UPC · Release
50 Chefs-d'œuvre de la musique classique
Various Artists
0028947945130
50 tracksReleased 2014-12-01
Last verified:
0028947945130 is the Universal Product Code (UPC barcode) for the release “50 Chefs-d'œuvre de la musique classique” by Various Artists, released 2014-12-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include DEF058300101, DEF058730004, DEF056500110.
Format
002GS1 prefix
8947Company prefix
94513Product
0Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPC50 Chefs-d'œuvre de la musique classique
ISRC50 recordings
ISWC30 works
IPI2 songwriters
Track List (50)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Also sprach Zarathustra, op. 30, TrV 176: Einleitung | Wiener Philharmoniker, Lorin Maazel | T-007.163.471-3 | |
| 2 | Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 3 | Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: III. Minuetto. Allegretto & Trio | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4 | Il trovatore: Atto II, scena 1: “Vedi! le fosche notturne spoglie” | Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini | — | |
| 5 | Orphée aux enfers : Cancan | Wiener Philharmoniker, Lorin Maazel | T-071.088.112-1 | |
| 6 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | Orpheus Chamber Orchestra | T-914.248.874-2 | |
| 7 | Kinderszenen op. 15: 7. Träumerei | Daniel Barenboim | T-909.345.089-6 | |
| 8 | La Moldau | Boston Symphony Orchestra, Rafael Kubelík | T-104.080.631-1 | |
| 9 | Symphonie no. 9, op. 95 « Du nouveau monde » : Allegro Con Fuoco (extrait) | Berliner Philharmoniker, Rafael Kubelík | — | |
| 10 | Hungarian Dance no. 5 | NDR Elbphilharmonie Orchester, Sir John Eliot Gardiner | T-329.366.800-1 | |
| 11 | Quintette à cordes n°5 : "Menuet" | Orpheus Chamber Orchestra | T-918.132.804-1 | |
| 12 | Concerto for Violin and Strings in E major, op. 8 no. 1, RV 269 "La Primavera": II. Largo | Isaac Stern, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 13 | Symphonie Nr. 3 F-Dur op. 90: 4. Allegro | Berliner Philharmoniker, Herbert von Karajan | — | |
| 14 | Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto | Wilhelm Kempff | — | |
| 15 | La Légende du tsar Saltan : "Le Vol du bourdon" | Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | — | |
| 16 | Concerto pour violon et orchestre No. 2, Op. 7: Rondo (La Campanella) | Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | — | |
| 17 | España | Wiener Philharmoniker, Sir John Eliot Gardiner | — | |
| 18 | Piano Sonata no. 2 in B‐flat minor, op. 35: Marche funèbre: Lento | Martha Argerich | T-321.421.851-2 | |
| 19 | Un américain à Paris (Frank Campbell-Watson) | Chicago Symphony Orchestra, James Levine | T-070.001.144-4 | |
| 20 | Boléro | Boston Symphony Orchestra, Seiji Ozawa | T-003.006.377-4 | |
| 21 | Symphonie n°5 : "Allegro con brio" | Berliner Philharmoniker, Lorin Maazel | T-039.585.208-0 | |
| 22 | Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante | Boston Symphony Orchestra, Seiji Ozawa | T-003.506.743-6 | |
| 23 | Concierto de Aranjuez | Narciso Yepes, Orquesta Sinfónica de Radio Televisión Española, Odón Alonso | T-041.489.061-1 | |
| 24 | Carmen : Acte I. « L'amour est un oiseau rebelle » | Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T-305.625.648-1 | |
| 25 | Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | — | |
| 26 | Gaité parisienne : Barcarolle | Boston Symphony Orchestra, Seiji Ozawa | T-900.010.201-2 | |
| 27 | Wiegenlied, op. 49 no. 4 | Anne Sofie von Otter, Bengt Forsberg | T-301.695.245-3 | |
| 28 | Thais: Méditation | Christer Thorvaldsson, Göteborgs Symfoniker, Neeme Järvi | T-001.283.021-5 | |
| 29 | Il barbiere di Siviglia: “Largo al factotum” | Hermann Prey, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 30 | La Damnation de Faust: Première partie. Scène 3 | Richard Verreau, Orchestre Lamoureux, Igor Markevitch | — | |
| 31 | Radetzky-Marsch, op. 228 (arr. Ertl) | Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 32 | Water Music: Alla Hornpipe | Berliner Philharmoniker, Rafael Kubelík | — | |
| 33 | Der Nußknacker, op. 71a: III. Valse des fleurs: Tempo di Valse | Berliner Philharmoniker, Herbert von Karajan | — | |
| 34 | Requiem in D minor, K. 626: III. Sequentia: Lacrimosa | Chor des Bayerischen Rundfunks, Friedemann Winklhofer, Münchner Philharmoniker, Christian Thielemann | — | |
| 35 | Messa da requiem : Dies irae | Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini | — | |
| 36 | Pavane (excerpt) | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-918.704.013-7 | |
| 37 | Prélude à l'après-midi d'un faune | Doriot Anthony Dwyer, Orchestre Symphonique de Boston, Michael Tilson Thomas | — | |
| 38 | The Well-Tempered Clavier, Book I: Prelude & Fugue no. 1 in C major, BWV 846: Praeludium | Wilhelm Kempff | T-910.415.372-2 | |
| 39 | Requiem, op. 48: IV. Pie Jesu “Pie Jesu Domine” | Horst Neumann, Andreas Schmidt, Kathleen Battle, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | T-010.065.879-4 | |
| 40 | Turandot: Atto III. “Nessun dorma!” | Sándor Kónya | T-005.000.838-2 | |
| 41 | Toccata und Fuge D-moll, BWV 565: II. Fuge | Helmut Walcha | — | |
| 42 | Cantate BWV 147, Choral "Jésus que ma joie demeure" | Münchener Bach-Chor, Munich Bach Orchestra, Solistengemeinschaft der Bachwoche Ansbach, Karl Richter | T-905.387.081-8 | |
| 43 | Suite bergamesque, Clair de lune | Tamás Vásáry | — | |
| 44 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 45 | Le Beau Danube bleu (Extrait) | Wiener Philharmoniker, Karl Böhm | — | |
| 46 | Bagatelle in A minor, WoO 59 “Für Elise”: Poco moto | Anatol Ugorski | T-304.254.199-7 | |
| 47 | Xerxes: Act I. Largo in F major | Edward Brewer, Randall Wolfgang, Orpheus Chamber Orchestra | T-905.063.977-5 | |
| 48 | Messiah, HWV 56: Part II. Chorus: “Hallelujah” | The John Alldis Choir, London Philharmonic Orchestra, Karl Richter | — | |
| 49 | Canon et gigue en ré majeur : "Canon" | Musica Antiqua Köln, Reinhard Goebel | — | |
| 50 | Symphonie no. 9 « Ode à la joie » (extrait) | Chor der Wiener Staatsoper, Gwyneth Jones, Karl Ridderbusch, Jess Thomas, Tatiana Troyanos, Wiener Philharmoniker, Karl Böhm | T-318.676.528-2 |
Wiener Philharmoniker, Lorin Maazel
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
Gothenburg Symphony Orchestra, Neeme Järvi
—
Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: III. Minuetto. Allegretto & Trio
Berliner Philharmoniker, Herbert von Karajan
—
Il trovatore: Atto II, scena 1: “Vedi! le fosche notturne spoglie”
Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini
—
Symphonie no. 9, op. 95 « Du nouveau monde » : Allegro Con Fuoco (extrait)
Berliner Philharmoniker, Rafael Kubelík
—
Concerto for Violin and Strings in E major, op. 8 no. 1, RV 269 "La Primavera": II. Largo
Isaac Stern, Israel Philharmonic Orchestra, Zubin Mehta
—
Symphonie Nr. 3 F-Dur op. 90: 4. Allegro
Berliner Philharmoniker, Herbert von Karajan
—
Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto
Wilhelm Kempff
—
La Légende du tsar Saltan : "Le Vol du bourdon"
Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch
—
Concerto pour violon et orchestre No. 2, Op. 7: Rondo (La Campanella)
Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit
—
España
Wiener Philharmoniker, Sir John Eliot Gardiner
—
Boston Symphony Orchestra, Seiji Ozawa
Narciso Yepes, Orquesta Sinfónica de Radio Televisión Española, Odón Alonso
Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado
Rigoletto: Atto III, scena 1. Canzone: La donna è mobile
Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini
—
Hermann Prey, London Symphony Orchestra, Claudio Abbado
La Damnation de Faust: Première partie. Scène 3
Richard Verreau, Orchestre Lamoureux, Igor Markevitch
—
Radetzky-Marsch, op. 228 (arr. Ertl)
Radio-Symphonie-Orchester Berlin, Ferenc Fricsay
—
Water Music: Alla Hornpipe
Berliner Philharmoniker, Rafael Kubelík
—
Der Nußknacker, op. 71a: III. Valse des fleurs: Tempo di Valse
Berliner Philharmoniker, Herbert von Karajan
—
Requiem in D minor, K. 626: III. Sequentia: Lacrimosa
Chor des Bayerischen Rundfunks, Friedemann Winklhofer, Münchner Philharmoniker, Christian Thielemann
—
Messa da requiem : Dies irae
Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini
—
Prélude à l'après-midi d'un faune
Doriot Anthony Dwyer, Orchestre Symphonique de Boston, Michael Tilson Thomas
—
Wilhelm Kempff
Horst Neumann, Andreas Schmidt, Kathleen Battle, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini
Toccata und Fuge D-moll, BWV 565: II. Fuge
Helmut Walcha
—
Münchener Bach-Chor, Munich Bach Orchestra, Solistengemeinschaft der Bachwoche Ansbach, Karl Richter
Suite bergamesque, Clair de lune
Tamás Vásáry
—
Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai
Géza Anda, Camerata Academica des Salzburger Mozarteums
—
Le Beau Danube bleu (Extrait)
Wiener Philharmoniker, Karl Böhm
—
Edward Brewer, Randall Wolfgang, Orpheus Chamber Orchestra
Messiah, HWV 56: Part II. Chorus: “Hallelujah”
The John Alldis Choir, London Philharmonic Orchestra, Karl Richter
—
Canon et gigue en ré majeur : "Canon"
Musica Antiqua Köln, Reinhard Goebel
—
Chor der Wiener Staatsoper, Gwyneth Jones, Karl Ridderbusch, Jess Thomas, Tatiana Troyanos, Wiener Philharmoniker, Karl Böhm
Additional database matches (10)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Toccata und Fuge D-moll, BWV 565: I. Toccata | Helmut Walcha | T-909.407.007-2 |
| Concerto pour piano et orchestre No. 21, KV 467: Andante | Géza Anda, Camerata Academica des Salzburger Mozarteums | T-010.194.871-3 |
| Water Music: Alla Hornpipe | Berliner Philharmoniker, Rafael Kubelík | T-910.759.449-0 |
| Symphonie No. 3 F-Dur, Op. 90: III. Poco Allegretto | Berliner Philharmoniker, Herbert von Karajan | — |
| Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro | Berliner Philharmoniker, Herbert von Karajan | T-070.161.055-0 |
| Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto | Wilhelm Kempff | — |
| Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | — |
| Rigoletto: Atto III. “La donna è mobile” | Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | T-318.237.508-8 |
| Les Quatre saisons, Concerto Op. 8, No. 1 "Le Printemps": Allegro | Isaac Stern, Israel Philharmonic Orchestra, Zubin Mehta | T-306.395.786-4 |
| Messa da requiem : Dies irae | Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini | T-910.932.757-3 |
Géza Anda, Camerata Academica des Salzburger Mozarteums
Berliner Philharmoniker, Rafael Kubelík
Symphonie No. 3 F-Dur, Op. 90: III. Poco Allegretto
Berliner Philharmoniker, Herbert von Karajan
—
Berliner Philharmoniker, Herbert von Karajan
Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto
Wilhelm Kempff
—
Rigoletto: Atto III, scena 1. Canzone: La donna è mobile
Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini
—
Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini
Isaac Stern, Israel Philharmonic Orchestra, Zubin Mehta
Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini
What other identifiers does this connect to?
Musical Works (ISWC)
T-001.283.021-5T-003.006.377-4T-003.506.743-6T-007.163.471-3T-071.088.112-1T-301.695.245-3T-304.254.199-7T-306.395.786-4T-318.237.508-8T-318.676.528-2
+20 more
T-321.421.851-2T-329.366.800-1T-900.010.201-2T-905.387.081-8T-905.387.081-8T-910.415.372-2T-910.415.372-2T-910.759.449-0T-914.248.874-2T-914.248.874-2T-915.711.225-9T-001.283.021-5T-003.006.377-4T-003.506.743-6T-005.000.838-2T-007.163.471-3T-010.065.879-4T-010.194.871-3T-039.585.208-0T-041.489.061-1
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000551640890000000055195395000000005519655800000000555368900000000073638129000000007365417X0000000078395656000000008176969800000000818571610000000083562084
+20 more
00000001055768400000000106617448000000010860227400000001086359570000000108823501000000010882351X00000001091108880000000109160981000000010920700600000001093004890000000109350136000000010935867200000001094168010000000109426524000000010943215800000001094653120000000110164760000000011017745700000001102039180000000110231994
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What is UPC 0028947945130?
0028947945130 is a Universal Product Code (UPC) assigned to 50 Chefs-d'œuvre de la musique classique by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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