UPC · Release
Various Artists
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The UPC for “Trésors d’Archiv: The Best Early Music Recordings” by Various Artists is 028944939323. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1995-01-01. Label: Archiv Produktion. This release contains 109 tracks, each with its own ISRC. Tracks include DEF058703541, DEF058703542, DEF058703543.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: I. Vivace - Grave. Arcate, sostenuto e come stà | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | — | |
| 2 | Concerto grosso in G minor, op. 6 no. 8 "Fatto per la Notte di Natale": II. Allegro | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | T-001.330.979-9 | |
| 3 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: III. Adagio - Allegro - Adagio | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | T-902.836.120-8 | |
| 4 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: IV. Vivace | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | — | |
| 5 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: V. Allegro | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | T-900.078.740-6 | |
| 6 | Concerto grosso in G minor, op. 6 no. 8 "Fatto per la Notte di Natale": VI. Pastorale: Largo | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | T-070.127.399-5 | |
| 7 | La Sonnerie de Sainte Geneviève du Mont de Paris | — | ||
| 8 | Sonate “La Sultane”: I. Gravement | — | ||
| 9 | Sonate “La Sultane”: II. Gaiement | — | ||
| 10 | Sonate “La Sultane”: III. Air (Tendrement) - Gravement | — | ||
| 11 | Sonate “La Sultane”: IV. Légèrment - Vivement | — | ||
| 12 | Concerto in F major for Flute & Strings, op. 10 no. 1, RV 433 "La tempesta di mare": 1. Allegro | Lisa Beznosiuk, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 13 | Concerto in F major for Flute & Strings, op. 10 no. 1, RV 433 "La tempesta di mare": 2. Largo | Lisa Beznosiuk, The English Concert, Trevor Pinnock | T-801.397.798-6 | |
| 14 | Concerto in F major For Flute & Strings, op. 10 no. 1, RV 433 "La tempesta di mare": 3. Presto | Lisa Beznosiuk, The English Concert, Trevor Pinnock | — | |
| 15 | Concerto no. 1 in B-flat major, op. 4 RV 383A, “La Stravaganza”: I. Allegro | Simon Standage, The English Concert, Trevor Pinnock | T-070.161.055-0 | |
| 16 | Concerto no. 1 in B-flat major, op. 4 RV 383A, “La Stravaganza”: II. Largo | Simon Standage, The English Concert, Trevor Pinnock | — | |
| 17 | Concerto no. 1 in B-flat major, op. 4 RV 383A, “La Stravaganza”: III. Allegro | Simon Standage, The English Concert, Trevor Pinnock | — | |
| 18 | Concerto no. 10 in B minor, RV 580: I. Allegro | Elizabeth Wilcock, Micaela Comberti, Miles Golding, Simon Standage, Jaap ter Linden, The English Concert, Trevor Pinnock | T-911.640.004-5 | |
| 19 | Concerto no. 10 in B minor, RV 580: II. Larghetto - Adagio - Largo - Allegro | Elizabeth Wilcock, Micaela Comberti, Miles Golding, Simon Standage, Jaap ter Linden, The English Concert, Trevor Pinnock | T-910.415.366-4 | |
| 20 | Concerto no. 10 in B minor, RV 580: III. Allegro | Elizabeth Wilcock, Micaela Comberti, Miles Golding, Simon Standage, Jaap ter Linden, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 21 | Dresden Concerti: Concerto in F major: I. Vivace | — | ||
| 22 | Dresden Concerti: Concerto in F major: II. Adagio | — | ||
| 23 | Dresden Concerti: Concerto in F major: III. Un poco Allegro | — | ||
| 24 | Dresden Concerti: Concerto in F major: IV. Allegro | — | ||
| 25 | Overture no. 6 in B-flat major: I. Allegro | — | ||
| 26 | Overture no. 6 in B-flat major: II. Largo | — | ||
| 27 | Overture no. 6 in B-flat major: III. Allegro | — | ||
| 28 | Overture no. 6 in B-flat major: IV. Menuet | — | ||
| 2-1 | Concerto No. 5 in D major, BWV 1050: II. Affettuoso | Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert | — | |
| 2-2 | Concerto No. 5 in D major, BWV 1050: II. Affettuoso | Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert | — | |
| 2-3 | Concerto No. 5 in D major, BWV 1050: II. Affettuoso | Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert | — | |
| 2-4 | Ouverture No. 2 in B minor, BWV 1067: I. Ouverture | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | T-702.622.103-6 | |
| 2-5 | Ouverture No. 2 in B minor, BWV 1067: II. Rondeau | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | — | |
| 2-6 | Ouverture No. 2 in B minor, BWV 1067: III. Sarabande | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | — | |
| 2-7 | Ouverture No. 2 in B minor, BWV 1067: IV. Bourree I/II | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | — | |
| 2-8 | Ouverture No. 2 in B minor, BWV 1067: V. Polonaise | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | — | |
| 2-9 | Ouverture No. 2 in B minor, BWV 1067: VI. Menuet | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | T-011.654.484-3 | |
| 2-10 | Ouverture no. 2 in B minor, BWV 1067: VII. Badinerie | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | T-011.654.484-3 | |
| 2-11 | Sechs Choräle von verschiedener Art, BWV 645: No. 1 "Wachet auf, ruft uns die Stimme" | Helmut Walcha | T-031.722.033-9 | |
| 2-12 | Six "Schübler" Chorales: II. Wo soll ich fliehin hin, oder: Auf meinen lieben Gott, BWV 646 | — | ||
| 2-13 | Six "Schübler" Chorales: III. Wer nur den lieben Gott läßt walten, BWV 647 | — | ||
| 2-14 | Six "Schübler" Chorales: IV. Meine Seele erhebt den Herrn, BWV 648 | — | ||
| 2-15 | Six "Schübler" Chorales: V. Ach, bleib bei uns, Herr Jesu Christ, BWV 649 | — | ||
| 2-16 | Six "Schübler" Chorales: VI. Kommst du nun, Jesus, vom Himmel herunter, BWV 650 | — | ||
| 2-17 | Gottes Zeit ist die allerbeste Zeit, BWV 106: Sonatina, Molto adagio | English Baroque Soloists, John Eliot Gardiner | T-007.186.645-9 | |
| 2-18 | Actus tragicus "Gottes Zeit ist die allerbeste Zeit", BWV 106: II. "Gottes Zeit ist die allerbeste Zeit" / "Ach, Herr lehre uns bendenken" / "Bestelle dein Haus" / "Es ist alte Bund" | — | ||
| 2-19 | Gottes Zeit ist die allerbeste Zeit, BWV 106: Ariosi & Choral: In deine Hände befehl ich meinen Geist | Michael Chance, Monteverdi Choir, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner | — | |
| 2-20 | Gottes Zeit ist die allerbeste Zeit, BWV 106: Chorus "Glorie, Lob, Ehr und Herrlichkeit" | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — | |
| 3-1 | Missa "Hodie Christus natus est": 1. Kyrie | Paul McCreesh, Gabrieli Consort & Players | — | |
| 3-2 | Missa "Hodie Christus natus est": 2. Gloria | Gabrieli Consort & Players, Paul McCreesh | — | |
| 3-3 | Missa "Hodie Christus natus est": 3. Credo | Gabrieli Consort & Players, Paul McCreesh | — | |
| 3-4 | Missa "Hodie Christus natus est": 4. Sanctus | Gabrieli Consort & Players, Paul McCreesh | — | |
| 3-5 | Missa "Hodie Christus natus est": 6. Agnus Dei | Gabrieli Consort & Players, Paul McCreesh | — | |
| 3-6 | Hodie Christus natus est | — | ||
| 3-7 | Christmas Mass: Resonet in Laudibus | — | ||
| 3-8 | Christmas Mass: Quem pastores laudavere | — | ||
| 3-9 | Requiem: I. Introitus | — | ||
| 3-10 | Requiem: II. Kyrie | — | ||
| 3-11 | Requiem: III. Graduale | — | ||
| 3-12 | Requiem: IV. Offertorium | — | ||
| 3-13 | Requiem: V. Sanctus | — | ||
| 3-14 | Requiem: VI. Agnus Dei | — | ||
| 3-15 | Requiem: VII. Communio | — | ||
| 4-1 | Vespers of the Blessed Virgin: I. Magnificat | — | ||
| 4-2 | Vespers of the Blessed Virgin: II. Anima mea | — | ||
| 4-3 | Vespers of the Blessed Virgin: III. Et exultavit | — | ||
| 4-4 | Vespers of the Blessed Virgin: IV. Quia respexit | — | ||
| 4-5 | Vespers of the Blessed Virgin: V. Quia fecit | — | ||
| 4-6 | Vespers of the Blessed Virgin: VI. Et misericordia | — | ||
| 4-7 | Vespers of the Blessed Virgin: VII. Fecit potentiam | — | ||
| 4-8 | Vespers of the Blessed Virgin: VIII. Deposuit potentes | — | ||
| 4-9 | Vespers of the Blessed Virgin: IX. Esurientes implevit | — | ||
| 4-10 | Vespers of the Blessed Virgin: X. Suscepit Israel | — | ||
| 4-11 | Vespers of the Blessed Virgin: XI. Sicut locutus est | — | ||
| 4-12 | Vespers of the Blessed Virgin: XII. Gloria Patri et Filio | — | ||
| 4-13 | Vespers of the Blessed Virgin: XIII. Sicut erat in principio | — | ||
| 4-14 | Marian Cantatas and Arias "Ah! Che troppo ineguali", HWV 230: Ah! Che troppo ineguali | — | ||
| 4-15 | Marian Cantatas and Arias "Ah! Che troppo ineguali", HWV 230: O del ciel Maria regina | — | ||
| 4-16 | Stabat Mater: I. Duo: Stabat Mater dolorosa | — | ||
| 4-17 | Stabat Mater: II. Air: Cuius animam gementem | — | ||
| 4-18 | Stabat Mater: III. Duo: O quam tristis et afflicta | — | ||
| 4-19 | Stabat Mater: IV. Air: Quae maerebat et dolebat | — | ||
| 4-20 | Stabat Mater: V. Duo: Quis est homo, qui non fleret | — | ||
| 4-21 | Stabat Mater: VI. Air: Vidit suum dulcem natum | — | ||
| 4-22 | Stabat Mater: VII. Air: Eia, Mater, fons amoris | — | ||
| 4-23 | Stabat Mater: VIII. Duo: Fac, ut ardeat cor meum | — | ||
| 4-24 | Stabat Mater: IX. Duo: Sancta Mater, istud agas | — | ||
| 4-25 | Stabat Mater: X. Air: Fac, ut portem Christi mortem | — | ||
| 4-26 | Stabat Mater: XI. Duo: Inflammatus et accensus | — | ||
| 4-27 | Stabat Mater: XII. Duo: Quando corpus morietur | — | ||
| 5-1 | The Fairy Queen: Overture | — | ||
| 5-2 | The Fairy Queen: Hush, no more, be silent all | — | ||
| 5-3 | Messiah, HWV 56: Sinfonia | — | ||
| 5-4 | Messiah, HWV 56: Alleluia | — | ||
| 5-5 | Hercules, HWV 60: Overture | — | ||
| 5-6 | Hercules, HWV 60: Jealousy! Infernal pest | — | ||
| 5-7 | Acis and Galatea, HWV 49: Sinfonia | — | ||
| 5-8 | Acis and Galatea, HWV 49: Happy We | — | ||
| 5-9 | Hippolyte and Aricie: Overture | — | ||
| 5-10 | Hippolyte and Aricie: Nous allons nous jurer une immortelle foi | — | ||
| 5-11 | Idomeneo, K. 366: Overture | — | ||
| 5-12 | Idomeneo, K. 366: Accogli, oh re del mar | — | ||
| 5-13 | Le Nozze di Figaro, K. 492: Sinfonia | — | ||
| 5-14 | Le Nozze di Figaro, K. 492: Non più andrai, farfallone amoroso | — | ||
| 5-15 | Cosi fan tutte, K. 588: Overture | — | ||
| 5-16 | Cosi fan tutte, K. 588: Soave sia il vento | — | ||
| 5-17 | La Clemenza di Tito, K. 621: Overture | — | ||
| 5-18 | La Clemenza di Tito, K. 621: Serbate, oh Dei custodi | — | ||
| 5-19 | Missa Solemnis: Kyrie | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto No. 5 in D major, BWV 1050: I. Allegro | Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert | T-306.395.786-4 |
| Concerto No. 5 in D major, BWV 1050: II. Affettuoso | Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert | T-309.901.323-3 |
| Concerto No. 5 in D major, BWV 1050: III. Allegro | Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert | T-902.685.587-8 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028944939323 is a Universal Product Code (UPC) assigned to Trésors d’Archiv: The Best Early Music Recordings by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 109 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Trésors d’Archiv: The Best Early Music Recordings” by Various Artists is 028944939323. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1995-01-01. Label: Archiv Produktion. This release contains 109 tracks, each with its own ISRC. Tracks include DEF058703541, DEF058703542, DEF058703543.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: I. Vivace - Grave. Arcate, sostenuto e come stà | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | — | |
| 2 | Concerto grosso in G minor, op. 6 no. 8 "Fatto per la Notte di Natale": II. Allegro | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | T-001.330.979-9 | |
| 3 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: III. Adagio - Allegro - Adagio | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | T-902.836.120-8 | |
| 4 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: IV. Vivace | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | — | |
| 5 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: V. Allegro | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | T-900.078.740-6 | |
| 6 | Concerto grosso in G minor, op. 6 no. 8 "Fatto per la Notte di Natale": VI. Pastorale: Largo | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | T-070.127.399-5 | |
| 7 | La Sonnerie de Sainte Geneviève du Mont de Paris | — | ||
| 8 | Sonate “La Sultane”: I. Gravement | — | ||
| 9 | Sonate “La Sultane”: II. Gaiement | — | ||
| 10 | Sonate “La Sultane”: III. Air (Tendrement) - Gravement | — | ||
| 11 | Sonate “La Sultane”: IV. Légèrment - Vivement | — | ||
| 12 | Concerto in F major for Flute & Strings, op. 10 no. 1, RV 433 "La tempesta di mare": 1. Allegro | Lisa Beznosiuk, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 13 | Concerto in F major for Flute & Strings, op. 10 no. 1, RV 433 "La tempesta di mare": 2. Largo | Lisa Beznosiuk, The English Concert, Trevor Pinnock | T-801.397.798-6 | |
| 14 | Concerto in F major For Flute & Strings, op. 10 no. 1, RV 433 "La tempesta di mare": 3. Presto | Lisa Beznosiuk, The English Concert, Trevor Pinnock | — | |
| 15 | Concerto no. 1 in B-flat major, op. 4 RV 383A, “La Stravaganza”: I. Allegro | Simon Standage, The English Concert, Trevor Pinnock | T-070.161.055-0 | |
| 16 | Concerto no. 1 in B-flat major, op. 4 RV 383A, “La Stravaganza”: II. Largo | Simon Standage, The English Concert, Trevor Pinnock | — | |
| 17 | Concerto no. 1 in B-flat major, op. 4 RV 383A, “La Stravaganza”: III. Allegro | Simon Standage, The English Concert, Trevor Pinnock | — | |
| 18 | Concerto no. 10 in B minor, RV 580: I. Allegro | Elizabeth Wilcock, Micaela Comberti, Miles Golding, Simon Standage, Jaap ter Linden, The English Concert, Trevor Pinnock | T-911.640.004-5 | |
| 19 | Concerto no. 10 in B minor, RV 580: II. Larghetto - Adagio - Largo - Allegro | Elizabeth Wilcock, Micaela Comberti, Miles Golding, Simon Standage, Jaap ter Linden, The English Concert, Trevor Pinnock | T-910.415.366-4 | |
| 20 | Concerto no. 10 in B minor, RV 580: III. Allegro | Elizabeth Wilcock, Micaela Comberti, Miles Golding, Simon Standage, Jaap ter Linden, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 21 | Dresden Concerti: Concerto in F major: I. Vivace | — | ||
| 22 | Dresden Concerti: Concerto in F major: II. Adagio | — | ||
| 23 | Dresden Concerti: Concerto in F major: III. Un poco Allegro | — | ||
| 24 | Dresden Concerti: Concerto in F major: IV. Allegro | — | ||
| 25 | Overture no. 6 in B-flat major: I. Allegro | — | ||
| 26 | Overture no. 6 in B-flat major: II. Largo | — | ||
| 27 | Overture no. 6 in B-flat major: III. Allegro | — | ||
| 28 | Overture no. 6 in B-flat major: IV. Menuet | — | ||
| 2-1 | Concerto No. 5 in D major, BWV 1050: II. Affettuoso | Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert | — | |
| 2-2 | Concerto No. 5 in D major, BWV 1050: II. Affettuoso | Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert | — | |
| 2-3 | Concerto No. 5 in D major, BWV 1050: II. Affettuoso | Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert | — | |
| 2-4 | Ouverture No. 2 in B minor, BWV 1067: I. Ouverture | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | T-702.622.103-6 | |
| 2-5 | Ouverture No. 2 in B minor, BWV 1067: II. Rondeau | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | — | |
| 2-6 | Ouverture No. 2 in B minor, BWV 1067: III. Sarabande | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | — | |
| 2-7 | Ouverture No. 2 in B minor, BWV 1067: IV. Bourree I/II | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | — | |
| 2-8 | Ouverture No. 2 in B minor, BWV 1067: V. Polonaise | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | — | |
| 2-9 | Ouverture No. 2 in B minor, BWV 1067: VI. Menuet | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | T-011.654.484-3 | |
| 2-10 | Ouverture no. 2 in B minor, BWV 1067: VII. Badinerie | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | T-011.654.484-3 | |
| 2-11 | Sechs Choräle von verschiedener Art, BWV 645: No. 1 "Wachet auf, ruft uns die Stimme" | Helmut Walcha | T-031.722.033-9 | |
| 2-12 | Six "Schübler" Chorales: II. Wo soll ich fliehin hin, oder: Auf meinen lieben Gott, BWV 646 | — | ||
| 2-13 | Six "Schübler" Chorales: III. Wer nur den lieben Gott läßt walten, BWV 647 | — | ||
| 2-14 | Six "Schübler" Chorales: IV. Meine Seele erhebt den Herrn, BWV 648 | — | ||
| 2-15 | Six "Schübler" Chorales: V. Ach, bleib bei uns, Herr Jesu Christ, BWV 649 | — | ||
| 2-16 | Six "Schübler" Chorales: VI. Kommst du nun, Jesus, vom Himmel herunter, BWV 650 | — | ||
| 2-17 | Gottes Zeit ist die allerbeste Zeit, BWV 106: Sonatina, Molto adagio | English Baroque Soloists, John Eliot Gardiner | T-007.186.645-9 | |
| 2-18 | Actus tragicus "Gottes Zeit ist die allerbeste Zeit", BWV 106: II. "Gottes Zeit ist die allerbeste Zeit" / "Ach, Herr lehre uns bendenken" / "Bestelle dein Haus" / "Es ist alte Bund" | — | ||
| 2-19 | Gottes Zeit ist die allerbeste Zeit, BWV 106: Ariosi & Choral: In deine Hände befehl ich meinen Geist | Michael Chance, Monteverdi Choir, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner | — | |
| 2-20 | Gottes Zeit ist die allerbeste Zeit, BWV 106: Chorus "Glorie, Lob, Ehr und Herrlichkeit" | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — | |
| 3-1 | Missa "Hodie Christus natus est": 1. Kyrie | Paul McCreesh, Gabrieli Consort & Players | — | |
| 3-2 | Missa "Hodie Christus natus est": 2. Gloria | Gabrieli Consort & Players, Paul McCreesh | — | |
| 3-3 | Missa "Hodie Christus natus est": 3. Credo | Gabrieli Consort & Players, Paul McCreesh | — | |
| 3-4 | Missa "Hodie Christus natus est": 4. Sanctus | Gabrieli Consort & Players, Paul McCreesh | — | |
| 3-5 | Missa "Hodie Christus natus est": 6. Agnus Dei | Gabrieli Consort & Players, Paul McCreesh | — | |
| 3-6 | Hodie Christus natus est | — | ||
| 3-7 | Christmas Mass: Resonet in Laudibus | — | ||
| 3-8 | Christmas Mass: Quem pastores laudavere | — | ||
| 3-9 | Requiem: I. Introitus | — | ||
| 3-10 | Requiem: II. Kyrie | — | ||
| 3-11 | Requiem: III. Graduale | — | ||
| 3-12 | Requiem: IV. Offertorium | — | ||
| 3-13 | Requiem: V. Sanctus | — | ||
| 3-14 | Requiem: VI. Agnus Dei | — | ||
| 3-15 | Requiem: VII. Communio | — | ||
| 4-1 | Vespers of the Blessed Virgin: I. Magnificat | — | ||
| 4-2 | Vespers of the Blessed Virgin: II. Anima mea | — | ||
| 4-3 | Vespers of the Blessed Virgin: III. Et exultavit | — | ||
| 4-4 | Vespers of the Blessed Virgin: IV. Quia respexit | — | ||
| 4-5 | Vespers of the Blessed Virgin: V. Quia fecit | — | ||
| 4-6 | Vespers of the Blessed Virgin: VI. Et misericordia | — | ||
| 4-7 | Vespers of the Blessed Virgin: VII. Fecit potentiam | — | ||
| 4-8 | Vespers of the Blessed Virgin: VIII. Deposuit potentes | — | ||
| 4-9 | Vespers of the Blessed Virgin: IX. Esurientes implevit | — | ||
| 4-10 | Vespers of the Blessed Virgin: X. Suscepit Israel | — | ||
| 4-11 | Vespers of the Blessed Virgin: XI. Sicut locutus est | — | ||
| 4-12 | Vespers of the Blessed Virgin: XII. Gloria Patri et Filio | — | ||
| 4-13 | Vespers of the Blessed Virgin: XIII. Sicut erat in principio | — | ||
| 4-14 | Marian Cantatas and Arias "Ah! Che troppo ineguali", HWV 230: Ah! Che troppo ineguali | — | ||
| 4-15 | Marian Cantatas and Arias "Ah! Che troppo ineguali", HWV 230: O del ciel Maria regina | — | ||
| 4-16 | Stabat Mater: I. Duo: Stabat Mater dolorosa | — | ||
| 4-17 | Stabat Mater: II. Air: Cuius animam gementem | — | ||
| 4-18 | Stabat Mater: III. Duo: O quam tristis et afflicta | — | ||
| 4-19 | Stabat Mater: IV. Air: Quae maerebat et dolebat | — | ||
| 4-20 | Stabat Mater: V. Duo: Quis est homo, qui non fleret | — | ||
| 4-21 | Stabat Mater: VI. Air: Vidit suum dulcem natum | — | ||
| 4-22 | Stabat Mater: VII. Air: Eia, Mater, fons amoris | — | ||
| 4-23 | Stabat Mater: VIII. Duo: Fac, ut ardeat cor meum | — | ||
| 4-24 | Stabat Mater: IX. Duo: Sancta Mater, istud agas | — | ||
| 4-25 | Stabat Mater: X. Air: Fac, ut portem Christi mortem | — | ||
| 4-26 | Stabat Mater: XI. Duo: Inflammatus et accensus | — | ||
| 4-27 | Stabat Mater: XII. Duo: Quando corpus morietur | — | ||
| 5-1 | The Fairy Queen: Overture | — | ||
| 5-2 | The Fairy Queen: Hush, no more, be silent all | — | ||
| 5-3 | Messiah, HWV 56: Sinfonia | — | ||
| 5-4 | Messiah, HWV 56: Alleluia | — | ||
| 5-5 | Hercules, HWV 60: Overture | — | ||
| 5-6 | Hercules, HWV 60: Jealousy! Infernal pest | — | ||
| 5-7 | Acis and Galatea, HWV 49: Sinfonia | — | ||
| 5-8 | Acis and Galatea, HWV 49: Happy We | — | ||
| 5-9 | Hippolyte and Aricie: Overture | — | ||
| 5-10 | Hippolyte and Aricie: Nous allons nous jurer une immortelle foi | — | ||
| 5-11 | Idomeneo, K. 366: Overture | — | ||
| 5-12 | Idomeneo, K. 366: Accogli, oh re del mar | — | ||
| 5-13 | Le Nozze di Figaro, K. 492: Sinfonia | — | ||
| 5-14 | Le Nozze di Figaro, K. 492: Non più andrai, farfallone amoroso | — | ||
| 5-15 | Cosi fan tutte, K. 588: Overture | — | ||
| 5-16 | Cosi fan tutte, K. 588: Soave sia il vento | — | ||
| 5-17 | La Clemenza di Tito, K. 621: Overture | — | ||
| 5-18 | La Clemenza di Tito, K. 621: Serbate, oh Dei custodi | — | ||
| 5-19 | Missa Solemnis: Kyrie | — |
