UPC · Release
Centenary Collection 1988-1997
Various Artists
028945907123
111 tracksReleased 1998-01-01Deutsche Grammophon
Last verified:
028945907123 is the Universal Product Code (UPC barcode) for the release “Centenary Collection 1988-1997” by Various Artists, released 1998-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 111 tracks, each with its own ISRC. Tracks include DEF058703740, DEF058902261, DEF058902262.
Format
0Number system
28945Manufacturer
90712Product
3Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCCentenary Collection 1988-1997
ISRC59 recordings
ISWC21 works
IPI2 songwriters
Track List (111)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Akademische Festouvertüre op. 80: Allegro - L'istesso tempo, un poco maestoso - Animato - Maestoso | Berliner Philharmoniker, Claudio Abbado | T-901.158.945-0 | |
| 2 | Alto Rhapsody, op. 53 | — | ||
| 3 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 4 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso | — | ||
| 5 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso | — | ||
| 6 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 2-1 | Sonata in A minor, K. 310: I. Allegro maestoso | Maria João Pires | — | |
| 2-2 | Sonata in A minor, K. 310: II. Andante cantabile con espressione | Maria João Pires | — | |
| 2-3 | Sonata in A minor, K. 310: III. Presto | Maria João Pires | T-007.303.109-0 | |
| 2-4 | Sonata in B-flat major, K. 333: I. Allegro | Maria João Pires | T-007.303.107-8 | |
| 2-5 | Sonata in B-flat major, K. 333: II. Andante cantabile | Maria João Pires | — | |
| 2-6 | Sonata in B-flat major, K. 333: III. Allegretto grazioso | Maria João Pires | — | |
| 2-7 | Sonata in C major, K. 545: I. Allegro | Maria João Pires | T-007.303.107-8 | |
| 2-8 | Sonata in C major, K. 545: II. Andante | Maria João Pires | T-007.303.108-9 | |
| 2-9 | Sonata in C major, K. 545: III. Rondo. Allegretto | Maria João Pires | T-919.562.806-9 | |
| 2-10 | Impromptus, D. 899: No. 1 in C minor. Allegro molto moderato | Maria João Pires | — | |
| 3-1 | Violin Concerto no. 2 in D minor op. 22: I. Allegro moderato | — | ||
| 3-2 | Violin Concerto no. 2 in D minor op. 22: II. Romance. Andante non troppo | — | ||
| 3-3 | Violin Concerto no. 2 in D minor op. 22: III. Allegro con fuoco-Allegro moderato (à la Zingara) | — | ||
| 3-4 | Legende, op. 17: Andante: Allegro moderato: Tempo I | — | ||
| 3-5 | Zigeunerweisen, op. 20: Moderato: Lento: Un peu plus lent: Allegro molto vivace | — | ||
| 3-6 | Violin Concerto no. 3 in B minor, op. 61: I. Allegro non troppo | — | ||
| 3-7 | Violin Concerto no. 3 in B minor, op. 61: II. Andantino quasi allegretto | — | ||
| 3-8 | Violin Concerto no. 3 in B minor, op. 61: III. Molto moderato e maestoso – Allegro non troppo | — | ||
| 4-1 | Prélude à l’après‐midi d’un faune : Très modéré | The Cleveland Orchestra, Pierre Boulez | — | |
| 4-2 | Nocturnes : I. Nuages. Modéré — Un peu animé | The Cleveland Orchestra, Pierre Boulez | — | |
| 4-3 | Nocturnes : II. Fêtes. Animé et très rythmé — Modéré mais toujours très rythmé | The Cleveland Orchestra, Pierre Boulez | T-924.579.128-0 | |
| 4-4 | Nocturnes : III. Sirènes. Modérément animé | Ladies of the Cleveland Orchestra Chorus, The Cleveland Orchestra, Pierre Boulez | T-924.579.128-0 | |
| 4-5 | The Rite of Spring, K15, Pt. 1: I. Introduction | — | ||
| 4-6 | The Rite of Spring, K15, Pt. 1: II. The Augurs of Spring. Dances of the Young Girls | — | ||
| 4-7 | The Rite of Spring, K15, Pt. 1: III. Ritual of Abduction | — | ||
| 4-8 | The Rite of Spring, K15, Pt. 1: IV. Spring Rounds | — | ||
| 4-9 | The Rite of Spring, K15, Pt. 1: V. Games of the Rival Tribes | — | ||
| 4-10 | The Rite of Spring, K15, Pt. 1: VI. Procession of the Sage – VII. Adoration of the Earth | — | ||
| 4-11 | The Rite of Spring, K15, Pt. 1: VIII. Dance of the Earth | — | ||
| 4-12 | The Rite of Spring, K15, Pt. 2: IX. Introduction | — | ||
| 4-13 | The Rite of Spring, K15, Pt. 2: X. Mystic Circles of the Adolescents | — | ||
| 4-14 | The Rite of Spring, K15, Pt. 2: XI. Glorification of the Chosen One | — | ||
| 4-15 | The Rite of Spring, K15, Pt. 2: XII. Evocation of the Ancestors | — | ||
| 4-16 | The Rite of Spring, K15, Pt. 2: XIII. Ritual of the Ancestors | — | ||
| 4-17 | Le Sacre du printemps: Deuxième partie. XIV. Danse sacrale (L'Élue) | Cleveland Orchestra, Pierre Boulez | T-070.257.887-7 | |
| 5-1 | Haugtussa: Song Cycle, op. 67: Det syng | — | ||
| 5-2 | Haugtussa: Song Cycle, op. 67: Veslemöy | — | ||
| 5-3 | Haugtussa: Song Cycle, op. 67: Blåbaer-li | — | ||
| 5-4 | Haugtussa: Song Cycle, op. 67: Möte | — | ||
| 5-5 | Haugtussa: Song Cycle, op. 67: No. 5, Elsk | — | ||
| 5-6 | Haugtussa: Song Cycle, op. 67: Killingdans | — | ||
| 5-7 | Haugtussa: Song Cycle, op. 67: Vond dag | — | ||
| 5-8 | Haugtussa: Song Cycle, op. 67: No. 8, Ved Gjætle-Bekken | — | ||
| 5-9 | Sieben frühe Lieder: Nacht | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-10 | Sieben frühe Lieder: Schilflied | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-11 | Sieben frühe Lieder: Die Nachtigall | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-12 | Sieben frühe Lieder: Traumgekrönt | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-13 | Sieben frühe Lieder: Im Zimmer | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-14 | Sieben frühe Lieder: Liebesode | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-15 | Sieben frühe Lieder: Sommertage | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-16 | Drei Gesänge op. 18: I. "In meine innige Nacht" langsam - attaca | — | ||
| 5-17 | Drei Gesänge op. 18: II. "Tu ab den Schmerz" nicht geschleppt - attaca | — | ||
| 5-18 | Drei Gesänge op. 18: III. Versuchung: mit Feuer und Begeisterung | — | ||
| 5-19 | Je ne t'aime pas | — | ||
| 5-20 | Schickelgruber | Anne Sofie von Otter, Bengt Forsberg | — | |
| 5-21 | Der Abschiedsbrief | — | ||
| 6-1 | The Tempest, op. 18 | Russian National Orchestra, Mikhail Pletnev | T-011.720.495-1 | |
| 6-2 | Baba-Yaga, op. 56 | — | ||
| 6-3 | The Enchanted Lake, op. 62 | — | ||
| 6-4 | Kikimora, op. 63 | — | ||
| 6-5 | The Rock, op. 7 | Russian National Orchestra, Mikhail Pletnev | — | |
| 6-6 | Overture In F major | — | ||
| 7-1 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 7-2 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-915.714.772-3 | |
| 7-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 7-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 7-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 7-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-314.638.300-4 | |
| 7-7 | Symphony no. 7 in A major, op. 92: III. Presto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-931.717.518-1 | |
| 7-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 8-1 | Don Quixote, op. 35: Introduktion. Mäßiges Zeitmaß | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-2 | Don Quixote, op. 35: Thema. Mäßig | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-3 | Don Quixote, op. 35: Variation I. Gemächlich | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-4 | Don Quixote, op. 35: Variation II. Kriegerisch | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-5 | Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-6 | Don Quixote, op. 35: Variation IV. Etwas breiter | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-7 | Don Quixote, op. 35: Variation V. Sehr langsam | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-8 | Don Quixote, op. 35: Variation VI. Schnell | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-9 | Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-10 | Don Quixote, op. 35: Variation VIII. Gemächlich | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-11 | Don Quixote, op. 35: Variation IX. Schnell und stürmisch | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-12 | Don Quixote, op. 35: Variation X. Viel breiter | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-13 | Don Quixote, op. 35: Finale. Sehr ruhig | Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine | — | |
| 8-14 | Tod und Verklärung, op. 24 | Metropolitan Opera Orchestra, James Levine | — | |
| 9-1 | Cantata on the Death of Emperor Joseph II, WoO 87: I. Chorus. Todt, stöhnt es durch die öde Nacht! | — | ||
| 9-2 | Cantata on the Death of Emperor Joseph II, WoO 87: II. Recit. Ein Ungeheuer, sein Name Fanatismus | — | ||
| 9-3 | Cantata on the Death of Emperor Joseph II, WoO 87: III. Aria. Da kam Joseph, mit Gottes Stärke | — | ||
| 9-4 | Cantata on the Death of Emperor Joseph II, WoO 87: IV. Aria & Chorus. Da stiegen die Menschen an's Licht | — | ||
| 9-5 | Cantata on the Death of Emperor Joseph II, WoO 87: V. Recit. Er schläft von den Sorgen seiner Welten entladen | — | ||
| 9-6 | Cantata on the Death of Emperor Joseph II, WoO 87: VI. Aria. Hier schlummert seinen stillen Frieden | — | ||
| 9-7 | Cantata on the Death of Emperor Joseph II, WoO 87: VII. Chorus. Todt, stöhnt es durch die öde Nacht! | — | ||
| 9-8 | Konzertstück op. 86 in F for 4 Horns and Orchestra: I. Lebhaft | — | ||
| 9-9 | Konzertstück op. 86 In F For 4 Horns And Orchestra: II. Romanze | — | ||
| 9-10 | Konzertstück op. 86 In F For 4 Horns And Orchestra: III. Sehr lebhaft | — | ||
| 9-11 | Palestrina: Vorspiel zum I. Akt: Ruhig (andante) | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 9-12 | Palestrina: Vorspiel zum II. Akt: Mit Wucht und Wildheit | Orchester der Deutschen Oper Berlin, Christian Thielemann | — | |
| 10-1 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: I. Introduzione: Andante con moto - Allegro vivace | Emerson String Quartet | — | |
| 10-2 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: II. Andante con moto quasi allegretto | Emerson String Quartet | — | |
| 10-3 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: III. Menuetto grazioso - attacca | Emerson String Quartet | T-700.095.171-5 | |
| 10-4 | String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: IV. Allegro molto | Emerson String Quartet | T-329.454.787-4 | |
| 10-5 | String Quartet no. 15 in A minor, op. 132: I. Assai sostenuto - Allegro | Emerson String Quartet | — | |
| 10-6 | String Quartet no. 15 in A minor, op. 132: II. Allegro ma non tanto | Emerson String Quartet | — | |
| 10-7 | String Quartet no. 15 in A minor, op. 132: III. Andante - Molto adagio - Andante - Molto adagio: Mit innigster Empfindung | Emerson String Quartet | — | |
| 10-8 | String Quartet no. 15 in A minor, op. 132: IV. Alla marcia, assai vivace - Piu allegro - attacca- | Emerson String Quartet | — | |
| 10-9 | String Quartet no. 15 in A minor, op. 132: V. Allegro appassionato - Presto | Emerson String Quartet | — |
Berliner Philharmoniker, Claudio Abbado
Alto Rhapsody, op. 53
—
Symphony no. 2 in D major, op. 73: I. Allegro non troppo
—
Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso
—
Symphony no. 2 in D major, op. 73: III. Allegretto grazioso
—
Symphony no. 2 in D major, op. 73: IV. Allegro con spirito
—
Sonata in A minor, K. 310: I. Allegro maestoso
Maria João Pires
—
Sonata in A minor, K. 310: II. Andante cantabile con espressione
Maria João Pires
—
Sonata in B-flat major, K. 333: II. Andante cantabile
Maria João Pires
—
Sonata in B-flat major, K. 333: III. Allegretto grazioso
Maria João Pires
—
Impromptus, D. 899: No. 1 in C minor. Allegro molto moderato
Maria João Pires
—
Violin Concerto no. 2 in D minor op. 22: I. Allegro moderato
—
Violin Concerto no. 2 in D minor op. 22: II. Romance. Andante non troppo
—
Violin Concerto no. 2 in D minor op. 22: III. Allegro con fuoco-Allegro moderato (à la Zingara)
—
Legende, op. 17: Andante: Allegro moderato: Tempo I
—
Zigeunerweisen, op. 20: Moderato: Lento: Un peu plus lent: Allegro molto vivace
—
Violin Concerto no. 3 in B minor, op. 61: I. Allegro non troppo
—
Violin Concerto no. 3 in B minor, op. 61: II. Andantino quasi allegretto
—
Violin Concerto no. 3 in B minor, op. 61: III. Molto moderato e maestoso – Allegro non troppo
—
Prélude à l’après‐midi d’un faune : Très modéré
The Cleveland Orchestra, Pierre Boulez
—
Nocturnes : I. Nuages. Modéré — Un peu animé
The Cleveland Orchestra, Pierre Boulez
—
The Cleveland Orchestra, Pierre Boulez
Ladies of the Cleveland Orchestra Chorus, The Cleveland Orchestra, Pierre Boulez
The Rite of Spring, K15, Pt. 1: I. Introduction
—
The Rite of Spring, K15, Pt. 1: II. The Augurs of Spring. Dances of the Young Girls
—
The Rite of Spring, K15, Pt. 1: III. Ritual of Abduction
—
The Rite of Spring, K15, Pt. 1: IV. Spring Rounds
—
The Rite of Spring, K15, Pt. 1: V. Games of the Rival Tribes
—
The Rite of Spring, K15, Pt. 1: VI. Procession of the Sage – VII. Adoration of the Earth
—
The Rite of Spring, K15, Pt. 1: VIII. Dance of the Earth
—
The Rite of Spring, K15, Pt. 2: IX. Introduction
—
The Rite of Spring, K15, Pt. 2: X. Mystic Circles of the Adolescents
—
The Rite of Spring, K15, Pt. 2: XI. Glorification of the Chosen One
—
The Rite of Spring, K15, Pt. 2: XII. Evocation of the Ancestors
—
The Rite of Spring, K15, Pt. 2: XIII. Ritual of the Ancestors
—
Cleveland Orchestra, Pierre Boulez
Haugtussa: Song Cycle, op. 67: Det syng
—
Haugtussa: Song Cycle, op. 67: Veslemöy
—
Haugtussa: Song Cycle, op. 67: Blåbaer-li
—
Haugtussa: Song Cycle, op. 67: Möte
—
Haugtussa: Song Cycle, op. 67: No. 5, Elsk
—
Haugtussa: Song Cycle, op. 67: Killingdans
—
Haugtussa: Song Cycle, op. 67: Vond dag
—
Haugtussa: Song Cycle, op. 67: No. 8, Ved Gjætle-Bekken
—
Sieben frühe Lieder: Nacht
Anne Sofie von Otter, Bengt Forsberg
—
Sieben frühe Lieder: Schilflied
Anne Sofie von Otter, Bengt Forsberg
—
Sieben frühe Lieder: Die Nachtigall
Anne Sofie von Otter, Bengt Forsberg
—
Sieben frühe Lieder: Traumgekrönt
Anne Sofie von Otter, Bengt Forsberg
—
Sieben frühe Lieder: Im Zimmer
Anne Sofie von Otter, Bengt Forsberg
—
Sieben frühe Lieder: Liebesode
Anne Sofie von Otter, Bengt Forsberg
—
Sieben frühe Lieder: Sommertage
Anne Sofie von Otter, Bengt Forsberg
—
Drei Gesänge op. 18: I. "In meine innige Nacht" langsam - attaca
—
Drei Gesänge op. 18: II. "Tu ab den Schmerz" nicht geschleppt - attaca
—
Drei Gesänge op. 18: III. Versuchung: mit Feuer und Begeisterung
—
Je ne t'aime pas
—
Schickelgruber
Anne Sofie von Otter, Bengt Forsberg
—
Der Abschiedsbrief
—
Baba-Yaga, op. 56
—
The Enchanted Lake, op. 62
—
Kikimora, op. 63
—
The Rock, op. 7
Russian National Orchestra, Mikhail Pletnev
—
Overture In F major
—
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 7 in A major, op. 92: IV. Allegro con brio
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Symphony no. 7 in A major, op. 92: IV. Allegro con brio
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Don Quixote, op. 35: Introduktion. Mäßiges Zeitmaß
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
—
Don Quixote, op. 35: Thema. Mäßig
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
—
Don Quixote, op. 35: Variation I. Gemächlich
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
—
Don Quixote, op. 35: Variation II. Kriegerisch
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
—
Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
—
Don Quixote, op. 35: Variation IV. Etwas breiter
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
—
Don Quixote, op. 35: Variation V. Sehr langsam
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
—
Don Quixote, op. 35: Variation VI. Schnell
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
—
Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
—
Don Quixote, op. 35: Variation VIII. Gemächlich
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
—
Don Quixote, op. 35: Variation IX. Schnell und stürmisch
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
—
Don Quixote, op. 35: Variation X. Viel breiter
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
—
Don Quixote, op. 35: Finale. Sehr ruhig
Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine
—
Tod und Verklärung, op. 24
Metropolitan Opera Orchestra, James Levine
—
Cantata on the Death of Emperor Joseph II, WoO 87: I. Chorus. Todt, stöhnt es durch die öde Nacht!
—
Cantata on the Death of Emperor Joseph II, WoO 87: II. Recit. Ein Ungeheuer, sein Name Fanatismus
—
Cantata on the Death of Emperor Joseph II, WoO 87: III. Aria. Da kam Joseph, mit Gottes Stärke
—
Cantata on the Death of Emperor Joseph II, WoO 87: IV. Aria & Chorus. Da stiegen die Menschen an's Licht
—
Cantata on the Death of Emperor Joseph II, WoO 87: V. Recit. Er schläft von den Sorgen seiner Welten entladen
—
Cantata on the Death of Emperor Joseph II, WoO 87: VI. Aria. Hier schlummert seinen stillen Frieden
—
Cantata on the Death of Emperor Joseph II, WoO 87: VII. Chorus. Todt, stöhnt es durch die öde Nacht!
—
Konzertstück op. 86 in F for 4 Horns and Orchestra: I. Lebhaft
—
Konzertstück op. 86 In F For 4 Horns And Orchestra: II. Romanze
—
Konzertstück op. 86 In F For 4 Horns And Orchestra: III. Sehr lebhaft
—
Palestrina: Vorspiel zum I. Akt: Ruhig (andante)
Orchester der Deutschen Oper Berlin, Christian Thielemann
—
Palestrina: Vorspiel zum II. Akt: Mit Wucht und Wildheit
Orchester der Deutschen Oper Berlin, Christian Thielemann
—
String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: I. Introduzione: Andante con moto - Allegro vivace
Emerson String Quartet
—
String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: II. Andante con moto quasi allegretto
Emerson String Quartet
—
Emerson String Quartet
Emerson String Quartet
String Quartet no. 15 in A minor, op. 132: I. Assai sostenuto - Allegro
Emerson String Quartet
—
String Quartet no. 15 in A minor, op. 132: II. Allegro ma non tanto
Emerson String Quartet
—
String Quartet no. 15 in A minor, op. 132: III. Andante - Molto adagio - Andante - Molto adagio: Mit innigster Empfindung
Emerson String Quartet
—
String Quartet no. 15 in A minor, op. 132: IV. Alla marcia, assai vivace - Piu allegro - attacca-
Emerson String Quartet
—
String Quartet no. 15 in A minor, op. 132: V. Allegro appassionato - Presto
Emerson String Quartet
—
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-902.876.200-7 |
| Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-902.876.200-7 |
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000046110898000000005549355200000000783956560000000108606574000000010863443600000001088865880000000109045326000000010937431400000001094053870000000109427527
+22 more
00000001094475600000000110592001000000011089309000000001146207940000000114802504000000011700249X0000000118812208000000011954617500000001201914980000000120959719000000012103915600000001210874730000000121123366000000012114424700000001212242980000000121468794000000012161503700000001216951960000000122771453000000012284919300000001234194940000000403968412
Credits Graph
People also ask
SourcesMLCMusicBrainzNotesDiscogs4 sources
Verified on
What is UPC 028945907123?
028945907123 is a Universal Product Code (UPC) assigned to Centenary Collection 1988-1997 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 111 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm