UPC · Release
Leopold Stokowski
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The UPC for “Leopold Stokowski: The Stereo Collection 1954 -1975” by Leopold Stokowski is 886919168525. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: RCA Red Seal. This release contains 128 tracks, each with its own ISRC. Tracks include USBC16100148, USBC19606508, USBC19606510.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No. 3, Op. 55 "Eroica" in E-Flat: Allegro con brio | — | ||
| 2 | Symphony No. 3, Op. 55 "Eroica" in E-Flat: Marcia funebre: Adagio assai | — | ||
| 3 | Symphony No. 3, Op. 55 "Eroica" in E-Flat: Scherzo: Allegro vivace; Trio | — | ||
| 4 | Symphony No. 3, Op. 55 "Eroica" in E-Flat: Finale: Allegro molto; Poco andante; Presto | — | ||
| 5 | Coriolan Overture, Op. 62 | — | ||
| 6 | Academic Festival Overture, Op. 80 | — | ||
| 7 | Stokowski speaks to the orchestra | — | ||
| 2-1 | Symphony no. 6 in B minor, op. 54: I. Largo | — | ||
| 2-2 | Symphony no. 6 in B minor, op. 54: II. Allegro | — | ||
| 2-3 | Symphony no. 6 in B minor, op. 54: III. Presto | — | ||
| 2-4 | The Age of Gold Suite, op. 22a: I. Introduction | — | ||
| 2-5 | The Age of Gold Suite, op. 22a: II. Adagio | — | ||
| 2-6 | The Age of Gold Suite, op. 22a: III. Polka | — | ||
| 2-7 | The Age of Gold Suite, op. 22a: IV. Dance | — | ||
| 2-8 | Symphony no. 3 (Symphony Poem) | — | ||
| 3-1 | Sebastian (Ballet Suite): Adagio | — | ||
| 3-2 | Sebastian (Ballet Suite): Barcarolle | — | ||
| 3-3 | Sebastian (Ballet Suite): Street Fight | — | ||
| 3-4 | Sebastian (Ballet Suite): Cortège | — | ||
| 3-5 | Sebastian (Ballet Suite): Sebastian's Dance | — | ||
| 3-6 | Sebastian (Ballet Suite): The Courtesan's Dance | — | ||
| 3-7 | Sebastian (Ballet Suite): Pavane | — | ||
| 3-8 | Romeo and Juliet (Selections): Romeo at the Fountain | — | ||
| 3-9 | Romeo and Juliet (Selections): Juliet | — | ||
| 3-10 | Romeo and Juliet (Selections): Romeo and Juliet | — | ||
| 3-11 | Romeo and Juliet (Selections): Romeo at Juliet's Tomb | — | ||
| 3-12 | Romeo and Juliet (Selections): Juliet's Death | — | ||
| 4-1 | Die Walküre: Act III: Ride of the Valkyries | — | ||
| 4-2 | Tristan und Isolde: Act III: Prelude | — | ||
| 4-3 | Das Rheingold: Act I: Entrance of the Gods into Valhalla | — | ||
| 4-4 | Tannhäuser: Overture | — | ||
| 4-5 | Tannhäuser: Venusberg Music | — | ||
| 4-6 | Rienzi: Overture | — | ||
| 4-7 | Die Walküre: Act III: Magic Fire Music | — | ||
| 5-1 | Die Meistersinger von Nürnberg: Act III: Prelude | — | ||
| 5-2 | Die Meistersinger von Nürnberg: Act III: Dance of the Apprentices | — | ||
| 5-3 | Die Meistersinger von Nürnberg: Act III: Procession of the Meistersingers | — | ||
| 5-4 | Tristan und Isolde: Prelude | — | ||
| 5-5 | Tristan und Isolde: Act III: Liebestod | — | ||
| 5-6 | Götterdämmerung: Prologue: Siegfried's Rhine Journey | — | ||
| 5-7 | Götterdämmerung: Act III: Siegfrieds Funeral March | — | ||
| 5-8 | Götterdämmerung: Act III: Brünnhilde's Immolation | — | ||
| 6-1 | The Heavens Are Telling (Die Ehre Gottes aus der Natur), Op. 48, No. 4 | — | ||
| 6-2 | Deep River | — | ||
| 6-3 | Serse, HWV 40: Act I: Ombra mai fu | — | ||
| 6-4 | Hänsel und Gretel: Evening Prayer | — | ||
| 6-5 | Jesu, Joy of Man's Desiring | The Norman Luboff Choir, New Symphony Orchestra of London, Leopold Stokowski | — | |
| 6-6 | Songs, Op. 34: No. 14, Vocalise | — | ||
| 6-7 | Praise God from Whom All Blessings Flow (Doxology-Old Hundredth) | — | ||
| 6-8 | Tannhäuser: Pilgrims' Chorus | — | ||
| 6-9 | Cantata No. 208: Sheep May Safely Graze | — | ||
| 6-10 | Sacred Pieces for Unaccompanied Mixed Chorus: Pater Noster (No. 6) | — | ||
| 6-11 | Orfeo ed Euridice: O Saviour, Hear Me | — | ||
| 6-12 | Water Music Suite No. 1 in F Major, HWV 348: Menuet for Horn | — | ||
| 6-13 | Water Music Suite No. 1 in F Major, HWV 348: Andante | — | ||
| 6-14 | Water Music Suite No. 1 in F Major, HWV 348: Allegro | — | ||
| 6-15 | Water Music Suite No. 1 in F Major, HWV 348: Adagio e staccato | — | ||
| 6-16 | Water Music Suite No. 1 in F Major, HWV 348: Bouree | — | ||
| 6-17 | Water Music Suite No. 1 in F Major, HWV 348: Hornpipe | — | ||
| 6-18 | Water Music Suite No. 1 in F Major, HWV 348: VI. Air | — | ||
| 6-19 | Water Music Suite No. 1 in F Major, HWV 348: Alla Hornpipe | — | ||
| 7-1 | Chants d'Auvergne: L'Antouènou (Vol. II, No. 2) | — | ||
| 7-2 | Chants d'Auvergne: Pastourelle (Vol. II, No. 1) | — | ||
| 7-3 | Chants d'Auvergne: L'aîo dé rotso (Vol. I, No. 3a) | — | ||
| 7-4 | Chants d'Auvergne: Baîlèro (Vol. I, No. 2) | — | ||
| 7-5 | Chants d'Auvergne: Passo pel prat (Vol. III, No. 2) | — | ||
| 7-6 | Chants d'Auvergne: Malurous qu'o uno fenno (Vol. III, No. 5) | — | ||
| 7-7 | Chants d'Auvergne: Brezairola (Vol. III, No. 4) | — | ||
| 7-8 | Bachianas Brasileiras no. 5: Aria (cantilena) | Anna Moffo, American Symphony Orchestra | T-905.380.384-2 | |
| 7-9 | Bachianas Brasileiras No. 5, W389: Danza (Martelo) | — | ||
| 7-10 | Vocalise, op. 34 no 14 | Anna Moffo, American Symphony Orchestra, Leopold Stokowski | T-900.222.366-7 | |
| 8-1 | Symphony No. 9, Op. 95 ("From the New World") in E Minor: Adagio; Allegro molto | — | ||
| 8-2 | Symphony No. 9, Op. 95 ("From the New World") in E Minor: Largo | — | ||
| 8-3 | Symphony No. 9, Op. 95 ("From the New World") in E Minor: Scherzo: Molto vivace | — | ||
| 8-4 | Symphony No. 9, Op. 95 ("From the New World") in E Minor: Allegro con fuoco | — | ||
| 8-5 | Má vlast: The Moldau (Vlatava), No. 2 | — | ||
| 8-6 | The Bartered Bride: Overture | — | ||
| 9-1 | Symphony No. 6, Op. 74 "Pathétique" in B Minor: Adagio; Allegro non troppo | — | ||
| 9-2 | Symphony No. 6, Op. 74 "Pathétique" in B Minor: Allegro con grazia | — | ||
| 9-3 | Symphony No. 6, Op. 74 "Pathétique" in B Minor: Allegro molto vivace | — | ||
| 9-4 | Symphony No. 6, Op. 74 "Pathétique" in B Minor: Adagio lamentoso | — | ||
| 9-5 | Roumanian Rhapsody No. 1 in A Major, Op. 11 | — | ||
| 9-6 | Hungarian Rhapsody No. 2 in C-Sharp Minor | — | ||
| 10-1 | Scheherazade, Op. 35: The Sea and Sinbad's Ship | — | ||
| 10-2 | Scheherazade, Op. 35: The Story of the Kalender Prince | — | ||
| 10-3 | Scheherazade, Op. 35: The Young Prince and the Young Princess | — | ||
| 10-4 | Scheherazade, Op. 35: Festival in Bagdad; The Sea; The Ship Goes to Pieces on a Rock Surmounted by a Bronze Warrior (Shipwreck); Conclusion | — | ||
| 10-5 | Russian Easter Overture, Op. 36 | — | ||
| 11-1 | Partita No. 2 in D Minor, BMV 1004: Chaconne | — | ||
| 11-2 | Partita No. 3 in E for Solo Violin, BWV 1006: Preludio | — | ||
| 11-3 | Ein' feste Burg | — | ||
| 11-4 | Orchestral Suite No. 3, BWV 1068: Aria (Air on the G-String) | — | ||
| 11-5 | Little Fugue in G Minor, BWV 578 | — | ||
| 11-6 | Cantata "Ich steh mit einem Fuß im Grabe", BWV 156: Arioso (Sinfonia) | — | ||
| 11-7 | Sechs Chorale ("Schubler Chorales"): Wachet auf, ruft uns die Stimme, BWV 645 (Sleepers Awake) | — | ||
| 11-8 | Geistliche Gesänge No. 40, BWV 478: Komm, süsser Tod | — | ||
| 11-9 | Music for the Royal Fireworks: Overture | — | ||
| 11-10 | Music for the Royal Fireworks: Bourrée | — | ||
| 11-11 | Music for the Royal Fireworks: La paix: Largo alla siciliana | — | ||
| 11-12 | Music for the Royal Fireworks: La réjouissance: Allegro | — | ||
| 11-13 | Music for the Royal Fireworks: Menuet I and II: Andante | — | ||
| 12-1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 12-2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 12-3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 12-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato | — | ||
| 12-5 | Symphony no. 2 “Resurrection”: I. Allegro maestoso | — | ||
| 13-1 | Symphony no. 2 “Resurrection”: II. Andante moderato | — | ||
| 13-2 | Symphony no. 2 “Resurrection”: III. In ruhig fliessender Bewegung | — | ||
| 13-3 | Symphony no. 2 “Resurrection”: IV. Urlicht. Sehr feierlichm, aber schlicht (Choralmässig) | — | ||
| 13-4 | Symphony no. 2 “Resurrection”: V. Im Tempo des Scherzos; Wild herausfahrend | — | ||
| 13-5 | Symphony no. 2 “Resurrection”: V. Langsam | — | ||
| 13-6 | Symphony no. 2 “Resurrection”: V. Langsam (Quasi l’istesso tempo) | — | ||
| 13-7 | Symphony no. 2 “Resurrection”: V. Wieder zurückhaltend | — | ||
| 13-8 | Symphony no. 2 “Resurrection”: V. Sehr langsam und gedehnt “Der grosse Appell” | — | ||
| 13-9 | Symphony no. 2 “Resurrection”: V. Langsam. Misterioso “Auferstehn…” | — | ||
| 13-10 | Symphony no. 2 “Resurrection”: V. Etwas bewegter “O glaube…” | — | ||
| 14-1 | Toccata and Fugue, BWV 565, in D Minor: Toccata | — | ||
| 14-2 | Toccata and Fugue, BWV 565, in D Minor: Fugue | — | ||
| 14-3 | Toccata and Fugue-Rehearsal: Toccata (excerpt) | — | ||
| 14-4 | Toccata and Fugue-Rehearsal: Toccata and Fugue (exerpts) | — | ||
| 14-5 | Toccata and Fugue-Rehearsal: Fugue (excerpt) | — | ||
| 14-6 | Rienzi: Overture (Rehearsal) | — | ||
| 14-7 | Rienzi: Overture (Alternative ending) | — | ||
| 14-8 | Symphony No. 6, Op. 68, in F "Pastoral": Gewitter, Sturm (excerpt) | — | ||
| 14-9 | Symphony No. 6, Op. 68, in F "Pastoral": Frohe, dankbare Gefühle nach dem Sturm (excerpt) | — | ||
| 14-10 | Symphony No. 2 in C Minor ("Resurrection"): In ruhig fließender Bewegung (excerpt) (Rehearsal) | — | ||
| 14-11 | Symphony No. 2 in C Minor ("Resurrection"): Urlicht-Sehr feierlich, aber schlicht (excerpt) (Rehearsal) | — | ||
| 14-12 | Symphony No. 2 in C Minor ("Resurrection"): Urlicht; Im Tempo des Scherzos; Wild herausfahrend (excerpt) (Rehearsal) | — |
Musical Works (ISWC)
Identifier Graph
886919168525 is a Universal Product Code (UPC) assigned to Leopold Stokowski: The Stereo Collection 1954 -1975 by Leopold Stokowski. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 128 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Leopold Stokowski: The Stereo Collection 1954 -1975” by Leopold Stokowski is 886919168525. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: RCA Red Seal. This release contains 128 tracks, each with its own ISRC. Tracks include USBC16100148, USBC19606508, USBC19606510.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No. 3, Op. 55 "Eroica" in E-Flat: Allegro con brio | — | ||
| 2 | Symphony No. 3, Op. 55 "Eroica" in E-Flat: Marcia funebre: Adagio assai | — | ||
| 3 | Symphony No. 3, Op. 55 "Eroica" in E-Flat: Scherzo: Allegro vivace; Trio | — | ||
| 4 | Symphony No. 3, Op. 55 "Eroica" in E-Flat: Finale: Allegro molto; Poco andante; Presto | — | ||
| 5 | Coriolan Overture, Op. 62 | — | ||
| 6 | Academic Festival Overture, Op. 80 | — | ||
| 7 | Stokowski speaks to the orchestra | — | ||
| 2-1 | Symphony no. 6 in B minor, op. 54: I. Largo | — | ||
| 2-2 | Symphony no. 6 in B minor, op. 54: II. Allegro | — | ||
| 2-3 | Symphony no. 6 in B minor, op. 54: III. Presto | — | ||
| 2-4 | The Age of Gold Suite, op. 22a: I. Introduction | — | ||
| 2-5 | The Age of Gold Suite, op. 22a: II. Adagio | — | ||
| 2-6 | The Age of Gold Suite, op. 22a: III. Polka | — | ||
| 2-7 | The Age of Gold Suite, op. 22a: IV. Dance | — | ||
| 2-8 | Symphony no. 3 (Symphony Poem) | — | ||
| 3-1 | Sebastian (Ballet Suite): Adagio | — | ||
| 3-2 | Sebastian (Ballet Suite): Barcarolle | — | ||
| 3-3 | Sebastian (Ballet Suite): Street Fight | — | ||
| 3-4 | Sebastian (Ballet Suite): Cortège | — | ||
| 3-5 | Sebastian (Ballet Suite): Sebastian's Dance | — | ||
| 3-6 | Sebastian (Ballet Suite): The Courtesan's Dance | — | ||
| 3-7 | Sebastian (Ballet Suite): Pavane | — | ||
| 3-8 | Romeo and Juliet (Selections): Romeo at the Fountain | — | ||
| 3-9 | Romeo and Juliet (Selections): Juliet | — | ||
| 3-10 | Romeo and Juliet (Selections): Romeo and Juliet | — | ||
| 3-11 | Romeo and Juliet (Selections): Romeo at Juliet's Tomb | — | ||
| 3-12 | Romeo and Juliet (Selections): Juliet's Death | — | ||
| 4-1 | Die Walküre: Act III: Ride of the Valkyries | — | ||
| 4-2 | Tristan und Isolde: Act III: Prelude | — | ||
| 4-3 | Das Rheingold: Act I: Entrance of the Gods into Valhalla | — | ||
| 4-4 | Tannhäuser: Overture | — | ||
| 4-5 | Tannhäuser: Venusberg Music | — | ||
| 4-6 | Rienzi: Overture | — | ||
| 4-7 | Die Walküre: Act III: Magic Fire Music | — | ||
| 5-1 | Die Meistersinger von Nürnberg: Act III: Prelude | — | ||
| 5-2 | Die Meistersinger von Nürnberg: Act III: Dance of the Apprentices | — | ||
| 5-3 | Die Meistersinger von Nürnberg: Act III: Procession of the Meistersingers | — | ||
| 5-4 | Tristan und Isolde: Prelude | — | ||
| 5-5 | Tristan und Isolde: Act III: Liebestod | — | ||
| 5-6 | Götterdämmerung: Prologue: Siegfried's Rhine Journey | — | ||
| 5-7 | Götterdämmerung: Act III: Siegfrieds Funeral March | — | ||
| 5-8 | Götterdämmerung: Act III: Brünnhilde's Immolation | — | ||
| 6-1 | The Heavens Are Telling (Die Ehre Gottes aus der Natur), Op. 48, No. 4 | — | ||
| 6-2 | Deep River | — | ||
| 6-3 | Serse, HWV 40: Act I: Ombra mai fu | — | ||
| 6-4 | Hänsel und Gretel: Evening Prayer | — | ||
| 6-5 | Jesu, Joy of Man's Desiring | The Norman Luboff Choir, New Symphony Orchestra of London, Leopold Stokowski | — | |
| 6-6 | Songs, Op. 34: No. 14, Vocalise | — | ||
| 6-7 | Praise God from Whom All Blessings Flow (Doxology-Old Hundredth) | — | ||
| 6-8 | Tannhäuser: Pilgrims' Chorus | — | ||
| 6-9 | Cantata No. 208: Sheep May Safely Graze | — | ||
| 6-10 | Sacred Pieces for Unaccompanied Mixed Chorus: Pater Noster (No. 6) | — | ||
| 6-11 | Orfeo ed Euridice: O Saviour, Hear Me | — | ||
| 6-12 | Water Music Suite No. 1 in F Major, HWV 348: Menuet for Horn | — | ||
| 6-13 | Water Music Suite No. 1 in F Major, HWV 348: Andante | — | ||
| 6-14 | Water Music Suite No. 1 in F Major, HWV 348: Allegro | — | ||
| 6-15 | Water Music Suite No. 1 in F Major, HWV 348: Adagio e staccato | — | ||
| 6-16 | Water Music Suite No. 1 in F Major, HWV 348: Bouree | — | ||
| 6-17 | Water Music Suite No. 1 in F Major, HWV 348: Hornpipe | — | ||
| 6-18 | Water Music Suite No. 1 in F Major, HWV 348: VI. Air | — | ||
| 6-19 | Water Music Suite No. 1 in F Major, HWV 348: Alla Hornpipe | — | ||
| 7-1 | Chants d'Auvergne: L'Antouènou (Vol. II, No. 2) | — | ||
| 7-2 | Chants d'Auvergne: Pastourelle (Vol. II, No. 1) | — | ||
| 7-3 | Chants d'Auvergne: L'aîo dé rotso (Vol. I, No. 3a) | — | ||
| 7-4 | Chants d'Auvergne: Baîlèro (Vol. I, No. 2) | — | ||
| 7-5 | Chants d'Auvergne: Passo pel prat (Vol. III, No. 2) | — | ||
| 7-6 | Chants d'Auvergne: Malurous qu'o uno fenno (Vol. III, No. 5) | — | ||
| 7-7 | Chants d'Auvergne: Brezairola (Vol. III, No. 4) | — | ||
| 7-8 | Bachianas Brasileiras no. 5: Aria (cantilena) | Anna Moffo, American Symphony Orchestra | T-905.380.384-2 | |
| 7-9 | Bachianas Brasileiras No. 5, W389: Danza (Martelo) | — | ||
| 7-10 | Vocalise, op. 34 no 14 | Anna Moffo, American Symphony Orchestra, Leopold Stokowski | T-900.222.366-7 | |
| 8-1 | Symphony No. 9, Op. 95 ("From the New World") in E Minor: Adagio; Allegro molto | — | ||
| 8-2 | Symphony No. 9, Op. 95 ("From the New World") in E Minor: Largo | — | ||
| 8-3 | Symphony No. 9, Op. 95 ("From the New World") in E Minor: Scherzo: Molto vivace | — | ||
| 8-4 | Symphony No. 9, Op. 95 ("From the New World") in E Minor: Allegro con fuoco | — | ||
| 8-5 | Má vlast: The Moldau (Vlatava), No. 2 | — | ||
| 8-6 | The Bartered Bride: Overture | — | ||
| 9-1 | Symphony No. 6, Op. 74 "Pathétique" in B Minor: Adagio; Allegro non troppo | — | ||
| 9-2 | Symphony No. 6, Op. 74 "Pathétique" in B Minor: Allegro con grazia | — | ||
| 9-3 | Symphony No. 6, Op. 74 "Pathétique" in B Minor: Allegro molto vivace | — | ||
| 9-4 | Symphony No. 6, Op. 74 "Pathétique" in B Minor: Adagio lamentoso | — | ||
| 9-5 | Roumanian Rhapsody No. 1 in A Major, Op. 11 | — | ||
| 9-6 | Hungarian Rhapsody No. 2 in C-Sharp Minor | — | ||
| 10-1 | Scheherazade, Op. 35: The Sea and Sinbad's Ship | — | ||
| 10-2 | Scheherazade, Op. 35: The Story of the Kalender Prince | — | ||
| 10-3 | Scheherazade, Op. 35: The Young Prince and the Young Princess | — | ||
| 10-4 | Scheherazade, Op. 35: Festival in Bagdad; The Sea; The Ship Goes to Pieces on a Rock Surmounted by a Bronze Warrior (Shipwreck); Conclusion | — | ||
| 10-5 | Russian Easter Overture, Op. 36 | — | ||
| 11-1 | Partita No. 2 in D Minor, BMV 1004: Chaconne | — | ||
| 11-2 | Partita No. 3 in E for Solo Violin, BWV 1006: Preludio | — | ||
| 11-3 | Ein' feste Burg | — | ||
| 11-4 | Orchestral Suite No. 3, BWV 1068: Aria (Air on the G-String) | — | ||
| 11-5 | Little Fugue in G Minor, BWV 578 | — | ||
| 11-6 | Cantata "Ich steh mit einem Fuß im Grabe", BWV 156: Arioso (Sinfonia) | — | ||
| 11-7 | Sechs Chorale ("Schubler Chorales"): Wachet auf, ruft uns die Stimme, BWV 645 (Sleepers Awake) | — | ||
| 11-8 | Geistliche Gesänge No. 40, BWV 478: Komm, süsser Tod | — | ||
| 11-9 | Music for the Royal Fireworks: Overture | — | ||
| 11-10 | Music for the Royal Fireworks: Bourrée | — | ||
| 11-11 | Music for the Royal Fireworks: La paix: Largo alla siciliana | — | ||
| 11-12 | Music for the Royal Fireworks: La réjouissance: Allegro | — | ||
| 11-13 | Music for the Royal Fireworks: Menuet I and II: Andante | — | ||
| 12-1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 12-2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 12-3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 12-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato | — | ||
| 12-5 | Symphony no. 2 “Resurrection”: I. Allegro maestoso | — | ||
| 13-1 | Symphony no. 2 “Resurrection”: II. Andante moderato | — | ||
| 13-2 | Symphony no. 2 “Resurrection”: III. In ruhig fliessender Bewegung | — | ||
| 13-3 | Symphony no. 2 “Resurrection”: IV. Urlicht. Sehr feierlichm, aber schlicht (Choralmässig) | — | ||
| 13-4 | Symphony no. 2 “Resurrection”: V. Im Tempo des Scherzos; Wild herausfahrend | — | ||
| 13-5 | Symphony no. 2 “Resurrection”: V. Langsam | — | ||
| 13-6 | Symphony no. 2 “Resurrection”: V. Langsam (Quasi l’istesso tempo) | — | ||
| 13-7 | Symphony no. 2 “Resurrection”: V. Wieder zurückhaltend | — | ||
| 13-8 | Symphony no. 2 “Resurrection”: V. Sehr langsam und gedehnt “Der grosse Appell” | — | ||
| 13-9 | Symphony no. 2 “Resurrection”: V. Langsam. Misterioso “Auferstehn…” | — | ||
| 13-10 | Symphony no. 2 “Resurrection”: V. Etwas bewegter “O glaube…” | — | ||
| 14-1 | Toccata and Fugue, BWV 565, in D Minor: Toccata | — | ||
| 14-2 | Toccata and Fugue, BWV 565, in D Minor: Fugue | — | ||
| 14-3 | Toccata and Fugue-Rehearsal: Toccata (excerpt) | — | ||
| 14-4 | Toccata and Fugue-Rehearsal: Toccata and Fugue (exerpts) | — | ||
| 14-5 | Toccata and Fugue-Rehearsal: Fugue (excerpt) | — | ||
| 14-6 | Rienzi: Overture (Rehearsal) | — | ||
| 14-7 | Rienzi: Overture (Alternative ending) | — | ||
| 14-8 | Symphony No. 6, Op. 68, in F "Pastoral": Gewitter, Sturm (excerpt) | — | ||
| 14-9 | Symphony No. 6, Op. 68, in F "Pastoral": Frohe, dankbare Gefühle nach dem Sturm (excerpt) | — | ||
| 14-10 | Symphony No. 2 in C Minor ("Resurrection"): In ruhig fließender Bewegung (excerpt) (Rehearsal) | — | ||
| 14-11 | Symphony No. 2 in C Minor ("Resurrection"): Urlicht-Sehr feierlich, aber schlicht (excerpt) (Rehearsal) | — | ||
| 14-12 | Symphony No. 2 in C Minor ("Resurrection"): Urlicht; Im Tempo des Scherzos; Wild herausfahrend (excerpt) (Rehearsal) | — |
