UPC · Release
Various Artists
Last verified:
The UPC for “100 Best Classics” by Various Artists is 0190295975562. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBF078000080, GBAYC8600707, US5541101248.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No. 5: Allegro con brio | — | ||
| 2 | Bolero (Excerpt) | — | ||
| 3 | Solomon: Sinfonia | — | ||
| 4 | The Four Seasons, "Spring": Allegro | — | ||
| 5 | Symphony No. 9 "From the New World": Allegro con fuoco | — | ||
| 6 | Horn Concerto No. 4: Rondo | — | ||
| 7 | Symphony No. 9: Ode to Joy | — | ||
| 8 | 1812 Overture | — | ||
| 9 | Piano Concerto No. 3: Allegro ma non tanto (Excerpt) | — | ||
| 10 | Carmina Burana: O Fortuna | — | ||
| 11 | Finlandia | Philharmonia Orchestra, Vladimir Ashkenazy | T-910.256.702-2 | |
| 12 | The Planets: Jupiter (Excerpt) | — | ||
| 13 | Romeo and Juliet: Dance of the Knights | — | ||
| 14 | Pomp and Circumstance: Land of Hope and Glory | — | ||
| 15 | Trumpet Voluntary | — | ||
| 16 | Aida: “Gloria all’Egitto” | Douglas Robinson, Chorus of the Royal Opera House, Covent Garden, New Philharmonia Orchestra, Riccardo Muti | T-900.065.376-9 | |
| 17 | Radetzky March | — | ||
| 2-1 | Moonlight Sonata: Adagio sostenuto | Evelyne Dubourg | — | |
| 2-2 | Concerto for Flute and Harp: Andantino | — | ||
| 2-3 | Peer Gynt Morning Mood | — | ||
| 2-4 | Adagio | — | ||
| 2-5 | Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041.489.061-1 | |
| 2-6 | Symphony No. 6 "Pastoral": Allegro non troppo | — | ||
| 2-7 | Piano Concerto No. 21: Andante | — | ||
| 2-8 | Suite No. 3: Air | — | ||
| 2-9 | Sarabande | — | ||
| 2-10 | Canon | — | ||
| 2-11 | Adagio (Excerpt) | — | ||
| 2-12 | Double Violin Concerto: Largo, ma non tanto | — | ||
| 2-13 | Clarinet Concerto: Adagio | — | ||
| 2-14 | Symphony No. 7: Allegretto | — | ||
| 2-15 | Variations 'Enigma': Nimrod | — | ||
| 2-16 | Symphony No. 5: Adagietto | — | ||
| 3-1 | The Nutcracker: Waltz of the Flowers | — | ||
| 3-2 | Violin Concerto: Andante (Excerpt) | — | ||
| 3-3 | Piano Concerto No. 5 'Emperor': Allegro | — | ||
| 3-4 | Piano Concerto No. 1: Romance | — | ||
| 3-5 | Le Carnaval des animaux: Le cygne | — | ||
| 3-6 | Méditaion de Thais (excerpt) | Renaud Capuçon, Deutsche Kammerphilharmonie Bremen, Daniel Harding | T-306.705.438-6 | |
| 3-7 | The Four Seasons, "Winter": Largo | — | ||
| 3-8 | Dance of the Blessed Spirits | — | ||
| 3-9 | Sleeping Beauty: Waltz | — | ||
| 3-10 | Scheherazade: The Story of the Kalender Prince | — | ||
| 3-11 | Fantasia on "Greensleeves" | London Symphony Orchestra, André Previn | — | |
| 3-12 | Theme from Schindler's List | — | ||
| 3-13 | Swan Lake: Scene (Moderato) | — | ||
| 3-14 | Wiegenlied | — | ||
| 3-15 | Waltz No. 9 | — | ||
| 3-16 | Symphony No. 3: Poco allegretto | — | ||
| 3-17 | An der schönen blauen Donau | — | ||
| 4-1 | Norma: “Casta Diva” | — | ||
| 4-2 | Tosca: “Vissi d’arte” | Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | — | |
| 4-3 | Gianni Schicchi: “O mio babbino caro” | — | ||
| 4-4 | Nabucco: Chorus of the Hebrew Slaves | — | ||
| 4-5 | Turandot: “Nessun dorma” | — | ||
| 4-6 | Les Contes d’Hoffmann : « Belle nuit, ô nuit d’amour » | — | ||
| 4-7 | Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922.610.201-8 | |
| 4-8 | Lakmé: Flower Duet | — | ||
| 4-9 | Don Giovanni: “Là ci darem la mano” | — | ||
| 4-10 | Die Zauberflöte: “Der Hölle Rache” | — | ||
| 4-11 | Die lustige Witwe: “Lippen schweigen” | — | ||
| 4-12 | Carmen: « L’amour est un oiseau rebelle » | — | ||
| 4-13 | Serse: “Ombra mai fù” | — | ||
| 4-14 | Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | — | |
| 4-15 | Ave Maria | — | ||
| 4-16 | Peer Gynt: Solveig’s song | Boston Pops Orchestra, Arthur Fiedler | — | |
| 5-1 | Piano Concerto No. 2: Moderato | — | ||
| 5-2 | Nocturne in C-sharp minor | — | ||
| 5-3 | Für Elise | — | ||
| 5-4 | Impromptu D. 899 No. 3 | — | ||
| 5-5 | La fille aux cheveux de lin | — | ||
| 5-6 | Keyboard Concerto BWV 1056 Adagio | — | ||
| 5-7 | Piano Concerto No. 20: Romanze | — | ||
| 5-8 | Piano Concerto in G: Adagio assai | — | ||
| 5-9 | Prelude Op. 28 No. 4 | — | ||
| 5-10 | Goldberg Variations: Aria | — | ||
| 5-11 | Piano Concerto in A minor, Op. 16: Allegro molto moderato (Opening) | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | T-902.781.050-0 | |
| 5-12 | Clair de lune | — | ||
| 5-13 | Song Without Words: Allegro leggiero | — | ||
| 5-14 | Kinderszenen: Träumerei | — | ||
| 5-15 | Pictures at an Exhibition: The Great Gate of Kiev | — | ||
| 5-16 | The Seasons: Barcarolle | — | ||
| 5-17 | Liebestraum No. 3 | — | ||
| 6-1 | Cantata BWV 147: Jesu, Joy of Man's Desiring | — | ||
| 6-2 | Zadok the Priest | — | ||
| 6-3 | Cantata BWV 140: Wachet auf, ruft uns die Stimme | — | ||
| 6-4 | Miserere (excerpt) | — | ||
| 6-5 | Deutsche Messe: Zum Sanctus | — | ||
| 6-6 | Requiem: Pie Jesu | — | ||
| 6-7 | Requiem: In Paradisum | — | ||
| 6-8 | Mass in B minor: Sanctus | — | ||
| 6-9 | Vesperae solennes de confessore | Manfred Ackermann, Bavarian Radio Chorus, Wolfgang Isenhardt, Edda Moser, Thomas Schulze, Stuttgarter Hymnus-Chorknaben, Bavarian Radio Symphony Orchestra, Eugen Jochum, Gerhard Wilhelm | T-900.135.371-5 | |
| 6-10 | Cantique de Jean Racine | — | ||
| 6-11 | Ave verum corpus | — | ||
| 6-12 | Messa da Requiem: Ingemisco | — | ||
| 6-13 | Messiah: I know that my Redeemer liveth | — | ||
| 6-14 | L'Enfance du Christ: The Shepherds' Farewell | — | ||
| 6-15 | The Creation: The heavens are telling | Choir of King’s College, Cambridge, Heather Harper, John Shirley-Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner, Sir David Willcocks | T-070.165.305-5 | |
| 6-16 | Requiem: Lacrimosa | — | ||
| 6-17 | Messiah: Hallelujah | — |
Identifier Graph
0190295975562 is a Universal Product Code (UPC) assigned to 100 Best Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Fantasia on "Greensleeves" | London Symphony Orchestra, André Previn | — |
| Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “100 Best Classics” by Various Artists is 0190295975562. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBF078000080, GBAYC8600707, US5541101248.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No. 5: Allegro con brio | — | ||
| 2 | Bolero (Excerpt) | — | ||
| 3 | Solomon: Sinfonia | — | ||
| 4 | The Four Seasons, "Spring": Allegro | — | ||
| 5 | Symphony No. 9 "From the New World": Allegro con fuoco | — | ||
| 6 | Horn Concerto No. 4: Rondo | — | ||
| 7 | Symphony No. 9: Ode to Joy | — | ||
| 8 | 1812 Overture | — | ||
| 9 | Piano Concerto No. 3: Allegro ma non tanto (Excerpt) | — | ||
| 10 | Carmina Burana: O Fortuna | — | ||
| 11 | Finlandia | Philharmonia Orchestra, Vladimir Ashkenazy | T-910.256.702-2 | |
| 12 | The Planets: Jupiter (Excerpt) | — | ||
| 13 | Romeo and Juliet: Dance of the Knights | — | ||
| 14 | Pomp and Circumstance: Land of Hope and Glory | — | ||
| 15 | Trumpet Voluntary | — | ||
| 16 | Aida: “Gloria all’Egitto” | Douglas Robinson, Chorus of the Royal Opera House, Covent Garden, New Philharmonia Orchestra, Riccardo Muti | T-900.065.376-9 | |
| 17 | Radetzky March | — | ||
| 2-1 | Moonlight Sonata: Adagio sostenuto | Evelyne Dubourg | — | |
| 2-2 | Concerto for Flute and Harp: Andantino | — | ||
| 2-3 | Peer Gynt Morning Mood | — | ||
| 2-4 | Adagio | — | ||
| 2-5 | Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041.489.061-1 | |
| 2-6 | Symphony No. 6 "Pastoral": Allegro non troppo | — | ||
| 2-7 | Piano Concerto No. 21: Andante | — | ||
| 2-8 | Suite No. 3: Air | — | ||
| 2-9 | Sarabande | — | ||
| 2-10 | Canon | — | ||
| 2-11 | Adagio (Excerpt) | — | ||
| 2-12 | Double Violin Concerto: Largo, ma non tanto | — | ||
| 2-13 | Clarinet Concerto: Adagio | — | ||
| 2-14 | Symphony No. 7: Allegretto | — | ||
| 2-15 | Variations 'Enigma': Nimrod | — | ||
| 2-16 | Symphony No. 5: Adagietto | — | ||
| 3-1 | The Nutcracker: Waltz of the Flowers | — | ||
| 3-2 | Violin Concerto: Andante (Excerpt) | — | ||
| 3-3 | Piano Concerto No. 5 'Emperor': Allegro | — | ||
| 3-4 | Piano Concerto No. 1: Romance | — | ||
| 3-5 | Le Carnaval des animaux: Le cygne | — | ||
| 3-6 | Méditaion de Thais (excerpt) | Renaud Capuçon, Deutsche Kammerphilharmonie Bremen, Daniel Harding | T-306.705.438-6 | |
| 3-7 | The Four Seasons, "Winter": Largo | — | ||
| 3-8 | Dance of the Blessed Spirits | — | ||
| 3-9 | Sleeping Beauty: Waltz | — | ||
| 3-10 | Scheherazade: The Story of the Kalender Prince | — | ||
| 3-11 | Fantasia on "Greensleeves" | London Symphony Orchestra, André Previn | — | |
| 3-12 | Theme from Schindler's List | — | ||
| 3-13 | Swan Lake: Scene (Moderato) | — | ||
| 3-14 | Wiegenlied | — | ||
| 3-15 | Waltz No. 9 | — | ||
| 3-16 | Symphony No. 3: Poco allegretto | — | ||
| 3-17 | An der schönen blauen Donau | — | ||
| 4-1 | Norma: “Casta Diva” | — | ||
| 4-2 | Tosca: “Vissi d’arte” | Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | — | |
| 4-3 | Gianni Schicchi: “O mio babbino caro” | — | ||
| 4-4 | Nabucco: Chorus of the Hebrew Slaves | — | ||
| 4-5 | Turandot: “Nessun dorma” | — | ||
| 4-6 | Les Contes d’Hoffmann : « Belle nuit, ô nuit d’amour » | — | ||
| 4-7 | Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922.610.201-8 | |
| 4-8 | Lakmé: Flower Duet | — | ||
| 4-9 | Don Giovanni: “Là ci darem la mano” | — | ||
| 4-10 | Die Zauberflöte: “Der Hölle Rache” | — | ||
| 4-11 | Die lustige Witwe: “Lippen schweigen” | — | ||
| 4-12 | Carmen: « L’amour est un oiseau rebelle » | — | ||
| 4-13 | Serse: “Ombra mai fù” | — | ||
| 4-14 | Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | — | |
| 4-15 | Ave Maria | — | ||
| 4-16 | Peer Gynt: Solveig’s song | Boston Pops Orchestra, Arthur Fiedler | — | |
| 5-1 | Piano Concerto No. 2: Moderato | — | ||
| 5-2 | Nocturne in C-sharp minor | — | ||
| 5-3 | Für Elise | — | ||
| 5-4 | Impromptu D. 899 No. 3 | — | ||
| 5-5 | La fille aux cheveux de lin | — | ||
| 5-6 | Keyboard Concerto BWV 1056 Adagio | — | ||
| 5-7 | Piano Concerto No. 20: Romanze | — | ||
| 5-8 | Piano Concerto in G: Adagio assai | — | ||
| 5-9 | Prelude Op. 28 No. 4 | — | ||
| 5-10 | Goldberg Variations: Aria | — | ||
| 5-11 | Piano Concerto in A minor, Op. 16: Allegro molto moderato (Opening) | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | T-902.781.050-0 | |
| 5-12 | Clair de lune | — | ||
| 5-13 | Song Without Words: Allegro leggiero | — | ||
| 5-14 | Kinderszenen: Träumerei | — | ||
| 5-15 | Pictures at an Exhibition: The Great Gate of Kiev | — | ||
| 5-16 | The Seasons: Barcarolle | — | ||
| 5-17 | Liebestraum No. 3 | — | ||
| 6-1 | Cantata BWV 147: Jesu, Joy of Man's Desiring | — | ||
| 6-2 | Zadok the Priest | — | ||
| 6-3 | Cantata BWV 140: Wachet auf, ruft uns die Stimme | — | ||
| 6-4 | Miserere (excerpt) | — | ||
| 6-5 | Deutsche Messe: Zum Sanctus | — | ||
| 6-6 | Requiem: Pie Jesu | — | ||
| 6-7 | Requiem: In Paradisum | — | ||
| 6-8 | Mass in B minor: Sanctus | — | ||
| 6-9 | Vesperae solennes de confessore | Manfred Ackermann, Bavarian Radio Chorus, Wolfgang Isenhardt, Edda Moser, Thomas Schulze, Stuttgarter Hymnus-Chorknaben, Bavarian Radio Symphony Orchestra, Eugen Jochum, Gerhard Wilhelm | T-900.135.371-5 | |
| 6-10 | Cantique de Jean Racine | — | ||
| 6-11 | Ave verum corpus | — | ||
| 6-12 | Messa da Requiem: Ingemisco | — | ||
| 6-13 | Messiah: I know that my Redeemer liveth | — | ||
| 6-14 | L'Enfance du Christ: The Shepherds' Farewell | — | ||
| 6-15 | The Creation: The heavens are telling | Choir of King’s College, Cambridge, Heather Harper, John Shirley-Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner, Sir David Willcocks | T-070.165.305-5 | |
| 6-16 | Requiem: Lacrimosa | — | ||
| 6-17 | Messiah: Hallelujah | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Fantasia on "Greensleeves" | London Symphony Orchestra, André Previn | — |
| Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | — |
