UPC · Release
The #1 Bach Album
Johann Sebastian Bach
028947275824
35 tracksReleased 2003-01-14Decca
Last verified:
028947275824 is the Universal Product Code (UPC barcode) for the release “The #1 Bach Album” by Johann Sebastian Bach, released 2003-01-14 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 35 tracks, each with its own ISRC. Tracks include NLA506500491, GBF078331301, NLF056700191.
Format
0Number system
28947Manufacturer
27582Product
4Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe #1 Bach Album
ISRC17 recordings
ISWC14 works
IPI6 songwriters
Track List (35)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | J.S. BACH: BRANDENBURG CONCERTO NO. 2 IN F, BWV 1047 - 3. ALLEGRO ASSAI | Maurice André, Felix Ayo, Maria Teresa Garatti, Severino Gazzelloni, Heinz Holliger, I Musici | — | |
| 2 | Goldberg Variations, BWV 988: Aria | — | ||
| 3 | Overture in the French Manner (Partita in B minor), BWV 831 Echo | — | ||
| 4 | Partita no. 1 in B-flat major, BWV 825: I. Praeludium | András Schiff | T-928.012.883-8 | |
| 5 | Partita no. 3 in E major, BWV 1006: I. Prelude | Henryk Szeryng | — | |
| 6 | Suite no. 3 in D major, BWV 1068: II. Air | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 | |
| 7 | Brandenburg Concerto no. 6 in B-flat (BWV 1051): (Allegro) | — | ||
| 8 | Jesu, Joy of Man's Desiring, BWV 147 | Peter White, The Choir of St John’s College, Cambridge, George Guest | T-905.387.081-8 | |
| 9 | Toccata and Fugue in D minor, BWV 565 | — | ||
| 10 | Prelude and Fugue in D BWV 532: Prelude | — | ||
| 11 | Fugue in G minor, BWV 578 | Helmut Walcha | T-329.412.466-2 | |
| 12 | Italienisches Konzert F-Dur BWV 971: I. (Allegro) | Alfred Brendel | T-306.395.786-4 | |
| 13 | Italienisches Konzert F-Dur BWV 971: II. Andante | Alfred Brendel | T-312.198.890-3 | |
| 14 | Italienisches Konzert F-Dur BWV 971: III. Presto | Alfred Brendel | T-312.198.890-3 | |
| 15 | Concerto no. 1 for Harpsichord, Strings and Continuo in D minor, BWV 1052 Allegro | — | ||
| 16 | Brandenburg Concerto no. 5 in D major, BWV 1050: Allegro | — | ||
| 2-1 | Cello Suite no. 1 in G, BWV 1007: Prelude | — | ||
| 2-2 | Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie | — | ||
| 2-3 | Lute Suite no. 1 in E minor, BWV 996: Bourrée | — | ||
| 2-4 | Sheep May Safely Graze (Cantata no. 208) | Stuttgart Chamber Orchestra, Karl Münchinger | — | |
| 2-5 | Two-part Inventions: No. 4 in D minor, BWV 775 | András Schiff | — | |
| 2-6 | The Well-Tempered Clavier Book 1 Prelude And Fugue No.5, BWV 850 Prelude | — | ||
| 2-7 | The Well-Tempered Clavier Book 1 Prelude And Fugue No.5, BWV 850 Fugue | — | ||
| 2-8 | Chromatische Fantasie und Fuge BWV 903 | Trevor Pinnock | — | |
| 2-9 | Bist du bei mir, BWV 508 | — | ||
| 2-10 | Jesu, Priceless Treasure | — | ||
| 2-11 | Toccata, Adagio and Fugue in C, BWV 564: Fugue | Carlo Curley | — | |
| 2-12 | Komm, süsser Tod, BWV 478 | — | ||
| 2-13 | Ich steh mit einem Fuss im Grabe, BWV 156: Sinfonia | — | ||
| 2-14 | Violin Concerto no. 1 in A minor, BWV 1041: II. Andante | Arthur Grumiaux, English Chamber Orchestra, Raymond Leppard | T-802.445.410-3 | |
| 2-15 | Concerto for Harpsichord and Strings in F minor, BWV 1056: II. Largo | The English Concert, Trevor Pinnock | T-309.901.323-3 | |
| 2-16 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Chor "Wachet auf, ruft uns die Stimme" | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 2-17 | Cello Suite no. 6 in D, BWV 1012: Gigue | — | ||
| 2-18 | Fuga ricercata à 6 from The Musical Offering, BWV 1079 | — | ||
| 2-19 | Magnificat, BWV 243: I. Coro "Magnificat anima mea" | Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists | — |
J.S. BACH: BRANDENBURG CONCERTO NO. 2 IN F, BWV 1047 - 3. ALLEGRO ASSAI
Maurice André, Felix Ayo, Maria Teresa Garatti, Severino Gazzelloni, Heinz Holliger, I Musici
—
Goldberg Variations, BWV 988: Aria
—
Overture in the French Manner (Partita in B minor), BWV 831 Echo
—
Partita no. 3 in E major, BWV 1006: I. Prelude
Henryk Szeryng
—
Academy of St Martin in the Fields, Sir Neville Marriner
Brandenburg Concerto no. 6 in B-flat (BWV 1051): (Allegro)
—
Peter White, The Choir of St John’s College, Cambridge, George Guest
Toccata and Fugue in D minor, BWV 565
—
Prelude and Fugue in D BWV 532: Prelude
—
Concerto no. 1 for Harpsichord, Strings and Continuo in D minor, BWV 1052 Allegro
—
Brandenburg Concerto no. 5 in D major, BWV 1050: Allegro
—
Cello Suite no. 1 in G, BWV 1007: Prelude
—
Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie
—
Lute Suite no. 1 in E minor, BWV 996: Bourrée
—
Sheep May Safely Graze (Cantata no. 208)
Stuttgart Chamber Orchestra, Karl Münchinger
—
Two-part Inventions: No. 4 in D minor, BWV 775
András Schiff
—
The Well-Tempered Clavier Book 1 Prelude And Fugue No.5, BWV 850 Prelude
—
The Well-Tempered Clavier Book 1 Prelude And Fugue No.5, BWV 850 Fugue
—
Chromatische Fantasie und Fuge BWV 903
Trevor Pinnock
—
Bist du bei mir, BWV 508
—
Jesu, Priceless Treasure
—
Toccata, Adagio and Fugue in C, BWV 564: Fugue
Carlo Curley
—
Komm, süsser Tod, BWV 478
—
Ich steh mit einem Fuss im Grabe, BWV 156: Sinfonia
—
Arthur Grumiaux, English Chamber Orchestra, Raymond Leppard
The English Concert, Trevor Pinnock
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Chor "Wachet auf, ruft uns die Stimme"
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
—
Cello Suite no. 6 in D, BWV 1012: Gigue
—
Fuga ricercata à 6 from The Musical Offering, BWV 1079
—
Magnificat, BWV 243: I. Coro "Magnificat anima mea"
Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000551479240000000063016369000000006303230X0000000072660236000000008101494900000000810628010000000081719498000000008177300500000000839810940000000084135746
+40 more
0000000084154277000000010871116300000001088234480000000108823501000000010911088800000001092070060000000109375982000000010944472200000001101774570000000110212742000000011023202200000001103287100000000110574102000000011297410X0000000114381113000000011443908X0000000114542079000000011470539200000001147122500000000114743698000000011476766500000001150717580000000119315166000000011941688000000001194564790000000119565931000000011956885X000000011957360800000001203427350000000121039156000000012107672300000001211745930000000121181099000000012121070X00000001212603360000000121268995000000012146308800000001215212920000000122601585000000012348662X
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What is UPC 028947275824?
028947275824 is a Universal Product Code (UPC) assigned to The #1 Bach Album by Johann Sebastian Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 35 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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