UPC · Release
Henry Purcell, Trevor Pinnock, English Concert
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The UPC for “Odes” by Henry Purcell, Trevor Pinnock, English Concert is 028944985320. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1998-01-01. Label: Deutsche Grammophon. This release contains 27 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Come, ye sons of art, away: Overture | — | ||
| 2 | Come, ye sons of art, away: “Come ye sons of art, away” (Countertenor & Chorus) | — | ||
| 3 | Come, ye sons of art, away: “Sound the trumpet, sound” (Countertenor I & II) | — | ||
| 4 | Come, ye sons of art, away: “Come ye sons of art” (Symphony & Chorus) | — | ||
| 5 | Come, ye sons of art, away: “Strike the viol, touch the lute” (Countertenor) | — | ||
| 6 | Come, ye sons of art, away: “The day that such a blessing gave” (Bass & Chorus) | — | ||
| 7 | Come, ye sons of art, away: “Bid the Virtues, bid the Graces“ (Soprano) | — | ||
| 8 | Come, ye sons of art, away: “These are the sacred charms” (Bass) | — | ||
| 9 | Come, ye sons of art, away: “See Nature, rejoicing” (Soprano, Bass & Chorus) | — | ||
| 10 | Welcome to all the pleasures: Overture | — | ||
| 11 | Welcome to all the pleasures: “Welcome to all the pleasures” (Countertenor, Tenor, Bass & Chorus) | — | ||
| 12 | Welcome to all the pleasures: “Here the deities approve” (Countertenor)/”While joys celestial” (Soprano I & II, Tenor) | — | ||
| 13 | Welcome to all the pleasures: “Then lift up your voices” (Bass & Chorus)/“The pow’r shall divert us a pleasanter way” (Countertenor, Tenor, Bass & Chorus) | — | ||
| 14 | Welcome to all the pleasures: “Beauty, thou scene of love” (Tenor) | — | ||
| 15 | Welcome to all the pleasures: “In a consort of voices” (Tenor & Chorus) | — | ||
| 16 | Of old, when Heroes thought it base: Symphony | — | ||
| 17 | Of old, when Heroes thought it base: “Of old, when Heroes thought it base” (Bass) / “Brigantium, honour’d with a race divine” (Countertenor & Bass) | — | ||
| 18 | Of old, when Heroes thought it base: “The bashful Thames, for beauty so renowned” (Tenor & Chorus) | — | ||
| 19 | Of old, when Heroes thought it base: “The pale and purple rose” (Countertenor) | — | ||
| 20 | Of old, when Heroes thought it base: “And in each track of glory since” (Tenor, Bass & Chorus) | — | ||
| 21 | Of old, when Heroes thought it base: Symphony | — | ||
| 22 | Of old, when Heroes thought it base: “And now when the renown'd Nassau” (Countertenor & Tenor) | — | ||
| 23 | Of old, when Heroes thought it base: “They did no storms nor threat’nings fear” (Bass I & II) | — | ||
| 24 | Of old, when Heroes thought it base: “So when the glitt'ring Queen of Night” (Tenor) | — | ||
| 25 | Of old, when Heroes thought it base: “Let music join” (Chorus) | — | ||
| 26 | Of old, when Heroes thought it base: “Sound, trumpets, sound!” (Countertenor) | — | ||
| 27 | Of old, when Heroes thought it base: “Sound all to him” (Bass recitative & Chorus) | — |
Credits Graph
028944985320 is a Universal Product Code (UPC) assigned to Odes by Henry Purcell, Trevor Pinnock, English Concert. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 27 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Odes” by Henry Purcell, Trevor Pinnock, English Concert is 028944985320. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1998-01-01. Label: Deutsche Grammophon. This release contains 27 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Come, ye sons of art, away: Overture | — | ||
| 2 | Come, ye sons of art, away: “Come ye sons of art, away” (Countertenor & Chorus) | — | ||
| 3 | Come, ye sons of art, away: “Sound the trumpet, sound” (Countertenor I & II) | — | ||
| 4 | Come, ye sons of art, away: “Come ye sons of art” (Symphony & Chorus) | — | ||
| 5 | Come, ye sons of art, away: “Strike the viol, touch the lute” (Countertenor) | — | ||
| 6 | Come, ye sons of art, away: “The day that such a blessing gave” (Bass & Chorus) | — | ||
| 7 | Come, ye sons of art, away: “Bid the Virtues, bid the Graces“ (Soprano) | — | ||
| 8 | Come, ye sons of art, away: “These are the sacred charms” (Bass) | — | ||
| 9 | Come, ye sons of art, away: “See Nature, rejoicing” (Soprano, Bass & Chorus) | — | ||
| 10 | Welcome to all the pleasures: Overture | — | ||
| 11 | Welcome to all the pleasures: “Welcome to all the pleasures” (Countertenor, Tenor, Bass & Chorus) | — | ||
| 12 | Welcome to all the pleasures: “Here the deities approve” (Countertenor)/”While joys celestial” (Soprano I & II, Tenor) | — | ||
| 13 | Welcome to all the pleasures: “Then lift up your voices” (Bass & Chorus)/“The pow’r shall divert us a pleasanter way” (Countertenor, Tenor, Bass & Chorus) | — | ||
| 14 | Welcome to all the pleasures: “Beauty, thou scene of love” (Tenor) | — | ||
| 15 | Welcome to all the pleasures: “In a consort of voices” (Tenor & Chorus) | — | ||
| 16 | Of old, when Heroes thought it base: Symphony | — | ||
| 17 | Of old, when Heroes thought it base: “Of old, when Heroes thought it base” (Bass) / “Brigantium, honour’d with a race divine” (Countertenor & Bass) | — | ||
| 18 | Of old, when Heroes thought it base: “The bashful Thames, for beauty so renowned” (Tenor & Chorus) | — | ||
| 19 | Of old, when Heroes thought it base: “The pale and purple rose” (Countertenor) | — | ||
| 20 | Of old, when Heroes thought it base: “And in each track of glory since” (Tenor, Bass & Chorus) | — | ||
| 21 | Of old, when Heroes thought it base: Symphony | — | ||
| 22 | Of old, when Heroes thought it base: “And now when the renown'd Nassau” (Countertenor & Tenor) | — | ||
| 23 | Of old, when Heroes thought it base: “They did no storms nor threat’nings fear” (Bass I & II) | — | ||
| 24 | Of old, when Heroes thought it base: “So when the glitt'ring Queen of Night” (Tenor) | — | ||
| 25 | Of old, when Heroes thought it base: “Let music join” (Chorus) | — | ||
| 26 | Of old, when Heroes thought it base: “Sound, trumpets, sound!” (Countertenor) | — | ||
| 27 | Of old, when Heroes thought it base: “Sound all to him” (Bass recitative & Chorus) | — |
