UPC · Release
Barbirolli, Böhm, Britten, Cherkassky, Gilels, Horenstein, Jochum, Jurinac, Kempff, Ludwig, Monteux, Richter, Rostropovich, Rozhdestvensky, Sargent, Serkin, Solti, Stokowski, Svetlanov, Szeryng, Tennstedt
Last verified:
The UPC for “BBC Legends Volume 3” by Barbirolli, Böhm, Britten, Cherkassky, Gilels, Horenstein, Jochum, Jurinac, Kempff, Ludwig, Monteux, Richter, Rostropovich, Rozhdestvensky, Sargent, Serkin, Solti, Stokowski, Svetlanov, Szeryng, Tennstedt is 5060244551671. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2022-12-04. Label: ica Classics. This release contains 248 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 2 in B-flat major D.125: I Largo - Allegro vivace | — | ||
| 2 | Symphony no. 2 in B-flat major D.125: II Andante | — | ||
| 3 | Symphony no. 2 in B-flat major D.125: III Menuetto: Allegro vivace - Trio | — | ||
| 4 | Symphony no. 2 in B-flat major D.125: IV Presto vivace | — | ||
| 5 | Symphony no. 2 in D major op. 73: I Allegro non troppo | — | ||
| 6 | Symphony no. 2 in D major op. 73: II Adagio non troppo | — | ||
| 7 | Symphony no. 2 in D major op. 73: III Allegretto grazioso (quasi andantino) - Presto ma non assai | — | ||
| 8 | Symphony no. 2 in D major op. 73: IV Allegro con spirito | — | ||
| 2-1 | Introduction and Allegro, op. 47 | — | ||
| 2-2 | Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice - Allegro | — | ||
| 2-3 | Symphony no. 1 in A-flat major, op. 55: II. Allegro molto | — | ||
| 2-4 | Symphony no. 1 in A-flat major, op. 55: III. Adagio | — | ||
| 2-5 | Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro | — | ||
| 3-1 | Vier letzte Lieder: Frühling | — | ||
| 3-2 | Vier letzte Lieder: September | — | ||
| 3-3 | Vier letzte Lieder: Beim Schlfengehen | — | ||
| 3-4 | Vier letzte Lieder: Im Abendrot | — | ||
| 3-5 | Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht | — | ||
| 3-6 | Lieder eines fahrenden Gesellen: Ging heut morgen übers Feld | — | ||
| 3-7 | Lieder eines fahrenden Gesellen: Ich hab ein glühend Messer | — | ||
| 3-8 | Lieder eines fahrenden Gesellen: Die zwei blauen Augen | — | ||
| 3-9 | Songs after poems by Friedrich Rückert: Ich armet' einen linden Duft | — | ||
| 3-10 | Songs after poems by Friedrich Rückert: Ich bin der Welt abhanden gekommen | — | ||
| 3-11 | Songs after poems by Friedrich Rückert: Um Mitternacht | — | ||
| 3-12 | Du meines Herzens Krönelein, op. 21 no. 2 | — | ||
| 3-13 | Ruhe, meine Seele, op. 27 no. 1 | — | ||
| 3-14 | Zueignung, op. 106 no. 1 | — | ||
| 3-15 | Wiegenlied, op. 49 no. 4 | — | ||
| 3-16 | Ständchen, op. 106 no 1 | — | ||
| 4-1 | Anacréon: Ouverture | — | ||
| 4-2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I Allegro con brio | — | ||
| 4-3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II Marcia funebre. Adagio assai | — | ||
| 4-4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III Scherzo. Allegro vivace | — | ||
| 4-5 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV Finale. Allegro molto | — | ||
| 4-6 | Don Juan, op. 20 | — | ||
| 4-7 | La Damnation de Faust, op. 24: Marche hongroise (Marche de Rákóczy) | — | ||
| 5-1 | Chromatic Fantasia and Fugue in D minor, BWV 903: I. Fantasia - Recitativo | — | ||
| 5-2 | Chromatic Fantasia and Fugue in D minor, BWV 903: II. Fuga | — | ||
| 5-3 | Piano Sonata no. 22 in F major, op. 54: I. In tempo d'un Menuetto | — | ||
| 5-4 | Piano Sonata no. 22 in F major, op. 54: II. Allegretto | — | ||
| 5-5 | Piano Sonata in F minor, D. 625: I. Allegro | — | ||
| 5-6 | Piano Sonata in F minor, D. 625: II. Scherzo. Allegretto | — | ||
| 5-7 | Piano Sonata in F minor, D. 625: III. Allegro | — | ||
| 5-8 | Three Piano Pieces, D. 946: No. 1. Allegro assai - Andante - Tempo I - Andantino - Tempo I | — | ||
| 5-9 | Three Piano Pieces, D. 946: No. 2. Allegretto | — | ||
| 5-10 | Three Piano Pieces, D. 946: No. 3. Allegro | — | ||
| 5-11 | Four Impromptus for Piano, D. 899: No. 3. Andante | — | ||
| 5-12 | Four Impromptus for Piano, D. 899: No. 4. Allegretto | — | ||
| 6-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | — | ||
| 6-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato | — | ||
| 6-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo - attacca | — | ||
| 6-4 | Symphony no. 2 in D major, op. 43: IV Finale. Allegro moderato | — | ||
| 6-5 | The Sleeping Beauty Suite, op. 66: Introduction | — | ||
| 6-6 | The Sleeping Beauty Suite, op. 66: Prologue: no. 3. Pas de six - Variation IV: Canari qui chante | — | ||
| 6-7 | The Sleeping Beauty Suite, op. 66: Act I, no. 6. Valse | — | ||
| 6-8 | The Sleeping Beauty Suite, op. 66: Act I, no. 8. Pas d'action | — | ||
| 6-9 | The Sleeping Beauty Suite, op. 66: Act III, no. 22. Polacca | — | ||
| 6-10 | The Sleeping Beauty Suite, op. 66: Act III, no. 23. Pas de quatre: Allegro non tanto | — | ||
| 6-11 | The Sleeping Beauty Suite, op. 66: Act III, no. 25. Pas de quatre: Adagio | — | ||
| 6-12 | The Sleeping Beauty Suite, op. 66: Act III, no. 28. Pas de deux: Adagio | — | ||
| 6-13 | The Sleeping Beauty Suite, op. 66: Act III, no. 30. Finale - Apothéose | — | ||
| 6-14 | Egmont: Overture, op. 84 | — | ||
| 7-1 | A Faust Symphony, S108: I. Faust | — | ||
| 7-2 | A Faust Symphony, S108: II. Gretchen | — | ||
| 7-3 | A Faust Symphony, S108: III. Mephistopheles | — | ||
| 7-4 | A Faust Symphony, S108: IV. Chorus mysticus | — | ||
| 8-1 | Requiem in D minor, K626: I. Introitus: Requiem aeternam (Chorus, Soprano I) | — | ||
| 8-2 | Requiem in D minor, K626: II. Kyrie (Chorus) | — | ||
| 8-3 | Requiem in D minor, K626: III. Sequentia: Dies irae (Chorus) | — | ||
| 8-4 | Requiem in D minor, K626: III. Sequentia: Tuba mirum (Soprano I/II, Tenor, Bass) | — | ||
| 8-5 | Requiem in D minor, K626: III. Sequentia: Rex tremendae (Chorus) | — | ||
| 8-6 | Requiem in D minor, K626: III. Sequentia: Recordare (Soprano, I/II, Tenor, Bass) | — | ||
| 8-7 | Requiem in D minor, K626: III. Sequentia: Confutatis (Chorus) | — | ||
| 8-8 | Requiem in D minor, K626: III. Sequentia: Lucrimosa (Chorus) | — | ||
| 8-9 | Requiem in D minor, K626: IV. Offertorium: Domine Jesu (Soprano I/II, Tenor, Bass) | — | ||
| 8-10 | Requiem in D minor, K626: IV. Offertorium: Hostias (Chorus) | — | ||
| 8-11 | Requiem in D minor, K626: V. Sanctus (Chorus) | — | ||
| 8-12 | Requiem in D minor, K626: VI. Benedictus (Soprano I/II, Tenor, bass, Chorus) | — | ||
| 8-13 | Requiem in D minor, K626: VII. Agnus Dei (Chorus) | — | ||
| 8-14 | Requiem in D minor, K626: VIII. Communio: Lux aeterna (Soprano I, Chorus) | — | ||
| 8-15 | Benjamin Britten in conversation with Donald Mitchell: Opera | — | ||
| 8-16 | Benjamin Britten in conversation with Donald Mitchell: Composing | — | ||
| 8-17 | Benjamin Britten in conversation with Donald Mitchell: Dreams | — | ||
| 8-18 | Benjamin Britten in conversation with Donald Mitchell: Teaching | — | ||
| 8-19 | Benjamin Britten in conversation with Donald Mitchell: Map-reading | — | ||
| 9-1 | Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | — | ||
| 9-2 | Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto — Maggiore | — | ||
| 9-3 | Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro Comodo | — | ||
| 9-4 | Piano Sonata no. 10 in G major, op. 14 no. 2: I. Allegro | — | ||
| 9-5 | Piano Sonata no. 10 in G major, op. 14 no. 2: II. Andante | — | ||
| 9-6 | Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro Assai | — | ||
| 9-7 | "Wanderer" Fantasy in C major, D. 760 | — | ||
| 9-8 | Theme and Variations on the Name "Abegg," op. 1 | — | ||
| 9-9 | Faschingsschwank Aus Wien, op. 26: No. 1. Allegro. Sehr Lebhaft | — | ||
| 9-10 | Faschingsschwank Aus Wien, op. 26: No. 2. Romanze. Ziemlich Langsam | — | ||
| 9-11 | Faschingsschwank Aus Wien, op. 26: No. 3. Scherzino | — | ||
| 9-12 | Faschingsschwank Aus Wien, op. 26: No. 4. Intermezzo. Mit Größter Energie | — | ||
| 9-13 | Faschingsschwank Aus Wien, op. 26: No. 5. Finale. Höchst Lebhaft | — | ||
| 9-14 | Étude in C-sharp minor, op. 10 no. 4 | — | ||
| 10-1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | — | ||
| 10-2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace | — | ||
| 10-3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile | — | ||
| 10-4 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – Allegro assai | — | ||
| 10-5 | Symphony no. 9 in D minor, op. 125 “Choral”: Rezitativo: “O Freunde, nicht diese Töne!” – Allegro assai | — | ||
| 11-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro Non Troppo E Molto Maestoso Allegro Con Spirito | — | ||
| 11-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino Semplice Prestissimo Tempo I | — | ||
| 11-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro Con Fuoco | — | ||
| 11-4 | Pictures at an Exhibition: Promenade | — | ||
| 11-5 | Pictures at an Exhibition: I. the Gnome | — | ||
| 11-6 | Pictures at an Exhibition: Promenade | — | ||
| 11-7 | Pictures at an Exhibition: II. the Old Castle | — | ||
| 11-8 | Pictures at an Exhibition: Promenade | — | ||
| 11-9 | Pictures at an Exhibition: III. Tuileries | — | ||
| 11-10 | Pictures at an Exhibition: IV. Bydlo | — | ||
| 11-11 | Pictures at an Exhibition: Promenade | — | ||
| 11-12 | Pictures at an Exhibition: V. Ballet of the Unhatched Chicks | — | ||
| 11-13 | Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle | — | ||
| 11-14 | Pictures at an Exhibition: Promenade | — | ||
| 11-15 | Pictures at an Exhibition: VII. the Market Place at Limoges | — | ||
| 11-16 | Pictures at an Exhibition: VIII. Catacombae: Sepulchrum Romanum | — | ||
| 11-17 | Pictures at an Exhibition: Cum Mortuis in Lingua Mortua | — | ||
| 11-18 | Pictures at an Exhibition: IX. the Hut on Fowl's Legs (Baba-Yaga) | — | ||
| 11-19 | Pictures at an Exhibition: X. the Great Gate of Kiev | — | ||
| 11-20 | Prélude pathétique | — | ||
| 11-21 | Flight of the Bumble-Bee | — | ||
| 12-1 | Symphony in G major, Hob. I:100 "Military": I. Adagio - Allegro | — | ||
| 12-2 | Symphony in G major, Hob. I:100 "Military": II. Allegretto | — | ||
| 12-3 | Symphony in G major, Hob. I:100 "Military": III. Menuet. Moderato - Trio | — | ||
| 12-4 | Symphony in G major, Hob. I:100 "Military": IV. Finale. Presto | — | ||
| 12-5 | Symphony in D major, Hob. I:101 "The Clock": I. Adagio - Presto | — | ||
| 12-6 | Symphony in D major, Hob. I:101 "The Clock": II. Andante | — | ||
| 12-7 | Symphony in D major, Hob. I:101 "The Clock": III. Menuet. Allegretto - Trio | — | ||
| 12-8 | Symphony in D major, Hob. I:101 "The Clock": IV. Finale. Vivace | — | ||
| 12-9 | Symphonic Metamorphosis on Themes by Carl Maria von Weber: I. Allegro | — | ||
| 12-10 | Symphonic Metamorphosis on Themes by Carl Maria von Weber: II. Scherzo (Turandot: Scherzo) | — | ||
| 12-11 | Symphonic Metamorphosis on Themes by Carl Maria von Weber: III. Andantino | — | ||
| 12-12 | Symphonic Metamorphosis on Themes by Carl Maria von Weber: IV. Marsch | — | ||
| 13-1 | Capriccio sopra la lontananza del suo fratello dilettissimo in B-flat major, BWV 993 | — | ||
| 13-2 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: I. Thema | — | ||
| 13-3 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: II. Variation 1 | — | ||
| 13-4 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: III. Variation 2 | — | ||
| 13-5 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: IV. Variation 3 | — | ||
| 13-6 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: V. Variation 4 | — | ||
| 13-7 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: VI. Variation 5 | — | ||
| 13-8 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: VII. Variation 6 | — | ||
| 13-9 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: VIII. Variation 7 | — | ||
| 13-10 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: IX. Variation 8 | — | ||
| 13-11 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: X. Variation 9 | — | ||
| 13-12 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: XI. Variation 10 | — | ||
| 13-13 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: XII. Variation 11 | — | ||
| 13-14 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: XIII. Variation 12 | — | ||
| 13-15 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: XIV. Variation 13 | — | ||
| 13-16 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: XV. Variation 14 | — | ||
| 13-17 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: XVI. Fugue | — | ||
| 13-18 | Piano Sonata No. 24 in F-sharp major, Op. 78: I. Adagio cantabile - Allegro ma non troppo | — | ||
| 13-19 | Piano Sonata No. 24 in F-sharp major, Op. 78: II. Allegro vivace | — | ||
| 13-20 | Piano Sonata No. 21 in C major, Op. 53, "Waldstein": I. Allegro con brio | — | ||
| 13-21 | Piano Sonata No. 21 in C major, Op. 53, "Waldstein": II. Introduzione: Adagio molto | — | ||
| 13-22 | Piano Sonata No. 21 in C major, Op. 53, "Waldstein": III. Rondo: Allegretto moderato - Prestissimo | — | ||
| 14-1 | Symphony no. 8 in C minor, op. 65: I. Adagio - Allegro non troppo - Allegro - Adagio | — | ||
| 14-2 | Symphony no. 8 in C minor, op. 65: II. Allegretto | — | ||
| 14-3 | Symphony no. 8 in C minor, op. 65: III. Allegro non troppo - attacca: | — | ||
| 14-4 | Symphony no. 8 in C minor, op. 65: IV. Largo - attacca: | — | ||
| 14-5 | Symphony no. 8 in C minor, op. 65: V. Allegretto - Allegro - Adagio - Allegretto | — | ||
| 15-1 | Oberon: Overture | — | ||
| 15-2 | Symphony no.9 in C Major, D944 "The Great": I. Allegro ma non troppo | — | ||
| 15-3 | Symphony no.9 in C Major, D944 "The Great": II. Andante con moto | — | ||
| 15-4 | Symphony no.9 in C Major, D944 "The Great": III. Scherzo. Allegro vivace - Trio | — | ||
| 15-5 | Symphony no.9 in C Major, D944 "The Great": IV. Finale. Allegro vivace | — | ||
| 15-6 | Tragic Overture, op. 81 | — | ||
| 16-1 | Cello Concerto no. 1 in C major, Hob.VIIb:I - I. Moderato | — | ||
| 16-2 | Cello Concerto no. 1 in C major, Hob.VIIb:I - II. Adagio | — | ||
| 16-3 | Cello Concerto no. 1 in C major, Hob.VIIb:I - III. Finale. Allegro molto | — | ||
| 16-4 | Cello Concerto no. 1 in A minor, op. 33 - I. Allegro non troppo - | — | ||
| 16-5 | Cello Concerto no. 1 in A minor, op. 33 - II. Allegretto con moto - | — | ||
| 16-6 | Cello Concerto no. 1 in A minor, op. 33 - III. Tempo I - Un peu moins | — | ||
| 16-7 | Cello Concerto in E minor, op. 85 - I. Adagio - Moderato | — | ||
| 16-8 | Cello Concerto in E minor, op. 85 - II. Lento - Allegro molto | — | ||
| 16-9 | Cello Concerto in E minor, op. 85 - III. Adagio | — | ||
| 16-10 | Cello Concerto in E minor, op. 85 - IV. Allegro - Moderato - Allegro, ma non troppo | — | ||
| 17-1 | The Nutcracker, op. 71: Act II: The Enchanted Palace of the Kingdom of Sweets | — | ||
| 17-2 | The Nutcracker, op. 71: Act II: Arrival of Clara and the Nutcracker | — | ||
| 17-3 | The Nutcracker, op. 71: Act II: Divertissement: A. Chocolate Spanish Dance | — | ||
| 17-4 | The Nutcracker, op. 71: Act II: Divertissement: B. Coffee Arabian Dance | — | ||
| 17-5 | The Nutcracker, op. 71: Act II: Divertissement: C. Tea Chinese Dance | — | ||
| 17-6 | The Nutcracker, op. 71: Act II: Divertissement: D. Trepak Russian Dance | — | ||
| 17-7 | The Nutcracker, op. 71: Act II: Divertissement: E. Dance of the Toy Flutes | — | ||
| 17-8 | The Nutcracker, op. 71: Act II: Divertissement: F. Mother Gigogne and the Clowns | — | ||
| 17-9 | The Nutcracker, op. 71: Act II: Waltz of the Flowers | — | ||
| 17-10 | The Nutcracker, op. 71: Act II: Pas de Deux: the Prince and the Sugar Plum Fairy | — | ||
| 17-11 | The Nutcracker, op. 71: Act II: Variation 1: Tarantella | — | ||
| 17-12 | The Nutcracker, op. 71: Act II: Variation 2: Dance of the Sugar Plum Fairy Coda | — | ||
| 17-13 | The Nutcracker, op. 71: Act II: Final Waltz and Apotheosis | — | ||
| 17-14 | The Bolt Suite, op. 27a: Overture | — | ||
| 17-15 | The Bolt Suite, op. 27a: The Bureaucrat (Polka) | — | ||
| 17-16 | The Bolt Suite, op. 27a: Intermezzo | — | ||
| 17-17 | The Bolt Suite, op. 27a: The Drayman's Dance | — | ||
| 17-18 | Scènes de ballet: Introduction | — | ||
| 17-19 | Scènes de ballet: Danses (Corps de Ballet) Variations (Ballerina) | — | ||
| 17-20 | Scènes de ballet: Pantomime | — | ||
| 17-21 | Scènes de ballet: Pas de Deux | — | ||
| 17-22 | Scènes de ballet: Pantomime | — | ||
| 17-23 | Scènes de ballet: Variation (Danses) Variation (Ballerina) | — | ||
| 17-24 | Scènes de ballet: Pantomime | — | ||
| 17-25 | Scènes de ballet: Danses (Corps de Ballet) | — | ||
| 17-26 | Scènes de ballet: Apotheose | — | ||
| 18-1 | Concerto for Violin and Orchestra no. 3 in G major, K. 216: I. Allegro | — | ||
| 18-2 | Concerto for Violin and Orchestra no. 3 in G major, K. 216: II. Adagio | — | ||
| 18-3 | Concerto for Violin and Orchestra no. 3 in G major, K. 216: III. Rondeau: Allegro | — | ||
| 18-4 | Le quattro stagioni: Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | — | ||
| 18-5 | Le quattro stagioni: Concerto in E major, op. 8 no. 1, RV 269 "La primavera": II. Largo | — | ||
| 18-6 | Le quattro stagioni: Concerto in E major, op. 8 no. 1, RV 269 "La primavera": III. Allegro | — | ||
| 18-7 | Le quattro stagioni: Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molto | — | ||
| 18-8 | Le quattro stagioni: Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": II. Adagio | — | ||
| 18-9 | Le quattro stagioni: Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto | — | ||
| 18-10 | Le quattro stagioni: Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": I. Allegro | — | ||
| 18-11 | Le quattro stagioni: Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio molto | — | ||
| 18-12 | Le quattro stagioni: Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro | — | ||
| 18-13 | Le quattro stagioni: Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": I. Allegro non molto | — | ||
| 18-14 | Le quattro stagioni: Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo | — | ||
| 18-15 | Le quattro stagioni: Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro | — | ||
| 18-16 | Announcement of the Encore | — | ||
| 18-17 | Concerto for 2 Violins in A minor, op. 3 no. 8, RV 522: III. Allegro | — | ||
| 19-1 | Symphony no. 4 in F minor: I. Allegro | BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 19-2 | Symphony no. 4 in F minor: II. Andante moderato | BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 19-3 | Symphony no. 4 in F minor: III. Scherzo: Allegro molto | BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 19-4 | Symphony no. 4 in F minor: IV. Finale con Epilogo fugato: Allegro molto | BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 19-5 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio | BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 19-6 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace | BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 19-7 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 19-8 | Symphony no. 4 in A minor, op. 63: IV. Allegro | BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 20-1 | Sonata in D minor, Kk. 141 | — | ||
| 20-2 | Sonata in F major, Kk. 518 | — | ||
| 20-3 | Sonata in D minor, Kk. 32 | — | ||
| 20-4 | Sonata in F minor, Kk. 466 | — | ||
| 20-5 | Sonata in A major, Kk. 533 | — | ||
| 20-6 | Sonata in B minor, Kk. 27 | — | ||
| 20-7 | Sonata in G major, Kk. 125 | — | ||
| 20-8 | Pour le piano: I. Prelude | — | ||
| 20-9 | Pour le piano: II. Sarabande | — | ||
| 20-10 | Pour le piano: III. Toccata | — | ||
| 20-11 | Images, livre 1: Reflets dans l'eau | — | ||
| 20-12 | Piano Sonata no. 27 in E minor, op. 90: Mit Lebhaftigkeit | — | ||
| 20-13 | Piano Sonata no. 27 in E minor, op. 90: Nicht zu geschwind | — | ||
| 20-14 | Piano Sonata no. 4 in F-sharp major, op. 30: I. Andante | — | ||
| 20-15 | Piano Sonata no. 4 in F-sharp major, op. 30: II. Prestissimo Volando | — | ||
| 20-16 | Six Visions Fugitives, op. 22 | — | ||
| 20-17 | Piano Sonata no. 3 in A minor, op. 28 | — |
Musical Works (ISWC)
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5060244551671 is a Universal Product Code (UPC) assigned to BBC Legends Volume 3 by Barbirolli, Böhm, Britten, Cherkassky, Gilels, Horenstein, Jochum, Jurinac, Kempff, Ludwig, Monteux, Richter, Rostropovich, Rozhdestvensky, Sargent, Serkin, Solti, Stokowski, Svetlanov, Szeryng, Tennstedt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 248 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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The UPC for “BBC Legends Volume 3” by Barbirolli, Böhm, Britten, Cherkassky, Gilels, Horenstein, Jochum, Jurinac, Kempff, Ludwig, Monteux, Richter, Rostropovich, Rozhdestvensky, Sargent, Serkin, Solti, Stokowski, Svetlanov, Szeryng, Tennstedt is 5060244551671. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2022-12-04. Label: ica Classics. This release contains 248 tracks, each with its own ISRC. Tracks include USB8U1017762, USB8U1017763, USB8U1017764.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 2 in B-flat major D.125: I Largo - Allegro vivace | — | ||
| 2 | Symphony no. 2 in B-flat major D.125: II Andante | — | ||
| 3 | Symphony no. 2 in B-flat major D.125: III Menuetto: Allegro vivace - Trio | — | ||
| 4 | Symphony no. 2 in B-flat major D.125: IV Presto vivace | — | ||
| 5 | Symphony no. 2 in D major op. 73: I Allegro non troppo | — | ||
| 6 | Symphony no. 2 in D major op. 73: II Adagio non troppo | — | ||
| 7 | Symphony no. 2 in D major op. 73: III Allegretto grazioso (quasi andantino) - Presto ma non assai | — | ||
| 8 | Symphony no. 2 in D major op. 73: IV Allegro con spirito | — | ||
| 2-1 | Introduction and Allegro, op. 47 | — | ||
| 2-2 | Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice - Allegro | — | ||
| 2-3 | Symphony no. 1 in A-flat major, op. 55: II. Allegro molto | — | ||
| 2-4 | Symphony no. 1 in A-flat major, op. 55: III. Adagio | — | ||
| 2-5 | Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro | — | ||
| 3-1 | Vier letzte Lieder: Frühling | — | ||
| 3-2 | Vier letzte Lieder: September | — | ||
| 3-3 | Vier letzte Lieder: Beim Schlfengehen | — | ||
| 3-4 | Vier letzte Lieder: Im Abendrot | — | ||
| 3-5 | Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht | — | ||
| 3-6 | Lieder eines fahrenden Gesellen: Ging heut morgen übers Feld | — | ||
| 3-7 | Lieder eines fahrenden Gesellen: Ich hab ein glühend Messer | — | ||
| 3-8 | Lieder eines fahrenden Gesellen: Die zwei blauen Augen | — | ||
| 3-9 | Songs after poems by Friedrich Rückert: Ich armet' einen linden Duft | — | ||
| 3-10 | Songs after poems by Friedrich Rückert: Ich bin der Welt abhanden gekommen | — | ||
| 3-11 | Songs after poems by Friedrich Rückert: Um Mitternacht | — | ||
| 3-12 | Du meines Herzens Krönelein, op. 21 no. 2 | — | ||
| 3-13 | Ruhe, meine Seele, op. 27 no. 1 | — | ||
| 3-14 | Zueignung, op. 106 no. 1 | — | ||
| 3-15 | Wiegenlied, op. 49 no. 4 | — | ||
| 3-16 | Ständchen, op. 106 no 1 | — | ||
| 4-1 | Anacréon: Ouverture | — | ||
| 4-2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I Allegro con brio | — | ||
| 4-3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II Marcia funebre. Adagio assai | — | ||
| 4-4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III Scherzo. Allegro vivace | — | ||
| 4-5 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV Finale. Allegro molto | — | ||
| 4-6 | Don Juan, op. 20 | — | ||
| 4-7 | La Damnation de Faust, op. 24: Marche hongroise (Marche de Rákóczy) | — | ||
| 5-1 | Chromatic Fantasia and Fugue in D minor, BWV 903: I. Fantasia - Recitativo | — | ||
| 5-2 | Chromatic Fantasia and Fugue in D minor, BWV 903: II. Fuga | — | ||
| 5-3 | Piano Sonata no. 22 in F major, op. 54: I. In tempo d'un Menuetto | — | ||
| 5-4 | Piano Sonata no. 22 in F major, op. 54: II. Allegretto | — | ||
| 5-5 | Piano Sonata in F minor, D. 625: I. Allegro | — | ||
| 5-6 | Piano Sonata in F minor, D. 625: II. Scherzo. Allegretto | — | ||
| 5-7 | Piano Sonata in F minor, D. 625: III. Allegro | — | ||
| 5-8 | Three Piano Pieces, D. 946: No. 1. Allegro assai - Andante - Tempo I - Andantino - Tempo I | — | ||
| 5-9 | Three Piano Pieces, D. 946: No. 2. Allegretto | — | ||
| 5-10 | Three Piano Pieces, D. 946: No. 3. Allegro | — | ||
| 5-11 | Four Impromptus for Piano, D. 899: No. 3. Andante | — | ||
| 5-12 | Four Impromptus for Piano, D. 899: No. 4. Allegretto | — | ||
| 6-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | — | ||
| 6-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato | — | ||
| 6-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo - attacca | — | ||
| 6-4 | Symphony no. 2 in D major, op. 43: IV Finale. Allegro moderato | — | ||
| 6-5 | The Sleeping Beauty Suite, op. 66: Introduction | — | ||
| 6-6 | The Sleeping Beauty Suite, op. 66: Prologue: no. 3. Pas de six - Variation IV: Canari qui chante | — | ||
| 6-7 | The Sleeping Beauty Suite, op. 66: Act I, no. 6. Valse | — | ||
| 6-8 | The Sleeping Beauty Suite, op. 66: Act I, no. 8. Pas d'action | — | ||
| 6-9 | The Sleeping Beauty Suite, op. 66: Act III, no. 22. Polacca | — | ||
| 6-10 | The Sleeping Beauty Suite, op. 66: Act III, no. 23. Pas de quatre: Allegro non tanto | — | ||
| 6-11 | The Sleeping Beauty Suite, op. 66: Act III, no. 25. Pas de quatre: Adagio | — | ||
| 6-12 | The Sleeping Beauty Suite, op. 66: Act III, no. 28. Pas de deux: Adagio | — | ||
| 6-13 | The Sleeping Beauty Suite, op. 66: Act III, no. 30. Finale - Apothéose | — | ||
| 6-14 | Egmont: Overture, op. 84 | — | ||
| 7-1 | A Faust Symphony, S108: I. Faust | — | ||
| 7-2 | A Faust Symphony, S108: II. Gretchen | — | ||
| 7-3 | A Faust Symphony, S108: III. Mephistopheles | — | ||
| 7-4 | A Faust Symphony, S108: IV. Chorus mysticus | — | ||
| 8-1 | Requiem in D minor, K626: I. Introitus: Requiem aeternam (Chorus, Soprano I) | — | ||
| 8-2 | Requiem in D minor, K626: II. Kyrie (Chorus) | — | ||
| 8-3 | Requiem in D minor, K626: III. Sequentia: Dies irae (Chorus) | — | ||
| 8-4 | Requiem in D minor, K626: III. Sequentia: Tuba mirum (Soprano I/II, Tenor, Bass) | — | ||
| 8-5 | Requiem in D minor, K626: III. Sequentia: Rex tremendae (Chorus) | — | ||
| 8-6 | Requiem in D minor, K626: III. Sequentia: Recordare (Soprano, I/II, Tenor, Bass) | — | ||
| 8-7 | Requiem in D minor, K626: III. Sequentia: Confutatis (Chorus) | — | ||
| 8-8 | Requiem in D minor, K626: III. Sequentia: Lucrimosa (Chorus) | — | ||
| 8-9 | Requiem in D minor, K626: IV. Offertorium: Domine Jesu (Soprano I/II, Tenor, Bass) | — | ||
| 8-10 | Requiem in D minor, K626: IV. Offertorium: Hostias (Chorus) | — | ||
| 8-11 | Requiem in D minor, K626: V. Sanctus (Chorus) | — | ||
| 8-12 | Requiem in D minor, K626: VI. Benedictus (Soprano I/II, Tenor, bass, Chorus) | — | ||
| 8-13 | Requiem in D minor, K626: VII. Agnus Dei (Chorus) | — | ||
| 8-14 | Requiem in D minor, K626: VIII. Communio: Lux aeterna (Soprano I, Chorus) | — | ||
| 8-15 | Benjamin Britten in conversation with Donald Mitchell: Opera | — | ||
| 8-16 | Benjamin Britten in conversation with Donald Mitchell: Composing | — | ||
| 8-17 | Benjamin Britten in conversation with Donald Mitchell: Dreams | — | ||
| 8-18 | Benjamin Britten in conversation with Donald Mitchell: Teaching | — | ||
| 8-19 | Benjamin Britten in conversation with Donald Mitchell: Map-reading | — | ||
| 9-1 | Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | — | ||
| 9-2 | Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto — Maggiore | — | ||
| 9-3 | Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro Comodo | — | ||
| 9-4 | Piano Sonata no. 10 in G major, op. 14 no. 2: I. Allegro | — | ||
| 9-5 | Piano Sonata no. 10 in G major, op. 14 no. 2: II. Andante | — | ||
| 9-6 | Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro Assai | — | ||
| 9-7 | "Wanderer" Fantasy in C major, D. 760 | — | ||
| 9-8 | Theme and Variations on the Name "Abegg," op. 1 | — | ||
| 9-9 | Faschingsschwank Aus Wien, op. 26: No. 1. Allegro. Sehr Lebhaft | — | ||
| 9-10 | Faschingsschwank Aus Wien, op. 26: No. 2. Romanze. Ziemlich Langsam | — | ||
| 9-11 | Faschingsschwank Aus Wien, op. 26: No. 3. Scherzino | — | ||
| 9-12 | Faschingsschwank Aus Wien, op. 26: No. 4. Intermezzo. Mit Größter Energie | — | ||
| 9-13 | Faschingsschwank Aus Wien, op. 26: No. 5. Finale. Höchst Lebhaft | — | ||
| 9-14 | Étude in C-sharp minor, op. 10 no. 4 | — | ||
| 10-1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | — | ||
| 10-2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace | — | ||
| 10-3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile | — | ||
| 10-4 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – Allegro assai | — | ||
| 10-5 | Symphony no. 9 in D minor, op. 125 “Choral”: Rezitativo: “O Freunde, nicht diese Töne!” – Allegro assai | — | ||
| 11-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro Non Troppo E Molto Maestoso Allegro Con Spirito | — | ||
| 11-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino Semplice Prestissimo Tempo I | — | ||
| 11-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro Con Fuoco | — | ||
| 11-4 | Pictures at an Exhibition: Promenade | — | ||
| 11-5 | Pictures at an Exhibition: I. the Gnome | — | ||
| 11-6 | Pictures at an Exhibition: Promenade | — | ||
| 11-7 | Pictures at an Exhibition: II. the Old Castle | — | ||
| 11-8 | Pictures at an Exhibition: Promenade | — | ||
| 11-9 | Pictures at an Exhibition: III. Tuileries | — | ||
| 11-10 | Pictures at an Exhibition: IV. Bydlo | — | ||
| 11-11 | Pictures at an Exhibition: Promenade | — | ||
| 11-12 | Pictures at an Exhibition: V. Ballet of the Unhatched Chicks | — | ||
| 11-13 | Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle | — | ||
| 11-14 | Pictures at an Exhibition: Promenade | — | ||
| 11-15 | Pictures at an Exhibition: VII. the Market Place at Limoges | — | ||
| 11-16 | Pictures at an Exhibition: VIII. Catacombae: Sepulchrum Romanum | — | ||
| 11-17 | Pictures at an Exhibition: Cum Mortuis in Lingua Mortua | — | ||
| 11-18 | Pictures at an Exhibition: IX. the Hut on Fowl's Legs (Baba-Yaga) | — | ||
| 11-19 | Pictures at an Exhibition: X. the Great Gate of Kiev | — | ||
| 11-20 | Prélude pathétique | — | ||
| 11-21 | Flight of the Bumble-Bee | — | ||
| 12-1 | Symphony in G major, Hob. I:100 "Military": I. Adagio - Allegro | — | ||
| 12-2 | Symphony in G major, Hob. I:100 "Military": II. Allegretto | — | ||
| 12-3 | Symphony in G major, Hob. I:100 "Military": III. Menuet. Moderato - Trio | — | ||
| 12-4 | Symphony in G major, Hob. I:100 "Military": IV. Finale. Presto | — | ||
| 12-5 | Symphony in D major, Hob. I:101 "The Clock": I. Adagio - Presto | — | ||
| 12-6 | Symphony in D major, Hob. I:101 "The Clock": II. Andante | — | ||
| 12-7 | Symphony in D major, Hob. I:101 "The Clock": III. Menuet. Allegretto - Trio | — | ||
| 12-8 | Symphony in D major, Hob. I:101 "The Clock": IV. Finale. Vivace | — | ||
| 12-9 | Symphonic Metamorphosis on Themes by Carl Maria von Weber: I. Allegro | — | ||
| 12-10 | Symphonic Metamorphosis on Themes by Carl Maria von Weber: II. Scherzo (Turandot: Scherzo) | — | ||
| 12-11 | Symphonic Metamorphosis on Themes by Carl Maria von Weber: III. Andantino | — | ||
| 12-12 | Symphonic Metamorphosis on Themes by Carl Maria von Weber: IV. Marsch | — | ||
| 13-1 | Capriccio sopra la lontananza del suo fratello dilettissimo in B-flat major, BWV 993 | — | ||
| 13-2 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: I. Thema | — | ||
| 13-3 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: II. Variation 1 | — | ||
| 13-4 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: III. Variation 2 | — | ||
| 13-5 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: IV. Variation 3 | — | ||
| 13-6 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: V. Variation 4 | — | ||
| 13-7 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: VI. Variation 5 | — | ||
| 13-8 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: VII. Variation 6 | — | ||
| 13-9 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: VIII. Variation 7 | — | ||
| 13-10 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: IX. Variation 8 | — | ||
| 13-11 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: X. Variation 9 | — | ||
| 13-12 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: XI. Variation 10 | — | ||
| 13-13 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: XII. Variation 11 | — | ||
| 13-14 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: XIII. Variation 12 | — | ||
| 13-15 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: XIV. Variation 13 | — | ||
| 13-16 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: XV. Variation 14 | — | ||
| 13-17 | Variations and Fugue on a Theme of J.S. Bach, Op. 81: XVI. Fugue | — | ||
| 13-18 | Piano Sonata No. 24 in F-sharp major, Op. 78: I. Adagio cantabile - Allegro ma non troppo | — | ||
| 13-19 | Piano Sonata No. 24 in F-sharp major, Op. 78: II. Allegro vivace | — | ||
| 13-20 | Piano Sonata No. 21 in C major, Op. 53, "Waldstein": I. Allegro con brio | — | ||
| 13-21 | Piano Sonata No. 21 in C major, Op. 53, "Waldstein": II. Introduzione: Adagio molto | — | ||
| 13-22 | Piano Sonata No. 21 in C major, Op. 53, "Waldstein": III. Rondo: Allegretto moderato - Prestissimo | — | ||
| 14-1 | Symphony no. 8 in C minor, op. 65: I. Adagio - Allegro non troppo - Allegro - Adagio | — | ||
| 14-2 | Symphony no. 8 in C minor, op. 65: II. Allegretto | — | ||
| 14-3 | Symphony no. 8 in C minor, op. 65: III. Allegro non troppo - attacca: | — | ||
| 14-4 | Symphony no. 8 in C minor, op. 65: IV. Largo - attacca: | — | ||
| 14-5 | Symphony no. 8 in C minor, op. 65: V. Allegretto - Allegro - Adagio - Allegretto | — | ||
| 15-1 | Oberon: Overture | — | ||
| 15-2 | Symphony no.9 in C Major, D944 "The Great": I. Allegro ma non troppo | — | ||
| 15-3 | Symphony no.9 in C Major, D944 "The Great": II. Andante con moto | — | ||
| 15-4 | Symphony no.9 in C Major, D944 "The Great": III. Scherzo. Allegro vivace - Trio | — | ||
| 15-5 | Symphony no.9 in C Major, D944 "The Great": IV. Finale. Allegro vivace | — | ||
| 15-6 | Tragic Overture, op. 81 | — | ||
| 16-1 | Cello Concerto no. 1 in C major, Hob.VIIb:I - I. Moderato | — | ||
| 16-2 | Cello Concerto no. 1 in C major, Hob.VIIb:I - II. Adagio | — | ||
| 16-3 | Cello Concerto no. 1 in C major, Hob.VIIb:I - III. Finale. Allegro molto | — | ||
| 16-4 | Cello Concerto no. 1 in A minor, op. 33 - I. Allegro non troppo - | — | ||
| 16-5 | Cello Concerto no. 1 in A minor, op. 33 - II. Allegretto con moto - | — | ||
| 16-6 | Cello Concerto no. 1 in A minor, op. 33 - III. Tempo I - Un peu moins | — | ||
| 16-7 | Cello Concerto in E minor, op. 85 - I. Adagio - Moderato | — | ||
| 16-8 | Cello Concerto in E minor, op. 85 - II. Lento - Allegro molto | — | ||
| 16-9 | Cello Concerto in E minor, op. 85 - III. Adagio | — | ||
| 16-10 | Cello Concerto in E minor, op. 85 - IV. Allegro - Moderato - Allegro, ma non troppo | — | ||
| 17-1 | The Nutcracker, op. 71: Act II: The Enchanted Palace of the Kingdom of Sweets | — | ||
| 17-2 | The Nutcracker, op. 71: Act II: Arrival of Clara and the Nutcracker | — | ||
| 17-3 | The Nutcracker, op. 71: Act II: Divertissement: A. Chocolate Spanish Dance | — | ||
| 17-4 | The Nutcracker, op. 71: Act II: Divertissement: B. Coffee Arabian Dance | — | ||
| 17-5 | The Nutcracker, op. 71: Act II: Divertissement: C. Tea Chinese Dance | — | ||
| 17-6 | The Nutcracker, op. 71: Act II: Divertissement: D. Trepak Russian Dance | — | ||
| 17-7 | The Nutcracker, op. 71: Act II: Divertissement: E. Dance of the Toy Flutes | — | ||
| 17-8 | The Nutcracker, op. 71: Act II: Divertissement: F. Mother Gigogne and the Clowns | — | ||
| 17-9 | The Nutcracker, op. 71: Act II: Waltz of the Flowers | — | ||
| 17-10 | The Nutcracker, op. 71: Act II: Pas de Deux: the Prince and the Sugar Plum Fairy | — | ||
| 17-11 | The Nutcracker, op. 71: Act II: Variation 1: Tarantella | — | ||
| 17-12 | The Nutcracker, op. 71: Act II: Variation 2: Dance of the Sugar Plum Fairy Coda | — | ||
| 17-13 | The Nutcracker, op. 71: Act II: Final Waltz and Apotheosis | — | ||
| 17-14 | The Bolt Suite, op. 27a: Overture | — | ||
| 17-15 | The Bolt Suite, op. 27a: The Bureaucrat (Polka) | — | ||
| 17-16 | The Bolt Suite, op. 27a: Intermezzo | — | ||
| 17-17 | The Bolt Suite, op. 27a: The Drayman's Dance | — | ||
| 17-18 | Scènes de ballet: Introduction | — | ||
| 17-19 | Scènes de ballet: Danses (Corps de Ballet) Variations (Ballerina) | — | ||
| 17-20 | Scènes de ballet: Pantomime | — | ||
| 17-21 | Scènes de ballet: Pas de Deux | — | ||
| 17-22 | Scènes de ballet: Pantomime | — | ||
| 17-23 | Scènes de ballet: Variation (Danses) Variation (Ballerina) | — | ||
| 17-24 | Scènes de ballet: Pantomime | — | ||
| 17-25 | Scènes de ballet: Danses (Corps de Ballet) | — | ||
| 17-26 | Scènes de ballet: Apotheose | — | ||
| 18-1 | Concerto for Violin and Orchestra no. 3 in G major, K. 216: I. Allegro | — | ||
| 18-2 | Concerto for Violin and Orchestra no. 3 in G major, K. 216: II. Adagio | — | ||
| 18-3 | Concerto for Violin and Orchestra no. 3 in G major, K. 216: III. Rondeau: Allegro | — | ||
| 18-4 | Le quattro stagioni: Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | — | ||
| 18-5 | Le quattro stagioni: Concerto in E major, op. 8 no. 1, RV 269 "La primavera": II. Largo | — | ||
| 18-6 | Le quattro stagioni: Concerto in E major, op. 8 no. 1, RV 269 "La primavera": III. Allegro | — | ||
| 18-7 | Le quattro stagioni: Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molto | — | ||
| 18-8 | Le quattro stagioni: Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": II. Adagio | — | ||
| 18-9 | Le quattro stagioni: Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto | — | ||
| 18-10 | Le quattro stagioni: Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": I. Allegro | — | ||
| 18-11 | Le quattro stagioni: Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio molto | — | ||
| 18-12 | Le quattro stagioni: Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro | — | ||
| 18-13 | Le quattro stagioni: Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": I. Allegro non molto | — | ||
| 18-14 | Le quattro stagioni: Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo | — | ||
| 18-15 | Le quattro stagioni: Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro | — | ||
| 18-16 | Announcement of the Encore | — | ||
| 18-17 | Concerto for 2 Violins in A minor, op. 3 no. 8, RV 522: III. Allegro | — | ||
| 19-1 | Symphony no. 4 in F minor: I. Allegro | BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 19-2 | Symphony no. 4 in F minor: II. Andante moderato | BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 19-3 | Symphony no. 4 in F minor: III. Scherzo: Allegro molto | BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 19-4 | Symphony no. 4 in F minor: IV. Finale con Epilogo fugato: Allegro molto | BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 19-5 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio | BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 19-6 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace | BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 19-7 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 19-8 | Symphony no. 4 in A minor, op. 63: IV. Allegro | BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 20-1 | Sonata in D minor, Kk. 141 | — | ||
| 20-2 | Sonata in F major, Kk. 518 | — | ||
| 20-3 | Sonata in D minor, Kk. 32 | — | ||
| 20-4 | Sonata in F minor, Kk. 466 | — | ||
| 20-5 | Sonata in A major, Kk. 533 | — | ||
| 20-6 | Sonata in B minor, Kk. 27 | — | ||
| 20-7 | Sonata in G major, Kk. 125 | — | ||
| 20-8 | Pour le piano: I. Prelude | — | ||
| 20-9 | Pour le piano: II. Sarabande | — | ||
| 20-10 | Pour le piano: III. Toccata | — | ||
| 20-11 | Images, livre 1: Reflets dans l'eau | — | ||
| 20-12 | Piano Sonata no. 27 in E minor, op. 90: Mit Lebhaftigkeit | — | ||
| 20-13 | Piano Sonata no. 27 in E minor, op. 90: Nicht zu geschwind | — | ||
| 20-14 | Piano Sonata no. 4 in F-sharp major, op. 30: I. Andante | — | ||
| 20-15 | Piano Sonata no. 4 in F-sharp major, op. 30: II. Prestissimo Volando | — | ||
| 20-16 | Six Visions Fugitives, op. 22 | — | ||
| 20-17 | Piano Sonata no. 3 in A minor, op. 28 | — |
