UPC · Release
Gioacchino Rossini, Cheryl Studer, Samuel Ramey, Jennifer Larmore, Frank Lopardo, Ambrosian Opera Chorus, London Symphony Orchestra, Ion Marin
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The UPC for “Semiramide” by Gioacchino Rossini, Cheryl Studer, Samuel Ramey, Jennifer Larmore, Frank Lopardo, Ambrosian Opera Chorus, London Symphony Orchestra, Ion Marin is 028943779722. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1994-01-01. Label: Deutsche Grammophon. This release contains 56 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Semiramide: Overture | — | ||
| 2 | Semiramide: Atto I. No. 1 Introduction "Sì, gran Nume: t'intesi” | — | ||
| 3 | Semiramide: Atto I. “Belo si celebri, Belo si onori” | — | ||
| 4 | Semiramide: Atto I. “Là dal Gange“ | — | ||
| 5 | Semiramide: Atto I. “Di plausi clamor giulivo echeggia” | — | ||
| 6 | Semiramide: Atto I. “Di tanti regi e popoli“ | — | ||
| 7 | Semiramide: Atto I. “Reginia, all'ara“ | — | ||
| 8 | Semiramide: Atto I. “Oh tu de' Magi” | — | ||
| 9 | Semiramide: Atto I. No. 2. “Eccomi alfine in Babilonia“ | — | ||
| 10 | Semiramide: Atto I. “Ah, quel giorno ognor rammento“ | — | ||
| 11 | Semiramide: Atto I. “Oh, come da quel dì tutto per me cangiò!“ | — | ||
| 12 | Semiramide: Atto I. “Ministri, al gran Pontefice“ | — | ||
| 13 | Semiramide: Atto I. No. 3. “Bella immago degli Dei” | — | ||
| 14 | Semiramide: Atto I. “D'un tenero amore” | — | ||
| 15 | Semiramide: Atto I. “Io tremar? Di te?” | — | ||
| 2-1 | Semiramide: Atto I. No. 4 “Oh! me felice!” | — | ||
| 2-2 | Semiramide: Atto I. “Ah! dov'è, dov'è il cimento?” | — | ||
| 2-3 | Semiramide: Atto I. “E, se ancor libero” | — | ||
| 2-4 | Semiramide: Atto I. “Se non avesse e meritasse Arsace” | — | ||
| 2-5 | Semiramide: Atto I. No. 5 “Serena i vaghi rai” | — | ||
| 2-6 | Semiramide: Atto I. “Bel raggio lusinghier” | — | ||
| 2-7 | Semiramide: Atto I. “Dolce pensiero” | — | ||
| 2-8 | Semiramide: Atto I. “Né viene ancor!” | — | ||
| 2-9 | Semiramide: Atto I. No. 6 “Serbami ognor sì fido il cor” | — | ||
| 2-10 | Semiramide: Atto I. “Alle più care immagini” | — | ||
| 2-11 | Semiramide: Atto I. “Oroe dal tempio nella reggia?” | — | ||
| 2-12 | Semiramide: Atto I. No. 7 “Ergi omai la fronte altera” | — | ||
| 2-13 | Semiramide: Atto I. “I vostri voti omai” | — | ||
| 2-14 | Semiramide: Atto I. “L'alto eroe“ | — | ||
| 2-15 | Semiramide: Atto I. “Qual mesto gemito“ | — | ||
| 2-16 | Semiramide: Atto I. “D'un semidio che adoro” | — | ||
| 2-17 | Semiramide: Atto I. “Ah! sconvolta nell'ordine eterno” | — | ||
| 2-18 | Semiramide: Atto II. “Alla Reggia d'intorno cauto” | — | ||
| 2-19 | Semiramide: Atto II. No. 8 “Se la vita ancor t'è cara” | — | ||
| 2-20 | Semiramide: Atto II. “Quella ricordati” | — | ||
| 2-21 | Semiramide: Atto II. “La forza primiera” | — | ||
| 3-1 | Semiramide: Atto II. No. 9 “In questo augusto soggiorno” | — | ||
| 3-2 | Semiramide: Atto II. “Ebben, compiasi omai” | — | ||
| 3-3 | Semiramide: Atto II. “In sì barbara sciagura” | — | ||
| 3-4 | Semiramide: Atto II. “Su, ti scuoti: rammenta chi sei” | — | ||
| 3-5 | Semiramide: Atto II. “Calmati, Principessa” | — | ||
| 3-6 | Semiramide: Atto II. No. 10 “La speranza più soave” | — | ||
| 3-7 | Semiramide: Atto II. “No, non ti lascio” | — | ||
| 3-8 | Semiramide: Atto II. No. 11 “Ebben, a te: ferisci“ | — | ||
| 3-9 | Semiramide: Atto II. “Giorno d'orror!” | — | ||
| 3-10 | Semiramide: Atto II. “Madre, addio” | — | ||
| 3-11 | Semiramide: Atto II. No. 12 “Il dì già cade” | — | ||
| 3-12 | Semiramide: Atto II. “Ah! la sorte ci tradì” | — | ||
| 3-13 | Semiramide: Atto II. “Deh!...ti ferma...ti placa...perdona...” | — | ||
| 3-14 | Semiramide: Atto II. “Que' Numi furenti” | — | ||
| 3-15 | Semiramide: Atto II. “Oh! nero eccesso” | — | ||
| 3-16 | Semiramide: Atto II. No. 13 “Un traditor” | — | ||
| 3-17 | Semiramide: Atto II. “Qual densa notte!” | — | ||
| 3-18 | Semiramide: Atto II. “Al mio pregar t'arrendi” | — | ||
| 3-19 | Semiramide: Atto II. “L'usato ardir” | — | ||
| 3-20 | Semiramide: Atto II. “Ninia, ferisci!” | — |
Credits Graph
028943779722 is a Universal Product Code (UPC) assigned to Semiramide by Gioacchino Rossini, Cheryl Studer, Samuel Ramey, Jennifer Larmore, Frank Lopardo, Ambrosian Opera Chorus, London Symphony Orchestra, Ion Marin. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 56 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Semiramide” by Gioacchino Rossini, Cheryl Studer, Samuel Ramey, Jennifer Larmore, Frank Lopardo, Ambrosian Opera Chorus, London Symphony Orchestra, Ion Marin is 028943779722. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1994-01-01. Label: Deutsche Grammophon. This release contains 56 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Semiramide: Overture | — | ||
| 2 | Semiramide: Atto I. No. 1 Introduction "Sì, gran Nume: t'intesi” | — | ||
| 3 | Semiramide: Atto I. “Belo si celebri, Belo si onori” | — | ||
| 4 | Semiramide: Atto I. “Là dal Gange“ | — | ||
| 5 | Semiramide: Atto I. “Di plausi clamor giulivo echeggia” | — | ||
| 6 | Semiramide: Atto I. “Di tanti regi e popoli“ | — | ||
| 7 | Semiramide: Atto I. “Reginia, all'ara“ | — | ||
| 8 | Semiramide: Atto I. “Oh tu de' Magi” | — | ||
| 9 | Semiramide: Atto I. No. 2. “Eccomi alfine in Babilonia“ | — | ||
| 10 | Semiramide: Atto I. “Ah, quel giorno ognor rammento“ | — | ||
| 11 | Semiramide: Atto I. “Oh, come da quel dì tutto per me cangiò!“ | — | ||
| 12 | Semiramide: Atto I. “Ministri, al gran Pontefice“ | — | ||
| 13 | Semiramide: Atto I. No. 3. “Bella immago degli Dei” | — | ||
| 14 | Semiramide: Atto I. “D'un tenero amore” | — | ||
| 15 | Semiramide: Atto I. “Io tremar? Di te?” | — | ||
| 2-1 | Semiramide: Atto I. No. 4 “Oh! me felice!” | — | ||
| 2-2 | Semiramide: Atto I. “Ah! dov'è, dov'è il cimento?” | — | ||
| 2-3 | Semiramide: Atto I. “E, se ancor libero” | — | ||
| 2-4 | Semiramide: Atto I. “Se non avesse e meritasse Arsace” | — | ||
| 2-5 | Semiramide: Atto I. No. 5 “Serena i vaghi rai” | — | ||
| 2-6 | Semiramide: Atto I. “Bel raggio lusinghier” | — | ||
| 2-7 | Semiramide: Atto I. “Dolce pensiero” | — | ||
| 2-8 | Semiramide: Atto I. “Né viene ancor!” | — | ||
| 2-9 | Semiramide: Atto I. No. 6 “Serbami ognor sì fido il cor” | — | ||
| 2-10 | Semiramide: Atto I. “Alle più care immagini” | — | ||
| 2-11 | Semiramide: Atto I. “Oroe dal tempio nella reggia?” | — | ||
| 2-12 | Semiramide: Atto I. No. 7 “Ergi omai la fronte altera” | — | ||
| 2-13 | Semiramide: Atto I. “I vostri voti omai” | — | ||
| 2-14 | Semiramide: Atto I. “L'alto eroe“ | — | ||
| 2-15 | Semiramide: Atto I. “Qual mesto gemito“ | — | ||
| 2-16 | Semiramide: Atto I. “D'un semidio che adoro” | — | ||
| 2-17 | Semiramide: Atto I. “Ah! sconvolta nell'ordine eterno” | — | ||
| 2-18 | Semiramide: Atto II. “Alla Reggia d'intorno cauto” | — | ||
| 2-19 | Semiramide: Atto II. No. 8 “Se la vita ancor t'è cara” | — | ||
| 2-20 | Semiramide: Atto II. “Quella ricordati” | — | ||
| 2-21 | Semiramide: Atto II. “La forza primiera” | — | ||
| 3-1 | Semiramide: Atto II. No. 9 “In questo augusto soggiorno” | — | ||
| 3-2 | Semiramide: Atto II. “Ebben, compiasi omai” | — | ||
| 3-3 | Semiramide: Atto II. “In sì barbara sciagura” | — | ||
| 3-4 | Semiramide: Atto II. “Su, ti scuoti: rammenta chi sei” | — | ||
| 3-5 | Semiramide: Atto II. “Calmati, Principessa” | — | ||
| 3-6 | Semiramide: Atto II. No. 10 “La speranza più soave” | — | ||
| 3-7 | Semiramide: Atto II. “No, non ti lascio” | — | ||
| 3-8 | Semiramide: Atto II. No. 11 “Ebben, a te: ferisci“ | — | ||
| 3-9 | Semiramide: Atto II. “Giorno d'orror!” | — | ||
| 3-10 | Semiramide: Atto II. “Madre, addio” | — | ||
| 3-11 | Semiramide: Atto II. No. 12 “Il dì già cade” | — | ||
| 3-12 | Semiramide: Atto II. “Ah! la sorte ci tradì” | — | ||
| 3-13 | Semiramide: Atto II. “Deh!...ti ferma...ti placa...perdona...” | — | ||
| 3-14 | Semiramide: Atto II. “Que' Numi furenti” | — | ||
| 3-15 | Semiramide: Atto II. “Oh! nero eccesso” | — | ||
| 3-16 | Semiramide: Atto II. No. 13 “Un traditor” | — | ||
| 3-17 | Semiramide: Atto II. “Qual densa notte!” | — | ||
| 3-18 | Semiramide: Atto II. “Al mio pregar t'arrendi” | — | ||
| 3-19 | Semiramide: Atto II. “L'usato ardir” | — | ||
| 3-20 | Semiramide: Atto II. “Ninia, ferisci!” | — |
