UPC · Release
Der Opernführer
Various Artists
028945752723
16 tracksReleased 1997-01-01Deutsche Grammophon
Last verified:
028945752723 is the Universal Product Code (UPC barcode) for the release “Der Opernführer” by Various Artists, released 1997-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 16 tracks, each with its own ISRC. Tracks include DEF058530403, DEF058730403, DEF057130503.
Format
0Number system
28945Manufacturer
75272Product
3Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCDer Opernführer
ISRC16 recordings
ISWC22 works
IPI2 songwriters
Track List (16)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Don Giovanni: 1. Akt. "Madamina, il catalogo è questo" (Leporello) | Berliner Philharmoniker, Herbert von Karajan | T-929621870-7 | |
| 2-2 | La Bohème: Atto I. “Che gelida manina!” (Rodolfo) | Jerry Hadley, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | — | |
| 2-3 | Il barbiere di Siviglia: “Largo al factotum” | Hermann Prey, London Symphony Orchestra, Claudio Abbado | T9021874099 | |
| 2-4 | Carmen : Acte I, Nº 9. Chanson (Séguedille) et Duo « Près des remparts de Séville » (Carmen, Don José) | Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | — | |
| 2-5 | La traviata: Sempre libera | Ileana Cotrubaş | — | |
| 2-6 | Eine Alpensinfonie, op. 64: XX. Sonnenuntergang | David Bell, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-7 | Tristan und Isolde: Act III, Scene 3 “Mild und leise wie er lächelt” | Birgit Nilsson, Orchester der Bayreuther Festspiele, Karl Böhm | — | |
| 2-8 | Tosca: Atto II. “Vissi d’arte” | Katia Ricciarelli, Berliner Philharmoniker | T-900162132-5 | |
| 2-9 | Die Zauberflöte: Act I. Nr. 2 Arie: »Der Vogelfänger bin ich ja« (Papageno) | Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | — | |
| 2-10 | Una voce poco fa | Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T9021874099 | |
| 2-11 | Paillasse. "Recitar... Vesti la giubba" (Canio) | Roberto Benaglio, Carlo Bergonzi, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan | — | |
| 2-12 | Die Zauberflöte: Act II. Nr. 14 Arie: »Der Hölle Rache kocht in meinem Herzen« (Die Königin der Nacht) | Roberta Peters, Berliner Philharmoniker, Karl Böhm | T-918245117-8 | |
| 2-13 | Eugene Onegin: Lyubvi vse vozrastï pokornï | Paata Burchuladze | — | |
| 2-14 | L’elisir d’amore: Atto I. Duetto “Voglio dire, lo stupendo elisir” (Nemorino, Dulcamara) | Enzo Dara, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | — | |
| 2-15 | Le nozze di Figaro: “Non più andrai” | Bryn Terfel, English Baroque Soloists, John Eliot Gardiner | T0091578663 | |
| 2-16 | Dido and Aeneas: When I am laid into earth | Anne Sofie von Otter, The English Concert, Trevor Pinnock | — |
Berliner Philharmoniker, Herbert von Karajan
La Bohème: Atto I. “Che gelida manina!” (Rodolfo)
Jerry Hadley, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein
—
Hermann Prey, London Symphony Orchestra, Claudio Abbado
Carmen : Acte I, Nº 9. Chanson (Séguedille) et Duo « Près des remparts de Séville » (Carmen, Don José)
Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
—
La traviata: Sempre libera
Ileana Cotrubaş
—
Eine Alpensinfonie, op. 64: XX. Sonnenuntergang
David Bell, Berliner Philharmoniker, Herbert von Karajan
—
Tristan und Isolde: Act III, Scene 3 “Mild und leise wie er lächelt”
Birgit Nilsson, Orchester der Bayreuther Festspiele, Karl Böhm
—
Die Zauberflöte: Act I. Nr. 2 Arie: »Der Vogelfänger bin ich ja« (Papageno)
Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm
—
Paillasse. "Recitar... Vesti la giubba" (Canio)
Roberto Benaglio, Carlo Bergonzi, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
—
Roberta Peters, Berliner Philharmoniker, Karl Böhm
Eugene Onegin: Lyubvi vse vozrastï pokornï
Paata Burchuladze
—
L’elisir d’amore: Atto I. Duetto “Voglio dire, lo stupendo elisir” (Nemorino, Dulcamara)
Enzo Dara, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine
—
Bryn Terfel, English Baroque Soloists, John Eliot Gardiner
Dido and Aeneas: When I am laid into earth
Anne Sofie von Otter, The English Concert, Trevor Pinnock
—
Additional database matches (29)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Götterdämmerung: Akt III. Funeral Music | Berliner Philharmoniker, Herbert von Karajan | T-903273484-2 |
| Lohengrin: Bridal Chorus | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | T3295064330 |
| La Damnation de Faust, op. 24: Marche Hongroise | Boston Symphony Orchestra, Seiji Ozawa | — |
| Der Freischütz: III. Akt, VI. Auftritt. No. 15 Jägerchor “Was gleicht wohl auf Erden” | Staatskapelle Dresden, Carlos Kleiber | — |
| Die Fledermaus: Ouvertüre | Bayerisches Staatsorchester, Carlos Kleiber | T-909574378-5 |
| La traviata: Preludio | Bayerisches Staatsorchester, Carlos Kleiber | — |
| La traviata: “Libiamo ne lieti calici“ (Brindisi) | Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Ileana Cotrubaș, Plácido Domingo, Alfredo Giacomotti, Bruno Grella, Walter Gullino, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber | T-906859796-6 |
| Carmen, WD 31: Overture (Prelude) | London Symphony Orchestra, Claudio Abbado | T-031673380-8 |
| Fidelio, op. 72: Overture | Wiener Philharmoniker, Leonard Bernstein | T-801974499-2 |
| Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust” | Chor der Wiener Staatsoper, Karl Terkal, Alfred Šramek, Wiener Philharmoniker, Leonard Bernstein | — |
| Turandot. "Nessun dorma" (Calaf) | Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan | T-005000838-2 |
| Nabucco: Va pensiero, sull'ali dorate | Orchester der Deutschen Oper Berlin | T9025741417 |
| Der Rosenkavalier: III. Aufzug. Terzett/Trio: »Maria Theres’! Hab’ mir’s gelobt« … »Ist ein Traum, kann nicht wirklich sein« (Octavian, Marschallin, Sophie, Faninal) | Agnes Baltsa, Gottfried Hornik, Janet Perry, Anna Tomowa-Sintow, Wiener Philharmoniker, Herbert von Karajan | — |
| Il trovatore: Atto II, scena 1: “Vedi! le fosche notturne spoglie” | Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini | — |
| Don Giovanni, KV 527: Atto secondo, Scena XV. “Don Giovanni, a cenar teco m’invitasti” (Commendatore, Don Giovanni, Leporello, Coro) | Ferruccio Furlanetto, Paata Burchuladze, Samuel Ramey, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | T-306483189-2 |
| La forza del destino: Sinfonia | Philharmonia Orchestra, Giuseppe Sinopoli | T-011354204-3 |
| Les Contes d'Hoffmann : Acte IV. Barcarolle "Belle nuit, ô nuit d'amour" (Nicklausse, Giulietta, les invités) | Jacques Jouineau, Chœur de Radio France, Claudia Eder, Edita Gruberová, Orchestre national de France, Seiji Ozawa | T-071153499-4 |
| La bohème: O Mimi, tu più non torni | Jerry Hadley | T9193871022 |
| Wozzeck: Ringel, Ringel, Rosenkranz, Ringelreih'n! | Wiener Sängerknaben, Claudio Abbado | — |
| Eugen Onegin: Act III. Polonaise | Staatskapelle Dresden, James Levine | — |
| L’italiana in Algeri: Overture | Helmuth Froschauer, Wiener Philharmoniker, Claudio Abbado | T-301972539-0 |
| Così fan tutte: Atto I. “Soave sia il vento” | Ferruccio Furlanetto, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | T-902525648-8 |
| Cavalleria rusticana: Intermezzo sinfonico | Philharmonia Orchestra, Giuseppe Sinopoli | T-307525888-3 |
| L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino) | Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | T-902504007-7 |
| Salome, op. 54, scene 4: Salome’s Dance of the Seven Veils | Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | — |
| Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) | Cheryl Studer, Fernando de la Mora, Jennifer Larmore, Juan Pons, Plácido Domingo, Samuel Ramey, London Symphony Orchestra, Ion Marin | — |
| King Arthur: Act III. “See, see, we assemble” / Dance | Choir of the English Concert, The English Concert, Trevor Pinnock | T0710008799 |
| Le nozze di Figaro, K. 492: Overture | English Baroque Soloists, Sir John Eliot Gardiner | — |
| Le nozze di Figaro, K. 492: Act III, Scene II. No. 17 Duetto "Crudel! Perché finora farmi languir così?" (Il Conte, Susanna) | Rodney Gilfry, Alison Hagley, English Baroque Soloists, Sir John Eliot Gardiner | — |
Berliner Philharmoniker, Herbert von Karajan
Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
La Damnation de Faust, op. 24: Marche Hongroise
Boston Symphony Orchestra, Seiji Ozawa
—
Der Freischütz: III. Akt, VI. Auftritt. No. 15 Jägerchor “Was gleicht wohl auf Erden”
Staatskapelle Dresden, Carlos Kleiber
—
Bayerisches Staatsorchester, Carlos Kleiber
La traviata: Preludio
Bayerisches Staatsorchester, Carlos Kleiber
—
Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Ileana Cotrubaș, Plácido Domingo, Alfredo Giacomotti, Bruno Grella, Walter Gullino, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber
London Symphony Orchestra, Claudio Abbado
Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust”
Chor der Wiener Staatsoper, Karl Terkal, Alfred Šramek, Wiener Philharmoniker, Leonard Bernstein
—
Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan
Orchester der Deutschen Oper Berlin
Der Rosenkavalier: III. Aufzug. Terzett/Trio: »Maria Theres’! Hab’ mir’s gelobt« … »Ist ein Traum, kann nicht wirklich sein« (Octavian, Marschallin, Sophie, Faninal)
Agnes Baltsa, Gottfried Hornik, Janet Perry, Anna Tomowa-Sintow, Wiener Philharmoniker, Herbert von Karajan
—
Il trovatore: Atto II, scena 1: “Vedi! le fosche notturne spoglie”
Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini
—
Ferruccio Furlanetto, Paata Burchuladze, Samuel Ramey, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan
Philharmonia Orchestra, Giuseppe Sinopoli
Jacques Jouineau, Chœur de Radio France, Claudia Eder, Edita Gruberová, Orchestre national de France, Seiji Ozawa
Jerry Hadley
Wozzeck: Ringel, Ringel, Rosenkranz, Ringelreih'n!
Wiener Sängerknaben, Claudio Abbado
—
Eugen Onegin: Act III. Polonaise
Staatskapelle Dresden, James Levine
—
Helmuth Froschauer, Wiener Philharmoniker, Claudio Abbado
Ferruccio Furlanetto, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine
Philharmonia Orchestra, Giuseppe Sinopoli
Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine
Salome, op. 54, scene 4: Salome’s Dance of the Seven Veils
Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
—
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo)
Cheryl Studer, Fernando de la Mora, Jennifer Larmore, Juan Pons, Plácido Domingo, Samuel Ramey, London Symphony Orchestra, Ion Marin
—
Choir of the English Concert, The English Concert, Trevor Pinnock
Le nozze di Figaro, K. 492: Overture
English Baroque Soloists, Sir John Eliot Gardiner
—
Le nozze di Figaro, K. 492: Act III, Scene II. No. 17 Duetto "Crudel! Perché finora farmi languir così?" (Il Conte, Susanna)
Rodney Gilfry, Alison Hagley, English Baroque Soloists, Sir John Eliot Gardiner
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000002303428X00000000631099600000000063111577000000008102429000000000816971530000000108600439000000010863595700000001086641840000000108886588000000010920127X
+40 more
000000010922759200000001093004890000000109378163000000010940538700000001094168010000000109447560000000010944807X000000010953518100000001096459620000000110292324000000011037959300000001107454690000000110823228000000011082963800000001109288630000000114435724000000011443908X0000000114464680000000011450745X000000011451319800000001145235480000000114712250000000011471465100000001147269190000000114802141000000011480248300000001148025040000000114802766000000011488468500000001165851870000000117611690000000011780261400000001185052910000000118507326000000011933703100000001194104380000000119418763000000011954617500000001195736080000000119574758
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What is UPC 028945752723?
028945752723 is a Universal Product Code (UPC) assigned to Der Opernführer by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 16 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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