UPC · Release
100 Best Classics
Various Artists
0190295975562
16 tracks
Last verified:
0190295975562 is the Universal Product Code (UPC barcode) for the release “100 Best Classics” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 16 tracks, each with its own ISRC. Tracks include GBF076211310, GBAYC8700951, GBAYC8100412.
Format
019GS1 prefix
0295Company prefix
97556Product
2Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPC100 Best Classics
ISRC4 recordings
ISWC13 works
IPI3 songwriters
Track List (16)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 4-1 | Norma: “Casta Diva” | — | ||
| 4-2 | Tosca: “Vissi d’arte” | Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | — | |
| 4-3 | Gianni Schicchi: “O mio babbino caro” | — | ||
| 4-4 | Nabucco: Chorus of the Hebrew Slaves | — | ||
| 4-5 | Turandot: “Nessun dorma” | — | ||
| 4-6 | Les Contes d’Hoffmann : « Belle nuit, ô nuit d’amour » | — | ||
| 4-7 | Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922610201-8 | |
| 4-8 | Lakmé: Flower Duet | — | ||
| 4-9 | Don Giovanni: “Là ci darem la mano” | — | ||
| 4-10 | Die Zauberflöte: “Der Hölle Rache” | — | ||
| 4-11 | Die lustige Witwe: “Lippen schweigen” | — | ||
| 4-12 | Carmen: « L’amour est un oiseau rebelle » | — | ||
| 4-13 | Serse: “Ombra mai fù” | — | ||
| 4-14 | Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | — | |
| 4-15 | Ave Maria | — | ||
| 4-16 | Peer Gynt: Solveig’s song | Boston Pops Orchestra, Arthur Fiedler | — |
Norma: “Casta Diva”
—
Tosca: “Vissi d’arte”
Leontyne Price, Wiener Philharmoniker, Herbert von Karajan
—
Gianni Schicchi: “O mio babbino caro”
—
Nabucco: Chorus of the Hebrew Slaves
—
Turandot: “Nessun dorma”
—
Les Contes d’Hoffmann : « Belle nuit, ô nuit d’amour »
—
Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész
Lakmé: Flower Duet
—
Don Giovanni: “Là ci darem la mano”
—
Die Zauberflöte: “Der Hölle Rache”
—
Die lustige Witwe: “Lippen schweigen”
—
Carmen: « L’amour est un oiseau rebelle »
—
Serse: “Ombra mai fù”
—
Orfeo ed Euridice: “Che farò senza Euridice?”
Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti
—
Ave Maria
—
Peer Gynt: Solveig’s song
Boston Pops Orchestra, Arthur Fiedler
—
Additional database matches (11)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Méditaion de Thais (excerpt) | Renaud Capuçon, Deutsche Kammerphilharmonie Bremen, Daniel Harding | T3067054386 |
| Fantasia on "Greensleeves" | London Symphony Orchestra, André Previn | — |
| Fantasia on "Greensleeves" | London Symphony Orchestra, André Previn | — |
| Vesperae solennes de confessore | Manfred Ackermann, Bavarian Radio Chorus, Wolfgang Isenhardt, Edda Moser, Thomas Schulze, Stuttgarter Hymnus-Chorknaben, Bavarian Radio Symphony Orchestra, Eugen Jochum, Gerhard Wilhelm | T-900135371-5 |
| Aida: “Gloria all’Egitto” | Douglas Robinson, Chorus of the Royal Opera House, Covent Garden, New Philharmonia Orchestra, Riccardo Muti | T-900065376-9 |
| Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041489061-1 |
| Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | — |
| Piano Concerto in A minor, Op. 16: Allegro molto moderato (Opening) | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | T-902781050-0 |
| The Creation: The heavens are telling | Choir of King’s College, Cambridge, Heather Harper, John Shirley-Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner, Sir David Willcocks | T0701653055 |
| Finlandia | Philharmonia Orchestra, Vladimir Ashkenazy | T-910256702-2 |
| Moonlight Sonata: Adagio sostenuto | Evelyne Dubourg | — |
Renaud Capuçon, Deutsche Kammerphilharmonie Bremen, Daniel Harding
Fantasia on "Greensleeves"
London Symphony Orchestra, André Previn
—
Fantasia on "Greensleeves"
London Symphony Orchestra, André Previn
—
Manfred Ackermann, Bavarian Radio Chorus, Wolfgang Isenhardt, Edda Moser, Thomas Schulze, Stuttgarter Hymnus-Chorknaben, Bavarian Radio Symphony Orchestra, Eugen Jochum, Gerhard Wilhelm
Douglas Robinson, Chorus of the Royal Opera House, Covent Garden, New Philharmonia Orchestra, Riccardo Muti
Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle
Orfeo ed Euridice: “Che farò senza Euridice?”
Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti
—
Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner
Choir of King’s College, Cambridge, Heather Harper, John Shirley-Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner, Sir David Willcocks
Philharmonia Orchestra, Vladimir Ashkenazy
Moonlight Sonata: Adagio sostenuto
Evelyne Dubourg
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055174463000000005547215300000000595129170000000063086009000000006308670300000000630983250000000063191108000000006541178400000000724816760000000081697153
+40 more
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What is UPC 0190295975562?
0190295975562 is a Universal Product Code (UPC) assigned to 100 Best Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 16 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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