UPC · Release
The #1 Soprano Album
Various Artists
028947217923
33 tracksReleased 2002-01-01Decca
Last verified:
028947217923 is the Universal Product Code (UPC barcode) for the release “The #1 Soprano Album” by Various Artists, released 2002-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 33 tracks, each with its own ISRC. Tracks include GBBBB1400001, GBF076711260, GBF076840709.
Format
0Number system
28947Manufacturer
21792Product
3Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe #1 Soprano Album
ISRC33 recordings
ISWC19 works
IPI4 songwriters
Track List (33)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Gianni Schicchi: “O mio babbino caro” | Renée Fleming, London Philharmonic Orchestra, Charles Mackerras | T-901.222.501-3 | |
| 2 | Lakmé : Acte I. « Dôme épais le jasmin » | Jane Berbié, Joan Sutherland, Orchestre national de l'Opéra de Monte-Carlo, Richard Bonynge | T-310.774.658-3 | |
| 3 | La Wally: “Ebben? Ne andrò lontana” | Renata Tebaldi, Orchestre national de l'Opéra de Monte-Carlo, Fausto Cleva | — | |
| 4 | Die Fledermaus: Mein Herr Marquis | Edita Gruberová, Wiener Philharmoniker, André Previn, Chor der Wiener Staatsoper | — | |
| 5 | Chants d’Auvergne: Baïlèro | Frederica von Stade, Utah Symphony Orchestra, Joseph Silverstein | T-004.013.305-8 | |
| 6 | Norma: Casta diva | Chorus of the Welsh National Opera, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | T-910.760.630-4 | |
| 7 | Le Nozze di Figaro: Che soave zeffiretto | Barbara Hendricks, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8 | Die Zauberflöte: No. 14 Aria “Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) | Sumi Jo, Wiener Philharmoniker, Sir Georg Solti | T-918.245.117-8 | |
| 9 | Die Entführung aus dem Serail: Welche Wonne, welche Lust | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | — | |
| 10 | Les Vêpres siciliennes: Merce, dilette amiche | Anita Cerquetti, Orchestra del Maggio Musicale Fiorentino, Gianandrea Gavazzeni | T-913.732.492-6 | |
| 11 | Rigoletto: Caro nome | Coro dell’Accademia Nazionale di Santa Cecilia, Armando Gabba, Edita Gruberová, William Matteuzzi, Geoffrey Moses, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | T-913.242.186-4 | |
| 12 | Tosca: “Vissi d’arte” | Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | — | |
| 13 | Madama Butterfly: “Un bel dì vedremi” | Régine Crespin, Orchestra of the Royal Opera House, Covent Garden, Sir Edward Downes | T-922.043.218-8 | |
| 14 | La rondine: “Sogno di Doretta” | Renata Tebaldi, New Philharmonia Orchestra, Oliviero de Fabritiis | T-900.088.183-4 | |
| 15 | La bohème: Musetta’s Waltz | Elizabeth Harwood, Mirella Freni, Luciano Pavarotti, Nicolaï Ghiaurov, Gianni Maffeo, Michel Sénéchal, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | T-071.251.577-9 | |
| 16 | La Bohème: Si, mi chiamano Mimì | Angela Gheorghiu, Orchestra del Teatro alla Scala di Milano, Riccardo Chailly | — | |
| 17 | Ave Maria, "Ellens Gesang III", D. 839 | Wiener Philharmoniker, Herbert von Karajan | T-315.963.353-7 | |
| 2-1 | Carmen: L’Amour est un oiseau rebelle | John Mauceri, Marilyn Horne, The Manhattan Chorus, Metropolitan Opera Orchestra, Leonard Bernstein | T-305.625.648-1 | |
| 2-2 | The Tales of Hoffmann : Barcarolle « Belle nuit ô nuit d'amour » | Susanne Marsee, Beverly Sills, John Alldis Choir, London Symphony Orchestra, Julius Rudel | — | |
| 2-3 | Il barbiere di Siviglia: Atto I. “Una voce poco fa” | Teresa Berganza, Orchestra del Teatro di San Carlo, Orchestra Rossini di Napoli, Silvio Varviso | T-902.187.409-9 | |
| 2-4 | La Traviata: È strano! ... Ah fors'è lui ... sempre libera | Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | — | |
| 2-5 | Le nozze di Figaro: Atto IV: Giunse alfin il momento | Barbara Bonney, Petteri Salomaa, Alicia Nafé, Arleen Augér, Drottningholm Court Theatre Orchestra, Arnold Östman | — | |
| 2-6 | Don Giovanni: In quali eccessi ... Mi tradì | Leontyne Price, Wiener Philharmoniker, Erich Leinsdorf | T-929.621.869-4 | |
| 2-7 | Bachianas brasileiras no. 5 for Soprano and Cellos: Aria (Cantilena) | Kiri Te Kanawa | T-905.380.384-2 | |
| 2-8 | Gounod: Ave Maria | Kiri Te Kanawa, Utah Symphony, Julius Rudel | T-009.147.667-3 | |
| 2-9 | Rinaldo: Lascia ch’io pianga | Kiri Te Kanawa, Academy of Ancient Music, Christopher Hogwood | — | |
| 2-10 | Samson: Let the Bright Seraphim | Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Harry Dilley, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | — | |
| 2-11 | Andrea Chénier: La mamma morta | Montserrat Caballé, National Philharmonic Orchestra, Riccardo Chailly | — | |
| 2-12 | Martha: Last Rose of Summer | Renée Fleming, English Chamber Orchestra, Jeffrey Tate | T-906.504.755-4 | |
| 2-13 | Manon Lescaut: Atto II. “In quelle trine morbide” (Manon) | Maria Chiara, Orchester der Wiener Staatsoper, Nello Santi | — | |
| 2-14 | Tristan und Isolde: Act III, Scene 3 “Mild und leise wie er lächelt” | Birgit Nilsson, Orchester der Bayreuther Festspiele, Karl Böhm | — | |
| 2-15 | Carmina Burana: III. Cour d’Amours: 21. In trutina | Barbara Bonney, Wiener Philharmoniker, André Previn | — | |
| 2-16 | Shenandoah | Marilyn Horne, London Voices, English Chamber Orchestra, Carl Davis | T-205.228.522-7 |
Renée Fleming, London Philharmonic Orchestra, Charles Mackerras
Jane Berbié, Joan Sutherland, Orchestre national de l'Opéra de Monte-Carlo, Richard Bonynge
La Wally: “Ebben? Ne andrò lontana”
Renata Tebaldi, Orchestre national de l'Opéra de Monte-Carlo, Fausto Cleva
—
Die Fledermaus: Mein Herr Marquis
Edita Gruberová, Wiener Philharmoniker, André Previn, Chor der Wiener Staatsoper
—
Frederica von Stade, Utah Symphony Orchestra, Joseph Silverstein
Chorus of the Welsh National Opera, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge
Le Nozze di Figaro: Che soave zeffiretto
Barbara Hendricks, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner
—
Sumi Jo, Wiener Philharmoniker, Sir Georg Solti
Die Entführung aus dem Serail: Welche Wonne, welche Lust
Kathleen Battle, Metropolitan Opera Orchestra, James Levine
—
Anita Cerquetti, Orchestra del Maggio Musicale Fiorentino, Gianandrea Gavazzeni
Coro dell’Accademia Nazionale di Santa Cecilia, Armando Gabba, Edita Gruberová, William Matteuzzi, Geoffrey Moses, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli
Tosca: “Vissi d’arte”
Leontyne Price, Wiener Philharmoniker, Herbert von Karajan
—
Régine Crespin, Orchestra of the Royal Opera House, Covent Garden, Sir Edward Downes
Renata Tebaldi, New Philharmonia Orchestra, Oliviero de Fabritiis
Elizabeth Harwood, Mirella Freni, Luciano Pavarotti, Nicolaï Ghiaurov, Gianni Maffeo, Michel Sénéchal, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan
La Bohème: Si, mi chiamano Mimì
Angela Gheorghiu, Orchestra del Teatro alla Scala di Milano, Riccardo Chailly
—
John Mauceri, Marilyn Horne, The Manhattan Chorus, Metropolitan Opera Orchestra, Leonard Bernstein
The Tales of Hoffmann : Barcarolle « Belle nuit ô nuit d'amour »
Susanne Marsee, Beverly Sills, John Alldis Choir, London Symphony Orchestra, Julius Rudel
—
Teresa Berganza, Orchestra del Teatro di San Carlo, Orchestra Rossini di Napoli, Silvio Varviso
La Traviata: È strano! ... Ah fors'è lui ... sempre libera
Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli
—
Le nozze di Figaro: Atto IV: Giunse alfin il momento
Barbara Bonney, Petteri Salomaa, Alicia Nafé, Arleen Augér, Drottningholm Court Theatre Orchestra, Arnold Östman
—
Leontyne Price, Wiener Philharmoniker, Erich Leinsdorf
Rinaldo: Lascia ch’io pianga
Kiri Te Kanawa, Academy of Ancient Music, Christopher Hogwood
—
Samson: Let the Bright Seraphim
Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Harry Dilley, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli
—
Andrea Chénier: La mamma morta
Montserrat Caballé, National Philharmonic Orchestra, Riccardo Chailly
—
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon)
Maria Chiara, Orchester der Wiener Staatsoper, Nello Santi
—
Tristan und Isolde: Act III, Scene 3 “Mild und leise wie er lächelt”
Birgit Nilsson, Orchester der Bayreuther Festspiele, Karl Böhm
—
Carmina Burana: III. Cour d’Amours: 21. In trutina
Barbara Bonney, Wiener Philharmoniker, André Previn
—
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| La Bohème: Si, mi chiamano Mimì | Angela Gheorghiu, Orchestra del Teatro alla Scala di Milano, Riccardo Chailly | — |
| La rondine: “Sogno di Doretta” | Renata Tebaldi, New Philharmonia Orchestra, Oliviero de Fabritiis | — |
| Manon Lescaut: Atto II. “In quelle trine morbide” (Manon) | Maria Chiara, Orchester der Wiener Staatsoper, Nello Santi | — |
| La bohème: Musetta’s Waltz | Elizabeth Harwood, Mirella Freni, Luciano Pavarotti, Nicolaï Ghiaurov, Gianni Maffeo, Michel Sénéchal, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | — |
| Ave Maria | José Carreras, Michael G. Gormley, Wiener Symphoniker, Uwe Christian Harrer | T-009.147.667-3 |
| Le Nozze di Figaro: Che soave zeffiretto | Barbara Hendricks, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — |
La Bohème: Si, mi chiamano Mimì
Angela Gheorghiu, Orchestra del Teatro alla Scala di Milano, Riccardo Chailly
—
La rondine: “Sogno di Doretta”
Renata Tebaldi, New Philharmonia Orchestra, Oliviero de Fabritiis
—
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon)
Maria Chiara, Orchester der Wiener Staatsoper, Nello Santi
—
La bohème: Musetta’s Waltz
Elizabeth Harwood, Mirella Freni, Luciano Pavarotti, Nicolaï Ghiaurov, Gianni Maffeo, Michel Sénéchal, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan
—
José Carreras, Michael G. Gormley, Wiener Symphoniker, Uwe Christian Harrer
Le Nozze di Figaro: Che soave zeffiretto
Barbara Hendricks, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000063093532000000007360005900000000736622840000000078387285000000007839821600000000814381000000000081824810000000008188387X00000000836551920000000108602274
+40 more
000000010863595700000001088865880000000109069627000000010914421X000000010920127X0000000109287448000000010935089X0000000109416721000000010944217X000000010963166700000001100969210000000110231994000000011027993900000001102923240000000110312284000000011032697700000001108294270000000110829638000000011297410X00000001137004850000000114371759000000011439722X000000011439796700000001144094110000000114416590000000011449951700000001145022610000000114504697000000011451316300000001145336070000000114602756000000011468668900000001146866970000000114712250000000011471465100000001147254810000000114763525000000011477348300000001149276300000000115732093
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What is UPC 028947217923?
028947217923 is a Universal Product Code (UPC) assigned to The #1 Soprano Album by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 33 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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