UPC · Release
Various Artists
Last verified:
The UPC for “The Essential Classics Collection” by Various Artists is 028946348529. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1999-01-01. Label: Deutsche Grammophon. This release contains 70 tracks, each with its own ISRC. Tracks include DEF058730004, DEF056702031, DEF057402611.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 2 | Kanon D-Dur | Festival Strings Lucerne, Rudolf Baumgartner | T-917.337.090-6 | |
| 3 | Le Carnaval des animaux, Le Cygne | Alfons Kontarsky, Aloys Kontarsky, Wolfgang Herzer, Wiener Philharmoniker, Karl Böhm | T-983.162.734-0 | |
| 4 | Pavane, op. 50 | John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-909.340.218-7 | |
| 5 | Concierto de Aranjuez: II. Adagio | Göran Söllscher, Orpheus Chamber Orchestra | T-041.489.061-1 | |
| 6 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | Orpheus Chamber Orchestra | T-914.248.874-2 | |
| 7 | Symphonie Nr. 5: Zweiter Teil: Scherzo. Kräftig, nicht zu schnell | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — | |
| 8 | Concerto in E minor for Cello and Orchestra, op. 85: I. Adagio - Moderato | Pierre Fournier, Berliner Philharmoniker, Alfred Wallenstein | — | |
| 9 | Adagio g-Moll für Streicher und Orgel | Eduard Kaufmann, Walter Prystawski, Festival Strings Lucerne, Rudolf Baumgartner | T-005.001.197-6 | |
| 10 | Symphony no. 9 "New World": II. Largo | Berliner Philharmoniker, Rafael Kubelík | — | |
| 11 | Les Contes d’Hoffmann: Entr’acte (Barcarolle) | Gothenburg Symphony Orchestra, Neeme Järvi | T-010.248.557-3 | |
| 2-1 | Carmen Suite: Los Toréadors | Orchestre de l’Opéra Bastille, Myung-Whun Chung | T-308.092.565-7 | |
| 2-2 | Carmina Burana: Blanziflor et Helena: Ave, formosissima | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | — | |
| 2-3 | Peer Gynt: In de hal van de bergkoning | Göteborgs Symfoniker, Neeme Järvi | T-011.778.125-5 | |
| 2-4 | Concerto for Violin and Strings in F minor, Op. 8, No. 4, R.297 “L’inverno”: 1. Allegro non molto - 2. Largo - 3. Allegro | Simon Standage, The English Concert, Trevor Pinnock | — | |
| 2-5 | Bilder einer Ausstellung: Promenade | Chicago Symphony Orchestra, Carlo Maria Giulini | T-011.301.790-5 | |
| 2-6 | Ouverture solennelle 1812, op. 49: Finale | Gothenburg Symphony Chorus, Gothenburg Symphony Brass Band, Gothenburg Symphony Orchestra, Neeme Järvi | T-902.924.062-8 | |
| 2-7 | Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante | Boston Symphony Orchestra, Seiji Ozawa | T-003.506.743-6 | |
| 2-8 | Messa da requiem : Dies irae | Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini | — | |
| 2-9 | Die Walküre: Walkürenritt | Orchestre de Paris, Daniel Barenboim | T-001.148.492-6 | |
| 2-10 | Also sprach Zarathustra: 3. Von der großen Sehnsucht | Boston Symphony Orchestra, William Steinberg | — | |
| 2-11 | Rhapsody in Blue | George Gershwin | T-010.244.926-2 | |
| 2-12 | Boléro | Boston Symphony Orchestra, Seiji Ozawa | T-003.006.377-4 | |
| 3-1 | Invitation à la valse, op. 65 | Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | T-901.661.496-3 | |
| 3-2 | Hungarian Dances Nos. 1 - 21 - No. 1 in G minor, No. 3 in F and No. 6 in D flat | Wiener Philharmoniker, Claudio Abbado | — | |
| 3-3 | The Nutcracker - Dance of the Sugar Plum Fairy / Waltz of the Flowers | Berliner Philharmoniker, Ferdinand Leitner | — | |
| 3-4 | Gaîté parisienne: Cancan. Allegro | Boston Symphony Orchestra, Seiji Ozawa | T-905.011.414-2 | |
| 3-5 | Water Music. Suite in D / G major, HWV 349 / 350: XI. Alla Hornpipe | Trevor Pinnock, The English Concert | T-905.384.308-6 | |
| 3-6 | Horn Concerto No. 4 in E flat, K. 495: III. Rondo (Allegro vivace) | David Jolley, Orpheus Chamber Orchestra | — | |
| 3-7 | An der schönen blauen Donau, op. 314 | Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | T-902.100.912-1 | |
| 3-8 | The Bartered Bride: Polka, Furiant and Skočná (Dance of the Comedians) | Wiener Philharmoniker, James Levine | — | |
| 3-9 | Prince Igor: Polovtsian Dances | Gothenburg Symphony Chorus, Torgny Sporsén, Gothenburg Symphony Orchestra, Neeme Järvi | T-902.804.388-1 | |
| 3-10 | Radetzky-Marsch, op. 228 (arr. Ertl) | Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 4-1 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 4-2 | Nocturne in F-sharp major, op. 15 no. 2 | Daniel Barenboim | T-306.230.833-8 | |
| 4-3 | Kinderszenen, op. 15: VII. Träumerei | Martha Argerich | — | |
| 4-4 | Bagatelle in A minor, WoO 59 “Für Elise”: Poco moto | Anatol Ugorski | T-304.254.199-7 | |
| 4-5 | Clair de lune (from ‘Suite bergamasque’) | Alexis Weissenberg | T-914.291.310-8 | |
| 4-6 | Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Emil Gilels | — | |
| 4-7 | Prelude in B minor, op. 32 no. 10 | Lilya Zilberstein | — | |
| 4-8 | The Flying Dutchman/Wagner: Ballade, Transcription S. 441 | Daniel Barenboim | — | |
| 4-9 | Prelude for piano No. 15 in D flat major, Op. 28/15, CT. 180 | Christoph Eschenbach | — | |
| 4-10 | La Fille aux cheveux de lin | Alexis Weissenberg | — | |
| 4-11 | Prelude no. 12 in G-sharp minor | Lilya Zilberstein | — | |
| 4-12 | Moment Musicaux no. 2 in A-flat major. Andantino | Wilhelm Kempff | — | |
| 4-13 | Concerto for Piano and Orchestra no. 23 in A major, KV488: II. Adagio | Camerata Academica of the Salzburg Mozarteum, Géza Anda | T-915.711.586-1 | |
| 5-1 | Messiah, HWV 56: XLIV. Chorus “Hallelujah” | The English Concert Choir, The English Concert, Trevor Pinnock | T-071.071.619-0 | |
| 5-2 | Fantasia on "Greensleeves" | Orpheus Chamber Orchestra | — | |
| 5-3 | Má vlast: II. Vltava, JB 1:112/2 | Boston Symphony Orchestra, Rafael Kubelík | T-801.557.926-8 | |
| 5-4 | Toccata and Fugue in D minor, BWV 565 | Simon Preston | T-909.243.105-5 | |
| 5-5 | Finlandia, op. 26 no. 7: Andante sostenuto - Allegro moderato - Allegro | Göteborgs Symfoniker, Neeme Järvi | T-910.256.702-2 | |
| 5-6 | The Planets, op. 32: 4. Jupiter, the Bringer of Jollity | Boston Symphony Orchestra, William Steinberg | T-101.257.909-6 | |
| 5-7 | West Side Story: Prologue / Mambo / Finale | San Francisco Symphony, Seiji Ozawa | — | |
| 5-8 | The Hebrides, op. 26 | London Symphony Orchestra, Claudio Abbado | — | |
| 5-9 | Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco - Trio (Largemente - Molto maestoso) | Royal Philharmonic Orchestra, Norman Del Mar | — | |
| 6-1 | Eine Alpensinfonie, op. 64: XX. Sonnenuntergang | David Bell, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-2 | L’elisir d’amore: “Una furtiva lagrima” | Plácido Domingo, Los Angeles Philharmonic Orchestra, Carlo Maria Giulini | T-310.639.190-2 | |
| 6-3 | Il trovatore: Parte III "Il Figlio della Zingara", Quadro II, N. 11 Scena ed Aria. "Di quella pira" (Manrico, Leonora, Ruiz, Coro) | Carlo Bergonzi, Coro del Teatro alla Scala di Milano, Franco Ricciardi, Antonietta Stella, Orchestra del Teatro alla Scala di Milano, Rafael Kubelík, Tullio Serafin | — | |
| 6-4 | Nabucco: “Va pensiero sull’ali dorate“ | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | — | |
| 6-5 | Carmen : Acte II. « La fleur que tu m'avais jetée » | Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | T-928.635.311-5 | |
| 6-6 | Carmen: Havanaise | Grace Bumbry, Radio-Symphonie-Orchester Berlin, Janos Kulka | — | |
| 6-7 | La bohème: Atto I. “Che gelida manina” | Sándor Kónya, Orchestra del Maggio Musicale Fiorentino, Antonino Votto | — | |
| 6-8 | Il trovatore: Parte II "La Gitana", Quadro I, N. 4 Coro di Zingari e Canzone. "Vedi! le fosche notturne spoglie" (Coro) | Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Rafael Kubelík, Tullio Serafin | — | |
| 6-9 | Tristan und Isolde: Isoldes Liebestod | Margaret Price, Staatskapelle Dresden, Carlos Kleiber | — | |
| 6-10 | Madama Butterfly: Atto II. “Un bel dì vedremo” | Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli | T-314.728.609-3 | |
| 6-11 | The Magic Flute: "O Isis und Osiris" | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | T-001.321.541-2 | |
| 6-12 | Cavalleria rusticana: Intermezzo sinfonico | Philharmonia Orchestra, Giuseppe Sinopoli | T-307.525.888-3 | |
| 6-13 | Aida: Atto I. Romanza: “Se quel guerrier io fossi! … Celeste Aida” (Radamès) | Plácido Domingo, Orchestra of La Scala, Milan, Claudio Abbado | T-900.065.376-9 | |
| 6-14 | Aida: Coro e marcia trionfale “Gloria all’Egitto” | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | T-310.527.191-4 | |
| 6-15 | Wilhelm Tell: Ouvertüre | Orchester der Römischen Oper, Tullio Serafin | T-900.248.424-4 |
Identifier Graph
028946348529 is a Universal Product Code (UPC) assigned to The Essential Classics Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 70 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto pour piano et orchestre No. 21, KV 467: Andante | Géza Anda, Camerata Academica des Salzburger Mozarteums | T-010.194.871-3 |
| Carmina Burana: Fortuna imperatrix mundi: O Fortuna | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | T-800.639.771-4 |
| Symphonie No.5 Cis Moll: 4.Adagietto, Sehr Langsam (Soundtrack 'Death In Venice') | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | T-800.652.468-2 |
| Also sprach Zarathustra: 1. Einleitung | Boston Symphony Orchestra, William Steinberg | T-007.163.471-3 |
| Turandot. "Nessun dorma" (Calaf) | Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan | T-005.000.838-2 |
| Messa da requiem : Dies irae | Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini | T-910.932.757-3 |
| Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco - Trio (Largemente - Molto maestoso) | Royal Philharmonic Orchestra, Norman Del Mar | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Essential Classics Collection” by Various Artists is 028946348529. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1999-01-01. Label: Deutsche Grammophon. This release contains 70 tracks, each with its own ISRC. Tracks include DEF058730004, DEF056702031, DEF057402611.
