UPC · Release
Classic Moods
Various Artists
028945224923
16 tracksReleased 1996-01-01Decca
Last verified:
028945224923 is the Universal Product Code (UPC barcode) for the release “Classic Moods” by Various Artists, released 1996-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 16 tracks, each with its own ISRC. Tracks include GBBBA6350640, GBF078000241, GBBBA9150050.
Format
0Number system
28945Manufacturer
22492Product
3Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCClassic Moods
ISRC16 recordings
ISWC19 works
IPI1 songwriter
Track List (16)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cello Sonata in G minor, BWV 1029: II. Adagio (excerpt) | György Sebök, János Starker | — | |
| 2 | The Swan of Tuonela | Orchestre de la Suisse Romande, Horst Stein | — | |
| 3 | String Quintet in C major, D. 956: II. Adagio (excerpt) | Miklós Perényi, Takács Quartet | T-312439091-2 | |
| 4 | Gnossienne no. 1 | Pascal Rogé | T-003.010.023-2 | |
| 5 | Elegiac Melody no. 2 (The Last Spring) | National Philharmonic Orchestra, Willi Boskovsky | — | |
| 6 | Aritz Adarean | Marisa Robles | — | |
| 7 | Elegy for Strings, op. 58 | Academy of St Martin in the Fields, Neville Marriner | — | |
| 8 | Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio | Vladimir Ashkenazy | — | |
| 9 | Oboe Concerto in D minor: II. Adagio | Heinz Holliger, I Musici | T-001439586-8 | |
| 10 | Adagio for Strings, op. 11 | Baltimore Symphony Orchestra, David Zinman | T-070.000.199-5 | |
| 11 | Guitar Concerto in D major, RV 93: II. Largo | Eduardo Fernández, English Chamber Orchestra, George Malcolm | T-911640005-6 | |
| 12 | Consolation no. 3 | Rhondda Gillespie | T9111590035 | |
| 13 | Carrington: The infinite complexities of Christmas | Michael Nyman | — | |
| 14 | A Ceremony of Carols: Interlude | Rachel Masters | T9001884599 | |
| 15 | Sospiri for Strings, Harp and Organ, op. 70 | Academy of St Martin in the Fields, Sir Neville Marriner | T0116138738 | |
| 16 | Goldberg Variations in G major, BWV 988: I. Aria | András Schiff | T3057238725 |
Cello Sonata in G minor, BWV 1029: II. Adagio (excerpt)
György Sebök, János Starker
—
The Swan of Tuonela
Orchestre de la Suisse Romande, Horst Stein
—
Elegiac Melody no. 2 (The Last Spring)
National Philharmonic Orchestra, Willi Boskovsky
—
Aritz Adarean
Marisa Robles
—
Elegy for Strings, op. 58
Academy of St Martin in the Fields, Neville Marriner
—
Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio
Vladimir Ashkenazy
—
Eduardo Fernández, English Chamber Orchestra, George Malcolm
Carrington: The infinite complexities of Christmas
Michael Nyman
—
Academy of St Martin in the Fields, Sir Neville Marriner
Additional database matches (28)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 3 in C minor, op. 78 "Organ": I. Adagio (excerpt) | Peter Hurford, Orchestre symphonique de Montréal, Charles Dutoit | T3176713336 |
| Symphony no. 2: III. Adagio (conclusion) | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — |
| Prelude á l’ares midi d’un faune (excerpt) | Timothy Hutchins, Orchestre symphonique de Montréal, Charles Dutoit | — |
| La Vièrge: Le dernier sommeil de la Vièrge (The last sleep of the Virgin) | New Symphony Orchestra of London, Raymond Agoult | — |
| Love's Dream After the Ball (arr. Gamley) | London Symphony Orchestra, Richard Bonynge | — |
| Les Contes d’Hoffmann : Acte III. Entr’acte | Orchestre de la Suisse Romande, Richard Bonynge | T-010186676-5 |
| Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle) | Orchestre de la Suisse Romande, Richard Bonynge | — |
| Extase | London Symphony Orchestra, Leopold Stokowski | — |
| Symphony no. 5 in C-sharp minor: IV. Adagietto (Sehr langsam) | Los Angeles Philharmonic, Zubin Mehta | T8006524682 |
| Intermezzo and Serenade from ‘Hassan’ | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Fantasía para un gentilhombre: II. Españoleta e fanfare de la caballería de Nápoles | Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit | T0414890677 |
| Adagio from “Españoleta e Fanfare de la Caballeria de Nápoles” | Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit | — |
| Symphony no. 3 in C minor, op. 78 "Organ": I. Adagio (excerpt) | Peter Hurford, Orchestre symphonique de Montréal, Charles Dutoit | — |
| Pelléas et Mélisande, op. 80: III. Sicilienne (Allegretto molto moderato) | Sylvia McNair, Sir Thomas Allen, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Pelléas et Mélisande, op. 80: III. Sicilienne (Allegretto molto moderato) | Sylvia McNair, Sir Thomas Allen, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Symphony no. 2: III. Adagio (conclusion) | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — |
| Prelude to ‘Le Villi’ | Radio-Symphonie-Orchester Berlin, Riccardo Chailly | T9007986143 |
| Goldberg Variations in G major, BWV 988: I. Aria | András Schiff | — |
| Carmen Suite no. 1: Intermezzo | Orchestre symphonique de Montréal, Charles Dutoit | T-010194849-5 |
| Piano Concerto no. 2 in F major, op. 102: II. Andante | Cristina Ortiz, Royal Philharmonic Orchestra, Vladimir Ashkenazy | — |
| Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — |
| Prelude á l’ares midi d’un faune (excerpt) | Timothy Hutchins, Orchestre symphonique de Montréal, Charles Dutoit | — |
| String Quintet in C major, D. 956: II. Adagio (excerpt) | Miklós Perényi, Takács Quartet | — |
| String Quintet in C major, D. 956: II. Adagio (excerpt) | Miklós Perényi, Takács Quartet | — |
| Sospiri for Strings, Harp and Organ, op. 70 | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Elegy for Strings, op. 58 | Academy of St Martin in the Fields, Neville Marriner | — |
| Intermezzo and Serenade from ‘Hassan’ | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Cello Sonata in G minor, BWV 1029: II. Adagio (excerpt) | György Sebök, János Starker | T3099013233 |
Peter Hurford, Orchestre symphonique de Montréal, Charles Dutoit
Symphony no. 2: III. Adagio (conclusion)
Koninklijk Concertgebouworkest, Vladimir Ashkenazy
—
Prelude á l’ares midi d’un faune (excerpt)
Timothy Hutchins, Orchestre symphonique de Montréal, Charles Dutoit
—
La Vièrge: Le dernier sommeil de la Vièrge (The last sleep of the Virgin)
New Symphony Orchestra of London, Raymond Agoult
—
Love's Dream After the Ball (arr. Gamley)
London Symphony Orchestra, Richard Bonynge
—
Orchestre de la Suisse Romande, Richard Bonynge
Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle)
Orchestre de la Suisse Romande, Richard Bonynge
—
Extase
London Symphony Orchestra, Leopold Stokowski
—
Los Angeles Philharmonic, Zubin Mehta
Intermezzo and Serenade from ‘Hassan’
Academy of St Martin in the Fields, Sir Neville Marriner
—
Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit
Adagio from “Españoleta e Fanfare de la Caballeria de Nápoles”
Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit
—
Symphony no. 3 in C minor, op. 78 "Organ": I. Adagio (excerpt)
Peter Hurford, Orchestre symphonique de Montréal, Charles Dutoit
—
Pelléas et Mélisande, op. 80: III. Sicilienne (Allegretto molto moderato)
Sylvia McNair, Sir Thomas Allen, Academy of St Martin in the Fields, Sir Neville Marriner
—
Pelléas et Mélisande, op. 80: III. Sicilienne (Allegretto molto moderato)
Sylvia McNair, Sir Thomas Allen, Academy of St Martin in the Fields, Sir Neville Marriner
—
Symphony no. 2: III. Adagio (conclusion)
Koninklijk Concertgebouworkest, Vladimir Ashkenazy
—
Radio-Symphonie-Orchester Berlin, Riccardo Chailly
Goldberg Variations in G major, BWV 988: I. Aria
András Schiff
—
Orchestre symphonique de Montréal, Charles Dutoit
Piano Concerto no. 2 in F major, op. 102: II. Andante
Cristina Ortiz, Royal Philharmonic Orchestra, Vladimir Ashkenazy
—
Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist
San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt
—
Prelude á l’ares midi d’un faune (excerpt)
Timothy Hutchins, Orchestre symphonique de Montréal, Charles Dutoit
—
String Quintet in C major, D. 956: II. Adagio (excerpt)
Miklós Perényi, Takács Quartet
—
String Quintet in C major, D. 956: II. Adagio (excerpt)
Miklós Perényi, Takács Quartet
—
Sospiri for Strings, Harp and Organ, op. 70
Academy of St Martin in the Fields, Sir Neville Marriner
—
Elegy for Strings, op. 58
Academy of St Martin in the Fields, Neville Marriner
—
Intermezzo and Serenade from ‘Hassan’
Academy of St Martin in the Fields, Sir Neville Marriner
—
György Sebök, János Starker
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055165081000000007358539700000000808939370000000081584773000000008379004400000000838631510000000084133759000000009755370100000001067097640000000106716198
+35 more
0000000108754075000000010880226800000001088113830000000108964232000000010937249000000001093759820000000109406777000000010944653300000001103287100000000110633483000000011297410X0000000114502261000000011450767900000001147053920000000114719794000000011476865X0000000114893709000000011833438100000001194564790000000119550553000000011956593100000001202019160000000120207445000000012033910600000001210767230000000121174593000000012124738500000001214630880000000121505778000000012156871X00000001216951960000000121930571000000012276531X00000001228245430000000122965768
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What is UPC 028945224923?
028945224923 is a Universal Product Code (UPC) assigned to Classic Moods by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 16 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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