UPC · Release
Complete Everest & Vanguard Recordings
Leopold Stokowski
5055354431463
125 tracksReleased 2024-01-01Alto
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5055354431463 is the Universal Product Code (UPC barcode) for the release “Complete Everest & Vanguard Recordings” by Leopold Stokowski, released 2024-01-01 on Alto. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 125 tracks, each with its own ISRC. Tracks include FR6V80208420, FR6V80208422, FR6V80208426.
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UPCComplete Everest & Vanguard Recordings
ISRC4 recordings
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Track List (125)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | — | ||
| 2 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 3 | Symphony no. 3 in F major, op. 90 III. Poco allegretto | — | ||
| 4 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 5 | The Valkyrie, WWV 86b Act III: Wotan’s Farewell (Arr. for Orchestra by Leopold Stokowski) | — | ||
| 6 | The Valkyrie, WWV 86b, Act III: Magic Fire Music (Arr. for Orchestra by Leopold Stokowski) | — | ||
| 7 | Parsifal, WWV 111: Good Friday Spell | — | ||
| 2-1 | Parsifal, WWV 111, Act III: Symphonic Synthesis | — | ||
| 2-2 | Francesca da Rimini, Symphonic Fantasia after Dante, op. 32 | — | ||
| 2-3 | Hamlet Fantasy Overture in F Minor, op. 67 | — | ||
| 2-4 | Salome, op. 54: Dance of the Seven Veils | — | ||
| 2-5 | Don Juan, op. 20 | — | ||
| 3-1 | Till Eulenspiegel’s Merry Pranks, op. 28 | — | ||
| 3-2 | Cinderella op. 87: no. 12, Spring Fairy - no. 13, Summer Fairy | — | ||
| 3-3 | Cinderella Suite no. 1, op. 107: VI. Cinderella Goes to the Ball | — | ||
| 3-4 | Cinderella, op. 87: Cinderella in the Castle | — | ||
| 3-5 | Cinderella, op. 87: Cinderella and the Prince | — | ||
| 3-6 | Cinderella Suite no. 1, op. 107: VII. Cinderella’s Waltz - VIII. Midnight | — | ||
| 3-7 | Cinderella, op. 87: Apotheosis - Finale | — | ||
| 3-8 | The Ugly Duckling, op. 18 | — | ||
| 3-9 | Peter and the Wolf, op. 67: I. Introduction of the Persons and the Instruments | — | ||
| 3-10 | Peter and the Wolf, op. 67: II. The Story Begins | — | ||
| 3-11 | Peter and the Wolf, op. 67: III. The Bird | — | ||
| 3-12 | Peter and the Wolf, op. 67: IV. The Duck, Dialog With the Bird, Attack of the Cat | — | ||
| 3-13 | Peter and the Wolf, op. 67: V. Grandfather | — | ||
| 3-14 | Peter and the Wolf, op. 67: VI. The Wolf | — | ||
| 3-15 | Peter and the Wolf, op. 67: VII. The Duck Is Caught | — | ||
| 3-16 | Peter and the Wolf, op. 67: VIII. The Wolf Stalks the Bird and the Cat | — | ||
| 3-17 | Peter and the Wolf, op. 67: IX. Peter Prepares to Catch the Wolf | — | ||
| 3-18 | Peter and the Wolf, op. 67: X. The Birds Diverts the Wolf | — | ||
| 3-19 | Peter and the Wolf, op. 67: XI. Peter Catches the Wolf | — | ||
| 3-20 | Peter and the Wolf, op. 67: XII. The Hunters Arrive | — | ||
| 3-21 | Peter and the Wolf, op. 67: XIII. The Procession to the Zoo | — | ||
| 4-1 | Concerto for Orchestra, Sz. 116 I. Introduzione | — | ||
| 4-2 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie | — | ||
| 4-3 | Concerto for Orchestra, Sz. 116: III. Elegia | — | ||
| 4-4 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto | — | ||
| 4-5 | Concerto for Orchestra, Sz. 116: V. Finale | — | ||
| 4-6 | Symphony no. 5 in D minor, op. 47: I. Moderato | — | ||
| 4-7 | Symphony no. 5 in D minor, op. 47: II. Allegretto | — | ||
| 4-8 | Symphony no. 5 in D minor, op. 47: III. Largo | — | ||
| 4-9 | Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo | — | ||
| 5-1 | The Poem of Ecstasy, op.54 | — | ||
| 5-2 | Azerbaijan Mugam | — | ||
| 5-3 | Mazurkas, op. 17: no. 4 in A minor (Arr. for Orchestra by Leopold Stokowski) | — | ||
| 5-4 | Preludes, op. 28: no. 24 in D minor (Arr. for Orchestra by Leopold Stokowski) | — | ||
| 5-5 | Waltzes, op. 64: no. 2 in C‐sharp minor (Arr. for Orchestra by Leopold Stokowski) | — | ||
| 5-6 | Children’s Corner Suite, L. 113 (Arr. for Orchestra by André Caplet): II. Jimbo’s Lullaby | — | ||
| 5-7 | Children’s Corner Suite, L. 113 (Arr. for Orchestra by André Caplet): V. The Little Shepherd | — | ||
| 5-8 | Children’s Corner Suite, L. 113 (Arr. for Orchestra by André Caplet): VI. Golliwog’s Cake‐Walk | — | ||
| 5-9 | Uirapurú, symphonic poem & ballet for orchestra | — | ||
| 5-10 | Bachianas Brasileiras no. 1: II. Modinha. Prelude | — | ||
| 5-11 | Fantasy On a Hymn Tune by Justin Morgan | — | ||
| 6-1 | America, An Epic Rhapsody: I. 1620. The Soil - The Indians - (England) - The Mayflower - The Landing of the Pilgrims | — | ||
| 6-2 | America - An Epic Rhapsody: II. 1861–1865. Hours of Joy - Hours of Sorrow | — | ||
| 6-3 | America - An Epic Rhapsody: III. 1926. The Present - The Future | — | ||
| 6-4 | Speech by Ernest Bloch | — | ||
| 6-5 | The Plow That Broke the Plains: I. Prelude | — | ||
| 6-6 | The Plow That Broke the Plains: II. Pastorale. Grass | — | ||
| 6-7 | The Plow That Broke the Plains: III. Cattle | — | ||
| 6-8 | The Plow That Broke the Plains: IV. Blues. Speculation | — | ||
| 6-9 | The Plow That Broke the Plains: V. Drought | — | ||
| 6-10 | The Plow That Broke the Plains: VI. Devastation | — | ||
| 7-1 | Suite from “The River”: I. The Old South | — | ||
| 7-2 | Suite from “The River”: II. Industrial Expansion in the Mississippi Valley | — | ||
| 7-3 | Suite from “The River”: III. Soil Erosion and Floods | — | ||
| 7-4 | Suite from “The River”: IV. Finale | — | ||
| 7-5 | Etude In C‐sharp minor, op. 2 no. 1 (Arr. for Orchestra by Leopold Stokowski) | — | ||
| 7-6 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto | — | ||
| 7-7 | Symphony no. 4 in F minor, op. 36: II. Andantino | — | ||
| 7-8 | Symphony no. 4 in F minor, op. 36: III. Scherzo | — | ||
| 7-9 | Symphony no. 4 in F minor, op. 36: IV. Finale | — | ||
| 8-1 | L’Histoire du soldat: I. The Soldier’s March | — | ||
| 8-2 | L’Histoire du soldat: II. Music to Scene One. Airs by a Stream | — | ||
| 8-3 | L’Histoire du soldat: III. Reprise of the Soldier’s March | — | ||
| 8-4 | L’Histoire du soldat: IV. Music to Scene Two. Pastorale | — | ||
| 8-5 | L’Histoire du soldat: V. Postlude to a Pastorale | — | ||
| 8-6 | L’Histoire du soldat: VI. Reprise of Music to Scene One | — | ||
| 8-7 | L’Histoire du soldat: VII. Music to Scene Three | — | ||
| 8-8 | L’Histoire du soldat: VIII. The Soldier’s March | — | ||
| 8-9 | L’Histoire du soldat: IX. Continuation of Marching Tunes | — | ||
| 8-10 | L’Histoire du soldat: X. Royal March | — | ||
| 8-11 | L’Histoire du soldat: XI. The Little Concert | — | ||
| 8-12 | L’Histoire du soldat: XII. Three Dances. no. 1. Tango | — | ||
| 8-13 | L’Histoire du soldat: XII. Three Dances. no. 2. Waltz | — | ||
| 8-14 | L’Histoire du soldat: XII. Three Dances. no. 3. Ragtime | — | ||
| 8-15 | L’Histoire du soldat: XIII. The Devil’s Dance | — | ||
| 8-16 | L’Histoire du soldat: XIV. The Little Chorale | — | ||
| 8-17 | L’Histoire du soldat: XV. The Devil’s Song | — | ||
| 8-18 | L’Histoire du soldat: XVI. The Great Chorale | — | ||
| 8-19 | L’Histoire du soldat: XVII. Triumphal March of the Devil | — | ||
| 9-1 | Concerto Grosso in D minor, RV 565, op. 3 no. 11: I. Allegro | — | ||
| 9-2 | Concerto Grosso in D minor, RV 565, op. 3 no. 11: II. Adagio | — | ||
| 9-3 | Concerto Grosso in D minor, RV 565, op. 3 no. 11: III. Largo | — | ||
| 9-4 | Concerto Grosso in D minor, RV 565, op. 3 no. 11: IV. Allegro | — | ||
| 9-5 | Herz und Mund und Tat und Leben, BWV 147: Jesu, Joy of Man’s Desiring (Arr. for Orchestra by Peter Schickele) | — | ||
| 9-6 | Was mir behagt, ist nur die muntre Jagd, BWV 208: no. 9, Schafe können sicher weiden (Arr. for Orchestra by Leopold Stokowski) | — | ||
| 9-7 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: I. Vivace - Grave | — | ||
| 9-8 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: II. Allegro | — | ||
| 9-9 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: III. Adagio - Allegro - Adagio | — | ||
| 9-10 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: IV. Vivace | — | ||
| 9-11 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: V. Allegro | — | ||
| 9-12 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: VI. Pastorale. Largo | — | ||
| 9-13 | Christmas Oratorio, BWV 248: Shepherds’ Christmas Music (Arr. for Orchestra by Peter Schickele) | — | ||
| 9-14 | Serenade no. 10 in B‐flat major, K. 361 “Gran Partita”: I. Largo - Allegro molto | — | ||
| 9-15 | Serenade no. 10 in B‐flat major, K. 361 “Gran Partita”: II. Menuetto | — | ||
| 9-16 | Serenade no. 10 in B‐flat major, K. 361 “Gran Partita”: III. Adagio | — | ||
| 9-17 | Serenade no. 10 in B‐flat major, K. 361 “Gran Partita”: IV. Menuetto. Allegretto | — | ||
| 9-18 | Serenade no. 10 in B‐flat major, K. 361 “Gran Partita”: V. Romanze. Adagio - Allegretto | — | ||
| 9-19 | Serenade no. 10 in B‐flat major, K. 361 “Gran Partita” VI. Theme and Variations. Andante | — | ||
| 9-20 | Serenade no. 10 in B‐flat major, K. 361 “Gran Partita”: VII. Rondo. Allegro molto | — | ||
| 10-1 | Wir glauben all an einen Gott | Leopold Stokowski Symphony Orchestra, Leopold Stokowski | — | |
| 10-2 | Fugue ("Little") | Leopold Stokowski Symphony Orchestra, Leopold Stokowski | T-329.412.466-2 | |
| 10-3 | Choral from Easter Oratorio, BWV 249 | Leopold Stokowski Symphony Orchestra, Leopold Stokowski | — | |
| 10-4 | Toccata & Fugue in D minor, BWV 565 | Leopold Stokowski Symphony Orchestra, Leopold Stokowski | — | |
| 10-5 | Pictures at an Exhibition: IX. The Hut on Fowl’s Legs - X. The Great Gate Of Kiev (Arr. for Orchestra by Leopold Stokowski) | — | ||
| 10-6 | Fanfare pour précéder La Péri | — | ||
| 10-7 | Suite Bergamasque, CD 82 L. 75: III. Clair de Lune (Arr. for Orchestra by Leopold Stokowski) | — | ||
| 10-8 | Prélude à l’après‐midi d’un faune, L. 87b | — | ||
| 10-9 | Suite in B‐flat major, op. 4: III. Gavotte | — | ||
| 10-10 | Symphony no. 8 in C minor: II. Scherzo | — | ||
| 10-11 | Divertimento for Band, op. 42: VI. March | — | ||
| 10-12 | Adagio for Strings, op. 11a | — | ||
| 10-13 | Lemminkäinen Suite, op.22: no. 2, The Swan of Tuonela | — | ||
| 10-14 | Finlandia, op. 26 | — |
Symphony no. 3 in F major, op. 90: I. Allegro con brio
—
Symphony no. 3 in F major, op. 90: II. Andante
—
Symphony no. 3 in F major, op. 90 III. Poco allegretto
—
Symphony no. 3 in F major, op. 90: IV. Allegro
—
The Valkyrie, WWV 86b Act III: Wotan’s Farewell (Arr. for Orchestra by Leopold Stokowski)
—
The Valkyrie, WWV 86b, Act III: Magic Fire Music (Arr. for Orchestra by Leopold Stokowski)
—
Parsifal, WWV 111: Good Friday Spell
—
Parsifal, WWV 111, Act III: Symphonic Synthesis
—
Francesca da Rimini, Symphonic Fantasia after Dante, op. 32
—
Hamlet Fantasy Overture in F Minor, op. 67
—
Salome, op. 54: Dance of the Seven Veils
—
Don Juan, op. 20
—
Till Eulenspiegel’s Merry Pranks, op. 28
—
Cinderella op. 87: no. 12, Spring Fairy - no. 13, Summer Fairy
—
Cinderella Suite no. 1, op. 107: VI. Cinderella Goes to the Ball
—
Cinderella, op. 87: Cinderella in the Castle
—
Cinderella, op. 87: Cinderella and the Prince
—
Cinderella Suite no. 1, op. 107: VII. Cinderella’s Waltz - VIII. Midnight
—
Cinderella, op. 87: Apotheosis - Finale
—
The Ugly Duckling, op. 18
—
Peter and the Wolf, op. 67: I. Introduction of the Persons and the Instruments
—
Peter and the Wolf, op. 67: II. The Story Begins
—
Peter and the Wolf, op. 67: III. The Bird
—
Peter and the Wolf, op. 67: IV. The Duck, Dialog With the Bird, Attack of the Cat
—
Peter and the Wolf, op. 67: V. Grandfather
—
Peter and the Wolf, op. 67: VI. The Wolf
—
Peter and the Wolf, op. 67: VII. The Duck Is Caught
—
Peter and the Wolf, op. 67: VIII. The Wolf Stalks the Bird and the Cat
—
Peter and the Wolf, op. 67: IX. Peter Prepares to Catch the Wolf
—
Peter and the Wolf, op. 67: X. The Birds Diverts the Wolf
—
Peter and the Wolf, op. 67: XI. Peter Catches the Wolf
—
Peter and the Wolf, op. 67: XII. The Hunters Arrive
—
Peter and the Wolf, op. 67: XIII. The Procession to the Zoo
—
Concerto for Orchestra, Sz. 116 I. Introduzione
—
Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie
—
Concerto for Orchestra, Sz. 116: III. Elegia
—
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto
—
Concerto for Orchestra, Sz. 116: V. Finale
—
Symphony no. 5 in D minor, op. 47: I. Moderato
—
Symphony no. 5 in D minor, op. 47: II. Allegretto
—
Symphony no. 5 in D minor, op. 47: III. Largo
—
Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo
—
The Poem of Ecstasy, op.54
—
Azerbaijan Mugam
—
Mazurkas, op. 17: no. 4 in A minor (Arr. for Orchestra by Leopold Stokowski)
—
Preludes, op. 28: no. 24 in D minor (Arr. for Orchestra by Leopold Stokowski)
—
Waltzes, op. 64: no. 2 in C‐sharp minor (Arr. for Orchestra by Leopold Stokowski)
—
Children’s Corner Suite, L. 113 (Arr. for Orchestra by André Caplet): II. Jimbo’s Lullaby
—
Children’s Corner Suite, L. 113 (Arr. for Orchestra by André Caplet): V. The Little Shepherd
—
Children’s Corner Suite, L. 113 (Arr. for Orchestra by André Caplet): VI. Golliwog’s Cake‐Walk
—
Uirapurú, symphonic poem & ballet for orchestra
—
Bachianas Brasileiras no. 1: II. Modinha. Prelude
—
Fantasy On a Hymn Tune by Justin Morgan
—
America, An Epic Rhapsody: I. 1620. The Soil - The Indians - (England) - The Mayflower - The Landing of the Pilgrims
—
America - An Epic Rhapsody: II. 1861–1865. Hours of Joy - Hours of Sorrow
—
America - An Epic Rhapsody: III. 1926. The Present - The Future
—
Speech by Ernest Bloch
—
The Plow That Broke the Plains: I. Prelude
—
The Plow That Broke the Plains: II. Pastorale. Grass
—
The Plow That Broke the Plains: III. Cattle
—
The Plow That Broke the Plains: IV. Blues. Speculation
—
The Plow That Broke the Plains: V. Drought
—
The Plow That Broke the Plains: VI. Devastation
—
Suite from “The River”: I. The Old South
—
Suite from “The River”: II. Industrial Expansion in the Mississippi Valley
—
Suite from “The River”: III. Soil Erosion and Floods
—
Suite from “The River”: IV. Finale
—
Etude In C‐sharp minor, op. 2 no. 1 (Arr. for Orchestra by Leopold Stokowski)
—
Symphony no. 4 in F minor, op. 36: I. Andante sostenuto
—
Symphony no. 4 in F minor, op. 36: II. Andantino
—
Symphony no. 4 in F minor, op. 36: III. Scherzo
—
Symphony no. 4 in F minor, op. 36: IV. Finale
—
L’Histoire du soldat: I. The Soldier’s March
—
L’Histoire du soldat: II. Music to Scene One. Airs by a Stream
—
L’Histoire du soldat: III. Reprise of the Soldier’s March
—
L’Histoire du soldat: IV. Music to Scene Two. Pastorale
—
L’Histoire du soldat: V. Postlude to a Pastorale
—
L’Histoire du soldat: VI. Reprise of Music to Scene One
—
L’Histoire du soldat: VII. Music to Scene Three
—
L’Histoire du soldat: VIII. The Soldier’s March
—
L’Histoire du soldat: IX. Continuation of Marching Tunes
—
L’Histoire du soldat: X. Royal March
—
L’Histoire du soldat: XI. The Little Concert
—
L’Histoire du soldat: XII. Three Dances. no. 1. Tango
—
L’Histoire du soldat: XII. Three Dances. no. 2. Waltz
—
L’Histoire du soldat: XII. Three Dances. no. 3. Ragtime
—
L’Histoire du soldat: XIII. The Devil’s Dance
—
L’Histoire du soldat: XIV. The Little Chorale
—
L’Histoire du soldat: XV. The Devil’s Song
—
L’Histoire du soldat: XVI. The Great Chorale
—
L’Histoire du soldat: XVII. Triumphal March of the Devil
—
Concerto Grosso in D minor, RV 565, op. 3 no. 11: I. Allegro
—
Concerto Grosso in D minor, RV 565, op. 3 no. 11: II. Adagio
—
Concerto Grosso in D minor, RV 565, op. 3 no. 11: III. Largo
—
Concerto Grosso in D minor, RV 565, op. 3 no. 11: IV. Allegro
—
Herz und Mund und Tat und Leben, BWV 147: Jesu, Joy of Man’s Desiring (Arr. for Orchestra by Peter Schickele)
—
Was mir behagt, ist nur die muntre Jagd, BWV 208: no. 9, Schafe können sicher weiden (Arr. for Orchestra by Leopold Stokowski)
—
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: I. Vivace - Grave
—
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: II. Allegro
—
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: III. Adagio - Allegro - Adagio
—
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: IV. Vivace
—
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: V. Allegro
—
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: VI. Pastorale. Largo
—
Christmas Oratorio, BWV 248: Shepherds’ Christmas Music (Arr. for Orchestra by Peter Schickele)
—
Serenade no. 10 in B‐flat major, K. 361 “Gran Partita”: I. Largo - Allegro molto
—
Serenade no. 10 in B‐flat major, K. 361 “Gran Partita”: II. Menuetto
—
Serenade no. 10 in B‐flat major, K. 361 “Gran Partita”: III. Adagio
—
Serenade no. 10 in B‐flat major, K. 361 “Gran Partita”: IV. Menuetto. Allegretto
—
Serenade no. 10 in B‐flat major, K. 361 “Gran Partita”: V. Romanze. Adagio - Allegretto
—
Serenade no. 10 in B‐flat major, K. 361 “Gran Partita” VI. Theme and Variations. Andante
—
Serenade no. 10 in B‐flat major, K. 361 “Gran Partita”: VII. Rondo. Allegro molto
—
Wir glauben all an einen Gott
Leopold Stokowski Symphony Orchestra, Leopold Stokowski
—
Choral from Easter Oratorio, BWV 249
Leopold Stokowski Symphony Orchestra, Leopold Stokowski
—
Toccata & Fugue in D minor, BWV 565
Leopold Stokowski Symphony Orchestra, Leopold Stokowski
—
Pictures at an Exhibition: IX. The Hut on Fowl’s Legs - X. The Great Gate Of Kiev (Arr. for Orchestra by Leopold Stokowski)
—
Fanfare pour précéder La Péri
—
Suite Bergamasque, CD 82 L. 75: III. Clair de Lune (Arr. for Orchestra by Leopold Stokowski)
—
Prélude à l’après‐midi d’un faune, L. 87b
—
Suite in B‐flat major, op. 4: III. Gavotte
—
Symphony no. 8 in C minor: II. Scherzo
—
Divertimento for Band, op. 42: VI. March
—
Adagio for Strings, op. 11a
—
Lemminkäinen Suite, op.22: no. 2, The Swan of Tuonela
—
Finlandia, op. 26
—
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What is UPC 5055354431463?
5055354431463 is a Universal Product Code (UPC) assigned to Complete Everest & Vanguard Recordings by Leopold Stokowski. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 125 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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