UPC · Release
Das Jahrhundertkonzert
Various Artists
028946357323
40 tracksReleased 1999-01-01Deutsche Grammophon
Last verified:
028946357323 is the Universal Product Code (UPC barcode) for the release “Das Jahrhundertkonzert” by Various Artists, released 1999-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include DEF058300101, DEF058730004, NLA507510625.
Format
0Number system
28946Manufacturer
35732Product
3Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCDas Jahrhundertkonzert
ISRC40 recordings
ISWC30 works
IPI5 songwriters
Track List (40)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Also sprach Zarathustra, op. 30, TrV 176: Einleitung | Wiener Philharmoniker, Lorin Maazel | T-007.163.471-3 | |
| 2 | Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 3 | Tosca: Atto II. "Vissi d'arte" (Tosca) | Montserrat Caballé, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | T-900.162.132-5 | |
| 4 | Symphonie Nr. 5 c-moll, op. 67: Allegro con brio | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5 | Toccata and Fugue in D minor, BWV 565 | Simon Preston | T-909.243.105-5 | |
| 6 | Der Messias: 42. Chor: Halleluja | Münchener Bach-Chor, Maurice André, Hedwig Bilgram, Elmar Schloter, Münchener Bach-Orchester, Karl Richter | — | |
| 7 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 8 | Music for the Royal Fireworks: Suite HWV 351: IV. La réjouissance | The English Concert, Trevor Pinnock | T-001.191.264-3 | |
| 9 | ’O sole mio | Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | T-901.926.173-5 | |
| 10 | Hungarian Dance no. 5: Allegro | Berliner Philharmoniker, Herbert von Karajan | T-329.366.800-1 | |
| 11 | Cavalleria rusticana: Intermezzo sinfonico | Göteborgs Symfoniker, Neeme Järvi | T-915.740.432-5 | |
| 12 | West Side Story: Tonight | José Carreras, Robert Farnon & His Orchestra | T-901.072.962-1 | |
| 13 | Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco - Trio (Largemente - Molto maestoso) | Royal Philharmonic Orchestra, Norman Del Mar | — | |
| 14 | Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante | Boston Symphony Orchestra, Seiji Ozawa | T-003.506.743-6 | |
| 15 | Concerto de Aranjuez: Adagio (Ausschnitt) | Siegfried Behrend, Berliner Philharmoniker, Reinhard Peters | T-041.489.061-1 | |
| 16 | Requiem in D Minor, K.626: 3. Sequentia: VI. Lacrimosa (from “Amadeus”) | Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Hans Haselböck, Wiener Philharmoniker, Karl Böhm | T-000.698.858-4 | |
| 17 | Bilder einer Ausstellung: I. Promenade | Berliner Philharmoniker, Herbert von Karajan | T-303.792.647-5 | |
| 18 | La traviata: Preludio | Bayerisches Staatsorchester, Carlos Kleiber | — | |
| 19 | Orpheus in der Unterwelt: Ouvertüre - Can-Can | Wiener Philharmoniker, Lorin Maazel | T-926.360.283-1 | |
| 20 | Bolero (Finale) | Boston Symphony Orchestra, 小澤征爾 | — | |
| 2-1 | Carmen, WD 31: Overture (Prelude) | London Symphony Orchestra, Claudio Abbado | T-031.673.380-8 | |
| 2-2 | Das Land des Lächelns: Dein ist mein ganzes Herz | Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | T-802.402.359-5 | |
| 2-3 | Konzert für Klarinette und Orchester A-Dur KV 622: 3. Rondo. Allegro | Karl Leister, Berliner Philharmoniker, Rafael Kubelík | — | |
| 2-4 | Der Freischütz: III. Akt, VI. Auftritt. No. 15 Jägerchor “Was gleicht wohl auf Erden” | Staatskapelle Dresden, Carlos Kleiber | — | |
| 2-5 | Aida: Triumphal Scene | Orchestra del Teatro alla Scala di Milano, Claudio Abbado | T-900.065.376-9 | |
| 2-6 | Symphony no. 9 "New World": II. Largo | Berliner Philharmoniker, Rafael Kubelík | — | |
| 2-7 | Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — | |
| 2-8 | Granada | Plácido Domingo, London Symphony Orchestra, Marcel Peeters | T-041.981.858-8 | |
| 2-9 | Thais: Méditation | Christer Thorvaldsson, Göteborgs Symfoniker, Neeme Järvi | T-001.283.021-5 | |
| 2-10 | Eine Alpensinfonie, op. 64: XX. Sonnenuntergang | David Bell, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-11 | Le Carnaval des animaux: XIII. Le Cygne | Mischa Maisky, Orchestre de Paris, Semyon Bychkov | T-317.671.333-6 | |
| 2-12 | Klavierkonzert Nr.1 b-moll, op. 23: Allegro ma non troppo (Ausschnitt) | Святослав Теофилович Рихтер, Wiener Philharmoniker, Herbert von Karajan | — | |
| 2-13 | Rigoletto: Atto III. “La donna è mobile” | Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | T-318.237.508-8 | |
| 2-14 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 1 in E major “La primavera”, RV 269: 1. Allegro | Gidon Kremer, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-902.685.630-4 | |
| 2-15 | Kaiserwalzer, op. 437 | Wiener Philharmoniker, Karl Böhm | — | |
| 2-16 | Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Emil Gilels | — | |
| 2-17 | Rhapsody in Blue | George Gershwin | T-010.244.926-2 | |
| 2-18 | Te Deum : Prélude. Rondeau | Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 2-19 | Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | Arnold Schoenberg Chor, Wiener Philharmoniker, André Previn | T-800.639.771-4 | |
| 2-20 | Radetzky‐Marsch, op. 228 | Berliner Philharmoniker, Herbert von Karajan | — |
Wiener Philharmoniker, Lorin Maazel
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
Gothenburg Symphony Orchestra, Neeme Järvi
—
Montserrat Caballé, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Symphonie Nr. 5 c-moll, op. 67: Allegro con brio
Berliner Philharmoniker, Herbert von Karajan
—
Der Messias: 42. Chor: Halleluja
Münchener Bach-Chor, Maurice André, Hedwig Bilgram, Elmar Schloter, Münchener Bach-Orchester, Karl Richter
—
Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai
Géza Anda, Camerata Academica des Salzburger Mozarteums
—
The English Concert, Trevor Pinnock
Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco - Trio (Largemente - Molto maestoso)
Royal Philharmonic Orchestra, Norman Del Mar
—
Boston Symphony Orchestra, Seiji Ozawa
Siegfried Behrend, Berliner Philharmoniker, Reinhard Peters
Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Hans Haselböck, Wiener Philharmoniker, Karl Böhm
La traviata: Preludio
Bayerisches Staatsorchester, Carlos Kleiber
—
Bolero (Finale)
Boston Symphony Orchestra, 小澤征爾
—
Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges
Konzert für Klarinette und Orchester A-Dur KV 622: 3. Rondo. Allegro
Karl Leister, Berliner Philharmoniker, Rafael Kubelík
—
Der Freischütz: III. Akt, VI. Auftritt. No. 15 Jägerchor “Was gleicht wohl auf Erden”
Staatskapelle Dresden, Carlos Kleiber
—
Symphony no. 9 "New World": II. Largo
Berliner Philharmoniker, Rafael Kubelík
—
Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro
Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair
—
Eine Alpensinfonie, op. 64: XX. Sonnenuntergang
David Bell, Berliner Philharmoniker, Herbert von Karajan
—
Mischa Maisky, Orchestre de Paris, Semyon Bychkov
Klavierkonzert Nr.1 b-moll, op. 23: Allegro ma non troppo (Ausschnitt)
Святослав Теофилович Рихтер, Wiener Philharmoniker, Herbert von Karajan
—
Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini
Gidon Kremer, Leslie Pearson, London Symphony Orchestra, Claudio Abbado
Kaiserwalzer, op. 437
Wiener Philharmoniker, Karl Böhm
—
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Emil Gilels
—
Arnold Schoenberg Chor, Wiener Philharmoniker, André Previn
Radetzky‐Marsch, op. 228
Berliner Philharmoniker, Herbert von Karajan
—
Additional database matches (10)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto pour piano et orchestre No. 21, KV 467: Andante | Géza Anda, Camerata Academica des Salzburger Mozarteums | T-010.194.871-3 |
| Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — |
| Radetzky‐Marsch, op. 228 | Berliner Philharmoniker, Herbert von Karajan | — |
| La traviata: “Libiamo ne lieti calici“ (Brindisi) | Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Ileana Cotrubaș, Plácido Domingo, Alfredo Giacomotti, Bruno Grella, Walter Gullino, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber | T-906.859.796-6 |
| Rigoletto: Atto III. “La donna è mobile” | Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | T-001.455.377-5 |
| Radetzky‐Marsch, op. 228 | Berliner Philharmoniker, Herbert von Karajan | — |
| Turandot. "Nessun dorma" (Calaf) | Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan | T-005.000.838-2 |
| Toccata & Fugue in D minor, BWV 565: I. Toccata | Simon Preston | T-905.381.873-8 |
| Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco - Trio (Largemente - Molto maestoso) | Royal Philharmonic Orchestra, Norman Del Mar | — |
| ’O sole mio | Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | T-909.738.214-4 |
Géza Anda, Camerata Academica des Salzburger Mozarteums
Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro
Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair
—
Radetzky‐Marsch, op. 228
Berliner Philharmoniker, Herbert von Karajan
—
Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Ileana Cotrubaș, Plácido Domingo, Alfredo Giacomotti, Bruno Grella, Walter Gullino, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber
Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini
Radetzky‐Marsch, op. 228
Berliner Philharmoniker, Herbert von Karajan
—
Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan
Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco - Trio (Largemente - Molto maestoso)
Royal Philharmonic Orchestra, Norman Del Mar
—
Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello
What other identifiers does this connect to?
Musical Works (ISWC)
T-000.698.858-4T-001.191.264-3T-001.283.021-5T-003.506.743-6T-005.000.838-2T-007.163.471-3T-010.244.926-2T-010.244.926-2T-031.673.380-8T-041.981.858-8
+20 more
T-041.981.858-8T-042.091.547-4T-042.855.177-2T-070.126.537-3T-210.017.221-9T-210.352.209-1T-303.792.647-5T-317.671.333-6T-318.237.508-8T-329.366.800-1T-802.402.359-5T-802.402.359-5T-900.065.376-9T-900.302.065-3T-901.072.962-1T-901.072.962-1T-902.685.630-4T-906.859.796-6T-909.243.105-5T-909.243.105-5
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000551953950000000059484397000000006097350X00000000630860090000000078398320000000008162187X0000000081692432000000008185512300000000839810940000000108600439
+20 more
00000001086359570000000108694084000000010882350100000001089353780000000109300489000000010937816300000001094168010000000109442137000000010944807X00000001100617450000000110203918000000011021306700000001103269770000000110363356000000011079141400000001108232280000000110921450000000011092874000000001109288630000000114397967
Identifier Graph
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What is UPC 028946357323?
028946357323 is a Universal Product Code (UPC) assigned to Das Jahrhundertkonzert by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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