UPC · Release
Sir John Barbirolli
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0190295386085 is the Universal Product Code (UPC barcode) for the release “The Complete Warner Recordings” by Sir John Barbirolli, released 2020-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 1000 tracks, each with its own ISRC. Tracks include GBAYC2000743, GBAYC2000682, GBAYC9703878.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Married Beau, Z 603: Hornpipe on a Ground | — | ||
| 2 | Serenade no. 13 in G major “Eine kleine Nachtmusik”, K. 525: I. Allegro | — | ||
| 3 | Serenade no. 13 in G major “Eine kleine Nachtmusik”, K. 525: II. Andante (Romanza) | — | ||
| 4 | Serenade no. 13 in G major “Eine kleine Nachtmusik”, K. 525: III. Menuetto | — | ||
| 5 | Serenade no. 13 in G major “Eine kleine Nachtmusik”, K. 525: IV. Rondo | — | ||
| 6 | Symphony no. 104 in D major “London”, Hob. I:104: I. Adagio - Allegro | — | ||
| 7 | Symphony no. 104 in D major “London”, Hob. I:104: II. Andante | — | ||
| 8 | Symphony no. 104 in D major “London”, Hob. I:104: III. Menuetto & Trio | — | ||
| 9 | Symphony no. 104 in D major “London”, Hob. I:104: IV. Allegro spirituoso | — | ||
| 10 | Introduction and Allegro for Strings, op. 47: Moderato - | — | ||
| 11 | Introduction and Allegro for Strings, op. 47: Allegro - | — | ||
| 12 | Introduction and Allegro for Strings, op. 47: Allegro (Fugue) | — | ||
| 2-1 | Die Zauberflöte, K. 620: Possenti Numi (O Isis und Isiris) | — | ||
| 2-2 | Sardana | — | ||
| 2-3 | Faust: Orchestral Potpourri | — | ||
| 2-4 | Carmen: Orchestral Potpourri | — | ||
| 2-5 | Tannhäuser: Orchestral Potpourri | — | ||
| 2-6 | Cavalleria Rusticana: Intermezzo | — | ||
| 2-7 | The Seasons, op. 67: Bacchanale | — | ||
| 2-8 | Les Ruses d'amour, op. 61: Ballabile | — | ||
| 2-9 | Ballet russe, op. 23: Czardas | — | ||
| 2-10 | Ballet russe, op. 23: Valse lente | — | ||
| 2-11 | Ballet russe, op. 23: Scène | — | ||
| 2-12 | Ballet russe, op. 23: Mazurka | — | ||
| 2-13 | Ballet russe, op. 23: Marche russe | — | ||
| 3-1 | La Gioconda, op. 9: Act 3. Dance of the Hours | — | ||
| 3-2 | Sylvia: Prélude - Les Chasseresses | — | ||
| 3-3 | Sylvia: Intermezzo | — | ||
| 3-4 | Sylvia: Valse lente | — | ||
| 3-5 | Sylvia: Pizzicato | — | ||
| 3-6 | Sylvia: Procession of Bacchus | — | ||
| 3-7 | Merchant of Venice, Suite: I. Prelude no. 1 | — | ||
| 3-8 | Merchant of Venice, Suite: II. Intermezzo “Portia” | — | ||
| 3-9 | Merchant of Venice, Suite: III. Oriental March | — | ||
| 3-10 | Merchant of Venice, Suite: IV. Prelude no. 2 | — | ||
| 3-11 | Merchant of Venice, Suite: V. Doge's March | — | ||
| 3-12 | Maritana: Overture | — | ||
| 3-13 | The Bohemian Girl: Overture | — | ||
| 3-14 | A Song before Sunrise, RT VI/24 | — | ||
| 3-15 | A Children's Overture, op. 17 | — | ||
| 4-1 | Marche militaire no. 1 in D major, op. 51 no. 1, D. 733 | — | ||
| 4-2 | Rosamunde, D. 797: IX. Ballet Music no. 2 | — | ||
| 4-3 | Fra Diavolo: Overture | — | ||
| 4-4 | Peer Gynt, Suite no. 1, op. 46: I. Morning | — | ||
| 4-5 | Peer Gynt, Suite no. 1, op. 46: II. Death of Aase | — | ||
| 4-6 | Peer Gynt, Suite no. 1, op. 46: III. Anitra's Dance | — | ||
| 4-7 | Peer Gynt, Suite no. 1, op. 46: IV. In the Hall of the Mountain King | — | ||
| 4-8 | Sigurd Jorsalfar, op. 56: Act 3: Introduction. III. Homage March | — | ||
| 4-9 | Symphonic Dances, op. 64: IV. Andante - Allegro - Allegro molto e risolto | — | ||
| 4-10 | Swan Lake, op. 20: Act 2. No. 10: Scène: Le Lac des Cygnes | — | ||
| 4-11 | Swan Lake, op. 20: Act 2. No. 13, Var. 4: Scène: Danse des Petits Cygnes | — | ||
| 4-12 | Swan Lake, op. 20: Act 1. No. 2: Valse | — | ||
| 4-13 | Swan Lake, op. 20: Act 2. No. 13, Var. 5: Scène | — | ||
| 4-14 | Swan Lake, op. 20: Act 3. No. 20: Czardas | — | ||
| 4-15 | Midnight Rose: Waltz | — | ||
| 4-16 | Praeludium | — | ||
| 4-17 | Berceuse | — | ||
| 5-1 | Die Meistersinger von Nürnberg: Act 3: Suite. Prelude | — | ||
| 5-2 | Die Meistersinger von Nürnberg: Act 3: Suite. Dance of the Apprentices | — | ||
| 5-3 | Die Meistersinger von Nürnberg: Act 3: Suite. Entry of the Masters | — | ||
| 5-4 | Die Meistersinger von Nürnberg: Act 3: Suite. Homage to Sachs | — | ||
| 5-5 | Die Meistersinger von Nürnberg: Act 3: Suite. Finale | — | ||
| 5-6 | Rienzi: Overture | — | ||
| 5-7 | Rosen aus dem Süden | — | ||
| 5-8 | Symphony no. 3: I. Lento - Allegro - Allegro feroce - Lento moderato - Allegro moderato | — | ||
| 5-9 | Symphony no. 3: II. Lento | — | ||
| 5-10 | Symphony no. 3: III. Moderato - Più lento - Epilogue | — | ||
| 6-1 | Symphony no. 5 in D major: I. Preludio | — | ||
| 6-2 | Symphony no. 5 in D major: II. Scherzo | — | ||
| 6-3 | Symphony no. 5 in D major: III. Romanza: Lento | — | ||
| 6-4 | Symphony no. 5 in D major: IV. Passacaglia - Moderato | — | ||
| 6-5 | Fantasia on a Theme by Thomas Tallis | — | ||
| 6-6 | A Village Romeo and Juliet, RT I/6: Intermezzo: Walk to the Paradise Garden | — | ||
| 6-7 | Threnody for a soldier killed in action | — | ||
| 7-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Hallé Orchestra, Sir John Barbirolli | — | |
| 7-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 7-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo (Allegro) | — | ||
| 7-4 | Symphony no. 5 in C minor, op. 67: IV. Finale (Allegro) | — | ||
| 7-5 | Euryanthe: Overture | — | ||
| 7-6 | Lohengrin: Act 1. Prelude | — | ||
| 7-7 | Lohengrin: Act 3. Prelude | — | ||
| 7-8 | Der Rosenkavalier Suite, op. 59, TrV 227: I. Con moto agitato | — | ||
| 7-9 | Der Rosenkavalier Suite, op. 59, TrV 227: II. Allegro molto | — | ||
| 7-10 | Der Rosenkavalier Suite, op. 59, TrV 227: III. Tempo vi Valse, assai comodo da primo | — | ||
| 7-11 | Der Rosenkavalier Suite, op. 59, TrV 227: IV. Moderato molto sostenuto | — | ||
| 7-12 | Der Rosenkavalier Suite, op. 59, TrV 227: V. Quick Waltz. Molto con moto | — | ||
| 8-1 | Symphonie fantastique, op. 14: I. Rêveries - Passions | — | ||
| 8-2 | Symphonie fantastique, op. 14: II. Un bal (Valse) | — | ||
| 8-3 | Symphonie fantastique, op. 14: III. Scènes aux champs | — | ||
| 8-4 | Symphonie fantastique, op. 14: IV. Marche au supplice | — | ||
| 8-5 | Symphonie fantastique, op. 14: V. Songe d'une nuit de sabbat | — | ||
| 8-6 | La gazza ladra: Overture | — | ||
| 8-7 | A Midsummer Night's Dream, op. 61: Scherzo | — | ||
| 8-8 | Hänsel und Gretel: Overture | — | ||
| 8-9 | Shylock, op. 57 (Suite): Nocturne | — | ||
| 9-1 | Concerto Grosso (after Violin Sonatas, op. 5): I. Grave - Allegro (No. 1 in D major: I. & III.) | — | ||
| 9-2 | Concerto Grosso (after Violin Sonatas, op. 5): II. Adagio (No. 1 in D major: IV.) | — | ||
| 9-3 | Concerto Grosso (after Violin Sonatas, op. 5): III. Gigue (No. 3 originally in G major, performed in D major: V.) | — | ||
| 9-4 | Concerto Grosso (after Violin Sonatas, op. 5): IV. Sarabande (No. 7 in D minor: III.) | — | ||
| 9-5 | Concerto Grosso (after Violin Sonatas, op. 5): V. Allegro (No. 4 originally in F major, performed in D major: II.) | — | ||
| 9-6 | Elegy, op. 58 | — | ||
| 9-7 | Variations on an Original Theme “Enigma”, op. 36: Theme: Andante | — | ||
| 9-8 | Variations on an Original Theme “Enigma”, op. 36: Variation 1: C.A.E. (The composer's wife) | — | ||
| 9-9 | Variations on an Original Theme “Enigma”, op. 36: Variation 2: H.D. S-P (Hew David Steuart-Powell) | — | ||
| 9-10 | Variations on an Original Theme “Enigma”, op. 36: Variation 3: R.B.T. (Richard Baxter Townsend) | — | ||
| 9-11 | Variations on an Original Theme “Enigma”, op. 36: Variation 4: W.M.B. (William Meath Baker) | — | ||
| 9-12 | Variations on an Original Theme “Enigma”, op. 36: Variation 5: R.P.A. (Richard Penrose Arnold) | — | ||
| 9-13 | Variations on an Original Theme “Enigma”, op. 36: Variation 6: Ysobel (Isobel Fitton) | — | ||
| 9-14 | Variations on an Original Theme “Enigma”, op. 36: Variation 7: Troyte (Troyte Griffith) | — | ||
| 9-15 | Variations on an Original Theme “Enigma”, op. 36: Variation 8: W.N. (Winifred Norbury) | — | ||
| 9-16 | Variations on an Original Theme “Enigma”, op. 36: Variation 9: Nimrod (A. J. Jaeger) | — | ||
| 9-17 | Variations on an Original Theme “Enigma”, op. 36: Variation 10: Intermezzo: Dorabella (Dora Penny) | — | ||
| 9-18 | Variations on an Original Theme “Enigma”, op. 36: Variation 11: G.R.S. (George Robertson Sinclair) | — | ||
| 9-19 | Variations on an Original Theme “Enigma”, op. 36: Variation 12: B/G.N. (Basil G. Nevison) | — | ||
| 9-20 | Variations on an Original Theme “Enigma”, op. 36: Variation 13: Romanza * * * (Lady Mary Lygon) | — | ||
| 9-21 | Variations on an Original Theme “Enigma”, op. 36: Variation 14: E.D.U. (The composer) | — | ||
| 9-22 | Introduction and Allegro for Strings, op. 47: I. Moderato - | — | ||
| 9-23 | Introduction and Allegro for Strings, op. 47: II. Allegro - | — | ||
| 9-24 | Introduction and Allegro for Strings, op. 47: III. Allegro (Fugue) | — | ||
| 9-25 | Bavarian Dances, op. 27: II. Lullaby | — | ||
| 9-26 | Fantasia on “Greensleeves” | — | ||
| 9-27 | Irish Tune from County Derry (Londonderry Air) | — | ||
| 9-28 | Two Aquarelles, RT IV. 5: I. Lento, ma non troppo | — | ||
| 9-29 | Two Aquarelles, RT IV. 5: II. Gaily, but not Quick | — | ||
| 10-1 | The Hebrides - Overture, op. 26 (Fingal's Cave) | — | ||
| 10-2 | Symphony no., 4 in A major “Italian”: I. Allegro vivace | — | ||
| 10-3 | Symphony no., 4 in A major “Italian”: II. Andante con moto | — | ||
| 10-4 | Symphony no., 4 in A major “Italian”: III. Con moto moderato | — | ||
| 10-5 | Symphony no., 4 in A major “Italian”: IV. Saltarello (Presto) | — | ||
| 10-6 | Peer Gynt - Suite no. 1, op. 46: I. Prelude - Morning | — | ||
| 10-7 | Peer Gynt - Suite no. 1, op. 46: II. Death of Aase | — | ||
| 10-8 | Peer Gynt - Suite no. 1, op. 46: III. Anitra's Dance | — | ||
| 10-9 | Peer Gynt - Suite no. 1, op. 46: IV. In the Hall of the Mountain King | — | ||
| 10-10 | Peer Gynt - Suite no. 1, op. 46: II. Death of Ase (Alternate take) | — | ||
| 10-11 | Sylvia - excerpts: I. Les Chasseresses | — | ||
| 10-12 | Sylvia - excerpts: II. Intermezzo et Valse lente | — | ||
| 10-13 | Sylvia - excerpts: III. Pizzicati | — | ||
| 10-14 | Sylvia - excerpts: IV. Cortège de Bacchus | — | ||
| 10-15 | Concerto in D major for String Orchestra: I. Vivace moderato | — | ||
| 10-16 | Concerto in D major for String Orchestra: II. Arioso (Andante) | — | ||
| 10-17 | Concerto in D major for String Orchestra: III. Rondo (Allegro) | — | ||
| 11-1 | Le nozze di Figaro, K. 492: Overture | — | ||
| 11-2 | Egmont, op. 84: Overture | — | ||
| 11-3 | Symphony no. 83 in G minor “La poule”, Hob. I:83: I. Allegro spirituoso | — | ||
| 11-4 | Symphony no. 83 in G minor “La poule”, Hob. I:83: II. Andante | — | ||
| 11-5 | Symphony no. 83 in G minor “La poule”, Hob. I:83: III. Menuetto | — | ||
| 11-6 | Symphony no. 83 in G minor “La poule”, Hob. I:83: IV. Finale (Vivace) | — | ||
| 11-7 | Die Zauberharfe, D. 644: Overture (Rosamunde) | — | ||
| 11-8 | Octet in E-flat major, op. 20: Scherzo | — | ||
| 11-9 | Symphony no. 7 in C major, op. 105: Adagio - | — | ||
| 11-10 | Symphony no. 7 in C major, op. 105: Un pocchettino meno adagio - Vivacissimo - Adagio - | — | ||
| 11-11 | Symphony no. 7 in C major, op. 105: Allegro molto moderato - | — | ||
| 11-12 | Symphony no. 7 in C major, op. 105: Vivace - Presto - Adagio | — | ||
| 12-1 | Cockaigne Overture, op. 40 (in London Town) | — | ||
| 12-2 | Serenade in E minor, op. 20: I. Allegro piacevole | — | ||
| 12-3 | Serenade in E minor, op. 20: II. Larghetto | — | ||
| 12-4 | Serenade in E minor, op. 20: III. Allegretto - Come prima | — | ||
| 12-5 | Dream Children, op. 43: I. Andante | — | ||
| 12-6 | A Song of Summer, RT VI/26 | — | ||
| 12-7 | Improvisations on Virginal Pieces by Giles Farnaby, op. 50: IV. Loth to depart | Hallé Orchestra, Sir John Barbirolli | — | |
| 12-8 | Symphony no. 5 in B-flat major, op. 63: I. Adagio - Allegro energico | Hallé Orchestra, Sir John Barbirolli | T-010.169.664-3 | |
| 12-9 | Symphony no. 5 in B-flat major, op. 63: II. Allegro moderato | Hallé Orchestra, Sir John Barbirolli | T-010.169.664-3 | |
| 12-10 | Symphony no. 5 in B-flat major, op. 63: III. Grave | Hallé Orchestra, Sir John Barbirolli | T-010.169.664-3 | |
| 12-11 | Symphony no. 5 in B-flat major, op. 63: IV. Allegro vivo - Adagio | Hallé Orchestra, Sir John Barbirolli | T-010.169.664-3 | |
| 13-1 | Cassation in G major, K. 99: II. Andante | — | ||
| 13-2 | L'Arlésienne - Suite no. 1: Prélude | — | ||
| 13-3 | L'Arlésienne - Suite no. 1: Adagietto | — | ||
| 13-4 | L'Arlésienne - Suite no. 2: Farandole | — | ||
| 13-5 | Swan Lake, op. 20: Act 2. No. 10: Scène: Le Lac des Cygnes | — | ||
| 13-6 | Swan Lake, op. 20: Act 2. No. 13, Var. 4: Scène: Danse des Petits Cygnes | — | ||
| 13-7 | Swan Lake, op. 20: Act 2. No. 13, Var. 5: Scène | — | ||
| 13-8 | Swan Lake, op. 20: Act 1. No. 2: Valse | — | ||
| 13-9 | Swan Lake, op. 20: Act 3. No. 20: Czardas | — | ||
| 13-10 | Mai-Dun (Symphonic Rhapsody) | — | ||
| 13-11 | The Forgotten Rite (Prelude) | — | ||
| 14-1 | Der Freischütz, op. 77, J. 277: Overture | — | ||
| 14-2 | Divertimento no. 11 in D major, K. 251: Minuet | — | ||
| 14-3 | Symphony no. 96 in D major “Miracle”, Hob. I:96: I. Adagio - Allegro | — | ||
| 14-4 | Symphony no. 96 in D major “Miracle”, Hob. I:96: II. Andante | — | ||
| 14-5 | Symphony no. 96 in D major “Miracle”, Hob. I:96: III. Menuetto | — | ||
| 14-6 | Symphony no. 96 in D major “Miracle”, Hob. I:96: IV. Vivace (assai) | — | ||
| 14-7 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | — | ||
| 14-8 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 14-9 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | — | ||
| 14-10 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 15-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | — | ||
| 15-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato | — | ||
| 15-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo | — | ||
| 15-4 | Symphony no. 2 in D major, op. 43: IV. Finale (Allegro moderato) | — | ||
| 15-5 | Danzas fantásticas, op. 22: I. Exaltación | — | ||
| 15-6 | Danzas fantásticas, op. 22: II. Ensueño | — | ||
| 15-7 | Danzas fantásticas, op. 22: III. Orgia | — | ||
| 15-8 | Don Pasquale: Overture | — | ||
| 15-9 | Gold und Silber | — | ||
| 15-10 | Lyric Pieces, Book 6, op. 57: IV. Geheimnis (Secret) | — | ||
| 16-1 | Symphony no. 88 in G major, Hob. I:88 (Letter V): I. Adagio - Allegro | — | ||
| 16-2 | Symphony no. 88 in G major, Hob. I:88 (Letter V): II. Largo | — | ||
| 16-3 | Symphony no. 88 in G major, Hob. I:88 (Letter V): III. Menuetto | — | ||
| 16-4 | Symphony no. 88 in G major, Hob. I:88 (Letter V): IV. Allegro con spirito | — | ||
| 16-5 | Symphony no. 9 in C major “The Great”, D. 944: I. Andante - Allegro ma non troppo | — | ||
| 16-6 | Symphony no. 9 in C major “The Great”, D. 944: II. Andante con moto | — | ||
| 16-7 | Symphony no. 9 in C major “The Great”, D. 944: III. Scherzo (Allegro vivace) - Trio | — | ||
| 16-8 | Symphony no. 9 in C major “The Great”, D. 944: IV. Allegro vivace | — | ||
| 16-9 | La traviata: Act 1. Prelude | — | ||
| 16-10 | La traviata: Act 3. Prelude | — | ||
| 17-1 | Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente | — | ||
| 17-2 | Symphony no. 2 in E-flat major, op. 63: II. Larghetto | — | ||
| 17-3 | Symphony no. 2 in E-flat major, op. 63: III. Rondo (Presto) | — | ||
| 17-4 | Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso | — | ||
| 17-5 | Cockaigne Overture, op. 40 (In London Town) | — | ||
| 17-6 | Introduction and Allegro for Strings, op. 47: I. Moderato - | — | ||
| 17-7 | Introduction and Allegro for Strings, op. 47: II. Allegro - | — | ||
| 17-8 | Introduction and Allegro for Strings, op. 47: III. Allegro (Fugue) | — | ||
| 18-1 | Sinfonia Antartica (no. 7): I. Prelude (Allegro maestoso) | — | ||
| 18-2 | Sinfonia Antartica (no. 7): II. Scherzo (Moderato) | — | ||
| 18-3 | Sinfonia Antartica (no. 7): III. Landscape (Lento) | — | ||
| 18-4 | Sinfonia Antartica (no. 7): IV. Intermezzo (Andante sostenuto) | — | ||
| 18-5 | Sinfonia Antartica (no. 7): V. Epilogue (alla marcia) | — | ||
| 18-6 | The Wasps - Aristophanic Suite: Overture | — | ||
| 18-7 | Five Variants of Dives and Lazarus for Harp and String Orchestra: Theme: Adagio | Jean Bell, Hallé Orchestra, Sir John Barbirolli | — | |
| 18-8 | Five Variants of Dives and Lazarus for Harp and String Orchestra: Variant I. [Adagio] | — | ||
| 18-9 | Five Variants of Dives and Lazarus for Harp and String Orchestra: Variant II. Allegro moderato | — | ||
| 18-10 | Five Variants of Dives and Lazarus for Harp and String Orchestra: Variant III. Crotchet = 150 | — | ||
| 18-11 | Five Variants of Dives and Lazarus for Harp and String Orchestra: Variant IV. L'istesso tempo | — | ||
| 18-12 | Five Variants of Dives and Lazarus for Harp and String Orchestra: Variant V. Adagio | — | ||
| 18-13 | Fantasia on “Greensleeves” | — | ||
| 19-1 | Elizabethan Suite: I. The Earl of Salisbury's Pavane (Byrd) | — | ||
| 19-2 | Elizabethan Suite: II. The Irish Ho Hoane (Anonymous) | — | ||
| 19-3 | Elizabethan Suite: III. A Toye (Farnaby) | — | ||
| 19-4 | Elizabethan Suite: IV. Giles Farnaby's Dreame (Farnaby) | — | ||
| 19-5 | Elizabethan Suite: V. The King's Hunt (Bull) | — | ||
| 19-6 | España | Hallé Orchestra, Sir John Barbirolli | — | |
| 19-7 | Capriccio espagnol, op. 34: I. Alborada | — | ||
| 19-8 | Capriccio espagnol, op. 34: II. Variazoni | — | ||
| 19-9 | Capriccio espagnol, op. 34: III. Alborada | — | ||
| 19-10 | Capriccio espagnol, op. 34: IV. Scena e canto gitano | — | ||
| 19-11 | Capriccio espagnol, op. 34: V. Fandango asturiano | — | ||
| 19-12 | The Enchanted Lake, op. 62 | — | ||
| 19-13 | Prélude à l'après-midi d'un faune, CD 87, L. 86 | Hallé Orchestra, Sir John Barbirolli | — | |
| 19-14 | Pelléas et Mélisande, op. 80 - Suite from incidental music: I. Prélude | — | ||
| 19-15 | Pelléas et Mélisande, op. 80 - Suite from incidental music: II. Fileuse | — | ||
| 19-16 | Pelléas et Mélisande, op. 80 - Suite from incidental music: III. Sicilienne | — | ||
| 19-17 | Pelléas et Mélisande, op. 80 - Suite from incidental music: IV. La mort de Mélisande | — | ||
| 19-18 | Divertissement for Chamber Orchestra: I. Introduction | — | ||
| 19-19 | Divertissement for Chamber Orchestra: II. Cortège | — | ||
| 19-20 | Divertissement for Chamber Orchestra: III. Nocturne | — | ||
| 19-21 | Divertissement for Chamber Orchestra: IV. Valse | — | ||
| 19-22 | Divertissement for Chamber Orchestra: V. Parade | — | ||
| 19-23 | Divertissement for Chamber Orchestra: VI. Finale | — | ||
| 20-1 | Die schöne Galathée: Overture | — | ||
| 20-2 | Radetzky March, op. 228 | Hallé Orchestra, Sir John Barbirolli | — | |
| 20-3 | Kaiserwalzer, op. 437 | — | ||
| 20-4 | Bachianas brasileiras no. 4: I. Preludio (Introducao) | — | ||
| 20-5 | Bachianas brasileiras no. 4: II. Corale (O Canto da Nosso Terra) | — | ||
| 20-6 | Bachianas brasileiras no. 4: III. Aria (Cantigua) | — | ||
| 20-7 | Bachianas brasileiras no. 4: IV. Danza (Miudinho) | — | ||
| 20-8 | Lemminkaïnen Suite, op. 22: II. The Swan of Tuonela | — | ||
| 20-9 | Die Liebe der Danae, op. 83, TrV 278, Symphonic Fragments: Molto vivace | — | ||
| 20-10 | Die Liebe der Danae, op. 83, TrV 278, Symphonic Fragments: Più tranquilo | — | ||
| 21-1 | Symphony no. 1 in A-flat major, op. 55: I. Andante nobilmente e semplice - Allegro | — | ||
| 21-2 | Symphony no. 1 in A-flat major, op. 55: II. Allegro molto - | — | ||
| 21-3 | Symphony no. 1 in A-flat major, op. 55: III. Adagio | — | ||
| 21-4 | Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro | — | ||
| 21-5 | Introduction and Allegro for Strings, op. 47: I. Moderato - | — | ||
| 21-6 | Introduction and Allegro for Strings, op. 47: II. Allegro - | — | ||
| 21-7 | Introduction and Allegro for Strings, op. 47: III. Fugue: Allegro | — | ||
| 21-8 | Elegy, op. 58 | — | ||
| 22-1 | A London Symphony (no. 2) (1936 Revised Edition): I. Lento - Allegro risoluto (molto pesante) | — | ||
| 22-2 | A London Symphony (no. 2) (1936 Revised Edition): II. Lento | — | ||
| 22-3 | A London Symphony (no. 2) (1936 Revised Edition): III. Scherzo (Nocturno) - Allegro vivace | — | ||
| 22-4 | A London Symphony (no. 2) (1936 Revised Edition): IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Maestoso alla marcia (alla I) - Epilogue (Andante sostenuto) | — | ||
| 22-5 | Symphony no. 8 in D minor: I. Fantasia (Variazoni senza tema) | — | ||
| 22-6 | Symphony no. 8 in D minor: II. Scherzo alla marcia (Per gli stromenti a vento) | Hallé Orchestra, Sir John Barbirolli | — | |
| 22-7 | Symphony no. 8 in D minor: III. Cavatina (Per gli stromenti a corde) | — | ||
| 22-8 | Symphony no. 8 in D minor: IV. Toccata colle campanelle | — | ||
| 23-1 | Suite for Strings, Woodwinds and Horns: I. Andante maestoso - Allegro (The Gordian Knot Untied, Z 597: Overture) | — | ||
| 23-2 | Suite for Strings, Woodwinds and Horns: II. Tempo de menuetto (The Virtuous Wife, Z 611: Overture) | — | ||
| 23-3 | Suite for Strings, Woodwinds and Horns: III. Andantino (King Arthur Z 628: Fairest Isle) | — | ||
| 23-4 | Suite for Strings, Woodwinds and Horns: IV. Allegretto giocoso (Abdelazar Z 570: Air) | — | ||
| 23-5 | Suite for Strings, Woodwinds and Horns: V. Largo (Dido and Aeneas Z 626: Dido's Lament) | — | ||
| 23-6 | Suite for Strings, Woodwinds and Horns: VI. Allegro (King Arthur Z 628: Allegro from Second Music) | — | ||
| 23-7 | Enigma Variations, op. 36: Theme (Andante) | Hallé Orchestra, Sir John Barbirolli | — | |
| 23-8 | Variations on an Original Theme “Enigma”, op. 36: Variation 1: C.A.E. (The comnposer's wife) | — | ||
| 23-9 | Variations on an Original Theme “Enigma”, op. 36: Variation 2: H.D. S-P (Hew David Steuart-Powell) | — | ||
| 23-10 | Variations on an Original Theme “Enigma”, op. 36: Variation 3: R.B.T. (Richard Baxter Townsend) | — | ||
| 23-11 | Variations on an Original Theme “Enigma”, op. 36: Variation 4: W.M.B. (William Meath Baker) | — | ||
| 23-12 | Variations on an Original Theme “Enigma”, op. 36: Variation 5: R.P.A. (Richard Penrose Arnold) | — | ||
| 23-13 | Variations on an Original Theme “Enigma”, op. 36: Variation 6: Ysobel (Isobel Fitton) | — | ||
| 23-14 | Variations on an Original Theme “Enigma”, op. 36: Variation 7: Troyte (Troyte Griffith) | — | ||
| 23-15 | Variations on an Original Theme “Enigma”, op. 36: Variation 8: W.N. (Winifred Norbury) | — | ||
| 23-16 | Variations on an Original Theme “Enigma”, op. 36: Variation 9: Nimrod (A. J. Jaeger) | — | ||
| 23-17 | Variations on an Original Theme “Enigma”, op. 36: Variation 10: Intermezzo: Dorabella (Dora Penny) | — | ||
| 23-18 | Variations on an Original Theme “Enigma”, op. 36: Variation 11: G.R.S. (George Robertson Sinclair) | — | ||
| 23-19 | Variations on an Original Theme “Enigma”, op. 36: Variation 12: B/G.N. (Basil G. Nevison) | — | ||
| 23-20 | Variations on an Original Theme “Enigma”, op. 36: Variation 13: Romanza * * * (Lady Mary Lygon) | — | ||
| 23-21 | Variations on an Original Theme “Enigma”, op. 36: Variation 14: E.D.U. (The composer) | — | ||
| 23-22 | A Shropshire Lad (Orchestral rhapsody) | — | ||
| 23-23 | The Garden of Fand | — | ||
| 23-24 | Nell Gwyn: I. Country Dance | — | ||
| 23-25 | Nell Gwyn: II. Pastoral Dance | — | ||
| 23-26 | Nell Gwyn: III. Merrymaker's Dance | — | ||
| 24-1 | Prelude and Idyll, RT II/10: Prelude | — | ||
| 24-2 | Prelude and Idyll, RT II/10: Idyll | — | ||
| 24-3 | Irmelin Prelude, RT VI/27 | — | ||
| 24-4 | On Hearing the First Cuckoo in Spring, RT VI/9 | — | ||
| 24-5 | Fennimore and Gerda Intermezzo, RT I/8 | — | ||
| 24-6 | A Village Romeo and Juliet - The Walk to the Paradise Garden, RT I/6 | — | ||
| 24-7 | Irish Tune from County Derry (Londonderry Air) | — | ||
| 24-8 | Molly on the Shore | — | ||
| 24-9 | Mock Morris | — | ||
| 24-10 | Shepherd's Hey | — | ||
| 25-1 | Der Zigeunerbaron: Overture | — | ||
| 25-2 | Radetzky March, op. 228 | — | ||
| 25-3 | G'schichten aus dem Wienerwald, op. 325 | — | ||
| 25-4 | Die Fledermaus: Overture | Hallé Orchestra, Sir John Barbirolli | — | |
| 25-5 | Pizzicato Polka | Hallé Orchestra, Sir John Barbirolli | T-917.157.430-4 | |
| 25-6 | Annen Polka, op. 117 | — | ||
| 25-7 | Perpetuum Mobile, op. 257 | — | ||
| 25-8 | An der schönen blauen Donau, op. 314 | — | ||
| 25-9 | Les Patineurs, op. 183 | Hallé Orchestra, Sir John Barbirolli | T-009.037.632-1 | |
| 25-10 | Gold und Silber - Walzer, op. 79 | — | ||
| 26-1 | Symphony no. 29 in A major, K. 201: I. Allegro moderato | — | ||
| 26-2 | Symphony no. 29 in A major, K. 201: II. Andante | — | ||
| 26-3 | Symphony no. 29 in A major, K. 201: III. Menuetto & Trio | — | ||
| 26-4 | Symphony no. 29 in A major, K. 201: IV. Allegro con spiritoso | — | ||
| 26-5 | Symphony no. 41 in C major “Jupiter”, K. 551: I. Allegro vivace | — | ||
| 26-6 | Symphony no. 41 in C major “Jupiter”, K. 551: II. Andante cantabile | — | ||
| 26-7 | Symphony no. 41 in C major “Jupiter”, K. 551: III. Menuetto | — | ||
| 26-8 | Symphony no. 41 in C major “Jupiter”, K. 551: IV. Molto allegro | — | ||
| 26-9 | The Hebrides - Overture, op. 26 (Fingal's Cave) | — | ||
| 27-1 | Romeo and Juliet | — | ||
| 27-2 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima | — | ||
| 27-3 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzonetta | — | ||
| 27-4 | Symphony no. 4 in F minor, op. 36: III. Scherzo (Pizzicato ostinato) | — | ||
| 27-5 | Symphony no. 4 in F minor, op. 36: IV. Finale (Allegro con fuoco) | — | ||
| 28-1 | Symphony no. 7 in D minor, op. 70: I. Allegro maestoso | — | ||
| 28-2 | Symphony no. 7 in D minor, op. 70: II. Poco adagio | — | ||
| 28-3 | Symphony no. 7 in D minor, op. 70: III. Scherzo (Vivace) | — | ||
| 28-4 | Symphony no. 7 in D minor, op. 70: IV. Allegro | — | ||
| 28-5 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | — | ||
| 28-6 | Symphony no. 8 in G major, op. 88: II. Adagio | — | ||
| 28-7 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso - Molto vivace | — | ||
| 28-8 | Symphony no. 8 in G major, op. 88: IV. Allegro, ma non troppo | — | ||
| 29-1 | Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico | — | ||
| 29-2 | Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) | — | ||
| 29-3 | Symphony no. 1 in E minor, op. 39: III. Scherzo (Allegro) | — | ||
| 29-4 | Symphony no. 1 in E minor, op. 39: IV. Finale: Quasi una fantasia (Andante - Allegro molto) | — | ||
| 29-5 | Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato - Presto | — | ||
| 29-6 | Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto | — | ||
| 29-7 | Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Un pocchettino largamente | — | ||
| 30-1 | Hänsel and Gretel: Overture | — | ||
| 30-2 | Symphony no. 1 in D major: I. Langsam Schleppend | — | ||
| 30-3 | Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell (Ländler: Scherzo) | — | ||
| 30-4 | Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 30-5 | Symphony no. 1 in D major: IV. Stürmischbewegt | — | ||
| 31-1 | Peer Gynt Suite 1, op. 46: I. Morning Mood | Hallé Orchestra, Sir John Barbirolli | — | |
| 31-2 | Peer Gynt Suite 1, op. 46: II. Death of Aase | — | ||
| 31-3 | Peer Gynt Suite 1, op. 46: III. Anitra's Dance | — | ||
| 31-4 | Peer Gynt Suite 1, op. 46: IV. In the Hall of the Mountain King | — | ||
| 31-5 | Two Elegiac Melodies, op. 34: I. Heart's wounds | — | ||
| 31-6 | Two Elegiac Melodies, op. 34: II. Last Spring | — | ||
| 31-7 | Symphonic Dances, op. 64: I. Allegro moderato e marcato | — | ||
| 31-8 | Symphonic Dances, op. 64: II. Allegretto grazioso | — | ||
| 31-9 | Symphonic Dances, op. 64: III. Allegro giocoso | — | ||
| 31-10 | Symphonic Dances, op. 64: IV. Andante - Allegro - Allegro molto e risolto | — | ||
| 31-11 | Pohjola's Daughter, op. 49 | — | ||
| 31-12 | Kuolema, op. 44: I. Valse triste | — | ||
| 32-1 | Guillaume Tell: Overture | — | ||
| 32-2 | Guillaume Tell: Ballet Music | — | ||
| 32-3 | Semiramide: Overture | — | ||
| 32-4 | La forza del destino: Overture | — | ||
| 32-5 | La Gioconda: Act 3. Dance of the Hours | — | ||
| 32-6 | Cavalleria Rusticana: Intermezzo | — | ||
| 32-7 | Manon Lescaut: Act 3. Intermezzo | — | ||
| 33-1 | Serenade in D minor, op. 44: I. Moderato, quasi marcia | Hallé Orchestra, Sir John Barbirolli | — | |
| 33-2 | Serenade in D minor, op. 44: II. Minuetto | — | ||
| 33-3 | Serenade in D minor, op. 44: III. Andante con moto | — | ||
| 33-4 | Serenade in D minor, op. 44: IV. Finale (Allegro molto) | — | ||
| 33-5 | Petite Symphonie: 1. Adagio et allegretto | Hallé Orchestra, Sir John Barbirolli | — | |
| 33-6 | Petite Symphonie: 2. Andante cantabile | Hallé Orchestra, Sir John Barbirolli | — | |
| 33-7 | Petite Symphonie: 3. Scherzo | Hallé Orchestra, Sir John Barbirolli | — | |
| 33-8 | Petite Symphonie: 4. Finale | Hallé Orchestra, Sir John Barbirolli | — | |
| 33-9 | Rodrigo, HWV 5 (Suite): I. Overture | — | ||
| 33-10 | Rodrigo, HWV 5 (Suite): II. Gigue | — | ||
| 33-11 | Rodrigo, HWV 5 (Suite): III. Sarabande | — | ||
| 33-12 | Rodrigo, HWV 5 (Suite): IV. Bourrée | — | ||
| 33-13 | Rodrigo, HWV 5 (Suite): V. Menuet | — | ||
| 33-14 | Rodrigo, HWV 5 (Suite): VI. Matelot | — | ||
| 33-15 | Serse, HWV 40 (Suite): I. Overture | — | ||
| 33-16 | Serse, HWV 40 (Suite): II. Aria: “Ombra mai fù” | Richard Lewis, Valda Aveling, Hallé Orchestra, Sir John Barbirolli | — | |
| 33-17 | Serse, HWV 40 (Suite): Act 3. III. Sinfonia | — | ||
| 33-18 | Serse, HWV 40 (Suite): Aria: “Quella che tutta fè” | — | ||
| 33-19 | Serse, HWV 40 (Suite): Gigue | — | ||
| 34-1 | Ein Morgen, ein Mittag und ein Abend in Wien: Overture | — | ||
| 34-2 | Pique Dame: Overture | — | ||
| 34-3 | Banditenstreiche: Overture | — | ||
| 34-4 | Die leichte Kavallerie: Overture | — | ||
| 34-5 | Die schöne Galathée: Overture | — | ||
| 34-6 | Dichter und Bauer: Overture | — | ||
| 34-7 | Die lustigen Weiber von Windsor: Overture | — | ||
| 34-8 | Stars and Stripes Forever | — | ||
| 34-9 | Trumpet Voluntary | — | ||
| 35-1 | Symphonie fantastique, op. 14: I. Rêveries - Passion | — | ||
| 35-2 | Symphonie fantastique, op. 14: II. Un bal (Valse) | — | ||
| 35-3 | Symphonie fantastique, op. 14: III. Scène aux champs | — | ||
| 35-4 | Symphonie fantastique, op. 14: IV. Marche au supplice | — | ||
| 35-5 | Symphonie fantastique, op. 14: V. Songe d'une nuit de Sabbat | — | ||
| 35-6 | La Damnation de Faust, op. 24: Menuet des follets | — | ||
| 35-7 | La Damnation de Faust, op. 24: Danse des Sylphes | — | ||
| 35-8 | La Damnation de Faust, op. 24: Marche hongroise | Hallé Orchestra, Sir John Barbirolli | — | |
| 36-1 | Joyeuse marche | — | ||
| 36-2 | Scènes Alsaciennes: III. Sous les tilleuls | — | ||
| 36-3 | La Mer: I. De l'aube à midi sur la mer | — | ||
| 36-4 | La Mer: II. Jeux de vagues | — | ||
| 36-5 | La Mer: III. Dialogue du vent et de la mer | — | ||
| 36-6 | Daphnis et Chloé (Suite no. 2): I. Lever du jour | — | ||
| 36-7 | Daphnis et Chloé (Suite no. 2): II. Pantomime | — | ||
| 36-8 | Daphnis et Chloé (Suite no. 2): III. Danse générale | — | ||
| 36-9 | La Valse | — | ||
| 36-10 | Ma mère l'oye (Suite): I. Pavane de la Belle au bois dormant | — | ||
| 36-11 | Ma mère l'oye (Suite): II. Petit Poucet | — | ||
| 36-12 | Ma mère l'oye (Suite): III. Laideronnette - Impératrice des Pagodes | — | ||
| 36-13 | Ma mère l'oye (Suite): IV. Les Entretiens de la Belle et de la Bête | — | ||
| 36-14 | Ma mère l'oye (Suite): V. Le Jardin féerique | — | ||
| 37-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto | — | ||
| 37-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | — | ||
| 37-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo (Molto vivace) | — | ||
| 37-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | — | ||
| 37-5 | Scherzo capriccioso, op. 66 | — | ||
| 37-6 | Legends, op. 59: IV. Molto maestoso (C major) | — | ||
| 37-7 | Legends, op. 59: VI. Allegro con moto (C-sharp minor) | — | ||
| 37-8 | Legends, op. 59: VII. Allegretto grazioso (A major) | — | ||
| 38-1 | Tannhäuser: Overture | — | ||
| 38-2 | Die Meistersinger von Nürnberg: Overture | — | ||
| 38-3 | Die Meistersinger von Nürnberg (Suite from Act 3): Act 3. Prelude | — | ||
| 38-4 | Die Meistersinger von Nürnberg (Suite from Act 3): Act 3. Dance of the Apprentices | — | ||
| 38-5 | Die Meistersinger von Nürnberg (Suite from Act 3): Act 3. Entry of the Masters | — | ||
| 38-6 | Die Meistersinger von Nürnberg (Suite from Act 3): Act 3. Homage to Sachs | — | ||
| 38-7 | Die Meistersinger von Nürnberg (Suite from Act 3): Act 3. Finale | — | ||
| 38-8 | Tristan und Isolde: Act 1. Prelude | — | ||
| 38-9 | Tristan und Isolde: Act 3. Liebestod | — | ||
| 38-10 | Lohengrin: Act 1. Prelude | — | ||
| 38-11 | Der fliegende Holländer: Overture | — | ||
| 39-1 | Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | — | ||
| 39-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 39-3 | Symphony no. 5 in E minor, op. 64: III. Valse (Allegro moderato) | — | ||
| 39-4 | Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace | — | ||
| 39-5 | Marche Slave, op. 31 | — | ||
| 39-6 | String Quartet no. 1 in D major, op. 11: II. Andante cantabile | — | ||
| 40-1 | Symphony no. 6 in B minor “Pathétique”, op. 74: I. Adagio - Allegro non troppo | — | ||
| 40-2 | Symphony no. 6 in B minor “Pathétique”, op. 74: II. Allegro con grazia | — | ||
| 40-3 | Symphony no. 6 in B minor “Pathétique”, op. 74: III. Allegro molto vivace | — | ||
| 40-4 | Symphony no. 6 in B minor “Pathétique”, op. 74: IV. Finale (Adagio lamentoso) | — | ||
| 40-5 | Symphony no. 4 “Inextinguishable”, op. 29: I. Allegro | — | ||
| 40-6 | Symphony no. 4 “Inextinguishable”, op. 29: II. Poco allegretto | — | ||
| 40-7 | Symphony no. 4 “Inextinguishable”, op. 29: III. Poco adagio quasi andante | — | ||
| 40-8 | Symphony no. 4 “Inextinguishable”, op. 29: IV. Allegro | — | ||
| 41-1 | Die Zauberflöte, K. 620: Overture | — | ||
| 41-2 | Leonore Overture no. 3, op. 72b | — | ||
| 41-3 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | — | ||
| 41-4 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 41-5 | Symphony no. 1 in C major, op. 21: III. Menuetto (Allegro molto e vivace) | — | ||
| 41-6 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | — | ||
| 41-7 | Symphony no. 8 in F major, op. 93: I. Allegro vivace con brio | — | ||
| 41-8 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 41-9 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | — | ||
| 41-10 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 42-1 | Oberon: Overture | — | ||
| 42-2 | Academic Festival Overture, op. 80 | — | ||
| 42-3 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 42-4 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 42-5 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 42-6 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico espressivo | — | ||
| 43-1 | Symphony no. 5 in D major: I. Preludio (Moderato - Allegro - Tempo I) | — | ||
| 43-2 | Symphony no. 5 in D major: II. Scherzo (Presto misterioso) | — | ||
| 43-3 | Symphony no. 5 in D major: III. Romanza (Lento) | — | ||
| 43-4 | Symphony no. 5 in D major: IV. Passacaglia (Moderato - Allegro - Tempo primo - Tempo del Preludio) | — | ||
| 43-5 | Fantasia on a Theme by Thomas Tallis | Sinfonia of London, Sir John Barbirolli | — | |
| 43-6 | Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — | |
| 44-1 | Introduction and Allegro for Strings, op. 47: I. Moderato - | Allegri String Quartet, Sinfonia of London, Sir John Barbirolli | — | |
| 44-2 | Introduction and Allegro for Strings, op. 47: II. Allegro - | Allegri String Quartet, Sinfonia of London, Sir John Barbirolli | — | |
| 44-3 | Introduction and Allegro for Strings, op. 47: III. Fugue: Allegro | Allegri String Quartet, Sinfonia of London, Sir John Barbirolli | — | |
| 44-4 | Serenade in E minor, op. 20: I. Allegro piacevole | Sinfonia of London, Sir John Barbirolli | — | |
| 44-5 | Serenade in E minor, op. 20: II. Larghetto | Sinfonia of London, Sir John Barbirolli | — | |
| 44-6 | Serenade in E minor, op. 20: III. Allegretto – Come prima | Sinfonia of London, Sir John Barbirolli | — | |
| 44-7 | Variations on an Original Theme “Enigma”, op. 36: Theme | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-8 | Variations on an Original Theme “Enigma”, op. 36: I. C.A.E. (Caroline Alice Edgar) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-9 | Variations on an Original Theme “Enigma”, op. 36: II. H.D.S.P. (Hew David Steuart‐Powell) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-10 | Variations on an Original Theme “Enigma”, op. 36: III. R.B.T. (Richard Baxter Townshend) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-11 | Variations on an Original Theme “Enigma”, op. 36: IV. W.M.B. (William Meath Baker) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-12 | Variations on an Original Theme “Enigma”, op. 36: V. R.P.A. (Richard Penrose Arnold) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-13 | Variations on an Original Theme “Enigma”, op. 36: VI. Ysobel (Isabel Fitton) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-14 | Variations on an Original Theme “Enigma”, op. 36: VII. Troyte (Troyte Griffith) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-15 | Variations on an Original Theme “Enigma”, op. 36: VIII. W.N. (Winifred Norbury) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-16 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod (A.J. Jaeger) | Philharmonia Orchestra, Sir John Barbirolli | T-010.115.427-1 | |
| 44-17 | Variations on an Original Theme “Enigma”, op. 36: X. Intermezzo: Dorabella (Dora Penny) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-18 | Variations on an Original Theme “Enigma”, op. 36: XI. G.R.S. (George Robertson Sinclair) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-19 | Variations on an Original Theme “Enigma”, op. 36: XII. B.G.N. (Basil G. Nevinson) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-20 | Variations on an Original Theme “Enigma”, op. 36: XIII. Romanza: *** (Lady Mary Lygon) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-21 | Variations on an Original Theme “Enigma”, op. 36: XIV. Finale: E.D.U. (the composer) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-22 | Concert Overture: Cockaigne (in London Town), op. 40 | Philharmonia Orchestra, Sir John Barbirolli | T-010.035.109-4 | |
| 45-1 | Symphony no. 1 in A‐flat, op. 55: I. Andante, nobilmente e semplice – Allegro | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 45-2 | Symphony no. 1 in A‐flat, op. 55: II. Allegro molto | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 45-3 | Symphony no. 1 in A‐flat, op. 55: III. Adagio | Philharmonia Orchestra, Sir John Barbirolli | T-913.999.561-2 | |
| 45-4 | Symphony no. 1 in A‐flat, op. 55: IV. Lento – Allegro | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 45-5 | Pomp and Circumstance Marches, op. 39: No. 1 in D major | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 45-6 | Pomp and Circumstance Marches, op. 39: No. 4 in G major | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 46-1 | Symphony no. 9 in D major: I. Andante comodo | Berliner Philharmoniker, Sir John Barbirolli | — | |
| 46-2 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers (Etwas täppisch und sehr derb) | Berliner Philharmoniker, Sir John Barbirolli | — | |
| 46-3 | Symphony no. 9 in D major: III. Rondo-Burleske (Allegro assai. Sehr trotzig) | Berliner Philharmoniker, Sir John Barbirolli | — | |
| 46-4 | Symphony no. 9 in D major: IV. Adagio (Sehr langsam; molto adagio) | Berliner Philharmoniker, Sir John Barbirolli | — | |
| 47-1 | Symphony no. 9 in C major “The Great”, D. 944: I. Andante - Allegro ma non troppo | — | ||
| 47-2 | Symphony no. 9 in C major “The Great”, D. 944: II. Andante con moto | — | ||
| 47-3 | Symphony no. 9 in C major “The Great”, D. 944: III. Scherzo (Allegro vivace) - Trio | — | ||
| 47-4 | Symphony no. 9 in C major “The Great”, D. 944: IV. Allegro vivace | — | ||
| 48-1 | Froissart Concert Overture, op. 19 | Philharmonia Orchestra, Sir John Barbirolli | T-010.162.592-6 | |
| 48-2 | Pomp and Circumstance Marches, op. 39: No. 2 in A minor | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 48-3 | Pomp and Circumstance Marches, op. 39: No. 3 in C minor | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 48-4 | Pomp and Circumstance Marches, op. 39: No. 5 in C major | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 48-5 | Sospiri, op. 70 | Philharmonia Orchestra, Sir John Barbirolli | T-011.613.873-8 | |
| 48-6 | Elegy, op. 58 | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 48-7 | Falstaff Symphonic Study in C minor, op. 68: I. Falstaff and Prince Henry | Hallé Orchestra, Sir John Barbirolli | — | |
| 48-8 | Falstaff Symphonic Study in C minor, op. 68: II. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | Hallé Orchestra, Sir John Barbirolli | — | |
| 48-9 | Falstaff Symphonic Study in C minor, op. 68: II. Dream Interlude: "Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk" | Hallé Orchestra, Sir John Barbirolli | — | |
| 48-10 | Falstaff Symphonic Study in C minor, op. 68: III. Falstaff's march | Hallé Orchestra, Sir John Barbirolli | — | |
| 48-11 | Falstaff Symphonic Study in C minor, op. 68: III. Interlude: Gloucestershire. Shallow's orchard (Allegretto) - The new king - The hurried ride to London | Hallé Orchestra, Sir John Barbirolli | — | |
| 48-12 | Falstaff Symphonic Study in C minor, op. 68: IV. King Henry V's progress - the repudiation of Falstaff, and his death | Hallé Orchestra, Sir John Barbirolli | — | |
| 49-1 | Symphony no. 2 in E-flat, op. 63: I. Allegro vivace e nobilmente | Hallé Orchestra, Sir John Barbirolli | — | |
| 49-2 | Symphony no. 2 in E-flat, op. 63: II. Larghetto | Hallé Orchestra, Sir John Barbirolli | — | |
| 49-3 | Symphony no. 2 in E-flat, op. 63: III. Rondo: Presto | Hallé Orchestra, Sir John Barbirolli | — | |
| 49-4 | Symphony no. 2 in E-flat, op. 63: IV. Moderato e maestoso | Hallé Orchestra, Sir John Barbirolli | — | |
| 49-5 | Die Meistersinger von Nürnberg: Overture | — | ||
| 50-1 | Serenade in C major, op. 48: I. Pezzo in forma de Sonatina | — | ||
| 50-2 | Serenade for strings (or piano, 4 hands) in C major, op. 48: Valse | London Symphony Orchestra, Sir John Barbirolli | — | |
| 50-3 | Serenade in C major, op. 48: III. Élégie (Larghetto elegiaco) | — | ||
| 50-4 | Serenade in C major, op. 48: IV. Finale (Tema russo) | — | ||
| 50-5 | Variations on a Theme of Tchaikovsky, op. 35a: I. Theme: Moderato | — | ||
| 50-6 | Variations on a Theme of Tchaikovsky, op. 35a: II. Var. 1: Un poco più mosso | — | ||
| 50-7 | Variations on a Theme of Tchaikovsky, op. 35a: III. Var. 2: Allegro non troppo | — | ||
| 50-8 | Variations on a Theme of Tchaikovsky, op. 35a: IV. Var. 3: Andantino tranquillo | — | ||
| 50-9 | Variations on a Theme of Tchaikovsky, op. 35a: V. Var. 4: Vivace | — | ||
| 50-10 | Variations on a Theme of Tchaikovsky, op. 35a: VI. Var. 5: Andante | — | ||
| 50-11 | Variations on a Theme of Tchaikovsky, op. 35a: VII. Var. 6: Allegro con spirito | — | ||
| 50-12 | Variations on a Theme of Tchaikovsky, op. 35a: VIII. Var. 7: Andante con moto | — | ||
| 50-13 | Variations on a Theme of Tchaikovsky, op. 35a: IX. Coda: Moderato | — | ||
| 50-14 | Francesca da Rimini, op. 32 | — | ||
| 51-1 | A London Overture | — | ||
| 51-2 | Tintagel | — | ||
| 51-3 | A Village Romeo and Juliet, RT I/6: The Walk to the Paradise Garden | — | ||
| 51-4 | Irmelin Prelude | London Symphony Orchestra, Sir John Barbirolli | — | |
| 51-5 | A Song of Summer, RT VI/26 | — | ||
| 51-6 | Elizabethan Suite: I. The Earl of Salisbury's Pavane (Byrd) | — | ||
| 51-7 | Elizabethan Suite: II. The Irishe His Hoane (Anonymous) | — | ||
| 51-8 | Elizabethan Suite: III. A Toye (Farnaby) | — | ||
| 51-9 | Elizabethan Suite: IV. Giles Farnaby's Dreame (Farnaby) | — | ||
| 51-10 | Elizabethan Suite: V. The King's Hunt (Bull) | — | ||
| 52-1 | On the Beautiful Blue Danube, op. 314 | Hallé Orchestra, Sir John Barbirolli | T-902.100.912-1 | |
| 52-2 | Unter Donner und Blitz, op. 324 | — | ||
| 52-3 | Der Zigeunerbaron: Overture | — | ||
| 52-4 | Perpetuum mobile, op. 257 | — | ||
| 52-5 | Radetzky March, op. 228 | — | ||
| 52-6 | Gold und Silber, op. 79 | — | ||
| 52-7 | Der Rosenkavalier: Waltz Sequence | — | ||
| 52-8 | Champagner-Polka, op. 211 | — | ||
| 52-9 | Le Carnaval Romain, op. 9 H 95 | — | ||
| 52-10 | La forza del destino: Overture | Hallé Orchestra, Sir John Barbirolli | T-306.483.068-4 | |
| 53-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | Hallé Orchestra, Sir John Barbirolli | — | |
| 53-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato | Hallé Orchestra, Sir John Barbirolli | — | |
| 53-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo | Hallé Orchestra, Sir John Barbirolli | — | |
| 53-4 | Symphony no. 2 in D major, op. 43: IV. Finale (Allegro moderato) | Hallé Orchestra, Sir John Barbirolli | T-318.676.528-2 | |
| 53-5 | Lemminkäinen Suite, op. 22: II. The Swan of Tuonela | Eric Fletcher, Hallé Orchestra, Sir John Barbirolli | — | |
| 53-6 | Lemminkäinen Suite, op. 22: IV. Lemminkäinen’s Return | Hallé Orchestra, Sir John Barbirolli | — | |
| 53-7 | Karelia Suite, op. 11: I. Intermezzo | Hallé Orchestra, Sir John Barbirolli | — | |
| 53-8 | Karelia Suite, op. 11: II. Ballade | Hallé Orchestra, Sir John Barbirolli | — | |
| 53-9 | Karelia Suite, op. 11: III. Alla marcia | Hallé Orchestra, Sir John Barbirolli | — | |
| 54-1 | Symphony no. 5 in E-flat, op. 82: I. Tempo molto moderato – Allegro moderato – Presto | Hallé Orchestra, Sir John Barbirolli | — | |
| 54-2 | Symphony no. 5 in E-flat, op. 82: II. Andante mosso, quasi allegretto | Hallé Orchestra, Sir John Barbirolli | — | |
| 54-3 | Symphony no. 5 in E-flat, op. 82: III. Allegro molto – Un Pochettino largamente | Hallé Orchestra, Sir John Barbirolli | — | |
| 54-4 | Symphony no. 7 in C, op. 105: I. Adagio – | Hallé Orchestra, Sir John Barbirolli | — | |
| 54-5 | Symphony no. 7 in C, op. 105: II. Un pochettino meno adagio – Vivacissimo — Adagio – | Hallé Orchestra, Sir John Barbirolli | — | |
| 54-6 | Symphony no. 7 in C, op. 105: III. Allegro molto moderato – | Hallé Orchestra, Sir John Barbirolli | — | |
| 54-7 | Symphony no. 7 in C, op. 105: IV. Vivace – Presto – Adagio | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-1 | Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo – Allegro energico | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-2 | Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-3 | Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-4 | Symphony no. 1 in E minor, op. 39: IV. Finale: Quasi una fantasia (Andante – Allegro molto) | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-5 | Suite from Pelléas and Mélisande, op. 46: No. 1. At the Castle Gate | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-6 | Suite from Pelléas and Mélisande, op. 46: No. 2. Mélisande | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-7 | Suite from Pelléas and Mélisande, op. 46: No. 7. Mélisande at the Spinning Wheel | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-8 | Pelleas and Melisande: No. 9 The Death of Melisande | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-9 | Scénes historiques Suites I & II: All' overtura, op. 25 no. 1 | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-10 | Scénes historiques Suites I & II: Scena, op. 25 no. 2 | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-11 | Scénes historiques Suites I & II: The Hunt, op. 66 no. 1 | Hallé Orchestra, Sir John Barbirolli | — | |
| 56-1 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio | Hallé Orchestra, Sir John Barbirolli | — | |
| 56-2 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace | Hallé Orchestra, Sir John Barbirolli | — | |
| 56-3 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | Hallé Orchestra, Sir John Barbirolli | — | |
| 56-4 | Symphony no. 4 in A minor, op. 63: IV. Allegro | Hallé Orchestra, Sir John Barbirolli | — | |
| 56-5 | Rakastava, op. 14: I. The Lover | Hallé Orchestra, Sir John Barbirolli | — | |
| 56-6 | Rakastava, op. 14: II. The Way of the Lover | Hallé Orchestra, Sir John Barbirolli | — | |
| 56-7 | Rakastava, op. 14: III. Goodnight, My Beloved, Farewell | Hallé Orchestra, Sir John Barbirolli | — | |
| 56-8 | Romance in C, op. 42 | Hallé Orchestra, Sir John Barbirolli | — | |
| 56-9 | Finlandia, op. 26 | Hallé Orchestra, Sir John Barbirolli | T-910.256.702-2 | |
| 56-10 | Pohjola's Daughter, op. 49 | Hallé Orchestra, Sir John Barbirolli | — | |
| 57-1 | Symphony no. 3 in C, op. 52: I. Allegro moderato | Hallé Orchestra, Sir John Barbirolli | — | |
| 57-2 | Symphony no. 3 in C, op. 52: II. Andantino con moto, quasi allegretto | Hallé Orchestra, Sir John Barbirolli | — | |
| 57-3 | Symphony no. 3 in C, op. 52: III. Moderato – Allegro (ma non tanto) | Hallé Orchestra, Sir John Barbirolli | — | |
| 57-4 | Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato | Hallé Orchestra, Sir John Barbirolli | — | |
| 57-5 | Symphony no. 6 in D minor, op. 104: II. Allegretto moderato | Hallé Orchestra, Sir John Barbirolli | — | |
| 57-6 | Symphony no. 6 in D minor, op. 104: III. Poco vivace | Hallé Orchestra, Sir John Barbirolli | — | |
| 57-7 | Symphony no. 6 in D minor, op. 104: IV. Allegro molto | Hallé Orchestra, Sir John Barbirolli | — | |
| 57-8 | Kuolema, op. 44: I. Valse triste | Hallé Orchestra, Sir John Barbirolli | — | |
| 58-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 58-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grandioso | — | ||
| 58-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino) - Presto ma non assai - Tempo I | — | ||
| 58-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 58-5 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | — | ||
| 58-6 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 58-7 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 58-8 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 59-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro | — | ||
| 59-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 59-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 59-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio | — | ||
| 59-5 | Tragic Overture for Orchestra in D minor, Op. 81 | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 60-1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 60-2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 60-3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 60-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico espressivo | — | ||
| 60-5 | Academic Festival Overture, op. 80 | — | ||
| 60-6 | Variations on a Theme by Haydn; Chorale | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 60-7 | Variations on a Theme by Haydn; Variation 1 Poco più animato | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 60-8 | Variations on a Theme by Haydn; Variation 2 Più vivace (Vivace) | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 60-9 | Variations on a Theme by Haydn; Variation 3 Con moto | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 60-10 | Variations on a Theme by Haydn; Variation 4 Andante con moto (Andante) | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 60-11 | Variations on a Theme by Haydn; Variation 5 Vivace (Poco presto) | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 60-12 | Variations on a Theme by Haydn; Variation 6 Vivace | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 60-13 | Variations on a Theme by Haydn; Variation 7 Grazioso | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 60-14 | Variations on a Theme by Haydn; Variation 8 Presto non troppo (Poco presto) | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 60-15 | Variations on a Theme by Haydn; Variation 9 Finale. Andante | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 61-1 | A London Symphony (no. 2) (1936 Revised Edition): I. Lento - Allegro risoluto (molto pesante) | — | ||
| 61-2 | A London Symphony (no. 2) (1936 Revised Edition): II. Lento | — | ||
| 61-3 | A London Symphony (no. 2) (1936 Revised Edition): III. Scherzo (Nocturno) - Allegro vivace | — | ||
| 61-4 | A London Symphony (no. 2) (1936 Revised Edition): IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Maestoso alla marcia (alla I) - Epilogue (Andante sostenuto) | — | ||
| 61-5 | Metamorphosen, TrV 290 | — | ||
| 62-1 | Pelleas und Melisande, op. 5: Anfang | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-2 | Pelleas und Melisande, op. 5: Heftig | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-3 | Pelleas und Melisande, op. 5: Lebhaft | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-4 | Pelleas und Melisande, op. 5: Sehr rasch | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-5 | Pelleas und Melisande, op. 5: Ein wenig bewegt | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-6 | Pelleas und Melisande, op. 5: Langsam | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-7 | Pelleas und Melisande, op. 5: Ein wenig bewegter | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-8 | Pelleas und Melisande, op. 5: Sehr langsam | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-9 | Pelleas und Melisande, op. 5: Etwas bewegt | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-10 | Pelleas und Melisande, op. 5: In gehender Bewegnung | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-11 | Pelleas und Melisande, op. 5: Breit | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-12 | Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 63-1 | Symphony no. 6 in A minor: II. Andante moderato | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 63-2 | Symphony no. 6 in A minor: III. Scherzo | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 63-3 | Symphony no. 6 in A minor: IV. Finale. Allegro moderato | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 64-1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | — | ||
| 64-2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre | — | ||
| 64-3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo (Allegro vivace) & Trio | — | ||
| 64-4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale (Allegro molto - Poco andante - Presto) | — | ||
| 64-5 | Romeo and Juliet - fantasy overture, TH 42 (incomplete - the last few bars of the coda are missing) | — | ||
| 65-1 | Peer Gynt, op. 23 - Excerpts: Overture | — | ||
| 65-2 | Peer Gynt, op. 23 - Excerpts: Wedding March | — | ||
| 65-3 | Peer Gynt, op. 23 - Excerpts: Ingrid's Lament | — | ||
| 65-4 | Peer Gynt, op. 23 - Excerpts: In the Hall of the Mountain King | — | ||
| 65-5 | Peer Gynt, op. 23 - Excerpts: Dance of the Mountain King's Daughter | — | ||
| 65-6 | Peer Gynt, op. 23 - Excerpts: Death of Aase | — | ||
| 65-7 | Peer Gynt, op. 23 - Excerpts: Morning | — | ||
| 65-8 | Peer Gynt, op. 23 - Excerpts: Arabian Dance | — | ||
| 65-9 | Peer Gynt, op. 23 - Excerpts: Anitra's Dance | — | ||
| 65-10 | Peer Gynt, op. 23 - Excerpts: Solveig's Song | — | ||
| 65-11 | Peer Gynt, op. 23 - Excerpts: Return of Peer Gynt | — | ||
| 65-12 | Peer Gynt, op. 23 - Excerpts: Solveig's Lullaby | — | ||
| 65-13 | Lyric Suite, op. 54: I. Shepherd Boy | Hallé Orchestra, Sir John Barbirolli | — | |
| 65-14 | Lyric Suite, op. 54: II. Norwegian Rustic March | Hallé Orchestra, Sir John Barbirolli | — | |
| 65-15 | Lyric Suite, op. 54: III. Nocturne | Hallé Orchestra, Sir John Barbirolli | — | |
| 65-16 | Lyric Suite, op. 54: IV. March of the Dwarfs | Hallé Orchestra, Sir John Barbirolli | — | |
| 65-17 | Homage March, op. 56 no. 3 (from Sigurd Jorsalfar, op. 22) | Hallé Orchestra, Sir John Barbirolli | T-900.037.282-7 | |
| 66-1 | In a Summer Garden, RT VI/17 | — | ||
| 66-2 | Hassan, RT I/9: Interlude between Scenes 1 and 2 | — | ||
| 66-3 | Hassan, RT I/9: Serenade | — | ||
| 66-4 | A Song before Sunrise, RT VI/24 | — | ||
| 66-5 | La Calinda from 'Koanga' | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-6 | On Hearing the First Cuckoo in Spring, RT VI/19 | — | ||
| 66-7 | Summer Night on the River, RT VI/19 | — | ||
| 66-8 | String Quartet no. 2, RT VIII/4: III. Late Swallows | — | ||
| 66-9 | Brigg Fair, RT VI/16 “An English Rhapsody”: Introduction (Slow, Pastoral) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-10 | Brigg Fair, RT VI/16 “An English Rhapsody”: Theme (with easy movement) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-11 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 1 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-12 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 2 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-13 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 3 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-14 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 4 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-15 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 5 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-16 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 6 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-17 | Brigg Fair, RT VI/16 “An English Rhapsody”: Interlude (Slow and very quietly) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-18 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 7 (Rather quicker but not hurried) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-19 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 8 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-20 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 9 (With easy movement) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-21 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 10 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-22 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 11 (Slow. With solemnity) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-23 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 12 (Maestoso) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-24 | Brigg Fair, RT VI/16 “An English Rhapsody”: Interlude II | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-25 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 13 (Gaily) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-26 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 14 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-27 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 15 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-28 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 16 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-29 | Brigg Fair, RT VI/16 “An English Rhapsody”: Interlude III (Rather quicker) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-30 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 17 (Rather slower. Very broadly) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-31 | Brigg Fair, RT VI/16 “An English Rhapsody”: Coda (Very quietly) | Hallé Orchestra, Sir John Barbirolli | — | |
| 67-1 | Trois Nocturnes: I. Nuages | — | ||
| 67-2 | Nocturnes : Fêtes | Orchestre de Paris, Sir John Barbirolli | — | |
| 67-3 | Trois Nocturnes: III. Sirènes | — | ||
| 67-4 | La Mer: I. De l'aube à midi sur la mer | — | ||
| 67-5 | La mer : Jeux de vagues | Orchestre de Paris, Sir John Barbirolli | — | |
| 67-6 | La Mer: III. Dialogue du vent et de la mer | — | ||
| 67-7 | Norwegian Dances, op. 35: I. Allegro marcato | Hallé Orchestra, Sir John Barbirolli | — | |
| 67-8 | Norwegian Dances, op. 35: II. Allegretto tranquillo e grazioso | Hallé Orchestra, Sir John Barbirolli | — | |
| 67-9 | Norwegian Dances, op. 35: III. Allegro moderato alla marcia | Hallé Orchestra, Sir John Barbirolli | — | |
| 67-10 | Norwegian Dances, op. 35: IV. Allegro molto | Hallé Orchestra, Sir John Barbirolli | — | |
| 68-1 | Ein Heldenleben, op. 40: Der Heid | — | ||
| 68-2 | Ein Heldenleben, op. 40: Des Helden Widersacher | — | ||
| 68-3 | Ein Heldenleben, op. 40: Des Helden Gefährtin | — | ||
| 68-4 | Ein Heldenleben, op. 40: Thema der Siegesewissheit | — | ||
| 68-5 | Ein Heldenleben, op. 40: Das Helden Walstatt | — | ||
| 68-6 | Ein Heldenleben, op. 40: Kriegsfanfaren | — | ||
| 68-7 | Ein Heldenleben, op. 40: Des Helden Friedenswerke | — | ||
| 68-8 | Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung | — | ||
| 68-9 | Ein Heldenleben, op. 40: Entsagung | — | ||
| 68-10 | Suite for Strings, Woodwinds and Horns: I. Andante maestoso - Allegro (The Gordian Knot Untied, Z 597: Overture) | — | ||
| 68-11 | Suite for Strings, Woodwinds and Horns: II. Tempo de menuetto (The Virtuous Wife, Z 611: Minuet) | — | ||
| 68-12 | Suite for Strings, Woodwinds and Horns: III. Andantino (King Arthur, Z 628: Fairest Isle) | — | ||
| 68-13 | Suite for Strings, Woodwinds and Horns: IV. Allegretto giocoso (Abdelazar, Z 570: Air) | — | ||
| 68-14 | Suite for Strings, Woodwinds and Horns: V. Largo (Dido and Aeneas, Z 626: Lament) | — | ||
| 68-15 | Suite for Strings, Woodwinds and Horns: VI. Allegro (King Arthur, Z 628: Alklegro from Second Music) | — | ||
| 68-16 | Cantata “Was mir behagt, ist nur die muntre Jagd”, BWV 208: “Sheep may safely graze” | — | ||
| 69-1 | Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Wie win Kondukt) | — | ||
| 69-2 | Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt (Mit grösster Vehemenz) | — | ||
| 69-3 | Symphony no. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell) | — | ||
| 69-4 | Symphony no. 5 in C-sharp minor: IV. Adagietto, Sehr langsam | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 69-5 | Symphony no. 5 in C-sharp minor: V. Rondo - Finale (Allegro) | — | ||
| 70-1 | Cello Concerto in D major, Hob. VIIb:2: I. Allegro moderato | — | ||
| 70-2 | Cello Concerto in D major, Hob. VIIb:2: II. Adagio | — | ||
| 70-3 | Cello Concerto in D major, Hob. VIIb:2: III. Allegro | — | ||
| 70-4 | Concerto in C major for Two Keyboards, BWV 1061: I. Allegro | — | ||
| 70-5 | Concerto in C major for Two Keyboards, BWV 1061: II. Adagio | — | ||
| 70-6 | Concerto in C major for Two Keyboards, BWV 1061: III. Finale: Fugue | — | ||
| 70-7 | Keyboard Concerto in D major, Hob. XVIII:11: III. Rondo al Ungarese | — | ||
| 70-8 | Keyboard Concerto in F minor, BWV 1056: I. Allegro | — | ||
| 70-9 | Valse Caprice, op. 76 | — | ||
| 70-10 | La Fileuse, op. 157 no. 2 | — | ||
| 71-1 | Violin Concerto no. 2 in E major, BWV 1042: I. Allegro | — | ||
| 71-2 | Violin Concerto no. 2 in E major, BWV 1042: II. Adagio | — | ||
| 71-3 | Violin Concerto no. 2 in E major, BWV 1042: III. Allegro assai | — | ||
| 71-4 | Violin Concerto in D major, op. 35: I. Allegro moderato | — | ||
| 71-5 | Violin Concerto in D major, op. 35: II. Canzonetta: Andante | — | ||
| 71-6 | Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo | — | ||
| 71-7 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | — | ||
| 71-8 | Piano Concerto in A minor, op. 16: II. Adagio | Wilhelm Backhaus, New Symphony Orchestra, Sir John Barbirolli | T-310.232.274-3 | |
| 71-9 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato - Andante maestoso | — | ||
| 72-1 | Piano Concerto no. 23 in A major, K. 488: I. Allegro | — | ||
| 72-2 | Piano Concerto no. 23 in A major, K. 488: II. Adagio | — | ||
| 72-3 | Piano Concerto no. 23 in A major, K. 488: III. Allegro assai | — | ||
| 72-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 72-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 72-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 72-7 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 72-8 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo | — | ||
| 72-9 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 73-1 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso risoluto | Arthur Rubinstein, Sir John Barbirolli, London Symphony Orchestra | — | |
| 73-2 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romanze (Larghetto) – | Arthur Rubinstein, Sir John Barbirolli, London Symphony Orchestra | — | |
| 73-3 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo vivace | Arthur Rubinstein, Sir John Barbirolli, London Symphony Orchestra | — | |
| 73-4 | Piano Concerto no. 2 in F minor, op. 21: I. Allegro | — | ||
| 73-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 73-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 74-1 | Violin Concerto no. 5 in A major, K. 219: I. Allegro aperto | — | ||
| 74-2 | Violin Concerto no. 5 in A major, K. 219: II. Adagio | — | ||
| 74-3 | Violin Concerto no. 5 in A major, K. 219: III. Tempo di menuetto | — | ||
| 74-4 | Violin Concerto in A minor, op. 82: I. Moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 74-5 | Violin Concerto in A minor, op. 82: II. Andante - | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 74-6 | Violin Concerto in A minor, op. 82: III. Cadenza - | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 74-7 | Violin Concerto in A minor, op. 82: IV. Animando | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 74-8 | Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, John Barbirolli | — | |
| 74-9 | Violin Concerto no. 2 in D minor, op. 22: II. Romance. Andante non troppo | Jascha Heifetz, London Philharmonic Orchestra, John Barbirolli | — | |
| 74-10 | Violin Concerto no. 2 in D minor, op. 22: III. Allegro con fuoco | Jascha Heifetz, London Philharmonic Orchestra, John Barbirolli | — | |
| 74-11 | Introduction and Rondo capriccioso in A minor, op. 28 | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 75-1 | Violin Concerto in D major, op. 35: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 75-2 | Violin Concerto in D major, op. 35: II. Canzonetta (Andante) - | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 75-3 | Violin Concerto in D major, op. 35: III. Allegro vivacissimo | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 75-4 | Violin Concerto no. 4 in D minor, op. 31: I. Andante - Cadenza | — | ||
| 75-5 | Violin Concerto no. 4 in D minor, op. 31: II. Andante religioso | — | ||
| 75-6 | Violin Concerto no. 4 in D minor, op. 31: III. Scherzo (Vivace) & Trio (Meno mosso) - Vivace da capo | — | ||
| 75-7 | Violin Concerto no. 4 in D minor, op. 31: IV. Finale marciale (Andante - Allegro) | — | ||
| 75-8 | Havanaise, op. 83 | — | ||
| 75-9 | Zigeunerweisen, op. 20 no. 1 | Jascha Heifetz, London Symphony Orchestra, Sir John Barbirolli | T-921.161.772-0 | |
| 76-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | — | ||
| 76-2 | Violin Concerto in D major, op. 61: II. Larghetto | — | ||
| 76-3 | Violin Concerto in D major, op. 61: III. Rondo (Allegro) | — | ||
| 76-4 | Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo | Fritz Kreisler, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 76-5 | Concerto for Violin and Orchestra in D major, op. 77: II. Adagio | Fritz Kreisler, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 76-6 | Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | Fritz Kreisler, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 77-1 | Piano Concerto no. 22 in E-flat, K482: I. Allegro | Edwin Fischer, John Barbirolli’s Chamber Orchestra, Sir John Barbirolli | — | |
| 77-2 | Piano Concerto no. 22 in E-flat, K482: II. Andante | Edwin Fischer, John Barbirolli’s Chamber Orchestra, Sir John Barbirolli | — | |
| 77-3 | Piano Concerto no. 22 in E-flat, K482: III. Allegro - Andantino cantabile - Allegro | Edwin Fischer, John Barbirolli’s Chamber Orchestra, Sir John Barbirolli | — | |
| 77-4 | Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro | — | ||
| 77-5 | Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto | — | ||
| 77-6 | Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro | — | ||
| 78-1 | Cello Concerto in A minor, Op. 129: I. Nicht zu schnell | Gregor Piatigorsky, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 78-2 | Cello Concerto in A minor, op. 129: II. Langsam | — | ||
| 78-3 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | — | ||
| 78-4 | Violin Concerto in D minor, WoO 23: I. In kräftigem, nicht zu schnellen Tempo | — | ||
| 78-5 | Violin Concerto in D minor, WoO 23: II. Langsam | — | ||
| 78-6 | Violin Concerto in D minor, WoO 23: III. Lebhaft doch nicht schnell | — | ||
| 78-7 | Oboe Concerto in C major, K. 314: I. Allegro aperto | — | ||
| 78-8 | Oboe Concerto in C major, K. 314: II. Andante ma non troppo | — | ||
| 78-9 | Oboe Concerto in C major, K. 314: III. Allegro - Cadenza - Allegro | — | ||
| 79-1 | Concerto for Oboe and Strings in F major: I. Preludio. Allegro | — | ||
| 79-2 | Concerto for Oboe and Strings in F major: II. Allemande. Allegro | — | ||
| 79-3 | Concerto for Oboe and Strings in F major: III. Sarabande. Largo | — | ||
| 79-4 | Concerto for Oboe and Strings in F major: IV. Gavotta. Allegro moderato | — | ||
| 79-5 | Concerto for Oboe and Strings in F major: V. Giga | — | ||
| 79-6 | Concerto for Oboe and Strings in C major: I. Largo | — | ||
| 79-7 | Concerto for Oboe and Strings in C major: II. Allegro | — | ||
| 79-8 | Concerto for Oboe and Strings in C major: III. Andantino | — | ||
| 79-9 | Concerto for Oboe and Strings in C major: IV. Allegro | — | ||
| 79-10 | Concerto for Oboe and Strings in F major: I. Preludio. Allegro | — | ||
| 79-11 | Concerto for Oboe and Strings in F major: II. Allemande. Allegro | — | ||
| 79-12 | Concerto for Oboe and Strings in F major: III. Sarabande. Largo | — | ||
| 79-13 | Concerto for Oboe and Strings in F major: IV. Gavotta. Allegro moderato | — | ||
| 79-14 | Concerto for Oboe and Strings in F major: V. Giga | — | ||
| 79-15 | Concerto for Oboe and Strings in C major: I. Largo | — | ||
| 79-16 | Concerto for Oboe and Strings in C major: II. Allegro | — | ||
| 79-17 | Concerto for Oboe and Strings in C major: III. Andantino | — | ||
| 79-18 | Concerto for Oboe and Strings in C major: IV. Allegro | — | ||
| 79-19 | Oboe Concerto in C major, Hob. VIIg:C1: I. Allegro spiritoso | — | ||
| 79-20 | Oboe Concerto in C major, Hob. VIIg:C1: II. Andante | — | ||
| 79-21 | Oboe Concerto in C major, Hob. VIIg:C1: III. Rondo (Allegretto) | — | ||
| 79-22 | Oboe Concerto in A minor: I. Rondo pastorale (Allegro moderato) | Evelyn Rothwell, London Symphony Orchestra, Sir John Barbirolli | — | |
| 79-23 | Oboe Concerto in A minor: II. Minuet and Musette (Allegro moderato) | Evelyn Rothwell, London Symphony Orchestra, Sir John Barbirolli | — | |
| 79-24 | Oboe Concerto in A minor: III. Finale: Scherzo (Presto - Lento - Presto) | Evelyn Rothwell, London Symphony Orchestra, Sir John Barbirolli | — | |
| 80-1 | Oboe Concerto no. 1 in B-flat major, HWV 301: I. Adagio - Allegro | Valda Aveling, Evelyn Rothwell, Strings of the Hallé Orchestra, Sir John Barbirolli | — | |
| 80-2 | Oboe Concerto no. 1 in B-flat major, HWV 301: II. Siciliana | Valda Aveling, Evelyn Rothwell, Strings of the Hallé Orchestra, Sir John Barbirolli | — | |
| 80-3 | Oboe Concerto no. 1 in B-flat major, HWV 301: III. Vivace | Valda Aveling, Evelyn Rothwell, Strings of the Hallé Orchestra, Sir John Barbirolli | T-700.095.171-5 | |
| 80-4 | Oboe Concerto in B-flat major, op. 7 no. 3: I. Allegro | — | ||
| 80-5 | Oboe Concerto in B-flat major, op. 7 no. 3: II. Adagio | — | ||
| 80-6 | Oboe Concerto in B-flat major, op. 7 no. 3: III. Allegro | — | ||
| 80-7 | Oboe Concerto in D major, op. 7 no. 6: I. Allegro | — | ||
| 80-8 | Oboe Concerto in D major, op. 7 no. 6: II. Adagio | — | ||
| 80-9 | Oboe Concerto in D major, op. 7 no. 6: III. Allegro | — | ||
| 80-10 | Oboe Concerto in C minor, S.Z. 799: I. Allegro moderato | — | ||
| 80-11 | Oboe Concerto in C minor: II. Adagio | Evelyn Rothwell, Sir John Barbirolli, The Pro Arte Orchestra | T-900.008.676-0 | |
| 80-12 | Oboe Concerto in C minor, S.Z. 799: III. Allegro | — | ||
| 80-13 | Oboe Concerto: I. Introduzione (Larghetto) in C minor | Evelyn Rothwell, Sir John Barbirolli, The Pro Arte Orchestra | — | |
| 80-14 | Oboe Concerto in C minor: II. Allegro | — | ||
| 80-15 | Oboe Concerto in C minor: III. Siciliana | — | ||
| 80-16 | Oboe Concerto in C minor: IV. Allegro | — | ||
| 80-17 | Concerto for Oboe and Strings in F major: I. Preludio. Allegro | — | ||
| 80-18 | Concerto for Oboe and Strings in F major: II. Allemande. Allegro | — | ||
| 80-19 | Concerto for Oboe and Strings in F major: III. Sarabande. Largo | — | ||
| 80-20 | Concerto for Oboe and Strings in F major: IV. Gavotta. Allegro moderato | — | ||
| 80-21 | Concerto for Oboe and Strings in F major: V. Giga | — | ||
| 80-22 | Oboe Concerto in C minor, S.Z. 799: I. Allegro moderato | — | ||
| 80-23 | Oboe Concerto in C minor, S.Z. 799: II. Adagio | — | ||
| 80-24 | Oboe Concerto in C minor, S.Z. 799: III. Allegro | — | ||
| 81-1 | Violin Concerto in D minor, op. 15: I. Moderato con moto - Agitato | — | ||
| 81-2 | Violin Concerto in D minor, op. 15: II. Vivace - Cadenza | — | ||
| 81-3 | Violin Concerto in D minor, op. 15: III. Passacaglia. Andante lento (un poco meno mosso) | — | ||
| 81-4 | Tuba Concerto in F minor: I. Prelude: Allegro moderato | Philip B. Catelinet, London Symphony Orchestra, Sir John Barbirolli | — | |
| 81-5 | Tuba Concerto in F minor: II. Romanza: Andante sostenuto | Philip B. Catelinet, London Symphony Orchestra, Sir John Barbirolli | — | |
| 81-6 | Tuba Concerto in F minor: III. Finale: Rondo alla tedesca (Allegro) | Philip B. Catelinet, London Symphony Orchestra, Sir John Barbirolli | — | |
| 81-7 | Le Carnaval des Animaux: I. Introduction and Royal March of the Lion | — | ||
| 81-8 | Le Carnaval des Animaux: II. Hens and Cocks | — | ||
| 81-9 | Le Carnaval des Animaux: III. Wild Asses | — | ||
| 81-10 | Le Carnaval des Animaux: IV. Tortoises | — | ||
| 81-11 | Le Carnaval des Animaux: V. The Elephant | — | ||
| 81-12 | Le Carnaval des Animaux: VI. Kangaroos | — | ||
| 81-13 | Le Carnaval des Animaux: VII. Aquarium | — | ||
| 81-14 | Le Carnaval des Animaux: VIII. Persons with Long Ears | — | ||
| 81-15 | Le Carnaval des Animaux: IX. Cuckoo in the Heart of the Wood | — | ||
| 81-16 | Le Carnaval des Animaux: X. The Aviary | — | ||
| 81-17 | Le Carnaval des Animaux: XI. Pianists | — | ||
| 81-18 | Le Carnaval des Animaux: XII. Fossils | — | ||
| 81-19 | Le Carnaval des Animaux: XIII. The Swan | — | ||
| 81-20 | Le Carnaval des Animaux: XIV. Finale | — | ||
| 81-21 | A Strauss Fantasy | — | ||
| 82-1 | Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: I. Andante | — | ||
| 82-2 | Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: II. Andante | — | ||
| 82-3 | Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: III. Largo e piano | — | ||
| 82-4 | Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: IV. Bourrée (Allegro) | — | ||
| 82-5 | Double Concerto in A minor, op. 102: I. Allegro | — | ||
| 82-6 | Double Concerto in A minor, op. 102: II. Andante | — | ||
| 82-7 | Double Concerto in A minor, op. 102: III. Vivace non troppo | — | ||
| 82-8 | Cello Concerto in E minor, op. 85: I. Adagio - Moderato | — | ||
| 82-9 | Cello Concerto in E minor, op. 85: II. Lento - Allegro molto | — | ||
| 82-10 | Cello Concerto in E minor, op. 85: III. Adagio | — | ||
| 82-11 | Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro ma non troppo | — | ||
| 83-1 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | — | ||
| 83-2 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco moto | — | ||
| 83-3 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo (Allegro) | — | ||
| 83-4 | Cello Concerto in G minor: I. Allegro | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 83-5 | Cello Concerto in G minor: II. Adagio | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 83-6 | Cello Concerto in G minor: III. Allegro non tanto | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 84-1 | Cello Concerto no. 2 in D major, Hob. VIIb:2: I. Allegro moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 84-2 | Cello Concerto no. 2 in D major, Hob. VIIb:2: II. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 84-3 | Cello Concerto no. 2 in D major, Hob. VIIb:2: III. Rondo: Allegro | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 84-4 | Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-919.860.418-1 | |
| 84-5 | Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.156-7 | |
| 84-6 | Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 | |
| 84-7 | Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.154-5 | |
| 85-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 85-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andante semplice - Prestissimo - Tempo I | — | ||
| 85-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 85-4 | Variations symphoniques: Poco allegro - | — | ||
| 85-5 | Variations symphoniques: Allegretto quasi andante - | — | ||
| 85-6 | Variations symphoniques: Molto piu lento - | — | ||
| 85-7 | Symphonic Variations: Allegro non troppo | John Ogdon, Philharmonia Orchestra, Sir John Barbirolli | — | |
| 86-1 | Piano Concerto No. 1 in D minor, Op. 15, 1. Maestoso | Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 86-2 | Piano Concerto No. 1 in D minor, Op. 15, 2. Adagio | Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 86-3 | Piano Concerto No. 1 in D minor, Op. 15, 3. Rondo | Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 87-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli | T-322.446.876-8 | |
| 87-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli | T-322.446.817-7 | |
| 87-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Più adagio | Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli | T-322.308.071-1 | |
| 87-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli | T-322.446.992-1 | |
| 88-1 | These Things Shall Be (J. A. Symons): I. “Say heart, what will future bring?” | — | ||
| 88-2 | These Things Shall Be (J. A. Symons): II. “These things shall be” | — | ||
| 88-3 | These Things Shall Be (J. A. Symons): III. “Nation with Nation, Land with Land” | — | ||
| 88-4 | These Things Shall Be (J. A. Symons): IV. “When all the earth is paradise” | — | ||
| 88-5 | The Dream of Gerontius, Op. 38: Part I (a) Prelude (Lento, mistico - Moderato - Andantino - Come prima) | Hallé Orchestra, Sir John Barbirolli | — | |
| 88-6 | The Dream of Gerontius, op. 38: Part One. II. “Jesu, Maria: I am near to death” (Gerontius) | Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 88-7 | The Dream of Gerontius, op. 38: Part One. III. “So pray for me … Kyrie eleison … Holy Mary, pray for him” (Gerontius, semi-chorus, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 88-8 | The Dream of Gerontius, op. 38: Part One. IV. “Rouse thee, my fainting soul” (Gerontius, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 88-9 | The Dream of Gerontius, op. 38: Part One. V. “Be merciful” (Gerontius, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 88-10 | The Dream of Gerontius, Op. 38: Part I (e) (Gerontius) Sanctus fortis, Sanctus Deus | Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 88-11 | The Dream of Gerontius, op. 38: Part One. VII. “I can no more” (Gerontius, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 88-12 | The Dream of Gerontius, op. 38: Part One. VIII. “Rescue him, O Lord… Noe from the waters” (Gerontius, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 88-13 | The Dream of Gerontius, op. 38: Part One. IX. “… Novissima hora est” (semi-chorus, chorus, Gerontius) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 88-14 | The Dream of Gerontius, op. 38: Part One. X. “Proficiscere, anima Christiana” (Priest) | Kim Borg, Hallé Orchestra, Sir John Barbirolli | — | |
| 88-15 | The Dream of Gerontius, op. 38: Part One. XI. “Go in the name of Angels and Archangels” (chorus, Priest, semi-chorus) | Ambrosian Singers, Kim Borg, Hallé Choir, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-1 | The Dream of Gerontius, Op. 38: Part II (a) (Andantino) | Hallé Orchestra, Sir John Barbirolli | — | |
| 89-2 | The Dream of Gerontius, op. 38: Part Two. II. “I went to sleep” (Soul of Gerontius) | Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-3 | The Dream of Gerontius, op. 38: Part Two. III. “My work is done” (Soul, Angel) | Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-4 | The Dream of Gerontius, op. 38: Part Two. IV. “It is a member of that family… All Hail! my Child and brother” (Angel, Soul) | Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-5 | The Dream of Gerontius, op. 38: Part Two. V. “A presage fails” (Angel, Soul) | Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-6 | The Dream of Gerontius, Op. 38: Part II (e) (Soul, Angel, chorus) But hark!...Low-born clods of brute earth | Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-7 | The Dream of Gerontius, op. 38: Part Two. VII. “Dispossessed, aside thrust” (chorus) | Ambrosian Singers, Hallé Choir, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-8 | The Dream of Gerontius, op. 38: Part Two. VIII. “The Mind Bold And Independent” (chorus) | Ambrosian Singers, Hallé Choir, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-9 | The Dream of Gerontius, op. 38: Part Two. IX. “I see not these false spirits… There was a mortal…” (Soul, Angel) | Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-10 | The Dream of Gerontius, op. 38: Part Two. X. “Praise to the Holiest” (Angel, semi-chorus, chorus, Soul) | Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-11 | The Dream of Gerontius, op. 38: Part Two. XI. “Glory To Him… But hark! A grand mysterious harmony” (Soul, Angel, chorus) | Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-12 | The Dream of Gerontius, op. 38: Part Two. XII. “And now The Threshold… Praise for the Holiest” (Soul, Angel, chorus) | Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-13 | The Dream of Gerontius, op. 38: Part Two. XIII. “Thy judgement now is near” (Angel, Soul) | Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-14 | The Dream of Gerontius, op. 38: Part Two. XIV. “Jesu! By that shuddering dread” (Angel of the Agony, Soul, semi-chorus, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-15 | The Dream of Gerontius, op. 38: Part Two. XV. “I Go Before My Judge…Be Merciful, Be gracious” (Angel of the Agony, Soul, semi-chorus, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-16 | The Dream of Gerontius, op. 38: Part Two. XVI. “Praise to His Name! … Take me away” (Angel, Soul, chorus) | Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-17 | The Dream of Gerontius, op. 38: Part Two. XVII. “Lord, Thou Hast been our Refuge” (Angel, Soul, chorus) | Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-18 | The Dream of Gerontius, Op. 38: Part II (m) (Angel, chorus, semi-chorus) Softly and gently | Ambrosian Singers, Janet Baker, Hallé Choir, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 90-1 | Messa da Requiem: Requiem e Kyrie. I. Requiem aeternum | — | ||
| 90-2 | Messa da Requiem: Requiem e Kyrie. II. Kyrie eleison | — | ||
| 90-3 | Messa da Requiem: Sequenza. I. Dies Irae | — | ||
| 90-4 | Messa da Requiem: Sequenza. II. Tuba mirum - Mors stupebit | — | ||
| 90-5 | Messa da Requiem: Sequenza. III. Liber scriptus - Dies irae | — | ||
| 90-6 | Messa da Requiem: Sequenza. IV. Quid sum miser | — | ||
| 90-7 | Messa da Requiem: Sequenza. V. Rex tremendae | — | ||
| 90-8 | Messa da Requiem: Sequenza. VI. Recordare | — | ||
| 90-9 | Messa da Requiem: Sequenza. VII. Ingemisco | — | ||
| 90-10 | Messa da Requiem: Sequenza. VIII. Confutatis - Dies irae | — | ||
| 90-11 | Messa da Requiem: Sequenza. IX. Lacrymosa | — | ||
| 90-12 | Messa da Requiem: Offertorio. I. Domine Jesu Christe | — | ||
| 90-13 | Messa da Requiem: Offertorio. II. Hostias | — | ||
| 90-14 | Messa da Requiem: Sanctus | — | ||
| 90-15 | Messa da Requiem: Agnus Dei | — | ||
| 91-1 | Messa da Requiem: Lux aeterna | — | ||
| 91-2 | Messa da Requiem: Libera me. I. Libera me - Dies irae | — | ||
| 91-3 | Messa da Requiem: Libera me. II. Requiem aeternam | — | ||
| 91-4 | Messa da Requiem: Libera me. III. Libera me | — | ||
| 91-5 | Appalachia, RT II/2: Introduction (Molto moderato - Tranquillo - Poco più) | — | ||
| 91-6 | Appalachia, RT II/2: Theme (Andante) | — | ||
| 91-7 | Appalachia, RT II/2: Variation 1 | — | ||
| 91-8 | Appalachia, RT II/2: Variation 2 (Moderato) | — | ||
| 91-9 | Appalachia, RT II/2: Variation 3 (Più vivo) | — | ||
| 91-10 | Appalachia, RT II/2: Variation 4 (Molto moderato) | — | ||
| 91-11 | Appalachia, RT II/2: Variation 5 (Con moto) | — | ||
| 91-12 | Appalachia, RT II/2: Variation 6 (Giocoso, Allegro moderato) | — | ||
| 91-13 | Appalachia, RT II/2: Variation 7 (Lento e molto tranquillo) | — | ||
| 91-14 | Appalachia, RT II/2: Variation 8 (Misterioso) | — | ||
| 91-15 | Appalachia, RT II/2: Variation 9 (Andante con grazia) | — | ||
| 91-16 | Appalachia, RT II/2: Variation 10 (Lento sostenuto e tranquillo) | — | ||
| 91-17 | Appalachia, RT II/2: Variation 11 (Allegro alla marcia) | — | ||
| 91-18 | Appalachia, RT II/2: Variation 12 (Marcia. Molto lento maestoso) | — | ||
| 91-19 | Appalachia, RT II/2: Variation 13 (L'istesso tempo) | — | ||
| 91-20 | Appalachia, RT II/2: Variation 14 Misterioso lento | — | ||
| 91-21 | Appalachia, RT II/2: Finale (Lento - Più mosso) | — | ||
| 92-1 | Turandot: Act 1. “Non piangere, Liù” (Calaf, Liù, Timur) | — | ||
| 92-2 | Turandot: Act 2. “In questa reggia” (Turandot, Calaf, Chorus) | — | ||
| 92-3 | Turandot: Act 2. “Straniero!” [Riddle scene] (Turandot, Calaf, Liù, L'Imperatore, Chorus) | — | ||
| 92-4 | Turandot: Act 3. “Nessun dorma” (Calaf, Chorus) | — | ||
| 92-5 | Turandot: Act 1. “Signore, ascolta” (Liù) | — | ||
| 92-6 | Turandot: Act 1. “Non piangere, Liù” (Calaf, Liù, Timur) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — |
| Sea Pictures, op. 37: I. Sea Slumber-Song | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: III. Sabbath Morning at Sea | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: V. The Swimmer | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Cello Concerto in G minor: I. Allegro | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Cello Concerto in G minor: II. Adagio | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
0190295386085 is a Universal Product Code (UPC) assigned to The Complete Warner Recordings by Sir John Barbirolli. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 1000 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
0190295386085 is the Universal Product Code (UPC barcode) for the release “The Complete Warner Recordings” by Sir John Barbirolli, released 2020-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 1000 tracks, each with its own ISRC. Tracks include GBAYC2000743, GBAYC2000682, GBAYC9703878.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Married Beau, Z 603: Hornpipe on a Ground | — | ||
| 2 | Serenade no. 13 in G major “Eine kleine Nachtmusik”, K. 525: I. Allegro | — | ||
| 3 | Serenade no. 13 in G major “Eine kleine Nachtmusik”, K. 525: II. Andante (Romanza) | — | ||
| 4 | Serenade no. 13 in G major “Eine kleine Nachtmusik”, K. 525: III. Menuetto | — | ||
| 5 | Serenade no. 13 in G major “Eine kleine Nachtmusik”, K. 525: IV. Rondo | — | ||
| 6 | Symphony no. 104 in D major “London”, Hob. I:104: I. Adagio - Allegro | — | ||
| 7 | Symphony no. 104 in D major “London”, Hob. I:104: II. Andante | — | ||
| 8 | Symphony no. 104 in D major “London”, Hob. I:104: III. Menuetto & Trio | — | ||
| 9 | Symphony no. 104 in D major “London”, Hob. I:104: IV. Allegro spirituoso | — | ||
| 10 | Introduction and Allegro for Strings, op. 47: Moderato - | — | ||
| 11 | Introduction and Allegro for Strings, op. 47: Allegro - | — | ||
| 12 | Introduction and Allegro for Strings, op. 47: Allegro (Fugue) | — | ||
| 2-1 | Die Zauberflöte, K. 620: Possenti Numi (O Isis und Isiris) | — | ||
| 2-2 | Sardana | — | ||
| 2-3 | Faust: Orchestral Potpourri | — | ||
| 2-4 | Carmen: Orchestral Potpourri | — | ||
| 2-5 | Tannhäuser: Orchestral Potpourri | — | ||
| 2-6 | Cavalleria Rusticana: Intermezzo | — | ||
| 2-7 | The Seasons, op. 67: Bacchanale | — | ||
| 2-8 | Les Ruses d'amour, op. 61: Ballabile | — | ||
| 2-9 | Ballet russe, op. 23: Czardas | — | ||
| 2-10 | Ballet russe, op. 23: Valse lente | — | ||
| 2-11 | Ballet russe, op. 23: Scène | — | ||
| 2-12 | Ballet russe, op. 23: Mazurka | — | ||
| 2-13 | Ballet russe, op. 23: Marche russe | — | ||
| 3-1 | La Gioconda, op. 9: Act 3. Dance of the Hours | — | ||
| 3-2 | Sylvia: Prélude - Les Chasseresses | — | ||
| 3-3 | Sylvia: Intermezzo | — | ||
| 3-4 | Sylvia: Valse lente | — | ||
| 3-5 | Sylvia: Pizzicato | — | ||
| 3-6 | Sylvia: Procession of Bacchus | — | ||
| 3-7 | Merchant of Venice, Suite: I. Prelude no. 1 | — | ||
| 3-8 | Merchant of Venice, Suite: II. Intermezzo “Portia” | — | ||
| 3-9 | Merchant of Venice, Suite: III. Oriental March | — | ||
| 3-10 | Merchant of Venice, Suite: IV. Prelude no. 2 | — | ||
| 3-11 | Merchant of Venice, Suite: V. Doge's March | — | ||
| 3-12 | Maritana: Overture | — | ||
| 3-13 | The Bohemian Girl: Overture | — | ||
| 3-14 | A Song before Sunrise, RT VI/24 | — | ||
| 3-15 | A Children's Overture, op. 17 | — | ||
| 4-1 | Marche militaire no. 1 in D major, op. 51 no. 1, D. 733 | — | ||
| 4-2 | Rosamunde, D. 797: IX. Ballet Music no. 2 | — | ||
| 4-3 | Fra Diavolo: Overture | — | ||
| 4-4 | Peer Gynt, Suite no. 1, op. 46: I. Morning | — | ||
| 4-5 | Peer Gynt, Suite no. 1, op. 46: II. Death of Aase | — | ||
| 4-6 | Peer Gynt, Suite no. 1, op. 46: III. Anitra's Dance | — | ||
| 4-7 | Peer Gynt, Suite no. 1, op. 46: IV. In the Hall of the Mountain King | — | ||
| 4-8 | Sigurd Jorsalfar, op. 56: Act 3: Introduction. III. Homage March | — | ||
| 4-9 | Symphonic Dances, op. 64: IV. Andante - Allegro - Allegro molto e risolto | — | ||
| 4-10 | Swan Lake, op. 20: Act 2. No. 10: Scène: Le Lac des Cygnes | — | ||
| 4-11 | Swan Lake, op. 20: Act 2. No. 13, Var. 4: Scène: Danse des Petits Cygnes | — | ||
| 4-12 | Swan Lake, op. 20: Act 1. No. 2: Valse | — | ||
| 4-13 | Swan Lake, op. 20: Act 2. No. 13, Var. 5: Scène | — | ||
| 4-14 | Swan Lake, op. 20: Act 3. No. 20: Czardas | — | ||
| 4-15 | Midnight Rose: Waltz | — | ||
| 4-16 | Praeludium | — | ||
| 4-17 | Berceuse | — | ||
| 5-1 | Die Meistersinger von Nürnberg: Act 3: Suite. Prelude | — | ||
| 5-2 | Die Meistersinger von Nürnberg: Act 3: Suite. Dance of the Apprentices | — | ||
| 5-3 | Die Meistersinger von Nürnberg: Act 3: Suite. Entry of the Masters | — | ||
| 5-4 | Die Meistersinger von Nürnberg: Act 3: Suite. Homage to Sachs | — | ||
| 5-5 | Die Meistersinger von Nürnberg: Act 3: Suite. Finale | — | ||
| 5-6 | Rienzi: Overture | — | ||
| 5-7 | Rosen aus dem Süden | — | ||
| 5-8 | Symphony no. 3: I. Lento - Allegro - Allegro feroce - Lento moderato - Allegro moderato | — | ||
| 5-9 | Symphony no. 3: II. Lento | — | ||
| 5-10 | Symphony no. 3: III. Moderato - Più lento - Epilogue | — | ||
| 6-1 | Symphony no. 5 in D major: I. Preludio | — | ||
| 6-2 | Symphony no. 5 in D major: II. Scherzo | — | ||
| 6-3 | Symphony no. 5 in D major: III. Romanza: Lento | — | ||
| 6-4 | Symphony no. 5 in D major: IV. Passacaglia - Moderato | — | ||
| 6-5 | Fantasia on a Theme by Thomas Tallis | — | ||
| 6-6 | A Village Romeo and Juliet, RT I/6: Intermezzo: Walk to the Paradise Garden | — | ||
| 6-7 | Threnody for a soldier killed in action | — | ||
| 7-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Hallé Orchestra, Sir John Barbirolli | — | |
| 7-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 7-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo (Allegro) | — | ||
| 7-4 | Symphony no. 5 in C minor, op. 67: IV. Finale (Allegro) | — | ||
| 7-5 | Euryanthe: Overture | — | ||
| 7-6 | Lohengrin: Act 1. Prelude | — | ||
| 7-7 | Lohengrin: Act 3. Prelude | — | ||
| 7-8 | Der Rosenkavalier Suite, op. 59, TrV 227: I. Con moto agitato | — | ||
| 7-9 | Der Rosenkavalier Suite, op. 59, TrV 227: II. Allegro molto | — | ||
| 7-10 | Der Rosenkavalier Suite, op. 59, TrV 227: III. Tempo vi Valse, assai comodo da primo | — | ||
| 7-11 | Der Rosenkavalier Suite, op. 59, TrV 227: IV. Moderato molto sostenuto | — | ||
| 7-12 | Der Rosenkavalier Suite, op. 59, TrV 227: V. Quick Waltz. Molto con moto | — | ||
| 8-1 | Symphonie fantastique, op. 14: I. Rêveries - Passions | — | ||
| 8-2 | Symphonie fantastique, op. 14: II. Un bal (Valse) | — | ||
| 8-3 | Symphonie fantastique, op. 14: III. Scènes aux champs | — | ||
| 8-4 | Symphonie fantastique, op. 14: IV. Marche au supplice | — | ||
| 8-5 | Symphonie fantastique, op. 14: V. Songe d'une nuit de sabbat | — | ||
| 8-6 | La gazza ladra: Overture | — | ||
| 8-7 | A Midsummer Night's Dream, op. 61: Scherzo | — | ||
| 8-8 | Hänsel und Gretel: Overture | — | ||
| 8-9 | Shylock, op. 57 (Suite): Nocturne | — | ||
| 9-1 | Concerto Grosso (after Violin Sonatas, op. 5): I. Grave - Allegro (No. 1 in D major: I. & III.) | — | ||
| 9-2 | Concerto Grosso (after Violin Sonatas, op. 5): II. Adagio (No. 1 in D major: IV.) | — | ||
| 9-3 | Concerto Grosso (after Violin Sonatas, op. 5): III. Gigue (No. 3 originally in G major, performed in D major: V.) | — | ||
| 9-4 | Concerto Grosso (after Violin Sonatas, op. 5): IV. Sarabande (No. 7 in D minor: III.) | — | ||
| 9-5 | Concerto Grosso (after Violin Sonatas, op. 5): V. Allegro (No. 4 originally in F major, performed in D major: II.) | — | ||
| 9-6 | Elegy, op. 58 | — | ||
| 9-7 | Variations on an Original Theme “Enigma”, op. 36: Theme: Andante | — | ||
| 9-8 | Variations on an Original Theme “Enigma”, op. 36: Variation 1: C.A.E. (The composer's wife) | — | ||
| 9-9 | Variations on an Original Theme “Enigma”, op. 36: Variation 2: H.D. S-P (Hew David Steuart-Powell) | — | ||
| 9-10 | Variations on an Original Theme “Enigma”, op. 36: Variation 3: R.B.T. (Richard Baxter Townsend) | — | ||
| 9-11 | Variations on an Original Theme “Enigma”, op. 36: Variation 4: W.M.B. (William Meath Baker) | — | ||
| 9-12 | Variations on an Original Theme “Enigma”, op. 36: Variation 5: R.P.A. (Richard Penrose Arnold) | — | ||
| 9-13 | Variations on an Original Theme “Enigma”, op. 36: Variation 6: Ysobel (Isobel Fitton) | — | ||
| 9-14 | Variations on an Original Theme “Enigma”, op. 36: Variation 7: Troyte (Troyte Griffith) | — | ||
| 9-15 | Variations on an Original Theme “Enigma”, op. 36: Variation 8: W.N. (Winifred Norbury) | — | ||
| 9-16 | Variations on an Original Theme “Enigma”, op. 36: Variation 9: Nimrod (A. J. Jaeger) | — | ||
| 9-17 | Variations on an Original Theme “Enigma”, op. 36: Variation 10: Intermezzo: Dorabella (Dora Penny) | — | ||
| 9-18 | Variations on an Original Theme “Enigma”, op. 36: Variation 11: G.R.S. (George Robertson Sinclair) | — | ||
| 9-19 | Variations on an Original Theme “Enigma”, op. 36: Variation 12: B/G.N. (Basil G. Nevison) | — | ||
| 9-20 | Variations on an Original Theme “Enigma”, op. 36: Variation 13: Romanza * * * (Lady Mary Lygon) | — | ||
| 9-21 | Variations on an Original Theme “Enigma”, op. 36: Variation 14: E.D.U. (The composer) | — | ||
| 9-22 | Introduction and Allegro for Strings, op. 47: I. Moderato - | — | ||
| 9-23 | Introduction and Allegro for Strings, op. 47: II. Allegro - | — | ||
| 9-24 | Introduction and Allegro for Strings, op. 47: III. Allegro (Fugue) | — | ||
| 9-25 | Bavarian Dances, op. 27: II. Lullaby | — | ||
| 9-26 | Fantasia on “Greensleeves” | — | ||
| 9-27 | Irish Tune from County Derry (Londonderry Air) | — | ||
| 9-28 | Two Aquarelles, RT IV. 5: I. Lento, ma non troppo | — | ||
| 9-29 | Two Aquarelles, RT IV. 5: II. Gaily, but not Quick | — | ||
| 10-1 | The Hebrides - Overture, op. 26 (Fingal's Cave) | — | ||
| 10-2 | Symphony no., 4 in A major “Italian”: I. Allegro vivace | — | ||
| 10-3 | Symphony no., 4 in A major “Italian”: II. Andante con moto | — | ||
| 10-4 | Symphony no., 4 in A major “Italian”: III. Con moto moderato | — | ||
| 10-5 | Symphony no., 4 in A major “Italian”: IV. Saltarello (Presto) | — | ||
| 10-6 | Peer Gynt - Suite no. 1, op. 46: I. Prelude - Morning | — | ||
| 10-7 | Peer Gynt - Suite no. 1, op. 46: II. Death of Aase | — | ||
| 10-8 | Peer Gynt - Suite no. 1, op. 46: III. Anitra's Dance | — | ||
| 10-9 | Peer Gynt - Suite no. 1, op. 46: IV. In the Hall of the Mountain King | — | ||
| 10-10 | Peer Gynt - Suite no. 1, op. 46: II. Death of Ase (Alternate take) | — | ||
| 10-11 | Sylvia - excerpts: I. Les Chasseresses | — | ||
| 10-12 | Sylvia - excerpts: II. Intermezzo et Valse lente | — | ||
| 10-13 | Sylvia - excerpts: III. Pizzicati | — | ||
| 10-14 | Sylvia - excerpts: IV. Cortège de Bacchus | — | ||
| 10-15 | Concerto in D major for String Orchestra: I. Vivace moderato | — | ||
| 10-16 | Concerto in D major for String Orchestra: II. Arioso (Andante) | — | ||
| 10-17 | Concerto in D major for String Orchestra: III. Rondo (Allegro) | — | ||
| 11-1 | Le nozze di Figaro, K. 492: Overture | — | ||
| 11-2 | Egmont, op. 84: Overture | — | ||
| 11-3 | Symphony no. 83 in G minor “La poule”, Hob. I:83: I. Allegro spirituoso | — | ||
| 11-4 | Symphony no. 83 in G minor “La poule”, Hob. I:83: II. Andante | — | ||
| 11-5 | Symphony no. 83 in G minor “La poule”, Hob. I:83: III. Menuetto | — | ||
| 11-6 | Symphony no. 83 in G minor “La poule”, Hob. I:83: IV. Finale (Vivace) | — | ||
| 11-7 | Die Zauberharfe, D. 644: Overture (Rosamunde) | — | ||
| 11-8 | Octet in E-flat major, op. 20: Scherzo | — | ||
| 11-9 | Symphony no. 7 in C major, op. 105: Adagio - | — | ||
| 11-10 | Symphony no. 7 in C major, op. 105: Un pocchettino meno adagio - Vivacissimo - Adagio - | — | ||
| 11-11 | Symphony no. 7 in C major, op. 105: Allegro molto moderato - | — | ||
| 11-12 | Symphony no. 7 in C major, op. 105: Vivace - Presto - Adagio | — | ||
| 12-1 | Cockaigne Overture, op. 40 (in London Town) | — | ||
| 12-2 | Serenade in E minor, op. 20: I. Allegro piacevole | — | ||
| 12-3 | Serenade in E minor, op. 20: II. Larghetto | — | ||
| 12-4 | Serenade in E minor, op. 20: III. Allegretto - Come prima | — | ||
| 12-5 | Dream Children, op. 43: I. Andante | — | ||
| 12-6 | A Song of Summer, RT VI/26 | — | ||
| 12-7 | Improvisations on Virginal Pieces by Giles Farnaby, op. 50: IV. Loth to depart | Hallé Orchestra, Sir John Barbirolli | — | |
| 12-8 | Symphony no. 5 in B-flat major, op. 63: I. Adagio - Allegro energico | Hallé Orchestra, Sir John Barbirolli | T-010.169.664-3 | |
| 12-9 | Symphony no. 5 in B-flat major, op. 63: II. Allegro moderato | Hallé Orchestra, Sir John Barbirolli | T-010.169.664-3 | |
| 12-10 | Symphony no. 5 in B-flat major, op. 63: III. Grave | Hallé Orchestra, Sir John Barbirolli | T-010.169.664-3 | |
| 12-11 | Symphony no. 5 in B-flat major, op. 63: IV. Allegro vivo - Adagio | Hallé Orchestra, Sir John Barbirolli | T-010.169.664-3 | |
| 13-1 | Cassation in G major, K. 99: II. Andante | — | ||
| 13-2 | L'Arlésienne - Suite no. 1: Prélude | — | ||
| 13-3 | L'Arlésienne - Suite no. 1: Adagietto | — | ||
| 13-4 | L'Arlésienne - Suite no. 2: Farandole | — | ||
| 13-5 | Swan Lake, op. 20: Act 2. No. 10: Scène: Le Lac des Cygnes | — | ||
| 13-6 | Swan Lake, op. 20: Act 2. No. 13, Var. 4: Scène: Danse des Petits Cygnes | — | ||
| 13-7 | Swan Lake, op. 20: Act 2. No. 13, Var. 5: Scène | — | ||
| 13-8 | Swan Lake, op. 20: Act 1. No. 2: Valse | — | ||
| 13-9 | Swan Lake, op. 20: Act 3. No. 20: Czardas | — | ||
| 13-10 | Mai-Dun (Symphonic Rhapsody) | — | ||
| 13-11 | The Forgotten Rite (Prelude) | — | ||
| 14-1 | Der Freischütz, op. 77, J. 277: Overture | — | ||
| 14-2 | Divertimento no. 11 in D major, K. 251: Minuet | — | ||
| 14-3 | Symphony no. 96 in D major “Miracle”, Hob. I:96: I. Adagio - Allegro | — | ||
| 14-4 | Symphony no. 96 in D major “Miracle”, Hob. I:96: II. Andante | — | ||
| 14-5 | Symphony no. 96 in D major “Miracle”, Hob. I:96: III. Menuetto | — | ||
| 14-6 | Symphony no. 96 in D major “Miracle”, Hob. I:96: IV. Vivace (assai) | — | ||
| 14-7 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | — | ||
| 14-8 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 14-9 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | — | ||
| 14-10 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 15-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | — | ||
| 15-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato | — | ||
| 15-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo | — | ||
| 15-4 | Symphony no. 2 in D major, op. 43: IV. Finale (Allegro moderato) | — | ||
| 15-5 | Danzas fantásticas, op. 22: I. Exaltación | — | ||
| 15-6 | Danzas fantásticas, op. 22: II. Ensueño | — | ||
| 15-7 | Danzas fantásticas, op. 22: III. Orgia | — | ||
| 15-8 | Don Pasquale: Overture | — | ||
| 15-9 | Gold und Silber | — | ||
| 15-10 | Lyric Pieces, Book 6, op. 57: IV. Geheimnis (Secret) | — | ||
| 16-1 | Symphony no. 88 in G major, Hob. I:88 (Letter V): I. Adagio - Allegro | — | ||
| 16-2 | Symphony no. 88 in G major, Hob. I:88 (Letter V): II. Largo | — | ||
| 16-3 | Symphony no. 88 in G major, Hob. I:88 (Letter V): III. Menuetto | — | ||
| 16-4 | Symphony no. 88 in G major, Hob. I:88 (Letter V): IV. Allegro con spirito | — | ||
| 16-5 | Symphony no. 9 in C major “The Great”, D. 944: I. Andante - Allegro ma non troppo | — | ||
| 16-6 | Symphony no. 9 in C major “The Great”, D. 944: II. Andante con moto | — | ||
| 16-7 | Symphony no. 9 in C major “The Great”, D. 944: III. Scherzo (Allegro vivace) - Trio | — | ||
| 16-8 | Symphony no. 9 in C major “The Great”, D. 944: IV. Allegro vivace | — | ||
| 16-9 | La traviata: Act 1. Prelude | — | ||
| 16-10 | La traviata: Act 3. Prelude | — | ||
| 17-1 | Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente | — | ||
| 17-2 | Symphony no. 2 in E-flat major, op. 63: II. Larghetto | — | ||
| 17-3 | Symphony no. 2 in E-flat major, op. 63: III. Rondo (Presto) | — | ||
| 17-4 | Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso | — | ||
| 17-5 | Cockaigne Overture, op. 40 (In London Town) | — | ||
| 17-6 | Introduction and Allegro for Strings, op. 47: I. Moderato - | — | ||
| 17-7 | Introduction and Allegro for Strings, op. 47: II. Allegro - | — | ||
| 17-8 | Introduction and Allegro for Strings, op. 47: III. Allegro (Fugue) | — | ||
| 18-1 | Sinfonia Antartica (no. 7): I. Prelude (Allegro maestoso) | — | ||
| 18-2 | Sinfonia Antartica (no. 7): II. Scherzo (Moderato) | — | ||
| 18-3 | Sinfonia Antartica (no. 7): III. Landscape (Lento) | — | ||
| 18-4 | Sinfonia Antartica (no. 7): IV. Intermezzo (Andante sostenuto) | — | ||
| 18-5 | Sinfonia Antartica (no. 7): V. Epilogue (alla marcia) | — | ||
| 18-6 | The Wasps - Aristophanic Suite: Overture | — | ||
| 18-7 | Five Variants of Dives and Lazarus for Harp and String Orchestra: Theme: Adagio | Jean Bell, Hallé Orchestra, Sir John Barbirolli | — | |
| 18-8 | Five Variants of Dives and Lazarus for Harp and String Orchestra: Variant I. [Adagio] | — | ||
| 18-9 | Five Variants of Dives and Lazarus for Harp and String Orchestra: Variant II. Allegro moderato | — | ||
| 18-10 | Five Variants of Dives and Lazarus for Harp and String Orchestra: Variant III. Crotchet = 150 | — | ||
| 18-11 | Five Variants of Dives and Lazarus for Harp and String Orchestra: Variant IV. L'istesso tempo | — | ||
| 18-12 | Five Variants of Dives and Lazarus for Harp and String Orchestra: Variant V. Adagio | — | ||
| 18-13 | Fantasia on “Greensleeves” | — | ||
| 19-1 | Elizabethan Suite: I. The Earl of Salisbury's Pavane (Byrd) | — | ||
| 19-2 | Elizabethan Suite: II. The Irish Ho Hoane (Anonymous) | — | ||
| 19-3 | Elizabethan Suite: III. A Toye (Farnaby) | — | ||
| 19-4 | Elizabethan Suite: IV. Giles Farnaby's Dreame (Farnaby) | — | ||
| 19-5 | Elizabethan Suite: V. The King's Hunt (Bull) | — | ||
| 19-6 | España | Hallé Orchestra, Sir John Barbirolli | — | |
| 19-7 | Capriccio espagnol, op. 34: I. Alborada | — | ||
| 19-8 | Capriccio espagnol, op. 34: II. Variazoni | — | ||
| 19-9 | Capriccio espagnol, op. 34: III. Alborada | — | ||
| 19-10 | Capriccio espagnol, op. 34: IV. Scena e canto gitano | — | ||
| 19-11 | Capriccio espagnol, op. 34: V. Fandango asturiano | — | ||
| 19-12 | The Enchanted Lake, op. 62 | — | ||
| 19-13 | Prélude à l'après-midi d'un faune, CD 87, L. 86 | Hallé Orchestra, Sir John Barbirolli | — | |
| 19-14 | Pelléas et Mélisande, op. 80 - Suite from incidental music: I. Prélude | — | ||
| 19-15 | Pelléas et Mélisande, op. 80 - Suite from incidental music: II. Fileuse | — | ||
| 19-16 | Pelléas et Mélisande, op. 80 - Suite from incidental music: III. Sicilienne | — | ||
| 19-17 | Pelléas et Mélisande, op. 80 - Suite from incidental music: IV. La mort de Mélisande | — | ||
| 19-18 | Divertissement for Chamber Orchestra: I. Introduction | — | ||
| 19-19 | Divertissement for Chamber Orchestra: II. Cortège | — | ||
| 19-20 | Divertissement for Chamber Orchestra: III. Nocturne | — | ||
| 19-21 | Divertissement for Chamber Orchestra: IV. Valse | — | ||
| 19-22 | Divertissement for Chamber Orchestra: V. Parade | — | ||
| 19-23 | Divertissement for Chamber Orchestra: VI. Finale | — | ||
| 20-1 | Die schöne Galathée: Overture | — | ||
| 20-2 | Radetzky March, op. 228 | Hallé Orchestra, Sir John Barbirolli | — | |
| 20-3 | Kaiserwalzer, op. 437 | — | ||
| 20-4 | Bachianas brasileiras no. 4: I. Preludio (Introducao) | — | ||
| 20-5 | Bachianas brasileiras no. 4: II. Corale (O Canto da Nosso Terra) | — | ||
| 20-6 | Bachianas brasileiras no. 4: III. Aria (Cantigua) | — | ||
| 20-7 | Bachianas brasileiras no. 4: IV. Danza (Miudinho) | — | ||
| 20-8 | Lemminkaïnen Suite, op. 22: II. The Swan of Tuonela | — | ||
| 20-9 | Die Liebe der Danae, op. 83, TrV 278, Symphonic Fragments: Molto vivace | — | ||
| 20-10 | Die Liebe der Danae, op. 83, TrV 278, Symphonic Fragments: Più tranquilo | — | ||
| 21-1 | Symphony no. 1 in A-flat major, op. 55: I. Andante nobilmente e semplice - Allegro | — | ||
| 21-2 | Symphony no. 1 in A-flat major, op. 55: II. Allegro molto - | — | ||
| 21-3 | Symphony no. 1 in A-flat major, op. 55: III. Adagio | — | ||
| 21-4 | Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro | — | ||
| 21-5 | Introduction and Allegro for Strings, op. 47: I. Moderato - | — | ||
| 21-6 | Introduction and Allegro for Strings, op. 47: II. Allegro - | — | ||
| 21-7 | Introduction and Allegro for Strings, op. 47: III. Fugue: Allegro | — | ||
| 21-8 | Elegy, op. 58 | — | ||
| 22-1 | A London Symphony (no. 2) (1936 Revised Edition): I. Lento - Allegro risoluto (molto pesante) | — | ||
| 22-2 | A London Symphony (no. 2) (1936 Revised Edition): II. Lento | — | ||
| 22-3 | A London Symphony (no. 2) (1936 Revised Edition): III. Scherzo (Nocturno) - Allegro vivace | — | ||
| 22-4 | A London Symphony (no. 2) (1936 Revised Edition): IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Maestoso alla marcia (alla I) - Epilogue (Andante sostenuto) | — | ||
| 22-5 | Symphony no. 8 in D minor: I. Fantasia (Variazoni senza tema) | — | ||
| 22-6 | Symphony no. 8 in D minor: II. Scherzo alla marcia (Per gli stromenti a vento) | Hallé Orchestra, Sir John Barbirolli | — | |
| 22-7 | Symphony no. 8 in D minor: III. Cavatina (Per gli stromenti a corde) | — | ||
| 22-8 | Symphony no. 8 in D minor: IV. Toccata colle campanelle | — | ||
| 23-1 | Suite for Strings, Woodwinds and Horns: I. Andante maestoso - Allegro (The Gordian Knot Untied, Z 597: Overture) | — | ||
| 23-2 | Suite for Strings, Woodwinds and Horns: II. Tempo de menuetto (The Virtuous Wife, Z 611: Overture) | — | ||
| 23-3 | Suite for Strings, Woodwinds and Horns: III. Andantino (King Arthur Z 628: Fairest Isle) | — | ||
| 23-4 | Suite for Strings, Woodwinds and Horns: IV. Allegretto giocoso (Abdelazar Z 570: Air) | — | ||
| 23-5 | Suite for Strings, Woodwinds and Horns: V. Largo (Dido and Aeneas Z 626: Dido's Lament) | — | ||
| 23-6 | Suite for Strings, Woodwinds and Horns: VI. Allegro (King Arthur Z 628: Allegro from Second Music) | — | ||
| 23-7 | Enigma Variations, op. 36: Theme (Andante) | Hallé Orchestra, Sir John Barbirolli | — | |
| 23-8 | Variations on an Original Theme “Enigma”, op. 36: Variation 1: C.A.E. (The comnposer's wife) | — | ||
| 23-9 | Variations on an Original Theme “Enigma”, op. 36: Variation 2: H.D. S-P (Hew David Steuart-Powell) | — | ||
| 23-10 | Variations on an Original Theme “Enigma”, op. 36: Variation 3: R.B.T. (Richard Baxter Townsend) | — | ||
| 23-11 | Variations on an Original Theme “Enigma”, op. 36: Variation 4: W.M.B. (William Meath Baker) | — | ||
| 23-12 | Variations on an Original Theme “Enigma”, op. 36: Variation 5: R.P.A. (Richard Penrose Arnold) | — | ||
| 23-13 | Variations on an Original Theme “Enigma”, op. 36: Variation 6: Ysobel (Isobel Fitton) | — | ||
| 23-14 | Variations on an Original Theme “Enigma”, op. 36: Variation 7: Troyte (Troyte Griffith) | — | ||
| 23-15 | Variations on an Original Theme “Enigma”, op. 36: Variation 8: W.N. (Winifred Norbury) | — | ||
| 23-16 | Variations on an Original Theme “Enigma”, op. 36: Variation 9: Nimrod (A. J. Jaeger) | — | ||
| 23-17 | Variations on an Original Theme “Enigma”, op. 36: Variation 10: Intermezzo: Dorabella (Dora Penny) | — | ||
| 23-18 | Variations on an Original Theme “Enigma”, op. 36: Variation 11: G.R.S. (George Robertson Sinclair) | — | ||
| 23-19 | Variations on an Original Theme “Enigma”, op. 36: Variation 12: B/G.N. (Basil G. Nevison) | — | ||
| 23-20 | Variations on an Original Theme “Enigma”, op. 36: Variation 13: Romanza * * * (Lady Mary Lygon) | — | ||
| 23-21 | Variations on an Original Theme “Enigma”, op. 36: Variation 14: E.D.U. (The composer) | — | ||
| 23-22 | A Shropshire Lad (Orchestral rhapsody) | — | ||
| 23-23 | The Garden of Fand | — | ||
| 23-24 | Nell Gwyn: I. Country Dance | — | ||
| 23-25 | Nell Gwyn: II. Pastoral Dance | — | ||
| 23-26 | Nell Gwyn: III. Merrymaker's Dance | — | ||
| 24-1 | Prelude and Idyll, RT II/10: Prelude | — | ||
| 24-2 | Prelude and Idyll, RT II/10: Idyll | — | ||
| 24-3 | Irmelin Prelude, RT VI/27 | — | ||
| 24-4 | On Hearing the First Cuckoo in Spring, RT VI/9 | — | ||
| 24-5 | Fennimore and Gerda Intermezzo, RT I/8 | — | ||
| 24-6 | A Village Romeo and Juliet - The Walk to the Paradise Garden, RT I/6 | — | ||
| 24-7 | Irish Tune from County Derry (Londonderry Air) | — | ||
| 24-8 | Molly on the Shore | — | ||
| 24-9 | Mock Morris | — | ||
| 24-10 | Shepherd's Hey | — | ||
| 25-1 | Der Zigeunerbaron: Overture | — | ||
| 25-2 | Radetzky March, op. 228 | — | ||
| 25-3 | G'schichten aus dem Wienerwald, op. 325 | — | ||
| 25-4 | Die Fledermaus: Overture | Hallé Orchestra, Sir John Barbirolli | — | |
| 25-5 | Pizzicato Polka | Hallé Orchestra, Sir John Barbirolli | T-917.157.430-4 | |
| 25-6 | Annen Polka, op. 117 | — | ||
| 25-7 | Perpetuum Mobile, op. 257 | — | ||
| 25-8 | An der schönen blauen Donau, op. 314 | — | ||
| 25-9 | Les Patineurs, op. 183 | Hallé Orchestra, Sir John Barbirolli | T-009.037.632-1 | |
| 25-10 | Gold und Silber - Walzer, op. 79 | — | ||
| 26-1 | Symphony no. 29 in A major, K. 201: I. Allegro moderato | — | ||
| 26-2 | Symphony no. 29 in A major, K. 201: II. Andante | — | ||
| 26-3 | Symphony no. 29 in A major, K. 201: III. Menuetto & Trio | — | ||
| 26-4 | Symphony no. 29 in A major, K. 201: IV. Allegro con spiritoso | — | ||
| 26-5 | Symphony no. 41 in C major “Jupiter”, K. 551: I. Allegro vivace | — | ||
| 26-6 | Symphony no. 41 in C major “Jupiter”, K. 551: II. Andante cantabile | — | ||
| 26-7 | Symphony no. 41 in C major “Jupiter”, K. 551: III. Menuetto | — | ||
| 26-8 | Symphony no. 41 in C major “Jupiter”, K. 551: IV. Molto allegro | — | ||
| 26-9 | The Hebrides - Overture, op. 26 (Fingal's Cave) | — | ||
| 27-1 | Romeo and Juliet | — | ||
| 27-2 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima | — | ||
| 27-3 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzonetta | — | ||
| 27-4 | Symphony no. 4 in F minor, op. 36: III. Scherzo (Pizzicato ostinato) | — | ||
| 27-5 | Symphony no. 4 in F minor, op. 36: IV. Finale (Allegro con fuoco) | — | ||
| 28-1 | Symphony no. 7 in D minor, op. 70: I. Allegro maestoso | — | ||
| 28-2 | Symphony no. 7 in D minor, op. 70: II. Poco adagio | — | ||
| 28-3 | Symphony no. 7 in D minor, op. 70: III. Scherzo (Vivace) | — | ||
| 28-4 | Symphony no. 7 in D minor, op. 70: IV. Allegro | — | ||
| 28-5 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | — | ||
| 28-6 | Symphony no. 8 in G major, op. 88: II. Adagio | — | ||
| 28-7 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso - Molto vivace | — | ||
| 28-8 | Symphony no. 8 in G major, op. 88: IV. Allegro, ma non troppo | — | ||
| 29-1 | Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico | — | ||
| 29-2 | Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) | — | ||
| 29-3 | Symphony no. 1 in E minor, op. 39: III. Scherzo (Allegro) | — | ||
| 29-4 | Symphony no. 1 in E minor, op. 39: IV. Finale: Quasi una fantasia (Andante - Allegro molto) | — | ||
| 29-5 | Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato - Presto | — | ||
| 29-6 | Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto | — | ||
| 29-7 | Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Un pocchettino largamente | — | ||
| 30-1 | Hänsel and Gretel: Overture | — | ||
| 30-2 | Symphony no. 1 in D major: I. Langsam Schleppend | — | ||
| 30-3 | Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell (Ländler: Scherzo) | — | ||
| 30-4 | Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 30-5 | Symphony no. 1 in D major: IV. Stürmischbewegt | — | ||
| 31-1 | Peer Gynt Suite 1, op. 46: I. Morning Mood | Hallé Orchestra, Sir John Barbirolli | — | |
| 31-2 | Peer Gynt Suite 1, op. 46: II. Death of Aase | — | ||
| 31-3 | Peer Gynt Suite 1, op. 46: III. Anitra's Dance | — | ||
| 31-4 | Peer Gynt Suite 1, op. 46: IV. In the Hall of the Mountain King | — | ||
| 31-5 | Two Elegiac Melodies, op. 34: I. Heart's wounds | — | ||
| 31-6 | Two Elegiac Melodies, op. 34: II. Last Spring | — | ||
| 31-7 | Symphonic Dances, op. 64: I. Allegro moderato e marcato | — | ||
| 31-8 | Symphonic Dances, op. 64: II. Allegretto grazioso | — | ||
| 31-9 | Symphonic Dances, op. 64: III. Allegro giocoso | — | ||
| 31-10 | Symphonic Dances, op. 64: IV. Andante - Allegro - Allegro molto e risolto | — | ||
| 31-11 | Pohjola's Daughter, op. 49 | — | ||
| 31-12 | Kuolema, op. 44: I. Valse triste | — | ||
| 32-1 | Guillaume Tell: Overture | — | ||
| 32-2 | Guillaume Tell: Ballet Music | — | ||
| 32-3 | Semiramide: Overture | — | ||
| 32-4 | La forza del destino: Overture | — | ||
| 32-5 | La Gioconda: Act 3. Dance of the Hours | — | ||
| 32-6 | Cavalleria Rusticana: Intermezzo | — | ||
| 32-7 | Manon Lescaut: Act 3. Intermezzo | — | ||
| 33-1 | Serenade in D minor, op. 44: I. Moderato, quasi marcia | Hallé Orchestra, Sir John Barbirolli | — | |
| 33-2 | Serenade in D minor, op. 44: II. Minuetto | — | ||
| 33-3 | Serenade in D minor, op. 44: III. Andante con moto | — | ||
| 33-4 | Serenade in D minor, op. 44: IV. Finale (Allegro molto) | — | ||
| 33-5 | Petite Symphonie: 1. Adagio et allegretto | Hallé Orchestra, Sir John Barbirolli | — | |
| 33-6 | Petite Symphonie: 2. Andante cantabile | Hallé Orchestra, Sir John Barbirolli | — | |
| 33-7 | Petite Symphonie: 3. Scherzo | Hallé Orchestra, Sir John Barbirolli | — | |
| 33-8 | Petite Symphonie: 4. Finale | Hallé Orchestra, Sir John Barbirolli | — | |
| 33-9 | Rodrigo, HWV 5 (Suite): I. Overture | — | ||
| 33-10 | Rodrigo, HWV 5 (Suite): II. Gigue | — | ||
| 33-11 | Rodrigo, HWV 5 (Suite): III. Sarabande | — | ||
| 33-12 | Rodrigo, HWV 5 (Suite): IV. Bourrée | — | ||
| 33-13 | Rodrigo, HWV 5 (Suite): V. Menuet | — | ||
| 33-14 | Rodrigo, HWV 5 (Suite): VI. Matelot | — | ||
| 33-15 | Serse, HWV 40 (Suite): I. Overture | — | ||
| 33-16 | Serse, HWV 40 (Suite): II. Aria: “Ombra mai fù” | Richard Lewis, Valda Aveling, Hallé Orchestra, Sir John Barbirolli | — | |
| 33-17 | Serse, HWV 40 (Suite): Act 3. III. Sinfonia | — | ||
| 33-18 | Serse, HWV 40 (Suite): Aria: “Quella che tutta fè” | — | ||
| 33-19 | Serse, HWV 40 (Suite): Gigue | — | ||
| 34-1 | Ein Morgen, ein Mittag und ein Abend in Wien: Overture | — | ||
| 34-2 | Pique Dame: Overture | — | ||
| 34-3 | Banditenstreiche: Overture | — | ||
| 34-4 | Die leichte Kavallerie: Overture | — | ||
| 34-5 | Die schöne Galathée: Overture | — | ||
| 34-6 | Dichter und Bauer: Overture | — | ||
| 34-7 | Die lustigen Weiber von Windsor: Overture | — | ||
| 34-8 | Stars and Stripes Forever | — | ||
| 34-9 | Trumpet Voluntary | — | ||
| 35-1 | Symphonie fantastique, op. 14: I. Rêveries - Passion | — | ||
| 35-2 | Symphonie fantastique, op. 14: II. Un bal (Valse) | — | ||
| 35-3 | Symphonie fantastique, op. 14: III. Scène aux champs | — | ||
| 35-4 | Symphonie fantastique, op. 14: IV. Marche au supplice | — | ||
| 35-5 | Symphonie fantastique, op. 14: V. Songe d'une nuit de Sabbat | — | ||
| 35-6 | La Damnation de Faust, op. 24: Menuet des follets | — | ||
| 35-7 | La Damnation de Faust, op. 24: Danse des Sylphes | — | ||
| 35-8 | La Damnation de Faust, op. 24: Marche hongroise | Hallé Orchestra, Sir John Barbirolli | — | |
| 36-1 | Joyeuse marche | — | ||
| 36-2 | Scènes Alsaciennes: III. Sous les tilleuls | — | ||
| 36-3 | La Mer: I. De l'aube à midi sur la mer | — | ||
| 36-4 | La Mer: II. Jeux de vagues | — | ||
| 36-5 | La Mer: III. Dialogue du vent et de la mer | — | ||
| 36-6 | Daphnis et Chloé (Suite no. 2): I. Lever du jour | — | ||
| 36-7 | Daphnis et Chloé (Suite no. 2): II. Pantomime | — | ||
| 36-8 | Daphnis et Chloé (Suite no. 2): III. Danse générale | — | ||
| 36-9 | La Valse | — | ||
| 36-10 | Ma mère l'oye (Suite): I. Pavane de la Belle au bois dormant | — | ||
| 36-11 | Ma mère l'oye (Suite): II. Petit Poucet | — | ||
| 36-12 | Ma mère l'oye (Suite): III. Laideronnette - Impératrice des Pagodes | — | ||
| 36-13 | Ma mère l'oye (Suite): IV. Les Entretiens de la Belle et de la Bête | — | ||
| 36-14 | Ma mère l'oye (Suite): V. Le Jardin féerique | — | ||
| 37-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto | — | ||
| 37-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | — | ||
| 37-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo (Molto vivace) | — | ||
| 37-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | — | ||
| 37-5 | Scherzo capriccioso, op. 66 | — | ||
| 37-6 | Legends, op. 59: IV. Molto maestoso (C major) | — | ||
| 37-7 | Legends, op. 59: VI. Allegro con moto (C-sharp minor) | — | ||
| 37-8 | Legends, op. 59: VII. Allegretto grazioso (A major) | — | ||
| 38-1 | Tannhäuser: Overture | — | ||
| 38-2 | Die Meistersinger von Nürnberg: Overture | — | ||
| 38-3 | Die Meistersinger von Nürnberg (Suite from Act 3): Act 3. Prelude | — | ||
| 38-4 | Die Meistersinger von Nürnberg (Suite from Act 3): Act 3. Dance of the Apprentices | — | ||
| 38-5 | Die Meistersinger von Nürnberg (Suite from Act 3): Act 3. Entry of the Masters | — | ||
| 38-6 | Die Meistersinger von Nürnberg (Suite from Act 3): Act 3. Homage to Sachs | — | ||
| 38-7 | Die Meistersinger von Nürnberg (Suite from Act 3): Act 3. Finale | — | ||
| 38-8 | Tristan und Isolde: Act 1. Prelude | — | ||
| 38-9 | Tristan und Isolde: Act 3. Liebestod | — | ||
| 38-10 | Lohengrin: Act 1. Prelude | — | ||
| 38-11 | Der fliegende Holländer: Overture | — | ||
| 39-1 | Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | — | ||
| 39-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 39-3 | Symphony no. 5 in E minor, op. 64: III. Valse (Allegro moderato) | — | ||
| 39-4 | Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace | — | ||
| 39-5 | Marche Slave, op. 31 | — | ||
| 39-6 | String Quartet no. 1 in D major, op. 11: II. Andante cantabile | — | ||
| 40-1 | Symphony no. 6 in B minor “Pathétique”, op. 74: I. Adagio - Allegro non troppo | — | ||
| 40-2 | Symphony no. 6 in B minor “Pathétique”, op. 74: II. Allegro con grazia | — | ||
| 40-3 | Symphony no. 6 in B minor “Pathétique”, op. 74: III. Allegro molto vivace | — | ||
| 40-4 | Symphony no. 6 in B minor “Pathétique”, op. 74: IV. Finale (Adagio lamentoso) | — | ||
| 40-5 | Symphony no. 4 “Inextinguishable”, op. 29: I. Allegro | — | ||
| 40-6 | Symphony no. 4 “Inextinguishable”, op. 29: II. Poco allegretto | — | ||
| 40-7 | Symphony no. 4 “Inextinguishable”, op. 29: III. Poco adagio quasi andante | — | ||
| 40-8 | Symphony no. 4 “Inextinguishable”, op. 29: IV. Allegro | — | ||
| 41-1 | Die Zauberflöte, K. 620: Overture | — | ||
| 41-2 | Leonore Overture no. 3, op. 72b | — | ||
| 41-3 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | — | ||
| 41-4 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 41-5 | Symphony no. 1 in C major, op. 21: III. Menuetto (Allegro molto e vivace) | — | ||
| 41-6 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | — | ||
| 41-7 | Symphony no. 8 in F major, op. 93: I. Allegro vivace con brio | — | ||
| 41-8 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 41-9 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | — | ||
| 41-10 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 42-1 | Oberon: Overture | — | ||
| 42-2 | Academic Festival Overture, op. 80 | — | ||
| 42-3 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 42-4 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 42-5 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 42-6 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico espressivo | — | ||
| 43-1 | Symphony no. 5 in D major: I. Preludio (Moderato - Allegro - Tempo I) | — | ||
| 43-2 | Symphony no. 5 in D major: II. Scherzo (Presto misterioso) | — | ||
| 43-3 | Symphony no. 5 in D major: III. Romanza (Lento) | — | ||
| 43-4 | Symphony no. 5 in D major: IV. Passacaglia (Moderato - Allegro - Tempo primo - Tempo del Preludio) | — | ||
| 43-5 | Fantasia on a Theme by Thomas Tallis | Sinfonia of London, Sir John Barbirolli | — | |
| 43-6 | Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — | |
| 44-1 | Introduction and Allegro for Strings, op. 47: I. Moderato - | Allegri String Quartet, Sinfonia of London, Sir John Barbirolli | — | |
| 44-2 | Introduction and Allegro for Strings, op. 47: II. Allegro - | Allegri String Quartet, Sinfonia of London, Sir John Barbirolli | — | |
| 44-3 | Introduction and Allegro for Strings, op. 47: III. Fugue: Allegro | Allegri String Quartet, Sinfonia of London, Sir John Barbirolli | — | |
| 44-4 | Serenade in E minor, op. 20: I. Allegro piacevole | Sinfonia of London, Sir John Barbirolli | — | |
| 44-5 | Serenade in E minor, op. 20: II. Larghetto | Sinfonia of London, Sir John Barbirolli | — | |
| 44-6 | Serenade in E minor, op. 20: III. Allegretto – Come prima | Sinfonia of London, Sir John Barbirolli | — | |
| 44-7 | Variations on an Original Theme “Enigma”, op. 36: Theme | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-8 | Variations on an Original Theme “Enigma”, op. 36: I. C.A.E. (Caroline Alice Edgar) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-9 | Variations on an Original Theme “Enigma”, op. 36: II. H.D.S.P. (Hew David Steuart‐Powell) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-10 | Variations on an Original Theme “Enigma”, op. 36: III. R.B.T. (Richard Baxter Townshend) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-11 | Variations on an Original Theme “Enigma”, op. 36: IV. W.M.B. (William Meath Baker) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-12 | Variations on an Original Theme “Enigma”, op. 36: V. R.P.A. (Richard Penrose Arnold) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-13 | Variations on an Original Theme “Enigma”, op. 36: VI. Ysobel (Isabel Fitton) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-14 | Variations on an Original Theme “Enigma”, op. 36: VII. Troyte (Troyte Griffith) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-15 | Variations on an Original Theme “Enigma”, op. 36: VIII. W.N. (Winifred Norbury) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-16 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod (A.J. Jaeger) | Philharmonia Orchestra, Sir John Barbirolli | T-010.115.427-1 | |
| 44-17 | Variations on an Original Theme “Enigma”, op. 36: X. Intermezzo: Dorabella (Dora Penny) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-18 | Variations on an Original Theme “Enigma”, op. 36: XI. G.R.S. (George Robertson Sinclair) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-19 | Variations on an Original Theme “Enigma”, op. 36: XII. B.G.N. (Basil G. Nevinson) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-20 | Variations on an Original Theme “Enigma”, op. 36: XIII. Romanza: *** (Lady Mary Lygon) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-21 | Variations on an Original Theme “Enigma”, op. 36: XIV. Finale: E.D.U. (the composer) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 44-22 | Concert Overture: Cockaigne (in London Town), op. 40 | Philharmonia Orchestra, Sir John Barbirolli | T-010.035.109-4 | |
| 45-1 | Symphony no. 1 in A‐flat, op. 55: I. Andante, nobilmente e semplice – Allegro | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 45-2 | Symphony no. 1 in A‐flat, op. 55: II. Allegro molto | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 45-3 | Symphony no. 1 in A‐flat, op. 55: III. Adagio | Philharmonia Orchestra, Sir John Barbirolli | T-913.999.561-2 | |
| 45-4 | Symphony no. 1 in A‐flat, op. 55: IV. Lento – Allegro | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 45-5 | Pomp and Circumstance Marches, op. 39: No. 1 in D major | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 45-6 | Pomp and Circumstance Marches, op. 39: No. 4 in G major | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 46-1 | Symphony no. 9 in D major: I. Andante comodo | Berliner Philharmoniker, Sir John Barbirolli | — | |
| 46-2 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers (Etwas täppisch und sehr derb) | Berliner Philharmoniker, Sir John Barbirolli | — | |
| 46-3 | Symphony no. 9 in D major: III. Rondo-Burleske (Allegro assai. Sehr trotzig) | Berliner Philharmoniker, Sir John Barbirolli | — | |
| 46-4 | Symphony no. 9 in D major: IV. Adagio (Sehr langsam; molto adagio) | Berliner Philharmoniker, Sir John Barbirolli | — | |
| 47-1 | Symphony no. 9 in C major “The Great”, D. 944: I. Andante - Allegro ma non troppo | — | ||
| 47-2 | Symphony no. 9 in C major “The Great”, D. 944: II. Andante con moto | — | ||
| 47-3 | Symphony no. 9 in C major “The Great”, D. 944: III. Scherzo (Allegro vivace) - Trio | — | ||
| 47-4 | Symphony no. 9 in C major “The Great”, D. 944: IV. Allegro vivace | — | ||
| 48-1 | Froissart Concert Overture, op. 19 | Philharmonia Orchestra, Sir John Barbirolli | T-010.162.592-6 | |
| 48-2 | Pomp and Circumstance Marches, op. 39: No. 2 in A minor | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 48-3 | Pomp and Circumstance Marches, op. 39: No. 3 in C minor | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 48-4 | Pomp and Circumstance Marches, op. 39: No. 5 in C major | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 48-5 | Sospiri, op. 70 | Philharmonia Orchestra, Sir John Barbirolli | T-011.613.873-8 | |
| 48-6 | Elegy, op. 58 | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 48-7 | Falstaff Symphonic Study in C minor, op. 68: I. Falstaff and Prince Henry | Hallé Orchestra, Sir John Barbirolli | — | |
| 48-8 | Falstaff Symphonic Study in C minor, op. 68: II. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | Hallé Orchestra, Sir John Barbirolli | — | |
| 48-9 | Falstaff Symphonic Study in C minor, op. 68: II. Dream Interlude: "Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk" | Hallé Orchestra, Sir John Barbirolli | — | |
| 48-10 | Falstaff Symphonic Study in C minor, op. 68: III. Falstaff's march | Hallé Orchestra, Sir John Barbirolli | — | |
| 48-11 | Falstaff Symphonic Study in C minor, op. 68: III. Interlude: Gloucestershire. Shallow's orchard (Allegretto) - The new king - The hurried ride to London | Hallé Orchestra, Sir John Barbirolli | — | |
| 48-12 | Falstaff Symphonic Study in C minor, op. 68: IV. King Henry V's progress - the repudiation of Falstaff, and his death | Hallé Orchestra, Sir John Barbirolli | — | |
| 49-1 | Symphony no. 2 in E-flat, op. 63: I. Allegro vivace e nobilmente | Hallé Orchestra, Sir John Barbirolli | — | |
| 49-2 | Symphony no. 2 in E-flat, op. 63: II. Larghetto | Hallé Orchestra, Sir John Barbirolli | — | |
| 49-3 | Symphony no. 2 in E-flat, op. 63: III. Rondo: Presto | Hallé Orchestra, Sir John Barbirolli | — | |
| 49-4 | Symphony no. 2 in E-flat, op. 63: IV. Moderato e maestoso | Hallé Orchestra, Sir John Barbirolli | — | |
| 49-5 | Die Meistersinger von Nürnberg: Overture | — | ||
| 50-1 | Serenade in C major, op. 48: I. Pezzo in forma de Sonatina | — | ||
| 50-2 | Serenade for strings (or piano, 4 hands) in C major, op. 48: Valse | London Symphony Orchestra, Sir John Barbirolli | — | |
| 50-3 | Serenade in C major, op. 48: III. Élégie (Larghetto elegiaco) | — | ||
| 50-4 | Serenade in C major, op. 48: IV. Finale (Tema russo) | — | ||
| 50-5 | Variations on a Theme of Tchaikovsky, op. 35a: I. Theme: Moderato | — | ||
| 50-6 | Variations on a Theme of Tchaikovsky, op. 35a: II. Var. 1: Un poco più mosso | — | ||
| 50-7 | Variations on a Theme of Tchaikovsky, op. 35a: III. Var. 2: Allegro non troppo | — | ||
| 50-8 | Variations on a Theme of Tchaikovsky, op. 35a: IV. Var. 3: Andantino tranquillo | — | ||
| 50-9 | Variations on a Theme of Tchaikovsky, op. 35a: V. Var. 4: Vivace | — | ||
| 50-10 | Variations on a Theme of Tchaikovsky, op. 35a: VI. Var. 5: Andante | — | ||
| 50-11 | Variations on a Theme of Tchaikovsky, op. 35a: VII. Var. 6: Allegro con spirito | — | ||
| 50-12 | Variations on a Theme of Tchaikovsky, op. 35a: VIII. Var. 7: Andante con moto | — | ||
| 50-13 | Variations on a Theme of Tchaikovsky, op. 35a: IX. Coda: Moderato | — | ||
| 50-14 | Francesca da Rimini, op. 32 | — | ||
| 51-1 | A London Overture | — | ||
| 51-2 | Tintagel | — | ||
| 51-3 | A Village Romeo and Juliet, RT I/6: The Walk to the Paradise Garden | — | ||
| 51-4 | Irmelin Prelude | London Symphony Orchestra, Sir John Barbirolli | — | |
| 51-5 | A Song of Summer, RT VI/26 | — | ||
| 51-6 | Elizabethan Suite: I. The Earl of Salisbury's Pavane (Byrd) | — | ||
| 51-7 | Elizabethan Suite: II. The Irishe His Hoane (Anonymous) | — | ||
| 51-8 | Elizabethan Suite: III. A Toye (Farnaby) | — | ||
| 51-9 | Elizabethan Suite: IV. Giles Farnaby's Dreame (Farnaby) | — | ||
| 51-10 | Elizabethan Suite: V. The King's Hunt (Bull) | — | ||
| 52-1 | On the Beautiful Blue Danube, op. 314 | Hallé Orchestra, Sir John Barbirolli | T-902.100.912-1 | |
| 52-2 | Unter Donner und Blitz, op. 324 | — | ||
| 52-3 | Der Zigeunerbaron: Overture | — | ||
| 52-4 | Perpetuum mobile, op. 257 | — | ||
| 52-5 | Radetzky March, op. 228 | — | ||
| 52-6 | Gold und Silber, op. 79 | — | ||
| 52-7 | Der Rosenkavalier: Waltz Sequence | — | ||
| 52-8 | Champagner-Polka, op. 211 | — | ||
| 52-9 | Le Carnaval Romain, op. 9 H 95 | — | ||
| 52-10 | La forza del destino: Overture | Hallé Orchestra, Sir John Barbirolli | T-306.483.068-4 | |
| 53-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | Hallé Orchestra, Sir John Barbirolli | — | |
| 53-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato | Hallé Orchestra, Sir John Barbirolli | — | |
| 53-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo | Hallé Orchestra, Sir John Barbirolli | — | |
| 53-4 | Symphony no. 2 in D major, op. 43: IV. Finale (Allegro moderato) | Hallé Orchestra, Sir John Barbirolli | T-318.676.528-2 | |
| 53-5 | Lemminkäinen Suite, op. 22: II. The Swan of Tuonela | Eric Fletcher, Hallé Orchestra, Sir John Barbirolli | — | |
| 53-6 | Lemminkäinen Suite, op. 22: IV. Lemminkäinen’s Return | Hallé Orchestra, Sir John Barbirolli | — | |
| 53-7 | Karelia Suite, op. 11: I. Intermezzo | Hallé Orchestra, Sir John Barbirolli | — | |
| 53-8 | Karelia Suite, op. 11: II. Ballade | Hallé Orchestra, Sir John Barbirolli | — | |
| 53-9 | Karelia Suite, op. 11: III. Alla marcia | Hallé Orchestra, Sir John Barbirolli | — | |
| 54-1 | Symphony no. 5 in E-flat, op. 82: I. Tempo molto moderato – Allegro moderato – Presto | Hallé Orchestra, Sir John Barbirolli | — | |
| 54-2 | Symphony no. 5 in E-flat, op. 82: II. Andante mosso, quasi allegretto | Hallé Orchestra, Sir John Barbirolli | — | |
| 54-3 | Symphony no. 5 in E-flat, op. 82: III. Allegro molto – Un Pochettino largamente | Hallé Orchestra, Sir John Barbirolli | — | |
| 54-4 | Symphony no. 7 in C, op. 105: I. Adagio – | Hallé Orchestra, Sir John Barbirolli | — | |
| 54-5 | Symphony no. 7 in C, op. 105: II. Un pochettino meno adagio – Vivacissimo — Adagio – | Hallé Orchestra, Sir John Barbirolli | — | |
| 54-6 | Symphony no. 7 in C, op. 105: III. Allegro molto moderato – | Hallé Orchestra, Sir John Barbirolli | — | |
| 54-7 | Symphony no. 7 in C, op. 105: IV. Vivace – Presto – Adagio | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-1 | Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo – Allegro energico | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-2 | Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-3 | Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-4 | Symphony no. 1 in E minor, op. 39: IV. Finale: Quasi una fantasia (Andante – Allegro molto) | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-5 | Suite from Pelléas and Mélisande, op. 46: No. 1. At the Castle Gate | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-6 | Suite from Pelléas and Mélisande, op. 46: No. 2. Mélisande | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-7 | Suite from Pelléas and Mélisande, op. 46: No. 7. Mélisande at the Spinning Wheel | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-8 | Pelleas and Melisande: No. 9 The Death of Melisande | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-9 | Scénes historiques Suites I & II: All' overtura, op. 25 no. 1 | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-10 | Scénes historiques Suites I & II: Scena, op. 25 no. 2 | Hallé Orchestra, Sir John Barbirolli | — | |
| 55-11 | Scénes historiques Suites I & II: The Hunt, op. 66 no. 1 | Hallé Orchestra, Sir John Barbirolli | — | |
| 56-1 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio | Hallé Orchestra, Sir John Barbirolli | — | |
| 56-2 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace | Hallé Orchestra, Sir John Barbirolli | — | |
| 56-3 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | Hallé Orchestra, Sir John Barbirolli | — | |
| 56-4 | Symphony no. 4 in A minor, op. 63: IV. Allegro | Hallé Orchestra, Sir John Barbirolli | — | |
| 56-5 | Rakastava, op. 14: I. The Lover | Hallé Orchestra, Sir John Barbirolli | — | |
| 56-6 | Rakastava, op. 14: II. The Way of the Lover | Hallé Orchestra, Sir John Barbirolli | — | |
| 56-7 | Rakastava, op. 14: III. Goodnight, My Beloved, Farewell | Hallé Orchestra, Sir John Barbirolli | — | |
| 56-8 | Romance in C, op. 42 | Hallé Orchestra, Sir John Barbirolli | — | |
| 56-9 | Finlandia, op. 26 | Hallé Orchestra, Sir John Barbirolli | T-910.256.702-2 | |
| 56-10 | Pohjola's Daughter, op. 49 | Hallé Orchestra, Sir John Barbirolli | — | |
| 57-1 | Symphony no. 3 in C, op. 52: I. Allegro moderato | Hallé Orchestra, Sir John Barbirolli | — | |
| 57-2 | Symphony no. 3 in C, op. 52: II. Andantino con moto, quasi allegretto | Hallé Orchestra, Sir John Barbirolli | — | |
| 57-3 | Symphony no. 3 in C, op. 52: III. Moderato – Allegro (ma non tanto) | Hallé Orchestra, Sir John Barbirolli | — | |
| 57-4 | Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato | Hallé Orchestra, Sir John Barbirolli | — | |
| 57-5 | Symphony no. 6 in D minor, op. 104: II. Allegretto moderato | Hallé Orchestra, Sir John Barbirolli | — | |
| 57-6 | Symphony no. 6 in D minor, op. 104: III. Poco vivace | Hallé Orchestra, Sir John Barbirolli | — | |
| 57-7 | Symphony no. 6 in D minor, op. 104: IV. Allegro molto | Hallé Orchestra, Sir John Barbirolli | — | |
| 57-8 | Kuolema, op. 44: I. Valse triste | Hallé Orchestra, Sir John Barbirolli | — | |
| 58-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 58-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grandioso | — | ||
| 58-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino) - Presto ma non assai - Tempo I | — | ||
| 58-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 58-5 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | — | ||
| 58-6 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 58-7 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 58-8 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 59-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro | — | ||
| 59-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 59-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 59-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio | — | ||
| 59-5 | Tragic Overture for Orchestra in D minor, Op. 81 | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 60-1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 60-2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 60-3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 60-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico espressivo | — | ||
| 60-5 | Academic Festival Overture, op. 80 | — | ||
| 60-6 | Variations on a Theme by Haydn; Chorale | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 60-7 | Variations on a Theme by Haydn; Variation 1 Poco più animato | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 60-8 | Variations on a Theme by Haydn; Variation 2 Più vivace (Vivace) | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 60-9 | Variations on a Theme by Haydn; Variation 3 Con moto | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 60-10 | Variations on a Theme by Haydn; Variation 4 Andante con moto (Andante) | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 60-11 | Variations on a Theme by Haydn; Variation 5 Vivace (Poco presto) | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 60-12 | Variations on a Theme by Haydn; Variation 6 Vivace | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 60-13 | Variations on a Theme by Haydn; Variation 7 Grazioso | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 60-14 | Variations on a Theme by Haydn; Variation 8 Presto non troppo (Poco presto) | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 60-15 | Variations on a Theme by Haydn; Variation 9 Finale. Andante | Wiener Philharmoniker, Sir John Barbirolli | — | |
| 61-1 | A London Symphony (no. 2) (1936 Revised Edition): I. Lento - Allegro risoluto (molto pesante) | — | ||
| 61-2 | A London Symphony (no. 2) (1936 Revised Edition): II. Lento | — | ||
| 61-3 | A London Symphony (no. 2) (1936 Revised Edition): III. Scherzo (Nocturno) - Allegro vivace | — | ||
| 61-4 | A London Symphony (no. 2) (1936 Revised Edition): IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Maestoso alla marcia (alla I) - Epilogue (Andante sostenuto) | — | ||
| 61-5 | Metamorphosen, TrV 290 | — | ||
| 62-1 | Pelleas und Melisande, op. 5: Anfang | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-2 | Pelleas und Melisande, op. 5: Heftig | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-3 | Pelleas und Melisande, op. 5: Lebhaft | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-4 | Pelleas und Melisande, op. 5: Sehr rasch | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-5 | Pelleas und Melisande, op. 5: Ein wenig bewegt | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-6 | Pelleas und Melisande, op. 5: Langsam | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-7 | Pelleas und Melisande, op. 5: Ein wenig bewegter | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-8 | Pelleas und Melisande, op. 5: Sehr langsam | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-9 | Pelleas und Melisande, op. 5: Etwas bewegt | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-10 | Pelleas und Melisande, op. 5: In gehender Bewegnung | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-11 | Pelleas und Melisande, op. 5: Breit | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 62-12 | Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 63-1 | Symphony no. 6 in A minor: II. Andante moderato | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 63-2 | Symphony no. 6 in A minor: III. Scherzo | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 63-3 | Symphony no. 6 in A minor: IV. Finale. Allegro moderato | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 64-1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | — | ||
| 64-2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre | — | ||
| 64-3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo (Allegro vivace) & Trio | — | ||
| 64-4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale (Allegro molto - Poco andante - Presto) | — | ||
| 64-5 | Romeo and Juliet - fantasy overture, TH 42 (incomplete - the last few bars of the coda are missing) | — | ||
| 65-1 | Peer Gynt, op. 23 - Excerpts: Overture | — | ||
| 65-2 | Peer Gynt, op. 23 - Excerpts: Wedding March | — | ||
| 65-3 | Peer Gynt, op. 23 - Excerpts: Ingrid's Lament | — | ||
| 65-4 | Peer Gynt, op. 23 - Excerpts: In the Hall of the Mountain King | — | ||
| 65-5 | Peer Gynt, op. 23 - Excerpts: Dance of the Mountain King's Daughter | — | ||
| 65-6 | Peer Gynt, op. 23 - Excerpts: Death of Aase | — | ||
| 65-7 | Peer Gynt, op. 23 - Excerpts: Morning | — | ||
| 65-8 | Peer Gynt, op. 23 - Excerpts: Arabian Dance | — | ||
| 65-9 | Peer Gynt, op. 23 - Excerpts: Anitra's Dance | — | ||
| 65-10 | Peer Gynt, op. 23 - Excerpts: Solveig's Song | — | ||
| 65-11 | Peer Gynt, op. 23 - Excerpts: Return of Peer Gynt | — | ||
| 65-12 | Peer Gynt, op. 23 - Excerpts: Solveig's Lullaby | — | ||
| 65-13 | Lyric Suite, op. 54: I. Shepherd Boy | Hallé Orchestra, Sir John Barbirolli | — | |
| 65-14 | Lyric Suite, op. 54: II. Norwegian Rustic March | Hallé Orchestra, Sir John Barbirolli | — | |
| 65-15 | Lyric Suite, op. 54: III. Nocturne | Hallé Orchestra, Sir John Barbirolli | — | |
| 65-16 | Lyric Suite, op. 54: IV. March of the Dwarfs | Hallé Orchestra, Sir John Barbirolli | — | |
| 65-17 | Homage March, op. 56 no. 3 (from Sigurd Jorsalfar, op. 22) | Hallé Orchestra, Sir John Barbirolli | T-900.037.282-7 | |
| 66-1 | In a Summer Garden, RT VI/17 | — | ||
| 66-2 | Hassan, RT I/9: Interlude between Scenes 1 and 2 | — | ||
| 66-3 | Hassan, RT I/9: Serenade | — | ||
| 66-4 | A Song before Sunrise, RT VI/24 | — | ||
| 66-5 | La Calinda from 'Koanga' | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-6 | On Hearing the First Cuckoo in Spring, RT VI/19 | — | ||
| 66-7 | Summer Night on the River, RT VI/19 | — | ||
| 66-8 | String Quartet no. 2, RT VIII/4: III. Late Swallows | — | ||
| 66-9 | Brigg Fair, RT VI/16 “An English Rhapsody”: Introduction (Slow, Pastoral) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-10 | Brigg Fair, RT VI/16 “An English Rhapsody”: Theme (with easy movement) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-11 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 1 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-12 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 2 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-13 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 3 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-14 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 4 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-15 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 5 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-16 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 6 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-17 | Brigg Fair, RT VI/16 “An English Rhapsody”: Interlude (Slow and very quietly) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-18 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 7 (Rather quicker but not hurried) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-19 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 8 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-20 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 9 (With easy movement) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-21 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 10 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-22 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 11 (Slow. With solemnity) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-23 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 12 (Maestoso) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-24 | Brigg Fair, RT VI/16 “An English Rhapsody”: Interlude II | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-25 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 13 (Gaily) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-26 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 14 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-27 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 15 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-28 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 16 | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-29 | Brigg Fair, RT VI/16 “An English Rhapsody”: Interlude III (Rather quicker) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-30 | Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 17 (Rather slower. Very broadly) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66-31 | Brigg Fair, RT VI/16 “An English Rhapsody”: Coda (Very quietly) | Hallé Orchestra, Sir John Barbirolli | — | |
| 67-1 | Trois Nocturnes: I. Nuages | — | ||
| 67-2 | Nocturnes : Fêtes | Orchestre de Paris, Sir John Barbirolli | — | |
| 67-3 | Trois Nocturnes: III. Sirènes | — | ||
| 67-4 | La Mer: I. De l'aube à midi sur la mer | — | ||
| 67-5 | La mer : Jeux de vagues | Orchestre de Paris, Sir John Barbirolli | — | |
| 67-6 | La Mer: III. Dialogue du vent et de la mer | — | ||
| 67-7 | Norwegian Dances, op. 35: I. Allegro marcato | Hallé Orchestra, Sir John Barbirolli | — | |
| 67-8 | Norwegian Dances, op. 35: II. Allegretto tranquillo e grazioso | Hallé Orchestra, Sir John Barbirolli | — | |
| 67-9 | Norwegian Dances, op. 35: III. Allegro moderato alla marcia | Hallé Orchestra, Sir John Barbirolli | — | |
| 67-10 | Norwegian Dances, op. 35: IV. Allegro molto | Hallé Orchestra, Sir John Barbirolli | — | |
| 68-1 | Ein Heldenleben, op. 40: Der Heid | — | ||
| 68-2 | Ein Heldenleben, op. 40: Des Helden Widersacher | — | ||
| 68-3 | Ein Heldenleben, op. 40: Des Helden Gefährtin | — | ||
| 68-4 | Ein Heldenleben, op. 40: Thema der Siegesewissheit | — | ||
| 68-5 | Ein Heldenleben, op. 40: Das Helden Walstatt | — | ||
| 68-6 | Ein Heldenleben, op. 40: Kriegsfanfaren | — | ||
| 68-7 | Ein Heldenleben, op. 40: Des Helden Friedenswerke | — | ||
| 68-8 | Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung | — | ||
| 68-9 | Ein Heldenleben, op. 40: Entsagung | — | ||
| 68-10 | Suite for Strings, Woodwinds and Horns: I. Andante maestoso - Allegro (The Gordian Knot Untied, Z 597: Overture) | — | ||
| 68-11 | Suite for Strings, Woodwinds and Horns: II. Tempo de menuetto (The Virtuous Wife, Z 611: Minuet) | — | ||
| 68-12 | Suite for Strings, Woodwinds and Horns: III. Andantino (King Arthur, Z 628: Fairest Isle) | — | ||
| 68-13 | Suite for Strings, Woodwinds and Horns: IV. Allegretto giocoso (Abdelazar, Z 570: Air) | — | ||
| 68-14 | Suite for Strings, Woodwinds and Horns: V. Largo (Dido and Aeneas, Z 626: Lament) | — | ||
| 68-15 | Suite for Strings, Woodwinds and Horns: VI. Allegro (King Arthur, Z 628: Alklegro from Second Music) | — | ||
| 68-16 | Cantata “Was mir behagt, ist nur die muntre Jagd”, BWV 208: “Sheep may safely graze” | — | ||
| 69-1 | Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Wie win Kondukt) | — | ||
| 69-2 | Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt (Mit grösster Vehemenz) | — | ||
| 69-3 | Symphony no. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell) | — | ||
| 69-4 | Symphony no. 5 in C-sharp minor: IV. Adagietto, Sehr langsam | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 69-5 | Symphony no. 5 in C-sharp minor: V. Rondo - Finale (Allegro) | — | ||
| 70-1 | Cello Concerto in D major, Hob. VIIb:2: I. Allegro moderato | — | ||
| 70-2 | Cello Concerto in D major, Hob. VIIb:2: II. Adagio | — | ||
| 70-3 | Cello Concerto in D major, Hob. VIIb:2: III. Allegro | — | ||
| 70-4 | Concerto in C major for Two Keyboards, BWV 1061: I. Allegro | — | ||
| 70-5 | Concerto in C major for Two Keyboards, BWV 1061: II. Adagio | — | ||
| 70-6 | Concerto in C major for Two Keyboards, BWV 1061: III. Finale: Fugue | — | ||
| 70-7 | Keyboard Concerto in D major, Hob. XVIII:11: III. Rondo al Ungarese | — | ||
| 70-8 | Keyboard Concerto in F minor, BWV 1056: I. Allegro | — | ||
| 70-9 | Valse Caprice, op. 76 | — | ||
| 70-10 | La Fileuse, op. 157 no. 2 | — | ||
| 71-1 | Violin Concerto no. 2 in E major, BWV 1042: I. Allegro | — | ||
| 71-2 | Violin Concerto no. 2 in E major, BWV 1042: II. Adagio | — | ||
| 71-3 | Violin Concerto no. 2 in E major, BWV 1042: III. Allegro assai | — | ||
| 71-4 | Violin Concerto in D major, op. 35: I. Allegro moderato | — | ||
| 71-5 | Violin Concerto in D major, op. 35: II. Canzonetta: Andante | — | ||
| 71-6 | Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo | — | ||
| 71-7 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | — | ||
| 71-8 | Piano Concerto in A minor, op. 16: II. Adagio | Wilhelm Backhaus, New Symphony Orchestra, Sir John Barbirolli | T-310.232.274-3 | |
| 71-9 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato - Andante maestoso | — | ||
| 72-1 | Piano Concerto no. 23 in A major, K. 488: I. Allegro | — | ||
| 72-2 | Piano Concerto no. 23 in A major, K. 488: II. Adagio | — | ||
| 72-3 | Piano Concerto no. 23 in A major, K. 488: III. Allegro assai | — | ||
| 72-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 72-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 72-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 72-7 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 72-8 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo | — | ||
| 72-9 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 73-1 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso risoluto | Arthur Rubinstein, Sir John Barbirolli, London Symphony Orchestra | — | |
| 73-2 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romanze (Larghetto) – | Arthur Rubinstein, Sir John Barbirolli, London Symphony Orchestra | — | |
| 73-3 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo vivace | Arthur Rubinstein, Sir John Barbirolli, London Symphony Orchestra | — | |
| 73-4 | Piano Concerto no. 2 in F minor, op. 21: I. Allegro | — | ||
| 73-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 73-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 74-1 | Violin Concerto no. 5 in A major, K. 219: I. Allegro aperto | — | ||
| 74-2 | Violin Concerto no. 5 in A major, K. 219: II. Adagio | — | ||
| 74-3 | Violin Concerto no. 5 in A major, K. 219: III. Tempo di menuetto | — | ||
| 74-4 | Violin Concerto in A minor, op. 82: I. Moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 74-5 | Violin Concerto in A minor, op. 82: II. Andante - | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 74-6 | Violin Concerto in A minor, op. 82: III. Cadenza - | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 74-7 | Violin Concerto in A minor, op. 82: IV. Animando | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 74-8 | Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, John Barbirolli | — | |
| 74-9 | Violin Concerto no. 2 in D minor, op. 22: II. Romance. Andante non troppo | Jascha Heifetz, London Philharmonic Orchestra, John Barbirolli | — | |
| 74-10 | Violin Concerto no. 2 in D minor, op. 22: III. Allegro con fuoco | Jascha Heifetz, London Philharmonic Orchestra, John Barbirolli | — | |
| 74-11 | Introduction and Rondo capriccioso in A minor, op. 28 | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 75-1 | Violin Concerto in D major, op. 35: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 75-2 | Violin Concerto in D major, op. 35: II. Canzonetta (Andante) - | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 75-3 | Violin Concerto in D major, op. 35: III. Allegro vivacissimo | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 75-4 | Violin Concerto no. 4 in D minor, op. 31: I. Andante - Cadenza | — | ||
| 75-5 | Violin Concerto no. 4 in D minor, op. 31: II. Andante religioso | — | ||
| 75-6 | Violin Concerto no. 4 in D minor, op. 31: III. Scherzo (Vivace) & Trio (Meno mosso) - Vivace da capo | — | ||
| 75-7 | Violin Concerto no. 4 in D minor, op. 31: IV. Finale marciale (Andante - Allegro) | — | ||
| 75-8 | Havanaise, op. 83 | — | ||
| 75-9 | Zigeunerweisen, op. 20 no. 1 | Jascha Heifetz, London Symphony Orchestra, Sir John Barbirolli | T-921.161.772-0 | |
| 76-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | — | ||
| 76-2 | Violin Concerto in D major, op. 61: II. Larghetto | — | ||
| 76-3 | Violin Concerto in D major, op. 61: III. Rondo (Allegro) | — | ||
| 76-4 | Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo | Fritz Kreisler, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 76-5 | Concerto for Violin and Orchestra in D major, op. 77: II. Adagio | Fritz Kreisler, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 76-6 | Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | Fritz Kreisler, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 77-1 | Piano Concerto no. 22 in E-flat, K482: I. Allegro | Edwin Fischer, John Barbirolli’s Chamber Orchestra, Sir John Barbirolli | — | |
| 77-2 | Piano Concerto no. 22 in E-flat, K482: II. Andante | Edwin Fischer, John Barbirolli’s Chamber Orchestra, Sir John Barbirolli | — | |
| 77-3 | Piano Concerto no. 22 in E-flat, K482: III. Allegro - Andantino cantabile - Allegro | Edwin Fischer, John Barbirolli’s Chamber Orchestra, Sir John Barbirolli | — | |
| 77-4 | Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro | — | ||
| 77-5 | Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto | — | ||
| 77-6 | Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro | — | ||
| 78-1 | Cello Concerto in A minor, Op. 129: I. Nicht zu schnell | Gregor Piatigorsky, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 78-2 | Cello Concerto in A minor, op. 129: II. Langsam | — | ||
| 78-3 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | — | ||
| 78-4 | Violin Concerto in D minor, WoO 23: I. In kräftigem, nicht zu schnellen Tempo | — | ||
| 78-5 | Violin Concerto in D minor, WoO 23: II. Langsam | — | ||
| 78-6 | Violin Concerto in D minor, WoO 23: III. Lebhaft doch nicht schnell | — | ||
| 78-7 | Oboe Concerto in C major, K. 314: I. Allegro aperto | — | ||
| 78-8 | Oboe Concerto in C major, K. 314: II. Andante ma non troppo | — | ||
| 78-9 | Oboe Concerto in C major, K. 314: III. Allegro - Cadenza - Allegro | — | ||
| 79-1 | Concerto for Oboe and Strings in F major: I. Preludio. Allegro | — | ||
| 79-2 | Concerto for Oboe and Strings in F major: II. Allemande. Allegro | — | ||
| 79-3 | Concerto for Oboe and Strings in F major: III. Sarabande. Largo | — | ||
| 79-4 | Concerto for Oboe and Strings in F major: IV. Gavotta. Allegro moderato | — | ||
| 79-5 | Concerto for Oboe and Strings in F major: V. Giga | — | ||
| 79-6 | Concerto for Oboe and Strings in C major: I. Largo | — | ||
| 79-7 | Concerto for Oboe and Strings in C major: II. Allegro | — | ||
| 79-8 | Concerto for Oboe and Strings in C major: III. Andantino | — | ||
| 79-9 | Concerto for Oboe and Strings in C major: IV. Allegro | — | ||
| 79-10 | Concerto for Oboe and Strings in F major: I. Preludio. Allegro | — | ||
| 79-11 | Concerto for Oboe and Strings in F major: II. Allemande. Allegro | — | ||
| 79-12 | Concerto for Oboe and Strings in F major: III. Sarabande. Largo | — | ||
| 79-13 | Concerto for Oboe and Strings in F major: IV. Gavotta. Allegro moderato | — | ||
| 79-14 | Concerto for Oboe and Strings in F major: V. Giga | — | ||
| 79-15 | Concerto for Oboe and Strings in C major: I. Largo | — | ||
| 79-16 | Concerto for Oboe and Strings in C major: II. Allegro | — | ||
| 79-17 | Concerto for Oboe and Strings in C major: III. Andantino | — | ||
| 79-18 | Concerto for Oboe and Strings in C major: IV. Allegro | — | ||
| 79-19 | Oboe Concerto in C major, Hob. VIIg:C1: I. Allegro spiritoso | — | ||
| 79-20 | Oboe Concerto in C major, Hob. VIIg:C1: II. Andante | — | ||
| 79-21 | Oboe Concerto in C major, Hob. VIIg:C1: III. Rondo (Allegretto) | — | ||
| 79-22 | Oboe Concerto in A minor: I. Rondo pastorale (Allegro moderato) | Evelyn Rothwell, London Symphony Orchestra, Sir John Barbirolli | — | |
| 79-23 | Oboe Concerto in A minor: II. Minuet and Musette (Allegro moderato) | Evelyn Rothwell, London Symphony Orchestra, Sir John Barbirolli | — | |
| 79-24 | Oboe Concerto in A minor: III. Finale: Scherzo (Presto - Lento - Presto) | Evelyn Rothwell, London Symphony Orchestra, Sir John Barbirolli | — | |
| 80-1 | Oboe Concerto no. 1 in B-flat major, HWV 301: I. Adagio - Allegro | Valda Aveling, Evelyn Rothwell, Strings of the Hallé Orchestra, Sir John Barbirolli | — | |
| 80-2 | Oboe Concerto no. 1 in B-flat major, HWV 301: II. Siciliana | Valda Aveling, Evelyn Rothwell, Strings of the Hallé Orchestra, Sir John Barbirolli | — | |
| 80-3 | Oboe Concerto no. 1 in B-flat major, HWV 301: III. Vivace | Valda Aveling, Evelyn Rothwell, Strings of the Hallé Orchestra, Sir John Barbirolli | T-700.095.171-5 | |
| 80-4 | Oboe Concerto in B-flat major, op. 7 no. 3: I. Allegro | — | ||
| 80-5 | Oboe Concerto in B-flat major, op. 7 no. 3: II. Adagio | — | ||
| 80-6 | Oboe Concerto in B-flat major, op. 7 no. 3: III. Allegro | — | ||
| 80-7 | Oboe Concerto in D major, op. 7 no. 6: I. Allegro | — | ||
| 80-8 | Oboe Concerto in D major, op. 7 no. 6: II. Adagio | — | ||
| 80-9 | Oboe Concerto in D major, op. 7 no. 6: III. Allegro | — | ||
| 80-10 | Oboe Concerto in C minor, S.Z. 799: I. Allegro moderato | — | ||
| 80-11 | Oboe Concerto in C minor: II. Adagio | Evelyn Rothwell, Sir John Barbirolli, The Pro Arte Orchestra | T-900.008.676-0 | |
| 80-12 | Oboe Concerto in C minor, S.Z. 799: III. Allegro | — | ||
| 80-13 | Oboe Concerto: I. Introduzione (Larghetto) in C minor | Evelyn Rothwell, Sir John Barbirolli, The Pro Arte Orchestra | — | |
| 80-14 | Oboe Concerto in C minor: II. Allegro | — | ||
| 80-15 | Oboe Concerto in C minor: III. Siciliana | — | ||
| 80-16 | Oboe Concerto in C minor: IV. Allegro | — | ||
| 80-17 | Concerto for Oboe and Strings in F major: I. Preludio. Allegro | — | ||
| 80-18 | Concerto for Oboe and Strings in F major: II. Allemande. Allegro | — | ||
| 80-19 | Concerto for Oboe and Strings in F major: III. Sarabande. Largo | — | ||
| 80-20 | Concerto for Oboe and Strings in F major: IV. Gavotta. Allegro moderato | — | ||
| 80-21 | Concerto for Oboe and Strings in F major: V. Giga | — | ||
| 80-22 | Oboe Concerto in C minor, S.Z. 799: I. Allegro moderato | — | ||
| 80-23 | Oboe Concerto in C minor, S.Z. 799: II. Adagio | — | ||
| 80-24 | Oboe Concerto in C minor, S.Z. 799: III. Allegro | — | ||
| 81-1 | Violin Concerto in D minor, op. 15: I. Moderato con moto - Agitato | — | ||
| 81-2 | Violin Concerto in D minor, op. 15: II. Vivace - Cadenza | — | ||
| 81-3 | Violin Concerto in D minor, op. 15: III. Passacaglia. Andante lento (un poco meno mosso) | — | ||
| 81-4 | Tuba Concerto in F minor: I. Prelude: Allegro moderato | Philip B. Catelinet, London Symphony Orchestra, Sir John Barbirolli | — | |
| 81-5 | Tuba Concerto in F minor: II. Romanza: Andante sostenuto | Philip B. Catelinet, London Symphony Orchestra, Sir John Barbirolli | — | |
| 81-6 | Tuba Concerto in F minor: III. Finale: Rondo alla tedesca (Allegro) | Philip B. Catelinet, London Symphony Orchestra, Sir John Barbirolli | — | |
| 81-7 | Le Carnaval des Animaux: I. Introduction and Royal March of the Lion | — | ||
| 81-8 | Le Carnaval des Animaux: II. Hens and Cocks | — | ||
| 81-9 | Le Carnaval des Animaux: III. Wild Asses | — | ||
| 81-10 | Le Carnaval des Animaux: IV. Tortoises | — | ||
| 81-11 | Le Carnaval des Animaux: V. The Elephant | — | ||
| 81-12 | Le Carnaval des Animaux: VI. Kangaroos | — | ||
| 81-13 | Le Carnaval des Animaux: VII. Aquarium | — | ||
| 81-14 | Le Carnaval des Animaux: VIII. Persons with Long Ears | — | ||
| 81-15 | Le Carnaval des Animaux: IX. Cuckoo in the Heart of the Wood | — | ||
| 81-16 | Le Carnaval des Animaux: X. The Aviary | — | ||
| 81-17 | Le Carnaval des Animaux: XI. Pianists | — | ||
| 81-18 | Le Carnaval des Animaux: XII. Fossils | — | ||
| 81-19 | Le Carnaval des Animaux: XIII. The Swan | — | ||
| 81-20 | Le Carnaval des Animaux: XIV. Finale | — | ||
| 81-21 | A Strauss Fantasy | — | ||
| 82-1 | Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: I. Andante | — | ||
| 82-2 | Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: II. Andante | — | ||
| 82-3 | Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: III. Largo e piano | — | ||
| 82-4 | Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: IV. Bourrée (Allegro) | — | ||
| 82-5 | Double Concerto in A minor, op. 102: I. Allegro | — | ||
| 82-6 | Double Concerto in A minor, op. 102: II. Andante | — | ||
| 82-7 | Double Concerto in A minor, op. 102: III. Vivace non troppo | — | ||
| 82-8 | Cello Concerto in E minor, op. 85: I. Adagio - Moderato | — | ||
| 82-9 | Cello Concerto in E minor, op. 85: II. Lento - Allegro molto | — | ||
| 82-10 | Cello Concerto in E minor, op. 85: III. Adagio | — | ||
| 82-11 | Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro ma non troppo | — | ||
| 83-1 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | — | ||
| 83-2 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco moto | — | ||
| 83-3 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo (Allegro) | — | ||
| 83-4 | Cello Concerto in G minor: I. Allegro | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 83-5 | Cello Concerto in G minor: II. Adagio | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 83-6 | Cello Concerto in G minor: III. Allegro non tanto | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 84-1 | Cello Concerto no. 2 in D major, Hob. VIIb:2: I. Allegro moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 84-2 | Cello Concerto no. 2 in D major, Hob. VIIb:2: II. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 84-3 | Cello Concerto no. 2 in D major, Hob. VIIb:2: III. Rondo: Allegro | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 84-4 | Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-919.860.418-1 | |
| 84-5 | Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.156-7 | |
| 84-6 | Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 | |
| 84-7 | Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.154-5 | |
| 85-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 85-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andante semplice - Prestissimo - Tempo I | — | ||
| 85-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 85-4 | Variations symphoniques: Poco allegro - | — | ||
| 85-5 | Variations symphoniques: Allegretto quasi andante - | — | ||
| 85-6 | Variations symphoniques: Molto piu lento - | — | ||
| 85-7 | Symphonic Variations: Allegro non troppo | John Ogdon, Philharmonia Orchestra, Sir John Barbirolli | — | |
| 86-1 | Piano Concerto No. 1 in D minor, Op. 15, 1. Maestoso | Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 86-2 | Piano Concerto No. 1 in D minor, Op. 15, 2. Adagio | Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 86-3 | Piano Concerto No. 1 in D minor, Op. 15, 3. Rondo | Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 87-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli | T-322.446.876-8 | |
| 87-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli | T-322.446.817-7 | |
| 87-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Più adagio | Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli | T-322.308.071-1 | |
| 87-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli | T-322.446.992-1 | |
| 88-1 | These Things Shall Be (J. A. Symons): I. “Say heart, what will future bring?” | — | ||
| 88-2 | These Things Shall Be (J. A. Symons): II. “These things shall be” | — | ||
| 88-3 | These Things Shall Be (J. A. Symons): III. “Nation with Nation, Land with Land” | — | ||
| 88-4 | These Things Shall Be (J. A. Symons): IV. “When all the earth is paradise” | — | ||
| 88-5 | The Dream of Gerontius, Op. 38: Part I (a) Prelude (Lento, mistico - Moderato - Andantino - Come prima) | Hallé Orchestra, Sir John Barbirolli | — | |
| 88-6 | The Dream of Gerontius, op. 38: Part One. II. “Jesu, Maria: I am near to death” (Gerontius) | Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 88-7 | The Dream of Gerontius, op. 38: Part One. III. “So pray for me … Kyrie eleison … Holy Mary, pray for him” (Gerontius, semi-chorus, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 88-8 | The Dream of Gerontius, op. 38: Part One. IV. “Rouse thee, my fainting soul” (Gerontius, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 88-9 | The Dream of Gerontius, op. 38: Part One. V. “Be merciful” (Gerontius, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 88-10 | The Dream of Gerontius, Op. 38: Part I (e) (Gerontius) Sanctus fortis, Sanctus Deus | Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 88-11 | The Dream of Gerontius, op. 38: Part One. VII. “I can no more” (Gerontius, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 88-12 | The Dream of Gerontius, op. 38: Part One. VIII. “Rescue him, O Lord… Noe from the waters” (Gerontius, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 88-13 | The Dream of Gerontius, op. 38: Part One. IX. “… Novissima hora est” (semi-chorus, chorus, Gerontius) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 88-14 | The Dream of Gerontius, op. 38: Part One. X. “Proficiscere, anima Christiana” (Priest) | Kim Borg, Hallé Orchestra, Sir John Barbirolli | — | |
| 88-15 | The Dream of Gerontius, op. 38: Part One. XI. “Go in the name of Angels and Archangels” (chorus, Priest, semi-chorus) | Ambrosian Singers, Kim Borg, Hallé Choir, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-1 | The Dream of Gerontius, Op. 38: Part II (a) (Andantino) | Hallé Orchestra, Sir John Barbirolli | — | |
| 89-2 | The Dream of Gerontius, op. 38: Part Two. II. “I went to sleep” (Soul of Gerontius) | Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-3 | The Dream of Gerontius, op. 38: Part Two. III. “My work is done” (Soul, Angel) | Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-4 | The Dream of Gerontius, op. 38: Part Two. IV. “It is a member of that family… All Hail! my Child and brother” (Angel, Soul) | Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-5 | The Dream of Gerontius, op. 38: Part Two. V. “A presage fails” (Angel, Soul) | Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-6 | The Dream of Gerontius, Op. 38: Part II (e) (Soul, Angel, chorus) But hark!...Low-born clods of brute earth | Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-7 | The Dream of Gerontius, op. 38: Part Two. VII. “Dispossessed, aside thrust” (chorus) | Ambrosian Singers, Hallé Choir, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-8 | The Dream of Gerontius, op. 38: Part Two. VIII. “The Mind Bold And Independent” (chorus) | Ambrosian Singers, Hallé Choir, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-9 | The Dream of Gerontius, op. 38: Part Two. IX. “I see not these false spirits… There was a mortal…” (Soul, Angel) | Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-10 | The Dream of Gerontius, op. 38: Part Two. X. “Praise to the Holiest” (Angel, semi-chorus, chorus, Soul) | Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-11 | The Dream of Gerontius, op. 38: Part Two. XI. “Glory To Him… But hark! A grand mysterious harmony” (Soul, Angel, chorus) | Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-12 | The Dream of Gerontius, op. 38: Part Two. XII. “And now The Threshold… Praise for the Holiest” (Soul, Angel, chorus) | Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-13 | The Dream of Gerontius, op. 38: Part Two. XIII. “Thy judgement now is near” (Angel, Soul) | Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-14 | The Dream of Gerontius, op. 38: Part Two. XIV. “Jesu! By that shuddering dread” (Angel of the Agony, Soul, semi-chorus, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-15 | The Dream of Gerontius, op. 38: Part Two. XV. “I Go Before My Judge…Be Merciful, Be gracious” (Angel of the Agony, Soul, semi-chorus, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-16 | The Dream of Gerontius, op. 38: Part Two. XVI. “Praise to His Name! … Take me away” (Angel, Soul, chorus) | Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-17 | The Dream of Gerontius, op. 38: Part Two. XVII. “Lord, Thou Hast been our Refuge” (Angel, Soul, chorus) | Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 89-18 | The Dream of Gerontius, Op. 38: Part II (m) (Angel, chorus, semi-chorus) Softly and gently | Ambrosian Singers, Janet Baker, Hallé Choir, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 90-1 | Messa da Requiem: Requiem e Kyrie. I. Requiem aeternum | — | ||
| 90-2 | Messa da Requiem: Requiem e Kyrie. II. Kyrie eleison | — | ||
| 90-3 | Messa da Requiem: Sequenza. I. Dies Irae | — | ||
| 90-4 | Messa da Requiem: Sequenza. II. Tuba mirum - Mors stupebit | — | ||
| 90-5 | Messa da Requiem: Sequenza. III. Liber scriptus - Dies irae | — | ||
| 90-6 | Messa da Requiem: Sequenza. IV. Quid sum miser | — | ||
| 90-7 | Messa da Requiem: Sequenza. V. Rex tremendae | — | ||
| 90-8 | Messa da Requiem: Sequenza. VI. Recordare | — | ||
| 90-9 | Messa da Requiem: Sequenza. VII. Ingemisco | — | ||
| 90-10 | Messa da Requiem: Sequenza. VIII. Confutatis - Dies irae | — | ||
| 90-11 | Messa da Requiem: Sequenza. IX. Lacrymosa | — | ||
| 90-12 | Messa da Requiem: Offertorio. I. Domine Jesu Christe | — | ||
| 90-13 | Messa da Requiem: Offertorio. II. Hostias | — | ||
| 90-14 | Messa da Requiem: Sanctus | — | ||
| 90-15 | Messa da Requiem: Agnus Dei | — | ||
| 91-1 | Messa da Requiem: Lux aeterna | — | ||
| 91-2 | Messa da Requiem: Libera me. I. Libera me - Dies irae | — | ||
| 91-3 | Messa da Requiem: Libera me. II. Requiem aeternam | — | ||
| 91-4 | Messa da Requiem: Libera me. III. Libera me | — | ||
| 91-5 | Appalachia, RT II/2: Introduction (Molto moderato - Tranquillo - Poco più) | — | ||
| 91-6 | Appalachia, RT II/2: Theme (Andante) | — | ||
| 91-7 | Appalachia, RT II/2: Variation 1 | — | ||
| 91-8 | Appalachia, RT II/2: Variation 2 (Moderato) | — | ||
| 91-9 | Appalachia, RT II/2: Variation 3 (Più vivo) | — | ||
| 91-10 | Appalachia, RT II/2: Variation 4 (Molto moderato) | — | ||
| 91-11 | Appalachia, RT II/2: Variation 5 (Con moto) | — | ||
| 91-12 | Appalachia, RT II/2: Variation 6 (Giocoso, Allegro moderato) | — | ||
| 91-13 | Appalachia, RT II/2: Variation 7 (Lento e molto tranquillo) | — | ||
| 91-14 | Appalachia, RT II/2: Variation 8 (Misterioso) | — | ||
| 91-15 | Appalachia, RT II/2: Variation 9 (Andante con grazia) | — | ||
| 91-16 | Appalachia, RT II/2: Variation 10 (Lento sostenuto e tranquillo) | — | ||
| 91-17 | Appalachia, RT II/2: Variation 11 (Allegro alla marcia) | — | ||
| 91-18 | Appalachia, RT II/2: Variation 12 (Marcia. Molto lento maestoso) | — | ||
| 91-19 | Appalachia, RT II/2: Variation 13 (L'istesso tempo) | — | ||
| 91-20 | Appalachia, RT II/2: Variation 14 Misterioso lento | — | ||
| 91-21 | Appalachia, RT II/2: Finale (Lento - Più mosso) | — | ||
| 92-1 | Turandot: Act 1. “Non piangere, Liù” (Calaf, Liù, Timur) | — | ||
| 92-2 | Turandot: Act 2. “In questa reggia” (Turandot, Calaf, Chorus) | — | ||
| 92-3 | Turandot: Act 2. “Straniero!” [Riddle scene] (Turandot, Calaf, Liù, L'Imperatore, Chorus) | — | ||
| 92-4 | Turandot: Act 3. “Nessun dorma” (Calaf, Chorus) | — | ||
| 92-5 | Turandot: Act 1. “Signore, ascolta” (Liù) | — | ||
| 92-6 | Turandot: Act 1. “Non piangere, Liù” (Calaf, Liù, Timur) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — |
| Sea Pictures, op. 37: I. Sea Slumber-Song | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: III. Sabbath Morning at Sea | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: V. The Swimmer | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Cello Concerto in G minor: I. Allegro | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Cello Concerto in G minor: II. Adagio | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
