UPC · Release
Various Artists
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028945907123 is the Universal Product Code (UPC barcode) for the release “Centenary Collection 1988-1997” by Various Artists, released 1998-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 111 tracks, each with its own ISRC. Tracks include DEF058703740, DEF058902261, DEF058902262.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Akademische Festouvertüre op. 80: Allegro - L'istesso tempo, un poco maestoso - Animato - Maestoso | Berliner Philharmoniker, Claudio Abbado | T-901.158.945-0 | |
| 2 | Alto Rhapsody, op. 53 | — | ||
| 3 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 4 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso | — | ||
| 5 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso | — | ||
| 6 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 2-1 | Sonata in A minor, K. 310: I. Allegro maestoso | Maria João Pires | — | |
| 2-2 | Sonata in A minor, K. 310: II. Andante cantabile con espressione | Maria João Pires | — | |
| 2-3 | Sonata in A minor, K. 310: III. Presto | Maria João Pires | T-007.303.109-0 | |
| 2-4 | Sonata in B-flat major, K. 333: I. Allegro | Maria João Pires | T-007.303.107-8 | |
| 2-5 | Sonata in B-flat major, K. 333: II. Andante cantabile | Maria João Pires | — | |
| 2-6 | Sonata in B-flat major, K. 333: III. Allegretto grazioso | Maria João Pires | — | |
| 2-7 | Sonata in C major, K. 545: I. Allegro | Maria João Pires | T-007.303.107-8 | |
| 2-8 | Sonata in C major, K. 545: II. Andante | Maria João Pires | T-007.303.108-9 | |
| 2-9 | Sonata in C major, K. 545: III. Rondo. Allegretto | Maria João Pires | T-919.562.806-9 | |
| 2-10 | Impromptus, D. 899: No. 1 in C minor. Allegro molto moderato | Maria João Pires | — | |
| 3-1 | Violin Concerto no. 2 in D minor op. 22: I. Allegro moderato | — | ||
| 3-2 | Violin Concerto no. 2 in D minor op. 22: II. Romance. Andante non troppo | — | ||
| 3-3 | Violin Concerto no. 2 in D minor op. 22: III. Allegro con fuoco-Allegro moderato (à la Zingara) | — | ||
| 3-4 | Legende, op. 17: Andante: Allegro moderato: Tempo I | — | ||
| 3-5 | Zigeunerweisen, op. 20: Moderato: Lento: Un peu plus lent: Allegro molto vivace | — | ||
| 3-6 | Violin Concerto no. 3 in B minor, op. 61: I. Allegro non troppo | — | ||
| 3-7 | Violin Concerto no. 3 in B minor, op. 61: II. Andantino quasi allegretto | — | ||
| 3-8 | Violin Concerto no. 3 in B minor, op. 61: III. Molto moderato e maestoso – Allegro non troppo | — | ||
| 4-1 | Prélude à l’après‐midi d’un faune : Très modéré | The Cleveland Orchestra, Pierre Boulez | — | |
| 4-2 | Nocturnes : I. Nuages. Modéré — Un peu animé | The Cleveland Orchestra, Pierre Boulez | — | |
| 4-3 | Nocturnes : II. Fêtes. Animé et très rythmé — Modéré mais toujours très rythmé | The Cleveland Orchestra, Pierre Boulez | T-924.579.128-0 | |
| 4-4 | Nocturnes : III. Sirènes. Modérément animé | Ladies of the Cleveland Orchestra Chorus, The Cleveland Orchestra, Pierre Boulez | T-924.579.128-0 | |
| 4-5 | The Rite of Spring, K15, Pt. 1: I. Introduction | — | ||
| 4-6 | The Rite of Spring, K15, Pt. 1: II. The Augurs of Spring. Dances of the Young Girls | — | ||
| 4-7 | The Rite of Spring, K15, Pt. 1: III. Ritual of Abduction | — | ||
| 4-8 | The Rite of Spring, K15, Pt. 1: IV. Spring Rounds | — | ||
| 4-9 | The Rite of Spring, K15, Pt. 1: V. Games of the Rival Tribes | — | ||
| 4-10 | The Rite of Spring, K15, Pt. 1: VI. Procession of the Sage – VII. Adoration of the Earth | — | ||
| 4-11 | The Rite of Spring, K15, Pt. 1: VIII. Dance of the Earth | — | ||
| 4-12 | The Rite of Spring, K15, Pt. 2: IX. Introduction | — | ||
| 4-13 | The Rite of Spring, K15, Pt. 2: X. Mystic Circles of the Adolescents | — | ||
| 4-14 | The Rite of Spring, K15, Pt. 2: XI. Glorification of the Chosen One | — | ||
| 4-15 | The Rite of Spring, K15, Pt. 2: XII. Evocation of the Ancestors | — | ||
| 4-16 | The Rite of Spring, K15, Pt. 2: XIII. Ritual of the Ancestors | — | ||
| 4-17 | Le Sacre du printemps: Deuxième partie. XIV. Danse sacrale (L'Élue) | Cleveland Orchestra, Pierre Boulez | T-070.257.887-7 | |
| 5-1 | Haugtussa: Song Cycle, op. 67: Det syng | — | ||
| 5-2 | Haugtussa: Song Cycle, op. 67: Veslemöy | — | ||
| 5-3 | Haugtussa: Song Cycle, op. 67: Blåbaer-li | — | ||
| 5-4 | Haugtussa: Song Cycle, op. 67: Möte | — | ||
| 5-5 | Haugtussa: Song Cycle, op. 67: No. 5, Elsk | — | ||
| 5-6 | Haugtussa: Song Cycle, op. 67: Killingdans | — | ||
| 5-7 | Haugtussa: Song Cycle, op. 67: Vond dag | — | ||
| 5-8 | Haugtussa: Song Cycle, op. 67: No. 8, Ved Gjætle-Bekken | — | ||
| 5-9 | Sieben frühe Lieder: Nacht | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-10 | Sieben frühe Lieder: Schilflied | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-11 | Sieben frühe Lieder: Die Nachtigall | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-12 | Sieben frühe Lieder: Traumgekrönt | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-13 | Sieben frühe Lieder: Im Zimmer | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-14 | Sieben frühe Lieder: Liebesode | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-15 | Sieben frühe Lieder: Sommertage | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-16 | Drei Gesänge op. 18: I. "In meine innige Nacht" langsam - attaca | — | ||
| 5-17 | Drei Gesänge op. 18: II. "Tu ab den Schmerz" nicht geschleppt - attaca | — | ||
| 5-18 | Drei Gesänge op. 18: III. Versuchung: mit Feuer und Begeisterung | — | ||
| 5-19 | Je ne t'aime pas | — | ||
| 5-20 | Schickelgruber | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-21 | Der Abschiedsbrief | — | ||
| 6-1 | The Tempest, op. 18 | Russian National Orchestra, Mikhail Pletnev | T-011.720.495-1 | |
| 6-2 | Baba-Yaga, op. 56 | — | ||
| 6-3 | The Enchanted Lake, op. 62 | — | ||
| 6-4 | Kikimora, op. 63 | — | ||
| 6-5 | The Rock, op. 7 | Russian National Orchestra, Mikhail Pletnev | — | |
| 6-6 | Overture In F major | — | ||
| 7-1 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 7-2 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-915.714.772-3 | |
| 7-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 7-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 7-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 7-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-314.638.300-4 | |
| 7-7 | Symphony no. 7 in A major, op. 92: III. Presto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-931.717.518-1 | |
| 7-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 8-1 | Don Quixote, op. 35: Introduktion. Mäßiges Zeitmaß | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-2 | Don Quixote, op. 35: Thema. Mäßig | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-3 | Don Quixote, op. 35: Variation I. Gemächlich | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-4 | Don Quixote, op. 35: Variation II. Kriegerisch | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-5 | Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-6 | Don Quixote, op. 35: Variation IV. Etwas breiter | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-7 | Don Quixote, op. 35: Variation V. Sehr langsam | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-8 | Don Quixote, op. 35: Variation VI. Schnell | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-9 | Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-10 | Don Quixote, op. 35: Variation VIII. Gemächlich | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-11 | Don Quixote, op. 35: Variation IX. Schnell und stürmisch | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-12 | Don Quixote, op. 35: Variation X. Viel breiter | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-13 | Don Quixote, op. 35: Finale. Sehr ruhig | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-14 | Tod und Verklärung, op. 24 | Metropolitan Opera Orchestra, James Levine | — | |
| 9-1 | Cantata on the Death of Emperor Joseph II, WoO 87: I. Chorus. Todt, stöhnt es durch die öde Nacht! | — | ||
| 9-2 | Cantata on the Death of Emperor Joseph II, WoO 87: II. Recit. Ein Ungeheuer, sein Name Fanatismus | — | ||
| 9-3 | Cantata on the Death of Emperor Joseph II, WoO 87: III. Aria. Da kam Joseph, mit Gottes Stärke | — | ||
| 9-4 | Cantata on the Death of Emperor Joseph II, WoO 87: IV. Aria & Chorus. Da stiegen die Menschen an's Licht | — | ||
| 9-5 | Cantata on the Death of Emperor Joseph II, WoO 87: V. Recit. Er schläft von den Sorgen seiner Welten entladen | — | ||
| 9-6 | Cantata on the Death of Emperor Joseph II, WoO 87: VI. Aria. Hier schlummert seinen stillen Frieden | — | ||
| 9-7 | Cantata on the Death of Emperor Joseph II, WoO 87: VII. Chorus. Todt, stöhnt es durch die öde Nacht! | — | ||
| 9-8 | Konzertstück op. 86 in F for 4 Horns and Orchestra: I. Lebhaft | — | ||
| 9-9 | Konzertstück op. 86 In F For 4 Horns And Orchestra: II. Romanze | — | ||
| 9-10 | Konzertstück op. 86 In F For 4 Horns And Orchestra: III. Sehr lebhaft | — | ||
| 9-11 | Palestrina: Vorspiel zum I. Akt: Ruhig (andante) | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 9-12 | Palestrina: Vorspiel zum II. Akt: Mit Wucht und Wildheit | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 10-1 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: I. Introduzione: Andante con moto - Allegro vivace | Emerson String Quartet | — | |
| 10-2 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: II. Andante con moto quasi allegretto | Emerson String Quartet | — | |
| 10-3 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: III. Menuetto grazioso - attacca | Emerson String Quartet | T-700.095.171-5 | |
| 10-4 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: IV. Allegro molto | Emerson String Quartet | T-329.454.787-4 | |
| 10-5 | String Quartet no. 15 in A minor, op. 132: I. Assai sostenuto - Allegro | Emerson String Quartet | — | |
| 10-6 | String Quartet no. 15 in A minor, op. 132: II. Allegro ma non tanto | Emerson String Quartet | — | |
| 10-7 | String Quartet no. 15 in A minor, op. 132: III. Andante - Molto adagio - Andante - Molto adagio: Mit innigster Empfindung | Emerson String Quartet | — | |
| 10-8 | String Quartet no. 15 in A minor, op. 132: IV. Alla marcia, assai vivace - Piu allegro - attacca- | Emerson String Quartet | — | |
| 10-9 | String Quartet no. 15 in A minor, op. 132: V. Allegro appassionato - Presto | Emerson String Quartet | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-902.876.200-7 |
| Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-902.876.200-7 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028945907123 is a Universal Product Code (UPC) assigned to Centenary Collection 1988-1997 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 111 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028945907123 is the Universal Product Code (UPC barcode) for the release “Centenary Collection 1988-1997” by Various Artists, released 1998-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 111 tracks, each with its own ISRC. Tracks include DEF058703740, DEF058902261, DEF058902262.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Akademische Festouvertüre op. 80: Allegro - L'istesso tempo, un poco maestoso - Animato - Maestoso | Berliner Philharmoniker, Claudio Abbado | T-901.158.945-0 | |
| 2 | Alto Rhapsody, op. 53 | — | ||
| 3 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 4 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso | — | ||
| 5 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso | — | ||
| 6 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 2-1 | Sonata in A minor, K. 310: I. Allegro maestoso | Maria João Pires | — | |
| 2-2 | Sonata in A minor, K. 310: II. Andante cantabile con espressione | Maria João Pires | — | |
| 2-3 | Sonata in A minor, K. 310: III. Presto | Maria João Pires | T-007.303.109-0 | |
| 2-4 | Sonata in B-flat major, K. 333: I. Allegro | Maria João Pires | T-007.303.107-8 | |
| 2-5 | Sonata in B-flat major, K. 333: II. Andante cantabile | Maria João Pires | — | |
| 2-6 | Sonata in B-flat major, K. 333: III. Allegretto grazioso | Maria João Pires | — | |
| 2-7 | Sonata in C major, K. 545: I. Allegro | Maria João Pires | T-007.303.107-8 | |
| 2-8 | Sonata in C major, K. 545: II. Andante | Maria João Pires | T-007.303.108-9 | |
| 2-9 | Sonata in C major, K. 545: III. Rondo. Allegretto | Maria João Pires | T-919.562.806-9 | |
| 2-10 | Impromptus, D. 899: No. 1 in C minor. Allegro molto moderato | Maria João Pires | — | |
| 3-1 | Violin Concerto no. 2 in D minor op. 22: I. Allegro moderato | — | ||
| 3-2 | Violin Concerto no. 2 in D minor op. 22: II. Romance. Andante non troppo | — | ||
| 3-3 | Violin Concerto no. 2 in D minor op. 22: III. Allegro con fuoco-Allegro moderato (à la Zingara) | — | ||
| 3-4 | Legende, op. 17: Andante: Allegro moderato: Tempo I | — | ||
| 3-5 | Zigeunerweisen, op. 20: Moderato: Lento: Un peu plus lent: Allegro molto vivace | — | ||
| 3-6 | Violin Concerto no. 3 in B minor, op. 61: I. Allegro non troppo | — | ||
| 3-7 | Violin Concerto no. 3 in B minor, op. 61: II. Andantino quasi allegretto | — | ||
| 3-8 | Violin Concerto no. 3 in B minor, op. 61: III. Molto moderato e maestoso – Allegro non troppo | — | ||
| 4-1 | Prélude à l’après‐midi d’un faune : Très modéré | The Cleveland Orchestra, Pierre Boulez | — | |
| 4-2 | Nocturnes : I. Nuages. Modéré — Un peu animé | The Cleveland Orchestra, Pierre Boulez | — | |
| 4-3 | Nocturnes : II. Fêtes. Animé et très rythmé — Modéré mais toujours très rythmé | The Cleveland Orchestra, Pierre Boulez | T-924.579.128-0 | |
| 4-4 | Nocturnes : III. Sirènes. Modérément animé | Ladies of the Cleveland Orchestra Chorus, The Cleveland Orchestra, Pierre Boulez | T-924.579.128-0 | |
| 4-5 | The Rite of Spring, K15, Pt. 1: I. Introduction | — | ||
| 4-6 | The Rite of Spring, K15, Pt. 1: II. The Augurs of Spring. Dances of the Young Girls | — | ||
| 4-7 | The Rite of Spring, K15, Pt. 1: III. Ritual of Abduction | — | ||
| 4-8 | The Rite of Spring, K15, Pt. 1: IV. Spring Rounds | — | ||
| 4-9 | The Rite of Spring, K15, Pt. 1: V. Games of the Rival Tribes | — | ||
| 4-10 | The Rite of Spring, K15, Pt. 1: VI. Procession of the Sage – VII. Adoration of the Earth | — | ||
| 4-11 | The Rite of Spring, K15, Pt. 1: VIII. Dance of the Earth | — | ||
| 4-12 | The Rite of Spring, K15, Pt. 2: IX. Introduction | — | ||
| 4-13 | The Rite of Spring, K15, Pt. 2: X. Mystic Circles of the Adolescents | — | ||
| 4-14 | The Rite of Spring, K15, Pt. 2: XI. Glorification of the Chosen One | — | ||
| 4-15 | The Rite of Spring, K15, Pt. 2: XII. Evocation of the Ancestors | — | ||
| 4-16 | The Rite of Spring, K15, Pt. 2: XIII. Ritual of the Ancestors | — | ||
| 4-17 | Le Sacre du printemps: Deuxième partie. XIV. Danse sacrale (L'Élue) | Cleveland Orchestra, Pierre Boulez | T-070.257.887-7 | |
| 5-1 | Haugtussa: Song Cycle, op. 67: Det syng | — | ||
| 5-2 | Haugtussa: Song Cycle, op. 67: Veslemöy | — | ||
| 5-3 | Haugtussa: Song Cycle, op. 67: Blåbaer-li | — | ||
| 5-4 | Haugtussa: Song Cycle, op. 67: Möte | — | ||
| 5-5 | Haugtussa: Song Cycle, op. 67: No. 5, Elsk | — | ||
| 5-6 | Haugtussa: Song Cycle, op. 67: Killingdans | — | ||
| 5-7 | Haugtussa: Song Cycle, op. 67: Vond dag | — | ||
| 5-8 | Haugtussa: Song Cycle, op. 67: No. 8, Ved Gjætle-Bekken | — | ||
| 5-9 | Sieben frühe Lieder: Nacht | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-10 | Sieben frühe Lieder: Schilflied | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-11 | Sieben frühe Lieder: Die Nachtigall | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-12 | Sieben frühe Lieder: Traumgekrönt | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-13 | Sieben frühe Lieder: Im Zimmer | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-14 | Sieben frühe Lieder: Liebesode | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-15 | Sieben frühe Lieder: Sommertage | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-16 | Drei Gesänge op. 18: I. "In meine innige Nacht" langsam - attaca | — | ||
| 5-17 | Drei Gesänge op. 18: II. "Tu ab den Schmerz" nicht geschleppt - attaca | — | ||
| 5-18 | Drei Gesänge op. 18: III. Versuchung: mit Feuer und Begeisterung | — | ||
| 5-19 | Je ne t'aime pas | — | ||
| 5-20 | Schickelgruber | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-21 | Der Abschiedsbrief | — | ||
| 6-1 | The Tempest, op. 18 | Russian National Orchestra, Mikhail Pletnev | T-011.720.495-1 | |
| 6-2 | Baba-Yaga, op. 56 | — | ||
| 6-3 | The Enchanted Lake, op. 62 | — | ||
| 6-4 | Kikimora, op. 63 | — | ||
| 6-5 | The Rock, op. 7 | Russian National Orchestra, Mikhail Pletnev | — | |
| 6-6 | Overture In F major | — | ||
| 7-1 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 7-2 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-915.714.772-3 | |
| 7-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 7-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 7-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 7-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-314.638.300-4 | |
| 7-7 | Symphony no. 7 in A major, op. 92: III. Presto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-931.717.518-1 | |
| 7-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 8-1 | Don Quixote, op. 35: Introduktion. Mäßiges Zeitmaß | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-2 | Don Quixote, op. 35: Thema. Mäßig | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-3 | Don Quixote, op. 35: Variation I. Gemächlich | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-4 | Don Quixote, op. 35: Variation II. Kriegerisch | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-5 | Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-6 | Don Quixote, op. 35: Variation IV. Etwas breiter | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-7 | Don Quixote, op. 35: Variation V. Sehr langsam | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-8 | Don Quixote, op. 35: Variation VI. Schnell | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-9 | Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-10 | Don Quixote, op. 35: Variation VIII. Gemächlich | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-11 | Don Quixote, op. 35: Variation IX. Schnell und stürmisch | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-12 | Don Quixote, op. 35: Variation X. Viel breiter | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-13 | Don Quixote, op. 35: Finale. Sehr ruhig | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-14 | Tod und Verklärung, op. 24 | Metropolitan Opera Orchestra, James Levine | — | |
| 9-1 | Cantata on the Death of Emperor Joseph II, WoO 87: I. Chorus. Todt, stöhnt es durch die öde Nacht! | — | ||
| 9-2 | Cantata on the Death of Emperor Joseph II, WoO 87: II. Recit. Ein Ungeheuer, sein Name Fanatismus | — | ||
| 9-3 | Cantata on the Death of Emperor Joseph II, WoO 87: III. Aria. Da kam Joseph, mit Gottes Stärke | — | ||
| 9-4 | Cantata on the Death of Emperor Joseph II, WoO 87: IV. Aria & Chorus. Da stiegen die Menschen an's Licht | — | ||
| 9-5 | Cantata on the Death of Emperor Joseph II, WoO 87: V. Recit. Er schläft von den Sorgen seiner Welten entladen | — | ||
| 9-6 | Cantata on the Death of Emperor Joseph II, WoO 87: VI. Aria. Hier schlummert seinen stillen Frieden | — | ||
| 9-7 | Cantata on the Death of Emperor Joseph II, WoO 87: VII. Chorus. Todt, stöhnt es durch die öde Nacht! | — | ||
| 9-8 | Konzertstück op. 86 in F for 4 Horns and Orchestra: I. Lebhaft | — | ||
| 9-9 | Konzertstück op. 86 In F For 4 Horns And Orchestra: II. Romanze | — | ||
| 9-10 | Konzertstück op. 86 In F For 4 Horns And Orchestra: III. Sehr lebhaft | — | ||
| 9-11 | Palestrina: Vorspiel zum I. Akt: Ruhig (andante) | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 9-12 | Palestrina: Vorspiel zum II. Akt: Mit Wucht und Wildheit | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 10-1 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: I. Introduzione: Andante con moto - Allegro vivace | Emerson String Quartet | — | |
| 10-2 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: II. Andante con moto quasi allegretto | Emerson String Quartet | — | |
| 10-3 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: III. Menuetto grazioso - attacca | Emerson String Quartet | T-700.095.171-5 | |
| 10-4 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: IV. Allegro molto | Emerson String Quartet | T-329.454.787-4 | |
| 10-5 | String Quartet no. 15 in A minor, op. 132: I. Assai sostenuto - Allegro | Emerson String Quartet | — | |
| 10-6 | String Quartet no. 15 in A minor, op. 132: II. Allegro ma non tanto | Emerson String Quartet | — | |
| 10-7 | String Quartet no. 15 in A minor, op. 132: III. Andante - Molto adagio - Andante - Molto adagio: Mit innigster Empfindung | Emerson String Quartet | — | |
| 10-8 | String Quartet no. 15 in A minor, op. 132: IV. Alla marcia, assai vivace - Piu allegro - attacca- | Emerson String Quartet | — | |
| 10-9 | String Quartet no. 15 in A minor, op. 132: V. Allegro appassionato - Presto | Emerson String Quartet | — |
