UPC · Release
Martha Argerich
Last verified:
The UPC for “The Lugano Recordings” by Martha Argerich is 0190295948979. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Warner Classics. This release contains 311 tracks, each with its own ISRC. Tracks include CH8291500492, CH8291500493, CH8291500494.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 20 in D minor, K 466: I. Allegro | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 2 | Piano Concerto no. 20 in D minor, K 466: II. Romance | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 3 | Piano Concerto no. 20 in D minor, K 466: III. Rondo: Allegro assai | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 4 | Piano Sonata in C, K545: I. Allegro | Piotr Anderszewski, Martha Argerich | — | |
| 5 | Piano Sonata in C, K545: II. Andante | Piotr Anderszewski, Martha Argerich | — | |
| 6 | Piano Sonata in C, K545: III. Rondo: Allegretto | Piotr Anderszewski, Martha Argerich | — | |
| 7 | Piano Concerto no. 25 in C, K. 503: I. Allegro maestoso | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 8 | Piano Concerto no. 25 in C, K. 503: II. Andante | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 9 | Piano Concerto no. 25 in C, K. 503: III. Allegretto | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 2-1 | Sonata in D, K. 381: I. Allegro | Martha Argerich, Maria João Pires | — | |
| 2-2 | Sonata in D, K. 381: II. Andante | Martha Argerich, Maria João Pires | — | |
| 2-3 | Sonata in D, K. 381: III. Allegro molto | Martha Argerich, Maria João Pires | — | |
| 2-4 | Sonata for Two Pianos in D, K448 (375a): I. Allegro con spirito | Martha Argerich, Sergei Babayan | — | |
| 2-5 | Sonata for Two Pianos in D, K448 (375a): II. Andante | Martha Argerich, Sergei Babayan | — | |
| 2-6 | Sonata for Two Pianos in D, K448 (375a): III. Molto allegro | Martha Argerich, Sergei Babayan | — | |
| 2-7 | Fantasie für eine Orgelwalze | Martha Argerich, Lilya Zilberstein | — | |
| 2-8 | Sonata for Piano 4-Hands in F Major, K. 497: I. Adagio - Allegro molto | Martha Argerich, Cristina Marton | — | |
| 2-9 | Sonata for Piano 4-Hands in F Major, K. 497: II. Andante | Martha Argerich, Cristina Marton | — | |
| 2-10 | Sonata for Piano 4-Hands in F Major, K. 497: III. Allegro | Martha Argerich, Cristina Marton | — | |
| 3-1 | 5 Variations in G Major for Piano 4-Hands, K. 501: I. Thema. Andante | Martha Argerich, Stephen Kovacevich | — | |
| 3-2 | 5 Variations in G Major for Piano 4-Hands, K. 501: II. Variation I | Martha Argerich, Stephen Kovacevich | — | |
| 3-3 | 5 Variations in G Major for Piano 4-Hands, K. 501: III. Variation II | Martha Argerich, Stephen Kovacevich | — | |
| 3-4 | 5 Variations in G Major for Piano 4-Hands, K. 501. IV. Variation III | Martha Argerich, Stephen Kovacevich | — | |
| 3-5 | 5 Variations in G Major for Piano 4-Hands, K. 501: V. Variation IV | Martha Argerich, Stephen Kovacevich | — | |
| 3-6 | 5 Variations in G Major for Piano 4-Hands, K. 501: VI. Variation V | Martha Argerich, Stephen Kovacevich | — | |
| 3-7 | Haydn: Piano Trio No. 39 in G major, Hob.XV:25 'Gypsy': I. Andante | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 3-8 | Haydn: Piano Trio No. 39 in G major, Hob.XV:25 'Gypsy': II. Poco adagio | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 3-9 | Haydn: Piano Trio No. 39 in G major, Hob.XV:25 'Gypsy': III. Rondo all'ongarese. Presto | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 3-10 | Violin Sonata no. 8 in G, op. 30 no. 3: I. Allegro assai | Martha Argerich, Renaud Capuçon | — | |
| 3-11 | Violin Sonata no. 8 in G, op. 30 no. 3: II. Tempo di menuetto, ma molto moderato e grazioso | Martha Argerich, Renaud Capuçon | — | |
| 3-12 | Violin Sonata No. 8 in G Major, Op. 30 No. 3: III. Allegro vivace (Live) | Martha Argerich, Renaud Capuçon | — | |
| 3-13 | Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: I. Allegro con brio | Martha Argerich, Marek Denemark, Mark Drobinsky | — | |
| 3-14 | Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: II. Adagio con espressione | Martha Argerich, Marek Denemark, Mark Drobinsky | — | |
| 3-15 | Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: III. Tema con variazioni | Martha Argerich, Marek Denemark, Mark Drobinsky | — | |
| 3-16 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: I. Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 3-17 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 1: Variation I | Martha Argerich, Mischa Maisky | — | |
| 3-18 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: III. Variation II | Martha Argerich, Mischa Maisky | — | |
| 3-19 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: IV. Variation III | Martha Argerich, Mischa Maisky | — | |
| 3-20 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 4: Variation IV | Martha Argerich, Mischa Maisky | — | |
| 3-21 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: VI. Variation V | Martha Argerich, Mischa Maisky | — | |
| 3-22 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: VII. Variation VI | Martha Argerich, Mischa Maisky | — | |
| 3-23 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation VII | Martha Argerich, Mischa Maisky | — | |
| 4-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant | — | |
| 4-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant | — | |
| 4-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant | — | |
| 4-4 | Piano Quartet in C major, Wo036 No. 3: I. Allegro vivace | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 4-5 | Piano Quartet in C major, Wo036 No. 3: II. Adagio con espressione | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 4-6 | Piano Quartet in C major, Wo036 No. 3: III. Finale: Allegro | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 4-7 | Piano Trio in D major, Op. 70, No. 1 "Ghost": I. Allegro vivace e con brio | Martha Argerich, Renaud Capuçon, Mischa Maisky | — | |
| 4-8 | Trio avec piano en ré majeur, op. 70 no. 1 « des esprits » : II. Largo assai ed espressivo | Martha Argerich, Renaud Capuçon, Mischa Maisky | — | |
| 4-9 | Piano Trio in D major, Op. 70, No. 1 "Ghost": III. Presto | Martha Argerich, Renaud Capuçon, Mischa Maisky | — | |
| 5-1 | Concerto for Piano, Violin, and Cello in C major, op. 56 "Triple": I. Allegro | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Александр Рабинович-Бараковский | — | |
| 5-2 | Concerto for Piano, Violin, and Cello in C major, op. 56 “Triple Concerto”: II. Largo | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Alexander Rabinovitch-Barakovsky | — | |
| 5-3 | Concerto for Piano, Violin, and Cello in C major, op. 56 "Triple": III. Rondo alla polacca | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Александр Рабинович-Бараковский | — | |
| 5-4 | Cello Sonata no. 2 in G minor, op. 5, no. 2: I. Adagio sostenuto ed expressivo | Martha Argerich, Mischa Maisky | — | |
| 5-5 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I-ii. Allegro molto più tosto presto | Martha Argerich, Mischa Maisky | — | |
| 5-6 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Martha Argerich, Mischa Maisky | — | |
| 5-7 | Choral Fantasy, op. 80: I. Adagio | Coro della Radio Svizzera, Lugano, Martha Argerich, Orchestra della Svizzera italiana, Diego Fasolis | — | |
| 5-8 | Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80: II. Finale (Allegro - Meno allegro - Marcia, assai vivace) | Coro della Radio Svizzera, Lugano, Martha Argerich, Orchestra della Svizzera italiana, Diego Fasolis | — | |
| 5-9 | Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80: III. Allegretto ma non troppo quasi andante con moto | Coro della Radio Svizzera, Lugano, Martha Argerich, Orchestra della Svizzera italiana, Diego Fasolis | — | |
| 6-1 | Violin Sonata in C minor, BWV 1017: I. Largo | Martha Argerich, Tedi Papavrami | — | |
| 6-2 | Violin Sonata in C minor, BWV 1017: II. Allegro | Martha Argerich, Tedi Papavrami | — | |
| 6-3 | Violin Sonata in C minor, BWV 1017: III. Adagio | Martha Argerich, Tedi Papavrami | — | |
| 6-4 | Violin Sonata in C minor, BWV 1017: IV. Allegro | Martha Argerich, Tedi Papavrami | — | |
| 6-5 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: I. Thema. Allegretto. | Martha Argerich, Alexander Mogilevsky | — | |
| 6-6 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: II. Variation I | Martha Argerich, Alexander Mogilevsky | — | |
| 6-7 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: III. Variation II | Martha Argerich, Alexander Mogilevsky | — | |
| 6-8 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: IV. Variation III | Martha Argerich, Alexander Mogilevsky | — | |
| 6-9 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: V. Variation IV | Martha Argerich, Alexander Mogilevsky | — | |
| 6-10 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: VI. Variation V | Martha Argerich, Alexander Mogilevsky | — | |
| 6-11 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: VII. Variation VI | Martha Argerich, Alexander Mogilevsky | — | |
| 6-12 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: VIII. Variation VII | Martha Argerich, Alexander Mogilevsky | — | |
| 6-13 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: IX. Variation VIII | Martha Argerich, Alexander Mogilevsky | — | |
| 6-14 | A Midsummer Night's Dream, op. 21 (Incidental Music): Overture | Martha Argerich, Cristina Marton | — | |
| 6-15 | A Midsummer Night's Dream, op. 21 (Incidental Music): Scherzo | Martha Argerich, Cristina Marton | — | |
| 6-16 | Piano Trio No. 1 in D minor, Op. 49: I. Molto allegro, agitato | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 6-17 | Piano Trio No. 1 in D minor, Op. 49: II. Andante con moto, tranquillo | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 6-18 | Trio avec piano no. 1 en ré mineur, op. 49 : III. Scherzo : Leggiero e vivace | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 6-19 | Piano Trio No. 1 in D minor, Op. 49: IV. Finale: Allegro assai appassionato | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 7-1 | Piano Concerto no. 1 in E minor, op. 11: Allegro maestoso | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 7-2 | Piano Concerto no. 1 in E minor, op. 11: Romance: Larghetto | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T-308.381.369-4 | |
| 7-3 | Piano Concerto no. 1 in E minor, op. 11: Rondo: Vivace | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 7-4 | Introduction et polonaise brillante in C Major, op. 3: I. Introductions | Martha Argerich, Gautier Capuçon | — | |
| 7-5 | Introduction et polonaise brillante in C Major, op. 3: II. Alla polacca - Allegro con spirito | Martha Argerich, Gautier Capuçon | — | |
| 7-6 | Les Préludes S97 | Martha Argerich, Daniel Rivera | — | |
| 7-7 | Réminiscences de Don Juan for Two Pianos, S 656: I. Grave | Martha Argerich, Mauricio Vallina | — | |
| 7-8 | Réminiscences de Don Juan for Two Pianos, S 656: II. Duetto: Andantino | Martha Argerich, Mauricio Vallina | — | |
| 7-9 | Réminiscences de Don Juan for Two Pianos, S 656: III. Allegretto | Martha Argerich, Mauricio Vallina | — | |
| 7-10 | Réminiscences de Don Juan for Two Pianos, S 656: IV. Presto | Martha Argerich, Mauricio Vallina | — | |
| 8-1 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | Martha Argerich | T-314.629.927-2 | |
| 8-2 | Kinderszenen, op. 15: II. Kuriose Geschichte | Martha Argerich | T-330.117.394-0 | |
| 8-3 | Kinderszenen, op. 15: III. Hasche-Mann | Martha Argerich | — | |
| 8-4 | Kinderszenen, op. 15: IV. Bittendes Kind | Martha Argerich | — | |
| 8-5 | Kinderszenen, op. 15: V. Glückes genug | Martha Argerich | — | |
| 8-6 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | Martha Argerich | — | |
| 8-7 | Kinderszenen, op. 15: No. 7. Träumerei | Martha Argerich | — | |
| 8-8 | Kinderszenen, op. 15: VIII. Am Kamin | Martha Argerich | — | |
| 8-9 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | Martha Argerich | — | |
| 8-10 | Kinderszenen, op. 15: X. Fast zu ernst | Martha Argerich | — | |
| 8-11 | Kinderszenen, op. 15: XI. Fürchtenmachen | Martha Argerich | — | |
| 8-12 | Kinderszenen, op. 15: XII. Kind im Einschlummern | Martha Argerich | — | |
| 8-13 | Kinderszenen, op. 15: XIII. Der Dichter spricht | Martha Argerich | — | |
| 8-14 | Fantasiestücke für Cello und Klavier, op. 73: I. Zart und mit Ausdruck | Martha Argerich, Gautier Capuçon | — | |
| 8-15 | Fantasiestücke für Cello und Klavier, op. 73: II. Lebhaft, leicht | Martha Argerich, Gautier Capuçon | — | |
| 8-16 | Fantasiestücke für Cello und Klavier, op. 73: III. Rasch un mit Feuer | Martha Argerich, Gautier Capuçon | — | |
| 8-17 | Violin Sonata no. 1 in A minor, op. 105: Mit leidenschaftlichem Ausdruck | Martha Argerich, Renaud Capuçon | — | |
| 8-18 | Violin Sonata no. 1 in A minor, op. 105: Allegretto | Martha Argerich, Renaud Capuçon | — | |
| 8-19 | Violin Sonata no. 1 in A minor, op. 105: Lebhaft | Martha Argerich, Renaud Capuçon | — | |
| 8-20 | Violin Sonata no. 2 in D minor, op. 121: I | Martha Argerich, Renaud Capuçon | — | |
| 8-21 | Sonata for Violin and Piano no. 2 in D minor, op. 121: II. Sehr lebhaft | Martha Argerich, Renaud Capuçon | — | |
| 8-22 | Violin Sonata no. 2 in D minor, op. 121: III | Martha Argerich, Renaud Capuçon | — | |
| 8-23 | Violin Sonata no. 2 in D minor, op. 121: IV | Martha Argerich, Renaud Capuçon | — | |
| 9-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T-909.264.262-1 | |
| 9-2 | Piano Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso) | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T-909.264.262-1 | |
| 9-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T-909.264.262-1 | |
| 9-4 | Fantasiestücke, Op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 9-5 | Fantasiestücke, Op. 88: II. Humoreske: Lebhaft | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 9-6 | Fantasiestücke, Op. 88: III. Duett: Langsam und mit Ausdruck | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 9-7 | Fantasiestücke, Op. 88: IV. Finale: Im Marsch-Tempo | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 9-8 | Piano Quartet in E-flat, op. 47: I. Sostenuto assai | Martha Argerich, Renaud Capuçon, Lida Chen, Gautier Capuçon | — | |
| 9-9 | Piano Quartet in E-flat, op. 47: II. Scherzo | Martha Argerich, Renaud Capuçon, Lida Chen, Gautier Capuçon | — | |
| 9-10 | Piano Quartet in E-flat, op. 47: III. Andante cantabile | Martha Argerich, Renaud Capuçon, Lida Chen, Gautier Capuçon | — | |
| 9-11 | Piano Quartet in E-flat major, Op. 47: IV. Finale: Vivace | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 10-1 | Andante und Variationen for 2 Pianos in B-flat Major, op. 46: I. Andante espressivo - Più animato | Martha Argerich, Gabriela Montero | — | |
| 10-2 | Andante und Variationen for 2 Pianos in B-flat Major, op. 46: II. Più lento - Animato | Martha Argerich, Gabriela Montero | — | |
| 10-3 | Andante und Variationen for 2 Pianos in B-flat Major, op. 46: III. Doppio movimento - Più adagio | Martha Argerich, Gabriela Montero | — | |
| 10-4 | Piano Quintet in E-flat major, Op. 44: I. Allegro brillante | Martha Argerich, Renaud Capuçon, Mark Drobinsky, Nora Romanoff-Schwarzberg, Dora Schwarzberg | — | |
| 10-5 | Piano Quintet in E-flat major, Op. 44: II. In modo d'una marcia - Un poco largamente | Martha Argerich, Renaud Capuçon, Mark Drobinsky, Nora Romanoff-Schwarzberg, Dora Schwarzberg | — | |
| 10-6 | Piano Quintet in E-flat major, Op. 44: III. Scherzo: Molto vivace | Martha Argerich, Renaud Capuçon, Mark Drobinsky, Nora Romanoff-Schwarzberg, Dora Schwarzberg | — | |
| 10-7 | Piano Quintet in E-flat Major, op. 44: IV. Allegro ma non troppo | Robert Schumann | — | |
| 10-8 | Violin Sonata No. 1 in A minor, Op. 105: I. Mit leidenschaflichem Ausdruck | Martha Argerich, Géza Hosszu-Legocky | — | |
| 10-9 | Violin Sonata No. 1 in A minor, Op. 105: II. Allegretto | Martha Argerich, Géza Hosszu-Legocky | — | |
| 10-10 | Violin Sonata No. 1 in A minor, op. 105: III. Lebhaft | Robert Schumann | — | |
| 10-11 | Fünf Stücke im Volkston, op. 102: I. Mit Humor: Vanitas vanitatum | Martha Argerich, Gautier Capuçon | — | |
| 10-12 | Fünf Stücke im Volkston, op. 102: II. Langsam | Martha Argerich, Gautier Capuçon | — | |
| 10-13 | Fünf Stücke im Volkston, op. 102: III. Nicht schnell, mit viel Ton zu spielen | Martha Argerich, Gautier Capuçon | — | |
| 10-14 | Fünf Stücke im Volkston, op. 102: IV. Nicht zu rasch | Martha Argerich, Gautier Capuçon | — | |
| 10-15 | Fünf Stücke im Volkston, op. 102: V. Stark and markirt | Martha Argerich, Gautier Capuçon | — | |
| 11-1 | Adagio and Allegro, op. 70: Langsam, mit innigem Ausdruck | Martha Argerich, Gautier Capuçon | — | |
| 11-2 | Adagio and Allegro, op. 70: Allegro, rasch und feurig | Martha Argerich, Gautier Capuçon | — | |
| 11-3 | Six Canonic Etudes, op. 56: I. Pas trop vite | Martha Argerich, Lilya Zilberstein | — | |
| 11-4 | Six Canonic Etudes, op. 56: II. Avec beaucoup d'expression | Martha Argerich, Lilya Zilberstein | — | |
| 11-5 | Six Canonic Etudes, op. 56: III. Andantino | Martha Argerich, Lilya Zilberstein | — | |
| 11-6 | Six Canonic Etudes, op. 56: IV. Espressivo | Martha Argerich, Lilya Zilberstein | — | |
| 11-7 | Six Canonic Etudes, op. 56: V. Pas trop vite | Martha Argerich, Lilya Zilberstein | — | |
| 11-8 | Six Canonic Etudes, op. 56: VI. Adagio | Martha Argerich, Lilya Zilberstein | — | |
| 11-9 | Fantasiestücke, Op. 73 (version for flugelhorn and piano): I. Zart und mit Ausdruck | Martha Argerich, Sergei Nakariakov | — | |
| 11-10 | Fantasiestücke, Op. 73 (version for flugelhorn and piano): II. Lebhaft, leicht | Martha Argerich, Sergei Nakariakov | — | |
| 11-11 | Fantasiestücke, Op. 73 (version for flugelhorn and piano): III. Rasch und mit Feuer | Martha Argerich, Sergei Nakariakov | — | |
| 11-12 | Concerto pathétique, Sz. 258: I. Allegro energico-Grandioso | Martha Argerich, Lilya Zilberstein | — | |
| 11-13 | Concerto pathétique, Sz. 258: II. Quasi fantasia-Andante sostenuoto-Allegro agitato assai | Martha Argerich, Lilya Zilberstein | — | |
| 11-14 | Concerto pathétique, Sz. 258: III. Andante, quasi marcia funebre-Più mosso-Allegro trionfante | Martha Argerich, Lilya Zilberstein | — | |
| 11-15 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Chorale 'St Anthony': Andante | Martha Argerich, Polina Leschenko | — | |
| 11-16 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation I: Andante con moto | Martha Argerich, Polina Leschenko | — | |
| 11-17 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation II: Vivace | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 11-18 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation III: Con moto | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 11-19 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation IV: Andante | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 11-20 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation V: Poco presto | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 11-21 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VI: Vivace | Martha Argerich, Polina Leschenko | — | |
| 11-22 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VII: Grazioso | Martha Argerich, Polina Leschenko | — | |
| 11-23 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VIII: Poco presto | Martha Argerich, Polina Leschenko | — | |
| 11-24 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Finale: Andante | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 12-1 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): I. Allegro non troppo | Martha Argerich, Lilya Zilberstein | — | |
| 12-2 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): II. Andante, un poco adagio | Martha Argerich, Lilya Zilberstein | — | |
| 12-3 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): III. Scherzo: Allegro | Martha Argerich, Lilya Zilberstein | — | |
| 12-4 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): IV. Finale: Poco sostenuto - Allegro non troppo - Presto non troppo | Martha Argerich, Lilya Zilberstein | — | |
| 12-5 | Variations on a Theme by Haydn for 2 Pianos, op 56b: I. Theme. Chorale St. Antoni | Nicholas Angelich, Martha Argerich | — | |
| 12-6 | Variations on a Theme by Haydn for 2 Pianos, op 56b: II. Variation I (Andante con moto) | Nicholas Angelich, Martha Argerich | — | |
| 12-7 | Variations on a Theme by Haydn for 2 Pianos, op 56b: III. Variation II (Vivace) | Nicholas Angelich, Martha Argerich | — | |
| 12-8 | Variations on a Theme by Haydn for 2 Pianos, op 56b: IV. Variation III (Con moto) | Nicholas Angelich, Martha Argerich | — | |
| 12-9 | Variations on a Theme by Haydn for 2 Pianos, op 56b: V. Variation IV (Andante) | Nicholas Angelich, Martha Argerich | — | |
| 12-10 | Variations on a Theme by Haydn for 2 Pianos, op 56b: VI. Variation V (Poco presto) | Nicholas Angelich, Martha Argerich | — | |
| 12-11 | Variations on a Theme by Haydn for 2 Pianos, op 56b: VII. Variation VI (Vivace) | Nicholas Angelich, Martha Argerich | — | |
| 12-12 | Variations on a Theme by Haydn for 2 Pianos, op 56b: VIII. Variation VII (Grazioso) | Nicholas Angelich, Martha Argerich | — | |
| 12-13 | Variations on a Theme by Haydn for 2 Pianos, op 56b: IX. Variation VIII (Poco presto) | Nicholas Angelich, Martha Argerich | — | |
| 12-14 | Variations on a Theme by Haydn for 2 Pianos, op 56b: X. Finale (Andante) | Nicholas Angelich, Martha Argerich | T-322.184.202-6 | |
| 13-1 | The Nutcracker Suite, op. 71a: I. Ouverture miniature | Martha Argerich, Ana Mirabela Dina | — | |
| 13-2 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: a. Marche: Tempo di marcia viva | Martha Argerich, Ana Mirabela Dina | — | |
| 13-3 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: b. Danse fe la fée dragée: Andante non troppo | Martha Argerich, Ana Mirabela Dina | — | |
| 13-4 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: c. Danse russe - Trépak: Tempo di trepak, Molto vivace | Martha Argerich, Ana Mirabela Dina | — | |
| 13-5 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: d. Danse arabe: Allegretto | Martha Argerich, Ana Mirabela Dina | — | |
| 13-6 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: e. Danse chinoise: Allegro moderato | Martha Argerich, Ana Mirabela Dina | — | |
| 13-7 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: f. Danse des mirlitons: Moderato assai | Martha Argerich, Ana Mirabela Dina | — | |
| 13-8 | The Nutcracker Suite, op. 71a: III. Valse des fleurs | Martha Argerich, Ana Mirabela Dina | — | |
| 13-9 | Sonata in E minor | Martha Argerich, Anton Gerzenberg, Daniel Gerzenberg, Lilya Zilberstein | — | |
| 13-10 | Rondo in C | Martha Argerich, Anton Gerzenberg, Daniel Gerzenberg, Lilya Zilberstein | — | |
| 13-11 | Piano Quintet in G minor, op. 34: I. Allegro | Martha Argerich, Gautier Capuçon, Lida Chen, Lucia Hall, Dora Schwarzberg | — | |
| 13-12 | Piano Quintet in G minor, op. 34: II. Adagio | Martha Argerich, Gautier Capuçon, Lida Chen, Lucia Hall, Dora Schwarzberg | — | |
| 13-13 | Piano Quintet in G minor, op. 34: III. Scherzo: Presto | Martha Argerich, Gautier Capuçon, Lida Chen, Lucia Hall, Dora Schwarzberg | — | |
| 13-14 | Piano Quintet in G minor, op. 34: IV. Finale | Martha Argerich, Gautier Capuçon, Lida Chen, Lucia Hall, Dora Schwarzberg | — | |
| 14-1 | Carnival of the Animals: I. Introduction and Royal March of the Lion: Andante maestoso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-2 | Carnival of the Animals: II. Hens and Cockerels: Allegro moderato | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-3 | Carnival of the Animals: III. Wild Asses: Presto furioso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-4 | Carnival of the Animals: IV. Tortoises: Andante maestoso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-5 | Carnival of the Animals: V. The Elephant: Allegretto pomposo | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-6 | Carnival of the Animals: VI. Kangaroos: Moderato | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-7 | Carnival of the Animals: VII. Aquarium: Andantino | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-8 | Carnival of the Animals: VIII. Personages with Long Ears: Tempo ad libitum | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-9 | Carnival of the Animals: IX. The Cuckoo in the Depths of the Woods: Andante | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-10 | Carnival of the Animals: X. Aviary: Moderato grazioso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-11 | Carnival of the Animals: XI. Pianists: Allegro moderato | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-12 | Carnival of the Animals: XII. Fossils: Allegro ridicolo | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-13 | Carnival of the Animals: XIII. The Swan: Andantion grazioso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-14 | Carnival of the Animals: XIV. Finale: Molto vivace | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-15 | Petite Suite for piano four hands: I. En bateau | Martha Argerich, Cristina Marton | — | |
| 14-16 | Petite Suite for piano four hands: II. Cortège | Martha Argerich, Cristina Marton | — | |
| 14-17 | Petite Suite for piano four hands: III. Menuet | Martha Argerich, Cristina Marton | — | |
| 14-18 | Petite Suite for piano four hands: IV. Ballet | Martha Argerich, Cristina Marton | — | |
| 14-19 | En blanc et noir: I. Avec amportement | Martha Argerich, Stephen Kovacevich | — | |
| 14-20 | En blanc et noir: II. Lent - Sombre | Martha Argerich, Stephen Kovacevich | — | |
| 14-21 | En blanc et noir: III. Scherzando | Martha Argerich, Stephen Kovacevich | — | |
| 14-22 | Piano Concerto in G: I. Allegramente | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T-305.199.289-9 | |
| 14-23 | Piano Concerto in G: II. Adagio assai | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T-305.194.465-7 | |
| 14-24 | Piano Concerto in G: III. Presto | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T-305.199.295-7 | |
| 15-1 | Gaspard de la nuit: I. Ondine | Martha Argerich | — | |
| 15-2 | Gaspard de la nuit: II. Le Gibet | Martha Argerich | — | |
| 15-3 | Gaspard de la nuit: III. Scarbo | Martha Argerich | — | |
| 15-4 | La Valse | Martha Argerich, Sergio Tiempo | T-003.107.988-5 | |
| 15-5 | Ma mère l'Oye Suite: I. Pavane de la belle au bois dormant: Lent | Martha Argerich, Alexander Mogilevsky | T-004.018.862-2 | |
| 15-6 | Ma mère l'Oye Suite: II. Petit Poucet: Très modéré | Martha Argerich, Alexander Mogilevsky | T-004.018.862-2 | |
| 15-7 | Ma mère l'Oye Suite: III. Laideronnette, impératrice des pagodes: Mouvement de marche | Martha Argerich, Alexander Mogilevsky | T-004.018.862-2 | |
| 15-8 | Ma mère l'Oye Suite: IV. Les Entretiens de la Belle et de la Bête: Mouvement de valse modéré | Martha Argerich, Alexander Mogilevsky | T-004.018.862-2 | |
| 15-9 | Ma mère l'Oye Suite: V. Le Jardin féerique: Lent et grave | Martha Argerich, Alexander Mogilevsky | T-004.018.862-2 | |
| 15-10 | Piano Concerto in G: I. Allegramente | Martha Argerich, Orchestra della Svizzera italiana, Alexander Vedernikov | T-305.199.289-9 | |
| 15-11 | Piano Concerto in G: II. Adagio assai | Martha Argerich, Orchestra della Svizzera italiana, Alexander Vedernikov | T-305.194.465-7 | |
| 15-12 | Piano Concerto in G: III. Presto | Martha Argerich, Orchestra della Svizzera italiana, Alexander Vedernikov | T-305.199.295-7 | |
| 15-13 | Prélude à l'après-midi d'un faune | Martha Argerich, Stephen Kovacevich | — | |
| 16-1 | Symphonic Dances for 2 Pianos, op. 45: I. Non allegro - Lento - Tempo I | Martha Argerich, Nelson Goerner | — | |
| 16-2 | Symphonic Dances for 2 Pianos, op. 45: II. Andante con moto (Tempo di valse) | Martha Argerich, Nelson Goerner | — | |
| 16-3 | Symphonic Dances for 2 Pianos, op. 45: III. Lento assai - L'istesso tempo, ma agitato | Martha Argerich, Nelson Goerner | — | |
| 16-4 | Suite no. 1, op. 5 for Two Pianos: I. Barcarolle | Martha Argerich, Lilya Zilberstein | — | |
| 16-5 | Suite for 2 Pianos no. 1 in G minor, op. 5: II. La nuit… l’amour | Lilya Zilberstein, Martha Argerich | — | |
| 16-6 | Suite no. 1, op. 5 for Two Pianos: III. Les Larmes | Martha Argerich, Lilya Zilberstein | — | |
| 16-7 | Suite for 2 Pianos no. 1 in G minor, op. 5: IV. Pâques | Lilya Zilberstein, Martha Argerich | — | |
| 16-8 | Suite for 2 Pianos no. 2, op. 17: I. Introduction | Martha Argerich, Gabriela Montero | — | |
| 16-9 | Suite for 2 Pianos no. 2, op. 17: II. Valse | Martha Argerich, Gabriela Montero | — | |
| 16-10 | Suite for Two Pianos No. 2 in C major, Op. 17: III. Romance (Andantino) | Martha Argerich, Gabriela Montero | — | |
| 16-11 | Suite for 2 Pianos no. 2, op. 17: IV. Tarentelle | Martha Argerich, Gabriela Montero | — | |
| 17-1 | Symphony no. 1 in D, op. 25 "Classical": I. Allegro | Martha Argerich, Yefim Bronfman | — | |
| 17-2 | Symphony no. 1 in D, op. 25 "Classical": II. Larghetto | Martha Argerich, Yefim Bronfman | — | |
| 17-3 | Symphony no. 1 in D, op. 25 "Classical": III. Gavotte: Non troppo allegro | Martha Argerich, Yefim Bronfman | — | |
| 17-4 | Symphony no. 1 in D, op. 25 "Classical": IV. Finale: Molto vivace | Martha Argerich, Yefim Bronfman | — | |
| 17-5 | Violin Sonata no. 2 in D, op. 94bis: I. Moderato | Martha Argerich, Renaud Capuçon | — | |
| 17-6 | Violin Sonata no. 2 in D, op. 94bis: II. Presto - Poco più mosso del-Tempo I | Martha Argerich, Renaud Capuçon | — | |
| 17-7 | Violin Sonata no. 2 in D, op. 94bis: III. Andante | Martha Argerich, Renaud Capuçon | — | |
| 17-8 | Violin Sonata no. 2 in D, op. 94bis: IV. Allegro con brio - Poco meno mosso-Tempo I | Martha Argerich, Renaud Capuçon | — | |
| 17-9 | Six Morceaux, op. 11: I. Barcarolle | Martha Argerich, Lilya Zilberstein | — | |
| 17-10 | 6 Duets, op. 11: II. Scherzo | Lilya Zilberstein, Martha Argerich | — | |
| 17-11 | Six Morceaux, op. 11: III. Thème russe | Martha Argerich, Lilya Zilberstein | — | |
| 17-12 | 6 Duets, op. 11: IV. Valse | Lilya Zilberstein, Martha Argerich | — | |
| 17-13 | Six Morceaux, op. 11: V. Romance | Martha Argerich, Lilya Zilberstein | — | |
| 17-14 | 6 Duets, op. 11: VI. Slava (Gloria) | Lilya Zilberstein, Martha Argerich | — | |
| 18-1 | Romanian Folk Dances, Sz. 56 | Martha Argerich, Géza Hosszu-Legocky | — | |
| 18-2 | Sonata for Two Pianos and Percussion, Sz 110: Assai lento - Allegro molto | Martha Argerich, Danilo Grassi, Stephen Kovacevich, Louis Sauvaître | — | |
| 18-3 | Sonata for Two Pianos and Percussion, Sz 110: Lento ma non troppo - Un poco più andante - Agitato | Martha Argerich, Danilo Grassi, Stephen Kovacevich, Louis Sauvaître | — | |
| 18-4 | Sonata for Two Pianos and Percussion, Sz 110: Allegro non troppo | Martha Argerich, Danilo Grassi, Stephen Kovacevich, Louis Sauvaître | — | |
| 18-5 | Violin Sonata No. 1, Sz75: I. Allegro appassionato | Martha Argerich, Renaud Capuçon | — | |
| 18-6 | Violin Sonata No. 1, Sz75: II. Adagio | Martha Argerich, Renaud Capuçon | — | |
| 18-7 | Violin Sonata No. 1, Sz75: III. Allegro | Martha Argerich, Renaud Capuçon | — | |
| 19-1 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: I. Allegro moderato | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — | |
| 19-2 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: II. Lento largo | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — | |
| 19-3 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: III. Moderato | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — | |
| 19-4 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: IV. Allegro con brio | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — | |
| 19-5 | Concertino in A minor, op. 94 for Two Pianos: Adagio - Allegretto - Adagio - Allegro - Adagio - Allegretto | Martha Argerich, Lilya Zilberstein | — | |
| 19-6 | Quintet for Piano and Strings in G minor, op. 57: I. Prelude. Lento | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — | |
| 19-7 | Quintet for Piano and Strings in G minor, op. 57: II. Fugue. Adagio | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — | |
| 19-8 | Quintet for Piano and Strings in G minor, op. 57: III. Scherzo. Allegretto | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — | |
| 19-9 | Quintet for Piano and Strings in G minor, op. 57: IV. Intermezzo. Lento | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — | |
| 19-10 | Quintet for Piano and Strings in G minor, op. 57: V. Finale. Allegretto | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — | |
| 20-1 | Piano Trio No. 2 in E minor, Op. 67: I. Andante - Moderato | Martha Argerich, Gautier Capuçon, Maxim Vengerov | — | |
| 20-2 | Piano Trio no. 2 in E minor, op. 67: II. Allegro non troppo | Martha Argerich, Gautier Capuçon, Maxim Vengerov | — | |
| 20-3 | Piano Trio No. 2 in E minor, Op. 67: III. Largo | Martha Argerich, Gautier Capuçon, Maxim Vengerov | — | |
| 20-4 | Piano Trio No. 2 in E minor, Op. 67: IV. Allegretto | Martha Argerich, Gautier Capuçon, Maxim Vengerov | T-003.055.867-8 | |
| 20-5 | Piano Sonata, FP 8: I. Prélude: Modéré | Martha Argerich, Dagmar Clottu | — | |
| 20-6 | Piano Sonata, FP 8: II. Rustique: Naïf et lent | Martha Argerich, Dagmar Clottu | — | |
| 20-7 | Piano Sonata, FP 8: III. Final: Très vitè | Martha Argerich, Dagmar Clottu | — | |
| 20-8 | Concertino for piano, two violins, viola, clarinet, horn and bassoon: I. Moderato | Martha Argerich, Corrado Giufferdi, Vincent Godel, Lucia Hall, Alissa Margulis, Nora Romanoff-Schwarzberg, Zora Slokar | — | |
| 20-9 | Concertino for piano, two violins, viola, clarinet, horn and bassoon: II. Piu mosso | Martha Argerich, Corrado Giufferdi, Vincent Godel, Lucia Hall, Alissa Margulis, Nora Romanoff-Schwarzberg, Zora Slokar | — | |
| 20-10 | Concertino for piano, two violins, viola, clarinet, horn and bassoon: III. Con moto | Martha Argerich, Corrado Giufferdi, Vincent Godel, Lucia Hall, Alissa Margulis, Nora Romanoff-Schwarzberg, Zora Slokar | — | |
| 20-11 | Concertino for piano, two violins, viola, clarinet, horn and bassoon: IV. Allegro | Martha Argerich, Corrado Giufferdi, Vincent Godel, Lucia Hall, Alissa Margulis, Nora Romanoff-Schwarzberg, Zora Slokar | — | |
| 20-12 | Variations on a Theme by Paganini | Martha Argerich, Giorgia Tomassi | — | |
| 21-1 | Violin Sonata no. 5, op. 53: I. Andante con moto | Gidon Kremer, Martha Argerich | — | |
| 21-2 | Violin Sonata no. 5, op. 53: II. Allegro molto | Gidon Kremer, Martha Argerich | — | |
| 21-3 | Violin Sonata no. 5, op. 53: III. Allegro moderato | Gidon Kremer, Martha Argerich | — | |
| 21-4 | Violin Sonata no. 5, op. 53: IV. Allegro — Andante — Allegretto — Andante | Gidon Kremer, Martha Argerich | — | |
| 21-5 | Variations on a Theme by Paganini | Martha Argerich, Mauricio Vallina | T-905.982.758-6 | |
| 21-6 | Fantasia Elvetica: I. Maestoso | Martha Argerich, Alexander Mogilevsky, Orchestra della Svizzera italiana, Mikhail Pletnev | — | |
| 21-7 | Fantasia Elvetica: II. Tranquillo | Martha Argerich, Alexander Mogilevsky, Orchestra della Svizzera italiana, Mikhail Pletnev | — | |
| 21-8 | Fantasia Elvetica: III. Temps di marcia - Andante | Martha Argerich, Alexander Mogilevsky, Orchestra della Svizzera italiana, Mikhail Pletnev | — | |
| 21-9 | Fantasia Elvetica: IV. Tempo di polka - Più vivo - Allegro | Martha Argerich, Alexander Mogilevsky, Orchestra della Svizzera italiana, Mikhail Pletnev | — | |
| 22-1 | Noches en los jardines de España: I. En el Generalife | Martha Argerich | — | |
| 22-2 | Noches en los jardines de España: II. Danza lejana | Martha Argerich | — | |
| 22-3 | Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba | Martha Argerich | T-041.489.075-7 | |
| 22-4 | Taquito militar | Martha Argerich, Ale Petrasso | — | |
| 22-5 | Porteña: I. Porteña | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-6 | Porteña: II. Nocturnal | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-7 | Porteña: III. Cadenza | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-8 | Porteña: IV. Porteña (quasi jidish) | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-9 | Porteña: V. Secuencia (quasi) canónica | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-10 | Porteña: VI. Gardeliana | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-11 | Porteña: VII. Malandra | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-12 | Porteña: VIII. Tanghora | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-13 | Porteña: IX. Bajofondo | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-14 | Porteña: X. Corrientes y 9 de julio | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-15 | Porteña: XI. Finale | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-16 | Tres romances argentinos, op. 2: I. Las niñas de Santa Fe | Martha Argerich, Mauricio Vallina | T-037.005.703-6 | |
| 22-17 | Tres romances argentinos, op. 2: II. Muchacho jujeño | Martha Argerich, Mauricio Vallina | T-037.005.703-6 | |
| 22-18 | Tres romances argentinos, op. 2: III. Baile en Cuyo | Martha Argerich, Mauricio Vallina | — | |
| 22-19 | Three Tangos: Tres minutos con la realidad | Martha Argerich, Eduardo Hubert | T-910.262.122-7 | |
| 22-20 | Three Tangos: Oblivion | Martha Argerich, Eduardo Hubert | T-900.775.163-5 | |
| 22-21 | Three Tangos: Libertango | Martha Argerich, Eduardo Hubert | T-900.764.940-3 |
Identifier Graph
0190295948979 is a Universal Product Code (UPC) assigned to The Lugano Recordings by Martha Argerich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 311 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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| Track Title | Artist(s) | ISWC |
|---|---|---|
| Fünf Stücke im Volkston, op. 102: I. Mit Humor: Vanitas vanitatum | Martha Argerich, Gautier Capuçon | — |
| Fünf Stücke im Volkston, op. 102: II. Langsam | Martha Argerich, Gautier Capuçon | — |
| Fünf Stücke im Volkston, op. 102: III. Nicht schnell, mit viel Ton zu spielen | Martha Argerich, Gautier Capuçon | — |
| Fünf Stücke im Volkston, op. 102: IV. Nicht zu rasch | Martha Argerich, Gautier Capuçon | — |
| Fünf Stücke im Volkston, op. 102: V. Stark and markirt | Martha Argerich, Gautier Capuçon | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Lugano Recordings” by Martha Argerich is 0190295948979. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Warner Classics. This release contains 311 tracks, each with its own ISRC. Tracks include CH8291500492, CH8291500493, CH8291500494.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 20 in D minor, K 466: I. Allegro | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 2 | Piano Concerto no. 20 in D minor, K 466: II. Romance | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 3 | Piano Concerto no. 20 in D minor, K 466: III. Rondo: Allegro assai | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 4 | Piano Sonata in C, K545: I. Allegro | Piotr Anderszewski, Martha Argerich | — | |
| 5 | Piano Sonata in C, K545: II. Andante | Piotr Anderszewski, Martha Argerich | — | |
| 6 | Piano Sonata in C, K545: III. Rondo: Allegretto | Piotr Anderszewski, Martha Argerich | — | |
| 7 | Piano Concerto no. 25 in C, K. 503: I. Allegro maestoso | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 8 | Piano Concerto no. 25 in C, K. 503: II. Andante | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 9 | Piano Concerto no. 25 in C, K. 503: III. Allegretto | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 2-1 | Sonata in D, K. 381: I. Allegro | Martha Argerich, Maria João Pires | — | |
| 2-2 | Sonata in D, K. 381: II. Andante | Martha Argerich, Maria João Pires | — | |
| 2-3 | Sonata in D, K. 381: III. Allegro molto | Martha Argerich, Maria João Pires | — | |
| 2-4 | Sonata for Two Pianos in D, K448 (375a): I. Allegro con spirito | Martha Argerich, Sergei Babayan | — | |
| 2-5 | Sonata for Two Pianos in D, K448 (375a): II. Andante | Martha Argerich, Sergei Babayan | — | |
| 2-6 | Sonata for Two Pianos in D, K448 (375a): III. Molto allegro | Martha Argerich, Sergei Babayan | — | |
| 2-7 | Fantasie für eine Orgelwalze | Martha Argerich, Lilya Zilberstein | — | |
| 2-8 | Sonata for Piano 4-Hands in F Major, K. 497: I. Adagio - Allegro molto | Martha Argerich, Cristina Marton | — | |
| 2-9 | Sonata for Piano 4-Hands in F Major, K. 497: II. Andante | Martha Argerich, Cristina Marton | — | |
| 2-10 | Sonata for Piano 4-Hands in F Major, K. 497: III. Allegro | Martha Argerich, Cristina Marton | — | |
| 3-1 | 5 Variations in G Major for Piano 4-Hands, K. 501: I. Thema. Andante | Martha Argerich, Stephen Kovacevich | — | |
| 3-2 | 5 Variations in G Major for Piano 4-Hands, K. 501: II. Variation I | Martha Argerich, Stephen Kovacevich | — | |
| 3-3 | 5 Variations in G Major for Piano 4-Hands, K. 501: III. Variation II | Martha Argerich, Stephen Kovacevich | — | |
| 3-4 | 5 Variations in G Major for Piano 4-Hands, K. 501. IV. Variation III | Martha Argerich, Stephen Kovacevich | — | |
| 3-5 | 5 Variations in G Major for Piano 4-Hands, K. 501: V. Variation IV | Martha Argerich, Stephen Kovacevich | — | |
| 3-6 | 5 Variations in G Major for Piano 4-Hands, K. 501: VI. Variation V | Martha Argerich, Stephen Kovacevich | — | |
| 3-7 | Haydn: Piano Trio No. 39 in G major, Hob.XV:25 'Gypsy': I. Andante | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 3-8 | Haydn: Piano Trio No. 39 in G major, Hob.XV:25 'Gypsy': II. Poco adagio | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 3-9 | Haydn: Piano Trio No. 39 in G major, Hob.XV:25 'Gypsy': III. Rondo all'ongarese. Presto | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 3-10 | Violin Sonata no. 8 in G, op. 30 no. 3: I. Allegro assai | Martha Argerich, Renaud Capuçon | — | |
| 3-11 | Violin Sonata no. 8 in G, op. 30 no. 3: II. Tempo di menuetto, ma molto moderato e grazioso | Martha Argerich, Renaud Capuçon | — | |
| 3-12 | Violin Sonata No. 8 in G Major, Op. 30 No. 3: III. Allegro vivace (Live) | Martha Argerich, Renaud Capuçon | — | |
| 3-13 | Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: I. Allegro con brio | Martha Argerich, Marek Denemark, Mark Drobinsky | — | |
| 3-14 | Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: II. Adagio con espressione | Martha Argerich, Marek Denemark, Mark Drobinsky | — | |
| 3-15 | Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: III. Tema con variazioni | Martha Argerich, Marek Denemark, Mark Drobinsky | — | |
| 3-16 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: I. Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 3-17 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 1: Variation I | Martha Argerich, Mischa Maisky | — | |
| 3-18 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: III. Variation II | Martha Argerich, Mischa Maisky | — | |
| 3-19 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: IV. Variation III | Martha Argerich, Mischa Maisky | — | |
| 3-20 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 4: Variation IV | Martha Argerich, Mischa Maisky | — | |
| 3-21 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: VI. Variation V | Martha Argerich, Mischa Maisky | — | |
| 3-22 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: VII. Variation VI | Martha Argerich, Mischa Maisky | — | |
| 3-23 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation VII | Martha Argerich, Mischa Maisky | — | |
| 4-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant | — | |
| 4-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant | — | |
| 4-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant | — | |
| 4-4 | Piano Quartet in C major, Wo036 No. 3: I. Allegro vivace | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 4-5 | Piano Quartet in C major, Wo036 No. 3: II. Adagio con espressione | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 4-6 | Piano Quartet in C major, Wo036 No. 3: III. Finale: Allegro | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 4-7 | Piano Trio in D major, Op. 70, No. 1 "Ghost": I. Allegro vivace e con brio | Martha Argerich, Renaud Capuçon, Mischa Maisky | — | |
| 4-8 | Trio avec piano en ré majeur, op. 70 no. 1 « des esprits » : II. Largo assai ed espressivo | Martha Argerich, Renaud Capuçon, Mischa Maisky | — | |
| 4-9 | Piano Trio in D major, Op. 70, No. 1 "Ghost": III. Presto | Martha Argerich, Renaud Capuçon, Mischa Maisky | — | |
| 5-1 | Concerto for Piano, Violin, and Cello in C major, op. 56 "Triple": I. Allegro | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Александр Рабинович-Бараковский | — | |
| 5-2 | Concerto for Piano, Violin, and Cello in C major, op. 56 “Triple Concerto”: II. Largo | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Alexander Rabinovitch-Barakovsky | — | |
| 5-3 | Concerto for Piano, Violin, and Cello in C major, op. 56 "Triple": III. Rondo alla polacca | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Александр Рабинович-Бараковский | — | |
| 5-4 | Cello Sonata no. 2 in G minor, op. 5, no. 2: I. Adagio sostenuto ed expressivo | Martha Argerich, Mischa Maisky | — | |
| 5-5 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I-ii. Allegro molto più tosto presto | Martha Argerich, Mischa Maisky | — | |
| 5-6 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Martha Argerich, Mischa Maisky | — | |
| 5-7 | Choral Fantasy, op. 80: I. Adagio | Coro della Radio Svizzera, Lugano, Martha Argerich, Orchestra della Svizzera italiana, Diego Fasolis | — | |
| 5-8 | Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80: II. Finale (Allegro - Meno allegro - Marcia, assai vivace) | Coro della Radio Svizzera, Lugano, Martha Argerich, Orchestra della Svizzera italiana, Diego Fasolis | — | |
| 5-9 | Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80: III. Allegretto ma non troppo quasi andante con moto | Coro della Radio Svizzera, Lugano, Martha Argerich, Orchestra della Svizzera italiana, Diego Fasolis | — | |
| 6-1 | Violin Sonata in C minor, BWV 1017: I. Largo | Martha Argerich, Tedi Papavrami | — | |
| 6-2 | Violin Sonata in C minor, BWV 1017: II. Allegro | Martha Argerich, Tedi Papavrami | — | |
| 6-3 | Violin Sonata in C minor, BWV 1017: III. Adagio | Martha Argerich, Tedi Papavrami | — | |
| 6-4 | Violin Sonata in C minor, BWV 1017: IV. Allegro | Martha Argerich, Tedi Papavrami | — | |
| 6-5 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: I. Thema. Allegretto. | Martha Argerich, Alexander Mogilevsky | — | |
| 6-6 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: II. Variation I | Martha Argerich, Alexander Mogilevsky | — | |
| 6-7 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: III. Variation II | Martha Argerich, Alexander Mogilevsky | — | |
| 6-8 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: IV. Variation III | Martha Argerich, Alexander Mogilevsky | — | |
| 6-9 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: V. Variation IV | Martha Argerich, Alexander Mogilevsky | — | |
| 6-10 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: VI. Variation V | Martha Argerich, Alexander Mogilevsky | — | |
| 6-11 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: VII. Variation VI | Martha Argerich, Alexander Mogilevsky | — | |
| 6-12 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: VIII. Variation VII | Martha Argerich, Alexander Mogilevsky | — | |
| 6-13 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: IX. Variation VIII | Martha Argerich, Alexander Mogilevsky | — | |
| 6-14 | A Midsummer Night's Dream, op. 21 (Incidental Music): Overture | Martha Argerich, Cristina Marton | — | |
| 6-15 | A Midsummer Night's Dream, op. 21 (Incidental Music): Scherzo | Martha Argerich, Cristina Marton | — | |
| 6-16 | Piano Trio No. 1 in D minor, Op. 49: I. Molto allegro, agitato | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 6-17 | Piano Trio No. 1 in D minor, Op. 49: II. Andante con moto, tranquillo | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 6-18 | Trio avec piano no. 1 en ré mineur, op. 49 : III. Scherzo : Leggiero e vivace | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 6-19 | Piano Trio No. 1 in D minor, Op. 49: IV. Finale: Allegro assai appassionato | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 7-1 | Piano Concerto no. 1 in E minor, op. 11: Allegro maestoso | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 7-2 | Piano Concerto no. 1 in E minor, op. 11: Romance: Larghetto | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T-308.381.369-4 | |
| 7-3 | Piano Concerto no. 1 in E minor, op. 11: Rondo: Vivace | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 7-4 | Introduction et polonaise brillante in C Major, op. 3: I. Introductions | Martha Argerich, Gautier Capuçon | — | |
| 7-5 | Introduction et polonaise brillante in C Major, op. 3: II. Alla polacca - Allegro con spirito | Martha Argerich, Gautier Capuçon | — | |
| 7-6 | Les Préludes S97 | Martha Argerich, Daniel Rivera | — | |
| 7-7 | Réminiscences de Don Juan for Two Pianos, S 656: I. Grave | Martha Argerich, Mauricio Vallina | — | |
| 7-8 | Réminiscences de Don Juan for Two Pianos, S 656: II. Duetto: Andantino | Martha Argerich, Mauricio Vallina | — | |
| 7-9 | Réminiscences de Don Juan for Two Pianos, S 656: III. Allegretto | Martha Argerich, Mauricio Vallina | — | |
| 7-10 | Réminiscences de Don Juan for Two Pianos, S 656: IV. Presto | Martha Argerich, Mauricio Vallina | — | |
| 8-1 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | Martha Argerich | T-314.629.927-2 | |
| 8-2 | Kinderszenen, op. 15: II. Kuriose Geschichte | Martha Argerich | T-330.117.394-0 | |
| 8-3 | Kinderszenen, op. 15: III. Hasche-Mann | Martha Argerich | — | |
| 8-4 | Kinderszenen, op. 15: IV. Bittendes Kind | Martha Argerich | — | |
| 8-5 | Kinderszenen, op. 15: V. Glückes genug | Martha Argerich | — | |
| 8-6 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | Martha Argerich | — | |
| 8-7 | Kinderszenen, op. 15: No. 7. Träumerei | Martha Argerich | — | |
| 8-8 | Kinderszenen, op. 15: VIII. Am Kamin | Martha Argerich | — | |
| 8-9 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | Martha Argerich | — | |
| 8-10 | Kinderszenen, op. 15: X. Fast zu ernst | Martha Argerich | — | |
| 8-11 | Kinderszenen, op. 15: XI. Fürchtenmachen | Martha Argerich | — | |
| 8-12 | Kinderszenen, op. 15: XII. Kind im Einschlummern | Martha Argerich | — | |
| 8-13 | Kinderszenen, op. 15: XIII. Der Dichter spricht | Martha Argerich | — | |
| 8-14 | Fantasiestücke für Cello und Klavier, op. 73: I. Zart und mit Ausdruck | Martha Argerich, Gautier Capuçon | — | |
| 8-15 | Fantasiestücke für Cello und Klavier, op. 73: II. Lebhaft, leicht | Martha Argerich, Gautier Capuçon | — | |
| 8-16 | Fantasiestücke für Cello und Klavier, op. 73: III. Rasch un mit Feuer | Martha Argerich, Gautier Capuçon | — | |
| 8-17 | Violin Sonata no. 1 in A minor, op. 105: Mit leidenschaftlichem Ausdruck | Martha Argerich, Renaud Capuçon | — | |
| 8-18 | Violin Sonata no. 1 in A minor, op. 105: Allegretto | Martha Argerich, Renaud Capuçon | — | |
| 8-19 | Violin Sonata no. 1 in A minor, op. 105: Lebhaft | Martha Argerich, Renaud Capuçon | — | |
| 8-20 | Violin Sonata no. 2 in D minor, op. 121: I | Martha Argerich, Renaud Capuçon | — | |
| 8-21 | Sonata for Violin and Piano no. 2 in D minor, op. 121: II. Sehr lebhaft | Martha Argerich, Renaud Capuçon | — | |
| 8-22 | Violin Sonata no. 2 in D minor, op. 121: III | Martha Argerich, Renaud Capuçon | — | |
| 8-23 | Violin Sonata no. 2 in D minor, op. 121: IV | Martha Argerich, Renaud Capuçon | — | |
| 9-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T-909.264.262-1 | |
| 9-2 | Piano Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso) | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T-909.264.262-1 | |
| 9-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T-909.264.262-1 | |
| 9-4 | Fantasiestücke, Op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 9-5 | Fantasiestücke, Op. 88: II. Humoreske: Lebhaft | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 9-6 | Fantasiestücke, Op. 88: III. Duett: Langsam und mit Ausdruck | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 9-7 | Fantasiestücke, Op. 88: IV. Finale: Im Marsch-Tempo | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 9-8 | Piano Quartet in E-flat, op. 47: I. Sostenuto assai | Martha Argerich, Renaud Capuçon, Lida Chen, Gautier Capuçon | — | |
| 9-9 | Piano Quartet in E-flat, op. 47: II. Scherzo | Martha Argerich, Renaud Capuçon, Lida Chen, Gautier Capuçon | — | |
| 9-10 | Piano Quartet in E-flat, op. 47: III. Andante cantabile | Martha Argerich, Renaud Capuçon, Lida Chen, Gautier Capuçon | — | |
| 9-11 | Piano Quartet in E-flat major, Op. 47: IV. Finale: Vivace | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 10-1 | Andante und Variationen for 2 Pianos in B-flat Major, op. 46: I. Andante espressivo - Più animato | Martha Argerich, Gabriela Montero | — | |
| 10-2 | Andante und Variationen for 2 Pianos in B-flat Major, op. 46: II. Più lento - Animato | Martha Argerich, Gabriela Montero | — | |
| 10-3 | Andante und Variationen for 2 Pianos in B-flat Major, op. 46: III. Doppio movimento - Più adagio | Martha Argerich, Gabriela Montero | — | |
| 10-4 | Piano Quintet in E-flat major, Op. 44: I. Allegro brillante | Martha Argerich, Renaud Capuçon, Mark Drobinsky, Nora Romanoff-Schwarzberg, Dora Schwarzberg | — | |
| 10-5 | Piano Quintet in E-flat major, Op. 44: II. In modo d'una marcia - Un poco largamente | Martha Argerich, Renaud Capuçon, Mark Drobinsky, Nora Romanoff-Schwarzberg, Dora Schwarzberg | — | |
| 10-6 | Piano Quintet in E-flat major, Op. 44: III. Scherzo: Molto vivace | Martha Argerich, Renaud Capuçon, Mark Drobinsky, Nora Romanoff-Schwarzberg, Dora Schwarzberg | — | |
| 10-7 | Piano Quintet in E-flat Major, op. 44: IV. Allegro ma non troppo | Robert Schumann | — | |
| 10-8 | Violin Sonata No. 1 in A minor, Op. 105: I. Mit leidenschaflichem Ausdruck | Martha Argerich, Géza Hosszu-Legocky | — | |
| 10-9 | Violin Sonata No. 1 in A minor, Op. 105: II. Allegretto | Martha Argerich, Géza Hosszu-Legocky | — | |
| 10-10 | Violin Sonata No. 1 in A minor, op. 105: III. Lebhaft | Robert Schumann | — | |
| 10-11 | Fünf Stücke im Volkston, op. 102: I. Mit Humor: Vanitas vanitatum | Martha Argerich, Gautier Capuçon | — | |
| 10-12 | Fünf Stücke im Volkston, op. 102: II. Langsam | Martha Argerich, Gautier Capuçon | — | |
| 10-13 | Fünf Stücke im Volkston, op. 102: III. Nicht schnell, mit viel Ton zu spielen | Martha Argerich, Gautier Capuçon | — | |
| 10-14 | Fünf Stücke im Volkston, op. 102: IV. Nicht zu rasch | Martha Argerich, Gautier Capuçon | — | |
| 10-15 | Fünf Stücke im Volkston, op. 102: V. Stark and markirt | Martha Argerich, Gautier Capuçon | — | |
| 11-1 | Adagio and Allegro, op. 70: Langsam, mit innigem Ausdruck | Martha Argerich, Gautier Capuçon | — | |
| 11-2 | Adagio and Allegro, op. 70: Allegro, rasch und feurig | Martha Argerich, Gautier Capuçon | — | |
| 11-3 | Six Canonic Etudes, op. 56: I. Pas trop vite | Martha Argerich, Lilya Zilberstein | — | |
| 11-4 | Six Canonic Etudes, op. 56: II. Avec beaucoup d'expression | Martha Argerich, Lilya Zilberstein | — | |
| 11-5 | Six Canonic Etudes, op. 56: III. Andantino | Martha Argerich, Lilya Zilberstein | — | |
| 11-6 | Six Canonic Etudes, op. 56: IV. Espressivo | Martha Argerich, Lilya Zilberstein | — | |
| 11-7 | Six Canonic Etudes, op. 56: V. Pas trop vite | Martha Argerich, Lilya Zilberstein | — | |
| 11-8 | Six Canonic Etudes, op. 56: VI. Adagio | Martha Argerich, Lilya Zilberstein | — | |
| 11-9 | Fantasiestücke, Op. 73 (version for flugelhorn and piano): I. Zart und mit Ausdruck | Martha Argerich, Sergei Nakariakov | — | |
| 11-10 | Fantasiestücke, Op. 73 (version for flugelhorn and piano): II. Lebhaft, leicht | Martha Argerich, Sergei Nakariakov | — | |
| 11-11 | Fantasiestücke, Op. 73 (version for flugelhorn and piano): III. Rasch und mit Feuer | Martha Argerich, Sergei Nakariakov | — | |
| 11-12 | Concerto pathétique, Sz. 258: I. Allegro energico-Grandioso | Martha Argerich, Lilya Zilberstein | — | |
| 11-13 | Concerto pathétique, Sz. 258: II. Quasi fantasia-Andante sostenuoto-Allegro agitato assai | Martha Argerich, Lilya Zilberstein | — | |
| 11-14 | Concerto pathétique, Sz. 258: III. Andante, quasi marcia funebre-Più mosso-Allegro trionfante | Martha Argerich, Lilya Zilberstein | — | |
| 11-15 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Chorale 'St Anthony': Andante | Martha Argerich, Polina Leschenko | — | |
| 11-16 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation I: Andante con moto | Martha Argerich, Polina Leschenko | — | |
| 11-17 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation II: Vivace | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 11-18 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation III: Con moto | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 11-19 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation IV: Andante | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 11-20 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation V: Poco presto | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 11-21 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VI: Vivace | Martha Argerich, Polina Leschenko | — | |
| 11-22 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VII: Grazioso | Martha Argerich, Polina Leschenko | — | |
| 11-23 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VIII: Poco presto | Martha Argerich, Polina Leschenko | — | |
| 11-24 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Finale: Andante | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 12-1 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): I. Allegro non troppo | Martha Argerich, Lilya Zilberstein | — | |
| 12-2 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): II. Andante, un poco adagio | Martha Argerich, Lilya Zilberstein | — | |
| 12-3 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): III. Scherzo: Allegro | Martha Argerich, Lilya Zilberstein | — | |
| 12-4 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): IV. Finale: Poco sostenuto - Allegro non troppo - Presto non troppo | Martha Argerich, Lilya Zilberstein | — | |
| 12-5 | Variations on a Theme by Haydn for 2 Pianos, op 56b: I. Theme. Chorale St. Antoni | Nicholas Angelich, Martha Argerich | — | |
| 12-6 | Variations on a Theme by Haydn for 2 Pianos, op 56b: II. Variation I (Andante con moto) | Nicholas Angelich, Martha Argerich | — | |
| 12-7 | Variations on a Theme by Haydn for 2 Pianos, op 56b: III. Variation II (Vivace) | Nicholas Angelich, Martha Argerich | — | |
| 12-8 | Variations on a Theme by Haydn for 2 Pianos, op 56b: IV. Variation III (Con moto) | Nicholas Angelich, Martha Argerich | — | |
| 12-9 | Variations on a Theme by Haydn for 2 Pianos, op 56b: V. Variation IV (Andante) | Nicholas Angelich, Martha Argerich | — | |
| 12-10 | Variations on a Theme by Haydn for 2 Pianos, op 56b: VI. Variation V (Poco presto) | Nicholas Angelich, Martha Argerich | — | |
| 12-11 | Variations on a Theme by Haydn for 2 Pianos, op 56b: VII. Variation VI (Vivace) | Nicholas Angelich, Martha Argerich | — | |
| 12-12 | Variations on a Theme by Haydn for 2 Pianos, op 56b: VIII. Variation VII (Grazioso) | Nicholas Angelich, Martha Argerich | — | |
| 12-13 | Variations on a Theme by Haydn for 2 Pianos, op 56b: IX. Variation VIII (Poco presto) | Nicholas Angelich, Martha Argerich | — | |
| 12-14 | Variations on a Theme by Haydn for 2 Pianos, op 56b: X. Finale (Andante) | Nicholas Angelich, Martha Argerich | T-322.184.202-6 | |
| 13-1 | The Nutcracker Suite, op. 71a: I. Ouverture miniature | Martha Argerich, Ana Mirabela Dina | — | |
| 13-2 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: a. Marche: Tempo di marcia viva | Martha Argerich, Ana Mirabela Dina | — | |
| 13-3 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: b. Danse fe la fée dragée: Andante non troppo | Martha Argerich, Ana Mirabela Dina | — | |
| 13-4 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: c. Danse russe - Trépak: Tempo di trepak, Molto vivace | Martha Argerich, Ana Mirabela Dina | — | |
| 13-5 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: d. Danse arabe: Allegretto | Martha Argerich, Ana Mirabela Dina | — | |
| 13-6 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: e. Danse chinoise: Allegro moderato | Martha Argerich, Ana Mirabela Dina | — | |
| 13-7 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: f. Danse des mirlitons: Moderato assai | Martha Argerich, Ana Mirabela Dina | — | |
| 13-8 | The Nutcracker Suite, op. 71a: III. Valse des fleurs | Martha Argerich, Ana Mirabela Dina | — | |
| 13-9 | Sonata in E minor | Martha Argerich, Anton Gerzenberg, Daniel Gerzenberg, Lilya Zilberstein | — | |
| 13-10 | Rondo in C | Martha Argerich, Anton Gerzenberg, Daniel Gerzenberg, Lilya Zilberstein | — | |
| 13-11 | Piano Quintet in G minor, op. 34: I. Allegro | Martha Argerich, Gautier Capuçon, Lida Chen, Lucia Hall, Dora Schwarzberg | — | |
| 13-12 | Piano Quintet in G minor, op. 34: II. Adagio | Martha Argerich, Gautier Capuçon, Lida Chen, Lucia Hall, Dora Schwarzberg | — | |
| 13-13 | Piano Quintet in G minor, op. 34: III. Scherzo: Presto | Martha Argerich, Gautier Capuçon, Lida Chen, Lucia Hall, Dora Schwarzberg | — | |
| 13-14 | Piano Quintet in G minor, op. 34: IV. Finale | Martha Argerich, Gautier Capuçon, Lida Chen, Lucia Hall, Dora Schwarzberg | — | |
| 14-1 | Carnival of the Animals: I. Introduction and Royal March of the Lion: Andante maestoso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-2 | Carnival of the Animals: II. Hens and Cockerels: Allegro moderato | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-3 | Carnival of the Animals: III. Wild Asses: Presto furioso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-4 | Carnival of the Animals: IV. Tortoises: Andante maestoso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-5 | Carnival of the Animals: V. The Elephant: Allegretto pomposo | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-6 | Carnival of the Animals: VI. Kangaroos: Moderato | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-7 | Carnival of the Animals: VII. Aquarium: Andantino | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-8 | Carnival of the Animals: VIII. Personages with Long Ears: Tempo ad libitum | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-9 | Carnival of the Animals: IX. The Cuckoo in the Depths of the Woods: Andante | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-10 | Carnival of the Animals: X. Aviary: Moderato grazioso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-11 | Carnival of the Animals: XI. Pianists: Allegro moderato | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-12 | Carnival of the Animals: XII. Fossils: Allegro ridicolo | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-13 | Carnival of the Animals: XIII. The Swan: Andantion grazioso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-14 | Carnival of the Animals: XIV. Finale: Molto vivace | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 14-15 | Petite Suite for piano four hands: I. En bateau | Martha Argerich, Cristina Marton | — | |
| 14-16 | Petite Suite for piano four hands: II. Cortège | Martha Argerich, Cristina Marton | — | |
| 14-17 | Petite Suite for piano four hands: III. Menuet | Martha Argerich, Cristina Marton | — | |
| 14-18 | Petite Suite for piano four hands: IV. Ballet | Martha Argerich, Cristina Marton | — | |
| 14-19 | En blanc et noir: I. Avec amportement | Martha Argerich, Stephen Kovacevich | — | |
| 14-20 | En blanc et noir: II. Lent - Sombre | Martha Argerich, Stephen Kovacevich | — | |
| 14-21 | En blanc et noir: III. Scherzando | Martha Argerich, Stephen Kovacevich | — | |
| 14-22 | Piano Concerto in G: I. Allegramente | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T-305.199.289-9 | |
| 14-23 | Piano Concerto in G: II. Adagio assai | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T-305.194.465-7 | |
| 14-24 | Piano Concerto in G: III. Presto | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T-305.199.295-7 | |
| 15-1 | Gaspard de la nuit: I. Ondine | Martha Argerich | — | |
| 15-2 | Gaspard de la nuit: II. Le Gibet | Martha Argerich | — | |
| 15-3 | Gaspard de la nuit: III. Scarbo | Martha Argerich | — | |
| 15-4 | La Valse | Martha Argerich, Sergio Tiempo | T-003.107.988-5 | |
| 15-5 | Ma mère l'Oye Suite: I. Pavane de la belle au bois dormant: Lent | Martha Argerich, Alexander Mogilevsky | T-004.018.862-2 | |
| 15-6 | Ma mère l'Oye Suite: II. Petit Poucet: Très modéré | Martha Argerich, Alexander Mogilevsky | T-004.018.862-2 | |
| 15-7 | Ma mère l'Oye Suite: III. Laideronnette, impératrice des pagodes: Mouvement de marche | Martha Argerich, Alexander Mogilevsky | T-004.018.862-2 | |
| 15-8 | Ma mère l'Oye Suite: IV. Les Entretiens de la Belle et de la Bête: Mouvement de valse modéré | Martha Argerich, Alexander Mogilevsky | T-004.018.862-2 | |
| 15-9 | Ma mère l'Oye Suite: V. Le Jardin féerique: Lent et grave | Martha Argerich, Alexander Mogilevsky | T-004.018.862-2 | |
| 15-10 | Piano Concerto in G: I. Allegramente | Martha Argerich, Orchestra della Svizzera italiana, Alexander Vedernikov | T-305.199.289-9 | |
| 15-11 | Piano Concerto in G: II. Adagio assai | Martha Argerich, Orchestra della Svizzera italiana, Alexander Vedernikov | T-305.194.465-7 | |
| 15-12 | Piano Concerto in G: III. Presto | Martha Argerich, Orchestra della Svizzera italiana, Alexander Vedernikov | T-305.199.295-7 | |
| 15-13 | Prélude à l'après-midi d'un faune | Martha Argerich, Stephen Kovacevich | — | |
| 16-1 | Symphonic Dances for 2 Pianos, op. 45: I. Non allegro - Lento - Tempo I | Martha Argerich, Nelson Goerner | — | |
| 16-2 | Symphonic Dances for 2 Pianos, op. 45: II. Andante con moto (Tempo di valse) | Martha Argerich, Nelson Goerner | — | |
| 16-3 | Symphonic Dances for 2 Pianos, op. 45: III. Lento assai - L'istesso tempo, ma agitato | Martha Argerich, Nelson Goerner | — | |
| 16-4 | Suite no. 1, op. 5 for Two Pianos: I. Barcarolle | Martha Argerich, Lilya Zilberstein | — | |
| 16-5 | Suite for 2 Pianos no. 1 in G minor, op. 5: II. La nuit… l’amour | Lilya Zilberstein, Martha Argerich | — | |
| 16-6 | Suite no. 1, op. 5 for Two Pianos: III. Les Larmes | Martha Argerich, Lilya Zilberstein | — | |
| 16-7 | Suite for 2 Pianos no. 1 in G minor, op. 5: IV. Pâques | Lilya Zilberstein, Martha Argerich | — | |
| 16-8 | Suite for 2 Pianos no. 2, op. 17: I. Introduction | Martha Argerich, Gabriela Montero | — | |
| 16-9 | Suite for 2 Pianos no. 2, op. 17: II. Valse | Martha Argerich, Gabriela Montero | — | |
| 16-10 | Suite for Two Pianos No. 2 in C major, Op. 17: III. Romance (Andantino) | Martha Argerich, Gabriela Montero | — | |
| 16-11 | Suite for 2 Pianos no. 2, op. 17: IV. Tarentelle | Martha Argerich, Gabriela Montero | — | |
| 17-1 | Symphony no. 1 in D, op. 25 "Classical": I. Allegro | Martha Argerich, Yefim Bronfman | — | |
| 17-2 | Symphony no. 1 in D, op. 25 "Classical": II. Larghetto | Martha Argerich, Yefim Bronfman | — | |
| 17-3 | Symphony no. 1 in D, op. 25 "Classical": III. Gavotte: Non troppo allegro | Martha Argerich, Yefim Bronfman | — | |
| 17-4 | Symphony no. 1 in D, op. 25 "Classical": IV. Finale: Molto vivace | Martha Argerich, Yefim Bronfman | — | |
| 17-5 | Violin Sonata no. 2 in D, op. 94bis: I. Moderato | Martha Argerich, Renaud Capuçon | — | |
| 17-6 | Violin Sonata no. 2 in D, op. 94bis: II. Presto - Poco più mosso del-Tempo I | Martha Argerich, Renaud Capuçon | — | |
| 17-7 | Violin Sonata no. 2 in D, op. 94bis: III. Andante | Martha Argerich, Renaud Capuçon | — | |
| 17-8 | Violin Sonata no. 2 in D, op. 94bis: IV. Allegro con brio - Poco meno mosso-Tempo I | Martha Argerich, Renaud Capuçon | — | |
| 17-9 | Six Morceaux, op. 11: I. Barcarolle | Martha Argerich, Lilya Zilberstein | — | |
| 17-10 | 6 Duets, op. 11: II. Scherzo | Lilya Zilberstein, Martha Argerich | — | |
| 17-11 | Six Morceaux, op. 11: III. Thème russe | Martha Argerich, Lilya Zilberstein | — | |
| 17-12 | 6 Duets, op. 11: IV. Valse | Lilya Zilberstein, Martha Argerich | — | |
| 17-13 | Six Morceaux, op. 11: V. Romance | Martha Argerich, Lilya Zilberstein | — | |
| 17-14 | 6 Duets, op. 11: VI. Slava (Gloria) | Lilya Zilberstein, Martha Argerich | — | |
| 18-1 | Romanian Folk Dances, Sz. 56 | Martha Argerich, Géza Hosszu-Legocky | — | |
| 18-2 | Sonata for Two Pianos and Percussion, Sz 110: Assai lento - Allegro molto | Martha Argerich, Danilo Grassi, Stephen Kovacevich, Louis Sauvaître | — | |
| 18-3 | Sonata for Two Pianos and Percussion, Sz 110: Lento ma non troppo - Un poco più andante - Agitato | Martha Argerich, Danilo Grassi, Stephen Kovacevich, Louis Sauvaître | — | |
| 18-4 | Sonata for Two Pianos and Percussion, Sz 110: Allegro non troppo | Martha Argerich, Danilo Grassi, Stephen Kovacevich, Louis Sauvaître | — | |
| 18-5 | Violin Sonata No. 1, Sz75: I. Allegro appassionato | Martha Argerich, Renaud Capuçon | — | |
| 18-6 | Violin Sonata No. 1, Sz75: II. Adagio | Martha Argerich, Renaud Capuçon | — | |
| 18-7 | Violin Sonata No. 1, Sz75: III. Allegro | Martha Argerich, Renaud Capuçon | — | |
| 19-1 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: I. Allegro moderato | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — | |
| 19-2 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: II. Lento largo | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — | |
| 19-3 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: III. Moderato | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — | |
| 19-4 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: IV. Allegro con brio | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — | |
| 19-5 | Concertino in A minor, op. 94 for Two Pianos: Adagio - Allegretto - Adagio - Allegro - Adagio - Allegretto | Martha Argerich, Lilya Zilberstein | — | |
| 19-6 | Quintet for Piano and Strings in G minor, op. 57: I. Prelude. Lento | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — | |
| 19-7 | Quintet for Piano and Strings in G minor, op. 57: II. Fugue. Adagio | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — | |
| 19-8 | Quintet for Piano and Strings in G minor, op. 57: III. Scherzo. Allegretto | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — | |
| 19-9 | Quintet for Piano and Strings in G minor, op. 57: IV. Intermezzo. Lento | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — | |
| 19-10 | Quintet for Piano and Strings in G minor, op. 57: V. Finale. Allegretto | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — | |
| 20-1 | Piano Trio No. 2 in E minor, Op. 67: I. Andante - Moderato | Martha Argerich, Gautier Capuçon, Maxim Vengerov | — | |
| 20-2 | Piano Trio no. 2 in E minor, op. 67: II. Allegro non troppo | Martha Argerich, Gautier Capuçon, Maxim Vengerov | — | |
| 20-3 | Piano Trio No. 2 in E minor, Op. 67: III. Largo | Martha Argerich, Gautier Capuçon, Maxim Vengerov | — | |
| 20-4 | Piano Trio No. 2 in E minor, Op. 67: IV. Allegretto | Martha Argerich, Gautier Capuçon, Maxim Vengerov | T-003.055.867-8 | |
| 20-5 | Piano Sonata, FP 8: I. Prélude: Modéré | Martha Argerich, Dagmar Clottu | — | |
| 20-6 | Piano Sonata, FP 8: II. Rustique: Naïf et lent | Martha Argerich, Dagmar Clottu | — | |
| 20-7 | Piano Sonata, FP 8: III. Final: Très vitè | Martha Argerich, Dagmar Clottu | — | |
| 20-8 | Concertino for piano, two violins, viola, clarinet, horn and bassoon: I. Moderato | Martha Argerich, Corrado Giufferdi, Vincent Godel, Lucia Hall, Alissa Margulis, Nora Romanoff-Schwarzberg, Zora Slokar | — | |
| 20-9 | Concertino for piano, two violins, viola, clarinet, horn and bassoon: II. Piu mosso | Martha Argerich, Corrado Giufferdi, Vincent Godel, Lucia Hall, Alissa Margulis, Nora Romanoff-Schwarzberg, Zora Slokar | — | |
| 20-10 | Concertino for piano, two violins, viola, clarinet, horn and bassoon: III. Con moto | Martha Argerich, Corrado Giufferdi, Vincent Godel, Lucia Hall, Alissa Margulis, Nora Romanoff-Schwarzberg, Zora Slokar | — | |
| 20-11 | Concertino for piano, two violins, viola, clarinet, horn and bassoon: IV. Allegro | Martha Argerich, Corrado Giufferdi, Vincent Godel, Lucia Hall, Alissa Margulis, Nora Romanoff-Schwarzberg, Zora Slokar | — | |
| 20-12 | Variations on a Theme by Paganini | Martha Argerich, Giorgia Tomassi | — | |
| 21-1 | Violin Sonata no. 5, op. 53: I. Andante con moto | Gidon Kremer, Martha Argerich | — | |
| 21-2 | Violin Sonata no. 5, op. 53: II. Allegro molto | Gidon Kremer, Martha Argerich | — | |
| 21-3 | Violin Sonata no. 5, op. 53: III. Allegro moderato | Gidon Kremer, Martha Argerich | — | |
| 21-4 | Violin Sonata no. 5, op. 53: IV. Allegro — Andante — Allegretto — Andante | Gidon Kremer, Martha Argerich | — | |
| 21-5 | Variations on a Theme by Paganini | Martha Argerich, Mauricio Vallina | T-905.982.758-6 | |
| 21-6 | Fantasia Elvetica: I. Maestoso | Martha Argerich, Alexander Mogilevsky, Orchestra della Svizzera italiana, Mikhail Pletnev | — | |
| 21-7 | Fantasia Elvetica: II. Tranquillo | Martha Argerich, Alexander Mogilevsky, Orchestra della Svizzera italiana, Mikhail Pletnev | — | |
| 21-8 | Fantasia Elvetica: III. Temps di marcia - Andante | Martha Argerich, Alexander Mogilevsky, Orchestra della Svizzera italiana, Mikhail Pletnev | — | |
| 21-9 | Fantasia Elvetica: IV. Tempo di polka - Più vivo - Allegro | Martha Argerich, Alexander Mogilevsky, Orchestra della Svizzera italiana, Mikhail Pletnev | — | |
| 22-1 | Noches en los jardines de España: I. En el Generalife | Martha Argerich | — | |
| 22-2 | Noches en los jardines de España: II. Danza lejana | Martha Argerich | — | |
| 22-3 | Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba | Martha Argerich | T-041.489.075-7 | |
| 22-4 | Taquito militar | Martha Argerich, Ale Petrasso | — | |
| 22-5 | Porteña: I. Porteña | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-6 | Porteña: II. Nocturnal | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-7 | Porteña: III. Cadenza | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-8 | Porteña: IV. Porteña (quasi jidish) | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-9 | Porteña: V. Secuencia (quasi) canónica | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-10 | Porteña: VI. Gardeliana | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-11 | Porteña: VII. Malandra | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-12 | Porteña: VIII. Tanghora | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-13 | Porteña: IX. Bajofondo | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-14 | Porteña: X. Corrientes y 9 de julio | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-15 | Porteña: XI. Finale | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 22-16 | Tres romances argentinos, op. 2: I. Las niñas de Santa Fe | Martha Argerich, Mauricio Vallina | T-037.005.703-6 | |
| 22-17 | Tres romances argentinos, op. 2: II. Muchacho jujeño | Martha Argerich, Mauricio Vallina | T-037.005.703-6 | |
| 22-18 | Tres romances argentinos, op. 2: III. Baile en Cuyo | Martha Argerich, Mauricio Vallina | — | |
| 22-19 | Three Tangos: Tres minutos con la realidad | Martha Argerich, Eduardo Hubert | T-910.262.122-7 | |
| 22-20 | Three Tangos: Oblivion | Martha Argerich, Eduardo Hubert | T-900.775.163-5 | |
| 22-21 | Three Tangos: Libertango | Martha Argerich, Eduardo Hubert | T-900.764.940-3 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Fünf Stücke im Volkston, op. 102: I. Mit Humor: Vanitas vanitatum | Martha Argerich, Gautier Capuçon | — |
| Fünf Stücke im Volkston, op. 102: II. Langsam | Martha Argerich, Gautier Capuçon | — |
| Fünf Stücke im Volkston, op. 102: III. Nicht schnell, mit viel Ton zu spielen | Martha Argerich, Gautier Capuçon | — |
| Fünf Stücke im Volkston, op. 102: IV. Nicht zu rasch | Martha Argerich, Gautier Capuçon | — |
| Fünf Stücke im Volkston, op. 102: V. Stark and markirt | Martha Argerich, Gautier Capuçon | — |
