UPC · Release
Mahler, Chicago Symphony Orchestra, Sir Georg Solti
Last verified:
The UPC for “The Symphonies” by Mahler, Chicago Symphony Orchestra, Sir Georg Solti is 028943080422. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1996-01-01. Label: London Records. This release contains 53 tracks, each with its own ISRC. Tracks include GBF078300201, GBF078300202, GBF078300203.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut | Chicago Symphony Orchestra, Sir Georg Solti | T-909.573.284-6 | |
| 2 | Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell | Chicago Symphony Orchestra, Sir Georg Solti | T-928.635.616-9 | |
| 3 | Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 4 | Symphony No. 1 in D major: IV. Stürmisch bewegt | Chicago Symphony Orchestra, Sir Georg Solti | T-900.953.062-5 | |
| 5 | Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 2-1 | Symphony No. 2 in C minor "Resurrection": II. Andante moderato | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 2-2 | Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 2-3 | Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Mira Zakai, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 2-4 | Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 3-1 | Symphony No. 3 in D minor: I. Kräftig - Entschieden | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 3-2 | Symphony No. 3 in D minor: II. Tempo di Menuetto. Sehr mässig | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 3-3 | Symphony No. 3 in D minor: III. Comodo. Scherzando. Ohne Hast | Chicago Symphony Orchestra, Sir Georg Solti | T-902.748.588-7 | |
| 3-4 | Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 3-5 | Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 4-1 | Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 4-2 | Symphony no. 4 in G major: I. Bedächtig. Nicht eilen | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 4-3 | Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 4-4 | Symphony no. 4 in G major: III. Ruhevoll | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 4-5 | Symphony No. 4 in G major: IV. Sehr behaglich | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 5-1 | Symphony no. 5: I. Trauermarsch | Chicago Symphony Orchestra, Sir Georg Solti | T-926.359.926-4 | |
| 5-2 | Symphony no. 5: II. Stürmisch bewegt, mit größter Vehemenz | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 5-3 | Symphony no. 5: III. Scherzo. Kräftig, nicht zu schnell | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 5-4 | Symphony no. 5: IV. Adagietto: Sehr langsam | Chicago Symphony Orchestra, Sir Georg Solti | T-800.652.468-2 | |
| 5-5 | Symphony No. 5: V. Rondo-Finale: Allegro | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 6-1 | Symphony no. 6 in A minor: I. Allegro energico, ma non troppo | Chicago Symphony Orchestra, Georg Solti | — | |
| 6-2 | Symphony no. 6 in A minor: II. Scherzo. Wuchtig | Chicago Symphony Orchestra, Georg Solti | T-926.362.354-7 | |
| 6-3 | Symphony no. 6 in A minor: III. Andante | Chicago Symphony Orchestra, Georg Solti | T-926.362.354-7 | |
| 6-4 | Symphony no. 6 in A minor: IV. Finale. Allegro moderato | Chicago Symphony Orchestra, Georg Solti | T-318.676.528-2 | |
| 7-1 | Symphony No. 7: I. Langsam — Allegro | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 7-2 | Symphony No. 7: II. Nachtmusik I: Allegro moderato | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 7-3 | Symphony No. 7: III. Scherzo | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 7-4 | Symphony No. 7: IV. Nachtmusik II: Andante amoroso | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 8-1 | Symphony No. 7: V. Rondo-Finale | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 8-2 | Symphony no. 9 in D major: I. Andante comodo | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 8-3 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 9-1 | Symphony no. 9 in D major: III. Rondo. Burleske. Allegro assai. Sehr trotzig | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 9-2 | Symphony no. 9 in D major: IV. Adagio. Sehr langsam und doch zurückhaltend | Chicago Symphony Orchestra, Sir Georg Solti | T-318.676.528-2 | |
| 9-3 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 9-4 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia | Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Wiener Staatsopernchor, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 9-5 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 9-6 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 9-7 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 9-8 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-1 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-2 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-3 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-4 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-5 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-6 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-7 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-8 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-9 | Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Blicket auf zum Retterblick | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-10 | Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche | Chicago Symphony Orchestra, Sir Georg Solti | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
028943080422 is a Universal Product Code (UPC) assigned to The Symphonies by Mahler, Chicago Symphony Orchestra, Sir Georg Solti. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 53 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia | Chicago Symphony Orchestra, Sir Georg Solti | — |
The UPC for “The Symphonies” by Mahler, Chicago Symphony Orchestra, Sir Georg Solti is 028943080422. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1996-01-01. Label: London Records. This release contains 53 tracks, each with its own ISRC. Tracks include GBF078300201, GBF078300202, GBF078300203.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut | Chicago Symphony Orchestra, Sir Georg Solti | T-909.573.284-6 | |
| 2 | Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell | Chicago Symphony Orchestra, Sir Georg Solti | T-928.635.616-9 | |
| 3 | Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 4 | Symphony No. 1 in D major: IV. Stürmisch bewegt | Chicago Symphony Orchestra, Sir Georg Solti | T-900.953.062-5 | |
| 5 | Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 2-1 | Symphony No. 2 in C minor "Resurrection": II. Andante moderato | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 2-2 | Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 2-3 | Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Mira Zakai, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 2-4 | Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 3-1 | Symphony No. 3 in D minor: I. Kräftig - Entschieden | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 3-2 | Symphony No. 3 in D minor: II. Tempo di Menuetto. Sehr mässig | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 3-3 | Symphony No. 3 in D minor: III. Comodo. Scherzando. Ohne Hast | Chicago Symphony Orchestra, Sir Georg Solti | T-902.748.588-7 | |
| 3-4 | Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 3-5 | Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 4-1 | Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 4-2 | Symphony no. 4 in G major: I. Bedächtig. Nicht eilen | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 4-3 | Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 4-4 | Symphony no. 4 in G major: III. Ruhevoll | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 4-5 | Symphony No. 4 in G major: IV. Sehr behaglich | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 5-1 | Symphony no. 5: I. Trauermarsch | Chicago Symphony Orchestra, Sir Georg Solti | T-926.359.926-4 | |
| 5-2 | Symphony no. 5: II. Stürmisch bewegt, mit größter Vehemenz | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 5-3 | Symphony no. 5: III. Scherzo. Kräftig, nicht zu schnell | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 5-4 | Symphony no. 5: IV. Adagietto: Sehr langsam | Chicago Symphony Orchestra, Sir Georg Solti | T-800.652.468-2 | |
| 5-5 | Symphony No. 5: V. Rondo-Finale: Allegro | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 6-1 | Symphony no. 6 in A minor: I. Allegro energico, ma non troppo | Chicago Symphony Orchestra, Georg Solti | — | |
| 6-2 | Symphony no. 6 in A minor: II. Scherzo. Wuchtig | Chicago Symphony Orchestra, Georg Solti | T-926.362.354-7 | |
| 6-3 | Symphony no. 6 in A minor: III. Andante | Chicago Symphony Orchestra, Georg Solti | T-926.362.354-7 | |
| 6-4 | Symphony no. 6 in A minor: IV. Finale. Allegro moderato | Chicago Symphony Orchestra, Georg Solti | T-318.676.528-2 | |
| 7-1 | Symphony No. 7: I. Langsam — Allegro | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 7-2 | Symphony No. 7: II. Nachtmusik I: Allegro moderato | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 7-3 | Symphony No. 7: III. Scherzo | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 7-4 | Symphony No. 7: IV. Nachtmusik II: Andante amoroso | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 8-1 | Symphony No. 7: V. Rondo-Finale | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 8-2 | Symphony no. 9 in D major: I. Andante comodo | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 8-3 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 9-1 | Symphony no. 9 in D major: III. Rondo. Burleske. Allegro assai. Sehr trotzig | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 9-2 | Symphony no. 9 in D major: IV. Adagio. Sehr langsam und doch zurückhaltend | Chicago Symphony Orchestra, Sir Georg Solti | T-318.676.528-2 | |
| 9-3 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 9-4 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia | Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Wiener Staatsopernchor, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 9-5 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 9-6 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 9-7 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 9-8 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-1 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-2 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-3 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-4 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-5 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-6 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-7 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-8 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche” | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-9 | Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Blicket auf zum Retterblick | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 10-10 | Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche | Chicago Symphony Orchestra, Sir Georg Solti | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia | Chicago Symphony Orchestra, Sir Georg Solti | — |
