UPC · Release
Diaghilev
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0190296477157 is the Universal Product Code (UPC barcode) for the release “Ballets Russes” by Diaghilev, released 2022-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 478 tracks, each with its own ISRC. Tracks include GBAYC8602558, GBAYC8602559, GBAYC8602560.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le pavillon d'Armide, Op. 29 (Excerpts): I. Introduction & Scène première | — | ||
| 2 | Le pavillon d'Armide, Op. 29 (Excerpts): II. Danse des heures | — | ||
| 3 | Le pavillon d'Armide, Op. 29 (Excerpts): III. La scène d'animation du gobelin | — | ||
| 4 | Le pavillon d'Armide, Op. 29 (Excerpts): IV. La plainte d'Armide | — | ||
| 5 | Le pavillon d'Armide, Op. 29 (Excerpts): V. Grand pas d'action | — | ||
| 6 | Le pavillon d'Armide, Op. 29 (Excerpts): VIa. Grande valse noble | — | ||
| 7 | Le pavillon d'Armide, Op. 29 (Excerpts): VIb. Variation - Variation pour Vicomte - Variation pour Armide - Code finale - VII. Scène mimique | — | ||
| 8 | Le pavillon d'Armide, Op. 29 (Excerpts): VIII. Danse des gamins | — | ||
| 9 | Le pavillon d'Armide, Op. 29 (Excerpts): XI. Danse des confidentes | — | ||
| 10 | Le pavillon d'Armide, Op. 29 (Excerpts): X. Bacchus et les bacchantes | — | ||
| 11 | Le pavillon d'Armide, Op. 29 (Excerpts): XI. Entrée des magiciens et danse des ombres | — | ||
| 12 | Le pavillon d'Armide, Op. 29 (Excerpts): XII. Danse des bouffons | — | ||
| 13 | Le pavillon d'Armide, Op. 29 (Excerpts): XIII. Pas d'écharpe | — | ||
| 14 | Le pavillon d'Armide, Op. 29 (Excerpts): XIV. Pas de deux | — | ||
| 15 | Le pavillon d'Armide, Op. 29 (Excerpts): XV. Grande valse finale | — | ||
| 2-1 | 'Prince Igor' Act II: Dance of the Polovtsian maidens | — | ||
| 2-2 | Scheherazade, op. 35: I. The Sea and Sinbad's Ship | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-3 | Scheherazade, op. 35: II. The Kalendar Prince | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-4 | Scheherazade, op. 35: III. The Young Prince and the Young Princess | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-5 | Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. Ship Breaks against a Cliff Surmounted by a Bronze Horseman | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 3-1 | Giselle: Introduction | — | ||
| 3-2 | Giselle: Act One. no. 2. Entrée du Comte Albrecht | — | ||
| 3-3 | Giselle: Act One. no. 3. Entrée de Giselle – Scène avec Hilarion | — | ||
| 3-4 | Giselle: Act One. no. 4. Retour de la vendage | — | ||
| 3-5 | Giselle: Act One. Valse | — | ||
| 3-6 | Giselle: Act One. no. 7. Marche des vignerons | — | ||
| 3-7 | Giselle: Act One. Variation de Giselle | — | ||
| 3-8 | Giselle: Act One. Grand galop | — | ||
| 3-9 | Giselle: Act One. no. 8. Scène finale (Scène de folie) | — | ||
| 3-10 | Giselle: Act Two. no. 3/4. Entrée d'Hilarion | — | ||
| 3-11 | Giselle: Act Two. no. 5. Apparition de Myrtha | — | ||
| 3-12 | Giselle: Act Two. no. 8. Apparition des Wilis | — | ||
| 3-13 | Giselle: Act Two. no. 9. Danse des Wilis | — | ||
| 3-14 | Giselle: Act Two. no. 10. Apparition de Giselle | — | ||
| 3-15 | Giselle: Act Two. no. 11. Danse de Giselle | — | ||
| 3-16 | Giselle: Act Two. no. 13 Entrée d'Albrecht | — | ||
| 3-17 | Giselle: Act Two. no. 14. Scène des Wilis | — | ||
| 3-18 | Giselle: Act Two. no. 15. Pas de deux. Giselle et Albrecht – Variation de Giselle | — | ||
| 3-19 | Giselle: Act Two. no. 16. Finale | — | ||
| 4-1 | Carnaval op. 9: I. Préambule | — | ||
| 4-2 | Carnaval op. 9: II. Pierrot | — | ||
| 4-3 | Carnaval op. 9: III. Arlequin | — | ||
| 4-4 | Carnaval op. 9: IV. Valse noble | — | ||
| 4-5 | Carnaval op. 9: V. Eusebius | — | ||
| 4-6 | Carnaval op. 9: VI. Florestan | — | ||
| 4-7 | Carnaval op. 9: VII. Coquette | — | ||
| 4-8 | Carnaval op. 9: VIII. Réplique | — | ||
| 4-9 | Carnaval op. 9: IX. Papillons | — | ||
| 4-10 | Carnaval op. 9: X. A.S.C.H-S.C.H.A. (Lettres dansantes) | — | ||
| 4-11 | Carnaval op. 9: XI. Chiarina | — | ||
| 4-12 | Carnaval op. 9: XII. Chopin | — | ||
| 4-13 | Carnaval op. 9: XIII. Estrella | — | ||
| 4-14 | Carnaval op. 9: XIV. Reconnaissance | — | ||
| 4-15 | Carnaval op. 9: XV. Pantalon et Colombine | — | ||
| 4-16 | Carnaval op. 9: XVI. Valse allemande | — | ||
| 4-17 | Carnaval op. 9: XVII. Paganini | — | ||
| 4-18 | Carnaval op. 9: XVIII. Aveu | — | ||
| 4-19 | Carnaval op. 9: XIX. Promenade | — | ||
| 4-20 | Carnaval op. 9: XX. Pause | — | ||
| 4-21 | Carnaval op. 9: XXI. Marche des 'Davidsbündler' contre les Philistins | — | ||
| 4-22 | The Firebird: Introduction | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-23 | The Firebird, Tableau 1: Kashchei’s Enchanted Garden | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-24 | The Firebird, Tableau 1: Appearance of the Firebird Pursued by Ivan Tsarevich | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-25 | The Firebird, Tableau 1: Dance of the Firebird | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-26 | The Firebird, Tableau 1: Ivan Tsarevich Captures the Firebird | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-27 | The Firebird, Tableau 1: Supplication of the Firebird | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-28 | The Firebird, Tableau 1: Appearance of 13 Enchanted Princesses | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-29 | The Firebird, Tableau 1: The Princesses’ Game with the Golden Apples | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-30 | The Firebird, Tableau 1: Sudden Appearance of the Ivan Tsarevich | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-31 | The Firebird, Tableau 1: The Princesses’ Khorovod | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-32 | The Firebird, Tableau 1: Daybreak | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-33 | The Firebird, Tableau 1: Ivan Tsarevich Enters Kashchei’s Palace | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-34 | The Firebird, Tableau 1: Magic Carillon - Appearance of Kashchei’s Guardian Monsters - Capture of Ivan Tsarevich | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-35 | The Firebird, Tableau 1: Arrival of Kashchei the Immortal | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-36 | The Firebird, Tableau 1: His Dialogue with Ivan Tsarevich | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-37 | The Firebird, Tableau 1: The Intercession of the Princesses | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-38 | The Firebird, Tableau 1: Appearance of the Firebird | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-39 | The Firebird, Tableau 1: Dance of Kashchei’s Retinue Under the Firebird’s Spell | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-40 | The Firebird, Tableau 1: Infernal Dance of All Kashchei’s Subjects | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-41 | The Firebird, Tableau 1: Lullaby | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-42 | The Firebird, Tableau 1: Kashchei Awakes | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-43 | The Firebird, Tableau 1: Death of Kashchei | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-44 | The Firebird, Tableau 2: Disappearance of the Palace and Dissolution of Kashchei’s Enchantments, Animation of the Petrified Warriors, General Thanksgiving | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 5-1 | Narcisse et Echo, op. 40: Un Paysage panthéiste (A pantheistic landscape) | — | ||
| 5-2 | Narcisse et Echo, op. 40: Un sylvain se réveille... Il joue la flute (A woodland creature awakes... He plays his flute) | — | ||
| 5-3 | Narcisse et Echo, op. 40: Entrée des jeunes Béotiens et béotiennes (Entrance of the Boeotiens and their mistresses) | — | ||
| 5-4 | Narcisse et Echo, op. 40: Danse de la Bacchante - (Dance of the Bacchante) | — | ||
| 5-5 | Narcisse et Echo, op. 40: Chants Lontains (Distant Voices) | — | ||
| 5-6 | Narcisse et Echo, op. 40: Danse de Narcisse (Dance of Narcissus) | — | ||
| 5-7 | Narcisse et Echo, op. 40: Echo est abandonnée (Echo is abandoned) | — | ||
| 5-8 | Narcisse et Echo, op. 40: Entre Narcisse, épuisé par la fatigue (Narcissus enters, exhausted) | — | ||
| 5-9 | Narcisse et Echo, op. 40: L'arrivée Echo (Echo arrives) | — | ||
| 5-10 | Narcisse et Echo, op. 40: Narcisse se transforme en une fleur (Narcissus is transformed into a flower) | — | ||
| 5-11 | L'Invitation à la valse (orch. Hector Berlioz) | — | ||
| 6-1 | Swan Lake: Act One. Introduction (Moderato assai) | London Symphony Orchestra, André Previn | — | |
| 6-2 | Swan Lake: Act One. No. 1. Scene (Allegro giusto) | London Symphony Orchestra, André Previn | — | |
| 6-3 | Swan Lake: Act One. No. 2. Waltz (Tempo di valse) | London Symphony Orchestra, André Previn | T-106.673.991-9 | |
| 6-4 | Swan Lake: Act One. No. 3. Scene (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 6-5 | Swan Lake: Act One. No. 4. Pas de trois: I. Intrada (Allegro) | London Symphony Orchestra, André Previn | — | |
| 6-6 | Swan Lake: Act One. No. 4. Pas de trois: II. Andante sostenuto | London Symphony Orchestra, André Previn | — | |
| 6-7 | Swan Lake: Act One. No. 4. Pas de trois: III. Allegro semplice - Presto | London Symphony Orchestra, André Previn | — | |
| 6-8 | Swan Lake: Act One. No. 4. Pas de trois: IV. Moderato | London Symphony Orchestra, André Previn | — | |
| 6-9 | Swan Lake: Act One. No. 4. Pas de trois: V. Allegro | London Symphony Orchestra, André Previn | — | |
| 6-10 | Swan Lake: Act One. No. 4. Pas de trois: VI. Coda (Allegro vivace) | London Symphony Orchestra, André Previn | — | |
| 6-11 | Swan Lake: Act One. No. 5. Pas de deux: I. Tempo di valse | London Symphony Orchestra, André Previn | — | |
| 6-12 | Swan Lake: Act One. No. 5. Pas de deux: II. Andante - Allegro - Molto più mosso | Ida Haendel, London Symphony Orchestra, André Previn | — | |
| 6-13 | Swan Lake: Act One. No. 5. Pas de deux: III. Tempo di valse | London Symphony Orchestra, André Previn | — | |
| 6-14 | Swan Lake: Act One. No. 5. Pas de deux: IV. Coda (Allegro molto vivace) | London Symphony Orchestra, André Previn | — | |
| 6-15 | Swan Lake: Act One. No. 6. Pas d'action (Andantino quasi moderato - Allegro) | London Symphony Orchestra, André Previn | — | |
| 6-16 | Swan Lake: Act One. No. 7. Subject | London Symphony Orchestra, André Previn | — | |
| 6-17 | Swan Lake: Act One. No. 8. Dance with Goblets (Tempo di polacca) | London Symphony Orchestra, André Previn | — | |
| 6-18 | Swan Lake, op. 20: Act I. No. 9. Finale | London Symphony Orchestra, André Previn | — | |
| 6-19 | Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — | |
| 6-20 | Swan Lake Op. 20: Act 2: No. 11 Scene | London Symphony Orchestra, André Previn | — | |
| 6-21 | Swan Lake, op. 20: Act II, no. 12. Scene (Allegro) | London Symphony Orchestra, André Previn | — | |
| 6-22 | Swan Lake: Act Two. No. 13. Dances of the Swans: I. Tempo di valse | London Symphony Orchestra, André Previn | — | |
| 6-23 | Swan Lake: Act Two. No. 13. Dances of the Swans: II. Moderato assai - Molto più mosso | London Symphony Orchestra, André Previn | — | |
| 6-24 | Swan Lake: Act Two. No. 13. Dances of the Swans: III. Tempo di valse | London Symphony Orchestra, André Previn | — | |
| 6-25 | Swan Lake, op. 20, Act II: No. 13. Danse des cygnes: IV. Allegro moderato | London Symphony Orchestra, André Previn | — | |
| 6-26 | Swan Lake: Act Two. No. 13. Dances of the Swans: V. Andante - Andante non troppo - Allegro | Douglas Cummings, Ida Haendel, London Symphony Orchestra, André Previn | — | |
| 6-27 | Swan Lake: Act Two. No. 13. Dances of the Swans: VI. Tempo di valse | London Symphony Orchestra, André Previn | — | |
| 6-28 | Swan Lake: Act Two. No. 13. Dances of the Swans: VII. Coda (Allegro vivace) | London Symphony Orchestra, André Previn | — | |
| 6-29 | Swan Lake, op. 20: Act II, no. 14. Scene (Moderato) | London Symphony Orchestra, André Previn | T-900.146.663-3 | |
| 7-1 | Swan Lake: Act III. No. 15 Scène | London Symphony Orchestra, André Previn | — | |
| 7-2 | Swan Lake: Act III. No. 16 Danse du Corps de Ballet et des Nains | London Symphony Orchestra, André Previn | — | |
| 7-3 | Swan Lake: Act III. No. 17 Sortie des invités / Valse | London Symphony Orchestra, André Previn | — | |
| 7-4 | Swan Lake, op. 20: Act III, no. 18. Scene (Allegro - Allegro giusto) | London Symphony Orchestra, André Previn | — | |
| 7-5 | Swan Lake: Act Three. No. 19. Pas de six: Intrada | London Symphony Orchestra, André Previn | — | |
| 7-6 | Swan Lake: Act Three. No. 19. Pas de six: Variation I (Allegro) | London Symphony Orchestra, André Previn | — | |
| 7-7 | Swan Lake: Act Three. No. 19. Pas de six: Variation II (Andante con moto) | London Symphony Orchestra, André Previn | — | |
| 7-8 | Swan Lake: Act Three. No. 19. Pas de six: Variation III (Moderato) | London Symphony Orchestra, André Previn | — | |
| 7-9 | Swan Lake: Act Three. No. 19. Pas de six: Variation IV (Allegro) | London Symphony Orchestra, André Previn | — | |
| 7-10 | Swan Lake: Act Three. No. 19. Pas de six: Variation V (Moderato - Allegro semplice) | London Symphony Orchestra, André Previn | — | |
| 7-11 | Swan Lake: Act Three. No. 19. Pas de six: Coda (Allegro molto) | London Symphony Orchestra, André Previn | — | |
| 7-12 | Swan Lake: Act Three. Pas de deux [additional number]: Introduction (Moderato - Andante) | Ida Haendel, London Symphony Orchestra, André Previn | — | |
| 7-13 | Swan Lake: Act Three. Pas de deux [additional number]: Variation I (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 7-14 | Swan Lake: Act Three. Pas de deux [additional number]: Variation II (Allegro) | London Symphony Orchestra, André Previn | — | |
| 7-15 | Swan Lake: Act Three. Pas de deux [additional number]: Coda (Allegro molto vivace) | London Symphony Orchestra, André Previn | — | |
| 7-16 | Swan Lake, op. 20: Act III, no. 20. Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace) | London Symphony Orchestra, André Previn | — | |
| 7-17 | Swan Lake, op. 20: Act III. Russian Dance (Cadenza - Andante semplice - Allegro vivo) [additional number] | Ida Haendel, London Symphony Orchestra, André Previn | — | |
| 7-18 | Swan Lake, op. 20: Act III, no. 21. Spanish Dance (Allegro non troppo: tempo di Bolero) | London Symphony Orchestra, André Previn | — | |
| 7-19 | Swan Lake, op. 20: Act III, no. 22. Neopolitan Dance (Allegro moderato - Andantino quasi moderato) | London Symphony Orchestra, André Previn | — | |
| 7-20 | Swan Lake, op. 20: Act III, no. 23. Mazurka | London Symphony Orchestra, André Previn | — | |
| 7-21 | Swan Lake, op. 20: Act III, no. 24. Scene (Allegro - Valse - Allegro vivo) | London Symphony Orchestra, André Previn | — | |
| 7-22 | Swan Lake: Act IV. No. 25 Entr'acte | London Symphony Orchestra, André Previn | — | |
| 7-23 | Swan Lake: Act IV. No. 26 Scène | London Symphony Orchestra, André Previn | — | |
| 7-24 | Swan Lake: Act IV. No. 27 Danse des petits cygnes | London Symphony Orchestra, André Previn | — | |
| 7-25 | Swan Lake, op. 20: Act IV, no. 28. Scene (Allegro agitato - Allegro vivace) | London Symphony Orchestra, André Previn | — | |
| 7-26 | Swan Lake, op. 20: Act IV, no. 29. Finale (Andante - Allegro agitato - Alla breve - Moderato e maestoso) | London Symphony Orchestra, André Previn | — | |
| 8-1 | Petrushka: I. Fete populaire de la semaine grasse | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-2 | Petrushka: I. Le tour de passe-passe - Danse russe | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-3 | Petrushka: II. Chez Petrushka | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-4 | Petrushka: III. Chez le maure - Danse de la ballerine | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-5 | Petrushka: III. Valse - La ballerine et le maure | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-6 | Petrushka: IV. Fete populaire de la semaine grasse | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-7 | Petrushka: IV. Danse des nounous | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-8 | Petrushka: IV. Paysan et l'ours | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-9 | Petrushka: IV. Bohemien et marchand malhonnete | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-10 | Petrushka: IV. Danse des cochers et des palefreniers | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-11 | Petrushka: IV. Les deguises | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-12 | Petrushka: IV. Le rixe - Le maure et Petrushka | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-13 | Petrushka: IV. Mort de Petrushka | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-14 | Petrushka: IV. Police et l'enchanteur - Vociferation du double de Petrushka | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-15 | La Péri: Fanfare pour précéder La Péri | — | ||
| 8-16 | La Péri: La Péri, poème dansé | — | ||
| 8-17 | Prélude à l’après-midi d’un faune | Emmanuel Pahud, Berliner Philharmoniker, Simon Rattle | — | |
| 9-1 | Thamar (symphonic poem) | — | ||
| 9-2 | Daphnis et Chloé, Part One: Introduction | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-3 | Daphnis et Chloé, Part One: Danse religeuse | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-4 | Daphnis et Chloé, Part One: Scène | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-5 | Daphnis et Chloé, Part One: Danse générale | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-6 | Daphnis et Chloé, Part One: Scène | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-7 | Daphnis et Chloé, Part One: Danse grotesque de Dorcon | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-8 | Daphnis et Chloé, Part One: Danse légère et gracieuse de Dapnis | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-9 | Daphnis Et Chloé - Part One: Scene | — | ||
| 9-10 | Daphnis et Chloé, Part One: Nocturne | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-11 | Daphnis et Chloé, Part One: Danse lente et mystérieuse des nymphes | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-12 | Daphnis et Chloé, Part One: Interlude | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-13 | Daphnis et Chloé, Part Two: Introduction | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-14 | Daphnis et Chloé, Part Two: Danse guerriere | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-15 | Daphnis et Chloé, Part Two: Danse suppliante de Chloé | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-16 | Daphnis et Chloé, Part Three: Introduction | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-17 | Daphnis et Chloé, Part Three: Lever du jour | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-18 | Daphnis et Chloé, Part Three: Pantomime | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-19 | Daphnis et Chloé, Part Three: Danse génerale | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 10-1 | Jeux, poème dansé | — | ||
| 10-2 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. I Introduction | — | ||
| 10-3 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. II. Les Augures printaniers – Danse des adolescentes | — | ||
| 10-4 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. III. Jeu du rapt | — | ||
| 10-5 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. IV. Rondes printanières | — | ||
| 10-6 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. V. Jeu des cités rivales | — | ||
| 10-7 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. VI. Cortège du Sage | — | ||
| 10-8 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. VII. Adoration de la Terre (Le Sage) | — | ||
| 10-9 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. VIII. Danse de la Terre | — | ||
| 10-10 | Le Sacre du printemps: Part 2. Le Sacrifice. I. Introduction | — | ||
| 10-11 | Le Sacre du printemps: Part 2. Le Sacrifice. II. Cercles mystérieux des adolescentes | — | ||
| 10-12 | Le Sacre du printemps: Part 2. Le Sacrifice. III. Glorification de l'Élue | — | ||
| 10-13 | Le Sacre du printemps: Part 2. Le Sacrifice. IV. Évocation des Ancêtres | — | ||
| 10-14 | Le Sacre du printemps: Part 2. Le Sacrifice. V. Action rituelle des Ancêtres | — | ||
| 10-15 | Le Sacre du printemps: Part 2. Le Sacrifice. VI. Danse sacrale (L'Élue) | — | ||
| 10-16 | La Tragédie de Salomé: Part I. Prélude | — | ||
| 10-17 | La Tragédie de Salomé: Part I. Danse des perles | — | ||
| 10-18 | La Tragédie de Salomé: Part II. Les Enchantementes sur la mer | — | ||
| 10-19 | La Tragédie de Salomé: Part II. Danse des éclairs | — | ||
| 10-20 | La Tragédie de Salomé: Part II. Danse de l'effroi | — | ||
| 11-1 | La Légende de Joseph op. 63: I. Allegro moderato | — | ||
| 11-2 | La Légende de Joseph op. 63: II. Moderato – Ziemlich lebhaft | — | ||
| 11-3 | La Légende de Joseph op. 63: III. Viel ruhiger, leicht schwebend | — | ||
| 11-4 | La Légende de Joseph op. 63: IV. Ziemlich ruhig | — | ||
| 11-5 | La Légende de Joseph op. 63: V. Viel ruhiger, stets alla breve | — | ||
| 11-6 | Le Rossignol: Act 1. Introduction | — | ||
| 11-7 | Le Rossignol: Act 1. 'Porté au vent, tombant au loin' | — | ||
| 11-8 | Le Rossignol: Act 1. 'Ah! Ah! Ah!' | — | ||
| 11-9 | Le Rossignol: Act 1. 'Voici l'endroit, près de ces arbres' | — | ||
| 11-10 | Le Rossignol: Act 1. 'Beau rossignol, incomparable oiseau' | — | ||
| 11-11 | Le Rossignol: Act 2. 'Des feux, des feux, bien vite' | — | ||
| 11-12 | Le Rossignol: Act 2. Marche chinoise. 'Ô maître magnanime' | — | ||
| 11-13 | Le Rossignol: Act 2. Chanson du rossignol. 'Ah, joie, emplis mon cœur' | — | ||
| 11-14 | Le Rossignol: Act 2. 'Ah coucher du soleil' | — | ||
| 11-15 | Le Rossignol: Act 2. Jeu du rossignol mécanique. 'Psst, psst' | — | ||
| 11-16 | Le Rossignol: Act 3. 'Vois-nous rassemblés' | — | ||
| 11-17 | Le Rossignol: Act 3. 'Ah, me voici, ô prince magnanime' | — | ||
| 11-18 | Le Rossignol: Act 3. 'Ah, j'aime à t'écouter' | — | ||
| 11-19 | Le Rossignol: Act 3. Cortège solennel | — | ||
| 11-20 | Le Rossignol: Act 3. 'Boujour à tous' | — | ||
| 12-1 | Till Eulenspiegels lustige Streiche, symphonic poem | — | ||
| 12-2 | Pavane in F-sharp minor, for orchestra and chorus ad libitum | — | ||
| 12-3 | Le donne di boun umore: I. Presto (Sonata G major K2) | — | ||
| 12-4 | Le donne di boun umore: II. Allegro (Sonata D majo K435) | — | ||
| 12-5 | Le donne di boun umore: III. Andante (Sonata in B minor K87) | — | ||
| 12-6 | Le donne di boun umore: IV. Non presto, in tempo di ballo (Sonata in D major K430) | — | ||
| 12-7 | Le donne di boun umore: V. Presto (Sonata in G major K455) | — | ||
| 12-8 | Feu d'artifice op. 4 | — | ||
| 12-9 | Kikimora, symphonic poem | — | ||
| 12-10 | Baba-Yaga, symphonic poem | — | ||
| 12-11 | Parade: Choral – Prélude du rideau rouge | — | ||
| 12-12 | Parade: Prestidigitateur chinois | — | ||
| 12-13 | Parade: Petite fille américaine | — | ||
| 12-14 | Parade: Rag-time du paquebot | — | ||
| 12-15 | Parade: Acrobates | — | ||
| 12-16 | Parade: Final. Suite du Prélude du rideau rouge | — | ||
| 13-1 | La Boutique fantasque: I. Ouverture. Tempo di marcia | — | ||
| 13-2 | La Boutique fantasque: II. Tarentella. Allegro con brio 'La Danza' | — | ||
| 13-3 | La Boutique fantasque: III. Mazurka | — | ||
| 13-4 | La Boutique fantasque: IV. Danse cosaque. Allegretto marcato | — | ||
| 13-5 | La Boutique fantasque: V. Can-Can. Allegretto grotesco 'Petit Caprice style Offenbach' | — | ||
| 13-6 | La Boutique fantasque: VI. Valse lente. Andantino moderato | — | ||
| 13-7 | La Boutique fantasque: VII. Nocturne. Andantino | — | ||
| 13-8 | La Boutique fantasque: VII. Galop. Vivacissimo | — | ||
| 13-9 | El sombrero de tres picos: Introducción | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-10 | El sombrero de tres picos: La tarde. El mirlo | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-11 | El sombrero de tres picos: La tarde. El petimetre y el cortejo | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-12 | El sombrero de tres picos: La tarde. La chica | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-13 | El sombrero de tres picos: La tarde. El corregidor | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-14 | El sombrero de tres picos: La tarde. Danza de la molinera | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-15 | El sombrero de tres picos: La tarde. Minueto | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-16 | El sombrero de tres picos: La tarde. Las uvas | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-17 | El sombrero de tres picos: La tarde. Fandango | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-18 | El sombrero de tres picos: La noche. Danza de los vecinos | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-19 | El sombrero de tres picos: La noche. Danza del molinero | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-20 | El sombrero de tres picos: La noche. La detención | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-21 | El sombrero de tres picos: La noche. Nocturno | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-22 | El sombrero de tres picos: La noche. Danza del Corregidor | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-23 | El sombrero de tres picos: La noche. La confrontación | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-24 | El sombrero de tres picos: La noche. Retorno del molinero | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-25 | El sombrero de tres picos: La noche. Danza final | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 14-1 | Le Chant du rossignol: Introduction et Marche chinoise | — | ||
| 14-2 | Le Chant du rossignol: Chant du rossignol | — | ||
| 14-3 | Le Chant du rossignol: Jeu du rossignol mécanique | — | ||
| 14-4 | Pulcinella: Overture. Allegro moderato | — | ||
| 14-5 | Pulcinella: Serenata. Larghetto. 'Mentre l'erbetta pasce l'agnella' | — | ||
| 14-6 | Pulcinella: Allegretto. 'Contento forse vivere' | — | ||
| 14-7 | Pulcinella: Allegro (alla breve). 'Con queste paroline' | — | ||
| 14-8 | Pulcinella: Largo (Trio). 'Sento dire no'oncè pace' | — | ||
| 14-9 | Pulcinella: Tarentella. 'Una te falan zemprece' | — | ||
| 14-10 | Pulcinella: Andantino 'Se tu m'ami' | — | ||
| 14-11 | Pulcinella: Gavotta con due variazioni | — | ||
| 14-12 | Pulcinella: Variation I | — | ||
| 14-13 | Pulcinella: Variation II | — | ||
| 14-14 | Pulcinella: Tempo di minuetto. Molto moderato (Trio). 'Pupilette, fiammette d'amore' | — | ||
| 15-1 | Sleeping Beauty, op. 66: Introduction (Allegro vivo - Andantino) | London Symphony Orchestra, André Previn | — | |
| 15-2 | Sleeping Beauty, op. 66: Prologue "The Christening": No. 1. March (Moderato) | London Symphony Orchestra, André Previn | — | |
| 15-3 | Sleeping Beauty, op. 66: Prologue "The Christening": No. 2. Dance Scene (Moderato con moto) | London Symphony Orchestra, André Previn | — | |
| 15-4 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Introduction | London Symphony Orchestra, André Previn | — | |
| 15-5 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Adagio | London Symphony Orchestra, André Previn | — | |
| 15-6 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation I. The Fairy of the Crystal Fountain (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 15-7 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation II. The Fairy of the Enchanted Garden (Allegro) | London Symphony Orchestra, André Previn | — | |
| 15-8 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation III. The Fairy of the Woodland Glades (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 15-9 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation IV. The Fairy of the Songbirds (Moderato) | London Symphony Orchestra, André Previn | — | |
| 15-10 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation V. The Fairy of the Golden Vine (Allegro molto vivace) | London Symphony Orchestra, André Previn | — | |
| 15-11 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation VI. The Lilac Fairy (Tempo di valse) | London Symphony Orchestra, André Previn | — | |
| 15-12 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Coda (Allegro giusto) | London Symphony Orchestra, André Previn | — | |
| 15-13 | Sleeping Beauty, op. 66: Prologue "The Christening": No. 4. Finale | London Symphony Orchestra, André Previn | — | |
| 15-14 | Sleeping Beauty, op. 66: Act I "The Spell": No. 5. Scene (Allegro vivo - Moderato) | London Symphony Orchestra, André Previn | — | |
| 15-15 | Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse) | London Symphony Orchestra, André Previn | — | |
| 15-16 | Sleeping Beauty, op. 66: Act I "The Spell": No. 7. Scene (Andante) | London Symphony Orchestra, André Previn | — | |
| 15-17 | Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Rose Adagio (Andante - Adagio maestoso) | London Symphony Orchestra, André Previn | — | |
| 15-18 | Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Dance of the Maids of Honour and the Pages | London Symphony Orchestra, André Previn | — | |
| 15-19 | Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Aurora's Variation | London Symphony Orchestra, André Previn | — | |
| 15-20 | Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Coda (Allegro giusto) | London Symphony Orchestra, André Previn | — | |
| 15-21 | Sleeping Beauty, op. 66: Act I "The Spell": No. 9. Finale | London Symphony Orchestra, André Previn | — | |
| 16-1 | Sleeping Beauty, op. 66: Act II "The Vision": No. 10. Entr'acte and Scene (Allegro con spirito - Un poco più tranquillo) | London Symphony Orchestra, André Previn | — | |
| 16-2 | Sleeping Beauty, op. 66: Act II "The Vision": No. 11. Blind Man's Buff (Allegro vivo) | London Symphony Orchestra, André Previn | — | |
| 16-3 | Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Scene | London Symphony Orchestra, André Previn | — | |
| 16-4 | Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Duchesses (Minuet: Moderato con moto) | London Symphony Orchestra, André Previn | — | |
| 16-5 | Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dance of the Baronesses (Gavotte) | London Symphony Orchestra, André Previn | — | |
| 16-6 | Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Countesses (Allegro non troppo) | London Symphony Orchestra, André Previn | — | |
| 16-7 | Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Marchionesses (Allegro non troppo) | London Symphony Orchestra, André Previn | — | |
| 16-8 | Sleeping Beauty: Act Two "The Vision": No. 13. Farandole: Scene (Poco più vivo) | London Symphony Orchestra, André Previn | — | |
| 16-9 | Sleeping Beauty: Act Two "The Vision": No. 13. Farandole: Dance (Allegro non troppo) | London Symphony Orchestra, André Previn | — | |
| 16-10 | Sleeping Beauty, op. 66: Act II "The Vision": No. 14. Scene: Prince Florimund and the Lilac Fairy | London Symphony Orchestra, André Previn | — | |
| 16-11 | Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Aurora and Florimund (Andante cantabile) | London Symphony Orchestra, André Previn | — | |
| 16-12 | Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Aurora's Variation (Allegro con moto) | London Symphony Orchestra, André Previn | — | |
| 16-13 | Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Coda (Presto) | London Symphony Orchestra, André Previn | — | |
| 16-14 | Sleeping Beauty, op. 66: Act II "The Vision": No. 16. Scene (Allegro agitato) | London Symphony Orchestra, André Previn | — | |
| 16-15 | Sleeping Beauty, op. 66: Act II "The Vision": No. 17. Panorama (Andantino) | London Symphony Orchestra, André Previn | — | |
| 16-16 | Sleeping Beauty, op. 66: Act II "The Vision": No. 18. Entr'acte | London Symphony Orchestra, André Previn | — | |
| 16-17 | Sleeping Beauty, op. 66: Act II "The Vision": No. 19. Symphonic Entr'acte (The Sleep) and Scene (Andante misterioso) | London Symphony Orchestra, André Previn | — | |
| 16-18 | Sleeping Beauty, op. 66: Act II "The Vision": No. 20. Finale: The Awakening (Allegro agitato) | London Symphony Orchestra, André Previn | — | |
| 17-1 | Sleeping Beauty, op. 66: Act III "The Wedding": No. 21. March (Allegro non troppo) | London Symphony Orchestra, André Previn | — | |
| 17-2 | Sleeping Beauty, op. 66: Act III "The Wedding": No. 22. Polonaise: Procession of Fairy-Tale Characters (Allegro moderato e brillante) | London Symphony Orchestra, André Previn | — | |
| 17-3 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Introduction (Allegro non tanto) | London Symphony Orchestra, André Previn | — | |
| 17-4 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation I. The Golden Fairy (Allegro: Tempo di valse) | London Symphony Orchestra, André Previn | — | |
| 17-5 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation II. The Silver Fairy (Allegro giusto) | London Symphony Orchestra, André Previn | — | |
| 17-6 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation III. The Sapphire Fairy (Vivacissimo) | London Symphony Orchestra, André Previn | — | |
| 17-7 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation IV. The Diamond Fairy (Vivace) | London Symphony Orchestra, André Previn | — | |
| 17-8 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Coda (L'istesso tempo) | London Symphony Orchestra, André Previn | — | |
| 17-9 | Sleeping Beauty, op. 66: Act III "The Wedding": No. 24. Pas de caractère: Puss-in-Boots and the White Cat (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 17-10 | Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Introduction (Adagio) | London Symphony Orchestra, André Previn | — | |
| 17-11 | Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Variation I. Cinderella and Prince Charming (Allegro: Tempo di valse) | London Symphony Orchestra, André Previn | — | |
| 17-12 | Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Variation II. The Bluebird and Princess Florine (Andantino) | London Symphony Orchestra, André Previn | — | |
| 17-13 | Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Coda (Presto) | London Symphony Orchestra, André Previn | — | |
| 17-14 | Sleeping Beauty: Act Three "The Wedding": No. 26. Pas de caractère: Red Riding Hood and the Wolf (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 17-15 | Sleeping Beauty: Act Three "The Wedding": No. 26. Pas de caractère: Cinderella and Prince Charming (Allegro agitato - Tempo di valse - Vivace assai) | London Symphony Orchestra, André Previn | — | |
| 17-16 | Sleeping Beauty: Act Three "The Wedding": No. 27. Pas Berrichon | London Symphony Orchestra, André Previn | — | |
| 17-17 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Entrée (Allegretto - Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 17-18 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Adagio (Andante non troppo) | London Symphony Orchestra, André Previn | — | |
| 17-19 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Variation I. Florimund (Vivace - Prestissimo) | London Symphony Orchestra, André Previn | — | |
| 17-20 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Variation II. Aurora (Andantino) | London Symphony Orchestra, André Previn | — | |
| 17-21 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Coda (Allegro vivace) | London Symphony Orchestra, André Previn | — | |
| 17-22 | Sleeping Beauty: Act Three "The Wedding": No. 29. Sarabande | London Symphony Orchestra, André Previn | — | |
| 17-23 | Sleeping Beauty: Act Three "The Wedding": No. 30. Finale and Apotheosis: Finale (Allegro brillante: Tempo di mazurka) - | London Symphony Orchestra, André Previn | — | |
| 17-24 | Sleeping Beauty: Act Three "The Wedding": No. 30. Finale and Apotheosis: Apotheosis (Andante molto maestoso) | London Symphony Orchestra, André Previn | — | |
| 17-25 | Ballet Suite “Chout”, op. 21b: 1. The Buffoon and His Wife | London Symphony Orchestra, Claudio Abbado | — | |
| 17-26 | Ballet Suite “Chout”, op. 21b: 2. Dance of the Wives | London Symphony Orchestra, Claudio Abbado | — | |
| 17-27 | Ballet Suite “Chout”, op. 21b: 3. Fugue. The Buffoons Kill Their Wives | London Symphony Orchestra, Claudio Abbado | — | |
| 17-28 | Ballet Suite “Chout”, op. 21b: 4. Dance of the Buffoons' Daughters | London Symphony Orchestra, Claudio Abbado | — | |
| 17-29 | Ballet Suite “Chout”, op. 21b: 5. In the Merchant's Bedroom | London Symphony Orchestra, Claudio Abbado | — | |
| 17-30 | Ballet Suite “Chout”, op. 21b: 6. The Young Wife Becomes a Goat | London Symphony Orchestra, Claudio Abbado | — | |
| 17-31 | Ballet Suite “Chout”, op. 21b: 7. Fifth Entr'acte and the Goat's Burial | London Symphony Orchestra, Claudio Abbado | — | |
| 17-32 | Ballet Suite “Chout”, op. 21b: 8. The Buffoon and the Merchant Quarrel | London Symphony Orchestra, Claudio Abbado | — | |
| 17-33 | Ballet Suite “Chout”, op. 21b: 9. Final Dance | London Symphony Orchestra, Claudio Abbado | — | |
| 18-1 | Renard: I. Marche (Entrée des acteurs) | — | ||
| 18-2 | Renard: II. Où ça, òu ça? | — | ||
| 18-3 | Renard: III. Ah! mon Dieu! mon Dieu! il me tir'par la queue | — | ||
| 18-4 | Renard: IV. Je suis sur mon bâton | — | ||
| 18-5 | Renard: V. Ah! mon Dieu! mon Dieu! il m'a pris par les ch'veux | — | ||
| 18-6 | Renard: VI. Mèr Renard, mèr Renard, pourquoi nous quitter déjà | — | ||
| 18-7 | Les Noces: Scene 1. La Tresse | — | ||
| 18-8 | Les Noces: Scene 2. Chez le marié | — | ||
| 18-9 | Les Noces: Scene 3. Le Départ de la mariée | — | ||
| 18-10 | Les Noces: Scene 4. Le Repas de noces | — | ||
| 18-11 | Les Biches, FP 36: Ouverture | Philharmonia Orchestra, Georges Prêtre | T-003.143.988-9 | |
| 18-12 | Les Biches: II. Rondeau | Philharmonia Orchestra, Georges Prêtre | — | |
| 18-13 | Les Biches, FP 36: Chanson dansée | John McCarthy, Ambrosian Singers, Philharmonia Orchestra, Georges Prêtre | — | |
| 18-14 | Les Biches, FP 36: Adagietto | Philharmonia Orchestra, Georges Prêtre | — | |
| 18-15 | Les Biches, FP 36: Jeu | John McCarthy, Ambrosian Singers, Philharmonia Orchestra, Georges Prêtre | — | |
| 18-16 | Les Biches: VI. Rag-mazurka | Philharmonia Orchestra, Georges Prêtre | — | |
| 18-17 | Les Biches, FP 36: Andantino | Philharmonia Orchestra, Georges Prêtre | — | |
| 18-18 | Les Biches, FP 36: Petite chanson dansée | John McCarthy, Ambrosian Singers, Philharmonia Orchestra, Georges Prêtre | — | |
| 18-19 | Les Biches, FP 36: Final | Philharmonia Orchestra, Georges Prêtre | — | |
| 19-1 | Une nuit sur le mont Chauve | — | ||
| 19-2 | Les Fâcheux: I. Ouverture | — | ||
| 19-3 | Les Fâcheux: II. Éraste et La Montagne | — | ||
| 19-4 | Les Fâcheux: III. Entrée et danse de Lysandre | — | ||
| 19-5 | Les Fâcheux: IV. Entrée et danse des joueuses de volant | — | ||
| 19-6 | Les Fâcheux: V. Entrée et danse d'Orphise | — | ||
| 19-7 | Les Fâcheux: VI. Entrée et danse des joueurs de boules | — | ||
| 19-8 | Les Fâcheux: VII. Entrée du joueur de cartes | — | ||
| 19-9 | Les Fâcheux: VIII. Arrivée d'Orphise | — | ||
| 19-10 | Les Fâcheux: IX. Apparition du tuteur et de son valet | — | ||
| 19-11 | Les Fâcheux: X. Entrée de tous les fâcheux – Final | — | ||
| 19-12 | Le Train bleu: I. Introduction | — | ||
| 19-13 | Le Train bleu: II. Chœur des poules et des gigolos | — | ||
| 19-14 | Le Train bleu: III. Entrée de Beau-Gosse | — | ||
| 19-15 | Le Train bleu: IV. Entrée de Perlouse | — | ||
| 19-16 | Le Train bleu: V. Rentrée de Beau-Gosse | — | ||
| 19-17 | Le Train bleu: VI. Chœur des poules et des gigolos | — | ||
| 19-18 | Le Train bleu: VII. Entrée du joueur de golf | — | ||
| 19-19 | Le Train bleu: VIII. Chœur des poules et des gigolos | — | ||
| 19-20 | Jack in the Box: I. Prélude | — | ||
| 19-21 | Jack in the Box: II. Entracte | — | ||
| 19-22 | Jack in the Box: III. Final | — | ||
| 20-1 | La Chatte: I. Ouverture | — | ||
| 20-2 | La Chatte: II. Jeux des garçons | — | ||
| 20-3 | La Chatte: III. Invocation à Aphrodite | — | ||
| 20-4 | La Chatte: IV. Métamorphose | — | ||
| 20-5 | La Chatte: V. Danse de la Chatte | — | ||
| 20-6 | La Chatte: VI. Adagio | — | ||
| 20-7 | La Chatte: VII. Retour des garçons | — | ||
| 20-8 | La Chatte: VIII. Scherzo | — | ||
| 20-9 | La Chatte: IX. Hymne final | — | ||
| 20-10 | Mercure: Premier tableau. I. Ouverture | — | ||
| 20-11 | Mercure: Premier tableau. II. La nuit | — | ||
| 20-12 | Mercure: Premier tableau. III. Danse de tendresse | — | ||
| 20-13 | Mercure: Premier tableau. IV. Signes du zodiaque | — | ||
| 20-14 | Mercure: Premier tableau. V. Entrée et danse de Mercure | — | ||
| 20-15 | Mercure: Deuxième tableau. VI. Danse des Grâces | — | ||
| 20-16 | Mercure: Deuxième tableau. VII. Bain des Grâces | — | ||
| 20-17 | Mercure: Deuxième tableau. VII. Fuite de Mercure – Colère de Cerbère | — | ||
| 20-18 | Mercure: Troisième tableau. IX. Polka des lettres | — | ||
| 20-19 | Mercure: Troisième tableau. X. Nouvelle danse | — | ||
| 20-20 | Mercure: Troisième tableau. XI. Le chaos | — | ||
| 20-21 | Mercure: Troisième tableau. XII. Final | — | ||
| 20-22 | Le Pas d'acier: I. Entrée des personnages | — | ||
| 20-23 | Le Pas d'acier: II. Train des paysans-ravitailleurs | — | ||
| 20-24 | Le Pas d'acier: III. Les commissaires | — | ||
| 20-25 | Le Pas d'acier: IV. Les petits camelots | — | ||
| 20-26 | Le Pas d'acier: V. L'orateur | — | ||
| 20-27 | Le Pas d'acier: VI. Matelot à bracelets et ouvrière | — | ||
| 20-28 | Le Pas d'acier: VIII. Le matelot devient un ouvrier | — | ||
| 20-29 | Le Pas d'acier: IX. L'Usine | — | ||
| 20-30 | Le Pas d'acier: X. Les Marteaux | — | ||
| 20-31 | Le Pas d'acier: XI. Finale | — | ||
| 20-32 | The Gods go A'Begging: I. Introduction | — | ||
| 20-33 | The Gods go A'Begging: II. First Dance | — | ||
| 20-34 | The Gods go A'Begging: III. Minuet | — | ||
| 20-35 | The Gods go A'Begging: IV. Hornpipe | — | ||
| 20-36 | The Gods go A'Begging: V. Musette | — | ||
| 20-37 | The Gods go A'Begging: VI. Second Dance | — | ||
| 20-38 | The Gods go A'Begging: VII. Larghetto | — | ||
| 20-39 | The Gods go A'Begging: VIII. Tambourine | — | ||
| 20-40 | The Gods go A'Begging: IX. Gavotte | — | ||
| 21-1 | Apollon musagète: Tableau 1. I. Prologue. Naissance d'Apollon | — | ||
| 21-2 | Apollon musagète: Tableau 2. II. Variation d'Apollon (Apollon et les Muses) | — | ||
| 21-3 | Apollon musagète: Tableau 2. III. Pas d'action (Apollone et les trois Muses: Calliope, Polymnie et Terpsichore) | — | ||
| 21-4 | Apollon musagète: Tableau 2. IV. Variation de Calliope (L'Alexandrin) | — | ||
| 21-5 | Apollon musagète: Tableau 2. V. Variation de Polymnie | — | ||
| 21-6 | Apollon musagète: Tableau 2. VI. Variation de Terpsichore | — | ||
| 21-7 | Apollon musagète: Tableau 2. VII. Variation d'Apollon | — | ||
| 21-8 | Apollon musagète: Tableau 2. VIII. Pas de deux (Apollon et Terpsichore) | — | ||
| 21-9 | Apollon musagète: Tableau 2. IX. Coda (Apollo et les Muses) | — | ||
| 21-10 | Apollon musagète: Tableau 2. X. Apothéose | — | ||
| 21-11 | L'enfant prodigue, op. 46: Scene I. Le départ | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 21-12 | L'enfant prodigue, op. 46: Scene I. Le départ | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 21-13 | L'enfant prodigue, op. 46: Scene I. L'enjôleuse | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 21-14 | L'enfant prodigue, op. 46: Scene I. Les danseurs | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 21-15 | L'enfant prodigue, op. 46: Scene II. L'enfant prodigue et l'enjôleuse | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 21-16 | L'enfant prodigue, op. 46: Scene II. L'ivresse | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 21-17 | L'enfant prodigue, op. 46: Scene II. Pillage | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 21-18 | L'enfant prodigue, op. 46: Scene II. Réveil et remords | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 21-19 | L'enfant prodigue, op. 46: Scene III. Intermède: Partage du butin | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 21-20 | L'enfant prodigue, op. 46: Scene III. Le retour | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 22-1 | Boris Godunov: Prologue. Coronation Scene Part 1 | — | ||
| 22-2 | Boris Godunov: Prologue. Coronation Scene Part 2 | — | ||
| 22-3 | Boris Godunov: Boris' monologue (Act 2) | — | ||
| 22-4 | Boris Godunov: Glock scene (Act 2) | — | ||
| 22-5 | Boris Godunov: Farewell, prayer and death of Boris (Act 4) | — | ||
| 22-6 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. I. Introduction | — | ||
| 22-7 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. II. Les Augures printaniers – Danse des adolescentes | — | ||
| 22-8 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. III. Jeu du rapt | — | ||
| 22-9 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. IV. Rondes printanières | — | ||
| 22-10 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. V. Jeu des cités rivales | — | ||
| 22-11 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. VI. Cortège du Sage | — | ||
| 22-12 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. VII. Adoration de la Terre (Le Sage) | — | ||
| 22-13 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. VIII. Danse de la Terre | — | ||
| 22-14 | Le Sacre du printemps: Part 2. Le Sacrifice. I. Introduction | — | ||
| 22-15 | Le Sacre du printemps: Part 2. Le Sacrifice. II. Cercles mystérieux des adolescentes | — | ||
| 22-16 | Le Sacre du printemps: Part 2. Le Sacrifice. III. Glorification de l'Élue | — | ||
| 22-17 | Le Sacre du printemps: Part 2. Le Sacrifice. IV. Évocation des Ancêtres | — | ||
| 22-18 | Le Sacre du printemps: Part 2. Le Sacrifice. V. Action rituelle des Ancêtres | — | ||
| 22-19 | Le Sacre du printemps: Part 2. Le Sacrifice. Danse sacrale (L'Élue) | — | ||
| 22-20 | Parade: Choral | — | ||
| 22-21 | Parade: Prélude du rideau rouge | — | ||
| 22-22 | Parade: Prestidigitateur chinois | — | ||
| 22-23 | Parade: Petite fille américaine | — | ||
| 22-24 | Parade: Acrobates – Final | — | ||
| 22-25 | Parade: Suite du Prélude du rideau rouge | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Daphnis et Chloé, Part One: Nocturne | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Swan Lake, op. 20: Act III, no. 20. Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace) | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act III. Russian Dance (Cadenza - Andante semplice - Allegro vivo) [additional number] | Ida Haendel, London Symphony Orchestra, André Previn | — |
| Swan Lake: Act One. No. 2. Waltz (Tempo di valse) | London Symphony Orchestra, André Previn | — |
| Swan Lake: Act One. No. 3. Scene (Allegro moderato) | London Symphony Orchestra, André Previn | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
0190296477157 is a Universal Product Code (UPC) assigned to Ballets Russes by Diaghilev. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 478 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
0190296477157 is the Universal Product Code (UPC barcode) for the release “Ballets Russes” by Diaghilev, released 2022-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 478 tracks, each with its own ISRC. Tracks include GBAYC8602558, GBAYC8602559, GBAYC8602560.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le pavillon d'Armide, Op. 29 (Excerpts): I. Introduction & Scène première | — | ||
| 2 | Le pavillon d'Armide, Op. 29 (Excerpts): II. Danse des heures | — | ||
| 3 | Le pavillon d'Armide, Op. 29 (Excerpts): III. La scène d'animation du gobelin | — | ||
| 4 | Le pavillon d'Armide, Op. 29 (Excerpts): IV. La plainte d'Armide | — | ||
| 5 | Le pavillon d'Armide, Op. 29 (Excerpts): V. Grand pas d'action | — | ||
| 6 | Le pavillon d'Armide, Op. 29 (Excerpts): VIa. Grande valse noble | — | ||
| 7 | Le pavillon d'Armide, Op. 29 (Excerpts): VIb. Variation - Variation pour Vicomte - Variation pour Armide - Code finale - VII. Scène mimique | — | ||
| 8 | Le pavillon d'Armide, Op. 29 (Excerpts): VIII. Danse des gamins | — | ||
| 9 | Le pavillon d'Armide, Op. 29 (Excerpts): XI. Danse des confidentes | — | ||
| 10 | Le pavillon d'Armide, Op. 29 (Excerpts): X. Bacchus et les bacchantes | — | ||
| 11 | Le pavillon d'Armide, Op. 29 (Excerpts): XI. Entrée des magiciens et danse des ombres | — | ||
| 12 | Le pavillon d'Armide, Op. 29 (Excerpts): XII. Danse des bouffons | — | ||
| 13 | Le pavillon d'Armide, Op. 29 (Excerpts): XIII. Pas d'écharpe | — | ||
| 14 | Le pavillon d'Armide, Op. 29 (Excerpts): XIV. Pas de deux | — | ||
| 15 | Le pavillon d'Armide, Op. 29 (Excerpts): XV. Grande valse finale | — | ||
| 2-1 | 'Prince Igor' Act II: Dance of the Polovtsian maidens | — | ||
| 2-2 | Scheherazade, op. 35: I. The Sea and Sinbad's Ship | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-3 | Scheherazade, op. 35: II. The Kalendar Prince | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-4 | Scheherazade, op. 35: III. The Young Prince and the Young Princess | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-5 | Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. Ship Breaks against a Cliff Surmounted by a Bronze Horseman | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 3-1 | Giselle: Introduction | — | ||
| 3-2 | Giselle: Act One. no. 2. Entrée du Comte Albrecht | — | ||
| 3-3 | Giselle: Act One. no. 3. Entrée de Giselle – Scène avec Hilarion | — | ||
| 3-4 | Giselle: Act One. no. 4. Retour de la vendage | — | ||
| 3-5 | Giselle: Act One. Valse | — | ||
| 3-6 | Giselle: Act One. no. 7. Marche des vignerons | — | ||
| 3-7 | Giselle: Act One. Variation de Giselle | — | ||
| 3-8 | Giselle: Act One. Grand galop | — | ||
| 3-9 | Giselle: Act One. no. 8. Scène finale (Scène de folie) | — | ||
| 3-10 | Giselle: Act Two. no. 3/4. Entrée d'Hilarion | — | ||
| 3-11 | Giselle: Act Two. no. 5. Apparition de Myrtha | — | ||
| 3-12 | Giselle: Act Two. no. 8. Apparition des Wilis | — | ||
| 3-13 | Giselle: Act Two. no. 9. Danse des Wilis | — | ||
| 3-14 | Giselle: Act Two. no. 10. Apparition de Giselle | — | ||
| 3-15 | Giselle: Act Two. no. 11. Danse de Giselle | — | ||
| 3-16 | Giselle: Act Two. no. 13 Entrée d'Albrecht | — | ||
| 3-17 | Giselle: Act Two. no. 14. Scène des Wilis | — | ||
| 3-18 | Giselle: Act Two. no. 15. Pas de deux. Giselle et Albrecht – Variation de Giselle | — | ||
| 3-19 | Giselle: Act Two. no. 16. Finale | — | ||
| 4-1 | Carnaval op. 9: I. Préambule | — | ||
| 4-2 | Carnaval op. 9: II. Pierrot | — | ||
| 4-3 | Carnaval op. 9: III. Arlequin | — | ||
| 4-4 | Carnaval op. 9: IV. Valse noble | — | ||
| 4-5 | Carnaval op. 9: V. Eusebius | — | ||
| 4-6 | Carnaval op. 9: VI. Florestan | — | ||
| 4-7 | Carnaval op. 9: VII. Coquette | — | ||
| 4-8 | Carnaval op. 9: VIII. Réplique | — | ||
| 4-9 | Carnaval op. 9: IX. Papillons | — | ||
| 4-10 | Carnaval op. 9: X. A.S.C.H-S.C.H.A. (Lettres dansantes) | — | ||
| 4-11 | Carnaval op. 9: XI. Chiarina | — | ||
| 4-12 | Carnaval op. 9: XII. Chopin | — | ||
| 4-13 | Carnaval op. 9: XIII. Estrella | — | ||
| 4-14 | Carnaval op. 9: XIV. Reconnaissance | — | ||
| 4-15 | Carnaval op. 9: XV. Pantalon et Colombine | — | ||
| 4-16 | Carnaval op. 9: XVI. Valse allemande | — | ||
| 4-17 | Carnaval op. 9: XVII. Paganini | — | ||
| 4-18 | Carnaval op. 9: XVIII. Aveu | — | ||
| 4-19 | Carnaval op. 9: XIX. Promenade | — | ||
| 4-20 | Carnaval op. 9: XX. Pause | — | ||
| 4-21 | Carnaval op. 9: XXI. Marche des 'Davidsbündler' contre les Philistins | — | ||
| 4-22 | The Firebird: Introduction | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-23 | The Firebird, Tableau 1: Kashchei’s Enchanted Garden | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-24 | The Firebird, Tableau 1: Appearance of the Firebird Pursued by Ivan Tsarevich | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-25 | The Firebird, Tableau 1: Dance of the Firebird | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-26 | The Firebird, Tableau 1: Ivan Tsarevich Captures the Firebird | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-27 | The Firebird, Tableau 1: Supplication of the Firebird | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-28 | The Firebird, Tableau 1: Appearance of 13 Enchanted Princesses | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-29 | The Firebird, Tableau 1: The Princesses’ Game with the Golden Apples | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-30 | The Firebird, Tableau 1: Sudden Appearance of the Ivan Tsarevich | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-31 | The Firebird, Tableau 1: The Princesses’ Khorovod | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-32 | The Firebird, Tableau 1: Daybreak | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-33 | The Firebird, Tableau 1: Ivan Tsarevich Enters Kashchei’s Palace | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-34 | The Firebird, Tableau 1: Magic Carillon - Appearance of Kashchei’s Guardian Monsters - Capture of Ivan Tsarevich | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-35 | The Firebird, Tableau 1: Arrival of Kashchei the Immortal | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-36 | The Firebird, Tableau 1: His Dialogue with Ivan Tsarevich | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-37 | The Firebird, Tableau 1: The Intercession of the Princesses | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-38 | The Firebird, Tableau 1: Appearance of the Firebird | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-39 | The Firebird, Tableau 1: Dance of Kashchei’s Retinue Under the Firebird’s Spell | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-40 | The Firebird, Tableau 1: Infernal Dance of All Kashchei’s Subjects | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-41 | The Firebird, Tableau 1: Lullaby | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-42 | The Firebird, Tableau 1: Kashchei Awakes | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-43 | The Firebird, Tableau 1: Death of Kashchei | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-44 | The Firebird, Tableau 2: Disappearance of the Palace and Dissolution of Kashchei’s Enchantments, Animation of the Petrified Warriors, General Thanksgiving | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 5-1 | Narcisse et Echo, op. 40: Un Paysage panthéiste (A pantheistic landscape) | — | ||
| 5-2 | Narcisse et Echo, op. 40: Un sylvain se réveille... Il joue la flute (A woodland creature awakes... He plays his flute) | — | ||
| 5-3 | Narcisse et Echo, op. 40: Entrée des jeunes Béotiens et béotiennes (Entrance of the Boeotiens and their mistresses) | — | ||
| 5-4 | Narcisse et Echo, op. 40: Danse de la Bacchante - (Dance of the Bacchante) | — | ||
| 5-5 | Narcisse et Echo, op. 40: Chants Lontains (Distant Voices) | — | ||
| 5-6 | Narcisse et Echo, op. 40: Danse de Narcisse (Dance of Narcissus) | — | ||
| 5-7 | Narcisse et Echo, op. 40: Echo est abandonnée (Echo is abandoned) | — | ||
| 5-8 | Narcisse et Echo, op. 40: Entre Narcisse, épuisé par la fatigue (Narcissus enters, exhausted) | — | ||
| 5-9 | Narcisse et Echo, op. 40: L'arrivée Echo (Echo arrives) | — | ||
| 5-10 | Narcisse et Echo, op. 40: Narcisse se transforme en une fleur (Narcissus is transformed into a flower) | — | ||
| 5-11 | L'Invitation à la valse (orch. Hector Berlioz) | — | ||
| 6-1 | Swan Lake: Act One. Introduction (Moderato assai) | London Symphony Orchestra, André Previn | — | |
| 6-2 | Swan Lake: Act One. No. 1. Scene (Allegro giusto) | London Symphony Orchestra, André Previn | — | |
| 6-3 | Swan Lake: Act One. No. 2. Waltz (Tempo di valse) | London Symphony Orchestra, André Previn | T-106.673.991-9 | |
| 6-4 | Swan Lake: Act One. No. 3. Scene (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 6-5 | Swan Lake: Act One. No. 4. Pas de trois: I. Intrada (Allegro) | London Symphony Orchestra, André Previn | — | |
| 6-6 | Swan Lake: Act One. No. 4. Pas de trois: II. Andante sostenuto | London Symphony Orchestra, André Previn | — | |
| 6-7 | Swan Lake: Act One. No. 4. Pas de trois: III. Allegro semplice - Presto | London Symphony Orchestra, André Previn | — | |
| 6-8 | Swan Lake: Act One. No. 4. Pas de trois: IV. Moderato | London Symphony Orchestra, André Previn | — | |
| 6-9 | Swan Lake: Act One. No. 4. Pas de trois: V. Allegro | London Symphony Orchestra, André Previn | — | |
| 6-10 | Swan Lake: Act One. No. 4. Pas de trois: VI. Coda (Allegro vivace) | London Symphony Orchestra, André Previn | — | |
| 6-11 | Swan Lake: Act One. No. 5. Pas de deux: I. Tempo di valse | London Symphony Orchestra, André Previn | — | |
| 6-12 | Swan Lake: Act One. No. 5. Pas de deux: II. Andante - Allegro - Molto più mosso | Ida Haendel, London Symphony Orchestra, André Previn | — | |
| 6-13 | Swan Lake: Act One. No. 5. Pas de deux: III. Tempo di valse | London Symphony Orchestra, André Previn | — | |
| 6-14 | Swan Lake: Act One. No. 5. Pas de deux: IV. Coda (Allegro molto vivace) | London Symphony Orchestra, André Previn | — | |
| 6-15 | Swan Lake: Act One. No. 6. Pas d'action (Andantino quasi moderato - Allegro) | London Symphony Orchestra, André Previn | — | |
| 6-16 | Swan Lake: Act One. No. 7. Subject | London Symphony Orchestra, André Previn | — | |
| 6-17 | Swan Lake: Act One. No. 8. Dance with Goblets (Tempo di polacca) | London Symphony Orchestra, André Previn | — | |
| 6-18 | Swan Lake, op. 20: Act I. No. 9. Finale | London Symphony Orchestra, André Previn | — | |
| 6-19 | Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — | |
| 6-20 | Swan Lake Op. 20: Act 2: No. 11 Scene | London Symphony Orchestra, André Previn | — | |
| 6-21 | Swan Lake, op. 20: Act II, no. 12. Scene (Allegro) | London Symphony Orchestra, André Previn | — | |
| 6-22 | Swan Lake: Act Two. No. 13. Dances of the Swans: I. Tempo di valse | London Symphony Orchestra, André Previn | — | |
| 6-23 | Swan Lake: Act Two. No. 13. Dances of the Swans: II. Moderato assai - Molto più mosso | London Symphony Orchestra, André Previn | — | |
| 6-24 | Swan Lake: Act Two. No. 13. Dances of the Swans: III. Tempo di valse | London Symphony Orchestra, André Previn | — | |
| 6-25 | Swan Lake, op. 20, Act II: No. 13. Danse des cygnes: IV. Allegro moderato | London Symphony Orchestra, André Previn | — | |
| 6-26 | Swan Lake: Act Two. No. 13. Dances of the Swans: V. Andante - Andante non troppo - Allegro | Douglas Cummings, Ida Haendel, London Symphony Orchestra, André Previn | — | |
| 6-27 | Swan Lake: Act Two. No. 13. Dances of the Swans: VI. Tempo di valse | London Symphony Orchestra, André Previn | — | |
| 6-28 | Swan Lake: Act Two. No. 13. Dances of the Swans: VII. Coda (Allegro vivace) | London Symphony Orchestra, André Previn | — | |
| 6-29 | Swan Lake, op. 20: Act II, no. 14. Scene (Moderato) | London Symphony Orchestra, André Previn | T-900.146.663-3 | |
| 7-1 | Swan Lake: Act III. No. 15 Scène | London Symphony Orchestra, André Previn | — | |
| 7-2 | Swan Lake: Act III. No. 16 Danse du Corps de Ballet et des Nains | London Symphony Orchestra, André Previn | — | |
| 7-3 | Swan Lake: Act III. No. 17 Sortie des invités / Valse | London Symphony Orchestra, André Previn | — | |
| 7-4 | Swan Lake, op. 20: Act III, no. 18. Scene (Allegro - Allegro giusto) | London Symphony Orchestra, André Previn | — | |
| 7-5 | Swan Lake: Act Three. No. 19. Pas de six: Intrada | London Symphony Orchestra, André Previn | — | |
| 7-6 | Swan Lake: Act Three. No. 19. Pas de six: Variation I (Allegro) | London Symphony Orchestra, André Previn | — | |
| 7-7 | Swan Lake: Act Three. No. 19. Pas de six: Variation II (Andante con moto) | London Symphony Orchestra, André Previn | — | |
| 7-8 | Swan Lake: Act Three. No. 19. Pas de six: Variation III (Moderato) | London Symphony Orchestra, André Previn | — | |
| 7-9 | Swan Lake: Act Three. No. 19. Pas de six: Variation IV (Allegro) | London Symphony Orchestra, André Previn | — | |
| 7-10 | Swan Lake: Act Three. No. 19. Pas de six: Variation V (Moderato - Allegro semplice) | London Symphony Orchestra, André Previn | — | |
| 7-11 | Swan Lake: Act Three. No. 19. Pas de six: Coda (Allegro molto) | London Symphony Orchestra, André Previn | — | |
| 7-12 | Swan Lake: Act Three. Pas de deux [additional number]: Introduction (Moderato - Andante) | Ida Haendel, London Symphony Orchestra, André Previn | — | |
| 7-13 | Swan Lake: Act Three. Pas de deux [additional number]: Variation I (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 7-14 | Swan Lake: Act Three. Pas de deux [additional number]: Variation II (Allegro) | London Symphony Orchestra, André Previn | — | |
| 7-15 | Swan Lake: Act Three. Pas de deux [additional number]: Coda (Allegro molto vivace) | London Symphony Orchestra, André Previn | — | |
| 7-16 | Swan Lake, op. 20: Act III, no. 20. Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace) | London Symphony Orchestra, André Previn | — | |
| 7-17 | Swan Lake, op. 20: Act III. Russian Dance (Cadenza - Andante semplice - Allegro vivo) [additional number] | Ida Haendel, London Symphony Orchestra, André Previn | — | |
| 7-18 | Swan Lake, op. 20: Act III, no. 21. Spanish Dance (Allegro non troppo: tempo di Bolero) | London Symphony Orchestra, André Previn | — | |
| 7-19 | Swan Lake, op. 20: Act III, no. 22. Neopolitan Dance (Allegro moderato - Andantino quasi moderato) | London Symphony Orchestra, André Previn | — | |
| 7-20 | Swan Lake, op. 20: Act III, no. 23. Mazurka | London Symphony Orchestra, André Previn | — | |
| 7-21 | Swan Lake, op. 20: Act III, no. 24. Scene (Allegro - Valse - Allegro vivo) | London Symphony Orchestra, André Previn | — | |
| 7-22 | Swan Lake: Act IV. No. 25 Entr'acte | London Symphony Orchestra, André Previn | — | |
| 7-23 | Swan Lake: Act IV. No. 26 Scène | London Symphony Orchestra, André Previn | — | |
| 7-24 | Swan Lake: Act IV. No. 27 Danse des petits cygnes | London Symphony Orchestra, André Previn | — | |
| 7-25 | Swan Lake, op. 20: Act IV, no. 28. Scene (Allegro agitato - Allegro vivace) | London Symphony Orchestra, André Previn | — | |
| 7-26 | Swan Lake, op. 20: Act IV, no. 29. Finale (Andante - Allegro agitato - Alla breve - Moderato e maestoso) | London Symphony Orchestra, André Previn | — | |
| 8-1 | Petrushka: I. Fete populaire de la semaine grasse | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-2 | Petrushka: I. Le tour de passe-passe - Danse russe | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-3 | Petrushka: II. Chez Petrushka | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-4 | Petrushka: III. Chez le maure - Danse de la ballerine | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-5 | Petrushka: III. Valse - La ballerine et le maure | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-6 | Petrushka: IV. Fete populaire de la semaine grasse | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-7 | Petrushka: IV. Danse des nounous | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-8 | Petrushka: IV. Paysan et l'ours | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-9 | Petrushka: IV. Bohemien et marchand malhonnete | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-10 | Petrushka: IV. Danse des cochers et des palefreniers | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-11 | Petrushka: IV. Les deguises | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-12 | Petrushka: IV. Le rixe - Le maure et Petrushka | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-13 | Petrushka: IV. Mort de Petrushka | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-14 | Petrushka: IV. Police et l'enchanteur - Vociferation du double de Petrushka | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-15 | La Péri: Fanfare pour précéder La Péri | — | ||
| 8-16 | La Péri: La Péri, poème dansé | — | ||
| 8-17 | Prélude à l’après-midi d’un faune | Emmanuel Pahud, Berliner Philharmoniker, Simon Rattle | — | |
| 9-1 | Thamar (symphonic poem) | — | ||
| 9-2 | Daphnis et Chloé, Part One: Introduction | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-3 | Daphnis et Chloé, Part One: Danse religeuse | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-4 | Daphnis et Chloé, Part One: Scène | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-5 | Daphnis et Chloé, Part One: Danse générale | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-6 | Daphnis et Chloé, Part One: Scène | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-7 | Daphnis et Chloé, Part One: Danse grotesque de Dorcon | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-8 | Daphnis et Chloé, Part One: Danse légère et gracieuse de Dapnis | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-9 | Daphnis Et Chloé - Part One: Scene | — | ||
| 9-10 | Daphnis et Chloé, Part One: Nocturne | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-11 | Daphnis et Chloé, Part One: Danse lente et mystérieuse des nymphes | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-12 | Daphnis et Chloé, Part One: Interlude | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-13 | Daphnis et Chloé, Part Two: Introduction | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-14 | Daphnis et Chloé, Part Two: Danse guerriere | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-15 | Daphnis et Chloé, Part Two: Danse suppliante de Chloé | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-16 | Daphnis et Chloé, Part Three: Introduction | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-17 | Daphnis et Chloé, Part Three: Lever du jour | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-18 | Daphnis et Chloé, Part Three: Pantomime | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 9-19 | Daphnis et Chloé, Part Three: Danse génerale | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 10-1 | Jeux, poème dansé | — | ||
| 10-2 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. I Introduction | — | ||
| 10-3 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. II. Les Augures printaniers – Danse des adolescentes | — | ||
| 10-4 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. III. Jeu du rapt | — | ||
| 10-5 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. IV. Rondes printanières | — | ||
| 10-6 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. V. Jeu des cités rivales | — | ||
| 10-7 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. VI. Cortège du Sage | — | ||
| 10-8 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. VII. Adoration de la Terre (Le Sage) | — | ||
| 10-9 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. VIII. Danse de la Terre | — | ||
| 10-10 | Le Sacre du printemps: Part 2. Le Sacrifice. I. Introduction | — | ||
| 10-11 | Le Sacre du printemps: Part 2. Le Sacrifice. II. Cercles mystérieux des adolescentes | — | ||
| 10-12 | Le Sacre du printemps: Part 2. Le Sacrifice. III. Glorification de l'Élue | — | ||
| 10-13 | Le Sacre du printemps: Part 2. Le Sacrifice. IV. Évocation des Ancêtres | — | ||
| 10-14 | Le Sacre du printemps: Part 2. Le Sacrifice. V. Action rituelle des Ancêtres | — | ||
| 10-15 | Le Sacre du printemps: Part 2. Le Sacrifice. VI. Danse sacrale (L'Élue) | — | ||
| 10-16 | La Tragédie de Salomé: Part I. Prélude | — | ||
| 10-17 | La Tragédie de Salomé: Part I. Danse des perles | — | ||
| 10-18 | La Tragédie de Salomé: Part II. Les Enchantementes sur la mer | — | ||
| 10-19 | La Tragédie de Salomé: Part II. Danse des éclairs | — | ||
| 10-20 | La Tragédie de Salomé: Part II. Danse de l'effroi | — | ||
| 11-1 | La Légende de Joseph op. 63: I. Allegro moderato | — | ||
| 11-2 | La Légende de Joseph op. 63: II. Moderato – Ziemlich lebhaft | — | ||
| 11-3 | La Légende de Joseph op. 63: III. Viel ruhiger, leicht schwebend | — | ||
| 11-4 | La Légende de Joseph op. 63: IV. Ziemlich ruhig | — | ||
| 11-5 | La Légende de Joseph op. 63: V. Viel ruhiger, stets alla breve | — | ||
| 11-6 | Le Rossignol: Act 1. Introduction | — | ||
| 11-7 | Le Rossignol: Act 1. 'Porté au vent, tombant au loin' | — | ||
| 11-8 | Le Rossignol: Act 1. 'Ah! Ah! Ah!' | — | ||
| 11-9 | Le Rossignol: Act 1. 'Voici l'endroit, près de ces arbres' | — | ||
| 11-10 | Le Rossignol: Act 1. 'Beau rossignol, incomparable oiseau' | — | ||
| 11-11 | Le Rossignol: Act 2. 'Des feux, des feux, bien vite' | — | ||
| 11-12 | Le Rossignol: Act 2. Marche chinoise. 'Ô maître magnanime' | — | ||
| 11-13 | Le Rossignol: Act 2. Chanson du rossignol. 'Ah, joie, emplis mon cœur' | — | ||
| 11-14 | Le Rossignol: Act 2. 'Ah coucher du soleil' | — | ||
| 11-15 | Le Rossignol: Act 2. Jeu du rossignol mécanique. 'Psst, psst' | — | ||
| 11-16 | Le Rossignol: Act 3. 'Vois-nous rassemblés' | — | ||
| 11-17 | Le Rossignol: Act 3. 'Ah, me voici, ô prince magnanime' | — | ||
| 11-18 | Le Rossignol: Act 3. 'Ah, j'aime à t'écouter' | — | ||
| 11-19 | Le Rossignol: Act 3. Cortège solennel | — | ||
| 11-20 | Le Rossignol: Act 3. 'Boujour à tous' | — | ||
| 12-1 | Till Eulenspiegels lustige Streiche, symphonic poem | — | ||
| 12-2 | Pavane in F-sharp minor, for orchestra and chorus ad libitum | — | ||
| 12-3 | Le donne di boun umore: I. Presto (Sonata G major K2) | — | ||
| 12-4 | Le donne di boun umore: II. Allegro (Sonata D majo K435) | — | ||
| 12-5 | Le donne di boun umore: III. Andante (Sonata in B minor K87) | — | ||
| 12-6 | Le donne di boun umore: IV. Non presto, in tempo di ballo (Sonata in D major K430) | — | ||
| 12-7 | Le donne di boun umore: V. Presto (Sonata in G major K455) | — | ||
| 12-8 | Feu d'artifice op. 4 | — | ||
| 12-9 | Kikimora, symphonic poem | — | ||
| 12-10 | Baba-Yaga, symphonic poem | — | ||
| 12-11 | Parade: Choral – Prélude du rideau rouge | — | ||
| 12-12 | Parade: Prestidigitateur chinois | — | ||
| 12-13 | Parade: Petite fille américaine | — | ||
| 12-14 | Parade: Rag-time du paquebot | — | ||
| 12-15 | Parade: Acrobates | — | ||
| 12-16 | Parade: Final. Suite du Prélude du rideau rouge | — | ||
| 13-1 | La Boutique fantasque: I. Ouverture. Tempo di marcia | — | ||
| 13-2 | La Boutique fantasque: II. Tarentella. Allegro con brio 'La Danza' | — | ||
| 13-3 | La Boutique fantasque: III. Mazurka | — | ||
| 13-4 | La Boutique fantasque: IV. Danse cosaque. Allegretto marcato | — | ||
| 13-5 | La Boutique fantasque: V. Can-Can. Allegretto grotesco 'Petit Caprice style Offenbach' | — | ||
| 13-6 | La Boutique fantasque: VI. Valse lente. Andantino moderato | — | ||
| 13-7 | La Boutique fantasque: VII. Nocturne. Andantino | — | ||
| 13-8 | La Boutique fantasque: VII. Galop. Vivacissimo | — | ||
| 13-9 | El sombrero de tres picos: Introducción | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-10 | El sombrero de tres picos: La tarde. El mirlo | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-11 | El sombrero de tres picos: La tarde. El petimetre y el cortejo | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-12 | El sombrero de tres picos: La tarde. La chica | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-13 | El sombrero de tres picos: La tarde. El corregidor | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-14 | El sombrero de tres picos: La tarde. Danza de la molinera | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-15 | El sombrero de tres picos: La tarde. Minueto | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-16 | El sombrero de tres picos: La tarde. Las uvas | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-17 | El sombrero de tres picos: La tarde. Fandango | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-18 | El sombrero de tres picos: La noche. Danza de los vecinos | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-19 | El sombrero de tres picos: La noche. Danza del molinero | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-20 | El sombrero de tres picos: La noche. La detención | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-21 | El sombrero de tres picos: La noche. Nocturno | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-22 | El sombrero de tres picos: La noche. Danza del Corregidor | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-23 | El sombrero de tres picos: La noche. La confrontación | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-24 | El sombrero de tres picos: La noche. Retorno del molinero | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 13-25 | El sombrero de tres picos: La noche. Danza final | Victoria de los Ángeles, Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-041.489.062-2 | |
| 14-1 | Le Chant du rossignol: Introduction et Marche chinoise | — | ||
| 14-2 | Le Chant du rossignol: Chant du rossignol | — | ||
| 14-3 | Le Chant du rossignol: Jeu du rossignol mécanique | — | ||
| 14-4 | Pulcinella: Overture. Allegro moderato | — | ||
| 14-5 | Pulcinella: Serenata. Larghetto. 'Mentre l'erbetta pasce l'agnella' | — | ||
| 14-6 | Pulcinella: Allegretto. 'Contento forse vivere' | — | ||
| 14-7 | Pulcinella: Allegro (alla breve). 'Con queste paroline' | — | ||
| 14-8 | Pulcinella: Largo (Trio). 'Sento dire no'oncè pace' | — | ||
| 14-9 | Pulcinella: Tarentella. 'Una te falan zemprece' | — | ||
| 14-10 | Pulcinella: Andantino 'Se tu m'ami' | — | ||
| 14-11 | Pulcinella: Gavotta con due variazioni | — | ||
| 14-12 | Pulcinella: Variation I | — | ||
| 14-13 | Pulcinella: Variation II | — | ||
| 14-14 | Pulcinella: Tempo di minuetto. Molto moderato (Trio). 'Pupilette, fiammette d'amore' | — | ||
| 15-1 | Sleeping Beauty, op. 66: Introduction (Allegro vivo - Andantino) | London Symphony Orchestra, André Previn | — | |
| 15-2 | Sleeping Beauty, op. 66: Prologue "The Christening": No. 1. March (Moderato) | London Symphony Orchestra, André Previn | — | |
| 15-3 | Sleeping Beauty, op. 66: Prologue "The Christening": No. 2. Dance Scene (Moderato con moto) | London Symphony Orchestra, André Previn | — | |
| 15-4 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Introduction | London Symphony Orchestra, André Previn | — | |
| 15-5 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Adagio | London Symphony Orchestra, André Previn | — | |
| 15-6 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation I. The Fairy of the Crystal Fountain (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 15-7 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation II. The Fairy of the Enchanted Garden (Allegro) | London Symphony Orchestra, André Previn | — | |
| 15-8 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation III. The Fairy of the Woodland Glades (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 15-9 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation IV. The Fairy of the Songbirds (Moderato) | London Symphony Orchestra, André Previn | — | |
| 15-10 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation V. The Fairy of the Golden Vine (Allegro molto vivace) | London Symphony Orchestra, André Previn | — | |
| 15-11 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation VI. The Lilac Fairy (Tempo di valse) | London Symphony Orchestra, André Previn | — | |
| 15-12 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Coda (Allegro giusto) | London Symphony Orchestra, André Previn | — | |
| 15-13 | Sleeping Beauty, op. 66: Prologue "The Christening": No. 4. Finale | London Symphony Orchestra, André Previn | — | |
| 15-14 | Sleeping Beauty, op. 66: Act I "The Spell": No. 5. Scene (Allegro vivo - Moderato) | London Symphony Orchestra, André Previn | — | |
| 15-15 | Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse) | London Symphony Orchestra, André Previn | — | |
| 15-16 | Sleeping Beauty, op. 66: Act I "The Spell": No. 7. Scene (Andante) | London Symphony Orchestra, André Previn | — | |
| 15-17 | Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Rose Adagio (Andante - Adagio maestoso) | London Symphony Orchestra, André Previn | — | |
| 15-18 | Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Dance of the Maids of Honour and the Pages | London Symphony Orchestra, André Previn | — | |
| 15-19 | Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Aurora's Variation | London Symphony Orchestra, André Previn | — | |
| 15-20 | Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Coda (Allegro giusto) | London Symphony Orchestra, André Previn | — | |
| 15-21 | Sleeping Beauty, op. 66: Act I "The Spell": No. 9. Finale | London Symphony Orchestra, André Previn | — | |
| 16-1 | Sleeping Beauty, op. 66: Act II "The Vision": No. 10. Entr'acte and Scene (Allegro con spirito - Un poco più tranquillo) | London Symphony Orchestra, André Previn | — | |
| 16-2 | Sleeping Beauty, op. 66: Act II "The Vision": No. 11. Blind Man's Buff (Allegro vivo) | London Symphony Orchestra, André Previn | — | |
| 16-3 | Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Scene | London Symphony Orchestra, André Previn | — | |
| 16-4 | Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Duchesses (Minuet: Moderato con moto) | London Symphony Orchestra, André Previn | — | |
| 16-5 | Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dance of the Baronesses (Gavotte) | London Symphony Orchestra, André Previn | — | |
| 16-6 | Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Countesses (Allegro non troppo) | London Symphony Orchestra, André Previn | — | |
| 16-7 | Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Marchionesses (Allegro non troppo) | London Symphony Orchestra, André Previn | — | |
| 16-8 | Sleeping Beauty: Act Two "The Vision": No. 13. Farandole: Scene (Poco più vivo) | London Symphony Orchestra, André Previn | — | |
| 16-9 | Sleeping Beauty: Act Two "The Vision": No. 13. Farandole: Dance (Allegro non troppo) | London Symphony Orchestra, André Previn | — | |
| 16-10 | Sleeping Beauty, op. 66: Act II "The Vision": No. 14. Scene: Prince Florimund and the Lilac Fairy | London Symphony Orchestra, André Previn | — | |
| 16-11 | Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Aurora and Florimund (Andante cantabile) | London Symphony Orchestra, André Previn | — | |
| 16-12 | Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Aurora's Variation (Allegro con moto) | London Symphony Orchestra, André Previn | — | |
| 16-13 | Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Coda (Presto) | London Symphony Orchestra, André Previn | — | |
| 16-14 | Sleeping Beauty, op. 66: Act II "The Vision": No. 16. Scene (Allegro agitato) | London Symphony Orchestra, André Previn | — | |
| 16-15 | Sleeping Beauty, op. 66: Act II "The Vision": No. 17. Panorama (Andantino) | London Symphony Orchestra, André Previn | — | |
| 16-16 | Sleeping Beauty, op. 66: Act II "The Vision": No. 18. Entr'acte | London Symphony Orchestra, André Previn | — | |
| 16-17 | Sleeping Beauty, op. 66: Act II "The Vision": No. 19. Symphonic Entr'acte (The Sleep) and Scene (Andante misterioso) | London Symphony Orchestra, André Previn | — | |
| 16-18 | Sleeping Beauty, op. 66: Act II "The Vision": No. 20. Finale: The Awakening (Allegro agitato) | London Symphony Orchestra, André Previn | — | |
| 17-1 | Sleeping Beauty, op. 66: Act III "The Wedding": No. 21. March (Allegro non troppo) | London Symphony Orchestra, André Previn | — | |
| 17-2 | Sleeping Beauty, op. 66: Act III "The Wedding": No. 22. Polonaise: Procession of Fairy-Tale Characters (Allegro moderato e brillante) | London Symphony Orchestra, André Previn | — | |
| 17-3 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Introduction (Allegro non tanto) | London Symphony Orchestra, André Previn | — | |
| 17-4 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation I. The Golden Fairy (Allegro: Tempo di valse) | London Symphony Orchestra, André Previn | — | |
| 17-5 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation II. The Silver Fairy (Allegro giusto) | London Symphony Orchestra, André Previn | — | |
| 17-6 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation III. The Sapphire Fairy (Vivacissimo) | London Symphony Orchestra, André Previn | — | |
| 17-7 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation IV. The Diamond Fairy (Vivace) | London Symphony Orchestra, André Previn | — | |
| 17-8 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Coda (L'istesso tempo) | London Symphony Orchestra, André Previn | — | |
| 17-9 | Sleeping Beauty, op. 66: Act III "The Wedding": No. 24. Pas de caractère: Puss-in-Boots and the White Cat (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 17-10 | Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Introduction (Adagio) | London Symphony Orchestra, André Previn | — | |
| 17-11 | Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Variation I. Cinderella and Prince Charming (Allegro: Tempo di valse) | London Symphony Orchestra, André Previn | — | |
| 17-12 | Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Variation II. The Bluebird and Princess Florine (Andantino) | London Symphony Orchestra, André Previn | — | |
| 17-13 | Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Coda (Presto) | London Symphony Orchestra, André Previn | — | |
| 17-14 | Sleeping Beauty: Act Three "The Wedding": No. 26. Pas de caractère: Red Riding Hood and the Wolf (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 17-15 | Sleeping Beauty: Act Three "The Wedding": No. 26. Pas de caractère: Cinderella and Prince Charming (Allegro agitato - Tempo di valse - Vivace assai) | London Symphony Orchestra, André Previn | — | |
| 17-16 | Sleeping Beauty: Act Three "The Wedding": No. 27. Pas Berrichon | London Symphony Orchestra, André Previn | — | |
| 17-17 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Entrée (Allegretto - Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 17-18 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Adagio (Andante non troppo) | London Symphony Orchestra, André Previn | — | |
| 17-19 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Variation I. Florimund (Vivace - Prestissimo) | London Symphony Orchestra, André Previn | — | |
| 17-20 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Variation II. Aurora (Andantino) | London Symphony Orchestra, André Previn | — | |
| 17-21 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Coda (Allegro vivace) | London Symphony Orchestra, André Previn | — | |
| 17-22 | Sleeping Beauty: Act Three "The Wedding": No. 29. Sarabande | London Symphony Orchestra, André Previn | — | |
| 17-23 | Sleeping Beauty: Act Three "The Wedding": No. 30. Finale and Apotheosis: Finale (Allegro brillante: Tempo di mazurka) - | London Symphony Orchestra, André Previn | — | |
| 17-24 | Sleeping Beauty: Act Three "The Wedding": No. 30. Finale and Apotheosis: Apotheosis (Andante molto maestoso) | London Symphony Orchestra, André Previn | — | |
| 17-25 | Ballet Suite “Chout”, op. 21b: 1. The Buffoon and His Wife | London Symphony Orchestra, Claudio Abbado | — | |
| 17-26 | Ballet Suite “Chout”, op. 21b: 2. Dance of the Wives | London Symphony Orchestra, Claudio Abbado | — | |
| 17-27 | Ballet Suite “Chout”, op. 21b: 3. Fugue. The Buffoons Kill Their Wives | London Symphony Orchestra, Claudio Abbado | — | |
| 17-28 | Ballet Suite “Chout”, op. 21b: 4. Dance of the Buffoons' Daughters | London Symphony Orchestra, Claudio Abbado | — | |
| 17-29 | Ballet Suite “Chout”, op. 21b: 5. In the Merchant's Bedroom | London Symphony Orchestra, Claudio Abbado | — | |
| 17-30 | Ballet Suite “Chout”, op. 21b: 6. The Young Wife Becomes a Goat | London Symphony Orchestra, Claudio Abbado | — | |
| 17-31 | Ballet Suite “Chout”, op. 21b: 7. Fifth Entr'acte and the Goat's Burial | London Symphony Orchestra, Claudio Abbado | — | |
| 17-32 | Ballet Suite “Chout”, op. 21b: 8. The Buffoon and the Merchant Quarrel | London Symphony Orchestra, Claudio Abbado | — | |
| 17-33 | Ballet Suite “Chout”, op. 21b: 9. Final Dance | London Symphony Orchestra, Claudio Abbado | — | |
| 18-1 | Renard: I. Marche (Entrée des acteurs) | — | ||
| 18-2 | Renard: II. Où ça, òu ça? | — | ||
| 18-3 | Renard: III. Ah! mon Dieu! mon Dieu! il me tir'par la queue | — | ||
| 18-4 | Renard: IV. Je suis sur mon bâton | — | ||
| 18-5 | Renard: V. Ah! mon Dieu! mon Dieu! il m'a pris par les ch'veux | — | ||
| 18-6 | Renard: VI. Mèr Renard, mèr Renard, pourquoi nous quitter déjà | — | ||
| 18-7 | Les Noces: Scene 1. La Tresse | — | ||
| 18-8 | Les Noces: Scene 2. Chez le marié | — | ||
| 18-9 | Les Noces: Scene 3. Le Départ de la mariée | — | ||
| 18-10 | Les Noces: Scene 4. Le Repas de noces | — | ||
| 18-11 | Les Biches, FP 36: Ouverture | Philharmonia Orchestra, Georges Prêtre | T-003.143.988-9 | |
| 18-12 | Les Biches: II. Rondeau | Philharmonia Orchestra, Georges Prêtre | — | |
| 18-13 | Les Biches, FP 36: Chanson dansée | John McCarthy, Ambrosian Singers, Philharmonia Orchestra, Georges Prêtre | — | |
| 18-14 | Les Biches, FP 36: Adagietto | Philharmonia Orchestra, Georges Prêtre | — | |
| 18-15 | Les Biches, FP 36: Jeu | John McCarthy, Ambrosian Singers, Philharmonia Orchestra, Georges Prêtre | — | |
| 18-16 | Les Biches: VI. Rag-mazurka | Philharmonia Orchestra, Georges Prêtre | — | |
| 18-17 | Les Biches, FP 36: Andantino | Philharmonia Orchestra, Georges Prêtre | — | |
| 18-18 | Les Biches, FP 36: Petite chanson dansée | John McCarthy, Ambrosian Singers, Philharmonia Orchestra, Georges Prêtre | — | |
| 18-19 | Les Biches, FP 36: Final | Philharmonia Orchestra, Georges Prêtre | — | |
| 19-1 | Une nuit sur le mont Chauve | — | ||
| 19-2 | Les Fâcheux: I. Ouverture | — | ||
| 19-3 | Les Fâcheux: II. Éraste et La Montagne | — | ||
| 19-4 | Les Fâcheux: III. Entrée et danse de Lysandre | — | ||
| 19-5 | Les Fâcheux: IV. Entrée et danse des joueuses de volant | — | ||
| 19-6 | Les Fâcheux: V. Entrée et danse d'Orphise | — | ||
| 19-7 | Les Fâcheux: VI. Entrée et danse des joueurs de boules | — | ||
| 19-8 | Les Fâcheux: VII. Entrée du joueur de cartes | — | ||
| 19-9 | Les Fâcheux: VIII. Arrivée d'Orphise | — | ||
| 19-10 | Les Fâcheux: IX. Apparition du tuteur et de son valet | — | ||
| 19-11 | Les Fâcheux: X. Entrée de tous les fâcheux – Final | — | ||
| 19-12 | Le Train bleu: I. Introduction | — | ||
| 19-13 | Le Train bleu: II. Chœur des poules et des gigolos | — | ||
| 19-14 | Le Train bleu: III. Entrée de Beau-Gosse | — | ||
| 19-15 | Le Train bleu: IV. Entrée de Perlouse | — | ||
| 19-16 | Le Train bleu: V. Rentrée de Beau-Gosse | — | ||
| 19-17 | Le Train bleu: VI. Chœur des poules et des gigolos | — | ||
| 19-18 | Le Train bleu: VII. Entrée du joueur de golf | — | ||
| 19-19 | Le Train bleu: VIII. Chœur des poules et des gigolos | — | ||
| 19-20 | Jack in the Box: I. Prélude | — | ||
| 19-21 | Jack in the Box: II. Entracte | — | ||
| 19-22 | Jack in the Box: III. Final | — | ||
| 20-1 | La Chatte: I. Ouverture | — | ||
| 20-2 | La Chatte: II. Jeux des garçons | — | ||
| 20-3 | La Chatte: III. Invocation à Aphrodite | — | ||
| 20-4 | La Chatte: IV. Métamorphose | — | ||
| 20-5 | La Chatte: V. Danse de la Chatte | — | ||
| 20-6 | La Chatte: VI. Adagio | — | ||
| 20-7 | La Chatte: VII. Retour des garçons | — | ||
| 20-8 | La Chatte: VIII. Scherzo | — | ||
| 20-9 | La Chatte: IX. Hymne final | — | ||
| 20-10 | Mercure: Premier tableau. I. Ouverture | — | ||
| 20-11 | Mercure: Premier tableau. II. La nuit | — | ||
| 20-12 | Mercure: Premier tableau. III. Danse de tendresse | — | ||
| 20-13 | Mercure: Premier tableau. IV. Signes du zodiaque | — | ||
| 20-14 | Mercure: Premier tableau. V. Entrée et danse de Mercure | — | ||
| 20-15 | Mercure: Deuxième tableau. VI. Danse des Grâces | — | ||
| 20-16 | Mercure: Deuxième tableau. VII. Bain des Grâces | — | ||
| 20-17 | Mercure: Deuxième tableau. VII. Fuite de Mercure – Colère de Cerbère | — | ||
| 20-18 | Mercure: Troisième tableau. IX. Polka des lettres | — | ||
| 20-19 | Mercure: Troisième tableau. X. Nouvelle danse | — | ||
| 20-20 | Mercure: Troisième tableau. XI. Le chaos | — | ||
| 20-21 | Mercure: Troisième tableau. XII. Final | — | ||
| 20-22 | Le Pas d'acier: I. Entrée des personnages | — | ||
| 20-23 | Le Pas d'acier: II. Train des paysans-ravitailleurs | — | ||
| 20-24 | Le Pas d'acier: III. Les commissaires | — | ||
| 20-25 | Le Pas d'acier: IV. Les petits camelots | — | ||
| 20-26 | Le Pas d'acier: V. L'orateur | — | ||
| 20-27 | Le Pas d'acier: VI. Matelot à bracelets et ouvrière | — | ||
| 20-28 | Le Pas d'acier: VIII. Le matelot devient un ouvrier | — | ||
| 20-29 | Le Pas d'acier: IX. L'Usine | — | ||
| 20-30 | Le Pas d'acier: X. Les Marteaux | — | ||
| 20-31 | Le Pas d'acier: XI. Finale | — | ||
| 20-32 | The Gods go A'Begging: I. Introduction | — | ||
| 20-33 | The Gods go A'Begging: II. First Dance | — | ||
| 20-34 | The Gods go A'Begging: III. Minuet | — | ||
| 20-35 | The Gods go A'Begging: IV. Hornpipe | — | ||
| 20-36 | The Gods go A'Begging: V. Musette | — | ||
| 20-37 | The Gods go A'Begging: VI. Second Dance | — | ||
| 20-38 | The Gods go A'Begging: VII. Larghetto | — | ||
| 20-39 | The Gods go A'Begging: VIII. Tambourine | — | ||
| 20-40 | The Gods go A'Begging: IX. Gavotte | — | ||
| 21-1 | Apollon musagète: Tableau 1. I. Prologue. Naissance d'Apollon | — | ||
| 21-2 | Apollon musagète: Tableau 2. II. Variation d'Apollon (Apollon et les Muses) | — | ||
| 21-3 | Apollon musagète: Tableau 2. III. Pas d'action (Apollone et les trois Muses: Calliope, Polymnie et Terpsichore) | — | ||
| 21-4 | Apollon musagète: Tableau 2. IV. Variation de Calliope (L'Alexandrin) | — | ||
| 21-5 | Apollon musagète: Tableau 2. V. Variation de Polymnie | — | ||
| 21-6 | Apollon musagète: Tableau 2. VI. Variation de Terpsichore | — | ||
| 21-7 | Apollon musagète: Tableau 2. VII. Variation d'Apollon | — | ||
| 21-8 | Apollon musagète: Tableau 2. VIII. Pas de deux (Apollon et Terpsichore) | — | ||
| 21-9 | Apollon musagète: Tableau 2. IX. Coda (Apollo et les Muses) | — | ||
| 21-10 | Apollon musagète: Tableau 2. X. Apothéose | — | ||
| 21-11 | L'enfant prodigue, op. 46: Scene I. Le départ | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 21-12 | L'enfant prodigue, op. 46: Scene I. Le départ | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 21-13 | L'enfant prodigue, op. 46: Scene I. L'enjôleuse | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 21-14 | L'enfant prodigue, op. 46: Scene I. Les danseurs | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 21-15 | L'enfant prodigue, op. 46: Scene II. L'enfant prodigue et l'enjôleuse | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 21-16 | L'enfant prodigue, op. 46: Scene II. L'ivresse | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 21-17 | L'enfant prodigue, op. 46: Scene II. Pillage | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 21-18 | L'enfant prodigue, op. 46: Scene II. Réveil et remords | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 21-19 | L'enfant prodigue, op. 46: Scene III. Intermède: Partage du butin | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 21-20 | L'enfant prodigue, op. 46: Scene III. Le retour | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 22-1 | Boris Godunov: Prologue. Coronation Scene Part 1 | — | ||
| 22-2 | Boris Godunov: Prologue. Coronation Scene Part 2 | — | ||
| 22-3 | Boris Godunov: Boris' monologue (Act 2) | — | ||
| 22-4 | Boris Godunov: Glock scene (Act 2) | — | ||
| 22-5 | Boris Godunov: Farewell, prayer and death of Boris (Act 4) | — | ||
| 22-6 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. I. Introduction | — | ||
| 22-7 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. II. Les Augures printaniers – Danse des adolescentes | — | ||
| 22-8 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. III. Jeu du rapt | — | ||
| 22-9 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. IV. Rondes printanières | — | ||
| 22-10 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. V. Jeu des cités rivales | — | ||
| 22-11 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. VI. Cortège du Sage | — | ||
| 22-12 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. VII. Adoration de la Terre (Le Sage) | — | ||
| 22-13 | Le Sacre du printemps: Part 1. L'Adoration de la Terre. VIII. Danse de la Terre | — | ||
| 22-14 | Le Sacre du printemps: Part 2. Le Sacrifice. I. Introduction | — | ||
| 22-15 | Le Sacre du printemps: Part 2. Le Sacrifice. II. Cercles mystérieux des adolescentes | — | ||
| 22-16 | Le Sacre du printemps: Part 2. Le Sacrifice. III. Glorification de l'Élue | — | ||
| 22-17 | Le Sacre du printemps: Part 2. Le Sacrifice. IV. Évocation des Ancêtres | — | ||
| 22-18 | Le Sacre du printemps: Part 2. Le Sacrifice. V. Action rituelle des Ancêtres | — | ||
| 22-19 | Le Sacre du printemps: Part 2. Le Sacrifice. Danse sacrale (L'Élue) | — | ||
| 22-20 | Parade: Choral | — | ||
| 22-21 | Parade: Prélude du rideau rouge | — | ||
| 22-22 | Parade: Prestidigitateur chinois | — | ||
| 22-23 | Parade: Petite fille américaine | — | ||
| 22-24 | Parade: Acrobates – Final | — | ||
| 22-25 | Parade: Suite du Prélude du rideau rouge | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Daphnis et Chloé, Part One: Nocturne | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Swan Lake, op. 20: Act III, no. 20. Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace) | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act III. Russian Dance (Cadenza - Andante semplice - Allegro vivo) [additional number] | Ida Haendel, London Symphony Orchestra, André Previn | — |
| Swan Lake: Act One. No. 2. Waltz (Tempo di valse) | London Symphony Orchestra, André Previn | — |
| Swan Lake: Act One. No. 3. Scene (Allegro moderato) | London Symphony Orchestra, André Previn | — |
