UPC · Release
The Essential Classics Collection
Various Artists
028946348529
70 tracksReleased 1999-01-01Deutsche Grammophon
Last verified:
028946348529 is the Universal Product Code (UPC barcode) for the release “The Essential Classics Collection” by Various Artists, released 1999-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 70 tracks, each with its own ISRC. Tracks include DEF058730004, DEF056702031, DEF057402611.
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28946Manufacturer
34852Product
9Check digit
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Credit Chain
UPCThe Essential Classics Collection
ISRC70 recordings
ISWC30 works
IPI2 songwriters
Track List (70)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 2 | Kanon D-Dur | Festival Strings Lucerne, Rudolf Baumgartner | T-917.337.090-6 | |
| 3 | Le Carnaval des animaux, Le Cygne | Alfons Kontarsky, Aloys Kontarsky, Wolfgang Herzer, Wiener Philharmoniker, Karl Böhm | T-983.162.734-0 | |
| 4 | Pavane, op. 50 | John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-909.340.218-7 | |
| 5 | Concierto de Aranjuez: II. Adagio | Göran Söllscher, Orpheus Chamber Orchestra | T-041.489.061-1 | |
| 6 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | Orpheus Chamber Orchestra | T-914.248.874-2 | |
| 7 | Symphonie Nr. 5: Zweiter Teil: Scherzo. Kräftig, nicht zu schnell | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — | |
| 8 | Concerto in E minor for Cello and Orchestra, op. 85: I. Adagio - Moderato | Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein | — | |
| 9 | Adagio g-Moll für Streicher und Orgel | Eduard Kaufmann, Walter Prystawski, Festival Strings Lucerne, Rudolf Baumgartner | T-005.001.197-6 | |
| 10 | Symphony no. 9 "New World": II. Largo | Berliner Philharmoniker, Rafael Kubelík | — | |
| 11 | Les Contes d’Hoffmann: Entr’acte (Barcarolle) | Gothenburg Symphony Orchestra, Neeme Järvi | T-010.248.557-3 | |
| 2-1 | Carmen Suite: Los Toréadors | Orchestre de l’Opéra Bastille, Myung-Whun Chung | T-308.092.565-7 | |
| 2-2 | Carmina Burana: Blanziflor et Helena: Ave, formosissima | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | — | |
| 2-3 | Peer Gynt: In de hal van de bergkoning | Göteborgs Symfoniker, Neeme Järvi | T-011.778.125-5 | |
| 2-4 | Concerto for Violin and Strings in F minor, Op. 8, No. 4, R.297 “L’inverno”: 1. Allegro non molto - 2. Largo - 3. Allegro | Simon Standage, The English Concert, Trevor Pinnock | — | |
| 2-5 | Bilder einer Ausstellung: Promenade | Chicago Symphony Orchestra, Carlo Maria Giulini | T-011.301.790-5 | |
| 2-6 | Ouverture solennelle 1812, op. 49: Finale | Gothenburg Symphony Chorus, Gothenburg Symphony Brass Band, Gothenburg Symphony Orchestra, Neeme Järvi | T-902.924.062-8 | |
| 2-7 | Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante | Boston Symphony Orchestra, Seiji Ozawa | T-003.506.743-6 | |
| 2-8 | Messa da requiem : Dies irae | Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini | — | |
| 2-9 | Die Walküre: Walkürenritt | Orchestre de Paris, Daniel Barenboim | T-001.148.492-6 | |
| 2-10 | Also sprach Zarathustra: 3. Von der großen Sehnsucht | Boston Symphony Orchestra, William Steinberg | — | |
| 2-11 | Rhapsody in Blue | George Gershwin | T-010.244.926-2 | |
| 2-12 | Boléro | Boston Symphony Orchestra, Seiji Ozawa | T-003.006.377-4 | |
| 3-1 | Invitation à la valse, op. 65 | Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | T-901.661.496-3 | |
| 3-2 | Hungarian Dances Nos. 1 - 21 - No. 1 in G minor, No. 3 in F and No. 6 in D flat | Wiener Philharmoniker, Claudio Abbado | — | |
| 3-3 | The Nutcracker - Dance of the Sugar Plum Fairy / Waltz of the Flowers | Berliner Philharmoniker, Ferdinand Leitner | — | |
| 3-4 | Gaîté parisienne: Cancan. Allegro | Boston Symphony Orchestra, Seiji Ozawa | T-905.011.414-2 | |
| 3-5 | Water Music. Suite in D / G major, HWV 349 / 350: XI. Alla Hornpipe | Trevor Pinnock, The English Concert | T-905.384.308-6 | |
| 3-6 | Horn Concerto No. 4 in E flat, K. 495: III. Rondo (Allegro vivace) | David Jolley, Orpheus Chamber Orchestra | — | |
| 3-7 | An der schönen blauen Donau, op. 314 | Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | T-902.100.912-1 | |
| 3-8 | The Bartered Bride: Polka, Furiant and Skočná (Dance of the Comedians) | Wiener Philharmoniker, James Levine | — | |
| 3-9 | Prince Igor: Polovtsian Dances | Gothenburg Symphony Chorus, Torgny Sporsén, Gothenburg Symphony Orchestra, Neeme Järvi | T-902.804.388-1 | |
| 3-10 | Radetzky-Marsch, op. 228 (arr. Ertl) | Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 4-1 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 4-2 | Nocturne in F-sharp major, op. 15 no. 2 | Daniel Barenboim | T-306.230.833-8 | |
| 4-3 | Kinderszenen, op. 15: VII. Träumerei | Martha Argerich | — | |
| 4-4 | Bagatelle in A minor, WoO 59 “Für Elise”: Poco moto | Anatol Ugorski | T-304.254.199-7 | |
| 4-5 | Clair de lune (from ‘Suite bergamasque’) | Alexis Weissenberg | T-914.291.310-8 | |
| 4-6 | Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Emil Gilels | — | |
| 4-7 | Prelude in B minor, op. 32 no. 10 | Lilya Zilberstein | — | |
| 4-8 | The Flying Dutchman/Wagner: Ballade, Transcription S. 441 | Daniel Barenboim | — | |
| 4-9 | Prelude for piano No. 15 in D flat major, Op. 28/15, CT. 180 | Christoph Eschenbach | — | |
| 4-10 | La Fille aux cheveux de lin | Alexis Weissenberg | — | |
| 4-11 | Prelude no. 12 in G-sharp minor | Lilya Zilberstein | — | |
| 4-12 | Moment Musicaux no. 2 in A-flat major. Andantino | Wilhelm Kempff | — | |
| 4-13 | Concerto for Piano and Orchestra no. 23 in A major, KV488: II. Adagio | Camerata Academica of the Salzburg Mozarteum, Géza Anda | T-915.711.586-1 | |
| 5-1 | Messiah, HWV 56: XLIV. Chorus “Hallelujah” | The English Concert Choir, The English Concert, Trevor Pinnock | T-071.071.619-0 | |
| 5-2 | Fantasia on "Greensleeves" | Orpheus Chamber Orchestra | — | |
| 5-3 | Má vlast: II. Vltava, JB 1:112/2 | Boston Symphony Orchestra, Rafael Kubelík | T-801.557.926-8 | |
| 5-4 | Toccata and Fugue in D minor, BWV 565 | Simon Preston | T-909.243.105-5 | |
| 5-5 | Finlandia, op. 26 no. 7: Andante sostenuto - Allegro moderato - Allegro | Göteborgs Symfoniker, Neeme Järvi | T-910.256.702-2 | |
| 5-6 | The Planets, op. 32: 4. Jupiter, the Bringer of Jollity | Boston Symphony Orchestra, William Steinberg | T-101.257.909-6 | |
| 5-7 | West Side Story: Prologue / Mambo / Finale | San Francisco Symphony, Seiji Ozawa | — | |
| 5-8 | The Hebrides, op. 26 | London Symphony Orchestra, Claudio Abbado | — | |
| 5-9 | Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco - Trio (Largemente - Molto maestoso) | Royal Philharmonic Orchestra, Norman Del Mar | — | |
| 6-1 | Eine Alpensinfonie, op. 64: XX. Sonnenuntergang | David Bell, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-2 | L’elisir d’amore: “Una furtiva lagrima” | Plácido Domingo, Los Angeles Philharmonic Orchestra, Carlo Maria Giulini | T-310.639.190-2 | |
| 6-3 | Il trovatore: Parte III "Il Figlio della Zingara", Quadro II, N. 11 Scena ed Aria. "Di quella pira" (Manrico, Leonora, Ruiz, Coro) | Carlo Bergonzi, Coro del Teatro alla Scala di Milano, Franco Ricciardi, Antonietta Stella, Orchestra del Teatro alla Scala di Milano, Rafael Kubelík, Tullio Serafin | — | |
| 6-4 | Nabucco: “Va pensiero sull’ali dorate“ | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | — | |
| 6-5 | Carmen : Acte II. « La fleur que tu m'avais jetée » | Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | T-928.635.311-5 | |
| 6-6 | Carmen: Havanaise | Grace Bumbry, Radio-Symphonie-Orchester Berlin, Janos Kulka | — | |
| 6-7 | La bohème: Atto I. “Che gelida manina” | Sándor Kónya, Orchestra del Maggio Musicale Fiorentino, Antonino Votto | — | |
| 6-8 | Il trovatore: Parte II "La Gitana", Quadro I, N. 4 Coro di Zingari e Canzone. "Vedi! le fosche notturne spoglie" (Coro) | Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Rafael Kubelík, Tullio Serafin | — | |
| 6-9 | Tristan und Isolde: Isoldes Liebestod | Margaret Price, Staatskapelle Dresden, Carlos Kleiber | — | |
| 6-10 | Madama Butterfly: Atto II. “Un bel dì vedremo” | Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli | T-314.728.609-3 | |
| 6-11 | The Magic Flute: "O Isis und Osiris" | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | T-001.321.541-2 | |
| 6-12 | Cavalleria rusticana: Intermezzo sinfonico | Philharmonia Orchestra, Giuseppe Sinopoli | T-307.525.888-3 | |
| 6-13 | Aida: Atto I. Romanza: “Se quel guerrier io fossi! … Celeste Aida” (Radamès) | Plácido Domingo, Orchestra of La Scala, Milan, Claudio Abbado | T-900.065.376-9 | |
| 6-14 | Aida: Coro e marcia trionfale “Gloria all’Egitto” | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | T-310.527.191-4 | |
| 6-15 | Wilhelm Tell: Ouvertüre | Orchester der Römischen Oper, Tullio Serafin | T-900.248.424-4 |
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
Gothenburg Symphony Orchestra, Neeme Järvi
—
Alfons Kontarsky, Aloys Kontarsky, Wolfgang Herzer, Wiener Philharmoniker, Karl Böhm
John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Symphonie Nr. 5: Zweiter Teil: Scherzo. Kräftig, nicht zu schnell
Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
—
Concerto in E minor for Cello and Orchestra, op. 85: I. Adagio - Moderato
Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein
—
Eduard Kaufmann, Walter Prystawski, Festival Strings Lucerne, Rudolf Baumgartner
Symphony no. 9 "New World": II. Largo
Berliner Philharmoniker, Rafael Kubelík
—
Gothenburg Symphony Orchestra, Neeme Järvi
Carmina Burana: Blanziflor et Helena: Ave, formosissima
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum
—
Concerto for Violin and Strings in F minor, Op. 8, No. 4, R.297 “L’inverno”: 1. Allegro non molto - 2. Largo - 3. Allegro
Simon Standage, The English Concert, Trevor Pinnock
—
Gothenburg Symphony Chorus, Gothenburg Symphony Brass Band, Gothenburg Symphony Orchestra, Neeme Järvi
Boston Symphony Orchestra, Seiji Ozawa
Messa da requiem : Dies irae
Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini
—
Also sprach Zarathustra: 3. Von der großen Sehnsucht
Boston Symphony Orchestra, William Steinberg
—
Hungarian Dances Nos. 1 - 21 - No. 1 in G minor, No. 3 in F and No. 6 in D flat
Wiener Philharmoniker, Claudio Abbado
—
The Nutcracker - Dance of the Sugar Plum Fairy / Waltz of the Flowers
Berliner Philharmoniker, Ferdinand Leitner
—
Trevor Pinnock, The English Concert
Horn Concerto No. 4 in E flat, K. 495: III. Rondo (Allegro vivace)
David Jolley, Orpheus Chamber Orchestra
—
The Bartered Bride: Polka, Furiant and Skočná (Dance of the Comedians)
Wiener Philharmoniker, James Levine
—
Gothenburg Symphony Chorus, Torgny Sporsén, Gothenburg Symphony Orchestra, Neeme Järvi
Radetzky-Marsch, op. 228 (arr. Ertl)
Radio-Symphonie-Orchester Berlin, Ferenc Fricsay
—
Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai
Géza Anda, Camerata Academica des Salzburger Mozarteums
—
Kinderszenen, op. 15: VII. Träumerei
Martha Argerich
—
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Emil Gilels
—
Prelude in B minor, op. 32 no. 10
Lilya Zilberstein
—
The Flying Dutchman/Wagner: Ballade, Transcription S. 441
Daniel Barenboim
—
Prelude for piano No. 15 in D flat major, Op. 28/15, CT. 180
Christoph Eschenbach
—
La Fille aux cheveux de lin
Alexis Weissenberg
—
Prelude no. 12 in G-sharp minor
Lilya Zilberstein
—
Moment Musicaux no. 2 in A-flat major. Andantino
Wilhelm Kempff
—
Camerata Academica of the Salzburg Mozarteum, Géza Anda
The English Concert Choir, The English Concert, Trevor Pinnock
Fantasia on "Greensleeves"
Orpheus Chamber Orchestra
—
Göteborgs Symfoniker, Neeme Järvi
Boston Symphony Orchestra, William Steinberg
West Side Story: Prologue / Mambo / Finale
San Francisco Symphony, Seiji Ozawa
—
The Hebrides, op. 26
London Symphony Orchestra, Claudio Abbado
—
Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco - Trio (Largemente - Molto maestoso)
Royal Philharmonic Orchestra, Norman Del Mar
—
Eine Alpensinfonie, op. 64: XX. Sonnenuntergang
David Bell, Berliner Philharmoniker, Herbert von Karajan
—
Plácido Domingo, Los Angeles Philharmonic Orchestra, Carlo Maria Giulini
Il trovatore: Parte III "Il Figlio della Zingara", Quadro II, N. 11 Scena ed Aria. "Di quella pira" (Manrico, Leonora, Ruiz, Coro)
Carlo Bergonzi, Coro del Teatro alla Scala di Milano, Franco Ricciardi, Antonietta Stella, Orchestra del Teatro alla Scala di Milano, Rafael Kubelík, Tullio Serafin
—
Nabucco: “Va pensiero sull’ali dorate“
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
—
Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini
Carmen: Havanaise
Grace Bumbry, Radio-Symphonie-Orchester Berlin, Janos Kulka
—
La bohème: Atto I. “Che gelida manina”
Sándor Kónya, Orchestra del Maggio Musicale Fiorentino, Antonino Votto
—
Il trovatore: Parte II "La Gitana", Quadro I, N. 4 Coro di Zingari e Canzone. "Vedi! le fosche notturne spoglie" (Coro)
Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Rafael Kubelík, Tullio Serafin
—
Tristan und Isolde: Isoldes Liebestod
Margaret Price, Staatskapelle Dresden, Carlos Kleiber
—
Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
Plácido Domingo, Orchestra of La Scala, Milan, Claudio Abbado
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto pour piano et orchestre No. 21, KV 467: Andante | Géza Anda, Camerata Academica des Salzburger Mozarteums | T-010.194.871-3 |
| Carmina Burana: Fortuna imperatrix mundi: O Fortuna | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | T-800.639.771-4 |
| Symphonie No.5 Cis Moll: 4.Adagietto, Sehr Langsam (Soundtrack 'Death In Venice') | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | T-800.652.468-2 |
| Also sprach Zarathustra: 1. Einleitung | Boston Symphony Orchestra, William Steinberg | T-007.163.471-3 |
| Turandot. "Nessun dorma" (Calaf) | Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan | T-005.000.838-2 |
| Messa da requiem : Dies irae | Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini | T-910.932.757-3 |
| Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco - Trio (Largemente - Molto maestoso) | Royal Philharmonic Orchestra, Norman Del Mar | — |
Géza Anda, Camerata Academica des Salzburger Mozarteums
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum
Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
Boston Symphony Orchestra, William Steinberg
Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan
Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini
Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco - Trio (Largemente - Molto maestoso)
Royal Philharmonic Orchestra, Norman Del Mar
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-003.006.377-4T-003.506.743-6T-005.000.838-2T-005.001.197-6T-010.244.926-2T-010.244.926-2T-010.248.557-3T-011.301.790-5T-011.778.125-5T-041.489.061-1
+20 more
T-070.126.537-3T-304.254.199-7T-306.230.833-8T-307.525.888-3T-308.092.565-7T-800.639.771-4T-902.100.912-1T-902.804.388-1T-902.924.062-8T-905.011.414-2T-905.384.308-6T-909.243.105-5T-909.243.105-5T-909.340.218-7T-910.256.702-2T-914.248.874-2T-914.248.874-2T-914.291.310-8T-915.711.225-9T-983.162.734-0
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000026111834000000005514673700000000573212520000000063109960000000007357021600000000783952340000000080969305000000008125575000000000812558300000000081438100
+20 more
00000000816079040000000081857161000000008364896100000001067097640000000108548327000000010860043900000001086359570000000108653637000000010867508600000001087856050000000108854631000000010888658800000001089353780000000109178196000000010930048900000001093501360000000109358672000000010940538700000001094168010000000109438293
Identifier Graph
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What is UPC 028946348529?
028946348529 is a Universal Product Code (UPC) assigned to The Essential Classics Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 70 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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