UPC · Release
Gabriel Fauré
Last verified:
The UPC for “Panorama” by Gabriel Fauré is 028946926826. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2001-01-01. Label: Deutsche Grammophon. This release contains 35 tracks, each with its own ISRC. Tracks include DEF058600842, DEF058600843, DEF058600844.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Requiem, op. 48: I. Introït et Kyrie “Requiem aeternam dona eis, Domine” – “Kyrie eleison” | Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini | T-900.175.670-3 |
| 2 | Requiem, op. 48: II. Offertoire “O Domine Jesu Christe, Rex gloriae” | Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini | — |
| 3 | Requiem, op. 48: III. Sanctus “Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth” | Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini | T-003.012.217-8 |
| 4 | Requiem, op. 48: IV. Pie Jesu “Pie Jesu Domine” | Horst Neumann, Andreas Schmidt, Kathleen Battle, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | T-010.065.879-4 |
| 5 | Requiem, op. 48: V. Agnus Dei “Agnus Dei, qui tollis peccata mundi” | Horst Neumann, Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | T-926.356.677-4 |
| 6 | Requiem, op. 48: VI. Libera me “Libera me, Domine, de morte aeterna” | Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini | — |
| 7 | Requiem, op. 48: VII. In Paradisum “In Paradisum deducant angeli” | Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini | T-924.489.944-3 |
| 8 | Pelléas et Mélisande, op. 80: I. Prélude: Quasi adagio | Boston Symphony Orchestra, Seiji Ozawa | T-004.021.527-7 |
| 9 | Pelléas et Mélisande, op. 80: II. Fileuse: Andantino quasi allegretto | Boston Symphony Orchestra, Seiji Ozawa | T-004.021.527-7 |
| 10 | Pelléas et Mélisande, op. 80: III. Chanson de Mélisande | Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | T-003.018.951-5 |
| 11 | Pelléas et Mélisande, op. 80: IV. Sicilienne: Allegretto molto moderato | Boston Symphony Orchestra, Seiji Ozawa | T-004.021.527-7 |
| 12 | Pelléas et Mélisande, op. 80: V. La Mort de Mélisande: Molto adagio | Boston Symphony Orchestra, Seiji Ozawa | — |
| 13 | Une châtelaine en sa tour, op. 110 | — | |
| 2-1 | Pavane, op. 50 | John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-909.340.218-7 |
| 2-2 | Dolly, op. 56: I. Berceuse: Allegretto moderato | — | |
| 2-3 | Dolly, op. 56: II. Mi‐a‐ou: Allegro vivo – Più lento – Allegro | — | |
| 2-4 | Dolly, op. 56: III. Le Jardin de Dolly: Andantino | — | |
| 2-5 | Dolly, op. 56: IV. Kitty‐Valse: Tempo di valse | — | |
| 2-6 | Dolly, op. 56: V. Tendresse: Andante | — | |
| 2-7 | Dolly, op. 56: VI. Le Pas espagnol: Allegro | — | |
| 2-8 | Trois Mélodies, op. 23 no. 1: Les Berceaux | — | |
| 2-9 | Trois Mélodies, op. 23 no. 2: Le Secret | — | |
| 2-10 | Trois Mélodies, op. 23 no. 3: Soir | — | |
| 2-11 | L’Horizon chimérique, op. 118 no. 1: La Mer est infinie | — | |
| 2-12 | L’Horizon chimérique, op. 118 no. 2: Je me suis embarqué | — | |
| 2-13 | L’Horizon chimérique, op. 118 no. 3: Diane. Séléné | — | |
| 2-14 | Après un rêve, op. 7 no. 1 | Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | — |
| 2-15 | Élégie, op. 24 | Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | T-802.189.927-5 |
| 2-16 | Nocturne no. 4 in E‐flat major, op. 36 | Pascal Rogé | — |
| 2-17 | Barcarolle no. 2 in G major, op. 41 | — | |
| 2-18 | Masques et bergamasques, op. 112: I. Ouverture: Allegro molto vivo | — | |
| 2-19 | Masques et bergamasques, op. 112: II. Menuet: Tempo di minuetto – Allegretto moderato | — | |
| 2-20 | Masques et bergamasques, op. 112: III. Gavotte: Allegro vivo | — | |
| 2-21 | Masques et bergamasques, op. 112: IV. Pastorale: Andantino tranquillo | — | |
| 2-22 | Cantique de Jean Racine, op. 11 | Choir of King’s College, Cambridge, James Vivian, Stephen Cleobury | — |
Identifier Graph
028946926826 is a Universal Product Code (UPC) assigned to Panorama by Gabriel Fauré. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 35 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Songwriters/Publishers (IPI)
The UPC for “Panorama” by Gabriel Fauré is 028946926826. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2001-01-01. Label: Deutsche Grammophon. This release contains 35 tracks, each with its own ISRC. Tracks include DEF058600842, DEF058600843, DEF058600844.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Requiem, op. 48: I. Introït et Kyrie “Requiem aeternam dona eis, Domine” – “Kyrie eleison” | Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini | T-900.175.670-3 |
| 2 | Requiem, op. 48: II. Offertoire “O Domine Jesu Christe, Rex gloriae” | Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini | — |
| 3 | Requiem, op. 48: III. Sanctus “Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth” | Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini | T-003.012.217-8 |
| 4 | Requiem, op. 48: IV. Pie Jesu “Pie Jesu Domine” | Horst Neumann, Andreas Schmidt, Kathleen Battle, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | T-010.065.879-4 |
| 5 | Requiem, op. 48: V. Agnus Dei “Agnus Dei, qui tollis peccata mundi” | Horst Neumann, Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | T-926.356.677-4 |
| 6 | Requiem, op. 48: VI. Libera me “Libera me, Domine, de morte aeterna” | Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini | — |
| 7 | Requiem, op. 48: VII. In Paradisum “In Paradisum deducant angeli” | Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini | T-924.489.944-3 |
| 8 | Pelléas et Mélisande, op. 80: I. Prélude: Quasi adagio | Boston Symphony Orchestra, Seiji Ozawa | T-004.021.527-7 |
| 9 | Pelléas et Mélisande, op. 80: II. Fileuse: Andantino quasi allegretto | Boston Symphony Orchestra, Seiji Ozawa | T-004.021.527-7 |
| 10 | Pelléas et Mélisande, op. 80: III. Chanson de Mélisande | Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | T-003.018.951-5 |
| 11 | Pelléas et Mélisande, op. 80: IV. Sicilienne: Allegretto molto moderato | Boston Symphony Orchestra, Seiji Ozawa | T-004.021.527-7 |
| 12 | Pelléas et Mélisande, op. 80: V. La Mort de Mélisande: Molto adagio | Boston Symphony Orchestra, Seiji Ozawa | — |
| 13 | Une châtelaine en sa tour, op. 110 | — | |
| 2-1 | Pavane, op. 50 | John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-909.340.218-7 |
| 2-2 | Dolly, op. 56: I. Berceuse: Allegretto moderato | — | |
| 2-3 | Dolly, op. 56: II. Mi‐a‐ou: Allegro vivo – Più lento – Allegro | — | |
| 2-4 | Dolly, op. 56: III. Le Jardin de Dolly: Andantino | — | |
| 2-5 | Dolly, op. 56: IV. Kitty‐Valse: Tempo di valse | — | |
| 2-6 | Dolly, op. 56: V. Tendresse: Andante | — | |
| 2-7 | Dolly, op. 56: VI. Le Pas espagnol: Allegro | — | |
| 2-8 | Trois Mélodies, op. 23 no. 1: Les Berceaux | — | |
| 2-9 | Trois Mélodies, op. 23 no. 2: Le Secret | — | |
| 2-10 | Trois Mélodies, op. 23 no. 3: Soir | — | |
| 2-11 | L’Horizon chimérique, op. 118 no. 1: La Mer est infinie | — | |
| 2-12 | L’Horizon chimérique, op. 118 no. 2: Je me suis embarqué | — | |
| 2-13 | L’Horizon chimérique, op. 118 no. 3: Diane. Séléné | — | |
| 2-14 | Après un rêve, op. 7 no. 1 | Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | — |
| 2-15 | Élégie, op. 24 | Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | T-802.189.927-5 |
| 2-16 | Nocturne no. 4 in E‐flat major, op. 36 | Pascal Rogé | — |
| 2-17 | Barcarolle no. 2 in G major, op. 41 | — | |
| 2-18 | Masques et bergamasques, op. 112: I. Ouverture: Allegro molto vivo | — | |
| 2-19 | Masques et bergamasques, op. 112: II. Menuet: Tempo di minuetto – Allegretto moderato | — | |
| 2-20 | Masques et bergamasques, op. 112: III. Gavotte: Allegro vivo | — | |
| 2-21 | Masques et bergamasques, op. 112: IV. Pastorale: Andantino tranquillo | — | |
| 2-22 | Cantique de Jean Racine, op. 11 | Choir of King’s College, Cambridge, James Vivian, Stephen Cleobury | — |
