UPC · Release
Clásicos Divertidos
Various Artists
028943864329
42 tracksReleased 1994-01-01Philips Classics Productions
Last verified:
028943864329 is the Universal Product Code (UPC barcode) for the release “Clásicos Divertidos” by Various Artists, released 1994-01-01 on Philips Classics Productions. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 42 tracks, each with its own ISRC. Tracks include NLA505800492, NLA508204501, NLA507200045.
Format
0Number system
28943Manufacturer
86432Product
9Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCClásicos Divertidos
ISRC42 recordings
ISWC20 works
IPI3 songwriters
Track List (42)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Typewriter | Frederick Fennell, Eastman-Rochester Pops Orchestra | T-071.190.000-3 | |
| 2 | Toccata and Fugue in D minor, BWV 565 | Daniel Chorzempa | T-909.243.105-5 | |
| 3 | Septet in E-flat major, op. 20: III. Tempo di Menuetto | Berlin Philharmonic Octet | — | |
| 4 | Sinfonía N.º 6 en fa mayor, op. 68 “Pastoral”: Allegro “La Tormenta” | Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 5 | Bagatelle in A minor, WoO 59 "Für Elise" | Alfred Brendel | T-304.254.199-7 | |
| 6 | La damnation de faust, op. 24: Marche hongriuse | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7 | “Petite suite” From “Jeux d’enfants”, op. 22: 5. Galop: “Le Bal” | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 8 | String Quintet in E, op. 13 no. 5: III. Minuet | I Musici | — | |
| 9 | Hungarian Dance no. 5 in G minor, WoO 1 no. 5 | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 10 | Hora staccato | Håkan Hardenberger, Roland Pöntinen | T-300.517.625-6 | |
| 11 | L'Apprenti sorcier | Rotterdam Philharmonic Orchestra, David Zinman | T-003.005.584-5 | |
| 12 | Pomp and Circumstance March, op. 39 no. 1 in D major | Concertgebouw Orchestra, Sir Neville Marriner | — | |
| 13 | Two Roumanian Rhapsodies, op. 11: No. 1 in A major | London Symphony Orchestra, Antal Doráti | — | |
| 14 | Danza ritual del fuego (de “El amor brujo”) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15 | Peer Gynt: In the Hall of the Mountain King | San Francisco Symphony, Edo de Waart | T-902.775.232-5 | |
| 16 | Symphony in D, Hob I:101 "The Clock": II. Andante | Koninklijk Concertgebouworkest, Sir Colin Davis | — | |
| 2-1 | In a Persian Market | John McCarthy, The Ambrosian Singers, London Promenade Orchestra, Alexander Faris | — | |
| 2-2 | Gayaneh: Sabre Dance | Boston Pops Orchestra, John Williams | T-801.025.525-2 | |
| 2-3 | A Midsummer Night’s Dream, op. 61 no. 11: Dance of the Clowns | Philharmonia Orchestra, Neville Marriner | — | |
| 2-4 | Cassatio ex G, including the "Toy Symphony": Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 2-5 | Contredance in C, KV 535 «La Bataille» | Wiener Mozart-Ensemble, Willi Boskovsky | — | |
| 2-6 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Mitsuko Uchida | T-912.655.618-1 | |
| 2-7 | Die Zauberflöte, K. 620: Act I, Scene II. No. 2 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno) | Mikael Melbye, Staatskapelle Dresden, Sir Colin Davis | — | |
| 2-8 | Pictures at an Exhibition (orch. Ravel): Ballet of the Chickens in their Shells | Wiener Philharmoniker, André Previn | — | |
| 2-9 | Lieutenant Kijé, op. 60: IV. Troïka | London Symphony Orchestra, Sir Neville Marriner | — | |
| 2-10 | Symphony no. 1 in D, op. 25, “Classical” : III. Gavotta. Non troppo allegro | London Symphony Orchestra, Sir Neville Marriner | — | |
| 2-11 | Gli uccelli: III. La gallina | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-12 | Flight of the Bumble-Bee | Rudolf Belov, Osipov State Russian Folk Orchestra, Vitaly Gnutov | — | |
| 2-13 | Guillermo Tell: Obertura (Final) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-14 | Le Carnaval des animaux: V. L'Éléphant | Pittsburgh Symphony Orchestra, André Previn | T-913.429.548-0 | |
| 2-15 | Aires gitanos (Final) | Claire Bernard, Claire Gibault | T-312.439.355-7 | |
| 2-16 | Moments Musicaux, D. 780: no. 3 in F minor | Claudio Arrau | — | |
| 2-17 | Kinderszenen, op. 15: Von fremden Ländern und Menschen | Claudio Arrau | T-314.629.927-2 | |
| 2-18 | Barras y estrellas | Frederick Fennell, Eastman Wind Ensemble | T-071.432.122-8 | |
| 2-19 | Tritsch-Tratsch Polka, op. 214 | Academy of St Martin in the Fields, Sir Neville Marriner | T-901.154.623-9 | |
| 2-20 | Marcha Radetzky, Op. 228 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-21 | The Nutcracker: Act II, no. 12: c. Tea (Chinese Dance) | Berliner Philharmoniker, Semyon Bychkov | — | |
| 2-22 | The Nutcracker: Act II, no. 12: d. Trepak (Russian Dance) | Berliner Philharmoniker, Semyon Bychkov | — | |
| 2-23 | The Sleeping Beauty, op. 66: Act I, no. 6. Valse | Royal Concertgebouw Orchestra, Antal Doráti | — | |
| 2-24 | Il trovatore: Act II. “Vedi! le fosche notturne spoglie” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 2-25 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera" / "Spring": I. Allegro | Roberto Michelucci, I Musici | T-902.836.120-8 | |
| 2-26 | Superman: March | Boston Pops Orchestra, John Williams | T-700.080.985-0 |
Septet in E-flat major, op. 20: III. Tempo di Menuetto
Berlin Philharmonic Octet
—
Sinfonía N.º 6 en fa mayor, op. 68 “Pastoral”: Allegro “La Tormenta”
Koninklijk Concertgebouworkest, Bernard Haitink
—
La damnation de faust, op. 24: Marche hongriuse
Academy of St Martin in the Fields, Sir Neville Marriner
—
“Petite suite” From “Jeux d’enfants”, op. 22: 5. Galop: “Le Bal”
Royal Concertgebouw Orchestra, Bernard Haitink
—
String Quintet in E, op. 13 no. 5: III. Minuet
I Musici
—
Hungarian Dance no. 5 in G minor, WoO 1 no. 5
Saito Kinen Orchestra, Seiji Ozawa
—
Pomp and Circumstance March, op. 39 no. 1 in D major
Concertgebouw Orchestra, Sir Neville Marriner
—
Two Roumanian Rhapsodies, op. 11: No. 1 in A major
London Symphony Orchestra, Antal Doráti
—
Danza ritual del fuego (de “El amor brujo”)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Symphony in D, Hob I:101 "The Clock": II. Andante
Koninklijk Concertgebouworkest, Sir Colin Davis
—
In a Persian Market
John McCarthy, The Ambrosian Singers, London Promenade Orchestra, Alexander Faris
—
A Midsummer Night’s Dream, op. 61 no. 11: Dance of the Clowns
Philharmonia Orchestra, Neville Marriner
—
Academy of St Martin in the Fields, Sir Neville Marriner
Contredance in C, KV 535 «La Bataille»
Wiener Mozart-Ensemble, Willi Boskovsky
—
Mitsuko Uchida
Die Zauberflöte, K. 620: Act I, Scene II. No. 2 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)
Mikael Melbye, Staatskapelle Dresden, Sir Colin Davis
—
Pictures at an Exhibition (orch. Ravel): Ballet of the Chickens in their Shells
Wiener Philharmoniker, André Previn
—
Lieutenant Kijé, op. 60: IV. Troïka
London Symphony Orchestra, Sir Neville Marriner
—
Symphony no. 1 in D, op. 25, “Classical” : III. Gavotta. Non troppo allegro
London Symphony Orchestra, Sir Neville Marriner
—
Gli uccelli: III. La gallina
Academy of St Martin in the Fields, Sir Neville Marriner
—
Flight of the Bumble-Bee
Rudolf Belov, Osipov State Russian Folk Orchestra, Vitaly Gnutov
—
Guillermo Tell: Obertura (Final)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Moments Musicaux, D. 780: no. 3 in F minor
Claudio Arrau
—
Academy of St Martin in the Fields, Sir Neville Marriner
Marcha Radetzky, Op. 228
Academy of St Martin in the Fields, Sir Neville Marriner
—
The Nutcracker: Act II, no. 12: c. Tea (Chinese Dance)
Berliner Philharmoniker, Semyon Bychkov
—
The Nutcracker: Act II, no. 12: d. Trepak (Russian Dance)
Berliner Philharmoniker, Semyon Bychkov
—
The Sleeping Beauty, op. 66: Act I, no. 6. Valse
Royal Concertgebouw Orchestra, Antal Doráti
—
Il trovatore: Act II. “Vedi! le fosche notturne spoglie”
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Roberto Michelucci, I Musici
Additional database matches (12)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Il trovatore: Act II. “Vedi! le fosche notturne spoglie” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — |
| Superman: March | Boston Pops Orchestra, John Williams | T-070.241.142-4 |
| Tocata en re menor, BWV 565 | Daniel Chorzempa | — |
| Die Zauberflöte, K. 620: Act I, Scene II. No. 2 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno) | Mikael Melbye, Staatskapelle Dresden, Sir Colin Davis | — |
| Concerto in E major, op. 8 no. 1, RV 269 "La primavera" / "Spring": I. Allegro | Roberto Michelucci, I Musici | — |
| Kinderszenen, op. 15: Von fremden Ländern und Menschen | Claudio Arrau | — |
| Superman: March | Boston Pops Orchestra, John Williams | — |
| String Quintet in E, op. 13 no. 5: III. Minuet | I Musici | — |
| Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Mitsuko Uchida | — |
| La damnation de faust, op. 24: Marche hongriuse | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Bagatelle in A minor, WoO 59 "Für Elise" | Alfred Brendel | — |
| Cassatio ex G, including the "Toy Symphony": Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
Il trovatore: Act II. “Vedi! le fosche notturne spoglie”
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Boston Pops Orchestra, John Williams
Tocata en re menor, BWV 565
Daniel Chorzempa
—
Die Zauberflöte, K. 620: Act I, Scene II. No. 2 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)
Mikael Melbye, Staatskapelle Dresden, Sir Colin Davis
—
Concerto in E major, op. 8 no. 1, RV 269 "La primavera" / "Spring": I. Allegro
Roberto Michelucci, I Musici
—
Kinderszenen, op. 15: Von fremden Ländern und Menschen
Claudio Arrau
—
Superman: March
Boston Pops Orchestra, John Williams
—
String Quintet in E, op. 13 no. 5: III. Minuet
I Musici
—
Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto
Mitsuko Uchida
—
La damnation de faust, op. 24: Marche hongriuse
Academy of St Martin in the Fields, Sir Neville Marriner
—
Bagatelle in A minor, WoO 59 "Für Elise"
Alfred Brendel
—
Cassatio ex G, including the "Toy Symphony": Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000000120070X0000000055165073000000008029407X0000000080870057000000008184272800000000841167050000000084135447000000008940377000000000921250890000000100264258
+37 more
0000000106617448000000010670976400000001078939890000000108070503000000010869408400000001088234480000000108964232000000010942652400000001097136460000000110061745000000011032697700000001108232280000000110928863000000011447613900000001145069830000000114507679000000011581288600000001194564790000000119546175000000011956593100000001201914980000000120321264000000012097801200000001210208770000000121068002000000012107672300000001211442470000000121174593000000012124735000000001213588510000000121615037000000012169519600000001217795760000000122880481000000012347919800000001234872270000000354093778
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What is UPC 028943864329?
028943864329 is a Universal Product Code (UPC) assigned to Clásicos Divertidos by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 42 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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