"Little" Fugue in G minor, BWV 578

A Night on Bald Mountain

Ave Maria, op. 52 no. 6

Bourrée (From English Suite No. 2)

Cantata No. 80, BWV 80: Ein' feste Burg ist unser Gott

Chaconne in D minor

Chant sans paroles, op. 40 no. 6

Choral from Easter Oratorio, BWV 249

Christ lag in Todesbanden, BWV 4: Jesus Christus Gottes Sohn – Chorale

Christmas Oratorio, BWV 248: “Hirtenmusik” – Sinfonia

Christmas Oratorio, BWV 248: Shepherd's Song

Clair de Lune (“Moonlight”) (from “Suite Bergamasque”)

Concerto for Double String Orchestra: I. Allegro con brio

Concerto for Double String Orchestra: II. Adagio cantabile

Concerto for Double String Orchestra: III. Allegro molto

Coriolan Overture, op. 62

Dance of the Hours from the opera “La Gioconda”

Daphnis et Chloé Suite no. 2, M. 57b

Die Meistersinger von Nürnberg: Suite: Tanz der Lehrbuben

Die Meistersinger von Nürnberg: Suite: Vorspiel zum III. Aufzug

Die Meistersinger von Nürnberg: Vorspiel zum I. Aufzug

Eight Russian Folk Songs, op. 58: III. Plaintive Song

Eight Russian Folk Songs, op. 58: IV. Humorous Song

Eight Russian Folk Songs, op. 58: VI. Cradle Song

Eight Russian Folk Songs, op. 58: VIII. Village Dance Song

English Suite No. 2 in A minor, BWV 807: V. Bourrée

Extase

Fantasia and Fugue in G minor, BWV 542: Fugue (‘Great’)

Fugue ("Little")

Götterdämmerung: Siegfrieds Rheinfahrt

Götterdämmerung: Trauermarsch

Kamarinskaya

Khovanshchina, Act IV: Entr’acte (arr. for orchestra by Leopold Stokowski)

Komm, süsser Tod, BWV 478

Komm, Süßer Tod, BWV 478

La cathédrale engloutie (orchestral version)

Le Poème de l’extase, op. 54

Le Sacre du printemps: Deuxième partie. Le Sacrifice: IX. Introduction

Le Sacre du printemps: Deuxième partie. Le Sacrifice: X. Cercles mystérieux des adolescentes

Le Sacre du printemps: Deuxième partie. Le Sacrifice: XI. Glorification de l’Élue

Le Sacre du printemps: Deuxième partie. Le Sacrifice: XII. Évocation des ancêtres

Le Sacre du printemps: Deuxième partie. Le Sacrifice: XIII. Action rituelle des ancêtres

Le Sacre du printemps: Deuxième partie. Le Sacrifice: XIV. Danse sacrale (L’Élue)

Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction

Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes

Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt

Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières

Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales

Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage

Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le Sage

Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre

Mein Jesu, was für Seelenweh befällt dich in Gethsemane, BWV 487

Mein Jesu! Was für Seelenweh, BWV 487

Mephisto Waltz no. 1, S. 110/2 (The Dance in the Village Inn)

Night on the Bare Mountain

Orchestral Suite No. 3 in D major, BWV 1068: II. Air

Overture “Egmont”

Passacaglia & Fugue in C minor, BWV 582

Passacaglia and Fugue in C minor, BWV 582

Pastorale

Prelude and Fugue in E-flat minor / D-sharp minor

Prelude in E-flat minor, op. 34 no. 14

Prelude no. 24 in B minor, BWV 869

Rienzi: Ouvertüre

Rite of Spring

Schafe Können sicher weiden

Short Speech by Leopold Stokowski

Sonata pian e forte. Alla quarta bassa from Sacrae symphoniae (arr. Leopold Stokowski)

St John Passion, BWV 245: Es ist vollbracht! – Aria

Suite no. 3 in D major, BWV 1068: Air (on a G String)

Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio

Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace

Symphony no. 4 in A minor, op. 63: III. Il tempo largo

Symphony no. 4 in A minor, op. 63: IV. Allegro

Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima

Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza

Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato

Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace

Symphony no. 6 "Sinfonia semplice": I. Tempo giusto

Symphony no. 6 "Sinfonia semplice": II. Humoreske. Allegretto

Symphony no. 6 "Sinfonia semplice": III. Proposta seria. Adagio

Symphony no. 6 "Sinfonia semplice": IV. Tema con variazioni (Tema: Allegretto un poco)

Symphony no. 6 (“Pastoral”), op. 68: I Allegro ma non troppo

Symphony no. 6 (“Pastoral”), op. 68: II Andante molto mosso

Symphony no. 6 (“Pastoral”), op. 68: III. Allegro / IV. Allegro / V. Allegretto (excerpts)

Symphony No. 7 in A, Op. 92: 1. Poco sostenuto - Vivace

Symphony No. 7 in A, Op. 92: 2. Allegretto

Symphony No. 7 in A, Op. 92: 3. Presto - Assai meno presto

Symphony No. 7 in A, Op. 92: 4. Allegro con brio

Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso

Symphony no. 9 in D minor, op. 125: II. Molto vivace

Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile

Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto

Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo

Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace – Poco sostenuto

Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Finale. Allegro con fuoco

The Nutcracker Suite, op. 71a: Arabian Dance

The Nutcracker Suite, op. 71a: Chinese Dance

The Nutcracker Suite, op. 71a: Dance of the Reed Flutes

The Nutcracker Suite, op. 71a: Dance of the Sugar Plum Fairy