UPC · Release
Odes
Purcell, The English Concert, Choir, Trevor Pinnock
028942766327
27 tracksReleased 1989-01-01Archiv Produktion
Last verified:
028942766327 is the Universal Product Code (UPC barcode) for the release “Odes” by Purcell, The English Concert, Choir, Trevor Pinnock, released 1989-01-01 on Archiv Produktion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 27 tracks, each with its own ISRC.
Format
0Number system
28942Manufacturer
76632Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (27)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Come, ye sons of art, away: Overture | — | ||
| 2 | Come, ye sons of art, away: “Come ye sons of art, away” (Countertenor & Chorus) | — | ||
| 3 | Come, ye sons of art, away: “Sound the trumpet, sound” (Countertenor I & II) | — | ||
| 4 | Come, ye sons of art, away: “Come ye sons of art” (Symphony & Chorus) | — | ||
| 5 | Come, ye sons of art, away: “Strike the viol, touch the lute” (Countertenor) | — | ||
| 6 | Come, ye sons of art, away: “The day that such a blessing gave” (Bass & Chorus) | — | ||
| 7 | Come, ye sons of art, away: “Bid the Virtues, bid the Graces“ (Soprano) | — | ||
| 8 | Come, ye sons of art, away: “These are the sacred charms” (Bass) | — | ||
| 9 | Come, ye sons of art, away: “See Nature, rejoicing” (Soprano, Bass & Chorus) | — | ||
| 10 | Welcome to all the pleasures: Overture | — | ||
| 11 | Welcome to all the pleasures: “Welcome to all the pleasures” (Countertenor, Tenor, Bass & Chorus) | — | ||
| 12 | Welcome to all the pleasures: “Here the deities approve” (Countertenor)/”While joys celestial” (Soprano I & II, Tenor) | — | ||
| 13 | Welcome to all the pleasures: “Then lift up your voices” (Bass & Chorus)/“The pow’r shall divert us a pleasanter way” (Countertenor, Tenor, Bass & Chorus) | — | ||
| 14 | Welcome to all the pleasures: “Beauty, thou scene of love” (Tenor) | — | ||
| 15 | Welcome to all the pleasures: “In a consort of voices” (Tenor & Chorus) | — | ||
| 16 | Of old, when Heroes thought it base: Symphony | — | ||
| 17 | Of old, when Heroes thought it base: “Of old, when Heroes thought it base” (Bass) / “Brigantium, honour’d with a race divine” (Countertenor & Bass) | — | ||
| 18 | Of old, when Heroes thought it base: “The bashful Thames, for beauty so renowned” (Tenor & Chorus) | — | ||
| 19 | Of old, when Heroes thought it base: “The pale and purple rose” (Countertenor) | — | ||
| 20 | Of old, when Heroes thought it base: “And in each track of glory since” (Tenor, Bass & Chorus) | — | ||
| 21 | Of old, when Heroes thought it base: Symphony | — | ||
| 22 | Of old, when Heroes thought it base: “And now when the renown'd Nassau” (Countertenor & Tenor) | — | ||
| 23 | Of old, when Heroes thought it base: “They did no storms nor threat’nings fear” (Bass I & II) | — | ||
| 24 | Of old, when Heroes thought it base: “So when the glitt'ring Queen of Night” (Tenor) | — | ||
| 25 | Of old, when Heroes thought it base: “Let music join” (Chorus) | — | ||
| 26 | Of old, when Heroes thought it base: “Sound, trumpets, sound!” (Countertenor) | — | ||
| 27 | Of old, when Heroes thought it base: “Sound all to him” (Bass recitative & Chorus) | — |
Come, ye sons of art, away: Overture
—
Come, ye sons of art, away: “Come ye sons of art, away” (Countertenor & Chorus)
—
Come, ye sons of art, away: “Sound the trumpet, sound” (Countertenor I & II)
—
Come, ye sons of art, away: “Come ye sons of art” (Symphony & Chorus)
—
Come, ye sons of art, away: “Strike the viol, touch the lute” (Countertenor)
—
Come, ye sons of art, away: “The day that such a blessing gave” (Bass & Chorus)
—
Come, ye sons of art, away: “Bid the Virtues, bid the Graces“ (Soprano)
—
Come, ye sons of art, away: “These are the sacred charms” (Bass)
—
Come, ye sons of art, away: “See Nature, rejoicing” (Soprano, Bass & Chorus)
—
Welcome to all the pleasures: Overture
—
Welcome to all the pleasures: “Welcome to all the pleasures” (Countertenor, Tenor, Bass & Chorus)
—
Welcome to all the pleasures: “Here the deities approve” (Countertenor)/”While joys celestial” (Soprano I & II, Tenor)
—
Welcome to all the pleasures: “Then lift up your voices” (Bass & Chorus)/“The pow’r shall divert us a pleasanter way” (Countertenor, Tenor, Bass & Chorus)
—
Welcome to all the pleasures: “Beauty, thou scene of love” (Tenor)
—
Welcome to all the pleasures: “In a consort of voices” (Tenor & Chorus)
—
Of old, when Heroes thought it base: Symphony
—
Of old, when Heroes thought it base: “Of old, when Heroes thought it base” (Bass) / “Brigantium, honour’d with a race divine” (Countertenor & Bass)
—
Of old, when Heroes thought it base: “The bashful Thames, for beauty so renowned” (Tenor & Chorus)
—
Of old, when Heroes thought it base: “The pale and purple rose” (Countertenor)
—
Of old, when Heroes thought it base: “And in each track of glory since” (Tenor, Bass & Chorus)
—
Of old, when Heroes thought it base: Symphony
—
Of old, when Heroes thought it base: “And now when the renown'd Nassau” (Countertenor & Tenor)
—
Of old, when Heroes thought it base: “They did no storms nor threat’nings fear” (Bass I & II)
—
Of old, when Heroes thought it base: “So when the glitt'ring Queen of Night” (Tenor)
—
Of old, when Heroes thought it base: “Let music join” (Chorus)
—
Of old, when Heroes thought it base: “Sound, trumpets, sound!” (Countertenor)
—
Of old, when Heroes thought it base: “Sound all to him” (Bass recitative & Chorus)
—
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What is UPC 028942766327?
028942766327 is a Universal Product Code (UPC) assigned to Odes by Purcell, The English Concert, Choir, Trevor Pinnock. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 27 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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