53-8 | Zwölf Variationen F-Dur über das Thema "Se vuol ballare", WoO 40: Thema. Allegretto - Variazioni I-XII - Coda | Yehudi Menuhin, Wilhelm Kempff | — | |
| 53-9 | Rondo for Piano and Violin in G major, WoO 41 | Yehudi Menuhin, Wilhelm Kempff | T-801.974.499-2 | |
| 53-10 | Sechs Deutsche Tänze (Allemandes), WoO 42 | David Garrett, Bruno Canino | — | |
| 54-1 | Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: I. Allegro con brio | Anne-Sophie Mutter, Lambert Orkis | — | |
| 54-2 | Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: II. Adagio cantabile | Anne-Sophie Mutter, Lambert Orkis | T-001.397.158-8 | |
| 54-3 | Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: III. Scherzo. Allegro - Trio | Anne-Sophie Mutter, Lambert Orkis | — | |
| 54-4 | Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: IV. Finale. Allegro, Presto | Anne-Sophie Mutter, Lambert Orkis | — | |
| 54-5 | Sonata no. 9 for Piano and Violin in A, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto | — | ||
| 54-6 | Sonata no. 9 for Piano and Violin in A, op. 47 “Kreutzer”: II. Andante con Variazioni I-IV | — | ||
| 54-7 | Sonata no. 9 for Piano and Violin in A, op. 47 “Kreutzer”: III. Finale. Presto | — | ||
| 55-1 | Sonata for Violin and Piano no. 8 in G major, op. 30 no. 3: I. Allegro assai | Augustin Dumay, Maria João Pires | T-306.395.786-4 | |
| 55-2 | Sonata for Violin and Piano no. 8 in G major, op. 30 no. 3: II. Tempo di menuetto, ma molto moderato e grazioso | Augustin Dumay, Maria João Pires | — | |
| 55-3 | Sonata for Violin and Piano no. 8 in G major, op. 30 no. 3: III. Allegro vivace | Augustin Dumay, Maria João Pires | — | |
| 55-4 | Sonata for Violin and Piano no. 9 in A major, op. 47 "Kreutzer": I. Adagio sostenuto - Presto | Augustin Dumay, Maria João Pires | — | |
| 55-5 | Sonata for Violin and Piano no. 9 in A major, op. 47 "Kreutzer": II. Andante con variazioni | Augustin Dumay, Maria João Pires | — | |
| 55-6 | Sonata for Violin and Piano no. 9 in A major, op. 47 "Kreutzer": III. Finale. Presto | Augustin Dumay, Maria João Pires | — | |
| 55-7 | Sonata for Violin and Piano no. 10 in G major, op. 96: I. Allegro moderato | Augustin Dumay, Maria João Pires | — | |
| 55-8 | Sonata for Violin and Piano no. 10 in G major, op. 96: II. Adagio espressivo | Augustin Dumay, Maria João Pires | — | |
| 55-9 | Sonata for Violin and Piano no. 10 in G major, op. 96: III. Scherzo. Allegro | Augustin Dumay, Maria João Pires | — | |
| 55-10 | Sonata for Violin and Piano no. 10 in G major, op. 96: IV. Poco allegretto | Augustin Dumay, Maria João Pires | — | |
| 56-1 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-2 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-3 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-4 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-5 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-6 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-7 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-8 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-9 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-10 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-11 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-12 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-13 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-14 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-ii. Allegro | Martha Argerich, Mischa Maisky | — | |
| 56-15 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-ii. Allegro | Martha Argerich, Mischa Maisky | — | |
| 56-16 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-ii. Allegro | Martha Argerich, Mischa Maisky | — | |
| 56-17 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-ii. Allegro | Martha Argerich, Mischa Maisky | — | |
| 56-18 | Cello Sonata no. 2 in G minor, op. 5, no. 2: I. Adagio sostenuto ed expressivo | Martha Argerich, Mischa Maisky | — | |
| 56-19 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I-ii. Allegro molto più tosto presto | Martha Argerich, Mischa Maisky | — | |
| 56-20 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Martha Argerich, Mischa Maisky | — | |
| 56-21 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 56-22 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 1: Variation I | Martha Argerich, Mischa Maisky | — | |
| 56-23 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 56-24 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: IV. Variation III | Martha Argerich, Mischa Maisky | — | |
| 56-25 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 4: Variation IV | Martha Argerich, Mischa Maisky | — | |
| 56-26 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 56-27 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 56-28 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 57-1 | Sonata for Piano and Cello no. 3 in A major, op. 69: I. Allegro ma non tanto | Martha Argerich, Mischa Maisky | T-318.567.058-6 | |
| 57-2 | Sonata for Piano and Cello no. 3 in A major, op. 69: II. Scherzo. Allegro molto | Martha Argerich, Mischa Maisky | T-329.454.787-4 | |
| 57-3 | Sonata for Piano and Cello no. 3 in A major, op. 69: III. Adagio cantabile | Martha Argerich, Mischa Maisky | T-001.397.158-8 | |
| 57-4 | Sonata for Piano and Cello no. 3 in A major, op. 69: IV. Allegro vivace | Martha Argerich, Mischa Maisky | T-909.238.805-1 | |
| 57-5 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: I. Andante | Martha Argerich, Mischa Maisky | — | |
| 57-6 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: II. Allegro vivace | Martha Argerich, Mischa Maisky | — | |
| 57-7 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: III. Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-8 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: IV. Allegro vivace | Martha Argerich, Mischa Maisky | — | |
| 57-9 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Martha Argerich, Mischa Maisky | — | |
| 57-10 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Martha Argerich, Mischa Maisky | — | |
| 57-11 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Martha Argerich, Mischa Maisky | — | |
| 57-12 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-13 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-14 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-15 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-16 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-17 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-18 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-19 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-20 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-21 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-22 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-23 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-24 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 58-1 | 6 Themes with Variations for Piano and Flute or Violin ad libitum, op. 105: 1. Air écossais: “The Cottage Maid”: Tema. Andantino quasi Allegretto - Var. I-II - Var. III. Allegro - Tempo I | — | ||
| 58-2 | 6 Themes with Variations for Piano and Flute or Violin ad libitum, op. 105: 2. Air écossais: “Von edlem Geschlecht war Schinkin”: Tema. Allegretto scherzoso - Var. I-II - Var. III. Allegretto - Allegro | — | ||
| 58-3 | 6 Themes with Variations for Piano and Flute or Violin ad libitum, op. 105: 3. Air autrichien: “A Schüsserl und a Reindl”: Tema. Andantino - Var. I-IV - Var. V. Adagio sostenuto, ma non troppo - Var. VI. Andante con moto | — | ||
| 58-4 | 6 Themes with Variations for Piano and Flute or Violin ad libitum, op. 105: 4. Air écossais: “The Last Rose of Summer”: Tema. Andante espressive assai - Var. I-III | — | ||
| 58-5 | 6 Themes with Variations for Piano and Flute or Violin ad libitum, op. 105: 5. Air écossais: “Chiling O'Guiry”: Tema. Allegretto spiritoso - Var. I-II - Var. III. Allegro assai | — | ||
| 58-6 | 6 Themes with Variations for Piano and Flute or Violin ad libitum, op. 105: 6. Air écossais: “Paddy Whack”: Tema. Allegretto più tosto vivace - Var. I-IV | — | ||
| 58-7 | 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 1. Air tirolien: “I bin a Tiroler Bua”: Tema. Moderato - Var. I-III - Var. IV. Allegro | — | ||
| 58-8 | 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 2. Air écossais: “Bonnie Laddie, Highland Laddie”: Tema. Allegretto, quasi vivace - Var. I-III - Var. IV. Andante mosso, alla Siciliano - Allegro | — | ||
| 58-9 | 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 3. Volkslied aus Kleinrussland: tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I | — | ||
| 58-10 | 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 4. Air écossais “St. Patrick's Day”: Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I | — | ||
| 58-11 | 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 5. Air tirolien: “A Madel, ja a Madel”: Tema. Moderato - Var. I-II - Var. III Maestoso - Allegro | — | ||
| 58-12 | 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 6. Air écossais: “Peggy's Daughter”: Tema. Andante comodo - Var. I-III - Var. IV. Vivace | — | ||
| 58-13 | 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 7. Air russe: “Schöne Minka”: Tema. Andante - Var. I-IV - Var. V . Andante moderato - Var. VI. Allegro - Adagio - Andante comodo - Poco vivace | — | ||
| 58-14 | 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 8. Air écossais: “O Mary at thy window be”: Tema. Andantino quasi Allegretto - Var. I-III - Var. IV. Un poco più mosso - Allegro assai | — | ||
| 58-15 | 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 9. Air écossais: “Oh, Thou art the Lad of my Heart”: Tema. Allegretto più tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace | — | ||
| 58-16 | 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 10. Air écossais: “The Highland Watch”: Tema. Spirituoso e marziale - Var. I-II - Var. III. Più moto - Var. IV. Adagio espressivo - Var. V. Allegro | — | ||
| 58-17 | Duo for 2 Flutes in G, WoO 26: Allegro con brio | — | ||
| 58-18 | Duo for 2 Flutes in G, WoO 26: Minuetto quasi Allegretto | — | ||
| 59-1 | Horn Sonata in F major, op. 17: I. Allegro moderato | Vladimir Ashkenazy, Barry Tuckwell | — | |
| 59-2 | Horn Sonata in F major, op. 17: II. Poco adagio, quasi andante | Vladimir Ashkenazy, Barry Tuckwell | — | |
| 59-3 | Horn Sonata in F major, op. 17: III. Rondo: Allegro moderato | Vladimir Ashkenazy, Barry Tuckwell | — | |
| 59-4 | Sonatina for Mandolin and Piano in c, WoO 43a: Adagio | — | ||
| 59-5 | Adagio for Mandolin and Piano in E-flat, WoO 43b: Adagio (ma non troppo) | — | ||
| 59-6 | Sonatina for Mandolin and Piano in C, WoO 44a: Allegro | — | ||
| 59-7 | Variations for Mandolin and Piano in D, WoO 44b: Andante con Variazioni | — | ||
| 59-8 | Duet for Viola and Cello in E-flat, WoO 32 “Duet with Two Obbligato Eyeglasses”: I. Allegro | — | ||
| 59-9 | Duet for Viola and Cello in E-flat, WoO 32 “Duet with Two Obbligato Eyeglasses”: II. Allegretto | — | ||
| 59-10 | Piece for 2 Violins in A, WoO 34 | — | ||
| 59-11 | Small Piece in A (probably for 2 violins), WoO 35 | — | ||
| 59-12 | Sonata for Piano and (Horn or) Cello in F, op. 17: I. Allegro moderato | — | ||
| 59-13 | Sonata for Piano and (Horn or) Cello in F, op. 17: II. Poco Adagio, quasi Andante | — | ||
| 59-14 | Sonata for Piano and (Horn or) Cello in F, op. 17: III. Rondo. Allegro moderato | — | ||
| 60-1 | Piano Trio no. 9 in E-flat, WoO 38: I. Allegro moderato | — | ||
| 60-2 | Piano Trio no. 9 in E-flat, WoO 38: II. Scherzo. Allegro ma non troppo | — | ||
| 60-3 | Piano Trio no. 9 in E-flat, WoO 38: III. Rondo. Allegretto | — | ||
| 60-4 | Piano Trio no. 1 in E-flat, op. 1 no. 1: I. Allegro | — | ||
| 60-5 | Piano Trio no. 1 in E-flat, op. 1 no. 1: II. Adagio cantabile | — | ||
| 60-6 | Piano Trio no. 1 in E-flat, op. 1 no. 1: III. Scherzo. Allegro assai | — | ||
| 60-7 | Piano Trio no. 1 in E-flat, op. 1 no. 1: IV. Finale. Presto | — | ||
| 60-8 | Piano Trio no. 2 in G, op. 1 no. 2: I. Adagio - Allegro vivace | — | ||
| 60-9 | Piano Trio no. 2 in G, op. 1 no. 2: II. Largo con espressione | — | ||
| 60-10 | Piano Trio no. 2 in G, op. 1 no. 2: III. Scherzo. Allegro | — | ||
| 60-11 | Piano Trio no. 2 in G, op. 1 no. 2: IV. Finale. Presto | — | ||
| 60-12 | Trio Movement in E-flat, Unv 9 [Hess 48]: Allegretto | — | ||
| 61-1 | Piano Trio no. 3 in c, op. 1 no. 3: I. Allegro con brio | — | ||
| 61-2 | Piano Trio no. 3 in c, op. 1 no. 3: II. Andante cantabile con variazioni | — | ||
| 61-3 | Piano Trio no. 3 in c, op. 1 no. 3: III. Menuetto. Quasi Allegro | — | ||
| 61-4 | Piano Trio no. 3 in c, op. 1 no. 3: IV. Finale. Prestissimo | — | ||
| 61-5 | Piano Trio no. 5 in D, op. 70 no. 1 “Ghost”: I. Allegro vivace e con brio | — | ||
| 61-6 | Piano Trio no. 5 in D, op. 70 no. 1 “Ghost”: II. Large assai ed espressivo | — | ||
| 61-7 | Piano Trio no. 5 in D, op. 70 no. 1 “Ghost”: III. Presto | — | ||
| 61-8 | Piano Trio no. 6 in E-flat, op. 70 no. 2: I. Poco sostenuto - Allegro ma non troppo | — | ||
| 61-9 | Piano Trio no. 6 in E-flat, op. 70 no. 2: II. Allegretto | — | ||
| 61-10 | Piano Trio no. 6 in E-flat, op. 70 no. 2: III. Allegretto ma non troppo | — | ||
| 61-11 | Piano Trio no. 6 in E-flat, op. 70 no. 2: IV. Finale. Allegro | — | ||
| 62-1 | 14 Variations for Piano, Violin and Cello on “Ja, ich muss mich von ihr scheiden“ from the Opera “Das rote Käppchen” by Carl Ditters von Dittersdorf (Piano Trio no. 10 in E-flat), op. 44: Tema. Andante - Var. I-XIV - Andante | — | ||
| 62-2 | 10 Variations for Piano, Violin and Cello on the Song “Ich bin der Schneider Kakadu” from Wenzel Müller's Singspiel “Die Schwestern von Prag” (Piano Trio no. 11 in G), op. 121a: Introduzione. Adagio assai - Tema. Allegretto - Var. I-VIII - Var. IX. Adagio espressivo - Var. X. Presto | — | ||
| 62-3 | Piano Trio no. 8 in B-flat, WoO 39: Allegretto | — | ||
| 62-4 | Piano Trio no. 7 in B-flat, op. 97 “Archduke”: I. Allegro moderato | — | ||
| 62-5 | Piano Trio no. 7 in B-flat, op. 97 “Archduke”: II. Scherzo. Allegro | — | ||
| 62-6 | Piano Trio no. 7 in B-flat, op. 97 “Archduke”: III. Andante cantabile - Poco più adagio - Tempo I | — | ||
| 62-7 | Piano Trio no. 7 in B-flat, op. 97 “Archduke”: IV. Allegro moderato | — | ||
| 63-1 | Piano Trio no. 4 in B-flat (for Piano, Violin and Cello), op. 11 “Gassenhauer”: I. Allegro con brio | — | ||
| 63-2 | Piano Trio no. 4 in B-flat major, op. 11 “Gassenhauer”: II. Adagio | Beaux Arts Trio | T-001.397.158-8 | |
| 63-3 | Piano Trio no. 4 in B-flat (for Piano, Violin and Cello), op. 11 “Gassenhauer”: III. Tema “Pria ch'io l'impegno”. Allegretto - Allegro | — | ||
| 63-4 | Piano Trio in E-flat, op. 38 (after the Septet op. 20): I. Adagio - Allegro con brio | — | ||
| 63-5 | Piano Trio in E-flat, op. 38 (after the Septet op. 20): II. Adagio cantabile | — | ||
| 63-6 | Piano Trio in E-flat, op. 38 (after the Septet op. 20): III. Tempo di menuetto | — | ||
| 63-7 | Piano Trio in E-flat, op. 38 (after the Septet op. 20): IV. Andante con variazioni | — | ||
| 63-8 | Piano Trio in E-flat, op. 38 (after the Septet op. 20): V. Scherzo. Allegro molto e vivace | — | ||
| 63-9 | Piano Trio in E-flat, op. 38 (after the Septet op. 20): VI. Andante con moto alla marcia - Presto | — | ||
| 63-10 | Piano Trio no. 4 in B-flat (for Piano, Clarinet and Cello), op. 11 “Gassenhauer”: I. Allegro con brio | — | ||
| 63-11 | Piano Trio no. 4 in B-flat (for Piano, Clarinet and Cello), op. 11 “Gassenhauer”: II. Adagio | — | ||
| 63-12 | Piano Trio no. 4 in B-flat (for Piano, Clarinet and Cello), op. 11 “Gassenhauer”: III. Tema “Pria ch'io l'impegno”. Allegretto - Allegro | — | ||
| 64-1 | Trio for Piano, Flute and Bassoon in G, WoO 37: I. Allegro | — | ||
| 64-2 | Trio for Piano, Flute and Bassoon in G, WoO 37: II. Adagio | — | ||
| 64-3 | Trio for Piano, Flute and Bassoon in G, WoO 37: III. Tema andante con Variazioni | — | ||
| 64-4 | Trio for 2 Oboes and Cor anglais in C, op. 87: I. Allegro | — | ||
| 64-5 | Trio for 2 Oboes and Cor anglais in C, op. 87: II. Adagio cantabile | — | ||
| 64-6 | Trio for 2 Oboes and Cor anglais in C, op. 87: III. Menuetto. Allegro molto. Scherzo | — | ||
| 64-7 | Trio for 2 Oboes and Cor anglais in C, op. 87: IV. Finale. Presto | — | ||
| 64-8 | 8 Variations for 2 Oboes and Cor anglais in C on “Là ci darem la mano” from Mozart's Opera “Don Giovanni”, WoO 28: Thema. Andante / Variation I. Allegretto / Variation II. L'istesso tempo / Variation III. Andante / Variation IV. Allegro moderato / Variation V. Moderato / Variation VI. Lento espressivo / Variation VII. Allegretto scherzando / Variation VIII. Allegretto giocoso / Coda. Vivace - Andante | — | ||
| 65-1 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: I. Allegro con brio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 65-2 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: II. Andante | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 65-3 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: III. Menuetto. Allegretto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 65-4 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: IV. Adagio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 65-5 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: V. Menuetto. Moderato | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 65-6 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: VI. Finale. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-802.326.793-9 | |
| 65-7 | Serenade for Violin, Viola, and Cello in D major, op. 8: I. Marcia. Allegro - Adagio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-915.714.772-3 | |
| 65-8 | Serenade for Violin, Viola, and Cello in D major, op. 8: II. Menuetto. Allegretto - Trio - Coda | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-912.972.346-2 | |
| 65-9 | Serenade for Violin, Viola, and Cello in D major, op. 8: III. Adagio - Scherzo. Allegro molto - Adagio - Allegro molto - Adagio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 65-10 | Serenade for Violin, Viola, and Cello in D major, op. 8: IV. Allegretto alla Polacca | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 65-11 | Serenade for Violin, Viola, and Cello in D major, op. 8: V. Thema con Variazioni. Andante quasi allegretto - Var. I-IV - Marcia. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-1 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: I. Adagio - Allegro con brio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-2 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: II. Adagio, ma non tanto, e cantabile | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-3 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: III. Scherzo. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-4 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: IV. Presto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-312.542.381-2 | |
| 66-5 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: I. Allegretto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-6 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: II. Andante quasi allegretto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-7 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: III. Menuetto. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-8 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: IV. Rondo. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-9 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: I. Allegro con spirito | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-10 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: II. Adagio con espressione | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-11 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: III. Scherzo. Allegro molto e vivace | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-12 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: IV. Finale. Presto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 67-1 | Serenade for Flute, Violin and Viola in D, op. 25: I. Entrada. Allegro | — | ||
| 67-2 | Serenade for Flute, Violin and Viola in D, op. 25: II. Tempo ordinario d'un Minuetto | — | ||
| 67-3 | Serenade for Flute, Violin and Viola in D, op. 25: III. Allegro molto | — | ||
| 67-4 | Serenade for Flute, Violin and Viola in D, op. 25: IV. Andante con Variazioni | — | ||
| 67-5 | Serenade for Flute, Violin and Viola in D, op. 25: V. Allegro scherzando e vivace | — | ||
| 67-6 | Serenade for Flute, Violin and Viola in D, op. 25: VI. Adagio - Allegro vivace e disinvolto | — | ||
| 67-7 | Prelude and Fugue for 2 Violins and Cello in e, Hess 29: I. Prelude | — | ||
| 67-8 | Prelude and Fugue for 2 Violins and Cello in e, Hess 29: II. Fugue | — | ||
| 67-9 | 6 Minuets for 2 Violins and Bass, WoO 9: no. 1 in E-flat | — | ||
| 67-10 | 6 Minuets for 2 Violins and Bass, WoO 9: no. 2 in G | — | ||
| 67-11 | 6 Minuets for 2 Violins and Bass, WoO 9: no. 3 in C | — | ||
| 67-12 | 6 Minuets for 2 Violins and Bass, WoO 9: no. 4 in F | — | ||
| 67-13 | 6 Minuets for 2 Violins and Bass, WoO 9: no. 5 in D | — | ||
| 67-14 | 6 Minuets for 2 Violins and Bass, WoO 9: no. 5 in G | — | ||
| 67-15 | 6 Ländler for 2 Violins and Bass, WoO 15: no. 1 in D | — | ||
| 67-16 | 6 Ländler for 2 Violins and Bass, WoO 15: no. 2 in D | — | ||
| 67-17 | 6 Ländler for 2 Violins and Bass, WoO 15: no. 3 in D | — | ||
| 67-18 | 6 Ländler for 2 Violins and Bass, WoO 15: no. 4 in d | — | ||
| 67-19 | 6 Ländler for 2 Violins and Bass, WoO 15: no. 5 in D | — | ||
| 67-20 | 6 Ländler for 2 Violins and Bass, WoO 15: no. 6 in D | — | ||
| 68-1 | String Quartet no. 3 in D major, op. 18 no. 3: I. Allegro | Emerson String Quartet | — | |
| 68-2 | String Quartet no. 3 in D major, op. 18 no. 3: II. Andante con moto | Emerson String Quartet | — | |
| 68-3 | String Quartet no. 3 in D major, op. 18 no. 3: III. Allegro | Emerson String Quartet | — | |
| 68-4 | String Quartet no. 3 in D major, op. 18 no. 3: IV. Presto | Emerson String Quartet | T-003.055.867-8 | |
| 68-5 | String Quartet no. 1 in F major, op. 18 no. 1: I. Allegro con brio | Emerson String Quartet | — | |
| 68-6 | String Quartet no. 1 in F major, op. 18 no. 1: II. Adagio affettuoso ed appassionato | Emerson String Quartet | — | |
| 68-7 | String Quartet no. 1 in F major, op. 18 no. 1: III. Scherzo: Allegro molto | Emerson String Quartet | — | |
| 68-8 | String Quartet no. 1 in F major, op. 18 no. 1: IV. Allegro | Emerson String Quartet | T-003.055.867-8 | |
| 68-9 | String Quartet no. 2 in G major, op. 18 no. 2: I. Allegro | Emerson String Quartet | — | |
| 68-10 | String Quartet no. 2 in G major, op. 18 no. 2: II. Adagio cantabile - Allegro - Tempo I | Emerson String Quartet | T-001.397.158-8 | |
| 68-11 | String Quartet no. 2 in G major, op. 18 no. 2: III. Scherzo: Allegro | Emerson String Quartet | — | |
| 68-12 | String Quartet no. 2 in G major, op. 18 no. 2: IV. Allegro molto, quasi presto | Emerson String Quartet | — | |
| 69-1 | String Quartet no. 4 in C minor, op. 18 no. 4: I. Allegro ma non tanto | Emerson String Quartet | — | |
| 69-2 | String Quartet no. 4 in C minor, op. 18 no. 4: II. Andante scherzoso quasi allegretto | Emerson String Quartet | — | |
| 69-3 | String Quartet no. 4 in C minor, op. 18 no. 4: III. Menuetto: Allegretto | Emerson String Quartet | T-700.095.171-5 | |
| 69-4 | String Quartet no. 4 in C minor, op. 18 no. 4: IV. Allegro - Prestissimo | Emerson String Quartet | T-003.055.867-8 | |
| 69-5 | String Quartet no. 5 in A major, op. 18 no. 5: I. Allegro | Emerson String Quartet | — | |
| 69-6 | String Quartet no. 5 in A major, op. 18 no. 5: II. Menuetto | Emerson String Quartet | — | |
| 69-7 | String Quartet no. 5 in A major, op. 18 no. 5: III. Andante cantabile | Emerson String Quartet | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| String Quartet no. 5 in A major, op. 18 no. 5: IV. Allegro | Emerson String Quartet | T-003.055.867-8 |
| String Quartet no. 6 in B-flat major, op. 18 no. 6: I. Allegro con brio | Emerson String Quartet | — |
| String Quartet no. 6 in B-flat major, op. 18 no. 6: II. Adagio ma non troppo | Emerson String Quartet | — |
| String Quartet no. 6 in B-flat major, op. 18 no. 6: III. Scherzo: Allegro | Emerson String Quartet | — |
| String Quartet no. 6 in B-flat major, op. 18 no. 6: IV. "La Malinconia": Adagio - Allegretto quasi allegro | Emerson String Quartet | — |
| String Quartet no. 7 in F major, op. 59 "Razumovsky" no. 1: I. Allegro | Emerson String Quartet | — |
| String Quartet no. 7 in F major, op. 59 "Razumovsky" no. 1: II. Allegretto vivace e sempre scherzando | Emerson String Quartet | — |
| String Quartet no. 7 in F major, op. 59 "Razumovsky" no. 1: III. Adagio molto e mesto - attacca- | Emerson String Quartet | — |
| String Quartet no. 7 in F major, op. 59 "Razumovsky" no. 1: IV. "Theme russe": Allegro | Emerson String Quartet | — |
| String Quartet no. 8 in E minor, op. 59 "Razumovsky" no. 2: I. Allegro | Emerson String Quartet | — |
| String Quartet no. 8 in E minor, op. 59 "Razumovsky" no. 2: II. Molto Adagio: Si tratta questo pezzo con molto di sentimento | Emerson String Quartet | — |
| String Quartet no. 8 in E minor, op. 59 "Razumovsky" no. 2: III. Allegretto - Maggiore ("Theme russe") | Emerson String Quartet | — |
| String Quartet no. 8 in E minor, op. 59 "Razumovsky" no. 2: IV. Finale: Presto | Emerson String Quartet | T-003.055.867-8 |
| String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: I. Introduzione: Andante con moto - Allegro vivace | Emerson String Quartet | — |
| String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: II. Andante con moto quasi allegretto | Emerson String Quartet | — |
| String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: III. Menuetto grazioso - attacca | Emerson String Quartet | T-700.095.171-5 |
| String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: IV. Allegro molto | Emerson String Quartet | T-329.454.787-4 |
| String Quartet no. 10 in E-flat major, op. 74 "Harp": I. Poco adagio - Allegro | Emerson String Quartet | T-915.714.772-3 |
| String Quartet no. 10 in E-flat major, op. 74 "Harp": II. Adagio ma non troppo | Emerson String Quartet | — |
| String Quartet no. 10 in E-flat major, op. 74 "Harp": III. Presto - Piu presto quasi prestissimo - attacca | Emerson String Quartet | — |
| String Quartet no. 10 in E-flat major, op. 74 "Harp": IV. Allegretto con variazioni | Emerson String Quartet | — |
| Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): I. Allegro con brio | Hagen Quartett | — |
| Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): II. Adagio molto | Hagen Quartett | — |
| Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): III. Scherzo. Allegro | Hagen Quartett | — |
| Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): IV. Allegretto | Hagen Quartett | — |
| Minuet for 2 Violins, Viola, and Cello in A-flat major, Hess 33 | Hagen Quartett | — |
| Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (transcribed from "Sonata for Piano, Op. 14 No. 1"): I. Allegro moderato | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (transcribed from "Sonata for Piano, Op. 14 No. 1"): II. Allegretto | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (transcribed from "Sonata for Piano, Op. 14 No. 1"): III. Allegro | Amadeus Quartet | — |
| Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: I. Adagio assai | Christoph Eschenbach, Mitglieder des Amadeus-Quartett | — |
| Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: II. Allegro con spirito | Christoph Eschenbach, Mitglieder des Amadeus-Quartett | — |
| Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: III. Tema. Cantabile - Variazioni I-VI - Tema. Allegretto | Christoph Eschenbach, Mitglieder des Amadeus-Quartett | — |
| Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: I. Allegro moderato | Christoph Eschenbach, Mitglieder des Amadeus-Quartett | — |
| Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: II. Andante con moto | Christoph Eschenbach, Mitglieder des Amadeus-Quartett | — |
| Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: III. Rondo. Allegro | Christoph Eschenbach, Mitglieder des Amadeus-Quartett | — |
| Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: I. Allegro vivace | Christoph Eschenbach, Mitglieder des Amadeus-Quartett | — |
| Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: II. Adagio con espressione | Christoph Eschenbach, Mitglieder des Amadeus-Quartett | — |
| Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: III. Rondo. Allegro | Christoph Eschenbach, Mitglieder des Amadeus-Quartett | — |
| Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, op. 16: I. Grave - Allegro ma non troppo | Radu Lupu, George Pieterson, Brian Pollard, Han de Vries, Vicente Zarzo | — |
| Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, op. 16: II. Andante cantabile | Radu Lupu, George Pieterson, Brian Pollard, Han de Vries, Vicente Zarzo | T-322.688.088-8 |
| Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, op. 16: III. Rondo. Allegro ma non troppo | Radu Lupu, George Pieterson, Brian Pollard, Han de Vries, Vicente Zarzo | — |
| Sextet in E-flat, op. 81b for 2 Violins, Viola, Cello and 2 Horns: Allegro con brio | Hermann Baumann, Vladimir Dshambasov, Gewandhaus-Quartett, Dietmar Hallmann, Conrad Suske, Karl Suske, Jürnjakob Timm | — |
| Sextet in E-flat, op. 81b for 2 Violins, Viola, Cello and 2 Horns: Adagio | Hermann Baumann, Vladimir Dshambasov, Gewandhaus-Quartett, Dietmar Hallmann, Conrad Suske, Karl Suske, Jürnjakob Timm | — |
| Sextet in E-flat, op. 81b for 2 Violins, Viola, Cello and 2 Horns: Rondo (Allegro) | Hermann Baumann, Vladimir Dshambasov, Gewandhaus-Quartett, Dietmar Hallmann, Conrad Suske, Karl Suske, Jürnjakob Timm | — |
| 25 Scottish Songs, op. 108 no. 9 "Behold, my love, how green the groves" | Sir Thomas Allen, Catrin Wyn Davies, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 10. Sympathy | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 11 "Oh! thou art the lad of my heart, Willy" | Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 12 "Oh, had my fate been join’d with thine" | Sir Thomas Allen, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 13 "Come fill, fill, my good fellow!" | Sir Thomas Allen, Timothy Robinson, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 14 "O, how can I be blithe and glad" | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 15 "O cruel was my father" | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 16 "Could this ill world have been contriv’d" | Sir Thomas Allen, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 1. Music, Love and Wine | John Mark Ainsley, Sir Thomas Allen, Catrin Wyn Davies, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 2. Sunset | Sir Thomas Allen, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 3 "O sweet were the hours" | Sir Thomas Allen, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 4. The Maid of Isla | Christopher Maltman, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 5 "The sweetest lad was Jamie" | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 6 "Dim, dim is my eye" | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 7. Bonny Laddie, Highland Laddie | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 8 "The lovely lass of Inverness" | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 17 "O Mary, at thy window be" | Christopher Maltman, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 18 "Enchantress, farewell" | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 19 "O swiftly glides the bonny boat" | Sir Thomas Allen, Ruby Philogene, Timothy Robinson, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 20. Faithfu’ Johnie | Sir Thomas Allen, Ruby Philogene, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 21. Jeanie’s Distress | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 22. The Highland Watch | Sir Thomas Allen, Timothy Robinson, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 23. The Shepherd’s Song | Christopher Maltman, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 24 "Again, my Lyre, yet once again" | Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 25. Sally in our Alley | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 1. The Return to Ulster | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 7 "His boat comes on the sunny tide" | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 4 "The morning air plays on my face" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 2. Sweet Power of Song! | John Mark Ainsley, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 5. On the Massacre of Glencoe | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 10. The Deserter | John Mark Ainsley, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 12. English Bulls (A.K.A. The Irishman in London) | John Mark Ainsley, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 6 "What shall I do to shew her how much I love her?" | John Mark Ainsley, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 21 "Morning a cruel turmoiler is" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 3 "Once more I hail thee" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 8 "Come draw we round a cheerful ring" | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 9 "Our bugles sung truce" (A.K.A. The Soldier’s Dream) | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 18 "They bid me slight my dermot dear" | John Mark Ainsley, Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 13 "Musing on the roaring ocean" | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 14. Dermot and Shelah | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 25 "O harp of Erin" | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 22 "From Garyone, my happy home" | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 11 "Thou emblem of faith" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 15 "Let brain-spinning swains" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 16 "Hide not thy anguish" | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 19. Wife, Children and Friends | John Mark Ainsley, Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 17 "In vain to this desert my fate I deplore" | Sir Thomas Allen, Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 23 "A wand’ring gypsey, Sirs, am I" | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 20 "Farewell bliss and farewell Nancy" | John Mark Ainsley, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 24. The Traugh Welcome | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 6 "Sad and luckless was the season" | Toby Spence, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 3. The British Light Dragoons (A.K.A. The Plain of Badajos) | Toby Spence, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 1 "When eve’s last rays in twilight die" | Christopher Maltman, Toby Spence, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 4 "Since greybeards inform us that youth will decay" | Ruby Philogene, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 2 "No riches from his scanty store" | Ruby Philogene, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 5 "I dream’d I lay where flow’rs were springing" | Christopher Maltman, Ruby Philogene, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 9 "The kiss, dear maid, thy lip has left" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 7 "O soothe me, my lyre" | Ruby Philogene, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 15 "’Tis but in vain, for nothing thrives" | Ruby Philogene, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 11 "When far from the home" | Ruby Philogene, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 13 "’Tis sunshine at last" | Toby Spence, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 8. Norah of Balamagairy "Farewell mirth and hilarity" | Felicity Lott, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 19 "Judy, lovely matchless creature" | Toby Spence, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 12 "I’ll praise the saints with early song" | Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 18 "No more, my Mary, I sigh for splendour" | Toby Spence, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 20 "Thy ship must sail, my Henry dear" | Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 14. Paddy O’Rafferty | Ruby Philogene, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 16 "O might I but my Patrick love!" | Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 10 "Oh! Thou hapless soldier" | Felicity Lott, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 17 "Come, Darby dear! easy, be easy" | Ruby Philogene, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 2: "O harp of Erin" | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 12: "He promised me at parting" | John Mark Ainsley, Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 4: "The pulse of an Irishman" | Sir Thomas Allen, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 3: "The farewell song" | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 8: "Save me from the grave and wise" | Sir Thomas Allen, Ann Murray, Toby Spence, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 9: "O would I were but that sweet linnet!" | John Mark Ainsley, Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 10: "The hero may perish" | John Mark Ainsley, Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 6: "Put round the bright wine" | Sir Thomas Allen, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 5: "O who, my dear Dermot" | Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 7: "From Garyone, my happy home" | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 11: "The soldier in a foreign land" | John Mark Ainsley, Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 1: "The elfin fairies" | Ruby Philogene, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 1: "God save the king" | Sir Thomas Allen, Timothy Robinson, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 2: "The soldier" | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 3: "Charlie is my darling" | Sir Thomas Allen, Ann Murray, Ruby Philogene, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 4: "O Sanctissima" | Sir Thomas Allen, Ruby Philogene, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 5: "The miller of Dee" | John Mark Ainsley, Sir Thomas Allen, Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 6: "A health to the brave" | Sir Thomas Allen, Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 9: "Highlander’s lament" | Sir Thomas Allen, Timothy Robinson, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 8: "By the side of the shannon" | Sir Thomas Allen, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 11: "The wandering minstrel" | Sir Thomas Allen, Timothy Robinson, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 10: "Sir Johnnie Cope" | John Mark Ainsley, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 7: "Robin Adair" | Sir Thomas Allen, Timothy Robinson, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 12: "La gondoletta" | John Mark Ainsley, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 1: "Sion, the son of Evan" | Catrin Wyn Davies, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 4: "Love without hope" | John Mark Ainsley, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 17: "The dairy house" | John Mark Ainsley, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 15: "When mortals all to rest retire" | Ruby Philogene, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 3: "The cottage maid" | Catrin Wyn Davies, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 14: "The dream" | John Mark Ainsley, Catrin Wyn Davies, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 7: "Oh let the night my blushes hide" | Ruby Philogene, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 19: "The vale of Clwyd" | Catrin Wyn Davies, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 11: "Merch Megan" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 2: "The monks of Bangor’s march" | Catrin Wyn Davies, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 10: "Ned Pugh’s farewell" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 13. "Helpless woman" | Ruby Philogene, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 20: "To the blackbird" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 16: "The damsels of Cardigan" | Ruby Philogene, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 9: "To the Aeolian harp" | John Mark Ainsley, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 12: "Waken lords and ladies gay" | Catrin Wyn Davies, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 22: "Constancy" | Catrin Wyn Davies, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 5: "The golden robe" | Catrin Wyn Davies, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 6: "The fair maid of Mona" | Catrin Wyn Davies, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 8: "Farewell, farewell thou noisy town" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 18: "Sweet Richard" | John Mark Ainsley, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 21: "Cupid’s kindness" | Catrin Wyn Davies, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 23: "The old strain" | Ruby Philogene, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 24: "Three hundred pounds" | Ruby Philogene, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 25: "The parting kiss" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 26: "Good night" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 4: "Ye shepherds of this pleasant vale" | John Mark Ainsley, Sir Thomas Allen, Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 3: "Up! Quit thy bower" | Sir Thomas Allen, Felicity Lott, Ruby Philogene, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 7: "Polly Stewart" | Sir Thomas Allen, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 10: "Glencoe" | John Mark Ainsley, Sir Thomas Allen, Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 2: "Duncan Gray" | John Mark Ainsley, Sir Thomas Allen, Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 8: "Womankind" | John Mark Ainsley, Sir Thomas Allen, Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 1: "The banner of Buccleuch" | John Mark Ainsley, Sir Thomas Allen, Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 6: "Highland Harry" | Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 12: "The quaker’s wife" | John Mark Ainsley, Sir Thomas Allen, Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 9: "Lochnagar" | John Mark Ainsley, Sir Thomas Allen, Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 5: "Cease your funning" | Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 11: "Auld lang syne" | John Mark Ainsley, Sir Thomas Allen, Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 7 British Songs, WoO 158b no. 1: "Adieu, my lov’d harp" | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 7 British Songs, WoO 158b no. 7: "Lament for Owen Roe O’Neill" | Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 7 British Songs, WoO 158b no. 5: "Erin! O Erin!" | Timothy Robinson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 7 British Songs, WoO 158b no. 4: "Red gleams the sun on yon hill tap" | Timothy Robinson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 7 British Songs, WoO 158b no. 2: "Castle O’Neill" | Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 7 British Songs, WoO 158b no. 6: "O Mary, ye’s be clad in silk" | Timothy Robinson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 7 British Songs, WoO 158b no. 3: "O was not I a weary wight! (Oh Ono Chri!)" | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 6 Songs of Various Nationalities, WoO 158c no. 3: "Mark yonder pomp of costly fashion" | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 6 Songs of Various Nationalities, WoO 158c no. 1: "When my hero in court appears" | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 6 Songs of Various Nationalities, WoO 158c no. 4: "Bonnie wee thing" | Sir Thomas Allen, Catrin Wyn Davies, Ruby Philogene, Malcolm Martineau | — |
| 6 Songs of Various Nationalities, WoO 158c no. 5: "From thee, Eliza, I must go" | John Mark Ainsley, Sir Thomas Allen, Catrin Wyn Davies, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 6 Songs of Various Nationalities, WoO 158c no. 6: [untitled] | Malcolm Martineau, Krysia Osostowicz, Ursula Smith | T-070.160.313-5 |
| 6 Songs of Various Nationalities, WoO 158c no. 2: "Non, non, Colette n’est Point Trompeuse" | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 6: "A Madel, ja a Madel" | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 21: "Tiranilla Española" | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 7: "Wer solche buema bfipackt" | Christopher Maltman, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 2: "Horch auf, mein Liebchen" | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 10: "Poszła baba po popiłół" | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 16: "Schöne minka, ich Muss Scheiden" | Sir Thomas Allen, Ruby Philogene, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 18: "An ä bergli bin I gesässe" | Ruby Philogene, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 15: "Kak pošli naši podružki" | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 5: "Teppichkrämer-lied" | Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 14: "Akh, rečen’ki, rečen’ki" | Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 3: "Wegen Meiner Bleib D’Fräula" | Christopher Maltman, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 13: Vo Lesočke Komaročkov Mnogo Urodilos’" | Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 23: "Da Brava, Catina" | Christopher Maltman, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 1: "Ridder Stigs Runer" | Sir Thomas Allen, Ruby Philogene, Timothy Robinson, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 11: "Yo no quiero embarcarme" | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 17: "Lilla Carl (Vaggvisa)" | Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 20: "Cómo la Mariposa soy" | Ruby Philogene, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 9: "Oj, Oj Upiłem Się W Karczmie" | Christopher Maltman, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 19: "Una paloma blanca" | Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 22: "Édes Kinos Emlékezet (Magyar Szüretölö Ének)" | Timothy Robinson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 4: "Wann I in Der Früh Aufsteh" | Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 12: "Seus Lindos Olhos" | Sir Thomas Allen, Timothy Robinson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 8: "Ih Mag Di Nit Nehma" | Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| Elegischer Gesang, op. 118 | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — |
| Opferlied, op. 121b | Lorna Haywood, Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — |
| Bundeslied, op. 122 “In allen guten Stunden” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — |
| Piece in f, Kullak Sketchbook f.51/52 (1826) | Tobias Koch | — |
| Bagatelles, WoO 213 "Bagatellen" Portfolio nos. 7, 8, 9 & 11: No. 1 Andante in D-flat | Tobias Koch | — |
| Bagatelles, WoO 213 "Bagatellen" Portfolio nos. 7, 8, 9 & 11: No. 2 Finale in G | Tobias Koch | — |
| Bagatelles, WoO 213 "Bagatellen" Portfolio nos. 7, 8, 9 & 11: No. 4 Rondo in A | Tobias Koch | — |
| Allegretto in a/A, Kafka Sketch Miscellany f.47v | Tobias Koch | — |
| Piano Piece in A, Kafka Sketch Miscellany f.160r staves 1-6 | Tobias Koch | — |
| Molto Adagio in G, Hess 71 Landsberg 6 (Eroica) Sketchbook, Fragment (1803-04) | Tobias Koch | — |
| 2 German Dances, Hess 67 Petter Sketchbook (1812): No. 1 in F / No. 2 in f | Tobias Koch | — |
| On “Dona nobis pacem” (Haydn), Hess Ang. 57: Piano Arrangment by Julia Ronge of a 4-Part Fugue for Voices a cappela (c. 1795) | Tobias Koch | — |
| Fugue for 2 Violins, Viola, and Cello, Hess 36 (transcribed from Handel's "Solomon, HWV 67: Overture") | Hagen Quartett | — |
| 1. ALLEGRO | Bruno Canino, Severino Gazzelloni | T-011.422.353-8 |
| Sonata in B Flat for Piano and Flute: 2. Polonaise | Bruno Canino, Severino Gazzelloni | — |
| Sonata in B Flat for Piano and Flute: 3. Largo | Bruno Canino, Severino Gazzelloni | — |
| Sonata in B Flat for Piano and Flute: 4. Tema (Allegretto Con Variazioni) | Bruno Canino, Severino Gazzelloni | — |
| Symphonie Nr. 7 A‐dur, op. 92: 4. Allegro con brio | Staatskapelle Berlin, Herbert von Karajan | — |
| Symphony no. 8 in F, op. 93: 1. Allegro Vivace E Con Brio | Royal Philharmonic Orchestra, Hermann Scherchen | T-801.411.105-9 |
| Symphony no. 8 in F, op. 93: 2. Allegretto Scherzando | Royal Philharmonic Orchestra, Hermann Scherchen | — |
| Symphony no. 8 in F, op. 93: 3. Tempo di Menuetto | Royal Philharmonic Orchestra, Hermann Scherchen | — |
| Symphony no. 8 in F, op. 93: 4. Allegro Vivace | Royal Philharmonic Orchestra, Hermann Scherchen | T-909.821.799-3 |
| Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: Overture. Sostenuto, ma non troppo - Allegro | Berliner Philharmoniker, Wilhelm Furtwängler | T-306.482.271-1 |
| Overture “Leonore no. 3”, op. 72b | Wiener Philharmoniker, Wilhelm Furtwängler | — |
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Berliner Philharmoniker, Wilhelm Furtwängler | — |
| Symphony no. 5 in C minor, op. 67: II. Andante con moto | Berliner Philharmoniker, Wilhelm Furtwängler | — |
| Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Berliner Philharmoniker, Wilhelm Furtwängler | — |
| Symphony no. 5 in C minor, op. 67: IV. Finale. Allegro | Berliner Philharmoniker, Wilhelm Furtwängler | T-318.676.528-2 |
| Große Fuge, op. 133 | Berliner Philharmoniker, Wilhelm Furtwängler | — |
| Symphony no. 5 in C minor, op. 67: II. Andante con moto | Koninklijk Concertgebouworkest, Erich Kleiber, Berliner Philharmoniker, Herbert von Karajan | T-902.876.200-7 |
| Symphony no. 5 in C minor, op. 67: III. Allegro | Koninklijk Concertgebouworkest, Erich Kleiber | — |
| Symphony no. 5 in C minor, op. 67: IV. Allegro | Koninklijk Concertgebouworkest, Erich Kleiber | T-312.542.381-2 |
| Egmont, Ouvertüre, op. 84 | Berliner Philharmoniker, Ferenc Fricsay | T-031.682.208-8 |
| IX. Sinfonie d-moll, op. 125: 1. Satz: Allegro ma non troppo, un poco maestoso | Berliner Philharmoniker, Ferenc Fricsay | — |
| IX. Sinfonie d-moll, op. 125: 2. Satz: Molto vivace | Berliner Philharmoniker, Ferenc Fricsay | T-909.876.841-3 |
| IX. Sinfonie d-moll, op. 125: 3. Satz: Adagio molto e cantabile | Berliner Philharmoniker, Ferenc Fricsay | T-912.747.871-1 |
| IX. Sinfonie d-moll, op. 125: 4. Satz: Presto | Chor der St. Hedwigs-Kathedrale Berlin, Dietrich Fischer-Dieskau, Maureen Forrester, Ernst Haefliger, Irmgard Seefried, Berliner Philharmoniker, Ferenc Fricsay | T-318.676.528-2 |
| Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – “O Freunde, nicht diese Töne!” – Allegro assai | Irmgard Seefried, Maureen Forrester, Ernst Haefliger, Dietrich Fischer-Dieskau, Chor der St. Hedwigs-Kathedrale Berlin, Berliner Philharmoniker, Ferenc Fricsay | T-318.676.528-2 |
| Piano Concerto no. 3 in C minor, op. 37: 1. Allegro con brio | Annie Fischer, Bayerisches Staatsorchester, Ferenc Fricsay | — |
| Piano Concerto no. 3 in C minor, op. 37: 2. Largo | Annie Fischer, Bayerisches Staatsorchester, Ferenc Fricsay | — |
| Piano Concerto no. 3 in C minor, op. 37: 3. Rondo (Allegro) | Annie Fischer, Bayerisches Staatsorchester, Ferenc Fricsay | — |
| Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | Wolfgang Schneiderhan, Berliner Philharmoniker, Eugen Jochum | — |
| Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | Wolfgang Schneiderhan, Berliner Philharmoniker, Eugen Jochum | — |
| Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | Wolfgang Schneiderhan, Berliner Philharmoniker, Eugen Jochum | — |
| Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | Wilhelm Kempff | — |
| Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | Wilhelm Kempff | — |
| Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio ma non troppo - fuga (Allegro ma non troppo) | Wilhelm Kempff | — |
| Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten empfindung (Allegretto, ma non troppo) | Wilhelm Backhaus | — |
| Piano Sonata no. 28 in A major, op. 101: II. Lebhaft. Marschmassig (Vivace alla marcia) | Wilhelm Backhaus | — |
| Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll (Adagio, ma non troppo, con affetto) | Wilhelm Backhaus | — |
| Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Sviatoslav Richter, Mstislav Rostropovich | — |
| Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto | Sviatoslav Richter, Mstislav Rostropovich | — |
| Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: III. Allegro – Allegro fugato | Sviatoslav Richter, Mstislav Rostropovich | — |
| Piano Trio no. 7 in B-flat, op. 97 "Archduke": I. Allegro moderato | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — |
| Piano Trio no. 7 in B-flat, op. 97 "Archduke": II. Scherzo (Allegro) | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — |
| Piano Trio no. 7 in B-flat, op. 97 "Archduke": III. Andante cantabile, ma però con moto: Poco più adagio | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — |
| Piano Trio no. 7 in B-flat, op. 97 "Archduke": IV. Allegro moderato | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — |
| In questa tomba oscura, WoO 133 | Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | T-900.021.194-9 |
| Fidelio, op. 72: Erster Akt. Nr. 3 Quartett: »Mir ist so wunderbar« (Marzelline, Leonore, Rocco, Jaquino) | Irmgard Seefried, Leonie Rysanek, Gottlob Frick, Friedrich Lenz, Bayerisches Staatsorchester, Ferenc Fricsay | — |
| Violin Romance no. 2 in F, op. 50 | Thomas Zehetmair, Orchestra of the Eighteenth Century, Frans Brüggen | — |
| Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | Steven Lubin | T-915.723.669-6 |
| Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro | Steven Lubin | — |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Steven Lubin | — |
| Sonata no. 14 in C-sharp minor for Piano, op. 27 no. 2 "Moonlight": II. Allegretto | Steven Lubin | — |
| Sonata no. 14 in C-sharp minor for Piano, op. 27 no. 2 "Moonlight": III. Presto agitato | Steven Lubin | — |
| Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": I. Largo - Allegro | Steven Lubin | — |
| Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": II. Adagio | Steven Lubin | T-310.769.687-3 |
| Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": III. Allegretto | Steven Lubin | T-310.769.687-3 |
| Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Berliner Philharmoniker, Herbert von Karajan | T-300.456.250-5 |
| Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 2 in D major, op. 36: II. Larghetto | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 2 in D major, op. 36: IV. Allegro molto | Berliner Philharmoniker, Herbert von Karajan | T-902.876.200-7 |
| Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Berliner Philharmoniker, Herbert von Karajan | T-318.676.528-2 |
| Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Berliner Philharmoniker, Herbert von Karajan | T-001.444.317-4 |
| Symphony no. 4 in B-flat major, op. 60: II. Adagio | Berliner Philharmoniker, Herbert von Karajan | T-001.444.317-4 |
| Symphony no. 4 in B-flat major, op. 60: III. Allegro molto e vivace - Trio. Un poco meno allegro | Berliner Philharmoniker, Herbert von Karajan | T-001.444.317-4 |
| Symphony no. 4 in B-flat major, op. 60: IV. Allegro, ma non troppo | Berliner Philharmoniker, Herbert von Karajan | T-001.444.317-4 |
| Symphonie Nr. 5 c-moll, op. 67: Allegro con brio | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 5 in C minor, op. 67: IV. Allegro | Berliner Philharmoniker, Herbert von Karajan | T-318.676.528-2 |
| Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphonie No. 7 A-Dur, Op. 92: I. Poco sostenuto - Vivace | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphonie No. 7 A-Dur, Op. 92: II. Allegretto | Berliner Philharmoniker, Herbert von Karajan | T-314.638.300-4 |
| Symphonie No. 7 A-Dur, Op. 92: III. Presto | Berliner Philharmoniker, Herbert von Karajan | T-915.710.750-1 |
| Symphonie No. 7 A-Dur, Op. 92: IV. Allegro con brio | Berliner Philharmoniker, Herbert von Karajan | T-915.710.750-1 |
| Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphonie No. 9 d-Moll op. 125: 4. Presto | Berliner Philharmoniker, Herbert von Karajan | — |
| Sonata for Piano no. 1 in F minor, op. 2 no. 1: I. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 1 in F minor, op. 2 no. 1: II. Adagio | Wilhelm Kempff | — |
| Sonata for Piano no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto | Wilhelm Kempff | — |
| Sonata for Piano no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | Wilhelm Kempff | — |
| Sonata for Piano no. 2 in A major, op. 2 no. 2: I. Allegro vivace | Wilhelm Kempff | — |
| Sonata for Piano no. 2 in A major, op. 2 no. 2: II. Largo appassionato | Wilhelm Kempff | — |
| Sonata for Piano no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto | Wilhelm Kempff | — |
| Sonata for Piano no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso | Wilhelm Kempff | — |
| Sonata for Piano no. 3 in C major, op. 2 no. 3: I. Allegro con brio | Wilhelm Kempff | — |
| Sonata for Piano no. 3 in C major, op. 2 no. 3: II. Adagio | Wilhelm Kempff | — |
| Sonata for Piano no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 3 in C major, op. 2 no. 3: IV. Allegro assai | Wilhelm Kempff | T-306.395.786-4 |
| Sonata for Piano no. 4 in E‐flat major, op. 7: I. Allegro molto e con brio | Wilhelm Kempff | — |
| Sonata for Piano no. 4 in E‐flat major, op. 7: II. Largo, con gran espressione | Wilhelm Kempff | — |
| Sonata for Piano no. 4 in E‐flat major, op. 7: III. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 4 in E‐flat major, op. 7: IV. Rondo. Poco allegretto e grazioso | Wilhelm Kempff | — |
| Sonata for Piano no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | Wilhelm Kempff | — |
| Sonata for Piano no. 5 in C minor, op. 10 no. 1: II. Adagio molto | Wilhelm Kempff | — |
| Sonata for Piano no. 5 in C minor, op. 10 no. 1: III. Prestissimo | Wilhelm Kempff | — |
| Sonata for Piano no. 6 in F major, op. 10 no. 2: I. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 6 in F major, op. 10 no. 2: II. Allegretto | Wilhelm Kempff | — |
| Sonata for Piano no. 6 in F major, op. 10 no. 2: III. Presto | Wilhelm Kempff | — |
| Sonata for Piano no. 7 in D major, op. 10 no. 3: I. Presto | Wilhelm Kempff | — |
| Sonata for Piano no. 7 in D major, op. 10 no. 3: II. Largo e mesto | Wilhelm Kempff | — |
| Sonata for Piano no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio | Wilhelm Kempff | T-915.723.669-6 |
| Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Wilhelm Kempff | T-001.397.158-8 |
| Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 9 in E major, op. 14 no. 1: I. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 9 in E major, op. 14 no. 1: II. Allegretto | Wilhelm Kempff | — |
| Sonata for Piano no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo | Wilhelm Kempff | — |
| Sonata for Piano no. 10 in G major, op. 14 no. 2: I. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 10 in G major, op. 14 no. 2: II. Andante | Wilhelm Kempff | — |
| Sonata for Piano no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai | Wilhelm Kempff | T-306.395.786-4 |
| Sonata for Piano no. 11 in B‐flat major, op. 22: I. Allegro con brio | Wilhelm Kempff | — |
| Sonata for Piano no. 11 in B‐flat major, op. 22: II. Adagio con molto espressione | Wilhelm Kempff | — |
| Sonata for Piano no. 11 in B‐flat major, op. 22: III. Menuetto | Wilhelm Kempff | — |
| Sonata for Piano no. 11 in B‐flat major, op. 22: IV. Rondo. Allegretto | Wilhelm Kempff | — |
| Sonata for Piano no. 12 in A‐flat major, op. 26 “Funeral March”: I. Theme and Variation. Andante | Wilhelm Kempff | — |
| Sonata for Piano no. 12 in A‐flat major, op. 26 “Funeral March”: II. Scherzo. Allegro molto | Wilhelm Kempff | T-911.517.582-1 |
| Sonata for Piano no. 12 in A‐flat major, op. 26 “Funeral March”: III. Marcia funebre sulla morte d’un eroe. Maestoso andante | Wilhelm Kempff | — |
| Sonata for Piano no. 12 in A‐flat major, op. 26 “Funeral March”: IV. Allegro | Wilhelm Kempff | T-318.676.528-2 |
| Sonata for Piano no. 13 in E‐flat major, op. 27 no. 1: I. Andante | Wilhelm Kempff | — |
| Sonata for Piano no. 13 in E‐flat major, op. 27 no. 1: II. Allegro molto e vivace | Wilhelm Kempff | — |
| Sonata for Piano no. 13 in E‐flat major, op. 27 no. 1: III. Adagio con espressione | Wilhelm Kempff | — |
| Sonata for Piano no. 13 in E‐flat major, op. 27 no. 1: IV. Allegro vivace | Wilhelm Kempff | — |
| Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto | Wilhelm Kempff | — |
| Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto | Wilhelm Kempff | — |
| Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato | Wilhelm Kempff | — |
| Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: I. Allegro | Wilhelm Kempff | T-031.682.208-8 |
| Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: II. Andante | Wilhelm Kempff | — |
| Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: III. Scherzo. Allegro vivace | Wilhelm Kempff | — |
| Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: IV. Rondo. Allegro ma non troppo | Wilhelm Kempff | T-031.682.208-8 |
| Sonata for Piano no. 16 in G major, op. 31 no. 1: I. Allegro vivace | Wilhelm Kempff | — |
| Sonata for Piano no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | Wilhelm Kempff | — |
| Sonata for Piano no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto | Wilhelm Kempff | — |
| Sonata for Piano no. 17 in D minor, op. 31 no. 2 “The Tempest”: I. Largo - Allegro | Wilhelm Kempff | T-915.723.676-5 |
| Sonata for Piano no. 17 in D minor, op. 31 no. 2 “The Tempest”: II. Adagio | Wilhelm Kempff | — |
| Sonata for Piano no. 17 in D minor, op. 31 no. 2 “The Tempest”: III. Allegretto | Wilhelm Kempff | — |
| Sonata for Piano no. 18 in E‐flat major, op. 31 no. 3: I. Allegro | Wilhelm Kempff | T-031.682.208-8 |
| Sonata for Piano no. 18 in E‐flat major, op. 31 no. 3: II. Scherzo. Allegretto vivace | Wilhelm Kempff | T-911.517.582-1 |
| Sonata for Piano no. 18 in E‐flat major, op. 31 no. 3: III. Minuetto. Moderato e grazioso | Wilhelm Kempff | — |
| Sonata for Piano no. 18 in E‐flat major, op. 31 no. 3: IV. Presto con fuoco | Wilhelm Kempff | — |
| Sonata for Piano no. 19 in G minor, op. 49 no. 1: I. Andante | Wilhelm Kempff | — |
| Sonata for Piano no. 19 in G minor, op. 49 no. 1: II. Rondo. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 20 in G major, op. 49 no. 2: I. Allegro, ma non troppo | Wilhelm Kempff | T-031.682.208-8 |
| Sonata for Piano no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto | Wilhelm Kempff | T-312.439.209-8 |
| Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio | Wilhelm Kempff | — |
| Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: II. Introduction. Adagio molto | Wilhelm Kempff | — |
| Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: III. Rondo. Allegretto moderato | Wilhelm Kempff | — |
| Sonata for Piano no. 22 in F major, op. 54: I. Tempo di menuetto | Wilhelm Kempff | — |
| Sonata for Piano no. 22 in F major, op. 54: II. Allegretto | Wilhelm Kempff | — |
| Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | Wilhelm Kempff | T-306.395.786-4 |
| Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | Wilhelm Kempff | — |
| Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo | Wilhelm Kempff | T-031.682.208-8 |
| Sonata for Piano no. 24 in F‐sharp major, op. 78 “A Thérèse”: I. Adagio cantabile – Allegro ma non troppo | Wilhelm Kempff | — |
| Sonata for Piano no. 24 in F‐sharp major, op. 78 “A Thérèse”: II. Allegro assai | Wilhelm Kempff | — |
| Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: I. Presto alla tedesca | Wilhelm Kempff | T-918.365.094-4 |
| Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: II. Andante espressivo | Wilhelm Kempff | — |
| Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: III. Vivace | Wilhelm Kempff | — |
| Sonata for Piano no. 26 in E‐flat major, op. 81a “Les Adieux”: I. Das Lebewohl. Adagio – Allegro “Les Adieux” | Wilhelm Kempff | — |
| Sonata for Piano no. 26 in E‐flat major, op. 81a “Les Adieux”: II. Die Abwesenheit. Andante espressivo “L’Absence” | Wilhelm Kempff | T-800.722.074-9 |
| Sonata for Piano no. 26 in E‐flat major, op. 81a “Les Adieux”: III. Das Wiedersehn. Vivacissimamente “Le Retour” | Wilhelm Kempff | — |
| Sonata for Piano no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | Wilhelm Kempff | — |
| Sonata for Piano no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | Wilhelm Kempff | — |
| Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | Wilhelm Kempff | — |
| Sonata for Piano no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | Wilhelm Kempff | — |
| Sonata for Piano no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto | Wilhelm Kempff | — |
| Sonata for Piano no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 29 in B‐flat major, op. 106 “Hammer‐Klavier”: I. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 29 in B‐flat major, op. 106 “Hammer‐Klavier”: II. Scherzo. Assai vivace | Wilhelm Kempff | T-911.517.582-1 |
| Sonata for Piano no. 29 in B‐flat major, op. 106 “Hammer‐Klavier”: III. Adagio sostenuto. Appassionato e molto con sentimento | Wilhelm Kempff | — |
| Sonata for Piano no. 29 in B‐flat major, op. 106 “Hammer‐Klavier”: IV. Largo – Allegro risoluto | Wilhelm Kempff | — |
| Sonata for Piano no. 30 in E major, op. 109: I. Vivace, ma non troppo | Wilhelm Kempff | — |
| Sonata for Piano no. 30 in E major, op. 109: II. Prestissimo | Wilhelm Kempff | — |
| Piano Sonata No. 30 in E major, Op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | Wilhelm Kempff | — |
| Sonata for Piano no. 31 in A‐flat major, op. 110: I. Moderato cantabile molto espressivo | Wilhelm Kempff | — |
| Sonata for Piano no. 31 in A‐flat major, op. 110: II. Allegro molto | Wilhelm Kempff | — |
| Sonata for Piano no. 31 in A‐flat major, op. 110: III. Adagio, ma non troppo – Fuga. Allegro, ma non troppo | Wilhelm Kempff | — |
| Sonata for Piano no. 32 in C minor, op. 111: I. Maestoso – Allegro con brio ed appassionato | Wilhelm Kempff | — |
| Sonata for Piano no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile | Wilhelm Kempff | — |
| Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: I. Allegro con brio | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: II. Adagio affettuoso ed appassionato | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: III. Scherzo. Allegro molto | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: I. Allegro | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: II. Adagio cantabile - Allegro - Tempo I | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: III. Scherzo. Allegro | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: I. Allegro | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: II. Andante con moto | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: III. Allegro | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: IV. Presto | Amadeus Quartet | T-003.055.867-8 |
| Quartet for 2 Violins, Viola, Cello No. 4 in C minor, Op. 18 No. 4: I. Allegro ma non tanto | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, Cello No. 4 in C minor, Op. 18 No. 4: II. Andante scherzoso quasi allegretto | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, Cello No. 4 in C minor, Op. 18 No. 4: III. Menuetto. Allegretto | Amadeus Quartet | T-902.774.400-9 |
| Quartet for 2 Violins, Viola, Cello No. 5 in A major, Op. 18 No. 5: I. Allegro | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, Cello No. 5 in A major, Op. 18 No. 5: II. Menuetto | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, Cello No. 5 in A major, Op. 18 No. 5: III. Andante cantabile | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, Cello No. 5 in A major, Op. 18 No. 5: IV. Allegro | Amadeus Quartet | T-003.055.867-8 |
| Quartet for 2 Violins, Viola, Cello No. 6 in B-flat major, Op. 18 No. 6: I. Allegro con brio | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, Cello No. 6 in B-flat major, Op. 18 No. 6: II. Adagio ma non troppo | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, Cello No. 6 in B-flat major, Op. 18 No. 6: III. Scherzo. Allegro | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, Cello No. 6 in B-flat major, Op. 18 No. 6: IV. Adagio "La malinconia" - Allegretto quasi allegro | Amadeus Quartet | — |
| Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: I. Allegro | Amadeus Quartet | — |
| Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: II. Allegretto scherzando e sempre vivace | Amadeus Quartet | — |
| Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: III. Adagio molto | Amadeus Quartet | — |
| Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: IV. Allegro | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: II. Allegro molto vivace | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: III. Allegro moderato | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: IV. Andante ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: V. Presto - Molto poco adagio | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: VII. Allegro | Amadeus Quartet | — |
| Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 5 in C minor, op. 67: II. Andante con moto | Berliner Philharmoniker, Herbert von Karajan | T-902.876.200-7 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028948367672 is a Universal Product Code (UPC) assigned to BTHVN 2020: The New Complete Edition by Ludwig van Beethoven. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 998 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028948367672 is the Universal Product Code (UPC barcode) for the release “BTHVN 2020: The New Complete Edition” by Ludwig van Beethoven, released 2019-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 998 tracks, each with its own ISRC. Tracks include GBBBA0700931, GBBBA0700932, GBBBA0700933.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio | Gewandhausorchester Leipzig, Riccardo Chailly | T-915.714.772-3 | |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Gewandhausorchester Leipzig, Riccardo Chailly | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace | Gewandhausorchester Leipzig, Riccardo Chailly | T-300.456.250-5 | |
| 4 | Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace | Gewandhausorchester Leipzig, Riccardo Chailly | T-318.676.528-2 | |
| 5 | Overture "Die Geschöpfe des Prometheus", op. 43 | Gewandhausorchester Leipzig, Riccardo Chailly | T-909.574.378-5 | |
| 6 | Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio | Gewandhausorchester Leipzig, Riccardo Chailly | — | |
| 7 | Symphony no. 2 in D major, op. 36: II. Larghetto | Gewandhausorchester Leipzig, Riccardo Chailly | — | |
| 8 | Symphony no. 2 in D major, op. 36: III. Scherzo: Allegro | Gewandhausorchester Leipzig, Riccardo Chailly | — | |
| 9 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Gewandhausorchester Leipzig, Riccardo Chailly | — | |
| 10 | Overture "Leonore" no. 3, op. 72a | Gewandhausorchester Leipzig, Riccardo Chailly | — | |
| 2-1 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: 1. Allegro con brio | Berliner Philharmoniker, Claudio Abbado | — | |
| 2-2 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: 2. Marcia funebre. Adagio assai | Berliner Philharmoniker, Claudio Abbado | — | |
| 2-3 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: 3. Scherzo. Allegro vivace – Trio | Berliner Philharmoniker, Claudio Abbado | — | |
| 2-4 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: 4. Finale. Allegro molto – Poco andante – Presto | Berliner Philharmoniker, Claudio Abbado | T-318.676.528-2 | |
| 2-5 | Symphony no. 4 in B‐flat major, op. 60: 1. Adagio – Allegro vivace | Berliner Philharmoniker, Claudio Abbado | T-001.444.317-4 | |
| 2-6 | Symphony no. 4 in B‐flat major, op. 60: 2. Adagio | Berliner Philharmoniker, Claudio Abbado | T-001.444.317-4 | |
| 2-7 | Symphony no. 4 in B‐flat major, op. 60: 3. Allegro molto e vivace – Trio. Un poco meno allegro | Berliner Philharmoniker, Claudio Abbado | T-001.444.317-4 | |
| 2-8 | Symphony no. 4 in B‐flat major, op. 60: 4. Allegro ma non troppo | Berliner Philharmoniker, Claudio Abbado | T-001.444.317-4 | |
| 3-1 | Overture "Coriolan", op. 62 | Gewandhausorchester Leipzig, Riccardo Chailly | — | |
| 3-2 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Los Angeles Philharmonic, Carlo Maria Giulini | T-902.876.200-7 | |
| 3-3 | Symphonie no. 5 c–Moll, op. 67: II. Andante con moto | Los Angeles Philharmonic, Carlo Maria Giulini | — | |
| 3-4 | Symphonie no. 5 c–Moll, op. 67: II. Andante con moto | Los Angeles Philharmonic, Carlo Maria Giulini | — | |
| 3-5 | Symphonie no. 5 c–Moll, op. 67: II. Andante con moto | Los Angeles Philharmonic, Carlo Maria Giulini | — | |
| 3-6 | Symphony no. 6 in F, op. 68 “Pastoral”: I. Allegro ma non troppo “Erwachen heiterer Gefühle bei der Ankunft auf dem Lande” | — | ||
| 3-7 | Symphony no. 6 in F, op. 68 “Pastoral”: II. Andante molto mosso “Szene am Bach” | — | ||
| 3-8 | Symphony no. 6 in F, op. 68 “Pastoral”: III. Allegro “Lustiges Zusammensein der Landleute” | — | ||
| 3-9 | Symphony no. 6 in F, op. 68 “Pastoral”: IV. Allegro “Gewitter. Sturm” | — | ||
| 3-10 | Symphony no. 6 in F, op. 68 “Pastoral”: V. Allegretto “Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm” | — | ||
| 4-1 | Symphony no. 7 in A, op. 92: I. Poco sostenuto - Vivace | — | ||
| 4-2 | Symphony no. 7 in A, op. 92: II. Allegretto | — | ||
| 4-3 | Symphony no. 7 in A, op. 92: III. Presto | — | ||
| 4-4 | Symphony no. 7 in A, op. 92: IV. Allegro con brio | — | ||
| 4-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Gewandhausorchester Leipzig, Riccardo Chailly | — | |
| 4-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Gewandhausorchester Leipzig, Riccardo Chailly | T-909.821.799-3 | |
| 4-7 | Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto | Gewandhausorchester Leipzig, Riccardo Chailly | T-909.821.799-3 | |
| 4-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Gewandhausorchester Leipzig, Riccardo Chailly | T-909.821.799-3 | |
| 4-9 | Overture “Zur Namensfeier”, op. 115 | Gewandhausorchester Leipzig, Riccardo Chailly | T-925.645.304-0 | |
| 4-10 | Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91 | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-3 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-5 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-1 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6-2 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6-3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6-4 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6-5 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6-6 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6-7 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6-8 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6-9 | Egmont, Incidental Music, op. 84: Overture | Wiener Philharmoniker, George Szell | T-909.574.378-5 | |
| 6-10 | Egmont, Incidental Music, op. 84: Lied „Die Trommel gerühret“ | Pilar Lorengar, Wiener Philharmoniker, George Szell | — | |
| 6-11 | Egmont, Incidental Music, op. 84: Zwischenakt I. Andante | Wiener Philharmoniker, George Szell | — | |
| 6-12 | Egmont, Incidental Music, op. 84: Zwischenakt II. Larghetto | Wiener Philharmoniker, George Szell | — | |
| 6-13 | Egmont, Incidental Music, op. 84: Lied „Freudvoll und leidvoll“ | Pilar Lorengar, Wiener Philharmoniker, George Szell | — | |
| 6-14 | Egmont, Incidental Music, op. 84: Siegessymphonie. Allegro con brio | Wiener Philharmoniker, George Szell | — | |
| 7-1 | Symphony no. 3 in E-flat, op. 55 “Eroica”: I. Allegro con brio | — | ||
| 7-2 | Symphony no. 3 in E-flat, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | — | ||
| 7-3 | Symphony no. 3 in E-flat, op. 55 “Eroica”: III. Scherzo. Allegro vivace | — | ||
| 7-4 | Symphony no. 3 in E-flat, op. 55 “Eroica”: IV. Finale. Allegro molto | — | ||
| 7-5 | Symphony no. 4 in B‐flat major, op. 60: I. Adagio – Allegro vivace | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 7-6 | Symphony no. 4 in B‐flat major, op. 60: II. Adagio | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 7-7 | Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 7-8 | Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 8-1 | Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — | |
| 8-2 | Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — | |
| 8-3 | Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — | |
| 8-4 | Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — | |
| 8-5 | Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace | Wiener Philharmoniker, Carlos Kleiber | — | |
| 8-6 | Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace | Wiener Philharmoniker, Carlos Kleiber | — | |
| 8-7 | Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace | Wiener Philharmoniker, Carlos Kleiber | — | |
| 8-8 | Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace | Wiener Philharmoniker, Carlos Kleiber | — | |
| 9-1 | Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo | Wiener Philharmoniker, Karl Böhm | — | |
| 9-2 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso | Wiener Philharmoniker, Karl Böhm | — | |
| 9-3 | Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 9-4 | Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 9-5 | Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto | Wiener Philharmoniker, Karl Böhm | — | |
| 9-6 | Symphony no. 8 in F, op. 93: I. Allegro vivace e con brio | — | ||
| 9-7 | Symphony no. 8 in F, op. 93: II. Allegretto scherzando | — | ||
| 9-8 | Symphony no. 8 in F, op. 93: III. Tempo di Menuetto | — | ||
| 9-9 | Symphony no. 8 in F, op. 93: IV. Allegro vivace | — | ||
| 10-1 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-3 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-4 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 10-5 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 11-1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-915.714.772-3 | |
| 11-2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 11-3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 11-4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-318.676.528-2 | |
| 11-5 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-915.714.772-3 | |
| 11-6 | Symphony no. 2 in D major, op. 36: II. Larghetto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 11-7 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 11-8 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 12-1 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 12-2 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 12-3 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 12-4 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 12-5 | Symphony no. 4 in B‐flat major, op. 60: I. Adagio - Allegro vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-001.444.317-4 | |
| 12-6 | Symphony no. 4 in B‐flat major, op. 60: II. Adagio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-001.444.317-4 | |
| 12-7 | Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-001.444.317-4 | |
| 12-8 | Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-001.444.317-4 | |
| 13-1 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 13-2 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 13-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 13-4 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 13-5 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 13-6 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach: Andante molto mosso | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 13-7 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute: Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 13-8 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm: Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 13-9 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang: Frohe und dankbare Gefühle nach dem Sturm: Allegretto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 14-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 14-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-314.638.300-4 | |
| 14-3 | Symphony no. 7 in A major, op. 92: III. Presto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-931.717.518-1 | |
| 14-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 14-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 14-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-909.821.799-3 | |
| 14-7 | Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-909.821.799-3 | |
| 14-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-909.821.799-3 | |
| 15-1 | Symphony no. 9 in D minor, op. 125: Allegro ma non troppo, un poco maestoso | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 15-2 | Symphony no. 9 in D minor, op. 125: Molto vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-909.876.841-3 | |
| 15-3 | Symphony no. 9 in D minor, op. 125: Adagio molto e cantabile | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-912.747.871-1 | |
| 15-4 | Symphony no. 9 in D minor, op. 125: Presto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 15-5 | Symphony no. 9 in D minor, op. 125: Presto: “O Freunde, nicht diese Töne!” Allegro assai | Gilles Cachemaille, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Anthony Rolfe Johnson, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 15-6 | Fantasia for Piano, Chorus and Orchestra in c, op. 80 (“Choral Fantasy”): Adagio | — | ||
| 15-7 | Fantasia for Piano, Chorus and Orchestra in c, op. 80 (“Choral Fantasy”): Finale. Allegro - Meno allegro (Allegretto) - Allegro molto - Adagio ma non troppo - Marcia assai vivace - Allegro - Allegretto ma non troppo quasi andante con moto “Schmeichelnd hold und lieblich klingen” - Presto | — | ||
| 16-1 | Piano Concerto E-flat, WoO 4: I. Allegro moderato | — | ||
| 16-2 | Piano Concerto E-flat, WoO 4: II. Larghetto | — | ||
| 16-3 | Piano Concerto E-flat, WoO 4: III. Rondo. Allegretto | — | ||
| 16-4 | Piano Concerto no. 2 in B-flat, op. 19: I. Allegro con brio | — | ||
| 16-5 | Piano Concerto no. 2 in B-flat, op. 19: II. Adagio | — | ||
| 16-6 | Piano Concerto no. 2 in B-flat, op. 19: III. Rondo. Molto allegro | — | ||
| 16-7 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | Martha Argerich, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 16-8 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Martha Argerich, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 16-9 | Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | Martha Argerich, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 17-1 | Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 17-2 | Piano Concerto No. 3 in C minor, Op. 37: II. Largo | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 17-3 | Piano Concerto No. 3 in C minor, Op. 37: III. Rondo. Allegro | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | T-700.095.171-5 | |
| 17-4 | Klavierkonzert Nr. 4 G-dur, Op. 58: I. Allegro moderato | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 17-5 | Klavierkonzert Nr. 4 G-dur, Op. 58: II. Andante con moto | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 17-6 | Klavierkonzert Nr. 4 G-dur, Op. 58: III. Rondo: Vivace | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 18-1 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: I. Allegro | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-007.303.107-8 | |
| 18-2 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco moto – attacca | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-928.635.608-9 | |
| 18-3 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: III. Rondo. Allegro | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-031.682.208-8 | |
| 18-4 | Violin Concerto in D, op. 61: I. Allegro ma non troppo (cadenza: Fritz Kreisler) | — | ||
| 18-5 | Violin Concerto in D, op. 61: II. Larghetto - attacca | — | ||
| 18-6 | Violin Concerto in D, op. 61: III. Rondo. Allegro (cadenza: Fritz Kreisler) | — | ||
| 19-1 | Violinkonzert D-dur, Op. 61: I. Allegro ma non troppo | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | T-031.682.208-8 | |
| 19-2 | Violinkonzert D-dur, Op. 61: II. Larghetto | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — | |
| 19-3 | Violinkonzert D-dur, Op. 61: III. Rondo. Allegro | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — | |
| 19-4 | Romance for Violin and Orchestra no. 1 in G major, op. 40 | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 19-5 | Violin Romance no. 2 in F major, op. 50 | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 19-6 | Romance cantabile for Piano, Flute and Bassoon Accompanied by 2 Oboes and Strings in e, WoO 207: Andante cantabile | — | ||
| 20-1 | Piano Concerto no. 1 in C, op. 15: I. Allegro con brio | — | ||
| 20-2 | Piano Concerto no. 1 in C, op. 15: II. Largo | — | ||
| 20-3 | Piano Concerto no. 1 in C, op. 15: III. Rondo. Allegro scherzando | — | ||
| 20-4 | Piano Concerto no. 2 in B, op. 19: I. Allegro con brio | — | ||
| 20-5 | Piano Concerto no. 2 in B, op. 19: II. Adagio | — | ||
| 20-6 | Piano Concerto no. 2 in B, op. 19: I. Rondo. Molto allegro | — | ||
| 20-7 | Rondo for Piano and Orchestra in B, WoO 6: Allegro | — | ||
| 20-8 | Cadenza for Piano Concerto no. 1, Hess 76 | — | ||
| 21-1 | Klavierkonzert Nr. 3 c-Moll, op. 37: I. Allegro con brio | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 21-2 | Klavierkonzert Nr. 3 c-Moll, Op. 37: II. Largo | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 21-3 | Klavierkonzert Nr. 3 c-Moll, op. 37: III. Rondo. Allegro | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 21-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 21-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 21-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-909.876.873-1 | |
| 21-7 | Fantasia for Piano, Chorus and Orchestra in c, op. 80: Adagio | — | ||
| 21-8 | Fantasia for Piano, Chorus and Orchestra in c, op. 80: Finale. Allegro - Meno allegro (Allegretto) - Allegro molto - Adagio ma non troppo - Marcia assai vivace - Allegro - Allegretto man non troppo quasi andante con moto “Schmeichelnd hold und lieblich klingen” - Presto | — | ||
| 22-1 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Wilhelm Kempff, Berliner Philharmoniker, Ferdinand Leitner | T-070.242.672-9 | |
| 22-2 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso | Wilhelm Kempff, Berliner Philharmoniker, Ferdinand Leitner | — | |
| 22-3 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro | Wilhelm Kempff, Berliner Philharmoniker, Ferdinand Leitner | — | |
| 22-4 | Klavierkonzert nach dem Violinkonzert D-dur, Op. 61: I. Allegro ma non troppo | English Chamber Orchestra, Daniel Barenboim | — | |
| 22-5 | Klavierkonzert nach dem Violinkonzert D-dur, Op. 61: II. Larghetto | English Chamber Orchestra, Daniel Barenboim | — | |
| 22-6 | Klavierkonzert nach dem Violinkonzert D-dur, Op. 61: III. Rondo. Allegro | English Chamber Orchestra, Daniel Barenboim | T-700.095.171-5 | |
| 23-1 | Concerto for Piano, Violin, Cello, and Orchestra in C, op. 56 (“Triple Concerto”): I. Allegro | — | ||
| 23-2 | Concerto for Piano, Violin, Cello, and Orchestra in C, op. 56 (“Triple Concerto”): II. Largo – attacca | — | ||
| 23-3 | Concerto for Piano, Violin, Cello, and Orchestra in C, op. 56 (“Triple Concerto”): III. Rondo alla Polacca | — | ||
| 23-4 | Violin Concerto Movement in C, WoO 5 | — | ||
| 23-5 | Konzert für Klavier und Orchester no. 20 D-moll KV 466: I. Allegro | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | T-011.422.353-8 | |
| 23-6 | Konzert für Klavier und Orchester no. 20 D-moll KV 466: II. Romance | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | — | |
| 23-7 | Konzert für Klavier und Orchester no. 20 D-moll KV 466: III. Rondo (Allegro assai) | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | T-306.395.786-4 | |
| 24-1 | Music for a Ballet on Horseback, WoO 1: I. March | Berliner Philharmoniker, Herbert von Karajan | T-923.366.890-1 | |
| 24-2 | Music for a Ballet on Horseback, WoO 1: II. German Song. Allegro moderato | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-3 | Music for a Ballet on Horseback, WoO 1: IIIa. Hunting Song. Allegretto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-4 | Music for a Ballet on Horseback, WoO 1: IIIb. German Song (da capo) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-5 | Music for a Ballet on Horseback, WoO 1: IVa. Romance. Andantino | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-6 | Music for a Ballet on Horseback, WoO 1: IVb. German Song (da capo) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-7 | Music for a Ballet on Horseback, WoO 1: Va. War Song. Allegro assai con brio | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-8 | Music for a Ballet on Horseback, WoO 1: Vb. German Song (da capo) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-9 | Music for a Ballet on Horseback, WoO 1: VIa. Drinking Song. Allegro con brio “Mihi est propositum” | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-10 | Music for a Ballet on Horseback, WoO 1: VIb. German Song (da capo) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-11 | Music for a Ballet on Horseback, WoO 1: VII. German Dance. Waltz | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-12 | Music for a Ballet on Horseback, WoO 1: VIII. Coda. Allegro vivace | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24-13 | Die Geschöpfe des Prometheus, op. 43: Overtura: Adagio - Allegro molto e con brio - attacca | — | ||
| 24-14 | Die Geschöpfe des Prometheus, op. 43: [Introduzione] La Tempesta. Allegro non troppo - (attacca) | — | ||
| 24-15 | Die Geschöpfe des Prometheus, op. 43: No. 1 Poco Adagio - Allegro con brio - Poco Adagio - Allegro con brio | — | ||
| 24-16 | Die Geschöpfe des Prometheus, op. 43: No. 2 Adagio - Allegro con brio | — | ||
| 24-17 | Die Geschöpfe des Prometheus, op. 43: No. 3 Allegro vivace | — | ||
| 24-18 | Die Geschöpfe des Prometheus, op. 43: No. 4 Maestoso - Andante | — | ||
| 24-19 | Die Geschöpfe des Prometheus, op. 43: No. 5 Adagio - Andante quasi Allegretto | — | ||
| 24-20 | Die Geschöpfe des Prometheus, op. 43: No. 6 Un poco Adagio - Allegro - (attacca) | — | ||
| 24-21 | Die Geschöpfe des Prometheus, op. 43: No. 7 Grave - (attacca) | — | ||
| 24-22 | Die Geschöpfe des Prometheus, op. 43: No. 8 Allegro con brio - Presto | — | ||
| 24-23 | Die Geschöpfe des Prometheus, op. 43: No. 9 Adagio - Adagio - Allegro molto | — | ||
| 24-24 | Die Geschöpfe des Prometheus, op. 43: No. 10 Pastorale. Allegro | — | ||
| 24-25 | Die Geschöpfe des Prometheus, op. 43: No. 11 Coro di Gioja. Andante - (attacca) | — | ||
| 24-26 | Die Geschöpfe des Prometheus, op. 43: No. 12 Solo di Gioja. Maestoso - Adagio - Allegro | — | ||
| 24-27 | Die Geschöpfe des Prometheus, op. 43: No. 13 Terzettino - Grotteschi. Allegro - Comodo - Coda | — | ||
| 24-28 | Die Geschöpfe des Prometheus, op. 43: No. 14 Solo della Signora Cassentini. Andante - Adagio - Allegro - Allegretto | — | ||
| 24-29 | Die Geschöpfe des Prometheus, op. 43: No. 15 Coro (e) Solo de Viganzò. Andantino - Adagio - Allegro | — | ||
| 24-30 | Die Geschöpfe des Prometheus, op. 43: No. 16 Finale. Allegretto - Allegro molto - Presto | — | ||
| 25-1 | 12 Minuets for Orchestra, WoO 7 no. 1 in D major | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 25-2 | 12 Minuets for Orchestra, WoO 7 no. 2 in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-3 | 12 Minuets for Orchestra, WoO 7 no. 3 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-4 | 12 Minuets for Orchestra, WoO 7 no. 4 in E-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 25-5 | 12 Minuets for Orchestra, WoO 7 no. 5 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | T-916.194.049-4 | |
| 25-6 | 12 Minuets for Orchestra, WoO 7 no. 6 in A major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-7 | 12 Minuets for Orchestra, WoO 7 no. 7 in D major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-8 | 12 Minuets for Orchestra, WoO 7 no. 8 in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-9 | 12 Minuets for Orchestra, WoO 7 no. 9 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 25-10 | 12 Minuets for Orchestra, WoO 7 no. 10 in E-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-11 | 12 Minuets for Orchestra, WoO 7 no. 11 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-12 | 12 Minuets for Orchestra, WoO 7 no. 12 in F major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-13 | 12 German Dances, WoO 8 no. 1 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 25-14 | 12 German Dances, WoO 8 no. 2 in A major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-15 | 12 German Dances, WoO 8 no. 3 in F major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-16 | 12 German Dances, WoO 8 no. 4 in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 25-17 | 12 German Dances, WoO 8 no. 5 in E-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | T-916.194.049-4 | |
| 25-18 | 12 German Dances, WoO 8 no. 6 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-19 | 12 German Dances, WoO 8 no. 7 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 25-20 | 12 German Dances, WoO 8 no. 8 in A major | Academy of St Martin in the Fields, Sir Neville Marriner | T-800.003.086-5 | |
| 25-21 | 12 German Dances, WoO 8 no. 9 in F major | Academy of St Martin in the Fields, Sir Neville Marriner | T-909.695.614-8 | |
| 25-22 | 12 German Dances, WoO 8 no. 10 in D major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-23 | 12 German Dances, WoO 8 no. 11 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-24 | 12 German Dances, WoO 8 no. 12 in C major - Coda | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-25 | 12 Contredanses for Orchestra, WoO 14: No. 1 in C major | Berliner Philharmoniker, Lorin Maazel | T-010.437.719-6 | |
| 25-26 | 12 Contredanses for Orchestra, WoO 14: No. 2 in A major | Berliner Philharmoniker, Lorin Maazel | T-060.019.661-9 | |
| 25-27 | 12 Contredanses for Orchestra, WoO 14: No. 3 in D major | Berliner Philharmoniker, Lorin Maazel | — | |
| 25-28 | 12 Contredanses for Orchestra, WoO 14: No. 4 in B-flat major | Berliner Philharmoniker, Lorin Maazel | T-312.542.381-2 | |
| 25-29 | 12 Contredanses for Orchestra, WoO 14: No. 5 in E-flat major | Berliner Philharmoniker, Lorin Maazel | T-902.876.200-7 | |
| 25-30 | 12 Contredanses for Orchestra, WoO 14: No. 6 in C major | Berliner Philharmoniker, Lorin Maazel | — | |
| 25-31 | 12 Contredanses for Orchestra, WoO 14: No. 7 in E-flat major | Berliner Philharmoniker, Lorin Maazel | — | |
| 25-32 | 12 Contredanses for Orchestra, WoO 14: No. 8 in C major | Berliner Philharmoniker, Lorin Maazel | — | |
| 25-33 | 12 Contredanses for Orchestra, WoO 14: No. 9 in A major | Berliner Philharmoniker, Lorin Maazel | — | |
| 25-34 | 12 Contredanses for Orchestra, WoO 14: No. 10 in C major | Berliner Philharmoniker, Lorin Maazel | T-312.958.225-4 | |
| 25-35 | 12 Contredanses for Orchestra, WoO 14: No. 11 in G major | Berliner Philharmoniker, Lorin Maazel | — | |
| 25-36 | 12 Contredanses for Orchestra, WoO 14: No. 12 in E-flat major | Berliner Philharmoniker, Lorin Maazel | — | |
| 25-37 | 6 Ländler for 2 Violins and Bass, WoO 15: No. 1 in D | — | ||
| 25-38 | 6 Ländler for 2 Violins and Bass, WoO 15: No. 2 in D | — | ||
| 25-39 | 6 Ländler for 2 Violins and Bass, WoO 15: No. 3 in D | — | ||
| 25-40 | 6 Ländler for 2 Violins and Bass, WoO 15: No. 4 in d | — | ||
| 25-41 | 6 Ländler for 2 Violins and Bass, WoO 15: No. 5 in D | — | ||
| 25-42 | 6 Ländler for 2 Violins and Bass, WoO 15: No. 6 in D | — | ||
| 25-43 | Marsch für Militärmusik F-dur WoO 18 »Yorck'scher Marsch« | Berliner Philharmoniker, Herbert von Karajan | — | |
| 25-44 | March no. 2 in F for Military Band, WoO 19 (with Trio in f, c. 1822) | — | ||
| 25-45 | March in C for Military Band, WoO 20 (“Zapfenstreich”; with Trio in F, c. 1822) | — | ||
| 25-46 | Polonaise in D for Military Band, WoO 21 | — | ||
| 25-47 | Ecossaise für Militärmusik D-dur WoO22 | Bläser der Berliner Philharmoniker, Herbert von Karajan | — | |
| 25-48 | March in D for Military Band, WoO 24 | — | ||
| 26-1 | Egmont, op. 84: Overture. Sostenuto, ma non troppo - Allegro | Berliner Philharmoniker, Claudio Abbado | T-901.164.507-1 | |
| 26-2 | Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 1 Song: “Die Trommel gerühret” (Clärchen). Vivace | — | ||
| 26-3 | Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 2 Entr’acte I. Andante - Allegro con brio “Es ist keine falsche Ader an ihm” (Clärchen) | — | ||
| 26-4 | Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 3 Entr’acte II. Larghetto | — | ||
| 26-5 | Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 4 Song: “Freudvoll und leidvoll” (Clärchen). Andante con moto - Allegro assai vivace | — | ||
| 26-6 | Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 5 Entr’acte III. Allegro - Marcia. Vivace. “Der König meint” (Regent) | — | ||
| 26-7 | Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 6 Entr’acte IV. Poco sostenuto e risoluto - Larghetto - Andante agitato | — | ||
| 26-8 | Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 7 Clärchen’s Death. Larghetto. “Arme Seele!” (Egmont) | — | ||
| 26-9 | Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 8 Melodrama. “Süßer Schlaf! Du kommst wie ein reines Glück” (Egmont). Poco sostenuto | — | ||
| 26-10 | Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 9 Victory Symphony. Allegro con brio | — | ||
| 26-11 | Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: Overture. Andante con moto - Allegro ma non troppo | — | ||
| 26-12 | Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 1 Chorus: “Tochter des mächtigen Zeus”. Andante poco sostenuto | — | ||
| 26-13 | Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 2 Duet: “Ohne Verschulden Knechtschaft dulden”. Andante con moto - Poco più mosso (A Greek Man, a Greek Woman) | — | ||
| 26-14 | Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 3 Chorus of Dervishes: “Du hast in deines Ärmels Falten den Mond getragen”. Allegro ma non troppo | — | ||
| 26-15 | Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 4 Marcia alla turca. Vivace / [No. 5 Offstage Music: “Es wandelt schon das Volk im Feierkleide”. Allegro assai ma non troppo] | — | ||
| 26-16 | Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 6. March and Chorus: “Schmückt die Altäre!”. Assai moderato | — | ||
| 26-17 | Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: Recitative: “Mit reger Freude, die nie erkaltet”. Poco Adagio (High Priest) | — | ||
| 26-18 | Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 7 Chorus: “Wir tragen empfängliche Herzen im Busen”. Allegretto, ma non troppo | — | ||
| 26-19 | Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: Aria with Chorus: “Will unser Genius noch einen Wunsch gewähren”. Adagio | — | ||
| 26-20 | Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 8 Chorus: “Heil unserm König! Heil!”. Allegro con fuoco | — | ||
| 26-21 | Congratulatory Minuet for Orchestra in E-flat major, WoO 3: Tempo di menuetto quasi allegretto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 27-1 | Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: Overture. Andante con moto - Presto | — | ||
| 27-2 | Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 1 Chorus: “Ruhend von seinen Taten”. Andante maestoso e con moto / “Seid mir gegrüßt an dieses Thrones Stufen” (Ling Stephen) | — | ||
| 27-3 | Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 2 Chorus: “Auf dunkelm Irrweg in finstern Hainen”. Allegro con brio / “Fürst! Mich sandten die Edlen im Heere” (A Warrior, King Stephen) | — | ||
| 27-4 | Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 3 Siegesmarsch / Feurig und stolz / “Ihr tapfern Krieger, Ungarns Stolz und Zierde” (King Stephen, Gyula, Bavarian Ambassador) | — | ||
| 27-5 | Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 4 Chorus: “Wo die Unschuld Blumen streute”. Andante con moto all’Ongarese | — | ||
| 27-6 | Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 5 Melodrama: “Du hast dein Vaterland, dein Fürstenhaus verlassen” (King Stephen, Gisela). Vivace | — | ||
| 27-7 | Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 6 Chorus: “Eine neue strahlende Sonne”. Vivace | — | ||
| 27-8 | Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 7 Melodrama: “Ihr edlen Ungarn! Hört meine Stimme! ... Empfanget sie aus eures Fürsten Händen” (King Stephen). Maestoso con moto - Andante maestoso - Maestoso con moto | — | ||
| 27-9 | Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 8 Ecclesiastical March, Chorus and Melodrama. March - Moderato / “In der schönsten deiner Lebensstunden” (An Elder) / Chorus: “Heil unsern Könige”. Allegro vivace e con brio / Melodrama: “Ich schmücke ehrfurchtsvoll mein Haupt” (King Stephen). Grave risoluto e ben marcato - Allegro - Andante moss - Presto | — | ||
| 27-10 | Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117: No. 9 Final Chorus: “Heil! Heil unsern Enkeln”. Presto | — | ||
| 27-11 | Triumphal March from Christoph Kuffner's Tragedy “Tarpeja”, WoO 2a: Marcia. Lebhaft und stolz | — | ||
| 27-12 | Music for Carl Meisl's Occasional Play “Die Weihe des Hauses”: Overture, op. 124. Maestoso e sostenuto - Allegro con brio | — | ||
| 27-13 | Music for Carl Meisl's Occasional Play “Die Weihe des Hauses”: [No. 5] Chorus with Soprano Solo, WoO 98: “Wo sich die Pulse jugendlich jagen ... Lasst uns im Tanze”. Allegro ma non troppo e un poco maestoso | — | ||
| 27-14 | Music for Carl Meisl's Occasional Play “Die Weihe des Hauses”: No. 6 March and Chorus, op. 114: “Schmückt die Altäre!”. Assai moderato | — | ||
| 27-15 | Music for Carl Meisl's Occasional Play “Die Weihe des Hauses”: No. 7 Offstage Music [Melodrama], op. 113 no. 5: “Es wandelt schon das Volk im Feierkleide” (High Priest). Allegro assai ma non troppo | — | ||
| 27-16 | Music to Johann Friedrich Duncker's Play “Leonore Prohaska”, WoO 96: No. 1 Chorus of Warriors: “Wir bauen und sterben” | — | ||
| 27-17 | Music to Johann Friedrich Duncker's Play “Leonore Prohaska”, WoO 96: No. 2 Romance: “Es blüht eine Blume im Garten mein” (soprano). In gehender Bewegung (Sopran) | — | ||
| 27-18 | Music to Johann Friedrich Duncker's Play “Leonore Prohaska”, WoO 96: No. 3 Melodrama: “Du, dem sie gewunden” (recitant). Feierlich, doch nicht schleppend | — | ||
| 27-19 | Music to Johann Friedrich Duncker's Play “Leonore Prohaska”, WoO 96: No. 4 Trauermarsch. In gehender, annehmlicher Bewegung | — | ||
| 28-1 | Leonore, Hess 109: Overture “Leonore” no. 2 | — | ||
| 28-2 | Leonore, Hess 109: Act I. “Twas in truth an hour of universal ferment” (Erzähler) | — | ||
| 28-3 | Leonore, Hess 109: Act I. No. 1 Aria: “O wär’ ich schon mit dir vereint” (Marzelline) | — | ||
| 28-4 | Leonore, Hess 109: Act I. “Beharrlich bleibt auf dem Liebespfad” (Erzähler) | — | ||
| 28-5 | Leonore, Hess 109: Act I. No. 2 Duet: “Jetzt Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) | — | ||
| 28-6 | Leonore, Hess 109: Act I. “Der Kerkermeister, Rocco, der Vater” (Erzähler) | — | ||
| 28-7 | Leonore, Hess 109: Act I. No. 3 Trio: “Ein Mann ist bald genommen” (Rocco, Marzelline, Jaquino) | — | ||
| 28-8 | Leonore, Hess 109: Act I. “Fidelio kam - und niemand weiß woher” (Erzähler) | — | ||
| 28-9 | Leonore, Hess 109: Act I. No. 4 Quartet: “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | — | ||
| 28-10 | Leonore, Hess 109: Act I. “Gefühl ist gut, doch Geld ist besser” (Erzähler) | — | ||
| 28-11 | Leonore, Hess 109: Act I. No. 5 Aria: “Hat man nicht auch Gold beineben” (Rocco) | — | ||
| 28-12 | Leonore, Hess 109: Act I. “Unantastbar klar birgt Leonores Brust” (Erzähler) | — | ||
| 28-13 | Leonore, Hess 109: Act I. No. 6 Trio: “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline) | — | ||
| 28-14 | Leonore, Hess 109: Act II. No. 7 Introduction, WoO 2b | — | ||
| 28-15 | Leonore, Hess 109: Act II. “Der Gouverneur ist da” (Erzähler) | — | ||
| 28-16 | Leonore, Hess 109: Act II. No. 8 Aria with Chorus: “Ha! Welch ein Augenblick!” (Pizarro, Guards) | — | ||
| 28-17 | Leonore, Hess 109: Act II. “Postiert eine Trompete auf dem Wachturm!” (Erzähler) | — | ||
| 28-18 | Leonore, Hess 109: Act II. No. 9 Duet: “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco) | — | ||
| 28-19 | Leonore, Hess 109: Act II. “Und Leonore begegnet Marzelline” (Erzähler) | — | ||
| 28-20 | Leonore, Hess 109: Act II. No. 10 Duet: “Um in der Ehe froh zu leben” (Marzelline, Leonore) | — | ||
| 28-21 | Leonore, Hess 109: Act II. “Die ernsten Steine des dumpfen Gemäuers” (Erzähler) | — | ||
| 28-22 | Leonore, Hess 109: Act II. No. 14 Recitative and Aria: “Ach, brich noch nicht, du mattes Herz! ... Komm, Hoffnung, lass den letzten Stern des Müden nicht erbleichen!” (Leonore) | — | ||
| 29-1 | Leonore, Hess 109: Act II. No. 12 Finale: “O welche Lust, in freier Luft den Atem leicht zu heben” (Prisoners, First Prisoner, Second Prisoner) | — | ||
| 29-2 | Leonore, Hess 109: Act II. No. 12 Finale: [Recitative]: “Entfernt euch jetzt! Nun, könnt ihr eilen?” (Rocco) / “Nun sprecht, wie ging’s?” (Leonore, Rocco) / [Duet]: “Noch heute, noch heute?” (Leonore, Rocco) | — | ||
| 29-3 | Leonore, Hess 109: Act II. No. 12 Finale: [Duet]: “Wir müssen gleich zu Werke schreiten” (Rocco, Leonore) / [Quartet]: “Ach Vater, eilt!” (Marzelline, Rocco, Leonore, Pizarro) | — | ||
| 29-4 | Leonore, Hess 109: Act II. No. 12 Finale: [Aria]: “Auf euch nur will ich bauen” (Pizarro, Officers and Soldiers) | — | ||
| 29-5 | Leonore, Hess 109: Act III. “Florestans Not im Dunkel tauber Einsamkeit” (Erzähler) | — | ||
| 29-6 | Leonore, Hess 109: Act III. No. 13 Recitative and Aria: “Gott! Welch Dunkel hier! ... In des Lebens Frühlingstagen” (Florestan) | — | ||
| 29-7 | Leonore, Hess 109: Act III. No. 14 Melodrama and Duet: “Wie kalt ist es in diesem unterirdischen Gewölbe!” (Leonore, Rocco) | — | ||
| 29-8 | Leonore, Hess 109: Act III. No. 14 Melodrama and Duet: [Duet]: “Nur hurtig fort, nur frisch gegraben” (Rocco, Leonore) | — | ||
| 29-9 | Leonore, Hess 109: Act III. “Dort, in der Tiefe” (Erzähler) | — | ||
| 29-10 | Leonore, Hess 109: Act III. No. 15 Trio: “Euch werde Lohn in bessern Welten” (Florestan, Rocco, Leonore) | — | ||
| 29-11 | Leonore, Hess 109: Act III. “Und Rocco eilt” (Erzähler) | — | ||
| 29-12 | Leonore, Hess 109: Act III. No. 16 Quartet: “Er sterbe! Doch er soll erst wissen” (Pizarro, Florestan, Leonore, Rocco) | — | ||
| 29-13 | Leonore, Hess 109: Act III. “Oh Leonore! Alles was dein Mut gewagt - verloren!” (Erzähler) | — | ||
| 29-14 | Leonore, Hess 109: Act III. No. 17 Recitative and Duet: “Ich kann mich noch nicht fassen ... O namenlose Freude!” (Leonore, Florestan) | — | ||
| 29-15 | Leonore, Hess 109: Act III. No. 18 Finale: “Zur Rache! Zur Rache!” (Don Fernando's Retinue, Guards, Prisoners, Townspeople, Leonore, Florestan, Rocco, Don Fernando, Jaquino, Marzelline) | — | ||
| 29-16 | Leonore, Hess 109: Act III. No. 18 Finale: “O Gott! O welch ein Augenblick!” (Leonore, Marzelline, Florestan, Jaquino, Don Fernando, Rocco, Don Fernando Retinue, Guards, Prisoners, Townspeople) | — | ||
| 29-17 | Leonore, Hess 109: Act III. No. 18 Finale: “So müssen endlich Aufgeklärte und Unaufgeklärte” (Erzähler) | — | ||
| 29-18 | Leonore, Hess 109: Act III. No. 18 Finale: “Doch höre erst, du Bösewicht” (Don Fernando, his Retinue, Guards, Prisoners, Townspeople) | — | ||
| 29-19 | Leonore, Hess 109: Act III. No. 18 Finale: “Dann herrscht allgemeine Freiheit und Gleichheit der Geister” (Erzähler) | — | ||
| 29-20 | Leonore, Hess 109: Act III. No. 18 Finale: “Nein, nein, nein! Er ist noch zu gering bestraft!” (Don Fernando's Retinue, Guards, Prisoners, Townspeople) | — | ||
| 29-21 | Leonore, Hess 109: Act III. No. 18 Finale: “Ein höherer Geist, vom Himmel gesandt” (Erzähler) | — | ||
| 29-22 | Leonore, Hess 109: Act III. No. 18 Finale: [Recitative]: “Der König wird dein Richter sein!” (Don Fernando, his Retinue, Guards, Prisoners, Townspeople) | — | ||
| 29-23 | Leonore, Hess 109: Act III. No. 18 Finale: “Wer ein holdes Weib errungen, stimm in unsern Jubel ein!” (Marzelline, Jaquino, Rocco, Don Fernando, his Retinue, Guards, Prisoners, Townspeople, Florestan, Leonore) | — | ||
| 30-1 | Fidelio, op. 72: Overture | — | ||
| 30-2 | Fidelio, op. 72: Act 1. No. 1 Duet: “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) | — | ||
| 30-3 | Fidelio, op. 72: Act 1. Monologue: “Seit Fidelio bei uns ist, ist die Welt wie verwandelt” (Marzelline) | — | ||
| 30-4 | Fidelio, op. 72: Act 1. No. 2 Aria: “O wär' ich schon mit dir vereint” (Marzelline) | — | ||
| 30-5 | Fidelio, op. 72: Act 1. Monologue: “Ich täusche die Menschen, die mich ernähren” (Leonore, Rocco) | — | ||
| 30-6 | Fidelio, op. 72: Act 1. No. 3 Quartet: “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | — | ||
| 30-7 | Fidelio, op. 72: Act 1. Monologue: “Marzelline und Fidelio haben sich offensichtlich recht lieb” (Rocco) | — | ||
| 30-8 | Fidelio, op. 72: Act 1. No. 4 Aria: “Hat man nicht auch Gold beineben” (Rocco) | — | ||
| 30-9 | Fidelio, op. 72: Act 1. Monologue: “In den finstersten Gewölben sitzt ein Gefangener” (Rocco) | — | ||
| 30-10 | Fidelio, op. 72: Act 1. No. 5 Trio: “Gut, Söhnchen, gut”(Rocco, Leonore, Marzelline) | — | ||
| 30-11 | Fidelio, op. 72: Act 1. No. 6 Marsch | — | ||
| 30-12 | Fidelio, op. 72: Act 1. Dialogue: “Was Neues vorgefallen?” (Pizarro, Rocco) | — | ||
| 30-13 | Fidelio, op. 72: Act 1. No. 7 Aria with Chorus: “Ha! Welch ein Augenblick!” (Pizarro, Guards) | — | ||
| 30-14 | Fidelio, op. 72: Act 1. Dialogue: “Und nun zu dir mein lieber Rocco!” (Pizarro, Rocco) | — | ||
| 30-15 | Fidelio, op. 72: Act 1. No. 8 Duet: “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco) | — | ||
| 30-16 | Fidelio, op. 72: Act 1. No. 9 Recitative and Aria: “Abscheulicher! Wo eilst du hin? ... Komm, Hoffnung, lass den letzten Stern der Müden nicht erbleichen!” (Leonore) | — | ||
| 30-17 | Fidelio, op. 72: Act 1. Monologue: “Wie Fidelio das wieder geschafft hatte, war mir ein Rätsel” (Jaquino) | — | ||
| 30-18 | Fidelio, op. 72: Act 1. No. 10 Finale: “O welche Lust, in freier Luft den Atem leicht zu heben!” (Prisoners, First Prisoner, Second Prisoner) | — | ||
| 30-19 | Fidelio, op. 72: Act 1. No. 10 Finale: [Recitative and Duet]: “Nun sprecht, wie ging's? ... Noch heute, noch heute!” (Leonore, Rocco) | — | ||
| 30-20 | Fidelio, op. 72: Act 1. No. 10 Finale: “Ach, Vater, eilt!” (Marzelline, Rocco, Jaquino, Leonore) | — | ||
| 30-21 | Fidelio, op. 72: Act 1. No. 10 Finale: “Verwegener Alter! Welche Rechte legst du dir frevelnd selber bei?” (Pizarro, Rocco) | — | ||
| 30-22 | Fidelio, op. 72: Act 1. No. 10 Finale: “Leb wohl, du warmes Sonnenlicht” (Prisoners, Marzelline, Leonore, Jaquino, Pizarro, Rocco) | — | ||
| 31-1 | Fidelio op. 72: Act 2. No. 11 Introduction and Aria: “Gott! Welch Dunkel hier! ... In des Lebens Frühlingstagen” (Florestan) | — | ||
| 31-2 | Fidelio op. 72: Act 2. No. 12 Melodrama and Duet: “Wie kalt ist es diesem unterirdischen Gewölbe! ... Nur hurtig fort, nur frisch gegraben” (Leonore, Rocco) | — | ||
| 31-3 | Fidelio op. 72: Act 2. Dialogue: “Ihr habt wieder geruht?” (Rocco, Florestan, Leonore) | — | ||
| 31-4 | Fidelio op. 72: Act 2. No. 13 Trio: “Euch werde Lohn in bessern Welten” (Florestan, Rocco, Leonore) | — | ||
| 31-5 | Fidelio op. 72: Act 2. Dialogue: “Ist alles bereit?” (Pizarro, Rocco) | — | ||
| 31-6 | Fidelio op. 72: Act 2. No. 14 Quartet: “Er sterbe!” (Pizarro, Florestan, Leonore, Rocco) | — | ||
| 31-7 | Fidelio op. 72: Act 2. No. 15 Duet: “O namenlose Freude!” (Leonore, Florestan) | — | ||
| 31-8 | Fidelio op. 72: Act 2. No. 16 Finale: “Heil sei dem Tag ... Des besten Königs Wink und Wille ... Wer ein holdes Weib errungen, stimm in unsern Jubel ein!” (Prisoners and People, Fernando, Rocco, Pizarro, Leonore, Marzelline, Florestan, Jaquino) | — | ||
| 31-9 | Overture “Leonore” no. 1, op. 138 | — | ||
| 31-10 | Two Insertion Arias for Ignaz Umlauf's Singspiel “Die schöne Schusterin, oder Die pücefarbenen Schuhe”, WoO 91: “O welch ein Leben!” | — | ||
| 31-11 | Two Insertion Arias for Ignaz Umlauf's Singspiel “Die schöne Schusterin, oder Die pücefarbenen Schuhe”, WoO 91: “Soll ein Schuh nicht drücken” | — | ||
| 31-12 | Scene [I] from “Vestas Feuer”, Unv 15 [Hess 115] for vocal quartet and orchestra: “Blick, o Herr, durch diese Bäume ... Liebe Freundin, lebe wohl!” | — | ||
| 31-13 | “Germania”, WoO 94: Final number from Friedrich Treitschke's Singspiel “Die gute Nachricht” for bass, chorus and orchestra | — | ||
| 31-14 | “Es ist vollbracht”, WoO 97: Final number from Friedrich Treitschke Singspiel “Die Ehrenpforten” for bass, chorus and orchestra | — | ||
| 32-1 | Sonata no. 1 in f, op. 2 no. 1: I. Allegro | — | ||
| 32-2 | Sonata no. 1 in f, op. 2 no. 1: II. Adagio | — | ||
| 32-3 | Sonata no. 1 in f, op. 2 no. 1: III. Menuetto. Allegretto | — | ||
| 32-4 | Sonata no. 1 in f, op. 2 no. 1: IV. Prestissimo | — | ||
| 32-5 | Sonata no. 2 in A, op. 2 no. 2: I. Allegro vivace | — | ||
| 32-6 | Sonata no. 2 in A, op. 2 no. 2: II. Largo appassionato | — | ||
| 32-7 | Piano Sonatas, op. 2 no. 2 in A major: III. Scherzo. Allegretto | Maurizio Pollini | — | |
| 32-8 | Sonata no. 2 in A, op. 2 no. 2: IV. Rondo. Grazioso | — | ||
| 32-9 | Sonata no. 3 in C, op. 2 no. 3: I. Allegro con brio | — | ||
| 32-10 | Sonata no. 3 in C, op. 2 no. 3: II. Adagio | — | ||
| 32-11 | Piano Sonatas, op. 2 no. 3 in C major: III. Scherzo. Allegro | Maurizio Pollini | T-911.517.582-1 | |
| 32-12 | Sonata no. 3 in C, op. 2 no. 3: IV. Allegro assai | — | ||
| 33-1 | Piano Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | Emil Gilels | — | |
| 33-2 | Piano Sonata no. 4 in E-flat major, op. 7: II. Largo con gran espressione | Emil Gilels | — | |
| 33-3 | Piano Sonata no. 4 in E-flat major, op. 7: III. Allegro - Minore - Allegro | Emil Gilels | — | |
| 33-4 | Piano Sonata no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso | Emil Gilels | — | |
| 33-5 | Sonata no. 5 in c, op. 10 no. 1: I. Allegro molto e con brio | — | ||
| 33-6 | Sonata no. 5 in c, op. 10 no. 1: II. Adagio molto | — | ||
| 33-7 | Sonata no. 5 in c, op. 10 no. 1: III. Finale. Prestissimo | — | ||
| 33-8 | Sonata no. 6 in F, op. 10 no. 2: I. Allegro | — | ||
| 33-9 | Sonata no. 6 in F, op. 10 no. 2: II. Allegretto | — | ||
| 33-10 | Sonata no. 6 in F, op. 10 no. 2: III. Presto | — | ||
| 33-11 | Sonata no. 8 in c, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | — | ||
| 33-12 | Sonata no. 8 in c, op. 13 "Pathétique": II. Adagio cantabile | — | ||
| 33-13 | Sonata no. 8 in c, op. 13 "Pathétique": III. Rondo. Allegro | — | ||
| 34-1 | Sonata no. 7 in D, op. 10 no. 3: I. Presto | — | ||
| 34-2 | Sonata no. 7 in D, op. 10 no. 3: II. Largo e mesto | — | ||
| 34-3 | Sonata no. 7 in D, op. 10 no. 3: III. Menuetto. Allegro | — | ||
| 34-4 | Sonata no. 7 in D, op. 10 no. 3: IV. Rondo. Allegro | — | ||
| 34-5 | Sonata no. 9 in E, op. 14 no. 1: I. Allegro | — | ||
| 34-6 | Sonata no. 9 in E, op. 14 no. 1: II. Allegretto | — | ||
| 34-7 | Sonata no. 9 in E, op. 14 no. 1: III. Rondo. Allegro comodo | — | ||
| 34-8 | Sonata no. 10 in G, op. 14 no. 2: I. Allegro | — | ||
| 34-9 | Sonata no. 10 in G, op. 14 no. 2: II. Andante | — | ||
| 34-10 | Sonata no. 10 in G, op. 14 no. 2: III. Scherzo. Allegro assai | — | ||
| 34-11 | Sonata no. 11 in B-flat, op. 22: I. Allegro con brio | — | ||
| 34-12 | Sonata no. 11 in B-flat, op. 22: II. Adagio con molto espressione | — | ||
| 34-13 | Sonata no. 11 in B-flat, op. 22: III. Menuetto | — | ||
| 34-14 | Sonata no. 11 in B-flat, op. 22: IV. Rondo. Allegretto | — | ||
| 35-1 | Sonata no. 12 in A-flat, op. 26: I. Andante con variazioni | — | ||
| 35-2 | Sonata no. 12 in A-flat, op. 26: II. Scherzo. Allegro molto | — | ||
| 35-3 | Sonata no. 12 in A-flat, op. 26: III. Marcia funebre sulla morte d'un eroe | — | ||
| 35-4 | Sonata no. 12 in A-flat, op. 26: IV. Allegro | — | ||
| 35-5 | Sonata no. 13 in E-flat, op. 27 no. 1 (Sonata quasi una fantasia): I. Andante - Allegro - Tempo I | — | ||
| 35-6 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace | Emil Gilels | — | |
| 35-7 | Sonata no. 13 in E-flat, op. 27 no. 1 (Sonata quasi una fantasia): III. Adagio con espressione - | — | ||
| 35-8 | Sonata no. 13 in E-flat, op. 27 no. 1 (Sonata quasi una fantasia): IV. Allegro vivace - Tempo I - Presto | — | ||
| 35-9 | Moonlight Sonata | Nelson Freire | — | |
| 35-10 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto | Nelson Freire | — | |
| 35-11 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato | Nelson Freire | — | |
| 35-12 | Sonata no. 15 in D major, op. 28 "Pastoral": I. Allegro | Alfred Brendel | — | |
| 35-13 | Sonata no. 15 in D major, op. 28 "Pastoral": II. Andante | Alfred Brendel | T-800.722.074-9 | |
| 35-14 | Sonata no. 15 in D major, op. 28 "Pastoral": III. Scherzo. Allegro assai | Alfred Brendel | T-306.395.786-4 | |
| 35-15 | Sonata no. 15 in D major, op. 28 "Pastoral": IV. Rondo. Allegro ma non troppo | Alfred Brendel | T-031.682.208-8 | |
| 35-16 | Piano Sonata no. 19 in G minor, op. 49 no. 1: I. Andante | Radu Lupu | T-902.919.739-5 | |
| 35-17 | Piano Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo. Allegro | Radu Lupu | — | |
| 36-1 | Sonata no. 16 in G, op. 31 no. 1: I. Allegro vivace | — | ||
| 36-2 | Sonata no. 16 in G, op. 31 no. 1: II. Adagio grazioso | — | ||
| 36-3 | Sonata no. 16 in G, op. 31 no. 1: III. Rondo. Allegretto | — | ||
| 36-4 | Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): I. Largo - Allegro | — | ||
| 36-5 | Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): II. Adagio | — | ||
| 36-6 | Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): III. Allegretto | — | ||
| 36-7 | Sonata no. 18 in E-flat, op. 31 no. 3: I. Allegro | — | ||
| 36-8 | Sonata no. 18 in E-flat, op. 31 no. 3: II. Scherzo. Allegretto vivace | — | ||
| 36-9 | Sonata no. 18 in E-flat, op. 31 no. 3: III. Menuetto. Moderato e grazioso | — | ||
| 36-10 | Sonata no. 18 in E-flat, op. 31 no. 3: IV. Presto con fuoco | — | ||
| 36-11 | Piano Sonata no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo | Radu Lupu | — | |
| 36-12 | Piano Sonata no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto | Radu Lupu | — | |
| 37-1 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio | Emil Gilels | — | |
| 37-2 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto | Emil Gilels | — | |
| 37-3 | Sonata no. 21 in C, op. 53 “Waldstein”: Rondo. Allegretto moderato - Prestissimo | — | ||
| 37-4 | Sonata no. 22 in F, op. 54: I. In tempo d'un menuetto | — | ||
| 37-5 | Sonata no. 22 in F, op. 54: II. Allegretto | — | ||
| 37-6 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | Emil Gilels | T-306.395.786-4 | |
| 37-7 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto | Emil Gilels | — | |
| 37-8 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo | Emil Gilels | — | |
| 37-9 | Sonata no. 24 in F-sharp, op. 78: I. Adagio cantabile - Allegro ma non troppo | — | ||
| 37-10 | Sonata no. 24 in F-sharp, op. 78: II. Allegro vivace | — | ||
| 37-11 | Sonata no. 25 in G, op. 79: I. Presto alla tedesca | — | ||
| 37-12 | Sonata no. 25 in G, op. 79: II. Andante | — | ||
| 37-13 | Sonata no. 25 in G, op. 79: III. Vivace | — | ||
| 38-1 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro | Emil Gilels | — | |
| 38-2 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo | Emil Gilels | T-800.722.074-9 | |
| 38-3 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente | Emil Gilels | — | |
| 38-4 | Sonata no. 27 in e, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 38-5 | Sonata no. 27 in e, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 38-6 | Sonata no. 29 in B-flat, op. 106 “Hammerklavier”: I. Allegro | — | ||
| 38-7 | Sonata no. 29 in B-flat, op. 106 “Hammerklavier”: II. Scherzo. Assai vivace | — | ||
| 38-8 | Sonata no. 29 in B-flat, op. 106 “Hammerklavier”: III. Adagio sostenuto, appassionato e con molto sentimento | — | ||
| 38-9 | Sonata no. 29 in B-flat, op. 106 “Hammerklavier”: IV. Largo - Allegro risoluto | — | ||
| 39-1 | Piano Sonata no. 28 in A, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo) | Maurizio Pollini | — | |
| 39-2 | Piano Sonata no. 28 in A, op. 101: II. Lebhaft, marschmäßig (Vivace alla marcia) | Maurizio Pollini | — | |
| 39-3 | Piano Sonata no. 28 in A, op. 101: III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) | Maurizio Pollini | — | |
| 39-4 | Piano Sonata no. 28 in A, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit (Allegro) | Maurizio Pollini | — | |
| 39-5 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": I. Allegro | Maurizio Pollini | T-070.160.313-5 | |
| 39-6 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": II. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I) | Maurizio Pollini | T-911.517.582-1 | |
| 39-7 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": III. Adagio sostenuto | Maurizio Pollini | — | |
| 39-8 | Sonate No. 29 B-Dur, Op. 106 "Hammerklavier": IV. Largo - Allegro Risoluto | Maurizio Pollini | — | |
| 40-1 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I | Maurizio Pollini | — | |
| 40-2 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | Maurizio Pollini | — | |
| 40-3 | Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) | Maurizio Pollini | — | |
| 40-4 | Piano Sonata no. 31 in A-Flat major, op. 110: I. Moderato cantabile molto espressivo | Maurizio Pollini | — | |
| 40-5 | Piano Sonata no. 31 in A-Flat major, op. 110: II. Allegro molto | Maurizio Pollini | — | |
| 40-6 | Piano Sonata no. 31 in A-Flat major, op. 110: III. Adagio ma non troppo - Fuga (Allegro ma non troppo) | Maurizio Pollini | — | |
| 40-7 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | Maurizio Pollini | — | |
| 40-8 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta (Adagio molto semplice e cantabile) | Maurizio Pollini | — | |
| 41-1 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | Radu Lupu | — | |
| 41-2 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Radu Lupu | T-001.397.158-8 | |
| 41-3 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro | Radu Lupu | — | |
| 41-4 | Klaviersonate Nr. 14 in cis-Moll op. 27, Nr. 2 "Mondscheinsonate" - II. Adagio sostenuto | Murray Perahia | — | |
| 41-5 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto | Murray Perahia | — | |
| 41-6 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato | Murray Perahia | — | |
| 41-7 | Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): I. Largo - Allegro | — | ||
| 41-8 | Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): II. Adagio | — | ||
| 41-9 | Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): III. Allegretto | — | ||
| 41-10 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio | Nelson Freire | — | |
| 41-11 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto | Nelson Freire | — | |
| 41-12 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo | Nelson Freire | — | |
| 42-1 | Sonata no. 23 in f, op. 57 “Appassionata”: I. Allegro | — | ||
| 42-2 | Sonata no. 23 in f, op. 57 “Appassionata”: II. Andante con moto | — | ||
| 42-3 | Sonata no. 23 in f, op. 57 “Appassionata”: III. Allegro ma non troppo | — | ||
| 42-4 | Piano Sonata No. 26 in E flat major "Les Adieux", op. 81a: 1. Das Lebewohl / Les Adieux | Evgeny Kissin | — | |
| 42-5 | Piano Sonata No. 26 in E flat major "Les Adieux", op. 81a: 2. Abwesenheit / L'Absence | Evgeny Kissin | — | |
| 42-6 | Piano Sonata No. 26 in E flat major "Les Adieux", op. 81a: 3. Das Wiedersehen / Le Retour | Evgeny Kissin | — | |
| 42-7 | Piano Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: I. Allegro | Murray Perahia | T-070.160.313-5 | |
| 42-8 | Piano Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: II. Scherzo. Assai vivace | Murray Perahia | T-911.517.582-1 | |
| 42-9 | Piano Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: III. Adagio sostenuto | Murray Perahia | — | |
| 42-10 | Piano Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: IV. Largo: Allegro risoluto | Murray Perahia | — | |
| 43-1 | Piano Sonata no. 30 in E major, op. 109: I. Vivace ma non troppo - Adagio espressivo - Tempo I | Emil Gilels | — | |
| 43-2 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | Emil Gilels | — | |
| 43-3 | Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | Emil Gilels | — | |
| 43-4 | Piano Sonata no. 30 in E major, op. 109: IV. Variation I. Molto espressivo | Emil Gilels | — | |
| 43-5 | Piano Sonata no. 30 in E major, op. 109: V. Variation II. Leggiermente | Emil Gilels | — | |
| 43-6 | Piano Sonata no. 30 in E major, op. 109: VI. Variation III. Allegro vivace | Emil Gilels | — | |
| 43-7 | Piano Sonata no. 30 in E major, op. 109: VII. Variation IV. Etwas langsamer als das Thema | Emil Gilels | — | |
| 43-8 | Piano Sonata no. 30 in E major, op. 109: VIII. Variation V. Allegro, ma non troppo | Emil Gilels | — | |
| 43-9 | Piano Sonata no. 30 in E major, op. 109: IX. Variation VI. Tempo I del tema | Emil Gilels | — | |
| 43-10 | Sonata no. 31 in A-flat, op. 110: I. Moderato cantabile, molto espressivo | — | ||
| 43-11 | Sonata no. 31 in A-flat, op. 110: II. Allegro molto | — | ||
| 43-12 | Sonata no. 31 in A-flat, op. 110: III. Adagio, ma non troppo - Arioso dolente - | — | ||
| 43-13 | Sonata no. 31 in A-flat, op. 110: III. Fuga. Allegro, ma non troppo - L'istesso tempo di Arioso - L'inversione della Fuga | — | ||
| 43-14 | Sonata no. 32 in c, op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 43-15 | Sonata no. 32 in c, op. 111: II. Arietta. Adagio molto semplice e cantabile | — | ||
| 44-1 | 7 Bagatelles, op. 33: I. Andante grazioso, quasi Allegretto | Alicia de Larrocha | — | |
| 44-2 | 7 Bagatelles, Op. 33: 2. Scherzo. Allegro | Alicia de Larrocha | — | |
| 44-3 | 7 Bagatelles, op. 33: III. Allegretto | Alicia de Larrocha | — | |
| 44-4 | 7 Bagatelles, op. 33: IV. Andante | Alicia de Larrocha | — | |
| 44-5 | 7 Bagatelles, op. 33: V. Allegro, ma non troppo | Alicia de Larrocha | T-921.408.279-8 | |
| 44-6 | 7 Bagatelles, op. 33: VI. Allegretto quasi Andante | Alicia de Larrocha | — | |
| 44-7 | 7 Bagatelles, op. 33: VII. Presto | Alicia de Larrocha | — | |
| 44-8 | 11 Bagatelles, op. 119: No. 1 Allegretto | — | ||
| 44-9 | 11 Bagatelles, op. 119: No. 2 Andante con brio | — | ||
| 44-10 | 11 Bagatelles, op. 119: No. 3 À l'allemande | — | ||
| 44-11 | 11 Bagatelles, op. 119: No. 4 Andante cantabile | — | ||
| 44-12 | 11 Bagatelles, Op. 119: Risoluto | Alfred Brendel | — | |
| 44-13 | 11 Bagatelles, op. 119: No. 6 Andante - Allegretto Leggiermente | — | ||
| 44-14 | 11 Bagatelles, Op. 119: Allegro ma non troppo | Alfred Brendel | T-031.682.208-8 | |
| 44-15 | 11 Bagatelles, op. 119: No. 8 Moderato cantabile | — | ||
| 44-16 | 11 Bagatelles, op. 119: No. 9 Vivace moderato | — | ||
| 44-17 | 11 Bagatelles, op. 119: No. 10 Allegramente | — | ||
| 44-18 | 11 Bagatelles, op. 119: No. 11 Andante, ma non troppo | — | ||
| 44-19 | 6 Bagatelles, op. 126: No. 1 Andante con moto | — | ||
| 44-20 | 6 Bagatelles, op. 126: No. 2 Allegro | — | ||
| 44-21 | 6 Bagatelles, op. 126: 3. Andante | Stephen Kovacevich | — | |
| 44-22 | 6 Bagatelles, op. 126: No. 4 Presto | — | ||
| 44-23 | 6 Bagatelles, op. 126: No. 5 Quasi allegretto | — | ||
| 44-24 | 6 Bagatelles, op. 126: No. 6 Presto - Andante amabile e con moto - Tempo I | — | ||
| 44-25 | Bagatelle in C, WoO 56: Allegretto | — | ||
| 44-26 | Bagatelle no. 25 in A minor, WoO 59 “Für Elise” | Lang Lang | T-304.254.199-7 | |
| 44-27 | “Lustig-Traurig” for Piano in C major, WoO 54 | Gianluca Cascioli | — | |
| 44-28 | Piece for Piano in B-flat major, WoO 60 | Gianluca Cascioli | — | |
| 44-29 | Allemande for Piano in A major, WoO 81 | Gianluca Cascioli | — | |
| 44-30 | Allegretto for Piano in C minor, Hess 69 | Gianluca Cascioli | — | |
| 45-1 | Piano Sonata in E-flat major, WoO 47 No. 1 "Kurfürsten-Sonata": I. Allegro cantabile | Emil Gilels | T-001.397.158-8 | |
| 45-2 | Piano Sonata in E-flat major, WoO 47 No. 1 "Kurfürsten-Sonata": II. Andante | Emil Gilels | T-329.516.968-1 | |
| 45-3 | Piano Sonata in E-flat major, WoO 47 No. 1 "Kurfürsten-Sonata": III. Rondo vivace | Emil Gilels | — | |
| 45-4 | Piano Sonata in F minor, WoO 47 No. 2: I. Larghetto maestoso - Allegro assai | Emil Gilels | — | |
| 45-5 | Piano Sonata in F minor, WoO 47 No. 2: II. Andante | Emil Gilels | — | |
| 45-6 | Piano Sonata in F minor, WoO 47 No. 2: III. Presto | Emil Gilels | — | |
| 45-7 | Sonata no. 3 in D, WoO 47 (“Kurfürstensonaten” / “Electoral Sonatas”): I. Allegro | — | ||
| 45-8 | Sonata no. 3 in D, WoO 47 (“Kurfürstensonaten” / “Electoral Sonatas”): II. Menuetto. Sostenuto - Var. I-VI | — | ||
| 45-9 | Sonata no. 3 in D, WoO 47 (“Kurfürstensonaten” / “Electoral Sonatas”): III. Scherzando. Allegro, ma non troppo | — | ||
| 45-10 | Rondo in C, WoO 48: Allegretto | — | ||
| 45-11 | Rondo in A major, WoO 49: Allegretto | Mikhail Pletnev | T-912.576.580-2 | |
| 45-12 | Sonata for Piano in F major, WoO 50: I. () | Gianluca Cascioli | — | |
| 45-13 | Sonatina in F, WoO 50: II. Allegretto | — | ||
| 45-14 | Sonata in C, WoO 51: I. Allegro | — | ||
| 45-15 | Sonata in C, WoO 51: II. Adagio | — | ||
| 45-16 | Bagatelle in c, WoO 52: Presto | — | ||
| 45-17 | Allegretto in c, WoO 53 | — | ||
| 45-18 | Andante favori in F major, WoO 57: Andante grazioso con moto | Alice Sara Ott | — | |
| 45-19 | Rondo a capriccio in G, op. 129 (“Die Wut über den verlornen Groschen” / “The Rage over the Lost Penny”): Allegro vivace | — | ||
| 46-1 | Rondo in C major, op. 51 no. 1 | Radu Lupu | — | |
| 46-2 | Rondo in G major, op. 51 no. 2 | Radu Lupu | — | |
| 46-3 | Fantasie in g, op. 77: Allegro - Poco adagio - Allegro ma non troppo - Allegro con brio - Adagio - Presto - Adagio - Allegretto - Adagio | — | ||
| 46-4 | Polonaise in C, op. 89 | Julius Katchen | — | |
| 46-5 | 6 Minuets, WoO 10: no. 1 in C, | — | ||
| 46-6 | 6 Minuets for Piano, WoO 10 no. 2 in G major | Mikhail Pletnev | — | |
| 46-7 | 6 Minuets, WoO 10: no. 3 in E-flat | — | ||
| 46-8 | 6 Minuets for Piano, WoO 10 no. 4 in B‐flat major | Mikhail Pletnev | T-001.444.317-4 | |
| 46-10 | 6 Minuets for Piano, WoO 10 no. 6 in C major | Mikhail Pletnev | — | |
| 46-11 | 7 Ländler in D, WoO 11 | — | ||
| 46-12 | 12 Deutsche Tänze, WoO 13: no. 1 in D / no. 2 in B-flat / no. 3 in G / no. 4 in D / no. 5 in F / no. 6 B-flat / no. 7 in D / no. 8 in G / no. 9 in E-flat / no. 10 in D / no. 11 in A / no. 12 in D | — | ||
| 46-13 | Prelude in f, WoO 55 | — | ||
| 46-14 | Klavierstück (Allegretto) in b, WoO 61 | — | ||
| 46-15 | Allegretto quasi andante in g, WoO 61a | — | ||
| 46-16 | Minuet in E-flat, WoO 82: Moderato | — | ||
| 46-17 | 6 Ecossaises in E-flat, WoO 83 | — | ||
| 46-18 | Waltz for Piano in E-flat major, WoO 84 | Gianluca Cascioli | — | |
| 46-19 | Waltz for Piano in D major, WoO 85 | Gianluca Cascioli | — | |
| 46-20 | Ecossaise in E-flat, WoO 86 | — | ||
| 46-21 | 3-Part Fugue in C, WoO 215 [Hess 64] | — | ||
| 46-22 | Minuet in C, WoO 218 [Biamonti 74] | Lang Lang | — | |
| 47-1 | 9 Variations (in c) on a March by Ernst Christoph Dressler, WoO 63: Thema. Maestoso / Var. I-VIII / Var. IX (in C) Allegro | — | ||
| 47-2 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Thema. Allegretto | — | ||
| 47-3 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. I | — | ||
| 47-4 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. II | — | ||
| 47-5 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. III | — | ||
| 47-6 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. IV | — | ||
| 47-7 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. V | — | ||
| 47-8 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. VI | — | ||
| 47-9 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. VII | — | ||
| 47-10 | 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. VIII | Mikhail Pletnev | — | |
| 47-11 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. IX | — | ||
| 47-12 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. X | — | ||
| 47-13 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XI | — | ||
| 47-14 | 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XII | Mikhail Pletnev | — | |
| 47-15 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XIII | — | ||
| 47-16 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XIV Allegretto - Adagio | — | ||
| 47-17 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XV | — | ||
| 47-18 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XVI | — | ||
| 47-19 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XVII | — | ||
| 47-20 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XVIII | — | ||
| 47-21 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XIX | — | ||
| 47-22 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XX Scherzando | — | ||
| 47-23 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XXI | — | ||
| 47-24 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XXII | — | ||
| 47-25 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XXIII Adagio sostenuto | — | ||
| 47-26 | 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65: Var. XXIV Allegro - Allegro stringendo - Presto assai | — | ||
| 47-27 | 13 Variations (in A) on the Arietta “Es war einmal ein alter Mann” from Ditterdorf's Singspiel “Das rote Käppchen”, WoO 66: Thema. Allegretto | — | ||
| 47-28 | 6 Variations in F on a Swiss Song, WoO 64: Thema. Andante con moto / Var. I-VI | — | ||
| 47-29 | 12 Variations (in C) on the “Menuett à la Viganò” from Jakob Haibel's Ballet “Le nozze disturbate”, WoO 68: Thema. Allegretto / Var. I-XI / Var. XII Allegro - Adagio | — | ||
| 47-30 | 9 Variations (in A) on the Aria “Quant'è più bello” from Giovanni Paisiello's Opera “La molinara”, WoO 69: Thema. Allegretto / Var. I-III / Var. IV Minore / Var. V Maggiore / Var. VI-VIII / Var. IX Tempo di Minuetto | — | ||
| 47-31 | 6 Variations (in G) on the Duet “Nel cor più non mi sento” from Giovanni Paisiello's Opera “La molinara”, WoO 70: Thema. Andantino / Var. I-VI | — | ||
| 47-32 | 12 Variations on the Russian Dance from the Ballet "Das Waldmadschen", WoO 71 | Vladimir Ashkenazy | — | |
| 48-1 | 8 Variations (in C) on the Romance “Une fièvre brûlante” from Grétry's Opera “Richard Cœur de Lion”, WoO 72: Thema. Allegretto / Var. I-III / Var. IV Minore / Var. V Maggiore / Var. VI-VII / Var. VIII Allegro - Presto | — | ||
| 48-2 | 10 Variations (in B-flat) on the Duet “La stessa, la stessissima” from Antonio Salieri's Opera “Falstaff”, WoO 73: Thema. Andante con moto / Var. I-IV / Var. V Minore / Var. VI Maggiore / Var. VII-IX / Var. X Allegretto, alla Austriaca - Tempo I | — | ||
| 48-3 | 7 Variations (in F) on the Quartet “Kind, willst du ruhig schlafen?” from Peter Winter's Opera “Das unterbrochene Opferfest”, WoO 75: Thema. Allegretto / Var. I-V / Var. VI Minore / Var. VII Maggiore. Allegro - Allegro molto | — | ||
| 48-4 | 8 Variations (in F) on the Trio “Tändeln und Scherzen” from Franz X. Süssmayr's Opera “Soliman II”, WoO 76: Thema. Andante, quasi Allegretto / Var. I-VI / Var. VII Adagio molto ed espressivo - attacca / Var. VIII Allegro vivace - Adagio | — | ||
| 48-5 | 6 Variations (in G) on an Original Theme, WoO 77: Thema. Andante, quasi Allegretto / Var. I-III / Var. IV Minore / Var. V Maggiore / Var. VI | — | ||
| 48-6 | 6 Variations (in F) on an Original Theme, op. 34: Thema. Adagio | — | ||
| 48-7 | 6 Variations (in F) on an Original Theme, op. 34: Var. I | — | ||
| 48-8 | 6 Variations for Piano on an Original Theme in F major, op. 34: Var II. Allegro ma non troppo | Mikhail Pletnev | — | |
| 48-9 | 6 Variations (in F) on an Original Theme, op. 34: Var. III Allegretto | — | ||
| 48-10 | 6 Variations for Piano on an Original Theme in F major, op. 34: Var. IV. Tempo di menuetto | Mikhail Pletnev | — | |
| 48-11 | 6 Variations (in F) on an Original Theme, op. 34: Var. V Marcia. Allegretto | — | ||
| 48-12 | 6 Variations (in F) on an Original Theme, op. 34: Var. VI Allegretto - Adagio molto | — | ||
| 48-13 | 15 Variations and a Fugue for Piano in E‐flat major on an Original Theme, op. 35 “Eroica Variations”: Introduzione col basso del tema. Allegretto vivace | Emil Gilels | — | |
| 48-14 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Tema | Emil Gilels | T-061.792.500-4 | |
| 48-15 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. I | Emil Gilels | T-003.038.364-2 | |
| 48-16 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. II | Emil Gilels | T-003.038.364-2 | |
| 48-17 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. III | Emil Gilels | T-003.038.364-2 | |
| 48-18 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. IV | Emil Gilels | — | |
| 48-19 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. V | Emil Gilels | T-003.038.364-2 | |
| 48-20 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VI | Emil Gilels | T-912.658.196-2 | |
| 48-21 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VII. Canone all’ottava | Emil Gilels | — | |
| 48-22 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VIII | Emil Gilels | T-921.242.859-6 | |
| 48-23 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. IX | Emil Gilels | T-003.038.364-2 | |
| 48-24 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. X | Emil Gilels | T-010.512.679-1 | |
| 48-25 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XI | Emil Gilels | T-010.512.679-1 | |
| 48-26 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XII | Emil Gilels | — | |
| 48-27 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XIII | Emil Gilels | T-912.658.196-2 | |
| 48-28 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XIV | Emil Gilels | — | |
| 48-29 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XV. Largo | Emil Gilels | — | |
| 48-30 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Coda | Emil Gilels | T-003.044.937-6 | |
| 48-31 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Finale. Alla Fuga. Allegro con brio - Andante con moto | Emil Gilels | — | |
| 49-1 | 32 Variations (in c) on an Original Theme, WoO 80: Thema. Allegretto / Var. I-XI / Var. XII-XVI Maggiore / Var. XVII-XXXII Minore | 内田光子 | — | |
| 49-2 | 7 Variations (in C) on “God Save the King”, WoO 78: Thema / Var. I-V / Var. VI Allegro. Alla Marcia / Var. VII [Allegro] - Adagio - Allegro | — | ||
| 49-3 | 5 Variations (in D) on “Rule, Britannia” (from Thomas Arne's Masque “Alfred”), WoO 79: Thema: Tempo moderato / Var. I-V | — | ||
| 49-4 | 6 Variations (in D) on an Original Theme, op. 76: Thema. Allegro risoluto / Var. I-V / Var. VI. Presto - Tempo I | — | ||
| 49-5 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Tema (Vivace), Variation I (Alla marcia maestoso) | Stephen Kovacevich | — | |
| 49-6 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation II (Poco allegro) | Stephen Kovacevich | — | |
| 49-7 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation III (L’istesso tempo) | Stephen Kovacevich | — | |
| 49-8 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation IV (Un poco più vivace) | Stephen Kovacevich | T-010.204.251-2 | |
| 49-9 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation V (Allegro vivace) | Stephen Kovacevich | T-003.038.364-2 | |
| 49-10 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation VI (Allegro ma non troppo e serioso) | Stephen Kovacevich | — | |
| 49-11 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation VII (Un poco più allegro) | Stephen Kovacevich | — | |
| 49-12 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation VIII (Poco vivace) | Stephen Kovacevich | — | |
| 49-13 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation IX (Allegro pesante e risoluto) | Stephen Kovacevich | — | |
| 49-14 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation X (Presto) | Stephen Kovacevich | — | |
| 49-15 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XI (Allegretto) | Stephen Kovacevich | — | |
| 49-16 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XII (Un poco più moto) | Stephen Kovacevich | — | |
| 49-17 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XIII (Vivace) | Stephen Kovacevich | — | |
| 49-18 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XIV (Grave e maestoso) | Stephen Kovacevich | — | |
| 49-19 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XV (Presto scherzando) | Stephen Kovacevich | — | |
| 49-20 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XVI (Allegro) | Stephen Kovacevich | — | |
| 49-21 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XVII | Stephen Kovacevich | — | |
| 49-22 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XVIII (Poco moderato) | Stephen Kovacevich | — | |
| 49-23 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XIX (Presto) | Stephen Kovacevich | — | |
| 49-24 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XX (Andante) | Stephen Kovacevich | — | |
| 49-25 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXI (Allegro con brio - Meno allegro - Tempo I) | Stephen Kovacevich | — | |
| 49-26 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXII (Allegro molto): Alla “Notte e giorno faticar” di Mozart | Stephen Kovacevich | — | |
| 49-27 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXIII (Allegro assai) | Stephen Kovacevich | — | |
| 49-28 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXIV: Fughetta (Andante) | Stephen Kovacevich | — | |
| 49-29 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXV (Allegro) | Stephen Kovacevich | — | |
| 49-30 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVI | Stephen Kovacevich | — | |
| 49-31 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVII (Vivace) | Stephen Kovacevich | — | |
| 49-32 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVIII (Allegro) | Stephen Kovacevich | — | |
| 49-33 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXIX (Adagio ma non troppo) | Stephen Kovacevich | — | |
| 49-34 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXX (Andante, sempre cantabile) | Stephen Kovacevich | — | |
| 49-35 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXXI (Largo, molto espressivo) | Stephen Kovacevich | — | |
| 49-36 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXXII: Fuga (Allegro poco adagio) | Stephen Kovacevich | — | |
| 49-37 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXXIII (Tempo di minuetto moderato, ma non tirarsi dietro) | Stephen Kovacevich | — | |
| 50-1 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Tema. Vivace / Var. I Alla Marcia maestoso | — | ||
| 50-2 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. II Poco allegro | — | ||
| 50-3 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. III L'istesso tempo | — | ||
| 50-4 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. IV Un poco più vivace | — | ||
| 50-5 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. V Allegro vivace | — | ||
| 50-6 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. VI Allegro ma non troppo e serioso | — | ||
| 50-7 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. VII Un poco più Allegro | — | ||
| 50-8 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. VIII Poco vivace | — | ||
| 50-9 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. IX Allegro pesante e risoluto | — | ||
| 50-10 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. X Presto | — | ||
| 50-11 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XI Allegretto | — | ||
| 50-12 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XII Un poco più moto | — | ||
| 50-13 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XIII Vivace | — | ||
| 50-14 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XIV Grave e maestoso | — | ||
| 50-15 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XV Presto scherzando | — | ||
| 50-16 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XVI Allegro | — | ||
| 50-17 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XVII Allegro | — | ||
| 50-18 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XVIII Poco moderato | — | ||
| 50-19 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XIX Presto | — | ||
| 50-20 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XX Andante | — | ||
| 50-21 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXI Allegro con Brio - Meno Allegro | — | ||
| 50-22 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXII Allegro molto (Alla “Notte e giorno faticar” di Mozart) | — | ||
| 50-23 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXIII Allegro assai | — | ||
| 50-24 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXIV Fughetta. Andante | — | ||
| 50-25 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXV Allegro | — | ||
| 50-26 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXVI (Piacevole) | — | ||
| 50-27 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXVII Vivace | — | ||
| 50-28 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXVIII Allegro | — | ||
| 50-29 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXIX Adagio ma non troppo | — | ||
| 50-30 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXX Andante, sempre cantabile | — | ||
| 50-31 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXXI Largo, molto espressivo | — | ||
| 50-32 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXXII Fuga. Allegro - Poco Adagio | — | ||
| 50-33 | 33 Variations (in C) on a Waltz by Diabelli, op. 120: Var. XXXIII Tempo di Minuetto, moderato | — | ||
| 50-34 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": I. Introduzione col Basso del Tema: Allegretto vivace | Sir Clifford Curzon | — | |
| 50-35 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": III. Variation 1 | Sir Clifford Curzon | — | |
| 50-36 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": IV. Variation 2 | Sir Clifford Curzon | T-912.658.196-2 | |
| 50-37 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": V. Variation 3 | Sir Clifford Curzon | T-900.021.950-1 | |
| 50-38 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": VI. Variation 4 | Sir Clifford Curzon | — | |
| 50-39 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": VII. Variation 5 | Sir Clifford Curzon | T-912.658.196-2 | |
| 50-40 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": VIII. Variation 6 | Sir Clifford Curzon | T-912.658.196-2 | |
| 50-41 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": IX. Variation 7 Canone all'Ottava | Sir Clifford Curzon | — | |
| 50-42 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": X. Variation 8 | Sir Clifford Curzon | T-921.242.859-6 | |
| 50-43 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1I. Variation 9 | Sir Clifford Curzon | T-912.658.196-2 | |
| 50-44 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1II. Variation 10 | Sir Clifford Curzon | T-010.512.679-1 | |
| 50-45 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1III. Variation 11 | Sir Clifford Curzon | T-010.512.679-1 | |
| 50-46 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1IV. Variation 12 | Sir Clifford Curzon | T-010.512.679-1 | |
| 50-47 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1V. Variation 13 | Sir Clifford Curzon | T-010.512.679-1 | |
| 50-48 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1VI. Variation 14 minore | Sir Clifford Curzon | — | |
| 50-49 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1VII. Variation 15 Maggiore. Largo | Sir Clifford Curzon | — | |
| 50-50 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1VIII. Finale. Alla Fuga. Allegro con brio | Sir Clifford Curzon | — | |
| 51-1 | Acht Variationen über ein Thema des Grafen von Waldstein, WoO 67 | Lucas & Arthur Jussen | — | |
| 51-2 | Sonata in D, op. 6: I. Allegro molto | — | ||
| 51-3 | Sonata in D, op. 6: II. Ronda. Moderato | — | ||
| 51-4 | 3 Marches, op. 45: no. 1 in C. Allegro ma non troppo | — | ||
| 51-5 | 3 Marches, op. 45: no. 2 in E-flat. Vivace | — | ||
| 51-6 | 3 Marches, op. 45: no. 3 in D. Vivace | — | ||
| 51-7 | Grosse Fuge in B-flat (Beethoven's Arrangement for Piano Duet of the “Grosse Fuge” for String Quartet, op. 133), op. 134: Overtura. Allegro - Meno mosso e moderato - Allegro - Fuga. [Allegro] - Meno mosso e moderato - Allegro (molton e con brio) | — | ||
| 51-8 | 6 Variations (in D) on the Lied “Ich denke dein”, WoO 74: Lied. Andantino cantabile / Var. I-VI | — | ||
| 51-9 | 2 Preludes Through All 12 Major Keys for piano or organ, op. 39 no. 1 | — | ||
| 51-10 | 2 Preludes Through All 12 Major Keys for piano or organ, op. 39 no. 2 | — | ||
| 51-11 | Fugue in D for organ, WoO 31 | — | ||
| 51-12 | 5 Pieces for Mechanical Clock, WoO 33: no. 1 in F. Adagio assai | — | ||
| 51-13 | 5 Pieces for Mechanical Clock, WoO 33: no. 2 in G. Scherzo. Allegro | — | ||
| 51-14 | 5 Pieces for Mechanical Clock, WoO 33: no. 3 in G. Allegro | — | ||
| 51-15 | 5 Pieces for Mechanical Clock, WoO 33: no. 4 in C. Allegro non più molto | — | ||
| 51-16 | 5 Pieces for Mechanical Clock, WoO 33: no. 5 in C. Menuett. Allegretto | — | ||
| 51-17 | Grenadier March in F for Mechanical Clock, Hess 107 | — | ||
| 51-18 | 6 Variations in F on a Swiss Song for piano or harp, WoO 64: Thema. Andante con moto / Var. I-VI | — | ||
| 52-1 | Sonata no. 1 in D major, op. 12 no. 1: I. Allegro con brio | Martha Argerich, Gidon Kremer | — | |
| 52-2 | Sonata no. 1 in D major, op. 12 no. 1: I. Allegro con brio | Martha Argerich, Gidon Kremer | — | |
| 52-3 | Sonata no. 1 in D major, op. 12 no. 1: I. Allegro con brio | Martha Argerich, Gidon Kremer | — | |
| 52-4 | Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacèvole | Martha Argerich, Gidon Kremer | — | |
| 52-5 | Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacèvole | Martha Argerich, Gidon Kremer | — | |
| 52-6 | Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacèvole | Martha Argerich, Gidon Kremer | — | |
| 52-7 | Sonata no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molto espressione | Martha Argerich, Gidon Kremer | — | |
| 52-8 | Sonata no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molto espressione | Martha Argerich, Gidon Kremer | — | |
| 52-9 | Sonata no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molto espressione | Martha Argerich, Gidon Kremer | — | |
| 52-10 | Sonate Nr. 4 a-Moll, op. 23: I. Presto | Martha Argerich, Gidon Kremer | T-070.161.055-0 | |
| 52-11 | Sonate Nr. 4 a-Moll, op. 23: II. Andante scherzoso, più allegretto | Martha Argerich, Gidon Kremer | — | |
| 52-12 | Sonate Nr. 4 a-Moll, op. 23: III. Allegro molto | Martha Argerich, Gidon Kremer | T-329.454.787-4 | |
| 53-1 | Violin Sonata no. 5 in F major, op. 24 "Spring": I. Allegro | Vladimir Ashkenazy, Itzhak Perlman | T-070.161.055-0 | |
| 53-2 | Violin Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo | Itzhak Perlman, Vladimir Ashkenazy | — | |
| 53-3 | Violin Sonata no. 5 in F major, op. 24 "Spring": III. Scherzo & Trio: Allegro molto | Itzhak Perlman, Vladimir Ashkenazy | — | |
| 53-4 | Violin Sonata no. 5 in F major, op. 24 "Spring": IV. Rondo. Allegro ma non troppo | Itzhak Perlman, Vladimir Ashkenazy | T-031.682.208-8 | |
| 53-5 | Violin Sonata no. 6 in A major, op. 30 no. 1: I. Allegro | Itzhak Perlman, Vladimir Ashkenazy | T-070.160.313-5 | |
| 53-6 | Violin Sonata no. 6 in A major, op. 30 no. 1: II. Adagio molto espressivo | Itzhak Perlman, Vladimir Ashkenazy | — | |
| 53-7 | Violin Sonata no. 6 in A major, op. 30 no. 1: III. Allegretto con variazioni | Itzhak Perlman, Vladimir Ashkenazy | — | |
| 53-8 | Zwölf Variationen F-Dur über das Thema "Se vuol ballare", WoO 40: Thema. Allegretto - Variazioni I-XII - Coda | Yehudi Menuhin, Wilhelm Kempff | — | |
| 53-9 | Rondo for Piano and Violin in G major, WoO 41 | Yehudi Menuhin, Wilhelm Kempff | T-801.974.499-2 | |
| 53-10 | Sechs Deutsche Tänze (Allemandes), WoO 42 | David Garrett, Bruno Canino | — | |
| 54-1 | Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: I. Allegro con brio | Anne-Sophie Mutter, Lambert Orkis | — | |
| 54-2 | Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: II. Adagio cantabile | Anne-Sophie Mutter, Lambert Orkis | T-001.397.158-8 | |
| 54-3 | Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: III. Scherzo. Allegro - Trio | Anne-Sophie Mutter, Lambert Orkis | — | |
| 54-4 | Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: IV. Finale. Allegro, Presto | Anne-Sophie Mutter, Lambert Orkis | — | |
| 54-5 | Sonata no. 9 for Piano and Violin in A, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto | — | ||
| 54-6 | Sonata no. 9 for Piano and Violin in A, op. 47 “Kreutzer”: II. Andante con Variazioni I-IV | — | ||
| 54-7 | Sonata no. 9 for Piano and Violin in A, op. 47 “Kreutzer”: III. Finale. Presto | — | ||
| 55-1 | Sonata for Violin and Piano no. 8 in G major, op. 30 no. 3: I. Allegro assai | Augustin Dumay, Maria João Pires | T-306.395.786-4 | |
| 55-2 | Sonata for Violin and Piano no. 8 in G major, op. 30 no. 3: II. Tempo di menuetto, ma molto moderato e grazioso | Augustin Dumay, Maria João Pires | — | |
| 55-3 | Sonata for Violin and Piano no. 8 in G major, op. 30 no. 3: III. Allegro vivace | Augustin Dumay, Maria João Pires | — | |
| 55-4 | Sonata for Violin and Piano no. 9 in A major, op. 47 "Kreutzer": I. Adagio sostenuto - Presto | Augustin Dumay, Maria João Pires | — | |
| 55-5 | Sonata for Violin and Piano no. 9 in A major, op. 47 "Kreutzer": II. Andante con variazioni | Augustin Dumay, Maria João Pires | — | |
| 55-6 | Sonata for Violin and Piano no. 9 in A major, op. 47 "Kreutzer": III. Finale. Presto | Augustin Dumay, Maria João Pires | — | |
| 55-7 | Sonata for Violin and Piano no. 10 in G major, op. 96: I. Allegro moderato | Augustin Dumay, Maria João Pires | — | |
| 55-8 | Sonata for Violin and Piano no. 10 in G major, op. 96: II. Adagio espressivo | Augustin Dumay, Maria João Pires | — | |
| 55-9 | Sonata for Violin and Piano no. 10 in G major, op. 96: III. Scherzo. Allegro | Augustin Dumay, Maria João Pires | — | |
| 55-10 | Sonata for Violin and Piano no. 10 in G major, op. 96: IV. Poco allegretto | Augustin Dumay, Maria João Pires | — | |
| 56-1 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-2 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-3 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-4 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-5 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-6 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-7 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-8 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-9 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-10 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-11 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-12 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-13 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | Martha Argerich, Mischa Maisky | — | |
| 56-14 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-ii. Allegro | Martha Argerich, Mischa Maisky | — | |
| 56-15 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-ii. Allegro | Martha Argerich, Mischa Maisky | — | |
| 56-16 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-ii. Allegro | Martha Argerich, Mischa Maisky | — | |
| 56-17 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-ii. Allegro | Martha Argerich, Mischa Maisky | — | |
| 56-18 | Cello Sonata no. 2 in G minor, op. 5, no. 2: I. Adagio sostenuto ed expressivo | Martha Argerich, Mischa Maisky | — | |
| 56-19 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I-ii. Allegro molto più tosto presto | Martha Argerich, Mischa Maisky | — | |
| 56-20 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Martha Argerich, Mischa Maisky | — | |
| 56-21 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 56-22 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 1: Variation I | Martha Argerich, Mischa Maisky | — | |
| 56-23 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 56-24 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: IV. Variation III | Martha Argerich, Mischa Maisky | — | |
| 56-25 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 4: Variation IV | Martha Argerich, Mischa Maisky | — | |
| 56-26 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 56-27 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 56-28 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 57-1 | Sonata for Piano and Cello no. 3 in A major, op. 69: I. Allegro ma non tanto | Martha Argerich, Mischa Maisky | T-318.567.058-6 | |
| 57-2 | Sonata for Piano and Cello no. 3 in A major, op. 69: II. Scherzo. Allegro molto | Martha Argerich, Mischa Maisky | T-329.454.787-4 | |
| 57-3 | Sonata for Piano and Cello no. 3 in A major, op. 69: III. Adagio cantabile | Martha Argerich, Mischa Maisky | T-001.397.158-8 | |
| 57-4 | Sonata for Piano and Cello no. 3 in A major, op. 69: IV. Allegro vivace | Martha Argerich, Mischa Maisky | T-909.238.805-1 | |
| 57-5 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: I. Andante | Martha Argerich, Mischa Maisky | — | |
| 57-6 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: II. Allegro vivace | Martha Argerich, Mischa Maisky | — | |
| 57-7 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: III. Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-8 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: IV. Allegro vivace | Martha Argerich, Mischa Maisky | — | |
| 57-9 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Martha Argerich, Mischa Maisky | — | |
| 57-10 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Martha Argerich, Mischa Maisky | — | |
| 57-11 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Martha Argerich, Mischa Maisky | — | |
| 57-12 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-13 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-14 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-15 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-16 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-17 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-18 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-19 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-20 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-21 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-22 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-23 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 57-24 | Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio | Martha Argerich, Mischa Maisky | — | |
| 58-1 | 6 Themes with Variations for Piano and Flute or Violin ad libitum, op. 105: 1. Air écossais: “The Cottage Maid”: Tema. Andantino quasi Allegretto - Var. I-II - Var. III. Allegro - Tempo I | — | ||
| 58-2 | 6 Themes with Variations for Piano and Flute or Violin ad libitum, op. 105: 2. Air écossais: “Von edlem Geschlecht war Schinkin”: Tema. Allegretto scherzoso - Var. I-II - Var. III. Allegretto - Allegro | — | ||
| 58-3 | 6 Themes with Variations for Piano and Flute or Violin ad libitum, op. 105: 3. Air autrichien: “A Schüsserl und a Reindl”: Tema. Andantino - Var. I-IV - Var. V. Adagio sostenuto, ma non troppo - Var. VI. Andante con moto | — | ||
| 58-4 | 6 Themes with Variations for Piano and Flute or Violin ad libitum, op. 105: 4. Air écossais: “The Last Rose of Summer”: Tema. Andante espressive assai - Var. I-III | — | ||
| 58-5 | 6 Themes with Variations for Piano and Flute or Violin ad libitum, op. 105: 5. Air écossais: “Chiling O'Guiry”: Tema. Allegretto spiritoso - Var. I-II - Var. III. Allegro assai | — | ||
| 58-6 | 6 Themes with Variations for Piano and Flute or Violin ad libitum, op. 105: 6. Air écossais: “Paddy Whack”: Tema. Allegretto più tosto vivace - Var. I-IV | — | ||
| 58-7 | 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 1. Air tirolien: “I bin a Tiroler Bua”: Tema. Moderato - Var. I-III - Var. IV. Allegro | — | ||
| 58-8 | 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 2. Air écossais: “Bonnie Laddie, Highland Laddie”: Tema. Allegretto, quasi vivace - Var. I-III - Var. IV. Andante mosso, alla Siciliano - Allegro | — | ||
| 58-9 | 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 3. Volkslied aus Kleinrussland: tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I | — | ||
| 58-10 | 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 4. Air écossais “St. Patrick's Day”: Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I | — | ||
| 58-11 | 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 5. Air tirolien: “A Madel, ja a Madel”: Tema. Moderato - Var. I-II - Var. III Maestoso - Allegro | — | ||
| 58-12 | 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 6. Air écossais: “Peggy's Daughter”: Tema. Andante comodo - Var. I-III - Var. IV. Vivace | — | ||
| 58-13 | 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 7. Air russe: “Schöne Minka”: Tema. Andante - Var. I-IV - Var. V . Andante moderato - Var. VI. Allegro - Adagio - Andante comodo - Poco vivace | — | ||
| 58-14 | 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 8. Air écossais: “O Mary at thy window be”: Tema. Andantino quasi Allegretto - Var. I-III - Var. IV. Un poco più mosso - Allegro assai | — | ||
| 58-15 | 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 9. Air écossais: “Oh, Thou art the Lad of my Heart”: Tema. Allegretto più tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace | — | ||
| 58-16 | 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107: 10. Air écossais: “The Highland Watch”: Tema. Spirituoso e marziale - Var. I-II - Var. III. Più moto - Var. IV. Adagio espressivo - Var. V. Allegro | — | ||
| 58-17 | Duo for 2 Flutes in G, WoO 26: Allegro con brio | — | ||
| 58-18 | Duo for 2 Flutes in G, WoO 26: Minuetto quasi Allegretto | — | ||
| 59-1 | Horn Sonata in F major, op. 17: I. Allegro moderato | Vladimir Ashkenazy, Barry Tuckwell | — | |
| 59-2 | Horn Sonata in F major, op. 17: II. Poco adagio, quasi andante | Vladimir Ashkenazy, Barry Tuckwell | — | |
| 59-3 | Horn Sonata in F major, op. 17: III. Rondo: Allegro moderato | Vladimir Ashkenazy, Barry Tuckwell | — | |
| 59-4 | Sonatina for Mandolin and Piano in c, WoO 43a: Adagio | — | ||
| 59-5 | Adagio for Mandolin and Piano in E-flat, WoO 43b: Adagio (ma non troppo) | — | ||
| 59-6 | Sonatina for Mandolin and Piano in C, WoO 44a: Allegro | — | ||
| 59-7 | Variations for Mandolin and Piano in D, WoO 44b: Andante con Variazioni | — | ||
| 59-8 | Duet for Viola and Cello in E-flat, WoO 32 “Duet with Two Obbligato Eyeglasses”: I. Allegro | — | ||
| 59-9 | Duet for Viola and Cello in E-flat, WoO 32 “Duet with Two Obbligato Eyeglasses”: II. Allegretto | — | ||
| 59-10 | Piece for 2 Violins in A, WoO 34 | — | ||
| 59-11 | Small Piece in A (probably for 2 violins), WoO 35 | — | ||
| 59-12 | Sonata for Piano and (Horn or) Cello in F, op. 17: I. Allegro moderato | — | ||
| 59-13 | Sonata for Piano and (Horn or) Cello in F, op. 17: II. Poco Adagio, quasi Andante | — | ||
| 59-14 | Sonata for Piano and (Horn or) Cello in F, op. 17: III. Rondo. Allegro moderato | — | ||
| 60-1 | Piano Trio no. 9 in E-flat, WoO 38: I. Allegro moderato | — | ||
| 60-2 | Piano Trio no. 9 in E-flat, WoO 38: II. Scherzo. Allegro ma non troppo | — | ||
| 60-3 | Piano Trio no. 9 in E-flat, WoO 38: III. Rondo. Allegretto | — | ||
| 60-4 | Piano Trio no. 1 in E-flat, op. 1 no. 1: I. Allegro | — | ||
| 60-5 | Piano Trio no. 1 in E-flat, op. 1 no. 1: II. Adagio cantabile | — | ||
| 60-6 | Piano Trio no. 1 in E-flat, op. 1 no. 1: III. Scherzo. Allegro assai | — | ||
| 60-7 | Piano Trio no. 1 in E-flat, op. 1 no. 1: IV. Finale. Presto | — | ||
| 60-8 | Piano Trio no. 2 in G, op. 1 no. 2: I. Adagio - Allegro vivace | — | ||
| 60-9 | Piano Trio no. 2 in G, op. 1 no. 2: II. Largo con espressione | — | ||
| 60-10 | Piano Trio no. 2 in G, op. 1 no. 2: III. Scherzo. Allegro | — | ||
| 60-11 | Piano Trio no. 2 in G, op. 1 no. 2: IV. Finale. Presto | — | ||
| 60-12 | Trio Movement in E-flat, Unv 9 [Hess 48]: Allegretto | — | ||
| 61-1 | Piano Trio no. 3 in c, op. 1 no. 3: I. Allegro con brio | — | ||
| 61-2 | Piano Trio no. 3 in c, op. 1 no. 3: II. Andante cantabile con variazioni | — | ||
| 61-3 | Piano Trio no. 3 in c, op. 1 no. 3: III. Menuetto. Quasi Allegro | — | ||
| 61-4 | Piano Trio no. 3 in c, op. 1 no. 3: IV. Finale. Prestissimo | — | ||
| 61-5 | Piano Trio no. 5 in D, op. 70 no. 1 “Ghost”: I. Allegro vivace e con brio | — | ||
| 61-6 | Piano Trio no. 5 in D, op. 70 no. 1 “Ghost”: II. Large assai ed espressivo | — | ||
| 61-7 | Piano Trio no. 5 in D, op. 70 no. 1 “Ghost”: III. Presto | — | ||
| 61-8 | Piano Trio no. 6 in E-flat, op. 70 no. 2: I. Poco sostenuto - Allegro ma non troppo | — | ||
| 61-9 | Piano Trio no. 6 in E-flat, op. 70 no. 2: II. Allegretto | — | ||
| 61-10 | Piano Trio no. 6 in E-flat, op. 70 no. 2: III. Allegretto ma non troppo | — | ||
| 61-11 | Piano Trio no. 6 in E-flat, op. 70 no. 2: IV. Finale. Allegro | — | ||
| 62-1 | 14 Variations for Piano, Violin and Cello on “Ja, ich muss mich von ihr scheiden“ from the Opera “Das rote Käppchen” by Carl Ditters von Dittersdorf (Piano Trio no. 10 in E-flat), op. 44: Tema. Andante - Var. I-XIV - Andante | — | ||
| 62-2 | 10 Variations for Piano, Violin and Cello on the Song “Ich bin der Schneider Kakadu” from Wenzel Müller's Singspiel “Die Schwestern von Prag” (Piano Trio no. 11 in G), op. 121a: Introduzione. Adagio assai - Tema. Allegretto - Var. I-VIII - Var. IX. Adagio espressivo - Var. X. Presto | — | ||
| 62-3 | Piano Trio no. 8 in B-flat, WoO 39: Allegretto | — | ||
| 62-4 | Piano Trio no. 7 in B-flat, op. 97 “Archduke”: I. Allegro moderato | — | ||
| 62-5 | Piano Trio no. 7 in B-flat, op. 97 “Archduke”: II. Scherzo. Allegro | — | ||
| 62-6 | Piano Trio no. 7 in B-flat, op. 97 “Archduke”: III. Andante cantabile - Poco più adagio - Tempo I | — | ||
| 62-7 | Piano Trio no. 7 in B-flat, op. 97 “Archduke”: IV. Allegro moderato | — | ||
| 63-1 | Piano Trio no. 4 in B-flat (for Piano, Violin and Cello), op. 11 “Gassenhauer”: I. Allegro con brio | — | ||
| 63-2 | Piano Trio no. 4 in B-flat major, op. 11 “Gassenhauer”: II. Adagio | Beaux Arts Trio | T-001.397.158-8 | |
| 63-3 | Piano Trio no. 4 in B-flat (for Piano, Violin and Cello), op. 11 “Gassenhauer”: III. Tema “Pria ch'io l'impegno”. Allegretto - Allegro | — | ||
| 63-4 | Piano Trio in E-flat, op. 38 (after the Septet op. 20): I. Adagio - Allegro con brio | — | ||
| 63-5 | Piano Trio in E-flat, op. 38 (after the Septet op. 20): II. Adagio cantabile | — | ||
| 63-6 | Piano Trio in E-flat, op. 38 (after the Septet op. 20): III. Tempo di menuetto | — | ||
| 63-7 | Piano Trio in E-flat, op. 38 (after the Septet op. 20): IV. Andante con variazioni | — | ||
| 63-8 | Piano Trio in E-flat, op. 38 (after the Septet op. 20): V. Scherzo. Allegro molto e vivace | — | ||
| 63-9 | Piano Trio in E-flat, op. 38 (after the Septet op. 20): VI. Andante con moto alla marcia - Presto | — | ||
| 63-10 | Piano Trio no. 4 in B-flat (for Piano, Clarinet and Cello), op. 11 “Gassenhauer”: I. Allegro con brio | — | ||
| 63-11 | Piano Trio no. 4 in B-flat (for Piano, Clarinet and Cello), op. 11 “Gassenhauer”: II. Adagio | — | ||
| 63-12 | Piano Trio no. 4 in B-flat (for Piano, Clarinet and Cello), op. 11 “Gassenhauer”: III. Tema “Pria ch'io l'impegno”. Allegretto - Allegro | — | ||
| 64-1 | Trio for Piano, Flute and Bassoon in G, WoO 37: I. Allegro | — | ||
| 64-2 | Trio for Piano, Flute and Bassoon in G, WoO 37: II. Adagio | — | ||
| 64-3 | Trio for Piano, Flute and Bassoon in G, WoO 37: III. Tema andante con Variazioni | — | ||
| 64-4 | Trio for 2 Oboes and Cor anglais in C, op. 87: I. Allegro | — | ||
| 64-5 | Trio for 2 Oboes and Cor anglais in C, op. 87: II. Adagio cantabile | — | ||
| 64-6 | Trio for 2 Oboes and Cor anglais in C, op. 87: III. Menuetto. Allegro molto. Scherzo | — | ||
| 64-7 | Trio for 2 Oboes and Cor anglais in C, op. 87: IV. Finale. Presto | — | ||
| 64-8 | 8 Variations for 2 Oboes and Cor anglais in C on “Là ci darem la mano” from Mozart's Opera “Don Giovanni”, WoO 28: Thema. Andante / Variation I. Allegretto / Variation II. L'istesso tempo / Variation III. Andante / Variation IV. Allegro moderato / Variation V. Moderato / Variation VI. Lento espressivo / Variation VII. Allegretto scherzando / Variation VIII. Allegretto giocoso / Coda. Vivace - Andante | — | ||
| 65-1 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: I. Allegro con brio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 65-2 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: II. Andante | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 65-3 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: III. Menuetto. Allegretto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 65-4 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: IV. Adagio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 65-5 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: V. Menuetto. Moderato | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 65-6 | Trio for Violin, Viola, and Cello in E-flat major, op. 3: VI. Finale. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-802.326.793-9 | |
| 65-7 | Serenade for Violin, Viola, and Cello in D major, op. 8: I. Marcia. Allegro - Adagio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-915.714.772-3 | |
| 65-8 | Serenade for Violin, Viola, and Cello in D major, op. 8: II. Menuetto. Allegretto - Trio - Coda | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-912.972.346-2 | |
| 65-9 | Serenade for Violin, Viola, and Cello in D major, op. 8: III. Adagio - Scherzo. Allegro molto - Adagio - Allegro molto - Adagio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 65-10 | Serenade for Violin, Viola, and Cello in D major, op. 8: IV. Allegretto alla Polacca | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 65-11 | Serenade for Violin, Viola, and Cello in D major, op. 8: V. Thema con Variazioni. Andante quasi allegretto - Var. I-IV - Marcia. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-1 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: I. Adagio - Allegro con brio | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-2 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: II. Adagio, ma non tanto, e cantabile | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-3 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: III. Scherzo. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-4 | Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: IV. Presto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | T-312.542.381-2 | |
| 66-5 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: I. Allegretto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-6 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: II. Andante quasi allegretto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-7 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: III. Menuetto. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-8 | Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: IV. Rondo. Allegro | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-9 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: I. Allegro con spirito | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-10 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: II. Adagio con espressione | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-11 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: III. Scherzo. Allegro molto e vivace | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 66-12 | Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: IV. Finale. Presto | Anne-Sophie Mutter, Bruno Giuranna, Mstislav Rostropovich | — | |
| 67-1 | Serenade for Flute, Violin and Viola in D, op. 25: I. Entrada. Allegro | — | ||
| 67-2 | Serenade for Flute, Violin and Viola in D, op. 25: II. Tempo ordinario d'un Minuetto | — | ||
| 67-3 | Serenade for Flute, Violin and Viola in D, op. 25: III. Allegro molto | — | ||
| 67-4 | Serenade for Flute, Violin and Viola in D, op. 25: IV. Andante con Variazioni | — | ||
| 67-5 | Serenade for Flute, Violin and Viola in D, op. 25: V. Allegro scherzando e vivace | — | ||
| 67-6 | Serenade for Flute, Violin and Viola in D, op. 25: VI. Adagio - Allegro vivace e disinvolto | — | ||
| 67-7 | Prelude and Fugue for 2 Violins and Cello in e, Hess 29: I. Prelude | — | ||
| 67-8 | Prelude and Fugue for 2 Violins and Cello in e, Hess 29: II. Fugue | — | ||
| 67-9 | 6 Minuets for 2 Violins and Bass, WoO 9: no. 1 in E-flat | — | ||
| 67-10 | 6 Minuets for 2 Violins and Bass, WoO 9: no. 2 in G | — | ||
| 67-11 | 6 Minuets for 2 Violins and Bass, WoO 9: no. 3 in C | — | ||
| 67-12 | 6 Minuets for 2 Violins and Bass, WoO 9: no. 4 in F | — | ||
| 67-13 | 6 Minuets for 2 Violins and Bass, WoO 9: no. 5 in D | — | ||
| 67-14 | 6 Minuets for 2 Violins and Bass, WoO 9: no. 5 in G | — | ||
| 67-15 | 6 Ländler for 2 Violins and Bass, WoO 15: no. 1 in D | — | ||
| 67-16 | 6 Ländler for 2 Violins and Bass, WoO 15: no. 2 in D | — | ||
| 67-17 | 6 Ländler for 2 Violins and Bass, WoO 15: no. 3 in D | — | ||
| 67-18 | 6 Ländler for 2 Violins and Bass, WoO 15: no. 4 in d | — | ||
| 67-19 | 6 Ländler for 2 Violins and Bass, WoO 15: no. 5 in D | — | ||
| 67-20 | 6 Ländler for 2 Violins and Bass, WoO 15: no. 6 in D | — | ||
| 68-1 | String Quartet no. 3 in D major, op. 18 no. 3: I. Allegro | Emerson String Quartet | — | |
| 68-2 | String Quartet no. 3 in D major, op. 18 no. 3: II. Andante con moto | Emerson String Quartet | — | |
| 68-3 | String Quartet no. 3 in D major, op. 18 no. 3: III. Allegro | Emerson String Quartet | — | |
| 68-4 | String Quartet no. 3 in D major, op. 18 no. 3: IV. Presto | Emerson String Quartet | T-003.055.867-8 | |
| 68-5 | String Quartet no. 1 in F major, op. 18 no. 1: I. Allegro con brio | Emerson String Quartet | — | |
| 68-6 | String Quartet no. 1 in F major, op. 18 no. 1: II. Adagio affettuoso ed appassionato | Emerson String Quartet | — | |
| 68-7 | String Quartet no. 1 in F major, op. 18 no. 1: III. Scherzo: Allegro molto | Emerson String Quartet | — | |
| 68-8 | String Quartet no. 1 in F major, op. 18 no. 1: IV. Allegro | Emerson String Quartet | T-003.055.867-8 | |
| 68-9 | String Quartet no. 2 in G major, op. 18 no. 2: I. Allegro | Emerson String Quartet | — | |
| 68-10 | String Quartet no. 2 in G major, op. 18 no. 2: II. Adagio cantabile - Allegro - Tempo I | Emerson String Quartet | T-001.397.158-8 | |
| 68-11 | String Quartet no. 2 in G major, op. 18 no. 2: III. Scherzo: Allegro | Emerson String Quartet | — | |
| 68-12 | String Quartet no. 2 in G major, op. 18 no. 2: IV. Allegro molto, quasi presto | Emerson String Quartet | — | |
| 69-1 | String Quartet no. 4 in C minor, op. 18 no. 4: I. Allegro ma non tanto | Emerson String Quartet | — | |
| 69-2 | String Quartet no. 4 in C minor, op. 18 no. 4: II. Andante scherzoso quasi allegretto | Emerson String Quartet | — | |
| 69-3 | String Quartet no. 4 in C minor, op. 18 no. 4: III. Menuetto: Allegretto | Emerson String Quartet | T-700.095.171-5 | |
| 69-4 | String Quartet no. 4 in C minor, op. 18 no. 4: IV. Allegro - Prestissimo | Emerson String Quartet | T-003.055.867-8 | |
| 69-5 | String Quartet no. 5 in A major, op. 18 no. 5: I. Allegro | Emerson String Quartet | — | |
| 69-6 | String Quartet no. 5 in A major, op. 18 no. 5: II. Menuetto | Emerson String Quartet | — | |
| 69-7 | String Quartet no. 5 in A major, op. 18 no. 5: III. Andante cantabile | Emerson String Quartet | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| String Quartet no. 5 in A major, op. 18 no. 5: IV. Allegro | Emerson String Quartet | T-003.055.867-8 |
| String Quartet no. 6 in B-flat major, op. 18 no. 6: I. Allegro con brio | Emerson String Quartet | — |
| String Quartet no. 6 in B-flat major, op. 18 no. 6: II. Adagio ma non troppo | Emerson String Quartet | — |
| String Quartet no. 6 in B-flat major, op. 18 no. 6: III. Scherzo: Allegro | Emerson String Quartet | — |
| String Quartet no. 6 in B-flat major, op. 18 no. 6: IV. "La Malinconia": Adagio - Allegretto quasi allegro | Emerson String Quartet | — |
| String Quartet no. 7 in F major, op. 59 "Razumovsky" no. 1: I. Allegro | Emerson String Quartet | — |
| String Quartet no. 7 in F major, op. 59 "Razumovsky" no. 1: II. Allegretto vivace e sempre scherzando | Emerson String Quartet | — |
| String Quartet no. 7 in F major, op. 59 "Razumovsky" no. 1: III. Adagio molto e mesto - attacca- | Emerson String Quartet | — |
| String Quartet no. 7 in F major, op. 59 "Razumovsky" no. 1: IV. "Theme russe": Allegro | Emerson String Quartet | — |
| String Quartet no. 8 in E minor, op. 59 "Razumovsky" no. 2: I. Allegro | Emerson String Quartet | — |
| String Quartet no. 8 in E minor, op. 59 "Razumovsky" no. 2: II. Molto Adagio: Si tratta questo pezzo con molto di sentimento | Emerson String Quartet | — |
| String Quartet no. 8 in E minor, op. 59 "Razumovsky" no. 2: III. Allegretto - Maggiore ("Theme russe") | Emerson String Quartet | — |
| String Quartet no. 8 in E minor, op. 59 "Razumovsky" no. 2: IV. Finale: Presto | Emerson String Quartet | T-003.055.867-8 |
| String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: I. Introduzione: Andante con moto - Allegro vivace | Emerson String Quartet | — |
| String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: II. Andante con moto quasi allegretto | Emerson String Quartet | — |
| String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: III. Menuetto grazioso - attacca | Emerson String Quartet | T-700.095.171-5 |
| String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: IV. Allegro molto | Emerson String Quartet | T-329.454.787-4 |
| String Quartet no. 10 in E-flat major, op. 74 "Harp": I. Poco adagio - Allegro | Emerson String Quartet | T-915.714.772-3 |
| String Quartet no. 10 in E-flat major, op. 74 "Harp": II. Adagio ma non troppo | Emerson String Quartet | — |
| String Quartet no. 10 in E-flat major, op. 74 "Harp": III. Presto - Piu presto quasi prestissimo - attacca | Emerson String Quartet | — |
| String Quartet no. 10 in E-flat major, op. 74 "Harp": IV. Allegretto con variazioni | Emerson String Quartet | — |
| Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): I. Allegro con brio | Hagen Quartett | — |
| Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): II. Adagio molto | Hagen Quartett | — |
| Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): III. Scherzo. Allegro | Hagen Quartett | — |
| Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): IV. Allegretto | Hagen Quartett | — |
| Minuet for 2 Violins, Viola, and Cello in A-flat major, Hess 33 | Hagen Quartett | — |
| Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (transcribed from "Sonata for Piano, Op. 14 No. 1"): I. Allegro moderato | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (transcribed from "Sonata for Piano, Op. 14 No. 1"): II. Allegretto | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (transcribed from "Sonata for Piano, Op. 14 No. 1"): III. Allegro | Amadeus Quartet | — |
| Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: I. Adagio assai | Christoph Eschenbach, Mitglieder des Amadeus-Quartett | — |
| Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: II. Allegro con spirito | Christoph Eschenbach, Mitglieder des Amadeus-Quartett | — |
| Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: III. Tema. Cantabile - Variazioni I-VI - Tema. Allegretto | Christoph Eschenbach, Mitglieder des Amadeus-Quartett | — |
| Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: I. Allegro moderato | Christoph Eschenbach, Mitglieder des Amadeus-Quartett | — |
| Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: II. Andante con moto | Christoph Eschenbach, Mitglieder des Amadeus-Quartett | — |
| Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: III. Rondo. Allegro | Christoph Eschenbach, Mitglieder des Amadeus-Quartett | — |
| Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: I. Allegro vivace | Christoph Eschenbach, Mitglieder des Amadeus-Quartett | — |
| Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: II. Adagio con espressione | Christoph Eschenbach, Mitglieder des Amadeus-Quartett | — |
| Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: III. Rondo. Allegro | Christoph Eschenbach, Mitglieder des Amadeus-Quartett | — |
| Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, op. 16: I. Grave - Allegro ma non troppo | Radu Lupu, George Pieterson, Brian Pollard, Han de Vries, Vicente Zarzo | — |
| Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, op. 16: II. Andante cantabile | Radu Lupu, George Pieterson, Brian Pollard, Han de Vries, Vicente Zarzo | T-322.688.088-8 |
| Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, op. 16: III. Rondo. Allegro ma non troppo | Radu Lupu, George Pieterson, Brian Pollard, Han de Vries, Vicente Zarzo | — |
| Sextet in E-flat, op. 81b for 2 Violins, Viola, Cello and 2 Horns: Allegro con brio | Hermann Baumann, Vladimir Dshambasov, Gewandhaus-Quartett, Dietmar Hallmann, Conrad Suske, Karl Suske, Jürnjakob Timm | — |
| Sextet in E-flat, op. 81b for 2 Violins, Viola, Cello and 2 Horns: Adagio | Hermann Baumann, Vladimir Dshambasov, Gewandhaus-Quartett, Dietmar Hallmann, Conrad Suske, Karl Suske, Jürnjakob Timm | — |
| Sextet in E-flat, op. 81b for 2 Violins, Viola, Cello and 2 Horns: Rondo (Allegro) | Hermann Baumann, Vladimir Dshambasov, Gewandhaus-Quartett, Dietmar Hallmann, Conrad Suske, Karl Suske, Jürnjakob Timm | — |
| 25 Scottish Songs, op. 108 no. 9 "Behold, my love, how green the groves" | Sir Thomas Allen, Catrin Wyn Davies, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 10. Sympathy | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 11 "Oh! thou art the lad of my heart, Willy" | Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 12 "Oh, had my fate been join’d with thine" | Sir Thomas Allen, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 13 "Come fill, fill, my good fellow!" | Sir Thomas Allen, Timothy Robinson, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 14 "O, how can I be blithe and glad" | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 15 "O cruel was my father" | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 16 "Could this ill world have been contriv’d" | Sir Thomas Allen, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 1. Music, Love and Wine | John Mark Ainsley, Sir Thomas Allen, Catrin Wyn Davies, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 2. Sunset | Sir Thomas Allen, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 3 "O sweet were the hours" | Sir Thomas Allen, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 4. The Maid of Isla | Christopher Maltman, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 5 "The sweetest lad was Jamie" | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 6 "Dim, dim is my eye" | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 7. Bonny Laddie, Highland Laddie | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 8 "The lovely lass of Inverness" | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 17 "O Mary, at thy window be" | Christopher Maltman, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 18 "Enchantress, farewell" | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 19 "O swiftly glides the bonny boat" | Sir Thomas Allen, Ruby Philogene, Timothy Robinson, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 20. Faithfu’ Johnie | Sir Thomas Allen, Ruby Philogene, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 21. Jeanie’s Distress | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 22. The Highland Watch | Sir Thomas Allen, Timothy Robinson, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 23. The Shepherd’s Song | Christopher Maltman, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 24 "Again, my Lyre, yet once again" | Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Scottish Songs, op. 108 no. 25. Sally in our Alley | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 1. The Return to Ulster | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 7 "His boat comes on the sunny tide" | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 4 "The morning air plays on my face" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 2. Sweet Power of Song! | John Mark Ainsley, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 5. On the Massacre of Glencoe | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 10. The Deserter | John Mark Ainsley, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 12. English Bulls (A.K.A. The Irishman in London) | John Mark Ainsley, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 6 "What shall I do to shew her how much I love her?" | John Mark Ainsley, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 21 "Morning a cruel turmoiler is" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 3 "Once more I hail thee" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 8 "Come draw we round a cheerful ring" | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 9 "Our bugles sung truce" (A.K.A. The Soldier’s Dream) | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 18 "They bid me slight my dermot dear" | John Mark Ainsley, Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 13 "Musing on the roaring ocean" | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 14. Dermot and Shelah | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 25 "O harp of Erin" | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 22 "From Garyone, my happy home" | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 11 "Thou emblem of faith" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 15 "Let brain-spinning swains" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 16 "Hide not thy anguish" | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 19. Wife, Children and Friends | John Mark Ainsley, Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 17 "In vain to this desert my fate I deplore" | Sir Thomas Allen, Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 23 "A wand’ring gypsey, Sirs, am I" | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 20 "Farewell bliss and farewell Nancy" | John Mark Ainsley, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 25 Irish Songs, WoO 152 no. 24. The Traugh Welcome | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 6 "Sad and luckless was the season" | Toby Spence, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 3. The British Light Dragoons (A.K.A. The Plain of Badajos) | Toby Spence, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 1 "When eve’s last rays in twilight die" | Christopher Maltman, Toby Spence, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 4 "Since greybeards inform us that youth will decay" | Ruby Philogene, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 2 "No riches from his scanty store" | Ruby Philogene, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 5 "I dream’d I lay where flow’rs were springing" | Christopher Maltman, Ruby Philogene, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 9 "The kiss, dear maid, thy lip has left" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 7 "O soothe me, my lyre" | Ruby Philogene, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 15 "’Tis but in vain, for nothing thrives" | Ruby Philogene, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 11 "When far from the home" | Ruby Philogene, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 13 "’Tis sunshine at last" | Toby Spence, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 8. Norah of Balamagairy "Farewell mirth and hilarity" | Felicity Lott, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 19 "Judy, lovely matchless creature" | Toby Spence, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 12 "I’ll praise the saints with early song" | Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 18 "No more, my Mary, I sigh for splendour" | Toby Spence, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 20 "Thy ship must sail, my Henry dear" | Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 14. Paddy O’Rafferty | Ruby Philogene, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 16 "O might I but my Patrick love!" | Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 10 "Oh! Thou hapless soldier" | Felicity Lott, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 20 Irish Songs, WoO 153 no. 17 "Come, Darby dear! easy, be easy" | Ruby Philogene, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 2: "O harp of Erin" | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 12: "He promised me at parting" | John Mark Ainsley, Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 4: "The pulse of an Irishman" | Sir Thomas Allen, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 3: "The farewell song" | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 8: "Save me from the grave and wise" | Sir Thomas Allen, Ann Murray, Toby Spence, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 9: "O would I were but that sweet linnet!" | John Mark Ainsley, Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 10: "The hero may perish" | John Mark Ainsley, Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 6: "Put round the bright wine" | Sir Thomas Allen, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 5: "O who, my dear Dermot" | Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 7: "From Garyone, my happy home" | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 11: "The soldier in a foreign land" | John Mark Ainsley, Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 12 Irish Songs, WoO 154 no. 1: "The elfin fairies" | Ruby Philogene, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 1: "God save the king" | Sir Thomas Allen, Timothy Robinson, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 2: "The soldier" | Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 3: "Charlie is my darling" | Sir Thomas Allen, Ann Murray, Ruby Philogene, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 4: "O Sanctissima" | Sir Thomas Allen, Ruby Philogene, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 5: "The miller of Dee" | John Mark Ainsley, Sir Thomas Allen, Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 6: "A health to the brave" | Sir Thomas Allen, Ann Murray, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 9: "Highlander’s lament" | Sir Thomas Allen, Timothy Robinson, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 8: "By the side of the shannon" | Sir Thomas Allen, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 11: "The wandering minstrel" | Sir Thomas Allen, Timothy Robinson, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 10: "Sir Johnnie Cope" | John Mark Ainsley, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 7: "Robin Adair" | Sir Thomas Allen, Timothy Robinson, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 12 Songs of Various Nationalities, WoO 157 no. 12: "La gondoletta" | John Mark Ainsley, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 1: "Sion, the son of Evan" | Catrin Wyn Davies, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 4: "Love without hope" | John Mark Ainsley, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 17: "The dairy house" | John Mark Ainsley, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 15: "When mortals all to rest retire" | Ruby Philogene, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 3: "The cottage maid" | Catrin Wyn Davies, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 14: "The dream" | John Mark Ainsley, Catrin Wyn Davies, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 7: "Oh let the night my blushes hide" | Ruby Philogene, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 19: "The vale of Clwyd" | Catrin Wyn Davies, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 11: "Merch Megan" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 2: "The monks of Bangor’s march" | Catrin Wyn Davies, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 10: "Ned Pugh’s farewell" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 13. "Helpless woman" | Ruby Philogene, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 20: "To the blackbird" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 16: "The damsels of Cardigan" | Ruby Philogene, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 9: "To the Aeolian harp" | John Mark Ainsley, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 12: "Waken lords and ladies gay" | Catrin Wyn Davies, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 22: "Constancy" | Catrin Wyn Davies, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 5: "The golden robe" | Catrin Wyn Davies, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 6: "The fair maid of Mona" | Catrin Wyn Davies, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 8: "Farewell, farewell thou noisy town" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 18: "Sweet Richard" | John Mark Ainsley, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 21: "Cupid’s kindness" | Catrin Wyn Davies, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 23: "The old strain" | Ruby Philogene, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 24: "Three hundred pounds" | Ruby Philogene, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 25: "The parting kiss" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 26 Welsh Songs, WoO 155 no. 26: "Good night" | Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 4: "Ye shepherds of this pleasant vale" | John Mark Ainsley, Sir Thomas Allen, Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 3: "Up! Quit thy bower" | Sir Thomas Allen, Felicity Lott, Ruby Philogene, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 7: "Polly Stewart" | Sir Thomas Allen, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 10: "Glencoe" | John Mark Ainsley, Sir Thomas Allen, Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 2: "Duncan Gray" | John Mark Ainsley, Sir Thomas Allen, Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 8: "Womankind" | John Mark Ainsley, Sir Thomas Allen, Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 1: "The banner of Buccleuch" | John Mark Ainsley, Sir Thomas Allen, Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 6: "Highland Harry" | Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 12: "The quaker’s wife" | John Mark Ainsley, Sir Thomas Allen, Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 9: "Lochnagar" | John Mark Ainsley, Sir Thomas Allen, Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 5: "Cease your funning" | Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith | — |
| 12 Scottish Songs, WoO 156 no. 11: "Auld lang syne" | John Mark Ainsley, Sir Thomas Allen, Felicity Lott, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 7 British Songs, WoO 158b no. 1: "Adieu, my lov’d harp" | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 7 British Songs, WoO 158b no. 7: "Lament for Owen Roe O’Neill" | Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 7 British Songs, WoO 158b no. 5: "Erin! O Erin!" | Timothy Robinson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 7 British Songs, WoO 158b no. 4: "Red gleams the sun on yon hill tap" | Timothy Robinson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 7 British Songs, WoO 158b no. 2: "Castle O’Neill" | Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 7 British Songs, WoO 158b no. 6: "O Mary, ye’s be clad in silk" | Timothy Robinson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 7 British Songs, WoO 158b no. 3: "O was not I a weary wight! (Oh Ono Chri!)" | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 6 Songs of Various Nationalities, WoO 158c no. 3: "Mark yonder pomp of costly fashion" | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 6 Songs of Various Nationalities, WoO 158c no. 1: "When my hero in court appears" | Sarah Walker, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 6 Songs of Various Nationalities, WoO 158c no. 4: "Bonnie wee thing" | Sir Thomas Allen, Catrin Wyn Davies, Ruby Philogene, Malcolm Martineau | — |
| 6 Songs of Various Nationalities, WoO 158c no. 5: "From thee, Eliza, I must go" | John Mark Ainsley, Sir Thomas Allen, Catrin Wyn Davies, Elizabeth Layton, Malcolm Martineau, Ursula Smith | — |
| 6 Songs of Various Nationalities, WoO 158c no. 6: [untitled] | Malcolm Martineau, Krysia Osostowicz, Ursula Smith | T-070.160.313-5 |
| 6 Songs of Various Nationalities, WoO 158c no. 2: "Non, non, Colette n’est Point Trompeuse" | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 6: "A Madel, ja a Madel" | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 21: "Tiranilla Española" | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 7: "Wer solche buema bfipackt" | Christopher Maltman, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 2: "Horch auf, mein Liebchen" | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 10: "Poszła baba po popiłół" | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 16: "Schöne minka, ich Muss Scheiden" | Sir Thomas Allen, Ruby Philogene, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 18: "An ä bergli bin I gesässe" | Ruby Philogene, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 15: "Kak pošli naši podružki" | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 5: "Teppichkrämer-lied" | Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 14: "Akh, rečen’ki, rečen’ki" | Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 3: "Wegen Meiner Bleib D’Fräula" | Christopher Maltman, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 13: Vo Lesočke Komaročkov Mnogo Urodilos’" | Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 23: "Da Brava, Catina" | Christopher Maltman, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 1: "Ridder Stigs Runer" | Sir Thomas Allen, Ruby Philogene, Timothy Robinson, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 11: "Yo no quiero embarcarme" | Toby Spence, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 17: "Lilla Carl (Vaggvisa)" | Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 20: "Cómo la Mariposa soy" | Ruby Philogene, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 9: "Oj, Oj Upiłem Się W Karczmie" | Christopher Maltman, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 19: "Una paloma blanca" | Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 22: "Édes Kinos Emlékezet (Magyar Szüretölö Ének)" | Timothy Robinson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 4: "Wann I in Der Früh Aufsteh" | Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 12: "Seus Lindos Olhos" | Sir Thomas Allen, Timothy Robinson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| 23 Songs of Various Nationalities, WoO 158a no. 8: "Ih Mag Di Nit Nehma" | Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith | — |
| Elegischer Gesang, op. 118 | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — |
| Opferlied, op. 121b | Lorna Haywood, Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — |
| Bundeslied, op. 122 “In allen guten Stunden” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — |
| Piece in f, Kullak Sketchbook f.51/52 (1826) | Tobias Koch | — |
| Bagatelles, WoO 213 "Bagatellen" Portfolio nos. 7, 8, 9 & 11: No. 1 Andante in D-flat | Tobias Koch | — |
| Bagatelles, WoO 213 "Bagatellen" Portfolio nos. 7, 8, 9 & 11: No. 2 Finale in G | Tobias Koch | — |
| Bagatelles, WoO 213 "Bagatellen" Portfolio nos. 7, 8, 9 & 11: No. 4 Rondo in A | Tobias Koch | — |
| Allegretto in a/A, Kafka Sketch Miscellany f.47v | Tobias Koch | — |
| Piano Piece in A, Kafka Sketch Miscellany f.160r staves 1-6 | Tobias Koch | — |
| Molto Adagio in G, Hess 71 Landsberg 6 (Eroica) Sketchbook, Fragment (1803-04) | Tobias Koch | — |
| 2 German Dances, Hess 67 Petter Sketchbook (1812): No. 1 in F / No. 2 in f | Tobias Koch | — |
| On “Dona nobis pacem” (Haydn), Hess Ang. 57: Piano Arrangment by Julia Ronge of a 4-Part Fugue for Voices a cappela (c. 1795) | Tobias Koch | — |
| Fugue for 2 Violins, Viola, and Cello, Hess 36 (transcribed from Handel's "Solomon, HWV 67: Overture") | Hagen Quartett | — |
| 1. ALLEGRO | Bruno Canino, Severino Gazzelloni | T-011.422.353-8 |
| Sonata in B Flat for Piano and Flute: 2. Polonaise | Bruno Canino, Severino Gazzelloni | — |
| Sonata in B Flat for Piano and Flute: 3. Largo | Bruno Canino, Severino Gazzelloni | — |
| Sonata in B Flat for Piano and Flute: 4. Tema (Allegretto Con Variazioni) | Bruno Canino, Severino Gazzelloni | — |
| Symphonie Nr. 7 A‐dur, op. 92: 4. Allegro con brio | Staatskapelle Berlin, Herbert von Karajan | — |
| Symphony no. 8 in F, op. 93: 1. Allegro Vivace E Con Brio | Royal Philharmonic Orchestra, Hermann Scherchen | T-801.411.105-9 |
| Symphony no. 8 in F, op. 93: 2. Allegretto Scherzando | Royal Philharmonic Orchestra, Hermann Scherchen | — |
| Symphony no. 8 in F, op. 93: 3. Tempo di Menuetto | Royal Philharmonic Orchestra, Hermann Scherchen | — |
| Symphony no. 8 in F, op. 93: 4. Allegro Vivace | Royal Philharmonic Orchestra, Hermann Scherchen | T-909.821.799-3 |
| Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: Overture. Sostenuto, ma non troppo - Allegro | Berliner Philharmoniker, Wilhelm Furtwängler | T-306.482.271-1 |
| Overture “Leonore no. 3”, op. 72b | Wiener Philharmoniker, Wilhelm Furtwängler | — |
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Berliner Philharmoniker, Wilhelm Furtwängler | — |
| Symphony no. 5 in C minor, op. 67: II. Andante con moto | Berliner Philharmoniker, Wilhelm Furtwängler | — |
| Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Berliner Philharmoniker, Wilhelm Furtwängler | — |
| Symphony no. 5 in C minor, op. 67: IV. Finale. Allegro | Berliner Philharmoniker, Wilhelm Furtwängler | T-318.676.528-2 |
| Große Fuge, op. 133 | Berliner Philharmoniker, Wilhelm Furtwängler | — |
| Symphony no. 5 in C minor, op. 67: II. Andante con moto | Koninklijk Concertgebouworkest, Erich Kleiber, Berliner Philharmoniker, Herbert von Karajan | T-902.876.200-7 |
| Symphony no. 5 in C minor, op. 67: III. Allegro | Koninklijk Concertgebouworkest, Erich Kleiber | — |
| Symphony no. 5 in C minor, op. 67: IV. Allegro | Koninklijk Concertgebouworkest, Erich Kleiber | T-312.542.381-2 |
| Egmont, Ouvertüre, op. 84 | Berliner Philharmoniker, Ferenc Fricsay | T-031.682.208-8 |
| IX. Sinfonie d-moll, op. 125: 1. Satz: Allegro ma non troppo, un poco maestoso | Berliner Philharmoniker, Ferenc Fricsay | — |
| IX. Sinfonie d-moll, op. 125: 2. Satz: Molto vivace | Berliner Philharmoniker, Ferenc Fricsay | T-909.876.841-3 |
| IX. Sinfonie d-moll, op. 125: 3. Satz: Adagio molto e cantabile | Berliner Philharmoniker, Ferenc Fricsay | T-912.747.871-1 |
| IX. Sinfonie d-moll, op. 125: 4. Satz: Presto | Chor der St. Hedwigs-Kathedrale Berlin, Dietrich Fischer-Dieskau, Maureen Forrester, Ernst Haefliger, Irmgard Seefried, Berliner Philharmoniker, Ferenc Fricsay | T-318.676.528-2 |
| Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – “O Freunde, nicht diese Töne!” – Allegro assai | Irmgard Seefried, Maureen Forrester, Ernst Haefliger, Dietrich Fischer-Dieskau, Chor der St. Hedwigs-Kathedrale Berlin, Berliner Philharmoniker, Ferenc Fricsay | T-318.676.528-2 |
| Piano Concerto no. 3 in C minor, op. 37: 1. Allegro con brio | Annie Fischer, Bayerisches Staatsorchester, Ferenc Fricsay | — |
| Piano Concerto no. 3 in C minor, op. 37: 2. Largo | Annie Fischer, Bayerisches Staatsorchester, Ferenc Fricsay | — |
| Piano Concerto no. 3 in C minor, op. 37: 3. Rondo (Allegro) | Annie Fischer, Bayerisches Staatsorchester, Ferenc Fricsay | — |
| Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | Wolfgang Schneiderhan, Berliner Philharmoniker, Eugen Jochum | — |
| Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | Wolfgang Schneiderhan, Berliner Philharmoniker, Eugen Jochum | — |
| Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | Wolfgang Schneiderhan, Berliner Philharmoniker, Eugen Jochum | — |
| Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | Wilhelm Kempff | — |
| Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | Wilhelm Kempff | — |
| Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio ma non troppo - fuga (Allegro ma non troppo) | Wilhelm Kempff | — |
| Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten empfindung (Allegretto, ma non troppo) | Wilhelm Backhaus | — |
| Piano Sonata no. 28 in A major, op. 101: II. Lebhaft. Marschmassig (Vivace alla marcia) | Wilhelm Backhaus | — |
| Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll (Adagio, ma non troppo, con affetto) | Wilhelm Backhaus | — |
| Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Sviatoslav Richter, Mstislav Rostropovich | — |
| Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto | Sviatoslav Richter, Mstislav Rostropovich | — |
| Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: III. Allegro – Allegro fugato | Sviatoslav Richter, Mstislav Rostropovich | — |
| Piano Trio no. 7 in B-flat, op. 97 "Archduke": I. Allegro moderato | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — |
| Piano Trio no. 7 in B-flat, op. 97 "Archduke": II. Scherzo (Allegro) | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — |
| Piano Trio no. 7 in B-flat, op. 97 "Archduke": III. Andante cantabile, ma però con moto: Poco più adagio | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — |
| Piano Trio no. 7 in B-flat, op. 97 "Archduke": IV. Allegro moderato | Emil Gilels, Leonid Kogan, Mstislav Rostropovich | — |
| In questa tomba oscura, WoO 133 | Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | T-900.021.194-9 |
| Fidelio, op. 72: Erster Akt. Nr. 3 Quartett: »Mir ist so wunderbar« (Marzelline, Leonore, Rocco, Jaquino) | Irmgard Seefried, Leonie Rysanek, Gottlob Frick, Friedrich Lenz, Bayerisches Staatsorchester, Ferenc Fricsay | — |
| Violin Romance no. 2 in F, op. 50 | Thomas Zehetmair, Orchestra of the Eighteenth Century, Frans Brüggen | — |
| Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | Steven Lubin | T-915.723.669-6 |
| Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro | Steven Lubin | — |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Steven Lubin | — |
| Sonata no. 14 in C-sharp minor for Piano, op. 27 no. 2 "Moonlight": II. Allegretto | Steven Lubin | — |
| Sonata no. 14 in C-sharp minor for Piano, op. 27 no. 2 "Moonlight": III. Presto agitato | Steven Lubin | — |
| Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": I. Largo - Allegro | Steven Lubin | — |
| Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": II. Adagio | Steven Lubin | T-310.769.687-3 |
| Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": III. Allegretto | Steven Lubin | T-310.769.687-3 |
| Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Berliner Philharmoniker, Herbert von Karajan | T-300.456.250-5 |
| Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 2 in D major, op. 36: II. Larghetto | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 2 in D major, op. 36: IV. Allegro molto | Berliner Philharmoniker, Herbert von Karajan | T-902.876.200-7 |
| Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Berliner Philharmoniker, Herbert von Karajan | T-318.676.528-2 |
| Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Berliner Philharmoniker, Herbert von Karajan | T-001.444.317-4 |
| Symphony no. 4 in B-flat major, op. 60: II. Adagio | Berliner Philharmoniker, Herbert von Karajan | T-001.444.317-4 |
| Symphony no. 4 in B-flat major, op. 60: III. Allegro molto e vivace - Trio. Un poco meno allegro | Berliner Philharmoniker, Herbert von Karajan | T-001.444.317-4 |
| Symphony no. 4 in B-flat major, op. 60: IV. Allegro, ma non troppo | Berliner Philharmoniker, Herbert von Karajan | T-001.444.317-4 |
| Symphonie Nr. 5 c-moll, op. 67: Allegro con brio | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 5 in C minor, op. 67: IV. Allegro | Berliner Philharmoniker, Herbert von Karajan | T-318.676.528-2 |
| Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphonie No. 7 A-Dur, Op. 92: I. Poco sostenuto - Vivace | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphonie No. 7 A-Dur, Op. 92: II. Allegretto | Berliner Philharmoniker, Herbert von Karajan | T-314.638.300-4 |
| Symphonie No. 7 A-Dur, Op. 92: III. Presto | Berliner Philharmoniker, Herbert von Karajan | T-915.710.750-1 |
| Symphonie No. 7 A-Dur, Op. 92: IV. Allegro con brio | Berliner Philharmoniker, Herbert von Karajan | T-915.710.750-1 |
| Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphonie No. 9 d-Moll op. 125: 4. Presto | Berliner Philharmoniker, Herbert von Karajan | — |
| Sonata for Piano no. 1 in F minor, op. 2 no. 1: I. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 1 in F minor, op. 2 no. 1: II. Adagio | Wilhelm Kempff | — |
| Sonata for Piano no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto | Wilhelm Kempff | — |
| Sonata for Piano no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | Wilhelm Kempff | — |
| Sonata for Piano no. 2 in A major, op. 2 no. 2: I. Allegro vivace | Wilhelm Kempff | — |
| Sonata for Piano no. 2 in A major, op. 2 no. 2: II. Largo appassionato | Wilhelm Kempff | — |
| Sonata for Piano no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto | Wilhelm Kempff | — |
| Sonata for Piano no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso | Wilhelm Kempff | — |
| Sonata for Piano no. 3 in C major, op. 2 no. 3: I. Allegro con brio | Wilhelm Kempff | — |
| Sonata for Piano no. 3 in C major, op. 2 no. 3: II. Adagio | Wilhelm Kempff | — |
| Sonata for Piano no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 3 in C major, op. 2 no. 3: IV. Allegro assai | Wilhelm Kempff | T-306.395.786-4 |
| Sonata for Piano no. 4 in E‐flat major, op. 7: I. Allegro molto e con brio | Wilhelm Kempff | — |
| Sonata for Piano no. 4 in E‐flat major, op. 7: II. Largo, con gran espressione | Wilhelm Kempff | — |
| Sonata for Piano no. 4 in E‐flat major, op. 7: III. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 4 in E‐flat major, op. 7: IV. Rondo. Poco allegretto e grazioso | Wilhelm Kempff | — |
| Sonata for Piano no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | Wilhelm Kempff | — |
| Sonata for Piano no. 5 in C minor, op. 10 no. 1: II. Adagio molto | Wilhelm Kempff | — |
| Sonata for Piano no. 5 in C minor, op. 10 no. 1: III. Prestissimo | Wilhelm Kempff | — |
| Sonata for Piano no. 6 in F major, op. 10 no. 2: I. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 6 in F major, op. 10 no. 2: II. Allegretto | Wilhelm Kempff | — |
| Sonata for Piano no. 6 in F major, op. 10 no. 2: III. Presto | Wilhelm Kempff | — |
| Sonata for Piano no. 7 in D major, op. 10 no. 3: I. Presto | Wilhelm Kempff | — |
| Sonata for Piano no. 7 in D major, op. 10 no. 3: II. Largo e mesto | Wilhelm Kempff | — |
| Sonata for Piano no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio | Wilhelm Kempff | T-915.723.669-6 |
| Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Wilhelm Kempff | T-001.397.158-8 |
| Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 9 in E major, op. 14 no. 1: I. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 9 in E major, op. 14 no. 1: II. Allegretto | Wilhelm Kempff | — |
| Sonata for Piano no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo | Wilhelm Kempff | — |
| Sonata for Piano no. 10 in G major, op. 14 no. 2: I. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 10 in G major, op. 14 no. 2: II. Andante | Wilhelm Kempff | — |
| Sonata for Piano no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai | Wilhelm Kempff | T-306.395.786-4 |
| Sonata for Piano no. 11 in B‐flat major, op. 22: I. Allegro con brio | Wilhelm Kempff | — |
| Sonata for Piano no. 11 in B‐flat major, op. 22: II. Adagio con molto espressione | Wilhelm Kempff | — |
| Sonata for Piano no. 11 in B‐flat major, op. 22: III. Menuetto | Wilhelm Kempff | — |
| Sonata for Piano no. 11 in B‐flat major, op. 22: IV. Rondo. Allegretto | Wilhelm Kempff | — |
| Sonata for Piano no. 12 in A‐flat major, op. 26 “Funeral March”: I. Theme and Variation. Andante | Wilhelm Kempff | — |
| Sonata for Piano no. 12 in A‐flat major, op. 26 “Funeral March”: II. Scherzo. Allegro molto | Wilhelm Kempff | T-911.517.582-1 |
| Sonata for Piano no. 12 in A‐flat major, op. 26 “Funeral March”: III. Marcia funebre sulla morte d’un eroe. Maestoso andante | Wilhelm Kempff | — |
| Sonata for Piano no. 12 in A‐flat major, op. 26 “Funeral March”: IV. Allegro | Wilhelm Kempff | T-318.676.528-2 |
| Sonata for Piano no. 13 in E‐flat major, op. 27 no. 1: I. Andante | Wilhelm Kempff | — |
| Sonata for Piano no. 13 in E‐flat major, op. 27 no. 1: II. Allegro molto e vivace | Wilhelm Kempff | — |
| Sonata for Piano no. 13 in E‐flat major, op. 27 no. 1: III. Adagio con espressione | Wilhelm Kempff | — |
| Sonata for Piano no. 13 in E‐flat major, op. 27 no. 1: IV. Allegro vivace | Wilhelm Kempff | — |
| Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto | Wilhelm Kempff | — |
| Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto | Wilhelm Kempff | — |
| Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato | Wilhelm Kempff | — |
| Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: I. Allegro | Wilhelm Kempff | T-031.682.208-8 |
| Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: II. Andante | Wilhelm Kempff | — |
| Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: III. Scherzo. Allegro vivace | Wilhelm Kempff | — |
| Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: IV. Rondo. Allegro ma non troppo | Wilhelm Kempff | T-031.682.208-8 |
| Sonata for Piano no. 16 in G major, op. 31 no. 1: I. Allegro vivace | Wilhelm Kempff | — |
| Sonata for Piano no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | Wilhelm Kempff | — |
| Sonata for Piano no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto | Wilhelm Kempff | — |
| Sonata for Piano no. 17 in D minor, op. 31 no. 2 “The Tempest”: I. Largo - Allegro | Wilhelm Kempff | T-915.723.676-5 |
| Sonata for Piano no. 17 in D minor, op. 31 no. 2 “The Tempest”: II. Adagio | Wilhelm Kempff | — |
| Sonata for Piano no. 17 in D minor, op. 31 no. 2 “The Tempest”: III. Allegretto | Wilhelm Kempff | — |
| Sonata for Piano no. 18 in E‐flat major, op. 31 no. 3: I. Allegro | Wilhelm Kempff | T-031.682.208-8 |
| Sonata for Piano no. 18 in E‐flat major, op. 31 no. 3: II. Scherzo. Allegretto vivace | Wilhelm Kempff | T-911.517.582-1 |
| Sonata for Piano no. 18 in E‐flat major, op. 31 no. 3: III. Minuetto. Moderato e grazioso | Wilhelm Kempff | — |
| Sonata for Piano no. 18 in E‐flat major, op. 31 no. 3: IV. Presto con fuoco | Wilhelm Kempff | — |
| Sonata for Piano no. 19 in G minor, op. 49 no. 1: I. Andante | Wilhelm Kempff | — |
| Sonata for Piano no. 19 in G minor, op. 49 no. 1: II. Rondo. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 20 in G major, op. 49 no. 2: I. Allegro, ma non troppo | Wilhelm Kempff | T-031.682.208-8 |
| Sonata for Piano no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto | Wilhelm Kempff | T-312.439.209-8 |
| Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio | Wilhelm Kempff | — |
| Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: II. Introduction. Adagio molto | Wilhelm Kempff | — |
| Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: III. Rondo. Allegretto moderato | Wilhelm Kempff | — |
| Sonata for Piano no. 22 in F major, op. 54: I. Tempo di menuetto | Wilhelm Kempff | — |
| Sonata for Piano no. 22 in F major, op. 54: II. Allegretto | Wilhelm Kempff | — |
| Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | Wilhelm Kempff | T-306.395.786-4 |
| Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | Wilhelm Kempff | — |
| Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo | Wilhelm Kempff | T-031.682.208-8 |
| Sonata for Piano no. 24 in F‐sharp major, op. 78 “A Thérèse”: I. Adagio cantabile – Allegro ma non troppo | Wilhelm Kempff | — |
| Sonata for Piano no. 24 in F‐sharp major, op. 78 “A Thérèse”: II. Allegro assai | Wilhelm Kempff | — |
| Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: I. Presto alla tedesca | Wilhelm Kempff | T-918.365.094-4 |
| Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: II. Andante espressivo | Wilhelm Kempff | — |
| Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: III. Vivace | Wilhelm Kempff | — |
| Sonata for Piano no. 26 in E‐flat major, op. 81a “Les Adieux”: I. Das Lebewohl. Adagio – Allegro “Les Adieux” | Wilhelm Kempff | — |
| Sonata for Piano no. 26 in E‐flat major, op. 81a “Les Adieux”: II. Die Abwesenheit. Andante espressivo “L’Absence” | Wilhelm Kempff | T-800.722.074-9 |
| Sonata for Piano no. 26 in E‐flat major, op. 81a “Les Adieux”: III. Das Wiedersehn. Vivacissimamente “Le Retour” | Wilhelm Kempff | — |
| Sonata for Piano no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | Wilhelm Kempff | — |
| Sonata for Piano no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | Wilhelm Kempff | — |
| Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | Wilhelm Kempff | — |
| Sonata for Piano no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | Wilhelm Kempff | — |
| Sonata for Piano no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto | Wilhelm Kempff | — |
| Sonata for Piano no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 29 in B‐flat major, op. 106 “Hammer‐Klavier”: I. Allegro | Wilhelm Kempff | — |
| Sonata for Piano no. 29 in B‐flat major, op. 106 “Hammer‐Klavier”: II. Scherzo. Assai vivace | Wilhelm Kempff | T-911.517.582-1 |
| Sonata for Piano no. 29 in B‐flat major, op. 106 “Hammer‐Klavier”: III. Adagio sostenuto. Appassionato e molto con sentimento | Wilhelm Kempff | — |
| Sonata for Piano no. 29 in B‐flat major, op. 106 “Hammer‐Klavier”: IV. Largo – Allegro risoluto | Wilhelm Kempff | — |
| Sonata for Piano no. 30 in E major, op. 109: I. Vivace, ma non troppo | Wilhelm Kempff | — |
| Sonata for Piano no. 30 in E major, op. 109: II. Prestissimo | Wilhelm Kempff | — |
| Piano Sonata No. 30 in E major, Op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | Wilhelm Kempff | — |
| Sonata for Piano no. 31 in A‐flat major, op. 110: I. Moderato cantabile molto espressivo | Wilhelm Kempff | — |
| Sonata for Piano no. 31 in A‐flat major, op. 110: II. Allegro molto | Wilhelm Kempff | — |
| Sonata for Piano no. 31 in A‐flat major, op. 110: III. Adagio, ma non troppo – Fuga. Allegro, ma non troppo | Wilhelm Kempff | — |
| Sonata for Piano no. 32 in C minor, op. 111: I. Maestoso – Allegro con brio ed appassionato | Wilhelm Kempff | — |
| Sonata for Piano no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile | Wilhelm Kempff | — |
| Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: I. Allegro con brio | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: II. Adagio affettuoso ed appassionato | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: III. Scherzo. Allegro molto | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: I. Allegro | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: II. Adagio cantabile - Allegro - Tempo I | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: III. Scherzo. Allegro | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: I. Allegro | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: II. Andante con moto | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: III. Allegro | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: IV. Presto | Amadeus Quartet | T-003.055.867-8 |
| Quartet for 2 Violins, Viola, Cello No. 4 in C minor, Op. 18 No. 4: I. Allegro ma non tanto | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, Cello No. 4 in C minor, Op. 18 No. 4: II. Andante scherzoso quasi allegretto | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, Cello No. 4 in C minor, Op. 18 No. 4: III. Menuetto. Allegretto | Amadeus Quartet | T-902.774.400-9 |
| Quartet for 2 Violins, Viola, Cello No. 5 in A major, Op. 18 No. 5: I. Allegro | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, Cello No. 5 in A major, Op. 18 No. 5: II. Menuetto | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, Cello No. 5 in A major, Op. 18 No. 5: III. Andante cantabile | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, Cello No. 5 in A major, Op. 18 No. 5: IV. Allegro | Amadeus Quartet | T-003.055.867-8 |
| Quartet for 2 Violins, Viola, Cello No. 6 in B-flat major, Op. 18 No. 6: I. Allegro con brio | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, Cello No. 6 in B-flat major, Op. 18 No. 6: II. Adagio ma non troppo | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, Cello No. 6 in B-flat major, Op. 18 No. 6: III. Scherzo. Allegro | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, Cello No. 6 in B-flat major, Op. 18 No. 6: IV. Adagio "La malinconia" - Allegretto quasi allegro | Amadeus Quartet | — |
| Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: I. Allegro | Amadeus Quartet | — |
| Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: II. Allegretto scherzando e sempre vivace | Amadeus Quartet | — |
| Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: III. Adagio molto | Amadeus Quartet | — |
| Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: IV. Allegro | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: II. Allegro molto vivace | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: III. Allegro moderato | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: IV. Andante ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: V. Presto - Molto poco adagio | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante | Amadeus Quartet | — |
| Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: VII. Allegro | Amadeus Quartet | — |
| Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm” | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 5 in C minor, op. 67: II. Andante con moto | Berliner Philharmoniker, Herbert von Karajan | T-902.876.200-7 |
