UPC · Release
Klara Top 75: 2009
Various Artists
0028948033157
75 tracksReleased 2009-01-01Universal Music Belgium
Last verified:
0028948033157 is the Universal Product Code (UPC barcode) for the release “Klara Top 75: 2009” by Various Artists, released 2009-01-01 on Universal Music Belgium. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 75 tracks, each with its own ISRC. Tracks include DEN960700461, DEF059530831, DEC628800405.
Format
002GS1 prefix
8948Company prefix
03315Product
7Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCKlara Top 75: 2009
ISRC55 recordings
ISWC30 works
IPI7 songwriters
Track List (75)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | VIOLIN CONCERTO IN E MINOR, OP. 64: I. ALLEGRO MOLTO APPASSIONATO | Daniel Hope, Chamber Orchestra of Europe, Thomas Hengelbrock | — | |
| 2 | Die Zauberflöte: Act II. Nr. 14 Arie: »Der Hölle Rache kocht in meinem Herzen« (Königin der Nacht) | Cyndia Sieden, English Baroque Soloists, Sir John Eliot Gardiner | T-918.245.117-8 | |
| 3 | Clarinet Quintet in A major, K. 581 "Stadler": II. Larghetto | Sabine Meyer, Wiener Streichsextett | T-926.819.124-8 | |
| 4 | Dahomeyse Rapsodie | — | ||
| 5 | Stabat Mater | — | ||
| 6 | Nabucco: Chorus of the Hebrew Slaves “Va pensiero” | Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | T-902.574.141-7 | |
| 7 | Orfeo ed Euridice: Che farò senza Euridice? | Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington | T-307.756.442-8 | |
| 8 | String Quartet no. 8 in C minor, op. 110: III. Allegretto | Guy Danel, Marc Danel, Gilles Millet, Tony Nys, Quatuor Danel | — | |
| 9 | 6. SACRIFICIAL DANCE (THE CHOSEN ONE) | Los Angeles Philharmonic, Esa‐Pekka Salonen | — | |
| 10 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto | Maria João Pires, Chamber Orchestra of Europe, Emmanuel Krivine | T-308.381.369-4 | |
| 11 | Adiós Nonino | — | ||
| 2-1 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 2-2 | Concierto de Aranjuez (2) | Pepe Romero, Christine Pendrill, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.061-1 | |
| 2-3 | Rhapsody In Blue | — | ||
| 2-4 | Ave verum corpus , KV 618 | Monica Huggett, Les Arts Florissants, William Christie | T-309.828.989-1 | |
| 2-5 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Leif Ove Andsnes, Berliner Philharmoniker, Antonio Pappano | — | |
| 2-6 | Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé) | Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge | T-004.938.007-5 | |
| 2-7 | Fratres | — | ||
| 2-8 | Piano Concerto no. 21 in C major, K. 467: II. Andante | Piotr Anderszewski, Sinfonia Varsovia | T-010.194.871-3 | |
| 2-9 | Violin Concerto no. 1 in G minor, op. 26: III. Finale, Allegro energico | Janine Jansen, Gewandhausorchester Leipzig, Riccardo Chailly | T-700.095.171-5 | |
| 3-1 | Messiah, HWV 56: XII. Chorus “For Unto Us a Child Is Born” | The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 3-2 | Symfonie nr. 3, "Lento e Largo- Tranquillissimo" | — | ||
| 3-3 | Boléro | Berliner Philharmoniker, Herbert von Karajan | T-003.006.377-4 | |
| 3-4 | 5 Rückert-Lieder: III. Ich bin der Welt abhanden gekommen | Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | — | |
| 3-5 | Fantasie nr. 3 | — | ||
| 3-6 | Vioolconcerto in D, "Adagio" | — | ||
| 3-7 | Double Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: II. Largo ma non tanto | Julia Fischer, Alexander Sitkovetsky, Academy of St Martin in the Fields | — | |
| 3-8 | Gloria: "Gloria in excelsis Deo" | The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 4-1 | Suite for Variety Orchestra: VII. Waltz 2. Allegretto poco moderato | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 4-2 | 2. ANDANTE CON MOTO | Hagen Quartett | — | |
| 4-3 | Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto | Wilhelm Kempff | — | |
| 4-4 | Vier letzte Lieder, "Frühling" | Cheryl Studer, Staatskapelle Dresden, Giuseppe Sinopoli | — | |
| 4-5 | Canon and Gigue in D major, P. 37 | Academy of Ancient Music, Christopher Hogwood | T-920.151.760-4 | |
| 4-6 | Rusalka: 1. Jednání. “Měsíčku na nebi hlubokém” (Rusalka) | Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 4-7 | Vioolconcerto in E, "Lente" | — | ||
| 4-8 | Violin Romance no. 2 in F, op. 50 | Thomas Zehetmair, Orchestra of the Eighteenth Century, Frans Brüggen | — | |
| 4-9 | Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — | |
| 4-10 | PIANO CONCERTO NO. 2 IN B-FLAT MAJOR, OP. 83: I. ALLEGRO NON TROPPO | Nelson Freire, Gewandhausorchester Leipzig, Riccardo Chailly | T-322.446.876-8 | |
| 5-1 | Variations on an Original Theme, op. 36 "Enigma": IX. Nimrod (Adagio) | Wiener Philharmoniker, Sir John Eliot Gardiner | T-010.115.427-1 | |
| 5-2 | Symfonie nr. 6 ('Pastorale'), "Allegro ma non troppo" | — | ||
| 5-3 | String Quintet in C major, D. 956: II. Adagio | Mstislav Rostropovich, Emerson String Quartet | T-802.445.410-3 | |
| 5-4 | Messiah, HWV 56: XLIV. Chorus “Hallelujah” | The English Concert Choir, The English Concert, Trevor Pinnock | T-071.071.619-0 | |
| 5-5 | Requiem: Pie Jesu | Sarah Brightman, Paul Miles-Kingston, Winchester Cathedral Choir, James Lancelot, English Chamber Orchestra, Lorin Maazel | T-010.065.879-4 | |
| 5-6 | """LASCIA CH'IO PIANGA""" | Danielle de Niese, Les Arts Florissants, William Christie | — | |
| 5-7 | Mariavespers, "Nisi Dominus (Psalm 126)" | — | ||
| 5-8 | Kol Nidrei, op. 47 | Mischa Maisky, Orchestre de Paris, Semyon Bychkov | — | |
| 5-9 | Schindler’s List: Main Theme | Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth | T-309.932.002-8 | |
| 5-10 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 6-1 | Magnificat, "Magnificat anima mea Dominum / Et exultavit spiritus meus / Quia respexit humilitatem / Omnes generationes" | — | ||
| 6-2 | Serse, HWV 40: Ombra mai fu | Andreas Scholl, Orchestra of the Age of Enlightenment, Roger Norrington | — | |
| 6-3 | Symfonie nr. 9 ('Uit de Nieuwe Wereld'), "Largo" | — | ||
| 6-4 | La Norma, "Casta diva" | — | ||
| 6-5 | Les Pêcheurs de perles: « Au fond du temple saint » | Gregory Cross, Gino Quilico, Orchestre symphonique de Montréal, Charles Dutoit | T-071.725.425-5 | |
| 6-6 | Carmina Burana, "O Fortuna / Fortuna plango vulnera" | — | ||
| 6-7 | Peer Gynt Suite no. 1, op. 46: I. Morning Mood | Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-8 | Toccata and Fugue in D minor, BWV 565 | Peter Hurford | T-909.243.105-5 | |
| 6-9 | Adagio for Strings and Organ in G minor: Adagio | Edward Brewer, Eriko Sato, Orpheus Chamber Orchestra | T-005.001.197-6 | |
| 7-1 | Ein deutsches Requiem: “Ihr habt nun Traurigkeit” | Chicago Symphony Chorus, Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 7-2 | Symphonie No. 5: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Pierre Boulez | T-800.652.468-2 | |
| 7-3 | Requiem in D minor, K. 626: I. Introitus: Requiem (Chor, Sopran) | Christine Schäfer, Arnold Schoenberg Chor, Erwin Ortner, Concentus Musicus Wien, Nikolaus Harnoncourt | T-905.386.342-6 | |
| 7-4 | Kantate: Herz und Mund und Tat und Leben, "Jesu bleibet meine Freude" | — | ||
| 7-5 | Christmas Oratorio, BWV 248: Part I, No. 1 Chorus: »Jauchzet, frohlocket, auf, preiset die Tage« | The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner | T-070.024.961-1 | |
| 7-6 | Gymnopédie no. 1 | Pascal Rogé | T-050.018.340-3 | |
| 7-7 | Adagio for Strings, op. 11/2 | Los Angeles Philharmonic Orchestra, Leonard Bernstein | T-070.000.199-5 | |
| 7-8 | Symfonie nr. 9 ('Koorsymfonie'), "Finale: Presto" | — | ||
| 8-1 | Requiem, op. 48: Pie Jesu | Kiri Te Kanawa, Orchestre symphonique de Montréal, Charles Dutoit | T-010.065.879-4 | |
| 8-2 | Dido and Aeneas: When I am laid into earth | Anne Sofie von Otter, The English Concert, Trevor Pinnock | — | |
| 8-3 | Clarinet Concerto in A, KV 622: II. Adagio | Karl Leister, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-4 | Pianoconcerto Nr. 5, Op. 73 "Keizersconcerto": Rondo. Allegro ma non troppo | — | ||
| 8-5 | Requiem in D minor, K. 626: Lacrymosa dies illa | Academy of Ancient Music Chorus, Westminster Cathedral Boys Choir, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-6 | Miserere mei, Deus | — | ||
| 8-7 | Stabat Mater: I. Duet “Stabat Mater dolorosa” | Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques | — | |
| 8-8 | Matthäus-Passion BWV 244: 2. XXXIX. Aria (Alto 1) "Erbarme dich mein Gott" | Bernarda Fink, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 8-9 | Cellosuite nr. 1 | — | ||
| 8-10 | St. Matthew Passion, BWV 244: Teil II, No. 68. Chorus "Wir setzen uns mit Tränen nieder" | Susan Bickley, James Gilchrist, Julia Gooding, Peter Harvey, Magdalena Kožená, Stephan Loges, Mark Padmore, Deborah York, Gabrieli Consort & Players, Paul McCreesh | — |
VIOLIN CONCERTO IN E MINOR, OP. 64: I. ALLEGRO MOLTO APPASSIONATO
Daniel Hope, Chamber Orchestra of Europe, Thomas Hengelbrock
—
Cyndia Sieden, English Baroque Soloists, Sir John Eliot Gardiner
Sabine Meyer, Wiener Streichsextett
Dahomeyse Rapsodie
—
Stabat Mater
—
Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti
Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington
String Quartet no. 8 in C minor, op. 110: III. Allegretto
Guy Danel, Marc Danel, Gilles Millet, Tony Nys, Quatuor Danel
—
6. SACRIFICIAL DANCE (THE CHOSEN ONE)
Los Angeles Philharmonic, Esa‐Pekka Salonen
—
Maria João Pires, Chamber Orchestra of Europe, Emmanuel Krivine
Adiós Nonino
—
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Pepe Romero, Christine Pendrill, Academy of St Martin in the Fields, Sir Neville Marriner
Rhapsody In Blue
—
Piano Concerto no. 2 in C minor, op. 18: I. Moderato
Leif Ove Andsnes, Berliner Philharmoniker, Antonio Pappano
—
Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge
Fratres
—
Piotr Anderszewski, Sinfonia Varsovia
Janine Jansen, Gewandhausorchester Leipzig, Riccardo Chailly
Messiah, HWV 56: XII. Chorus “For Unto Us a Child Is Born”
The English Concert Choir, The English Concert, Trevor Pinnock
—
Symfonie nr. 3, "Lento e Largo- Tranquillissimo"
—
5 Rückert-Lieder: III. Ich bin der Welt abhanden gekommen
Violeta Urmana, Wiener Philharmoniker, Pierre Boulez
—
Fantasie nr. 3
—
Vioolconcerto in D, "Adagio"
—
Double Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: II. Largo ma non tanto
Julia Fischer, Alexander Sitkovetsky, Academy of St Martin in the Fields
—
Gloria: "Gloria in excelsis Deo"
The English Concert Choir, The English Concert, Trevor Pinnock
—
Suite for Variety Orchestra: VII. Waltz 2. Allegretto poco moderato
Royal Concertgebouw Orchestra, Riccardo Chailly
—
2. ANDANTE CON MOTO
Hagen Quartett
—
Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto
Wilhelm Kempff
—
Vier letzte Lieder, "Frühling"
Cheryl Studer, Staatskapelle Dresden, Giuseppe Sinopoli
—
Rusalka: 1. Jednání. “Měsíčku na nebi hlubokém” (Rusalka)
Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras
—
Vioolconcerto in E, "Lente"
—
Violin Romance no. 2 in F, op. 50
Thomas Zehetmair, Orchestra of the Eighteenth Century, Frans Brüggen
—
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
—
Nelson Freire, Gewandhausorchester Leipzig, Riccardo Chailly
Wiener Philharmoniker, Sir John Eliot Gardiner
Symfonie nr. 6 ('Pastorale'), "Allegro ma non troppo"
—
Mstislav Rostropovich, Emerson String Quartet
The English Concert Choir, The English Concert, Trevor Pinnock
Sarah Brightman, Paul Miles-Kingston, Winchester Cathedral Choir, James Lancelot, English Chamber Orchestra, Lorin Maazel
"""LASCIA CH'IO PIANGA"""
Danielle de Niese, Les Arts Florissants, William Christie
—
Mariavespers, "Nisi Dominus (Psalm 126)"
—
Kol Nidrei, op. 47
Mischa Maisky, Orchestre de Paris, Semyon Bychkov
—
Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto
Vladimir Ashkenazy, London Symphony Orchestra, André Previn
—
Magnificat, "Magnificat anima mea Dominum / Et exultavit spiritus meus / Quia respexit humilitatem / Omnes generationes"
—
Serse, HWV 40: Ombra mai fu
Andreas Scholl, Orchestra of the Age of Enlightenment, Roger Norrington
—
Symfonie nr. 9 ('Uit de Nieuwe Wereld'), "Largo"
—
La Norma, "Casta diva"
—
Gregory Cross, Gino Quilico, Orchestre symphonique de Montréal, Charles Dutoit
Carmina Burana, "O Fortuna / Fortuna plango vulnera"
—
Peer Gynt Suite no. 1, op. 46: I. Morning Mood
Berliner Philharmoniker, Herbert von Karajan
—
Edward Brewer, Eriko Sato, Orpheus Chamber Orchestra
Ein deutsches Requiem: “Ihr habt nun Traurigkeit”
Chicago Symphony Chorus, Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti
—
Christine Schäfer, Arnold Schoenberg Chor, Erwin Ortner, Concentus Musicus Wien, Nikolaus Harnoncourt
Kantate: Herz und Mund und Tat und Leben, "Jesu bleibet meine Freude"
—
The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner
Symfonie nr. 9 ('Koorsymfonie'), "Finale: Presto"
—
Kiri Te Kanawa, Orchestre symphonique de Montréal, Charles Dutoit
Dido and Aeneas: When I am laid into earth
Anne Sofie von Otter, The English Concert, Trevor Pinnock
—
Clarinet Concerto in A, KV 622: II. Adagio
Karl Leister, Academy of St Martin in the Fields, Sir Neville Marriner
—
Pianoconcerto Nr. 5, Op. 73 "Keizersconcerto": Rondo. Allegro ma non troppo
—
Requiem in D minor, K. 626: Lacrymosa dies illa
Academy of Ancient Music Chorus, Westminster Cathedral Boys Choir, Academy of Ancient Music, Christopher Hogwood
—
Miserere mei, Deus
—
Stabat Mater: I. Duet “Stabat Mater dolorosa”
Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques
—
Matthäus-Passion BWV 244: 2. XXXIX. Aria (Alto 1) "Erbarme dich mein Gott"
Bernarda Fink, Concentus Musicus Wien, Nikolaus Harnoncourt
—
Cellosuite nr. 1
—
St. Matthew Passion, BWV 244: Teil II, No. 68. Chorus "Wir setzen uns mit Tränen nieder"
Susan Bickley, James Gilchrist, Julia Gooding, Peter Harvey, Magdalena Kožená, Stephan Loges, Mark Padmore, Deborah York, Gabrieli Consort & Players, Paul McCreesh
—
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-902.876.200-7 |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 |
| Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé) | Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge | — |
| Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 |
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé)
Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge
—
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto
Vladimir Ashkenazy, London Symphony Orchestra, André Previn
—
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
—
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
What other identifiers does this connect to?
Musical Works (ISWC)
T-003.006.377-4T-004.938.007-5T-005.000.838-2T-005.001.197-6T-010.065.879-4T-010.115.427-1T-010.065.879-4T-010.115.427-1T-010.244.926-2T-041.489.061-1
+20 more
T-050.018.340-3T-070.000.199-5T-070.000.199-5T-070.126.537-3T-308.381.369-4T-309.828.989-1T-309.932.002-8T-700.095.171-5T-800.652.468-2T-802.445.410-3T-900.110.583-5T-900.759.710-6T-901.134.571-4T-902.876.200-7T-905.386.342-6T-905.387.081-8T-909.243.105-5T-918.245.117-8T-926.819.124-8T-004.938.007-5
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000005515588700000000551845490000000057263064000000005774997X000000005796436200000000588926980000000059431594000000006308603300000000631125530000000071012173
+20 more
00000000736576290000000078232435000000007839721300000000784123720000000078492448000000007852006600000000800063570000000081210173000000008161172700000000850675700000000107183135000000010721061500000001072137010000000108602645000000010860443X0000000108754198000000010880226800000001088865880000000109028462000000010914421X
Identifier Graph
People also ask
SourcesMLCMusicBrainzNotesDiscogs4 sources
Verified on
What is UPC 0028948033157?
0028948033157 is a Universal Product Code (UPC) assigned to Klara Top 75: 2009 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 75 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm