UPC · Release
The Symphonies / A Midsummer Night’s Dream / Octet
Mendelssohn, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy
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028946766422 is the Universal Product Code (UPC barcode) for the release “The Symphonies / A Midsummer Night’s Dream / Octet” by Mendelssohn, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy, released 2001-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 43 tracks, each with its own ISRC. Tracks include GBF079410361, GBF079410362, GBF079410363.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (43)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C minor, op. 11: I. Allegro molto | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | — | |
| 2 | Symphony no. 1 in C minor, op. 11: II. Andante | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | — | |
| 3 | Symphony no. 1 in C minor, op. 11: III. Menuetto: Allegro molto | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | T-931.717.645-7 | |
| 4 | Symphony no. 1 in C minor, op. 11: IV. Allegro con fuoco | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | T-931.717.651-5 | |
| 5 | Symphony no. 5 in D minor, op. 107 “Reformation”: I. Andante – Allegro con fuoco | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | T-931.717.651-5 | |
| 6 | Symphony no. 5 in D minor, op. 107 “Reformation”: II. Allegro vivace | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | — | |
| 7 | Symphony no. 5 in D minor, op. 107 “Reformation”: III. Andante | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | — | |
| 8 | Symphony no. 5 in D minor, op. 107 “Reformation”: IV. Choral: Ein’ feste Burg: Andante con moto – Allegro maestoso | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | — | |
| 2-1 | Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: I. Sinfonia: Maestoso con moto – Allegro – Maestoso con moto | — | ||
| 2-2 | Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: I. Sinfonia: Allegretto un poco agitato | — | ||
| 2-3 | Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: I. Sinfonia: Adagio religioso | — | ||
| 2-4 | Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: II. Alles was Odem hat – Lobe den Herrn, meine Seele | — | ||
| 2-5 | Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: III. Saget es – Er zählet unsere Tränen | — | ||
| 2-6 | Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: IV. Saget es, die ihr erlöset seid | — | ||
| 2-7 | Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: V. Ich harrete des Herrn – Wohl dem | — | ||
| 2-8 | Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: VI. Stricke des Todes – Wir riefen in der Finsternis | — | ||
| 2-9 | Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: VII. Die Nacht ist vergangen | — | ||
| 2-10 | Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: VIII. Nun danket alle Gott | — | ||
| 2-11 | Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: IX. Drum sing’ ich mit meinem Liede | — | ||
| 2-12 | Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: X. Ihr Völker! | — | ||
| 3-1 | A Midsummer Night’s Dream Overture, op. 21: Allegro di molto | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | — | |
| 3-2 | A Midsummer Night’s Dream, op. 61: I. Scherzo: Allegro vivace | — | ||
| 3-3 | A Midsummer Night’s Dream, op. 61: II. Über Täler und Höh’n (Allegro vivace) | — | ||
| 3-4 | A Midsummer Night’s Dream, op. 61: III. Nachtigall, mit Melodei (Allegro ma non troppo) | — | ||
| 3-5 | A Midsummer Night’s Dream, op. 61: V. Intermezzo: Allegro appassionato | — | ||
| 3-6 | A Midsummer Night’s Dream, op. 61: VII. Notturno: Andante tranquillo | — | ||
| 3-7 | A Midsummer Night’s Dream, op. 61: IX. Hochzeitsmarsch: Allegro vivace | — | ||
| 3-8 | A Midsummer Night’s Dream, op. 61: X. Fanfare: Allegro comodo | — | ||
| 3-9 | A Midsummer Night’s Dream, op. 61: Marcia funebre: Andante comodo | — | ||
| 3-10 | A Midsummer Night’s Dream, op. 61: XI. Ein Tanz von Rüpeln: Allegro di molto | — | ||
| 3-11 | A Midsummer Night’s Dream, op. 61: XII. Finale: Bei des Feuers mattem Flimmern (Allegro di molto) | — | ||
| 3-12 | Octet for Strings in E-flat major, op. 20: I. Allegro moderato, ma con fuoco | — | ||
| 3-13 | Octet for Strings in E-flat major, op. 20: II. Andante | — | ||
| 3-14 | Octet for Strings in E-flat major, op. 20: III. Scherzo: Allegro leggierissimo | — | ||
| 3-15 | Octet for Strings in E-flat major, op. 20: IV. Presto | — | ||
| 4-1 | Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto – Allegro un poco agitato | — | ||
| 4-2 | Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo – | — | ||
| 4-3 | Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio – | — | ||
| 4-4 | Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo – Allegro maestoso assai | — | ||
| 4-5 | Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace | — | ||
| 4-6 | Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto | — | ||
| 4-7 | Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato | — | ||
| 4-8 | Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto | — |
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What is UPC 028946766422?
028946766422 is a Universal Product Code (UPC) assigned to The Symphonies / A Midsummer Night’s Dream / Octet by Mendelssohn, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 43 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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