Opera Gala!

UPC · Release

Opera Gala!

Various Artists

028943630023
18 tracksReleased 1992-01-01Decca

Last verified:

028943630023 is the Universal Product Code (UPC barcode) for the release Opera Gala! by Various Artists, released 1992-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include GBF076510261, GBF071301270, GBF077530446.

Format

0Number system
28943Manufacturer
63002Product
3Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCOpera Gala!
ISRC18 recordings
ISWC10 works
IPI1 songwriter

Track List (18)

Die Walküre: The Ride of the Valkyries
Helga Dernesch, Brigitte Fassbaender, Claudia Hellmann, Berit Lindholm, Vera Schlosser, Marilyn Tyler, Helen Watts, Wiener Philharmoniker, Georg Solti
La bohème: Atto I. “Che gelida manina” (Rodolfo)
La bohème: Atto I. “Che gelida manina” (Rodolfo)
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
Carmen : Acte III. « Je dis que rien ne m’épouvante »
Carmen : Acte III. « Je dis que rien ne m’épouvante »
Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti
Lucia di Lammermoor: Atto II, scena 2. Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro)
Lucia di Lammermoor: Atto II, scena 2. Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro)
Luciano Pavarotti, Sherrill Milnes, Joan Sutherland, Nicolaï Ghiaurov, Huguette Tourangeau, Ryland Davies, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge
Tancredi: “Di tanti palpiti”
Marilyn Horne, L’Orchestre de la Suisse Romande, Henry Lewis
Tosca: “E lucevan le stelle”
Franco Corelli, Orchestra dell’Accademia Nazionale di Santa Cecilia, Lorin Maazel
Nabucco: “Va pensiero” (Chorus of the Hebrew Slaves)
Konzertvereinigung Wiener Staatsopernchor, Wiener Opernorchester, Lamberto Gardelli
Voi che sapete (Le nozze di Figaro)
Voi che sapete (Le nozze di Figaro)
Teresa Berganza, London Symphony Orchestra, Sir John Pritchard
Vissi d’arte
Vissi d’arte
Mirella Freni, National Philharmonic Orchestra, Nicola Rescigno
Les Contes d’Hoffmann : Va pour Kleinzach … Il était une fois à la cour d’Eisenach
Les Contes d’Hoffmann : Va pour Kleinzach … Il était une fois à la cour d’Eisenach
Plácido Domingo, Pedro di Proenza, Les Chœurs de la Radio de la Suisse Romande, Chœur Pro Arte de Lausanne, Chorale du Brassus, André Charlet, L’ Orchestre de la Suisse Romande, Richard Bonynge
Turandot: Atto I. “Signore, ascolta!”
Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta
Fedora: “Amor ti vieta”
Fedora: “Amor ti vieta”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
Nabucco: Atto II, scena 1. “Salgo già del trono aurato”
Nabucco: Atto II, scena 1. “Salgo già del trono aurato”
Wiener Opernorchester, Lamberto Gardelli
Beglückt darf nun dich (Pilgrims' Chorus - Tannhäuser)
Beglückt darf nun dich (Pilgrims' Chorus - Tannhäuser)
Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti
Madama Butterfly: Atto II, Parte 1. “Un bel dì, vedremo levarsi un fil di fumo” (Butterfly)
Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
Sì, fino all’ore estreme
Sì, fino all’ore estreme
Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge
Manon Lescaut: Atto I. "Donna non vidi mai" (Des Grieux)
Manon Lescaut: Atto I. "Donna non vidi mai" (Des Grieux)
Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni
Spargi d’amaro pianto
Spargi d’amaro pianto
Joan Sutherland, Orchestre de la Société des Concerts du Conservatoire, Nello Santi

Additional database matches (4)

Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
Fedora: “Amor ti vieta”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
La bohème: Atto I. “Che gelida manina” (Rodolfo)
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
Turandot: Atto I. “Signore, ascolta!”
Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta

Identifier Graph

UPCOpera Gala!ISRCDie Walküre: Th…ISRCLa bohème: Atto…ISRCCarmen : Acte I…ISRCLucia di Lammer…ISRCTancredi: “Di t…

People also ask

What is UPC 028943630023?
UPC 028943630023 is the Universal Product Code (barcode) for "Opera Gala!" by Various Artists, released on Decca.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028943630023?
UPC 028943630023 contains 18 tracks, each with its own ISRC.
SourcesMLCMusicBrainzDiscogs3 sources

Verified on

What is UPC 028943630023?

028943630023 is a Universal Product Code (UPC) assigned to Opera Gala! by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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