UPC · Release
100 Best Classics
Various Artists
0190295975562
100 tracks
Last verified:
0190295975562 is the Universal Product Code (UPC barcode) for the release “100 Best Classics” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBF078000080, GBAYC8600707, US5541101248.
Format
019GS1 prefix
0295Company prefix
97556Product
2Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPC100 Best Classics
ISRC13 recordings
ISWC19 works
IPI3 songwriters
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No. 5: Allegro con brio | — | ||
| 2 | Bolero (Excerpt) | — | ||
| 3 | Solomon: Sinfonia | — | ||
| 4 | The Four Seasons, "Spring": Allegro | — | ||
| 5 | Symphony No. 9 "From the New World": Allegro con fuoco | — | ||
| 6 | Horn Concerto No. 4: Rondo | — | ||
| 7 | Symphony No. 9: Ode to Joy | — | ||
| 8 | 1812 Overture | — | ||
| 9 | Piano Concerto No. 3: Allegro ma non tanto (Excerpt) | — | ||
| 10 | Carmina Burana: O Fortuna | — | ||
| 11 | Finlandia | Philharmonia Orchestra, Vladimir Ashkenazy | T-910.256.702-2 | |
| 12 | The Planets: Jupiter (Excerpt) | — | ||
| 13 | Romeo and Juliet: Dance of the Knights | — | ||
| 14 | Pomp and Circumstance: Land of Hope and Glory | — | ||
| 15 | Trumpet Voluntary | — | ||
| 16 | Aida: “Gloria all’Egitto” | Douglas Robinson, Chorus of the Royal Opera House, Covent Garden, New Philharmonia Orchestra, Riccardo Muti | T-900.065.376-9 | |
| 17 | Radetzky March | — | ||
| 2-1 | Moonlight Sonata: Adagio sostenuto | Evelyne Dubourg | — | |
| 2-2 | Concerto for Flute and Harp: Andantino | — | ||
| 2-3 | Peer Gynt Morning Mood | — | ||
| 2-4 | Adagio | — | ||
| 2-5 | Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041.489.061-1 | |
| 2-6 | Symphony No. 6 "Pastoral": Allegro non troppo | — | ||
| 2-7 | Piano Concerto No. 21: Andante | — | ||
| 2-8 | Suite No. 3: Air | — | ||
| 2-9 | Sarabande | — | ||
| 2-10 | Canon | — | ||
| 2-11 | Adagio (Excerpt) | — | ||
| 2-12 | Double Violin Concerto: Largo, ma non tanto | — | ||
| 2-13 | Clarinet Concerto: Adagio | — | ||
| 2-14 | Symphony No. 7: Allegretto | — | ||
| 2-15 | Variations 'Enigma': Nimrod | — | ||
| 2-16 | Symphony No. 5: Adagietto | — | ||
| 3-1 | The Nutcracker: Waltz of the Flowers | — | ||
| 3-2 | Violin Concerto: Andante (Excerpt) | — | ||
| 3-3 | Piano Concerto No. 5 'Emperor': Allegro | — | ||
| 3-4 | Piano Concerto No. 1: Romance | — | ||
| 3-5 | Le Carnaval des animaux: Le cygne | — | ||
| 3-6 | Méditaion de Thais (excerpt) | Renaud Capuçon, Deutsche Kammerphilharmonie Bremen, Daniel Harding | T-306.705.438-6 | |
| 3-7 | The Four Seasons, "Winter": Largo | — | ||
| 3-8 | Dance of the Blessed Spirits | — | ||
| 3-9 | Sleeping Beauty: Waltz | — | ||
| 3-10 | Scheherazade: The Story of the Kalender Prince | — | ||
| 3-11 | Fantasia on "Greensleeves" | London Symphony Orchestra, André Previn | — | |
| 3-12 | Theme from Schindler's List | — | ||
| 3-13 | Swan Lake: Scene (Moderato) | — | ||
| 3-14 | Wiegenlied | — | ||
| 3-15 | Waltz No. 9 | — | ||
| 3-16 | Symphony No. 3: Poco allegretto | — | ||
| 3-17 | An der schönen blauen Donau | — | ||
| 4-1 | Norma: “Casta Diva” | — | ||
| 4-2 | Tosca: “Vissi d’arte” | Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | — | |
| 4-3 | Gianni Schicchi: “O mio babbino caro” | — | ||
| 4-4 | Nabucco: Chorus of the Hebrew Slaves | — | ||
| 4-5 | Turandot: “Nessun dorma” | — | ||
| 4-6 | Les Contes d’Hoffmann : « Belle nuit, ô nuit d’amour » | — | ||
| 4-7 | Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922.610.201-8 | |
| 4-8 | Lakmé: Flower Duet | — | ||
| 4-9 | Don Giovanni: “Là ci darem la mano” | — | ||
| 4-10 | Die Zauberflöte: “Der Hölle Rache” | — | ||
| 4-11 | Die lustige Witwe: “Lippen schweigen” | — | ||
| 4-12 | Carmen: « L’amour est un oiseau rebelle » | — | ||
| 4-13 | Serse: “Ombra mai fù” | — | ||
| 4-14 | Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | — | |
| 4-15 | Ave Maria | — | ||
| 4-16 | Peer Gynt: Solveig’s song | Boston Pops Orchestra, Arthur Fiedler | — | |
| 5-1 | Piano Concerto No. 2: Moderato | — | ||
| 5-2 | Nocturne in C-sharp minor | — | ||
| 5-3 | Für Elise | — | ||
| 5-4 | Impromptu D. 899 No. 3 | — | ||
| 5-5 | La fille aux cheveux de lin | — | ||
| 5-6 | Keyboard Concerto BWV 1056 Adagio | — | ||
| 5-7 | Piano Concerto No. 20: Romanze | — | ||
| 5-8 | Piano Concerto in G: Adagio assai | — | ||
| 5-9 | Prelude Op. 28 No. 4 | — | ||
| 5-10 | Goldberg Variations: Aria | — | ||
| 5-11 | Piano Concerto in A minor, Op. 16: Allegro molto moderato (Opening) | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | T-902.781.050-0 | |
| 5-12 | Clair de lune | — | ||
| 5-13 | Song Without Words: Allegro leggiero | — | ||
| 5-14 | Kinderszenen: Träumerei | — | ||
| 5-15 | Pictures at an Exhibition: The Great Gate of Kiev | — | ||
| 5-16 | The Seasons: Barcarolle | — | ||
| 5-17 | Liebestraum No. 3 | — | ||
| 6-1 | Cantata BWV 147: Jesu, Joy of Man's Desiring | — | ||
| 6-2 | Zadok the Priest | — | ||
| 6-3 | Cantata BWV 140: Wachet auf, ruft uns die Stimme | — | ||
| 6-4 | Miserere (excerpt) | — | ||
| 6-5 | Deutsche Messe: Zum Sanctus | — | ||
| 6-6 | Requiem: Pie Jesu | — | ||
| 6-7 | Requiem: In Paradisum | — | ||
| 6-8 | Mass in B minor: Sanctus | — | ||
| 6-9 | Vesperae solennes de confessore | Manfred Ackermann, Bavarian Radio Chorus, Wolfgang Isenhardt, Edda Moser, Thomas Schulze, Stuttgarter Hymnus-Chorknaben, Bavarian Radio Symphony Orchestra, Eugen Jochum, Gerhard Wilhelm | T-900.135.371-5 | |
| 6-10 | Cantique de Jean Racine | — | ||
| 6-11 | Ave verum corpus | — | ||
| 6-12 | Messa da Requiem: Ingemisco | — | ||
| 6-13 | Messiah: I know that my Redeemer liveth | — | ||
| 6-14 | L'Enfance du Christ: The Shepherds' Farewell | — | ||
| 6-15 | The Creation: The heavens are telling | Choir of King’s College, Cambridge, Heather Harper, John Shirley-Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner, Sir David Willcocks | T-070.165.305-5 | |
| 6-16 | Requiem: Lacrimosa | — | ||
| 6-17 | Messiah: Hallelujah | — |
Symphony No. 5: Allegro con brio
—
Bolero (Excerpt)
—
Solomon: Sinfonia
—
The Four Seasons, "Spring": Allegro
—
Symphony No. 9 "From the New World": Allegro con fuoco
—
Horn Concerto No. 4: Rondo
—
Symphony No. 9: Ode to Joy
—
1812 Overture
—
Piano Concerto No. 3: Allegro ma non tanto (Excerpt)
—
Carmina Burana: O Fortuna
—
The Planets: Jupiter (Excerpt)
—
Romeo and Juliet: Dance of the Knights
—
Pomp and Circumstance: Land of Hope and Glory
—
Trumpet Voluntary
—
Douglas Robinson, Chorus of the Royal Opera House, Covent Garden, New Philharmonia Orchestra, Riccardo Muti
Radetzky March
—
Moonlight Sonata: Adagio sostenuto
Evelyne Dubourg
—
Concerto for Flute and Harp: Andantino
—
Peer Gynt Morning Mood
—
Adagio
—
Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle
Symphony No. 6 "Pastoral": Allegro non troppo
—
Piano Concerto No. 21: Andante
—
Suite No. 3: Air
—
Sarabande
—
Canon
—
Adagio (Excerpt)
—
Double Violin Concerto: Largo, ma non tanto
—
Clarinet Concerto: Adagio
—
Symphony No. 7: Allegretto
—
Variations 'Enigma': Nimrod
—
Symphony No. 5: Adagietto
—
The Nutcracker: Waltz of the Flowers
—
Violin Concerto: Andante (Excerpt)
—
Piano Concerto No. 5 'Emperor': Allegro
—
Piano Concerto No. 1: Romance
—
Le Carnaval des animaux: Le cygne
—
Renaud Capuçon, Deutsche Kammerphilharmonie Bremen, Daniel Harding
The Four Seasons, "Winter": Largo
—
Dance of the Blessed Spirits
—
Sleeping Beauty: Waltz
—
Scheherazade: The Story of the Kalender Prince
—
Fantasia on "Greensleeves"
London Symphony Orchestra, André Previn
—
Theme from Schindler's List
—
Swan Lake: Scene (Moderato)
—
Wiegenlied
—
Waltz No. 9
—
Symphony No. 3: Poco allegretto
—
An der schönen blauen Donau
—
Norma: “Casta Diva”
—
Tosca: “Vissi d’arte”
Leontyne Price, Wiener Philharmoniker, Herbert von Karajan
—
Gianni Schicchi: “O mio babbino caro”
—
Nabucco: Chorus of the Hebrew Slaves
—
Turandot: “Nessun dorma”
—
Les Contes d’Hoffmann : « Belle nuit, ô nuit d’amour »
—
Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész
Lakmé: Flower Duet
—
Don Giovanni: “Là ci darem la mano”
—
Die Zauberflöte: “Der Hölle Rache”
—
Die lustige Witwe: “Lippen schweigen”
—
Carmen: « L’amour est un oiseau rebelle »
—
Serse: “Ombra mai fù”
—
Orfeo ed Euridice: “Che farò senza Euridice?”
Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti
—
Ave Maria
—
Peer Gynt: Solveig’s song
Boston Pops Orchestra, Arthur Fiedler
—
Piano Concerto No. 2: Moderato
—
Nocturne in C-sharp minor
—
Für Elise
—
Impromptu D. 899 No. 3
—
La fille aux cheveux de lin
—
Keyboard Concerto BWV 1056 Adagio
—
Piano Concerto No. 20: Romanze
—
Piano Concerto in G: Adagio assai
—
Prelude Op. 28 No. 4
—
Goldberg Variations: Aria
—
Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner
Clair de lune
—
Song Without Words: Allegro leggiero
—
Kinderszenen: Träumerei
—
Pictures at an Exhibition: The Great Gate of Kiev
—
The Seasons: Barcarolle
—
Liebestraum No. 3
—
Cantata BWV 147: Jesu, Joy of Man's Desiring
—
Zadok the Priest
—
Cantata BWV 140: Wachet auf, ruft uns die Stimme
—
Miserere (excerpt)
—
Deutsche Messe: Zum Sanctus
—
Requiem: Pie Jesu
—
Requiem: In Paradisum
—
Mass in B minor: Sanctus
—
Manfred Ackermann, Bavarian Radio Chorus, Wolfgang Isenhardt, Edda Moser, Thomas Schulze, Stuttgarter Hymnus-Chorknaben, Bavarian Radio Symphony Orchestra, Eugen Jochum, Gerhard Wilhelm
Cantique de Jean Racine
—
Ave verum corpus
—
Messa da Requiem: Ingemisco
—
Messiah: I know that my Redeemer liveth
—
L'Enfance du Christ: The Shepherds' Farewell
—
Choir of King’s College, Cambridge, Heather Harper, John Shirley-Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner, Sir David Willcocks
Requiem: Lacrimosa
—
Messiah: Hallelujah
—
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Fantasia on "Greensleeves" | London Symphony Orchestra, André Previn | — |
| Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | — |
Fantasia on "Greensleeves"
London Symphony Orchestra, André Previn
—
Orfeo ed Euridice: “Che farò senza Euridice?”
Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055174463000000005547215300000000595129170000000063086009000000006308670300000000630983250000000063191108000000006541178400000000724816760000000081697153
+20 more
000000008177300500000000818535900000000083863119000000008411814500000000998902770000000106559727000000010863595700000001086940840000000108694148000000010904107700000001091110470000000109178196000000010930050X0000000109519069000000011014262500000001101773930000000110326977000000011038610100000001108299610000000110928863
Credits Graph
People also ask
SourcesMLCMusicBrainz2 sources
Verified on
What is UPC 0190295975562?
0190295975562 is a Universal Product Code (UPC) assigned to 100 Best Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm