Klara Top 75: 2008

UPC · Release

Klara Top 75: 2008

Various Artists

0028948015016
18 tracksReleased 2008-01-01Universal Music Belgium

Last verified:

0028948015016 is the Universal Product Code (UPC barcode) for the release Klara Top 75: 2008 by Various Artists, released 2008-01-01 on Universal Music Belgium. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include DEN960500571, GBF078341401, DEF056001710.

Format

002GS1 prefix
8948Company prefix
01501Product
6Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCKlara Top 75: 2008
ISRC18 recordings
ISWC41 works
IPI3 songwriters

Track List (18)

Die Moldau
Berliner Philharmoniker, Ferenc Fricsay
Boléro
Berliner Philharmoniker, Herbert von Karajan
L'incoronazione di Poppea: Act III. "Pur te miro" (Poppea, Nerone)
L'incoronazione di Poppea: Act III. "Pur te miro" (Poppea, Nerone)
Dana Hanchard, Sylvia McNair, English Baroque Soloists
Liebestraum in A flat, no. 3, S.541
Liebestraum in A flat, no. 3, S.541
Yundi Li
Gloria: "Gloria in excelsis Deo"
Gloria: "Gloria in excelsis Deo"
The English Concert Choir, The English Concert, Trevor Pinnock
Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro
Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro
Wiener Philharmoniker, Carlos Kleiber
Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé)
Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge
Symfonie nr. 8 "De Onvoltooide": II. Andante con moto
Symfonie nr. 8 "De Onvoltooide": II. Andante con moto
Orchestra of the Eighteenth Century, Frans Brüggen
Miserere
Choir of Westminster Abbey, Simon Preston
Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro
Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro
Musica Antiqua Köln, Reinhard Goebel
Les Pêcheurs de perles: « Au fond du temple saint »
Gregory Cross, Gino Quilico, Orchestre symphonique de Montréal, Charles Dutoit
Die Meistersänger von Nürnberg: Prelude
Metropolitan Opera Orchestra, James Levine
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
Martha Argerich, Berliner Philharmoniker, Claudio Abbado

Additional database matches (55)

Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai
Géza Anda, Camerata Academica des Salzburger Mozarteums
Géza Anda, Camerata Academica des Salzburger Mozarteums
Winterreise, D. 911: 5. “Der Lindenbaum”
Dietrich Fischer-Dieskau, Gerald Moore
Vier letzte Lieder No. 3: Beim Schlafengehen
Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan
Symphonie Nr. 5 c‐moll, op. 67: 1. Satz: Allegro con brio
Wiener Philharmoniker, Carlos Kleiber
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Emil Gilels
Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan
Nabucco: “Va pensiero sull’ali dorate“
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
Kinderszenen, op. 15: VII. Träumerei
Martha Argerich
Ein deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit
Barbara Hendricks, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan
Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner
Konzert für Violoncello und Orchester C-dur Hob. VIIb, No. 1: Finale (Allegro molto)
Mischa Maisky, Chamber Orchestra of Europe
John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Concerto for Clarinet in A major, K. 622: II. Adagio
Charles Neidich, Orpheus Chamber Orchestra
Peer Gynt, op. 23: 4. akt: Solveigs sang
Barbara Bonney, Gothenburg Symphony Orchestra, Neeme Järvi
The English Concert Choir, The English Concert, Trevor Pinnock
Dido and Aeneas: When I am laid into earth
Anne Sofie von Otter, The English Concert, Trevor Pinnock
Göran Söllscher, Orpheus Chamber Orchestra
Edward Brewer, Eriko Sato, Orpheus Chamber Orchestra
Philharmonia Orchestra, Giuseppe Sinopoli
Boston Symphony Orchestra, Seiji Ozawa
Kol Nidrei, op. 47
Mischa Maisky, Orchestre de Paris, Semyon Bychkov
Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando
Chicago Symphony Orchestra, Pierre Boulez
A Midsummer Night’s Dream, op. 61: IX. Wedding March
Boston Symphony Orchestra, Seiji Ozawa
Lilya Zilberstein, Gothenburg Symphony Orchestra, Neeme Järvi
The Planets, op. 32: 3. Mercury, the Winged Messenger. Vivace
Philharmonia Orchestra, Sir John Eliot Gardiner
Metropolitan Opera Orchestra, James Levine
The Cleveland Orchestra, Pierre Boulez
Ave Maria
Anne Sofie von Otter, Bengt Forsberg
Panis angelicus
Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti
Magdalena Kožená, Gabrieli Players, Paul McCreesh
5 Rückert-Lieder: III. Ich bin der Welt abhanden gekommen
Violeta Urmana, Wiener Philharmoniker, Pierre Boulez
Serenade in G, K. 525 "Eine kleine Nachtmusik": 1. Allegro
Concerto Köln, Anton Steck
Vespro della Beata Vergine, SV 206: IV. Psalmus II "Laudate pueri Dominum"
Paul McCreesh, Gabrieli Consort & Players
Ich wandre durch Theresienstadt
Bengt Forsberg, Bebe Risenfors, Anne Sofie von Otter
VIOLIN CONCERTO IN E MINOR, OP. 64: I. ALLEGRO MOLTO APPASSIONATO
Daniel Hope, Chamber Orchestra of Europe, Thomas Hengelbrock
24 Préludes, op. 28: No. 15 in D-flat major: Sostenuto
Rafał Blechacz
Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé)
Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge
András Schiff, Lukas Hagen, Veronika Hagen, Clemens Hagen, Alois Posch
Ernst Senff, Rundfunkchor Berlin, Radio-Symphonie-Orchester Berlin, Riccardo Chailly
Kiri Te Kanawa, Orchestre symphonique de Montréal, Charles Dutoit
Stabat Mater: I. Duet “Stabat Mater dolorosa”
Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques
Quintet no. 4 for Guitar and Strings in D, G. 448 "Fandango": III. Grave assai / IV. Fandango
Iona Brown, Tristan Fry, Malcolm Latchem, Pepe Romero, Stephen Shingles, Denis Vigay
Symphony of Sorrowful Songs (2nd Movement)
Joanna Kozłowska, Warsaw Philharmonic Orchestra, Kazimierz Kord
Weihnachtsoratorium, BWV 248: Kantate Nr. 1. Aria (Alt) "Bereite dich, Zion"
Concentus Musicus Wien, Nikolaus Harnoncourt

Identifier Graph

UPCKlara Top 75: 2…ISRCSymphony no. 40…ISRCGymnopédie no. 1ISRCDie MoldauISRCOrchestral Suit…ISRCBoléro

People also ask

What is UPC 0028948015016?
UPC 0028948015016 is the Universal Product Code (barcode) for "Klara Top 75: 2008" by Various Artists, released on Universal Music Belgium.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 0028948015016?
UPC 0028948015016 contains 18 tracks, each with its own ISRC.
SourcesMLCMusicBrainzNotesDiscogs4 sources

Verified on

What is UPC 0028948015016?

0028948015016 is a Universal Product Code (UPC) assigned to Klara Top 75: 2008 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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