UPC · Release
Seiji Ozawa
Last verified:
The UPC for “Art of Seiji Ozawa” by Seiji Ozawa is 028948070206. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: Deutsche Grammophon. This release contains 152 tracks, each with its own ISRC. Tracks include NLA509408401, NLA509408402, NLA509408403.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Orchestra: I. Introduzione. Andante non troppo - Allegro vivace | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2 | Concerto for Orchestra: II. Giuoco delle coppie. Allegretto scherzando | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3 | Concerto for Orchestra: III. Elegia. Andante, non troppo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4 | Concerto for Orchestra: IV. Intermezzo interrotto. Allegretto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 5 | Concerto for Orchestra: V. Finale. Pesante - Presto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6 | The Miraculous Mandarin, op. 19: I. Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7 | The Miraculous Mandarin, op. 19: II. Comodo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8 | The Miraculous Mandarin, op. 19: III. Allegretto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 9 | The Miraculous Mandarin, op. 19: IV. Lento | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 10 | The Miraculous Mandarin, op. 19: V. Adagio | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11 | The Miraculous Mandarin, op. 19: VI. Molto moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-1 | Symphony no. 3 in E-flat, op. 55 "Eroica": I. Allegro con brio | サイトウ・キネン・オーケストラ, 小澤征爾 | — | |
| 2-2 | Symphony no. 3 in E-flat, op. 55 "Eroica": II. Marcia funebre. Adagio assai | サイトウ・キネン・オーケストラ, 小澤征爾 | — | |
| 2-3 | Symphony no. 3 in E-flat, op. 55 "Eroica": III. Scherzo. Allegro vivace | サイトウ・キネン・オーケストラ, 小澤征爾 | — | |
| 2-4 | Symphony no. 3 in E-flat, op. 55 "Eroica": IV. Finale. Allegro molto | サイトウ・キネン・オーケストラ, 小澤征爾 | — | |
| 2-5 | "Egmont" Overture, op. 84 | サイトウ・キネン・オーケストラ, 小澤征爾 | — | |
| 3-1 | Symphonie fantastique, op. 14 : I. Rêveries, passions | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-2 | Symphonie fantastique, op. 14 : II. Un bal | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-3 | Symphonie fantastique, op. 14 : III. Scène aux champs | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-4 | Symphonie fantastique, op. 14 : IV. Marche au supplice | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-5 | Symphonie fantastique, op. 14 : V. Songe d’une nuit du sabbat | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-6 | Roméo et Juliette - Symphonie dramatique, op. 17: Scène d'amour | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-1 | Symphony no. 1 in C minor, Op. 68: Un poco sostenuto... Allegro | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 4-2 | Symphony no. 1 in C minor, Op. 68: Andante sostenuto | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 4-3 | Symphony no. 1 in C minor, Op. 68: Un poco Allegretto e grazioso | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 4-4 | Symphony no. 1 in C minor, Op. 68: Finale, Piu Andante... Allegro non troppo, ma con brio | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 4-5 | Hungarian Dances (21) for orchestra, WoO 1: No. 1 in G minor | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 4-6 | Hungarian Dances (21) for orchestra, WoO 1: No. 3 in F major | Saito Kinen Orchestra, Seiji Ozawa | T-322.178.813-8 | |
| 4-7 | Hungarian Dances (21) for orchestra, WoO 1: No. 10 in F major | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 5-1 | Symphony no. 9: I. Adagio - Allegro molto | San Francisco Symphony, Seiji Ozawa | — | |
| 5-2 | Symphony no. 9: II. Largo | San Francisco Symphony, Seiji Ozawa | — | |
| 5-3 | Symphony no. 9: III: Scherzo: Molto vivace | San Francisco Symphony, Seiji Ozawa | — | |
| 5-4 | Symphony no. 9: IV. Allegro con fuoco | San Francisco Symphony, Seiji Ozawa | — | |
| 5-5 | Overture “Carnival”, op. 92 | San Francisco Symphony, Seiji Ozawa | — | |
| 6-1 | Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-2 | Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell | Boston Symphony Orchestra, Seiji Ozawa | T-928.635.616-9 | |
| 6-3 | Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-4 | Symphony no. 1 in D major: IV. Stürmisch bewegt | Boston Symphony Orchestra, Seiji Ozawa | T-900.953.062-5 | |
| 7-1 | Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I | Boston Symphony Orchestra, Seiji Ozawa | T-926.359.926-4 | |
| 7-2 | Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz - | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-3 | Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-4 | Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-5 | Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-1 | Carmina burana: O fortuna (Excalibur) | Shin Sekiya, Shinyukai Choir, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 8-2 | Carmina Burana: Fortuna Imperatrix Mundi: Fortuna plango vulnera | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-3 | Carmina Burana: I. Primo vere: Veris leta facies | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-4 | Carmina Burana: I. Primo vere: Omnia sol temperat | Thomas Hampson, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 8-5 | Carmina Burana: I. Primo vere: Ecce gratum | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-6 | Carmina Burana: Uf dem anger: Tanz - | Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-7 | Carmina Burana: Uf dem anger: Floret silva nobilis | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-8 | Carmina Burana: Uf dem anger: Chramer, gip die varwe mir | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-9 | Carmina Burana: Uf dem anger: Reie / Swaz hie gat umbe / Chume, chum, geselle min | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-10 | Carmina Burana: Uf dem anger: Were diu werlt alle min | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-11 | Carmina Burana: II. In Taberna: Estuans interius | Thomas Hampson, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-12 | Carmina Burana: II. In Taberna: Olin lacus colueram | John Aler, Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-13 | Carmina Burana: II. In Taberna: Ego sum abbas | Thomas Hampson, Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-14 | Carmina Burana: II. In Taberna: In taberna quando sumus | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-15 | Carmina Burana: III. Cour d'amours: Amor volat undique | Edita Gruberová, Knaben des Staats- und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-16 | Carmina Burana: III. Cour d'amours: Dies, nox et omnia | Thomas Hampson, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-17 | Carmina Burana: III. Cour d'amours: Stetit puella | Edita Gruberová, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 8-18 | Carmina Burana: III. Cour d'amours: Circa mea pectora | Thomas Hampson, Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-19 | Carmina Burana: III. Cour d'amours: Si puer cum puellula | Thomas Hampson, Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-20 | Carmina Burana: III. Cour d'amours: Veni, veni, venias | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-21 | Carmina Burana: III. Cour d'amours: In trutina | Edita Gruberová, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-22 | Carmina Burana: III. Cour d'amours: Tempus est iocundum | Edita Gruberová, Thomas Hampson, Knaben des Staats- und Domchores Berlin, Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-23 | Carmina Burana: III. Cour d'amours: Dulcissime | Edita Gruberová, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 8-24 | Carmina Burana: Blanzifor et Helena: Ave formosissima | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-25 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 9-1 | Symphony no. 1 in D major, op. 25 "Classical": I. Allegro | Berliner Philharmoniker, Seiji Ozawa | T-070.160.313-5 | |
| 9-2 | Symphony no. 1 in D major, op. 25 "Classical": II. Larghetto | Berliner Philharmoniker, Seiji Ozawa | T-902.876.200-7 | |
| 9-3 | Symphony no. 1 in D major, op. 25 "Classical": III. Gavotta. Non troppo allegro | Berliner Philharmoniker, Seiji Ozawa | — | |
| 9-4 | Symphony no. 1 in D major, op. 25 "Classical": IV. Finale. Molto vivace | Berliner Philharmoniker, Seiji Ozawa | T-318.676.528-2 | |
| 9-5 | Symphony no. 6 in E-flat minor, op. 111: I. Allegro moderato | Berliner Philharmoniker, Seiji Ozawa | — | |
| 9-6 | Symphony no. 6 in E-flat minor, op. 111: II. Largo | Berliner Philharmoniker, Seiji Ozawa | — | |
| 9-7 | Symphony no. 6 in E-flat minor, op. 111: III. Vivace | Berliner Philharmoniker, Seiji Ozawa | — | |
| 10-1 | Boléro | Boston Symphony Orchestra, Seiji Ozawa | T-003.006.377-4 | |
| 10-2 | Alborada del gracioso | Boston Symphony Orchestra, Seiji Ozawa | T-304.229.137-8 | |
| 10-3 | La Valse | Boston Symphony Orchestra, Seiji Ozawa | T-305.194.234-4 | |
| 10-4 | Rapsodie espagnole: I. Prélude à la nuit. Très modéré | Boston Symphony Orchestra, Seiji Ozawa | T-003.015.127-9 | |
| 10-5 | Rapsodie espagnole: II. Malagueña. Assez vif | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 10-6 | Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las | Boston Symphony Orchestra, Seiji Ozawa | T-003.015.127-9 | |
| 10-7 | Rapsodie espagnole: IV. Feria. Assez animé | Boston Symphony Orchestra, Seiji Ozawa | T-305.199.487-3 | |
| 10-8 | Pavane pour une infante défunte, version pour orchestre | Charles Kavaloski, Orchestre Symphonique de Boston, Seiji Ozawa | T-003.013.767-7 | |
| 10-9 | Valses nobles et sentimentales: I. Modéré | Boston Symphony Orchestra, Seiji Ozawa | T-003.017.935-1 | |
| 10-10 | Valses nobles et sentimentales: II. Assez lent | Boston Symphony Orchestra, Seiji Ozawa | T-003.017.935-1 | |
| 10-11 | Valses nobles et sentimentales: III. Modéré | Boston Symphony Orchestra, Seiji Ozawa | T-003.017.935-1 | |
| 10-12 | Valses nobles et sentimentales: IV. Assez animé | Boston Symphony Orchestra, Seiji Ozawa | T-003.017.935-1 | |
| 10-13 | Valses nobles et sentimentales: V. Presque lent | Boston Symphony Orchestra, Seiji Ozawa | T-003.017.935-1 | |
| 10-14 | Valses nobles et sentimentales: VI. Assez vif | Boston Symphony Orchestra, Seiji Ozawa | T-003.017.935-1 | |
| 10-15 | Valses nobles et sentimentales: VII. Moins vif | Boston Symphony Orchestra, Seiji Ozawa | T-003.017.935-1 | |
| 10-16 | Valses Nobles et Sentimentales: VIII. Epilogue: Lent | Boston Symphony Orchestra, Seiji Ozawa | T-003.017.935-1 | |
| 11-1 | Pini di Roma: I. I pini di Villa Borghese | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11-2 | Pini di Roma: II. Pini presso una catacomba | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11-3 | Pini di Roma: III. I pini del Gianicolo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11-4 | Pini di Roma: IV. I pini della Via Appia | Boston Symphony Orchestra, Seiji Ozawa | T-333.047.149-9 | |
| 11-5 | Feste romane: I. Circenses | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11-6 | Feste romane: II. Il giubileo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11-7 | Feste romane: III. L'ottobrata | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11-8 | Feste romane: IV. La befana | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11-9 | Fontane di Roma: I. La fontana di Valle Giulia all'alba | Boston Symphony Orchestra, Seiji Ozawa | T-902.294.706-4 | |
| 11-10 | Fontane di Roma: II. La fontana del Tritone al mattino | Boston Symphony Orchestra, Seiji Ozawa | T-902.294.706-4 | |
| 11-11 | Fontane di Roma: III. La fontana di Trevi al meriggio | Boston Symphony Orchestra, Seiji Ozawa | T-902.294.706-4 | |
| 11-12 | Fontane di Roma: IV. La fontana di Villa Medici al tramonto | Boston Symphony Orchestra, Seiji Ozawa | T-902.294.706-4 | |
| 12-1 | Scheherazade, op. 35: I. The Sea and Sinbad's Ship. Largo e maestoso - Allegro non troppo | Rainer Honeck, Wiener Philharmoniker, Seiji Ozawa | — | |
| 12-2 | Scheherazade, op. 35: II. The Tale of the Kalendar Prince. Lento - Andante | Rainer Honeck, Wiener Philharmoniker, Seiji Ozawa | — | |
| 12-3 | Scheherazade, op. 35: III. The Young Prince and The Young Princess. Andantino quasi allegretto | Rainer Honeck, Wiener Philharmoniker, Seiji Ozawa | — | |
| 12-4 | Scheherazade, op. 35: IV. Festival at Baghdad - The Sea - Shipwreck on a Rock surmounted by a Bronze Warrior - Conclusion. Allegro molto | Rainer Honeck, Wiener Philharmoniker, Seiji Ozawa | — | |
| 12-5 | Russian Easter Overture | Wiener Philharmoniker, Seiji Ozawa | — | |
| 13-1 | Also sprach Zarathustra, op. 30: Einleitung | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-2 | Also sprach Zarathustra, op. 30: Von den Hinterweltlern | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-3 | Also sprach Zarathustra, op. 30: Von den großen Sehnsucht | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-4 | Also sprach Zarathustra, op. 30: Von den Freuden und Leidenschaften | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-5 | Also sprach Zarathustra, op. 30: Das Grablied | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-6 | Also sprach Zarathustra, op. 30: Von der Wissenschaft | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-7 | Also sprach Zarathustra, op. 30: Der Genesende | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-8 | Also sprach Zarathustra, op. 30: Das Tanzlied | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-9 | Also sprach Zarathustra, op. 30: Nachtwandlerlied | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-10 | Ein Heldenleben, op. 40: Der Held | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-11 | Ein Heldenleben, op. 40: Des Helden Widersacher | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-12 | Ein Heldenleben, op. 40: Des Helden Gefährtin | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-13 | Ein Heldenleben, op. 40: Des Helden Walstatt | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-14 | Ein Heldenleben, op. 40: Des Helden Friedenswerke | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-15 | Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-1 | Swan Lake, op. 20: Act I: no. 1: Scène. Allegro giusto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-2 | Swan Lake, op. 20: Act I: no. 2: Valse. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-3 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: IV. Allegro moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-4 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: V. Pas d'action. Andante - Andante non troppo - Tempo I - Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-5 | Swan Lake, op. 20: Act III: no. 20: Danse hongroise. Czardas. Moderato assai - Allegro moderato - Vivace | Boston Symphony Orchestra, Seiji Ozawa | T-900.160.317-4 | |
| 14-6 | Swan Lake, op. 20: Act IV: no. 29: Scène finale. Andante - Allegro agitato - Alla breve. Moderato e maestoso - Moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-7 | The Nutcracker, op. 71: Overture | Boston Symphony Orchestra, Seiji Ozawa | T-312.199.363-9 | |
| 14-8 | The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: a. March | Boston Symphony Orchestra, Seiji Ozawa | T-304.210.691-8 | |
| 14-9 | The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: b. Dance of the Sugar Plum Fairy | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-10 | The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: c. Russian Dance (Trépak) | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-11 | The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: d. Arab Dance | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-12 | The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: e. Chinese Dance | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-13 | The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: f. Dance of the Reed Pipes | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-14 | The Nutcracker Suite, op. 71: III. Flower Waltz | Boston Symphony Orchestra, Seiji Ozawa | T-910.950.463-4 | |
| 14-15 | The Sleeping Beauty, Op. 66: Suite. I. Introduction: The Lilac Fairy | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-16 | The Sleeping Beauty, Op. 66: Suite. II. Adagio "Rose Adagio" | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-17 | The Sleeping Beauty, Op. 66: Suite. III. Puss-in-boots and the White Cat | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-18 | The Sleeping Beauty, Op. 66: Suite. IV. Panorama | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-19 | The Sleeping Beauty Suite, op. 66a: V. Waltz | Boston Symphony Orchestra, Seiji Ozawa | T-312.426.938-7 | |
| 15-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi andante - Allegro vivo | — | ||
| 15-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone | — | ||
| 15-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzacatio ostinato. Allegro | — | ||
| 15-4 | Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco | — | ||
| 15-5 | Capriccio italien, op. 45: Andante un poco rubato - Allegro moderato - Andante - Presto - Allegro moderato - Presto - Più presto - Prestissimo | — | ||
| 16-1 | Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima | Berliner Philharmoniker, Seiji Ozawa | — | |
| 16-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima – Andante mosso – Allegro non troppo – Tempo I | Berliner Philharmoniker, Seiji Ozawa | — | |
| 16-3 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | Berliner Philharmoniker, Seiji Ozawa | — | |
| 16-4 | Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto | Berliner Philharmoniker, Seiji Ozawa | — | |
| 16-5 | 1812 Overture, op. 49 | Berliner Philharmoniker, Seiji Ozawa | — |
Identifier Graph
028948070206 is a Universal Product Code (UPC) assigned to Art of Seiji Ozawa by Seiji Ozawa. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 152 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: b. Dance of the Sugar Plum Fairy | Boston Symphony Orchestra, Seiji Ozawa | — |
Songwriters/Publishers (IPI)
The UPC for “Art of Seiji Ozawa” by Seiji Ozawa is 028948070206. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: Deutsche Grammophon. This release contains 152 tracks, each with its own ISRC. Tracks include NLA509408401, NLA509408402, NLA509408403.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Orchestra: I. Introduzione. Andante non troppo - Allegro vivace | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2 | Concerto for Orchestra: II. Giuoco delle coppie. Allegretto scherzando | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3 | Concerto for Orchestra: III. Elegia. Andante, non troppo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4 | Concerto for Orchestra: IV. Intermezzo interrotto. Allegretto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 5 | Concerto for Orchestra: V. Finale. Pesante - Presto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6 | The Miraculous Mandarin, op. 19: I. Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7 | The Miraculous Mandarin, op. 19: II. Comodo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8 | The Miraculous Mandarin, op. 19: III. Allegretto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 9 | The Miraculous Mandarin, op. 19: IV. Lento | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 10 | The Miraculous Mandarin, op. 19: V. Adagio | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11 | The Miraculous Mandarin, op. 19: VI. Molto moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-1 | Symphony no. 3 in E-flat, op. 55 "Eroica": I. Allegro con brio | サイトウ・キネン・オーケストラ, 小澤征爾 | — | |
| 2-2 | Symphony no. 3 in E-flat, op. 55 "Eroica": II. Marcia funebre. Adagio assai | サイトウ・キネン・オーケストラ, 小澤征爾 | — | |
| 2-3 | Symphony no. 3 in E-flat, op. 55 "Eroica": III. Scherzo. Allegro vivace | サイトウ・キネン・オーケストラ, 小澤征爾 | — | |
| 2-4 | Symphony no. 3 in E-flat, op. 55 "Eroica": IV. Finale. Allegro molto | サイトウ・キネン・オーケストラ, 小澤征爾 | — | |
| 2-5 | "Egmont" Overture, op. 84 | サイトウ・キネン・オーケストラ, 小澤征爾 | — | |
| 3-1 | Symphonie fantastique, op. 14 : I. Rêveries, passions | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-2 | Symphonie fantastique, op. 14 : II. Un bal | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-3 | Symphonie fantastique, op. 14 : III. Scène aux champs | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-4 | Symphonie fantastique, op. 14 : IV. Marche au supplice | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-5 | Symphonie fantastique, op. 14 : V. Songe d’une nuit du sabbat | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-6 | Roméo et Juliette - Symphonie dramatique, op. 17: Scène d'amour | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-1 | Symphony no. 1 in C minor, Op. 68: Un poco sostenuto... Allegro | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 4-2 | Symphony no. 1 in C minor, Op. 68: Andante sostenuto | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 4-3 | Symphony no. 1 in C minor, Op. 68: Un poco Allegretto e grazioso | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 4-4 | Symphony no. 1 in C minor, Op. 68: Finale, Piu Andante... Allegro non troppo, ma con brio | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 4-5 | Hungarian Dances (21) for orchestra, WoO 1: No. 1 in G minor | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 4-6 | Hungarian Dances (21) for orchestra, WoO 1: No. 3 in F major | Saito Kinen Orchestra, Seiji Ozawa | T-322.178.813-8 | |
| 4-7 | Hungarian Dances (21) for orchestra, WoO 1: No. 10 in F major | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 5-1 | Symphony no. 9: I. Adagio - Allegro molto | San Francisco Symphony, Seiji Ozawa | — | |
| 5-2 | Symphony no. 9: II. Largo | San Francisco Symphony, Seiji Ozawa | — | |
| 5-3 | Symphony no. 9: III: Scherzo: Molto vivace | San Francisco Symphony, Seiji Ozawa | — | |
| 5-4 | Symphony no. 9: IV. Allegro con fuoco | San Francisco Symphony, Seiji Ozawa | — | |
| 5-5 | Overture “Carnival”, op. 92 | San Francisco Symphony, Seiji Ozawa | — | |
| 6-1 | Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-2 | Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell | Boston Symphony Orchestra, Seiji Ozawa | T-928.635.616-9 | |
| 6-3 | Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-4 | Symphony no. 1 in D major: IV. Stürmisch bewegt | Boston Symphony Orchestra, Seiji Ozawa | T-900.953.062-5 | |
| 7-1 | Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I | Boston Symphony Orchestra, Seiji Ozawa | T-926.359.926-4 | |
| 7-2 | Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz - | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-3 | Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-4 | Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-5 | Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-1 | Carmina burana: O fortuna (Excalibur) | Shin Sekiya, Shinyukai Choir, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 8-2 | Carmina Burana: Fortuna Imperatrix Mundi: Fortuna plango vulnera | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-3 | Carmina Burana: I. Primo vere: Veris leta facies | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-4 | Carmina Burana: I. Primo vere: Omnia sol temperat | Thomas Hampson, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 8-5 | Carmina Burana: I. Primo vere: Ecce gratum | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-6 | Carmina Burana: Uf dem anger: Tanz - | Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-7 | Carmina Burana: Uf dem anger: Floret silva nobilis | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-8 | Carmina Burana: Uf dem anger: Chramer, gip die varwe mir | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-9 | Carmina Burana: Uf dem anger: Reie / Swaz hie gat umbe / Chume, chum, geselle min | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-10 | Carmina Burana: Uf dem anger: Were diu werlt alle min | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-11 | Carmina Burana: II. In Taberna: Estuans interius | Thomas Hampson, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-12 | Carmina Burana: II. In Taberna: Olin lacus colueram | John Aler, Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-13 | Carmina Burana: II. In Taberna: Ego sum abbas | Thomas Hampson, Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-14 | Carmina Burana: II. In Taberna: In taberna quando sumus | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-15 | Carmina Burana: III. Cour d'amours: Amor volat undique | Edita Gruberová, Knaben des Staats- und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-16 | Carmina Burana: III. Cour d'amours: Dies, nox et omnia | Thomas Hampson, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-17 | Carmina Burana: III. Cour d'amours: Stetit puella | Edita Gruberová, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 8-18 | Carmina Burana: III. Cour d'amours: Circa mea pectora | Thomas Hampson, Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-19 | Carmina Burana: III. Cour d'amours: Si puer cum puellula | Thomas Hampson, Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-20 | Carmina Burana: III. Cour d'amours: Veni, veni, venias | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-21 | Carmina Burana: III. Cour d'amours: In trutina | Edita Gruberová, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-22 | Carmina Burana: III. Cour d'amours: Tempus est iocundum | Edita Gruberová, Thomas Hampson, Knaben des Staats- und Domchores Berlin, Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-23 | Carmina Burana: III. Cour d'amours: Dulcissime | Edita Gruberová, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 8-24 | Carmina Burana: Blanzifor et Helena: Ave formosissima | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 8-25 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 9-1 | Symphony no. 1 in D major, op. 25 "Classical": I. Allegro | Berliner Philharmoniker, Seiji Ozawa | T-070.160.313-5 | |
| 9-2 | Symphony no. 1 in D major, op. 25 "Classical": II. Larghetto | Berliner Philharmoniker, Seiji Ozawa | T-902.876.200-7 | |
| 9-3 | Symphony no. 1 in D major, op. 25 "Classical": III. Gavotta. Non troppo allegro | Berliner Philharmoniker, Seiji Ozawa | — | |
| 9-4 | Symphony no. 1 in D major, op. 25 "Classical": IV. Finale. Molto vivace | Berliner Philharmoniker, Seiji Ozawa | T-318.676.528-2 | |
| 9-5 | Symphony no. 6 in E-flat minor, op. 111: I. Allegro moderato | Berliner Philharmoniker, Seiji Ozawa | — | |
| 9-6 | Symphony no. 6 in E-flat minor, op. 111: II. Largo | Berliner Philharmoniker, Seiji Ozawa | — | |
| 9-7 | Symphony no. 6 in E-flat minor, op. 111: III. Vivace | Berliner Philharmoniker, Seiji Ozawa | — | |
| 10-1 | Boléro | Boston Symphony Orchestra, Seiji Ozawa | T-003.006.377-4 | |
| 10-2 | Alborada del gracioso | Boston Symphony Orchestra, Seiji Ozawa | T-304.229.137-8 | |
| 10-3 | La Valse | Boston Symphony Orchestra, Seiji Ozawa | T-305.194.234-4 | |
| 10-4 | Rapsodie espagnole: I. Prélude à la nuit. Très modéré | Boston Symphony Orchestra, Seiji Ozawa | T-003.015.127-9 | |
| 10-5 | Rapsodie espagnole: II. Malagueña. Assez vif | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 10-6 | Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las | Boston Symphony Orchestra, Seiji Ozawa | T-003.015.127-9 | |
| 10-7 | Rapsodie espagnole: IV. Feria. Assez animé | Boston Symphony Orchestra, Seiji Ozawa | T-305.199.487-3 | |
| 10-8 | Pavane pour une infante défunte, version pour orchestre | Charles Kavaloski, Orchestre Symphonique de Boston, Seiji Ozawa | T-003.013.767-7 | |
| 10-9 | Valses nobles et sentimentales: I. Modéré | Boston Symphony Orchestra, Seiji Ozawa | T-003.017.935-1 | |
| 10-10 | Valses nobles et sentimentales: II. Assez lent | Boston Symphony Orchestra, Seiji Ozawa | T-003.017.935-1 | |
| 10-11 | Valses nobles et sentimentales: III. Modéré | Boston Symphony Orchestra, Seiji Ozawa | T-003.017.935-1 | |
| 10-12 | Valses nobles et sentimentales: IV. Assez animé | Boston Symphony Orchestra, Seiji Ozawa | T-003.017.935-1 | |
| 10-13 | Valses nobles et sentimentales: V. Presque lent | Boston Symphony Orchestra, Seiji Ozawa | T-003.017.935-1 | |
| 10-14 | Valses nobles et sentimentales: VI. Assez vif | Boston Symphony Orchestra, Seiji Ozawa | T-003.017.935-1 | |
| 10-15 | Valses nobles et sentimentales: VII. Moins vif | Boston Symphony Orchestra, Seiji Ozawa | T-003.017.935-1 | |
| 10-16 | Valses Nobles et Sentimentales: VIII. Epilogue: Lent | Boston Symphony Orchestra, Seiji Ozawa | T-003.017.935-1 | |
| 11-1 | Pini di Roma: I. I pini di Villa Borghese | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11-2 | Pini di Roma: II. Pini presso una catacomba | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11-3 | Pini di Roma: III. I pini del Gianicolo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11-4 | Pini di Roma: IV. I pini della Via Appia | Boston Symphony Orchestra, Seiji Ozawa | T-333.047.149-9 | |
| 11-5 | Feste romane: I. Circenses | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11-6 | Feste romane: II. Il giubileo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11-7 | Feste romane: III. L'ottobrata | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11-8 | Feste romane: IV. La befana | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11-9 | Fontane di Roma: I. La fontana di Valle Giulia all'alba | Boston Symphony Orchestra, Seiji Ozawa | T-902.294.706-4 | |
| 11-10 | Fontane di Roma: II. La fontana del Tritone al mattino | Boston Symphony Orchestra, Seiji Ozawa | T-902.294.706-4 | |
| 11-11 | Fontane di Roma: III. La fontana di Trevi al meriggio | Boston Symphony Orchestra, Seiji Ozawa | T-902.294.706-4 | |
| 11-12 | Fontane di Roma: IV. La fontana di Villa Medici al tramonto | Boston Symphony Orchestra, Seiji Ozawa | T-902.294.706-4 | |
| 12-1 | Scheherazade, op. 35: I. The Sea and Sinbad's Ship. Largo e maestoso - Allegro non troppo | Rainer Honeck, Wiener Philharmoniker, Seiji Ozawa | — | |
| 12-2 | Scheherazade, op. 35: II. The Tale of the Kalendar Prince. Lento - Andante | Rainer Honeck, Wiener Philharmoniker, Seiji Ozawa | — | |
| 12-3 | Scheherazade, op. 35: III. The Young Prince and The Young Princess. Andantino quasi allegretto | Rainer Honeck, Wiener Philharmoniker, Seiji Ozawa | — | |
| 12-4 | Scheherazade, op. 35: IV. Festival at Baghdad - The Sea - Shipwreck on a Rock surmounted by a Bronze Warrior - Conclusion. Allegro molto | Rainer Honeck, Wiener Philharmoniker, Seiji Ozawa | — | |
| 12-5 | Russian Easter Overture | Wiener Philharmoniker, Seiji Ozawa | — | |
| 13-1 | Also sprach Zarathustra, op. 30: Einleitung | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-2 | Also sprach Zarathustra, op. 30: Von den Hinterweltlern | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-3 | Also sprach Zarathustra, op. 30: Von den großen Sehnsucht | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-4 | Also sprach Zarathustra, op. 30: Von den Freuden und Leidenschaften | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-5 | Also sprach Zarathustra, op. 30: Das Grablied | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-6 | Also sprach Zarathustra, op. 30: Von der Wissenschaft | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-7 | Also sprach Zarathustra, op. 30: Der Genesende | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-8 | Also sprach Zarathustra, op. 30: Das Tanzlied | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-9 | Also sprach Zarathustra, op. 30: Nachtwandlerlied | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-10 | Ein Heldenleben, op. 40: Der Held | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-11 | Ein Heldenleben, op. 40: Des Helden Widersacher | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-12 | Ein Heldenleben, op. 40: Des Helden Gefährtin | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-13 | Ein Heldenleben, op. 40: Des Helden Walstatt | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-14 | Ein Heldenleben, op. 40: Des Helden Friedenswerke | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-15 | Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-1 | Swan Lake, op. 20: Act I: no. 1: Scène. Allegro giusto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-2 | Swan Lake, op. 20: Act I: no. 2: Valse. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-3 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: IV. Allegro moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-4 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: V. Pas d'action. Andante - Andante non troppo - Tempo I - Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-5 | Swan Lake, op. 20: Act III: no. 20: Danse hongroise. Czardas. Moderato assai - Allegro moderato - Vivace | Boston Symphony Orchestra, Seiji Ozawa | T-900.160.317-4 | |
| 14-6 | Swan Lake, op. 20: Act IV: no. 29: Scène finale. Andante - Allegro agitato - Alla breve. Moderato e maestoso - Moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-7 | The Nutcracker, op. 71: Overture | Boston Symphony Orchestra, Seiji Ozawa | T-312.199.363-9 | |
| 14-8 | The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: a. March | Boston Symphony Orchestra, Seiji Ozawa | T-304.210.691-8 | |
| 14-9 | The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: b. Dance of the Sugar Plum Fairy | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-10 | The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: c. Russian Dance (Trépak) | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-11 | The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: d. Arab Dance | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-12 | The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: e. Chinese Dance | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-13 | The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: f. Dance of the Reed Pipes | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-14 | The Nutcracker Suite, op. 71: III. Flower Waltz | Boston Symphony Orchestra, Seiji Ozawa | T-910.950.463-4 | |
| 14-15 | The Sleeping Beauty, Op. 66: Suite. I. Introduction: The Lilac Fairy | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-16 | The Sleeping Beauty, Op. 66: Suite. II. Adagio "Rose Adagio" | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-17 | The Sleeping Beauty, Op. 66: Suite. III. Puss-in-boots and the White Cat | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-18 | The Sleeping Beauty, Op. 66: Suite. IV. Panorama | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-19 | The Sleeping Beauty Suite, op. 66a: V. Waltz | Boston Symphony Orchestra, Seiji Ozawa | T-312.426.938-7 | |
| 15-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi andante - Allegro vivo | — | ||
| 15-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone | — | ||
| 15-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzacatio ostinato. Allegro | — | ||
| 15-4 | Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco | — | ||
| 15-5 | Capriccio italien, op. 45: Andante un poco rubato - Allegro moderato - Andante - Presto - Allegro moderato - Presto - Più presto - Prestissimo | — | ||
| 16-1 | Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima | Berliner Philharmoniker, Seiji Ozawa | — | |
| 16-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima – Andante mosso – Allegro non troppo – Tempo I | Berliner Philharmoniker, Seiji Ozawa | — | |
| 16-3 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | Berliner Philharmoniker, Seiji Ozawa | — | |
| 16-4 | Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto | Berliner Philharmoniker, Seiji Ozawa | — | |
| 16-5 | 1812 Overture, op. 49 | Berliner Philharmoniker, Seiji Ozawa | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: b. Dance of the Sugar Plum Fairy | Boston Symphony Orchestra, Seiji Ozawa | — |
