UPC · Album
Bach in Leipzig
Johann Sebastian Bach
028947285724
74 tracksReleased 2004-01-01
Last verified:
028947285724 is the Universal Product Code (UPC barcode) for the release “Bach in Leipzig” by Johann Sebastian Bach, released 2004-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 74 tracks, each with its own ISRC. Tracks include DEF057901071, DEF058100161, DEF058100162.
Format
0Number system
28947Manufacturer
28572Product
4Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCBach in Leipzig
ISRC30 recordings
ISWC16 works
IPI2 songwriters
Track List (30)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Italienisches Konzert F-dur, BWV 971: Allegro | Trevor Pinnock | DEF057901071 |
| Concerto for Harpsichord and Strings in D minor, BWV 1052: I. Allegro | The English Concert, Trevor Pinnock | DEF058100161 |
| Concerto for Harpsichord and Strings in D minor, BWV 1052: II. Adagio | The English Concert, Trevor Pinnock | DEF058100162 |
| Concerto for Harpsichord and Strings in D minor, BWV 1052: III. Allegro | The English Concert, Trevor Pinnock | DEF058100163 |
| Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande | Musica Antiqua Köln, Reinhard Goebel | DEF058200433 |
| Orchestral Suite No. 2 in B minor, BWV 1067: VII. Badinerie | Musica Antiqua Köln, Reinhard Goebel | DEF058200437 |
| Die Kunst der Fuge, BWV 1080/1: Contrapunctus 1 à 4 | Musica Antiqua Köln, Reinhard Goebel | DEF058430201 |
| Die Kunst der Fuge, BWV 1080/11: Contrapunctus 11 à 4 | Musica Antiqua Köln, Reinhard Goebel | DEF058430213 |
| Orchestral Suite no. 3 in D major, BWV 1068: II. Air | Musica Antiqua Köln, Reinhard Goebel | DEF058500921 |
| Johannes-Passion, BWV 245: Zweiter Teil: 22. Choral: Durch Dein Gefängnis, Gottes Sohn | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | DEF058630010 |
| Johannes-Passion, BWV 245: Zweiter Teil: 35. Arie (Sopran): Zerfliesse, Mein Herze | Nancy Argenta, Lisa Beznosiuk, Richard Earle, English Baroque Soloists, John Eliot Gardiner | DEF058630016 |
| Johannes-Passion, BWV 245: Zweiter Teil: 39. Chor: Ruht Wohl, Ihr Heiligen Gebeine | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | DEF058630018 |
| Johannes-Passion, BWV 245: Zweiter Teil: 40. Choral: Ach Herr, Lass Dein Lieb Engelein | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | DEF058630019 |
| Prelude and Fugue in E flat major "St. Anne", BWV 552: I. Praeludium Pro Organo Pleno | Simon Preston | DEF058803261 |
| Prelude and Fugue in E flat major "St. Anne", BWV 552: II. Fuga a 5 con Pedale Pro Organo Pleno | Simon Preston | DEF058803262 |
| St. Matthew Passion, BWV 244, No. 1 Chorus: »Kommt, ihr Töchter, helft mir klagen« / Chorale »O Lamm Gottes, unschuldig« | English Baroque Soloists, John Eliot Gardiner | DEF058831101 |
| St. Matthew Passion, BWV 244: Aria 'Erbarme dich, mein Gott' | English Baroque Soloists, Sir John Eliot Gardiner | DEF058831118 |
| Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" | English Baroque Soloists, Sir John Eliot Gardiner | DEF058831120 |
| Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | DEF058831130 |
| Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" | English Baroque Soloists, Sir John Eliot Gardiner | DEF058831132 |
| Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | DEF059004320 |
| Wachet auf, ruft uns die Stimme BWV 140: Aria / Duet (soprano, bass) "Mein Freund ist mein! Und ich bin dein!" | Ruth Holton, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | DEF059004325 |
| Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" | Anthony Robson, Richard Earle, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | DEF059004621 |
| Cantate « Herz und Mund und Tat und Leben », BWV 147: Choral « Jesus bleibet meine Freude » | The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner | DEF059031300 |
| Cantate « Herz und Mund und Tat und Leben », BWV 147: Choral « Jesus bleibet meine Freude » | The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner | DEF059031301 |
| Herz und Mund und Tat und Leben BWV 147: Chorale "Wohl mir, dass ich Jesum habe" | Ruth Holton, Monteverdi Choir, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | DEF059031307 |
| Herz und Mund und Tat und Leben BWV 147: Aria (bass) "Ich will von Jesu Wundern singen" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | DEF059031310 |
| Gott fähret auf mit Jauchzen, BWV 43: Chorus "Gott fähret auf mit Jauchzen" | English Baroque Soloists, Sir John Eliot Gardiner | GBHNG1300001 |
| Gott fähret auf mit Jauchzen, BWV 43: Aria (tenor) "Ja tausend mal tausend begleiten den Wagen" | English Baroque Soloists, Sir John Eliot Gardiner | GBHNG1300003 |
| Lobet Gott in seinen Reichen, BWV 11: Chorus "Lobet Gott in seinen Reichen" | English Baroque Soloists, Sir John Eliot Gardiner | GBHNG1300023 |
Italienisches Konzert F-dur, BWV 971: Allegro
Trevor Pinnock
Concerto for Harpsichord and Strings in D minor, BWV 1052: I. Allegro
The English Concert, Trevor Pinnock
Concerto for Harpsichord and Strings in D minor, BWV 1052: II. Adagio
The English Concert, Trevor Pinnock
Concerto for Harpsichord and Strings in D minor, BWV 1052: III. Allegro
The English Concert, Trevor Pinnock
Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande
Musica Antiqua Köln, Reinhard Goebel
Orchestral Suite No. 2 in B minor, BWV 1067: VII. Badinerie
Musica Antiqua Köln, Reinhard Goebel
Die Kunst der Fuge, BWV 1080/1: Contrapunctus 1 à 4
Musica Antiqua Köln, Reinhard Goebel
Die Kunst der Fuge, BWV 1080/11: Contrapunctus 11 à 4
Musica Antiqua Köln, Reinhard Goebel
Orchestral Suite no. 3 in D major, BWV 1068: II. Air
Musica Antiqua Köln, Reinhard Goebel
Johannes-Passion, BWV 245: Zweiter Teil: 22. Choral: Durch Dein Gefängnis, Gottes Sohn
Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
Johannes-Passion, BWV 245: Zweiter Teil: 35. Arie (Sopran): Zerfliesse, Mein Herze
Nancy Argenta, Lisa Beznosiuk, Richard Earle, English Baroque Soloists, John Eliot Gardiner
Johannes-Passion, BWV 245: Zweiter Teil: 39. Chor: Ruht Wohl, Ihr Heiligen Gebeine
Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
Johannes-Passion, BWV 245: Zweiter Teil: 40. Choral: Ach Herr, Lass Dein Lieb Engelein
Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
Prelude and Fugue in E flat major "St. Anne", BWV 552: I. Praeludium Pro Organo Pleno
Simon Preston
Prelude and Fugue in E flat major "St. Anne", BWV 552: II. Fuga a 5 con Pedale Pro Organo Pleno
Simon Preston
St. Matthew Passion, BWV 244, No. 1 Chorus: »Kommt, ihr Töchter, helft mir klagen« / Chorale »O Lamm Gottes, unschuldig«
English Baroque Soloists, John Eliot Gardiner
St. Matthew Passion, BWV 244: Aria 'Erbarme dich, mein Gott'
English Baroque Soloists, Sir John Eliot Gardiner
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder"
English Baroque Soloists, Sir John Eliot Gardiner
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht"
English Baroque Soloists, Sir John Eliot Gardiner
Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir"
Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
Wachet auf, ruft uns die Stimme BWV 140: Aria / Duet (soprano, bass) "Mein Freund ist mein! Und ich bin dein!"
Ruth Holton, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme"
Anthony Robson, Richard Earle, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
Cantate « Herz und Mund und Tat und Leben », BWV 147: Choral « Jesus bleibet meine Freude »
The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner
Cantate « Herz und Mund und Tat und Leben », BWV 147: Choral « Jesus bleibet meine Freude »
The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner
Herz und Mund und Tat und Leben BWV 147: Chorale "Wohl mir, dass ich Jesum habe"
Ruth Holton, Monteverdi Choir, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
Herz und Mund und Tat und Leben BWV 147: Aria (bass) "Ich will von Jesu Wundern singen"
Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
Gott fähret auf mit Jauchzen, BWV 43: Chorus "Gott fähret auf mit Jauchzen"
English Baroque Soloists, Sir John Eliot Gardiner
Gott fähret auf mit Jauchzen, BWV 43: Aria (tenor) "Ja tausend mal tausend begleiten den Wagen"
English Baroque Soloists, Sir John Eliot Gardiner
Lobet Gott in seinen Reichen, BWV 11: Chorus "Lobet Gott in seinen Reichen"
English Baroque Soloists, Sir John Eliot Gardiner
What other identifiers does this connect to?
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What is UPC 028947285724?
028947285724 is a Universal Product Code (UPC) assigned to Bach in Leipzig by Johann Sebastian Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 74 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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