UPC · Release
The Symphonies
Mahler, Chicago Symphony Orchestra, Sir Georg Solti
028943080422
10 tracksReleased 1996-01-01London Records
Last verified:
028943080422 is the Universal Product Code (UPC barcode) for the release “The Symphonies” by Mahler, Chicago Symphony Orchestra, Sir Georg Solti, released 1996-01-01 on London Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 10 tracks, each with its own ISRC. Tracks include GBF077130607, GBF077130608, GBF077130609.
Format
0Number system
28943Manufacturer
08042Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Symphonies
ISRC10 recordings
ISWC9 works
Track List (10)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 10-1 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-2 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-3 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-4 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-5 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-6 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-7 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-8 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-9 | Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Blicket auf zum Retterblick | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-10 | Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche | Chicago Symphony Orchestra, Sir Georg Solti | — |
Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran”
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand”
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen”
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied”
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest”
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt”
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen”
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche”
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Blicket auf zum Retterblick
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche
Chicago Symphony Orchestra, Sir Georg Solti
—
Additional database matches (44)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 5: I. Trauermarsch | Chicago Symphony Orchestra, Sir Georg Solti | T9263599264 |
| Symphony no. 5: II. Stürmisch bewegt, mit größter Vehemenz | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony no. 5: III. Scherzo. Kräftig, nicht zu schnell | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony no. 5: IV. Adagietto: Sehr langsam | Chicago Symphony Orchestra, Sir Georg Solti | T8006524682 |
| Symphony No. 5: V. Rondo-Finale: Allegro | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony no. 6 in A minor: I. Allegro energico, ma non troppo | Chicago Symphony Orchestra, Georg Solti | — |
| Symphony no. 6 in A minor: II. Scherzo. Wuchtig | Chicago Symphony Orchestra, Georg Solti | T9263623547 |
| Symphony no. 6 in A minor: III. Andante | Chicago Symphony Orchestra, Georg Solti | T9263623547 |
| Symphony no. 6 in A minor: IV. Finale. Allegro moderato | Chicago Symphony Orchestra, Georg Solti | T3186765282 |
| Symphony No. 7: I. Langsam — Allegro | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony No. 7: II. Nachtmusik I: Allegro moderato | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony No. 7: III. Scherzo | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony No. 7: IV. Nachtmusik II: Andante amoroso | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony No. 7: V. Rondo-Finale | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia | Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Wiener Staatsopernchor, Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino” | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony No. 2 in C minor "Resurrection": II. Andante moderato | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Mira Zakai, Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony no. 9 in D major: I. Andante comodo | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony no. 9 in D major: III. Rondo. Burleske. Allegro assai. Sehr trotzig | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony no. 9 in D major: IV. Adagio. Sehr langsam und doch zurückhaltend | Chicago Symphony Orchestra, Sir Georg Solti | T3186765282 |
| Symphony No. 3 in D minor: I. Kräftig - Entschieden | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony No. 3 in D minor: II. Tempo di Menuetto. Sehr mässig | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony No. 3 in D minor: III. Comodo. Scherzando. Ohne Hast | Chicago Symphony Orchestra, Sir Georg Solti | T9027485887 |
| Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony no. 4 in G major: I. Bedächtig. Nicht eilen | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony no. 4 in G major: III. Ruhevoll | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony No. 4 in G major: IV. Sehr behaglich | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut | Chicago Symphony Orchestra, Sir Georg Solti | T9095732846 |
| Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell | Chicago Symphony Orchestra, Sir Georg Solti | T9286356169 |
| Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Symphony No. 1 in D major: IV. Stürmisch bewegt | Chicago Symphony Orchestra, Sir Georg Solti | T-900.953.062-5 |
Chicago Symphony Orchestra, Sir Georg Solti
Symphony no. 5: II. Stürmisch bewegt, mit größter Vehemenz
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony no. 5: III. Scherzo. Kräftig, nicht zu schnell
Chicago Symphony Orchestra, Sir Georg Solti
—
Chicago Symphony Orchestra, Sir Georg Solti
Symphony No. 5: V. Rondo-Finale: Allegro
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony no. 6 in A minor: I. Allegro energico, ma non troppo
Chicago Symphony Orchestra, Georg Solti
—
Chicago Symphony Orchestra, Georg Solti
Chicago Symphony Orchestra, Georg Solti
Chicago Symphony Orchestra, Georg Solti
Symphony No. 7: I. Langsam — Allegro
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 7: II. Nachtmusik I: Allegro moderato
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 7: III. Scherzo
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 7: IV. Nachtmusik II: Andante amoroso
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 7: V. Rondo-Finale
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia
Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Wiener Staatsopernchor, Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 2 in C minor "Resurrection": II. Andante moderato
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
Mira Zakai, Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony no. 9 in D major: I. Andante comodo
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony no. 9 in D major: III. Rondo. Burleske. Allegro assai. Sehr trotzig
Chicago Symphony Orchestra, Sir Georg Solti
—
Chicago Symphony Orchestra, Sir Georg Solti
Symphony No. 3 in D minor: I. Kräftig - Entschieden
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 3 in D minor: II. Tempo di Menuetto. Sehr mässig
Chicago Symphony Orchestra, Sir Georg Solti
—
Chicago Symphony Orchestra, Sir Georg Solti
Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony no. 4 in G major: I. Bedächtig. Nicht eilen
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony no. 4 in G major: III. Ruhevoll
Chicago Symphony Orchestra, Sir Georg Solti
—
Symphony No. 4 in G major: IV. Sehr behaglich
Chicago Symphony Orchestra, Sir Georg Solti
—
Chicago Symphony Orchestra, Sir Georg Solti
Chicago Symphony Orchestra, Sir Georg Solti
Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
Chicago Symphony Orchestra, Sir Georg Solti
—
Chicago Symphony Orchestra, Sir Georg Solti
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What is UPC 028943080422?
028943080422 is a Universal Product Code (UPC) assigned to The Symphonies by Mahler, Chicago Symphony Orchestra, Sir Georg Solti. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 10 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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