UPC · Album

More Mozart for Mothers-to-Be

Mozart

028946496022
22 tracksReleased 2000-06-27

Last verified:

028946496022 is the Universal Product Code (UPC barcode) for the release More Mozart for Mothers-to-Be by Mozart, released 2000-06-27. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include DEF058104370, GBBBA8950030, GBBBA9550050.

Format

0Number system
28946Manufacturer
49602Product
2Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCMore Mozart for Mothers-to-Be
ISRC26 recordings
ISWC6 works

Track List (26)

Nehmt meinen Dank, hir holden Gönner
Lucia Popp, Mozarteum Orchester Salzburg, Leopold Hager
Così fan tutte: Di scrivermi ogni giorno
Karita Mattila, Academy of St Martin in the Fields, Sir Neville Marriner
The Marriage of the Figaro: Susanna's Air: Deh vieni, non tardar
Sylvia McNair, Academy of St Martin in the Fields, Sir Neville Marriner
The Marriage of Figaro: Flower Chorus: Ricevete, o padroncina
BBC Symphony Chorus, BBC Symphony Orchestra
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni)
Ingvar Wixell, Royal Opera Orchestra, Sir Colin Davis
Le nozze di Figaro: “Voi che sapete”
Frederica von Stade, Rotterdam Philharmonic Orchestra, Edo de Waart
Don Giovanni: Zerlina's Air: Vedrai carino
Frederica von Stade, Rotterdam Philharmonic Orchestra, Edo de Waart
La clemenza di Tito: Atto I. No. 7 Duetto “Ah perdona al primo affetto”
Lucia Popp, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Das Kinderspiel, KV 598
Elly Ameling, Dalton Baldwin
Die Zauberflöte, K. 620: Act I, Scene II. No. 2 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)
Mikael Melbye, Staatskapelle Dresden, Sir Colin Davis
Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Drei Knaben)
Armin Ude, Dresdner Kreuzchor, Staatskapelle Dresden, Sir Colin Davis
Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno)
Mikael Melbye, Staatskapelle Dresden, Sir Colin Davis
Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Drei Knaben, Tamino)
Dresdner Kreuzchor, Peter Schreier, Staatskapelle Dresden, Sir Colin Davis
Die Zauberflöte, K. 620: Act II, Scene XXIX. "Pa-Pa-Pa-Papagena (Papageno, Papagena)
Mikael Melbye, Maria Venuti, Staatskapelle Dresden, Sir Colin Davis
Die Zauberflöte, K. 620: Act I, Scene II. No. 2 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)
Mikael Melbye, Staatskapelle Dresden, Sir Colin Davis
Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Drei Knaben)
Armin Ude, Dresdner Kreuzchor, Staatskapelle Dresden, Sir Colin Davis
Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno)
Mikael Melbye, Staatskapelle Dresden, Sir Colin Davis
Le Nozze di Figaro: Che soave zeffiretto
Barbara Hendricks, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner
Le Nozze di Figaro: Che soave zeffiretto
Barbara Hendricks, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner
Zaide: Ruhe sanft, mein holdes Leben
Karita Mattila, Philharmonia Orchestra, John Pritchard
Così fan tutte: Una donna in quindici anni (Despina) Sorella, cosa dici?
Academy of St Martin in the Fields, Sir Neville Marriner
Così fan tutte, K. 588: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso)
Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner
Cosi fan tutte, K.588
Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner
Idomeneo, rè di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia)
Barbara Hendricks, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis
Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) / Act III, Scene II. Recitativo "Ei stesso vien... oh Dei!" (Ilia)
Barbara Hendricks, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis
Il re pastore: L'amerò, sarò costante
Leila Josefowicz, Academy of St Martin in the Fields, Sir Neville Marriner

People also ask

What is UPC 028946496022?
UPC 028946496022 is the Universal Product Code (barcode) for "More Mozart for Mothers-to-Be" by Mozart.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028946496022?
UPC 028946496022 contains 22 tracks, each with its own ISRC.
SourcesMusicBrainz

Verified on

What is UPC 028946496022?

028946496022 is a Universal Product Code (UPC) assigned to More Mozart for Mothers-to-Be by Mozart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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