UPC · Album
Centenary Collection 1988-1997
Various Artists
028945907123
111 tracksReleased 1998-01-01Deutsche Grammophon
Last verified:
028945907123 is the Universal Product Code (UPC barcode) for the release “Centenary Collection 1988-1997” by Various Artists, released 1998-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 111 tracks, each with its own ISRC. Tracks include DEF058703740, DEF058902261, DEF058902262.
Format
0Number system
28945Manufacturer
90712Product
3Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCCentenary Collection 1988-1997
ISRC59 recordings
ISWC15 works
IPI2 songwriters
Track List (59)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Akademische Festouvertüre op. 80: Allegro - L'istesso tempo, un poco maestoso - Animato - Maestoso | Berliner Philharmoniker, Claudio Abbado | DEF058703740 |
| Sonata in A minor, K. 310: I. Allegro maestoso | Maria João Pires | DEF058902261 |
| Sonata in A minor, K. 310: II. Andante cantabile con espressione | Maria João Pires | DEF058902262 |
| Sonata in A minor, K. 310: III. Presto | Maria João Pires | DEF058902263 |
| Sonata in B-flat major, K. 333: I. Allegro | Maria João Pires | DEF058902271 |
| Sonata in B-flat major, K. 333: II. Andante cantabile | Maria João Pires | DEF058902272 |
| Sonata in B-flat major, K. 333: III. Allegretto grazioso | Maria João Pires | DEF058902273 |
| Sonata in C major, K. 545: I. Allegro | Maria João Pires | DEF058902281 |
| Sonata in C major, K. 545: II. Andante | Maria João Pires | DEF058902282 |
| Sonata in C major, K. 545: III. Rondo. Allegretto | Maria João Pires | DEF058902283 |
| Prélude à l’après‐midi d’un faune : Très modéré | The Cleveland Orchestra, Pierre Boulez | DEF059103110 |
| Sieben frühe Lieder: Nacht | Anne Sofie von Otter, Bengt Forsberg | DEF059104921 |
| Sieben frühe Lieder: Schilflied | Anne Sofie von Otter, Bengt Forsberg | DEF059104922 |
| Sieben frühe Lieder: Die Nachtigall | Anne Sofie von Otter, Bengt Forsberg | DEF059104923 |
| Sieben frühe Lieder: Traumgekrönt | Anne Sofie von Otter, Bengt Forsberg | DEF059104924 |
| Sieben frühe Lieder: Im Zimmer | Anne Sofie von Otter, Bengt Forsberg | DEF059104925 |
| Sieben frühe Lieder: Liebesode | Anne Sofie von Otter, Bengt Forsberg | DEF059104926 |
| Sieben frühe Lieder: Sommertage | Anne Sofie von Otter, Bengt Forsberg | DEF059104927 |
| Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | DEF059204971 |
| Symphony no. 7 in A major, op. 92: II. Allegretto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | DEF059204972 |
| Symphony no. 7 in A major, op. 92: III. Presto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | DEF059204973 |
| Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | DEF059204974 |
| The Rock, op. 7 | Russian National Orchestra, Mikhail Pletnev | DEF059303010 |
| The Tempest, op. 18 | Russian National Orchestra, Mikhail Pletnev | DEF059303070 |
| Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | DEF059303381 |
| Schickelgruber | Anne Sofie von Otter, Bengt Forsberg | DEF059303990 |
| Nocturnes : II. Fêtes. Animé et très rythmé — Modéré mais toujours très rythmé | The Cleveland Orchestra, Pierre Boulez | DEF059304451 |
| Nocturnes : I. Nuages. Modéré — Un peu animé | The Cleveland Orchestra, Pierre Boulez | DEF059304452 |
| Nocturnes : III. Sirènes. Modérément animé | Ladies of the Cleveland Orchestra Chorus, The Cleveland Orchestra, Pierre Boulez | DEF059304453 |
| Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | DEF059402270 |
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | DEF059402271 |
| Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | DEF059402273 |
| String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: I. Introduzione: Andante con moto - Allegro vivace | Emerson String Quartet | DEF059404951 |
| String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: II. Andante con moto quasi allegretto | Emerson String Quartet | DEF059404952 |
| String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: III. Menuetto grazioso - attacca | Emerson String Quartet | DEF059404953 |
| String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: IV. Allegro molto | Emerson String Quartet | DEF059404954 |
| String Quartet no. 15 in A minor, op. 132: I. Assai sostenuto - Allegro | Emerson String Quartet | DEF059404991 |
| String Quartet no. 15 in A minor, op. 132: II. Allegro ma non tanto | Emerson String Quartet | DEF059404992 |
| String Quartet no. 15 in A minor, op. 132: III. Andante - Molto adagio - Andante - Molto adagio: Mit innigster Empfindung | Emerson String Quartet | DEF059404993 |
| String Quartet no. 15 in A minor, op. 132: IV. Alla marcia, assai vivace - Piu allegro - attacca- | Emerson String Quartet | DEF059404994 |
| String Quartet no. 15 in A minor, op. 132: V. Allegro appassionato - Presto | Emerson String Quartet | DEF059404995 |
| Tod und Verklärung, op. 24 | Metropolitan Opera Orchestra, James Levine | DEF059503110 |
| Palestrina: Vorspiel zum I. Akt: Ruhig (andante) | Orchester der Deutschen Oper Berlin, Christian Thielemann | DEF059504200 |
| Palestrina: Vorspiel zum II. Akt: Mit Wucht und Wildheit | Orchester der Deutschen Oper Berlin, Christian Thielemann | DEF059504210 |
| Don Quixote, op. 35: Introduktion. Mäßiges Zeitmaß | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | DEF059530401 |
| Don Quixote, op. 35: Thema. Mäßig | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | DEF059530402 |
| Don Quixote, op. 35: Variation I. Gemächlich | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | DEF059530403 |
| Don Quixote, op. 35: Variation II. Kriegerisch | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | DEF059530404 |
| Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | DEF059530405 |
| Don Quixote, op. 35: Variation IV. Etwas breiter | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | DEF059530406 |
| Don Quixote, op. 35: Variation V. Sehr langsam | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | DEF059530407 |
| Don Quixote, op. 35: Variation VI. Schnell | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | DEF059530408 |
| Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | DEF059530409 |
| Don Quixote, op. 35: Variation VIII. Gemächlich | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | DEF059530410 |
| Don Quixote, op. 35: Variation IX. Schnell und stürmisch | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | DEF059530411 |
| Don Quixote, op. 35: Variation X. Viel breiter | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | DEF059530412 |
| Don Quixote, op. 35: Finale. Sehr ruhig | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | DEF059530413 |
| Impromptus, D. 899: No. 1 in C minor. Allegro molto moderato | Maria João Pires | DEF059605581 |
| Le Sacre du printemps: Deuxième partie. XIV. Danse sacrale (L'Élue) | Cleveland Orchestra, Pierre Boulez | USSM16900434 |
Akademische Festouvertüre op. 80: Allegro - L'istesso tempo, un poco maestoso - Animato - Maestoso
Berliner Philharmoniker, Claudio Abbado
Sonata in A minor, K. 310: I. Allegro maestoso
Maria João Pires
Sonata in A minor, K. 310: II. Andante cantabile con espressione
Maria João Pires
Sonata in A minor, K. 310: III. Presto
Maria João Pires
Sonata in B-flat major, K. 333: I. Allegro
Maria João Pires
Sonata in B-flat major, K. 333: II. Andante cantabile
Maria João Pires
Sonata in B-flat major, K. 333: III. Allegretto grazioso
Maria João Pires
Sonata in C major, K. 545: I. Allegro
Maria João Pires
Sonata in C major, K. 545: II. Andante
Maria João Pires
Sonata in C major, K. 545: III. Rondo. Allegretto
Maria João Pires
Prélude à l’après‐midi d’un faune : Très modéré
The Cleveland Orchestra, Pierre Boulez
Sieben frühe Lieder: Nacht
Anne Sofie von Otter, Bengt Forsberg
Sieben frühe Lieder: Schilflied
Anne Sofie von Otter, Bengt Forsberg
Sieben frühe Lieder: Die Nachtigall
Anne Sofie von Otter, Bengt Forsberg
Sieben frühe Lieder: Traumgekrönt
Anne Sofie von Otter, Bengt Forsberg
Sieben frühe Lieder: Im Zimmer
Anne Sofie von Otter, Bengt Forsberg
Sieben frühe Lieder: Liebesode
Anne Sofie von Otter, Bengt Forsberg
Sieben frühe Lieder: Sommertage
Anne Sofie von Otter, Bengt Forsberg
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Symphony no. 7 in A major, op. 92: II. Allegretto
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Symphony no. 7 in A major, op. 92: III. Presto
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Symphony no. 7 in A major, op. 92: IV. Allegro con brio
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
The Rock, op. 7
Russian National Orchestra, Mikhail Pletnev
The Tempest, op. 18
Russian National Orchestra, Mikhail Pletnev
Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Schickelgruber
Anne Sofie von Otter, Bengt Forsberg
Nocturnes : II. Fêtes. Animé et très rythmé — Modéré mais toujours très rythmé
The Cleveland Orchestra, Pierre Boulez
Nocturnes : I. Nuages. Modéré — Un peu animé
The Cleveland Orchestra, Pierre Boulez
Nocturnes : III. Sirènes. Modérément animé
Ladies of the Cleveland Orchestra Chorus, The Cleveland Orchestra, Pierre Boulez
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: I. Introduzione: Andante con moto - Allegro vivace
Emerson String Quartet
String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: II. Andante con moto quasi allegretto
Emerson String Quartet
String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: III. Menuetto grazioso - attacca
Emerson String Quartet
String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: IV. Allegro molto
Emerson String Quartet
String Quartet no. 15 in A minor, op. 132: I. Assai sostenuto - Allegro
Emerson String Quartet
String Quartet no. 15 in A minor, op. 132: II. Allegro ma non tanto
Emerson String Quartet
String Quartet no. 15 in A minor, op. 132: III. Andante - Molto adagio - Andante - Molto adagio: Mit innigster Empfindung
Emerson String Quartet
String Quartet no. 15 in A minor, op. 132: IV. Alla marcia, assai vivace - Piu allegro - attacca-
Emerson String Quartet
String Quartet no. 15 in A minor, op. 132: V. Allegro appassionato - Presto
Emerson String Quartet
Tod und Verklärung, op. 24
Metropolitan Opera Orchestra, James Levine
Palestrina: Vorspiel zum I. Akt: Ruhig (andante)
Orchester der Deutschen Oper Berlin, Christian Thielemann
Palestrina: Vorspiel zum II. Akt: Mit Wucht und Wildheit
Orchester der Deutschen Oper Berlin, Christian Thielemann
Don Quixote, op. 35: Introduktion. Mäßiges Zeitmaß
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
Don Quixote, op. 35: Thema. Mäßig
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
Don Quixote, op. 35: Variation I. Gemächlich
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
Don Quixote, op. 35: Variation II. Kriegerisch
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
Don Quixote, op. 35: Variation IV. Etwas breiter
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
Don Quixote, op. 35: Variation V. Sehr langsam
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
Don Quixote, op. 35: Variation VI. Schnell
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
Don Quixote, op. 35: Variation VIII. Gemächlich
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
Don Quixote, op. 35: Variation IX. Schnell und stürmisch
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
Don Quixote, op. 35: Variation X. Viel breiter
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
Don Quixote, op. 35: Finale. Sehr ruhig
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
Impromptus, D. 899: No. 1 in C minor. Allegro molto moderato
Maria João Pires
Le Sacre du printemps: Deuxième partie. XIV. Danse sacrale (L'Élue)
Cleveland Orchestra, Pierre Boulez
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000046110898000000005549355200000000783956560000000108606574000000010863443600000001088865880000000109045326000000010937431400000001094053870000000109427527
+22 more
00000001094475600000000110592001000000011089309000000001146207940000000114802504000000011700249X0000000118812208000000011954617500000001201914980000000120959719000000012103915600000001210874730000000121123366000000012114424700000001212242980000000121468794000000012161503700000001216951960000000122771453000000012284919300000001234194940000000403968412
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What is UPC 028945907123?
028945907123 is a Universal Product Code (UPC) assigned to Centenary Collection 1988-1997 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 111 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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