UPC · Release
The World of Solti
Sir Georg Solti
00028948789528
24 tracksReleased 2025-06-18
Last verified:
00028948789528 is the Universal Product Code (UPC barcode) for the release “The World of Solti” by Sir Georg Solti, released 2025-06-18. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 24 tracks, each with its own ISRC. Tracks include GBF077440610, GBF077810024, GBF076940121.
Format
0Indicator
002GS1 prefix
8948Company prefix
78952Product
8Check digit
- Indicator:
- Packaging-level digit (0 = base item, 1-8 = larger packs).
- GS1 prefix:
- Country/region prefix assigned by GS1.
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit.
Credit Chain
UPCThe World of Solti
ISRC24 recordings
ISWC14 works
IPI2 songwriters
Track List (24)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Enigma Variations, op. 36: Variation IX. Nimrod | Chicago Symphony Orchestra, Sir Georg Solti | T-010.115.427-1 | |
| 3 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | London Philharmonic Orchestra, Sir Georg Solti | T1012579096 | |
| 4 | Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | Cristina Deutekom, Wiener Philharmoniker, Sir Georg Solti | — | |
| 5 | Rusalka: "Měsíčku na nebi hlubokém" (O silver moon) | Renée Fleming, London Symphony Orchestra, Sir Georg Solti | T0100552804 | |
| 6 | Prince Igor: Polovtsian Dances and Chorus | London Symphony Orchestra Chorus, London Symphony Orchestra, Sir Georg Solti | — | |
| 7 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia | Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Wiener Staatsopernchor, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 8 | Roumanian Folk Dances for Orchestra, BB 76 (Sz. 68): 1. Stick Dance (from Mezöszabad) (live In Chicago, 1993) | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10 | Háry János Suite: Viennese Musical Clock | London Philharmonic Orchestra, Sir Georg Solti | — | |
| 11 | Aida: Atto II. Grand March & Ballet | Orchestra del Teatro dell’Opera di Roma, Luigi Ricci, Sir Georg Solti | T9001382521 | |
| 12 | 4 Lieder, op. 27, TrV 170: 4. Morgen! | Kiri Te Kanawa, Sir Georg Solti | — | |
| 13 | Der Rosenkavalier, op. 59: Act 1: “Di rigori armato il seno” | Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | — | |
| 14 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 15 | Suite for the Birthday of Prince Charles: 1. Intrada | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 16 | Ruslan and Lyudmila: Overture | London Symphony Orchestra, Sir Georg Solti | T9097624481 | |
| 17 | Cantata Profana, BB. 100, Sz. 94 "The Nine Splendid Stags": 3. Moderato | Béla Bartók, Tamás Daróczy, Choir of Hungarian Radio & TV, Budapest Festival Orchestra, Sir Georg Solti | — | |
| 18 | Don Giovanni : Overture | London Philharmonic Orchestra, Sir Georg Solti | T-010466330-0 | |
| 19 | Das Rheingold, WWV 86A: Scene 4. Entry of the Gods into Valhalla | Wiener Philharmoniker, Sir Georg Solti | — | |
| 20 | Symphony no. 5: I. Trauermarsch | Tonhalle-Orchester Zürich, Sir Georg Solti | — | |
| 21 | Un ballo in maschera: Act 3: “Forse la soglia attinse” | Luciano Pavarotti, Orchestra dell’Accademia Nazionale di Santa Cecilia, Bruno Bartoletti | — | |
| 22 | Elektra: "Allein! Weh, ganz allein" (Elektra) | Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | — | |
| 23 | Le Sacre du Printemps, Part 2: Le Sacrifice: 1. Introduction | Chicago Symphony Orchestra, Sir Georg Solti | T0702578877 | |
| 24 | La Traviata: Act I. Prelude | Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | T0014557982 | |
| 25 | Háry János Suite: Song | London Philharmonic Orchestra, Sir Georg Solti | T0701368399 | |
| 26 | Symphony no. 1 in D major: IV. Stürmisch bewegt | London Symphony Orchestra, Georg Solti | T-900.953.062-5 |
Chicago Symphony Orchestra, Sir Georg Solti
London Philharmonic Orchestra, Sir Georg Solti
Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
Cristina Deutekom, Wiener Philharmoniker, Sir Georg Solti
—
Renée Fleming, London Symphony Orchestra, Sir Georg Solti
Prince Igor: Polovtsian Dances and Chorus
London Symphony Orchestra Chorus, London Symphony Orchestra, Sir Georg Solti
—
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia
Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Wiener Staatsopernchor, Chicago Symphony Orchestra, Sir Georg Solti
—
Roumanian Folk Dances for Orchestra, BB 76 (Sz. 68): 1. Stick Dance (from Mezöszabad) (live In Chicago, 1993)
Chicago Symphony Orchestra, Sir Georg Solti
—
Háry János Suite: Viennese Musical Clock
London Philharmonic Orchestra, Sir Georg Solti
—
Orchestra del Teatro dell’Opera di Roma, Luigi Ricci, Sir Georg Solti
4 Lieder, op. 27, TrV 170: 4. Morgen!
Kiri Te Kanawa, Sir Georg Solti
—
Der Rosenkavalier, op. 59: Act 1: “Di rigori armato il seno”
Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti
—
Symphony no. 40 in G minor, K. 550: I. Molto allegro
Chamber Orchestra of Europe, Sir Georg Solti
—
Suite for the Birthday of Prince Charles: 1. Intrada
Chicago Symphony Orchestra, Sir Georg Solti
—
Cantata Profana, BB. 100, Sz. 94 "The Nine Splendid Stags": 3. Moderato
Béla Bartók, Tamás Daróczy, Choir of Hungarian Radio & TV, Budapest Festival Orchestra, Sir Georg Solti
—
Das Rheingold, WWV 86A: Scene 4. Entry of the Gods into Valhalla
Wiener Philharmoniker, Sir Georg Solti
—
Symphony no. 5: I. Trauermarsch
Tonhalle-Orchester Zürich, Sir Georg Solti
—
Un ballo in maschera: Act 3: “Forse la soglia attinse”
Luciano Pavarotti, Orchestra dell’Accademia Nazionale di Santa Cecilia, Bruno Bartoletti
—
Elektra: "Allein! Weh, ganz allein" (Elektra)
Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti
—
Chicago Symphony Orchestra, Sir Georg Solti
Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti
London Symphony Orchestra, Georg Solti
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Tannhäuser, WWV 70: Overture | Wiener Philharmoniker, Sir Georg Solti | T-909574378-5 |
| Die Walküre, WWV 86B: Ride of the Valkyries (Concert Version) | Wiener Philharmoniker, Sir Georg Solti | T-902771445-0 |
| Die Walküre (concert version): Dritter Aufzug: Wotan’s Farewell and Magic Fire Music | Wiener Philharmoniker, Sir Georg Solti | — |
Wiener Philharmoniker, Sir Georg Solti
Wiener Philharmoniker, Sir Georg Solti
Die Walküre (concert version): Dritter Aufzug: Wotan’s Farewell and Magic Fire Music
Wiener Philharmoniker, Sir Georg Solti
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000008412842300000001072035380000000108653645000000010914421X00000001094423050000000109519069000000011017739300000001108296380000000114500434000000011454017X
+19 more
00000001147122500000000114800357000000011658518700000001188420870000000119410438000000012021626100000001209780120000000121039420000000012106800200000001212042970000000121429277000000012148249X00000001216773770000000121695196000000012178573000000001218700970000000121960578000000012293059X0000000123216953
Identifier Graph
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What is UPC 00028948789528?
00028948789528 is a Universal Product Code (UPC) assigned to The World of Solti by Sir Georg Solti. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 24 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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