UPC · Release
Pure Classic Moods
Various Artists
028945275826
32 tracksReleased 1996-01-01Decca
Last verified:
028945275826 is the Universal Product Code (UPC barcode) for the release “Pure Classic Moods” by Various Artists, released 1996-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 32 tracks, each with its own ISRC. Tracks include GBF078612020, GBF077440530, GBF078430503.
Format
0Number system
28945Manufacturer
27582Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCPure Classic Moods
ISRC32 recordings
ISWC25 works
Track List (32)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso | Vladimir Ashkenazy, The Cleveland Orchestra | T-928.635.608-9 | |
| 2 | Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | T-011.275.282-5 | |
| 3 | Minuet | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 4 | Zémire et Azor: Pantomine and Finale [excerpt] | Richard Hickox Orchestra, Richard Hickox | — | |
| 5 | Suite bergamasque : III. Clair de lune | Pascal Rogé | T-915.678.796-1 | |
| 6 | Requiem, op. 48: VII. In paradisum | Iwan Edwards, Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit | T-924.489.944-3 | |
| 7 | Le Carnaval des animaux: VII. Aquarium | Cristina Ortiz, Pascal Rogé, London Sinfonietta, Charles Dutoit | — | |
| 8 | Concierto de Aranjuez: Adagio (excerpt) | Marisa Robles, Philharmonia Orchestra, Charles Dutoit | T-041.489.061-1 | |
| 9 | Scènes alsaciennes: III. Sous les tilleuls | National Philharmonic Orchestra, Richard Bonynge | — | |
| 10 | Bailero | Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | T-004.013.305-8 | |
| 11 | Second movement from String Quartet | Ysaÿe Quartet | — | |
| 12 | Love in the Close | The Warsaw Philharmonia, Krzesimir Dębski | — | |
| 13 | Granada from Spanish Suite | Nicola Hall | — | |
| 14 | Piano Concerto no. 21 in C major, K. 467: II. Andante | Radu Lupu, English Chamber Orchestra, Uri Segal | — | |
| 15 | Carmina Burana: III. Cour d’amour: 21. In trutina | Sylvia Greenberg, Radio-Symphonie-Orchester Berlin, Riccardo Chailly | T-800.639.771-4 | |
| 16 | Pavane | [unknown] | T-918.704.013-7 | |
| 2-1 | Concerto for Violin, Oboe and Strings in D minor, BWV 1060: II. Adagio | Carmel Kaine, Tess Miller, Academy of St Martin in the Fields, Sir Neville Marriner | T-309.901.323-3 | |
| 2-2 | Gnossienne no. 5 | Pascal Rogé | T-916.194.049-4 | |
| 2-3 | Cello Concerto, op. 85: III. Adagio | Lynn Harrell, Cleveland Orchestra, Lorin Maazel | T-010.115.155-6 | |
| 2-4 | Concerto for Clarinet in A major, K. 622: II. Adagio | Franklin Cohen, Cleveland Orchestra, Christoph von Dohnányi | — | |
| 2-5 | Harp Concerto in 3 Tempi: II. Andante lento | Marisa Robles, Academy of St Martin in the Fields, Iona Brown | — | |
| 2-6 | Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | San Francisco Symphony, Herbert Blomstedt | T-300.003.632-4 | |
| 2-7 | Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto | Vladimir Ashkenazy | T-902.795.527-7 | |
| 2-8 | Chant sans paroles, op. 40 no. 6 | London Symphony Orchestra, Leopold Stokowski | T-070.024.421-8 | |
| 2-9 | Dance of the Blessed Spirits | Stuttgarter Kammerorchester, Karl Münchinger | T-912.623.308-7 | |
| 2-10 | To a Wild Rose & To a Water Lilly | Joseph Cooper | T-336.669.129-0 | |
| 2-11 | Adagio in G minor | Martin Haselböck, Stuttgarter Kammerorchester, Karl Münchinger | T-005.001.197-6 | |
| 2-12 | Romeo and Juliet, op. 64: Dance of the Girls With Lilies | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 2-13 | 5 Varients on Dives and Lazarus | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-14 | Nocturne in E-flat major, op. 9 no. 2 | Jorge Bolet | T-321.286.788-0 | |
| 2-15 | Prayer from Hansel & Gretel | Frank Chacksfield & His Orchestra | — | |
| 2-16 | Deux Gymnopédies: I. Lent et grave | Orchestre symphonique de Montréal, Charles Dutoit | T-003.010.186-0 |
Vladimir Ashkenazy, The Cleveland Orchestra
Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan
Minuet
Stuttgarter Kammerorchester, Karl Münchinger
—
Zémire et Azor: Pantomine and Finale [excerpt]
Richard Hickox Orchestra, Richard Hickox
—
Iwan Edwards, Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit
Le Carnaval des animaux: VII. Aquarium
Cristina Ortiz, Pascal Rogé, London Sinfonietta, Charles Dutoit
—
Marisa Robles, Philharmonia Orchestra, Charles Dutoit
Scènes alsaciennes: III. Sous les tilleuls
National Philharmonic Orchestra, Richard Bonynge
—
Second movement from String Quartet
Ysaÿe Quartet
—
Love in the Close
The Warsaw Philharmonia, Krzesimir Dębski
—
Granada from Spanish Suite
Nicola Hall
—
Piano Concerto no. 21 in C major, K. 467: II. Andante
Radu Lupu, English Chamber Orchestra, Uri Segal
—
Sylvia Greenberg, Radio-Symphonie-Orchester Berlin, Riccardo Chailly
Carmel Kaine, Tess Miller, Academy of St Martin in the Fields, Sir Neville Marriner
Concerto for Clarinet in A major, K. 622: II. Adagio
Franklin Cohen, Cleveland Orchestra, Christoph von Dohnányi
—
Harp Concerto in 3 Tempi: II. Andante lento
Marisa Robles, Academy of St Martin in the Fields, Iona Brown
—
San Francisco Symphony, Herbert Blomstedt
Romeo and Juliet, op. 64: Dance of the Girls With Lilies
Orchestre symphonique de Montréal, Charles Dutoit
—
5 Varients on Dives and Lazarus
Academy of St Martin in the Fields, Sir Neville Marriner
—
Prayer from Hansel & Gretel
Frank Chacksfield & His Orchestra
—
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | — |
| Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto | Vladimir Ashkenazy | — |
Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus)
Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan
—
Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto
Vladimir Ashkenazy
—
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
000000005517161700000000551841270000000063041943000000006308758900000000631029530000000073662241000000007840374000000000808939370000000081818146000000008181927X
+36 more
0000000106709764000000010789976600000001088022680000000108811383000000010937249000000001094067770000000109444722000000011016906X000000011036335600000001105741020000000110867896000000011297410X0000000114371759000000011450226100000001145420360000000114555750000000011468668900000001147122500000000119456479000000011954617500000001203391060000000120978012000000012109554500000001211745930000000121247385000000012142580700000001214630880000000121505778000000012161503700000001216951960000000121755793000000012276531X0000000122824543000000012284919300000001232169530000000374287094
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What is UPC 028945275826?
028945275826 is a Universal Product Code (UPC) assigned to Pure Classic Moods by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 32 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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