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Leopold Stokowski
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The UPC for “Complete Decca Recordings - Phase 4 Stereo” by Leopold Stokowski is 028948325047. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Decca. This release contains 170 tracks, each with its own ISRC. Tracks include USBC16100148, GBF076410063, GBF076510940.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Heavens Are Telling, op. 48/4 | — | ||
| 2 | Deep River | — | ||
| 3 | Largo (From “Ombra Mai Fu”, Serse, HWV 40) | — | ||
| 4 | Evening Prayer (Hänsel Und Gretel) | — | ||
| 5 | Jesu, Joy of Man's Desiring | The Norman Luboff Choir, New Symphony Orchestra of London, Leopold Stokowski | — | |
| 6 | Vocalise, op. 34, no. 14 | — | ||
| 7 | Praise God From Whom All Blessings Flow | — | ||
| 8 | Pilgrims' Chorus (Tannhäuser, WWV 70) | — | ||
| 9 | Cantata: “Sheep May Safely Graze” BWV 208 | — | ||
| 10 | Pater Noster (9 Sacred Pieces, Th 78/6) | — | ||
| 11 | O Saviour, Hear Me (From “Dance Of The Blessed Sprits”, Orfeo Ed Euridice | — | ||
| 2-1 | Scheherazade: I. The Sea and Sinbad's Ship | — | ||
| 2-2 | Scheherazade: II. The Story of the Kalendar Prince | — | ||
| 2-3 | Scheherazade — The Young Prince and the Young Princess | Erich Gruenberg, London Symphony Orchestra, Leopold Stokowski | — | |
| 2-4 | Scheherazade: IV. Festival at Baghdad - The Sea - Shipwreck | — | ||
| 3-1 | Pictures at an Exhibition: Promenade – Gnome | — | ||
| 3-2 | Pictures at an Exhibition: Promenade – The Old Castle | — | ||
| 3-3 | Pictures at an Exhibition: Bydło | — | ||
| 3-4 | Pictures at an Exhibition: Promenade – Ballet of the Unhatched Chicks | — | ||
| 3-5 | Pictures at an Exhibition: Samuel Goldenberg and Schmuÿle | — | ||
| 3-6 | Pictures at an Exhibition: Catacombs | — | ||
| 3-7 | Pictures at an Exhibition: The Hut on Fowl’s Legs | — | ||
| 3-8 | Pictures at an Exhibition: The Great Gate of Kiev | — | ||
| 3-9 | La cathédrale engloutie (orchestral version) | New Philharmonia Orchestra, Leopold Stokowski | — | |
| 4-1 | Swan Lake, op. 20: Introduction. Moderato assai | — | ||
| 4-2 | Swan Lake, op. 20: Act I. No. 2 Valse (Tempo di valse) | — | ||
| 4-3 | Swan Lake, op. 20: Act I. No. 4 Pas de trois. Variation III | — | ||
| 4-4 | Swan Lake, op. 20: Act I. No. 5 Pas de deux | — | ||
| 4-5 | Swan Lake, op. 20: Act II. No. 10 Scène (Moderato) | — | ||
| 4-6 | Swan Lake, op. 20: Act II. No. 11 Scène (Allegro moderato) | — | ||
| 4-7 | Swan Lake, op. 20: Act III. No. 21 Danse espagnole | — | ||
| 4-8 | Swan Lake, op. 20: Act IV. No. 27 Danse des petits cygnes | — | ||
| 4-9 | Swan Lake, op. 20: Act IV. No. 29 Scène finale (Andante) | — | ||
| 4-10 | The Sleeping Beauty, op. 66: Introduction | — | ||
| 4-11 | The Sleeping Beauty, op. 66: Prologue. no. 3 Variation IV Canari qui chante | — | ||
| 4-12 | The Sleeping Beauty, op. 66: Prologue. no. 6 Valse | — | ||
| 4-13 | The Sleeping Beauty, op. 66: Act I. No. 8 Pas d’action | — | ||
| 4-14 | The Sleeping Beauty, op. 66: Act III. No. 22 Polacca | — | ||
| 4-15 | The Sleeping Beauty, op. 66: Act III. No. 23 Pas de quatre Intrada (Allegro non tanto) | — | ||
| 4-16 | The Sleeping Beauty, op. 66: Act III. No. 25 Pas de quatre (Adagio) | — | ||
| 4-17 | The Sleeping Beauty, op. 66: Act III. No. 28 Pas de deux Adagio | — | ||
| 4-18 | The Sleeping Beauty, op. 66: No. 30 Finale. Apothéose | — | ||
| 5-1 | Concerto no. 1 for Violin and Strings in E major, RV 269 “La primavera”: I. Allegro | — | ||
| 5-2 | Concerto no. 1 for Violin and Strings in E major, RV 269 “La primavera”: II. Largo | — | ||
| 5-3 | Concerto no. 1 for Violin and Strings in E major, RV 269 “La primavera”: III. Danza pastorale. Allegro | — | ||
| 5-4 | Concerto no. 2 for Violin and Strings in G minor, RV 315 “L’estate”: I. Allegro non molto – Allegro | — | ||
| 5-5 | Concerto no. 2 for Violin and Strings in G minor, RV 315 “L’estate”: II. Adagio – Presto – Adagio | — | ||
| 5-6 | Concerto no. 2 for Violin and Strings in G minor, RV 315 “L’estate”: III. Presto (Tempo impetuoso d’estate) | — | ||
| 5-7 | Concerto no. 3 for Violin and Strings in F major, RV 293 “L’autunno”: I. Ballo, e canto de’ villanelli. Allegro | — | ||
| 5-8 | Concerto no. 3 for Violin and Strings in F major, RV 293 “L’autunno”: II. Ubriachi dormienti. Adagio molto | — | ||
| 5-9 | Concerto no. 3 for Violin and Strings in F major, RV 293 “L’autunno”: III. La caccia. Allegro | — | ||
| 5-10 | Concerto no. 4 for Violin and Strings in F minor, RV 297 “L’inverno”: I. Allegro non molto | — | ||
| 5-11 | Concerto no. 4 for Violin and Strings in F minor, RV 297 “L’inverno”: II. Largo | — | ||
| 5-12 | Concerto no. 4 for Violin and Strings in F minor, RV 297 “L’inverno”: III. Allegro | — | ||
| 6-1 | Die Walküre: The Ride of the Valkyries | — | ||
| 6-2 | Siegfried: Forest Murmurs | — | ||
| 6-3 | Das Rheingold: Entrance of the Gods into Valhalla | — | ||
| 6-4 | Götterdämmerung: Dawn and Siegfried’s Rhine Journey | — | ||
| 6-5 | Götterdämmerung: Siegfried’s Death and Funeral Music | — | ||
| 7-1 | Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima | — | ||
| 7-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 7-3 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | — | ||
| 7-4 | Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace | — | ||
| 8-1 | Overture | — | ||
| 8-2 | Every Valley Shall Be Exalted | — | ||
| 8-3 | And the Glory of the Lord | — | ||
| 8-4 | Pastoral Symphon | — | ||
| 8-5 | Then Shall the Eyes of the Blind Be Opened / He Shall Feed His Flock / Come Unto Him | — | ||
| 8-6 | Thy Rebuke Hath Broken His Heart / Behold and See If There Be Any Sorrow | — | ||
| 8-7 | He Was Cut Off Out of the Land of the Living / But Thou Didst Not Leave His Sould in Hell | — | ||
| 8-8 | Why Do the Nations | — | ||
| 8-9 | Hallelujah! | — | ||
| 8-10 | I Know That My Redeemer Liveth | — | ||
| 8-11 | Since by Man Came Death | — | ||
| 8-12 | Amen | — | ||
| 9-1 | Night on the Bare Mountain | — | ||
| 9-2 | Marche Slave, op. 31 | — | ||
| 9-3 | Firebird Suite: Introduction | — | ||
| 9-4 | Firebird Suite: Dance of the Firebird | — | ||
| 9-5 | Firebird Suite: Round Dance of the Princesses | — | ||
| 9-6 | Firebird Suite: Dance Infernal of King Kastchei | — | ||
| 9-7 | Firebird Suite: Lullaby | — | ||
| 9-8 | Firebird Suite: Finale | — | ||
| 10-1 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso | — | ||
| 10-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | — | ||
| 10-3 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | — | ||
| 10-4 | Symphony no. 9 in D minor, op. 125: IV. Presto: “O Freunde, nicht diese Töne” – Andante maestoso – Allegro energico, sempre ben marcato | — | ||
| 11-1 | Symphonie fantastique, op. 14: I. Rêveries. Passions (Largo - Allegro agitato ed appassionato assai) | — | ||
| 11-2 | Symphonie fantastique, op. 14: II. Un bal (Valse: Allegro non troppo) | — | ||
| 11-3 | Symphonie fantastique, op. 14: III. Scène aux champs (Adagio) | — | ||
| 11-4 | Symphonie fantastique, op. 14: IV. Marche au supplice (Allegretto non troppo) | — | ||
| 11-5 | Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso) | — | ||
| 12-1 | Romeo And Juliet – Fantasy Overture | — | ||
| 12-2 | Boris Godunov: Symphonic Synthesis | — | ||
| 13-1 | Ouverture solennelle “1812”, op. 49 | — | ||
| 13-2 | Polovtsian Dances, from: Prince Igor | — | ||
| 13-3 | Pastorale | — | ||
| 14-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 14-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 14-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 14-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 14-5 | Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | — | ||
| 14-6 | Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto | — | ||
| 15-1 | La Mer, L.109: I. From Dawn Till Noon on the Sea (De l'aube à midi sur la mer) | — | ||
| 15-2 | La Mer, L.109: II. Play of the Waves (Jeux de vagues) | — | ||
| 15-3 | La Mer, L.109: III. Dialogue of the Wind and the Sea (Dialogue du vent et de la mer) | — | ||
| 15-4 | Daphnis & Chloë - Suite no. 2: I. Lever du jour | — | ||
| 15-5 | Daphnis & Chloë - Suite no. 2: II. Pantomime | — | ||
| 15-6 | Daphnis & Chloë - Suite no. 2: III. Danse générale | — | ||
| 15-7 | La Damnation de Faust, op. 24, part 2: Ballet des Sylphes | — | ||
| 15-8 | Orchestral Set no. 2: I. An Elegy To Our Forefathers | — | ||
| 15-9 | Orchestral Set no. 2: II. The Rockstrewn Hills Join The People's Outdoor Meeting | — | ||
| 15-10 | Orchestral Set no. 2: III. From Hanover Square North At The End Of A Tragic Day (1915), The Voice Of The People Again Arose | — | ||
| 15-11 | L'Ascension (Four symphonic meditations for orchestra): I. Majesté du Christ demandant sa gloire à son père | — | ||
| 15-12 | L'Ascension (Four symphonic meditations for orchestra): II. Alléluias sereins d'un âme qui désire le ciel | — | ||
| 15-13 | L'Ascension (Four symphonic meditations for orchestra): III. Alléluia sur la trompette, alléluia sur la cymbale | — | ||
| 15-14 | L'Ascension (Four symphonic meditations for orchestra): IV. Prière du Christ montant vers son père | — | ||
| 16-1 | Fanfare from "L'Eventail de Jeanne" | — | ||
| 16-2 | Symphony in D minor: I. Lento - Allegro ma non troppo - Allegro | — | ||
| 16-3 | Symphony in D minor: II. Allegretto | — | ||
| 16-4 | Symphony in D minor: III. Allegro non troppo | — | ||
| 17-1 | Der Meistersinger von Nürnberg – Prelude To Act 1 | — | ||
| 17-2 | Prélude À L'après-Midi D'un Faune | — | ||
| 17-3 | Violin Concerto in A minor, op. 82: I. Moderato – II. Andante | — | ||
| 17-4 | Violin Concerto in A minor, op. 82: III. Allegro | — | ||
| 18-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto, Allegro, Meno allegro | — | ||
| 18-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 18-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 18-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio, Piu andante, Allegro non troppo, ma con brio, Piu allegro | — | ||
| 18-5 | Marche Slave, op. 31 | — | ||
| 18-6 | Mazurka no. 13 in A minor, op. 17 no. 4 | — | ||
| 18-7 | Moment musical in F minor, D. 780 no. 3 | — | ||
| 18-8 | Pavan: The Earl of Salisbury & Galliard (after Francis Tregian) | — | ||
| 18-9 | Chant sans paroles, op. 40, no. 6 | — | ||
| 18-10 | Trumpet Voluntary | — | ||
| 18-11 | Extase | London Symphony Orchestra, Leopold Stokowski | — | |
| 18-12 | Prélude in C-sharp minor, op. 3, no. 2 | — | ||
| 19-1 | Enigma Variations, op. 36: Theme - (Enigma) Andante | — | ||
| 19-2 | Enigma Variations, op. 36: Var. 1 C.A.E. Caroline Alice Elgar - L'Istesso Tempo | — | ||
| 19-3 | Enigma Variations, op. 36: Var. 2 H.D.S.-P. Hew David Steurart-Powell - Allegro | — | ||
| 19-4 | Enigma Variations, op. 36: Var. 3 R.B.T. Richard Baxter Townshend - Allegretto | — | ||
| 19-5 | Enigma Variations, op. 36: Var. 4 W.M.B. William Meath Baker - Allegro Di Molto | — | ||
| 19-6 | Enigma Variations, op. 36: Var. 5 R.P.A. Richard Penrose Arnold - Moderato | — | ||
| 19-7 | Enigma Variations, op. 36: Var. 6 Ysobel Isabel Fitten - Andantino | — | ||
| 19-8 | Enigma Variations, op. 36: Var. 7 Troyte a. Troyte-Griffith - Presto | — | ||
| 19-9 | Enigma Variations, op. 36: Var. 8 W.N. Winifred Norbury - Allegretto | — | ||
| 19-10 | Variations on an Original Theme, op. 36 "Enigma": 9. Nimrod (Adagio) | Česká filharmonie, Leopold Stokowski | T-010.115.427-1 | |
| 19-11 | Enigma Variations, op. 36: Var. 10 Dorabella Dora Penny - Intermezzo - Allegretto | — | ||
| 19-12 | Enigma Variations, op. 36: Var. 11 G.R.S. George Robertson Sinclair - Allegro Di Molto | — | ||
| 19-13 | Enigma Variations, op. 36: Var. 12 B.G.N. Basil G. Nevinson - Andante | — | ||
| 19-14 | Enigma Variations, op. 36: Var. 13 Lady Mary Lygon - Romanza - Moderato | — | ||
| 19-15 | Enigma Variations, op. 36: Var. 14 E.D.U. the Composer - Finale - Allegro-Presto | — | ||
| 20-1 | Toccata & Fugue in D minor, BWV 565 | — | ||
| 20-2 | Prelude in E flat minor, BWV 853 | — | ||
| 20-3 | Mein Jesu, was für Seelenweh, BWV 487 | — | ||
| 20-4 | Wir glauben all’ an einen Gott, BWV 680 | — | ||
| 20-5 | Chorale “Jesus Christus, Gottes Sohn”, BWV 4 | — | ||
| 20-6 | Passacaglia and Fugue in C minor, BWV 582 | — | ||
| 21-1 | Le Poème de l'Extase, op. 54 | — | ||
| 21-2 | Capriccio Espagnol, op. 34: I. Alborada | — | ||
| 21-3 | Capriccio Espagnol, op. 34: II. Variazioni | — | ||
| 21-4 | Capriccio Espagnol, op. 34: III. Alborada | — | ||
| 21-5 | Capriccio Espagnol, op. 34: IV. Scena e canto gitano | — | ||
| 21-6 | Capriccio Espagnol, op. 34: V. Fandango asturiano | — | ||
| 21-7 | Slavonic Dance in E Minor, op. 72 no.2 | — | ||
| 22-1 | Symphony no. 7 in A, op. 92: I. Poco sostenuto – Vivace | — | ||
| 22-2 | Symphony no. 7 in A, op. 92: II. Allegretto | — | ||
| 22-3 | Symphony no. 7 in A, op. 92: III. Presto – Assai meno presto | — | ||
| 22-4 | Symphony no. 7 in A, op. 92: IV. Allegro con brio | — | ||
| 22-5 | Music to Goethe's Tragedy “Egmont”, op. 84: Overture | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028948325047 is a Universal Product Code (UPC) assigned to Complete Decca Recordings - Phase 4 Stereo by Leopold Stokowski. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 170 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Complete Decca Recordings - Phase 4 Stereo” by Leopold Stokowski is 028948325047. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Decca. This release contains 170 tracks, each with its own ISRC. Tracks include USBC16100148, GBF076410063, GBF076510940.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Heavens Are Telling, op. 48/4 | — | ||
| 2 | Deep River | — | ||
| 3 | Largo (From “Ombra Mai Fu”, Serse, HWV 40) | — | ||
| 4 | Evening Prayer (Hänsel Und Gretel) | — | ||
| 5 | Jesu, Joy of Man's Desiring | The Norman Luboff Choir, New Symphony Orchestra of London, Leopold Stokowski | — | |
| 6 | Vocalise, op. 34, no. 14 | — | ||
| 7 | Praise God From Whom All Blessings Flow | — | ||
| 8 | Pilgrims' Chorus (Tannhäuser, WWV 70) | — | ||
| 9 | Cantata: “Sheep May Safely Graze” BWV 208 | — | ||
| 10 | Pater Noster (9 Sacred Pieces, Th 78/6) | — | ||
| 11 | O Saviour, Hear Me (From “Dance Of The Blessed Sprits”, Orfeo Ed Euridice | — | ||
| 2-1 | Scheherazade: I. The Sea and Sinbad's Ship | — | ||
| 2-2 | Scheherazade: II. The Story of the Kalendar Prince | — | ||
| 2-3 | Scheherazade — The Young Prince and the Young Princess | Erich Gruenberg, London Symphony Orchestra, Leopold Stokowski | — | |
| 2-4 | Scheherazade: IV. Festival at Baghdad - The Sea - Shipwreck | — | ||
| 3-1 | Pictures at an Exhibition: Promenade – Gnome | — | ||
| 3-2 | Pictures at an Exhibition: Promenade – The Old Castle | — | ||
| 3-3 | Pictures at an Exhibition: Bydło | — | ||
| 3-4 | Pictures at an Exhibition: Promenade – Ballet of the Unhatched Chicks | — | ||
| 3-5 | Pictures at an Exhibition: Samuel Goldenberg and Schmuÿle | — | ||
| 3-6 | Pictures at an Exhibition: Catacombs | — | ||
| 3-7 | Pictures at an Exhibition: The Hut on Fowl’s Legs | — | ||
| 3-8 | Pictures at an Exhibition: The Great Gate of Kiev | — | ||
| 3-9 | La cathédrale engloutie (orchestral version) | New Philharmonia Orchestra, Leopold Stokowski | — | |
| 4-1 | Swan Lake, op. 20: Introduction. Moderato assai | — | ||
| 4-2 | Swan Lake, op. 20: Act I. No. 2 Valse (Tempo di valse) | — | ||
| 4-3 | Swan Lake, op. 20: Act I. No. 4 Pas de trois. Variation III | — | ||
| 4-4 | Swan Lake, op. 20: Act I. No. 5 Pas de deux | — | ||
| 4-5 | Swan Lake, op. 20: Act II. No. 10 Scène (Moderato) | — | ||
| 4-6 | Swan Lake, op. 20: Act II. No. 11 Scène (Allegro moderato) | — | ||
| 4-7 | Swan Lake, op. 20: Act III. No. 21 Danse espagnole | — | ||
| 4-8 | Swan Lake, op. 20: Act IV. No. 27 Danse des petits cygnes | — | ||
| 4-9 | Swan Lake, op. 20: Act IV. No. 29 Scène finale (Andante) | — | ||
| 4-10 | The Sleeping Beauty, op. 66: Introduction | — | ||
| 4-11 | The Sleeping Beauty, op. 66: Prologue. no. 3 Variation IV Canari qui chante | — | ||
| 4-12 | The Sleeping Beauty, op. 66: Prologue. no. 6 Valse | — | ||
| 4-13 | The Sleeping Beauty, op. 66: Act I. No. 8 Pas d’action | — | ||
| 4-14 | The Sleeping Beauty, op. 66: Act III. No. 22 Polacca | — | ||
| 4-15 | The Sleeping Beauty, op. 66: Act III. No. 23 Pas de quatre Intrada (Allegro non tanto) | — | ||
| 4-16 | The Sleeping Beauty, op. 66: Act III. No. 25 Pas de quatre (Adagio) | — | ||
| 4-17 | The Sleeping Beauty, op. 66: Act III. No. 28 Pas de deux Adagio | — | ||
| 4-18 | The Sleeping Beauty, op. 66: No. 30 Finale. Apothéose | — | ||
| 5-1 | Concerto no. 1 for Violin and Strings in E major, RV 269 “La primavera”: I. Allegro | — | ||
| 5-2 | Concerto no. 1 for Violin and Strings in E major, RV 269 “La primavera”: II. Largo | — | ||
| 5-3 | Concerto no. 1 for Violin and Strings in E major, RV 269 “La primavera”: III. Danza pastorale. Allegro | — | ||
| 5-4 | Concerto no. 2 for Violin and Strings in G minor, RV 315 “L’estate”: I. Allegro non molto – Allegro | — | ||
| 5-5 | Concerto no. 2 for Violin and Strings in G minor, RV 315 “L’estate”: II. Adagio – Presto – Adagio | — | ||
| 5-6 | Concerto no. 2 for Violin and Strings in G minor, RV 315 “L’estate”: III. Presto (Tempo impetuoso d’estate) | — | ||
| 5-7 | Concerto no. 3 for Violin and Strings in F major, RV 293 “L’autunno”: I. Ballo, e canto de’ villanelli. Allegro | — | ||
| 5-8 | Concerto no. 3 for Violin and Strings in F major, RV 293 “L’autunno”: II. Ubriachi dormienti. Adagio molto | — | ||
| 5-9 | Concerto no. 3 for Violin and Strings in F major, RV 293 “L’autunno”: III. La caccia. Allegro | — | ||
| 5-10 | Concerto no. 4 for Violin and Strings in F minor, RV 297 “L’inverno”: I. Allegro non molto | — | ||
| 5-11 | Concerto no. 4 for Violin and Strings in F minor, RV 297 “L’inverno”: II. Largo | — | ||
| 5-12 | Concerto no. 4 for Violin and Strings in F minor, RV 297 “L’inverno”: III. Allegro | — | ||
| 6-1 | Die Walküre: The Ride of the Valkyries | — | ||
| 6-2 | Siegfried: Forest Murmurs | — | ||
| 6-3 | Das Rheingold: Entrance of the Gods into Valhalla | — | ||
| 6-4 | Götterdämmerung: Dawn and Siegfried’s Rhine Journey | — | ||
| 6-5 | Götterdämmerung: Siegfried’s Death and Funeral Music | — | ||
| 7-1 | Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima | — | ||
| 7-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 7-3 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | — | ||
| 7-4 | Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace | — | ||
| 8-1 | Overture | — | ||
| 8-2 | Every Valley Shall Be Exalted | — | ||
| 8-3 | And the Glory of the Lord | — | ||
| 8-4 | Pastoral Symphon | — | ||
| 8-5 | Then Shall the Eyes of the Blind Be Opened / He Shall Feed His Flock / Come Unto Him | — | ||
| 8-6 | Thy Rebuke Hath Broken His Heart / Behold and See If There Be Any Sorrow | — | ||
| 8-7 | He Was Cut Off Out of the Land of the Living / But Thou Didst Not Leave His Sould in Hell | — | ||
| 8-8 | Why Do the Nations | — | ||
| 8-9 | Hallelujah! | — | ||
| 8-10 | I Know That My Redeemer Liveth | — | ||
| 8-11 | Since by Man Came Death | — | ||
| 8-12 | Amen | — | ||
| 9-1 | Night on the Bare Mountain | — | ||
| 9-2 | Marche Slave, op. 31 | — | ||
| 9-3 | Firebird Suite: Introduction | — | ||
| 9-4 | Firebird Suite: Dance of the Firebird | — | ||
| 9-5 | Firebird Suite: Round Dance of the Princesses | — | ||
| 9-6 | Firebird Suite: Dance Infernal of King Kastchei | — | ||
| 9-7 | Firebird Suite: Lullaby | — | ||
| 9-8 | Firebird Suite: Finale | — | ||
| 10-1 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso | — | ||
| 10-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | — | ||
| 10-3 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | — | ||
| 10-4 | Symphony no. 9 in D minor, op. 125: IV. Presto: “O Freunde, nicht diese Töne” – Andante maestoso – Allegro energico, sempre ben marcato | — | ||
| 11-1 | Symphonie fantastique, op. 14: I. Rêveries. Passions (Largo - Allegro agitato ed appassionato assai) | — | ||
| 11-2 | Symphonie fantastique, op. 14: II. Un bal (Valse: Allegro non troppo) | — | ||
| 11-3 | Symphonie fantastique, op. 14: III. Scène aux champs (Adagio) | — | ||
| 11-4 | Symphonie fantastique, op. 14: IV. Marche au supplice (Allegretto non troppo) | — | ||
| 11-5 | Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso) | — | ||
| 12-1 | Romeo And Juliet – Fantasy Overture | — | ||
| 12-2 | Boris Godunov: Symphonic Synthesis | — | ||
| 13-1 | Ouverture solennelle “1812”, op. 49 | — | ||
| 13-2 | Polovtsian Dances, from: Prince Igor | — | ||
| 13-3 | Pastorale | — | ||
| 14-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 14-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 14-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 14-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 14-5 | Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | — | ||
| 14-6 | Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto | — | ||
| 15-1 | La Mer, L.109: I. From Dawn Till Noon on the Sea (De l'aube à midi sur la mer) | — | ||
| 15-2 | La Mer, L.109: II. Play of the Waves (Jeux de vagues) | — | ||
| 15-3 | La Mer, L.109: III. Dialogue of the Wind and the Sea (Dialogue du vent et de la mer) | — | ||
| 15-4 | Daphnis & Chloë - Suite no. 2: I. Lever du jour | — | ||
| 15-5 | Daphnis & Chloë - Suite no. 2: II. Pantomime | — | ||
| 15-6 | Daphnis & Chloë - Suite no. 2: III. Danse générale | — | ||
| 15-7 | La Damnation de Faust, op. 24, part 2: Ballet des Sylphes | — | ||
| 15-8 | Orchestral Set no. 2: I. An Elegy To Our Forefathers | — | ||
| 15-9 | Orchestral Set no. 2: II. The Rockstrewn Hills Join The People's Outdoor Meeting | — | ||
| 15-10 | Orchestral Set no. 2: III. From Hanover Square North At The End Of A Tragic Day (1915), The Voice Of The People Again Arose | — | ||
| 15-11 | L'Ascension (Four symphonic meditations for orchestra): I. Majesté du Christ demandant sa gloire à son père | — | ||
| 15-12 | L'Ascension (Four symphonic meditations for orchestra): II. Alléluias sereins d'un âme qui désire le ciel | — | ||
| 15-13 | L'Ascension (Four symphonic meditations for orchestra): III. Alléluia sur la trompette, alléluia sur la cymbale | — | ||
| 15-14 | L'Ascension (Four symphonic meditations for orchestra): IV. Prière du Christ montant vers son père | — | ||
| 16-1 | Fanfare from "L'Eventail de Jeanne" | — | ||
| 16-2 | Symphony in D minor: I. Lento - Allegro ma non troppo - Allegro | — | ||
| 16-3 | Symphony in D minor: II. Allegretto | — | ||
| 16-4 | Symphony in D minor: III. Allegro non troppo | — | ||
| 17-1 | Der Meistersinger von Nürnberg – Prelude To Act 1 | — | ||
| 17-2 | Prélude À L'après-Midi D'un Faune | — | ||
| 17-3 | Violin Concerto in A minor, op. 82: I. Moderato – II. Andante | — | ||
| 17-4 | Violin Concerto in A minor, op. 82: III. Allegro | — | ||
| 18-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto, Allegro, Meno allegro | — | ||
| 18-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 18-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 18-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio, Piu andante, Allegro non troppo, ma con brio, Piu allegro | — | ||
| 18-5 | Marche Slave, op. 31 | — | ||
| 18-6 | Mazurka no. 13 in A minor, op. 17 no. 4 | — | ||
| 18-7 | Moment musical in F minor, D. 780 no. 3 | — | ||
| 18-8 | Pavan: The Earl of Salisbury & Galliard (after Francis Tregian) | — | ||
| 18-9 | Chant sans paroles, op. 40, no. 6 | — | ||
| 18-10 | Trumpet Voluntary | — | ||
| 18-11 | Extase | London Symphony Orchestra, Leopold Stokowski | — | |
| 18-12 | Prélude in C-sharp minor, op. 3, no. 2 | — | ||
| 19-1 | Enigma Variations, op. 36: Theme - (Enigma) Andante | — | ||
| 19-2 | Enigma Variations, op. 36: Var. 1 C.A.E. Caroline Alice Elgar - L'Istesso Tempo | — | ||
| 19-3 | Enigma Variations, op. 36: Var. 2 H.D.S.-P. Hew David Steurart-Powell - Allegro | — | ||
| 19-4 | Enigma Variations, op. 36: Var. 3 R.B.T. Richard Baxter Townshend - Allegretto | — | ||
| 19-5 | Enigma Variations, op. 36: Var. 4 W.M.B. William Meath Baker - Allegro Di Molto | — | ||
| 19-6 | Enigma Variations, op. 36: Var. 5 R.P.A. Richard Penrose Arnold - Moderato | — | ||
| 19-7 | Enigma Variations, op. 36: Var. 6 Ysobel Isabel Fitten - Andantino | — | ||
| 19-8 | Enigma Variations, op. 36: Var. 7 Troyte a. Troyte-Griffith - Presto | — | ||
| 19-9 | Enigma Variations, op. 36: Var. 8 W.N. Winifred Norbury - Allegretto | — | ||
| 19-10 | Variations on an Original Theme, op. 36 "Enigma": 9. Nimrod (Adagio) | Česká filharmonie, Leopold Stokowski | T-010.115.427-1 | |
| 19-11 | Enigma Variations, op. 36: Var. 10 Dorabella Dora Penny - Intermezzo - Allegretto | — | ||
| 19-12 | Enigma Variations, op. 36: Var. 11 G.R.S. George Robertson Sinclair - Allegro Di Molto | — | ||
| 19-13 | Enigma Variations, op. 36: Var. 12 B.G.N. Basil G. Nevinson - Andante | — | ||
| 19-14 | Enigma Variations, op. 36: Var. 13 Lady Mary Lygon - Romanza - Moderato | — | ||
| 19-15 | Enigma Variations, op. 36: Var. 14 E.D.U. the Composer - Finale - Allegro-Presto | — | ||
| 20-1 | Toccata & Fugue in D minor, BWV 565 | — | ||
| 20-2 | Prelude in E flat minor, BWV 853 | — | ||
| 20-3 | Mein Jesu, was für Seelenweh, BWV 487 | — | ||
| 20-4 | Wir glauben all’ an einen Gott, BWV 680 | — | ||
| 20-5 | Chorale “Jesus Christus, Gottes Sohn”, BWV 4 | — | ||
| 20-6 | Passacaglia and Fugue in C minor, BWV 582 | — | ||
| 21-1 | Le Poème de l'Extase, op. 54 | — | ||
| 21-2 | Capriccio Espagnol, op. 34: I. Alborada | — | ||
| 21-3 | Capriccio Espagnol, op. 34: II. Variazioni | — | ||
| 21-4 | Capriccio Espagnol, op. 34: III. Alborada | — | ||
| 21-5 | Capriccio Espagnol, op. 34: IV. Scena e canto gitano | — | ||
| 21-6 | Capriccio Espagnol, op. 34: V. Fandango asturiano | — | ||
| 21-7 | Slavonic Dance in E Minor, op. 72 no.2 | — | ||
| 22-1 | Symphony no. 7 in A, op. 92: I. Poco sostenuto – Vivace | — | ||
| 22-2 | Symphony no. 7 in A, op. 92: II. Allegretto | — | ||
| 22-3 | Symphony no. 7 in A, op. 92: III. Presto – Assai meno presto | — | ||
| 22-4 | Symphony no. 7 in A, op. 92: IV. Allegro con brio | — | ||
| 22-5 | Music to Goethe's Tragedy “Egmont”, op. 84: Overture | — |
