UPC · Release
Messiah
George Frideric Handel, Arleen Auger, Anne Sofie von Otter, Michael Chance, Howard Crook, John Tomlinson, The English Concert, Choir, Trevor Pinnock
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028942363021 is the Universal Product Code (UPC barcode) for the release “Messiah” by George Frideric Handel, Arleen Auger, Anne Sofie von Otter, Michael Chance, Howard Crook, John Tomlinson, The English Concert, Choir, Trevor Pinnock, released 1988-01-01 on Archiv Produktion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 51 tracks, each with its own ISRC. Tracks include DEF058830002, DEF058830008, DEF058830009.
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- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
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Track List (51)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Messiah, HWV 56: I. Sinfony (Grave: Allegro Moderato) | — | ||
| 2 | Messiah, HWV 56: II. Accompagnato (Tenor) "Comfort Ye My People" | — | ||
| 3 | Messiah, HWV 56: III. Air (Tenor) “Ev’ry valley shall be exalted” | Howard Crook, The English Concert, Trevor Pinnock | T-906.831.104-6 | |
| 4 | Messiah, HWV 56: IV. Chorus "And the Glory of the Lord Shall Be Revealed" | — | ||
| 5 | Messiah, HWV 56: V. Accompagnato (Bass) "Thus Saith the Lord of Hosts" | — | ||
| 6 | Messiah, HWV 56: VI. Air (Alto) "But Who May Abide the Day of His Coming" | — | ||
| 7 | Messiah, HWV 56: VII. Chorus "And He Shall Purify" | — | ||
| 8 | Messiah, HWV 56: VIII. Recitative (Contralto) "Behold, a Virgin Shall Conceive" | — | ||
| 9 | Messiah, HWV 56: IX. Air (Contralto) and Chorus: "O Thou That Tellest Good Tidings" | — | ||
| 10 | Messiah, HWV 56: X. Accompagnato (Bass) "For Behold, Darkness Shall Cover" | — | ||
| 11 | Messiah, HWV 56: XI. Air (Bass) "The People That Walked in Darkness" | — | ||
| 12 | Messiah, HWV 56: XII. Chorus “For Unto Us a Child Is Born” | The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 13 | Messiah, HWV 56: XIII. Pifa (Pastoral Symphony) | The English Concert, Trevor Pinnock | — | |
| 14 | Messiah, HWV 56: XIV. Recitative (Soprano) "There Were Shepherds Abiding in the Field" - XV. Accompagnato (Soprano) "And Lo, the Angel of the Lord" - XVI. Accompagnato (Soprano) "And Suddenly There Was With the Angel" | — | ||
| 15 | Messiah, HWV 56: XVII. Chorus "Glory to God in the Highest" | — | ||
| 16 | Messiah, HWV 56: XVIII. Air (Soprano) “Rejoice Greatly, o Daughter of Zion” | Arleen Augér, The English Concert, Trevor Pinnock | — | |
| 17 | Messiah, HWV 56: XIX. Recitative (Contralto) "Then Shall the Eyes of the Blind" | — | ||
| 18 | Messiah, HWV 56: XX. Air (Contralto & Soprano) "He Shall Feed His Flock" | — | ||
| 19 | Messiah, HWV 56: XXI. Chorus "His Yoke Is Easy, His Burthen Is Light" | — | ||
| 20 | Messiah, HWV 56: XXII. Chorus "Behold the Lamb of God" | — | ||
| 21 | Messiah, HWV 56: XXIII. Air (Contralto) "He Was Despised" | — | ||
| 2-1 | Messiah, HWV 56: XXIV. Chorus "Surely He Hath Borne Our Griefs" | — | ||
| 2-2 | Messiah, HWV 56: XXV. Chorus "And With His Stripes We Are Healed" | — | ||
| 2-3 | Messiah, HWV 56: XXVI. Chorus "All We Like Sheep Have Gone Astray" | — | ||
| 2-4 | Messiah, HWV 56: XXVII. Accompagnato (Tenor) "All They That See Him" | — | ||
| 2-5 | Messiah, HWV 56: XXVIII. Chorus "He Trusted in God" | — | ||
| 2-6 | Messiah, HWV 56: XXIX. Accompagnato (Tenor) "Thy Rebuke Hath Broken His Heart" | — | ||
| 2-7 | Messiah, HWV 56: XXX. Arioso (Tenor) "Behold, and See If There Be Any Sorrow" | — | ||
| 2-8 | Messiah, HWV 56: XXXI. Accompagnato (Soprano) "He Was Cut Off Out of the Land" | — | ||
| 2-9 | Messiah, HWV 56: XXXII. Air (Soprano) "But Thou Didst Not Leave His Soul" | — | ||
| 2-10 | Messiah, HWV 56: XXXIII. Chorus "Lift Up Your Heads, o Ye Gates" | — | ||
| 2-11 | Messiah, HWV 56: XXXIV. Recitative (Tenor) "Unto Which of the Angels" | — | ||
| 2-12 | Messiah, HWV 56: XXXV. Chorus "Let All the Angels of God Worship Him" | — | ||
| 2-13 | Messiah, HWV 56: XXXVI. Air (Alto) "Thou Art Gone Up on High" | — | ||
| 2-14 | Messiah, HWV 56: XXXVII. Chorus "The Lord Gave the Word" | — | ||
| 2-15 | Messiah, HWV 56: XXXVIII. Air (Soprano) "How Beautiful Are the Feet" | — | ||
| 2-16 | Messiah, HWV 56: XXXIX. Chorus "The Sound Is Gone Out" | — | ||
| 2-17 | Messiah, HWV 56: XL. Air (Bass) "Why Do the Nations So Furiously Rage" | — | ||
| 2-18 | Messiah, HWV 56: XLI. Chorus "Let Us Break Their Bonds Asunder" | — | ||
| 2-19 | Messiah, HWV 56: XLII. Recitative (Tenor) "He That Dwelleth in Heaven" | — | ||
| 2-20 | Messiah, HWV 56: XLIII. Air (Tenor) "Thou Shalt Break Them" | — | ||
| 2-21 | Messiah, HWV 56: XLIV. Chorus “Hallelujah” | The English Concert Choir, The English Concert, Trevor Pinnock | T-071.071.619-0 | |
| 2-22 | Messiah, HWV 56: XLV. Air (Soprano) "I Know That My Redeemer Liveth" | — | ||
| 2-23 | Messiah, HWV 56: XLVI. Chorus "Since by Man Came Death" | — | ||
| 2-24 | Messiah, HWV 56: XLVII. Recitative (Bass) "Behold, I Tell You a Mystery" | — | ||
| 2-25 | Messiah, HWV 56: XLVIII. Air (Bass) "The Trumpet Shall Sound" | — | ||
| 2-26 | Messiah, HWV 56: XLIX. Recitative (Alto) "Then Shall Be Brought to Pass" | — | ||
| 2-27 | Messiah, HWV 56: L. Duet (Alto & Tenor) "O Death, Where Is Thy Sting?" | — | ||
| 2-28 | Messiah, HWV 56: LI. Chorus "But Thanks Be to God" | — | ||
| 2-29 | Messiah, HWV 56: LII. Air (Contralto) "If God Be for Us" | — | ||
| 2-30 | Messiah, HWV 56: LIII. Chorus "Worthy Is the Lamb That Was Slain" - "Amen" | — |
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What is UPC 028942363021?
028942363021 is a Universal Product Code (UPC) assigned to Messiah by George Frideric Handel, Arleen Auger, Anne Sofie von Otter, Michael Chance, Howard Crook, John Tomlinson, The English Concert, Choir, Trevor Pinnock. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 51 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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