UPC · Release
Bach in Leipzig
Johann Sebastian Bach
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028947285724 is the Universal Product Code (UPC barcode) for the release “Bach in Leipzig” by Johann Sebastian Bach, released 2004-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 72 tracks, each with its own ISRC. Tracks include DEF059004320, DEF059004320, DEF059031300.
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Track List (72)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2 | Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3 | Cantate « Herz und Mund und Tat und Leben », BWV 147: Choral « Jesus bleibet meine Freude » | The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner | T-905.387.081-8 | |
| 6 | Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": Aria (Soprano) "Ich esse mit Freuden mein weniges Brot" | — | ||
| 7 | Gott fähret auf mit Jauchzen, BWV 43: Chorus "Gott fähret auf mit Jauchzen" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8 | Gott fähret auf mit Jauchzen, BWV 43: Aria (tenor) "Ja tausend mal tausend begleiten den Wagen" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9 | Lobet Gott in seinen Reichen, BWV 11: Chorus "Lobet Gott in seinen Reichen" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10 | Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria (Soprano) "Weichet nur, betrübte Schatten" | — | ||
| 11 | Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Aria (Soprano) "Sehet in Zufriedenheit" | — | ||
| 12 | Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo "Schweigt stille, plaudert nicht" (Erzähler) | — | ||
| 13 | Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria "Ei, wie schmeckt der Coffee süße" (Liesgen) | — | ||
| 14 | Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Coro "Die Katze läßt das Mausen nicht" (Terzetto: Liesgen, Erzähler, Schlendrian) | — | ||
| 15 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouverture | — | ||
| 16 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Soprano, Basso) "Mer hahn en neue Oberkeet" | — | ||
| 17 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Soprano) "Ach, es schmeckt doch gar zu gut" | — | ||
| 18 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Basso) "Fünfzig Taler bares Geld" | — | ||
| 19 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Soprano) "Klein-Zschocher müsse so zart und süsse" | — | ||
| 20 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Basso) "Dein Wachstum sei feste" | — | ||
| 21 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Duetto "Wir gehn nun, wo der Tudelsack" | — | ||
| 2-1 | Motette, BWV 225 "Singet dem Herrn ein neues Lied": I. "Singet dem Herrn ein neues Lied" | — | ||
| 2-2 | Motette, BWV 225 "Singet dem Herrn ein neues Lied": II. "Wie sich ein Vater erbarmet" | — | ||
| 2-3 | Motette, BWV 225 "Singet dem Herrn ein neues Lied": III. "Lobet den Herrn in seinen Taten" | — | ||
| 2-4 | Motette, BWV 226 "Der Geist hilft unser Schwachheit auf": I. "Der Geist hilft unser Schwachheit auf" | — | ||
| 2-5 | Motette, BWV 226 "Der Geist hilft unser Schwachheit auf": III. "Du heilige Brunst, süßer Trost" | — | ||
| 2-6 | Motette, BWV 227 "Jesu, meine Freude": I. Corale "Jesu, meine Freude" | — | ||
| 2-7 | Motette, BWV 227 "Jesu, meine Freude": II. "Es ist nun nichts Verdammliches" | — | ||
| 2-8 | Motette, BWV 227 "Jesu, meine Freude": III. Corale: "Unter deinem Schirmen" | — | ||
| 2-9 | Motette, BWV 227 "Jesu, meine Freude": IV. "Denn das Gesetz des Geistes" | — | ||
| 2-10 | Motette, BWV 227 "Jesu, meine Freude": V. Corale: "Trotz dem alten Drachen" | — | ||
| 2-11 | Motette, BWV 227 "Jesu, meine Freude": VI. "Ihr aber seid nicht fleischlich" | — | ||
| 2-12 | Motette, BWV 227 "Jesu, meine Freude": VII. Corale: "Weg mit allen Schätzen" | — | ||
| 2-13 | Motette, BWV 227 "Jesu, meine Freude": VIII. "So aber Christus in euch ist" | — | ||
| 2-14 | Motette, BWV 227 "Jesu, meine Freude": IX. Corale: "Gute Nacht, o Wesen" | — | ||
| 2-15 | Motette, BWV 227 "Jesu, meine Freude": X. "So nun der Geist des, der Jesum" | — | ||
| 2-16 | Motette, BWV 227 "Jesu, meine Freude": XI. Corale: "Weicht, ihr Trauergeister" | — | ||
| 2-17 | Motette, BWV 228 "Fürchte dich nicht, ich bin bei dir" | — | ||
| 2-18 | Motette, BWV 229 "Komm, Jesu, komm": I. "Komm, Jesu, komm" | — | ||
| 2-19 | Motette, BWV 229 "Komm, Jesu, komm": II. Aria "Drum schließ ich mich in deine Hände" | — | ||
| 2-20 | Motette, BWV 230 "Lobet den Herrn, alle Heiden" | — | ||
| 3-1 | St. Matthew Passion, BWV 244, No. 1 Chorus: »Kommt, ihr Töchter, helft mir klagen« / Chorale »O Lamm Gottes, unschuldig« | English Baroque Soloists, John Eliot Gardiner | T-010.437.719-6 | |
| 3-2 | St. Matthew Passion, BWV 244: Aria 'Erbarme dich, mein Gott' | English Baroque Soloists, Sir John Eliot Gardiner | T-101.607.667-6 | |
| 3-3 | Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" | English Baroque Soloists, Sir John Eliot Gardiner | T-802.372.990-1 | |
| 3-4 | Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-5 | Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-6 | Johannes-Passion, BWV 245: Zweiter Teil: 22. Choral: Durch Dein Gefängnis, Gottes Sohn | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — | |
| 3-7 | Johannes-Passion, BWV 245: Zweiter Teil: 35. Arie (Sopran): Zerfliesse, Mein Herze | Nancy Argenta, Lisa Beznosiuk, Richard Earle, English Baroque Soloists, John Eliot Gardiner | — | |
| 3-8 | Johannes-Passion, BWV 245: Zweiter Teil: 39. Chor: Ruht Wohl, Ihr Heiligen Gebeine | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | T-915.682.948-0 | |
| 3-9 | Johannes-Passion, BWV 245: Zweiter Teil: 40. Choral: Ach Herr, Lass Dein Lieb Engelein | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — | |
| 3-10 | Weihnachts-Oratorium, BWV 248: Teil I, I. Coro "Jauchzet, frohlocket!" | — | ||
| 3-11 | Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) "Bereite dich, Zion, mit zärtlichen Trieben" | — | ||
| 3-12 | Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) "Großer Herr, o starker König" | — | ||
| 3-13 | Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral "Nun seid ihr wohl gerochen" | — | ||
| 3-14 | Hohe Messe in H-Moll, BWV 232: IIa. Coro "Gloria in excelsis Deo" | — | ||
| 3-15 | Hohe Messe in H-Moll, BWV 232: IIb. Coro "Et in terra pax" | — | ||
| 3-16 | Hohe Messe in H-Moll, BWV 232: IV. Coro "Osanna in excelsis" | — | ||
| 3-17 | Hohe Messe in H-Moll, BWV 232: IVe. Aria (Alto) "Agnus Dei" | — | ||
| 3-18 | Hohe Messe in H-Moll, BWV 232: IVf. Coro "Dona nobis pacem" | — | ||
| 4-1 | Orchestersuite No. 3 D-dur, BWV 1068: I. Ouverture | — | ||
| 4-2 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | Musica Antiqua Köln, Reinhard Goebel | T-914.248.874-2 | |
| 4-3 | Orchestersuite No. 3 D-dur, BWV 1068: III. Gavotte | — | ||
| 4-4 | Orchestersuite No. 3 D-dur, BWV 1068: IV. Bourrée | — | ||
| 4-5 | Orchestersuite No. 3 D-dur, BWV 1068: V. Gigue | — | ||
| 4-6 | Italienisches Konzert F-dur, BWV 971: Allegro | Trevor Pinnock | T-061.296.484-7 | |
| 4-7 | Prelude and Fugue in E flat major "St. Anne", BWV 552: I. Praeludium Pro Organo Pleno | Simon Preston | T-922.046.111-0 | |
| 4-8 | Prelude and Fugue in E flat major "St. Anne", BWV 552: II. Fuga a 5 con Pedale Pro Organo Pleno | Simon Preston | T-922.046.111-0 | |
| 4-9 | Concerto for Harpsichord and Strings in D minor, BWV 1052: I. Allegro | The English Concert, Trevor Pinnock | T-070.161.055-0 | |
| 4-10 | Concerto for Harpsichord and Strings in D minor, BWV 1052: II. Adagio | The English Concert, Trevor Pinnock | T-309.901.323-3 | |
| 4-11 | Concerto for Harpsichord and Strings in D minor, BWV 1052: III. Allegro | The English Concert, Trevor Pinnock | T-306.395.786-4 | |
| 4-12 | Die Kunst der Fuge, BWV 1080/1: Contrapunctus 1 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-13 | Die Kunst der Fuge, BWV 1080/11: Contrapunctus 11 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-14 | Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-15 | Orchestral Suite No. 2 in B minor, BWV 1067: VII. Badinerie | Musica Antiqua Köln, Reinhard Goebel | T-011.654.484-3 |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Wachet auf, ruft uns die Stimme BWV 140: Aria / Duet (soprano, bass) "Mein Freund ist mein! Und ich bin dein!" | Ruth Holton, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" | Anthony Robson, Richard Earle, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — |
| Herz und Mund und Tat und Leben BWV 147: Chorale "Wohl mir, dass ich Jesum habe" | Ruth Holton, Monteverdi Choir, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Herz und Mund und Tat und Leben BWV 147: Aria (bass) "Ich will von Jesu Wundern singen" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — |
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What is UPC 028947285724?
028947285724 is a Universal Product Code (UPC) assigned to Bach in Leipzig by Johann Sebastian Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 72 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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