UPC · Release
Purcell, Choir of the English Concert, The English Concert, Trevor Pinnock
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The UPC for “Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes” by Purcell, Choir of the English Concert, The English Concert, Trevor Pinnock is 028947467229. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2003-01-01. Label: Archiv Produktion. This release contains 144 tracks, each with its own ISRC. Tracks include DEF058830601, DEF059130303, DEF059130304.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Dido and Aeneas, Z.626: Overture | — | ||
| 2 | Dido and Aeneas, Z.626, Act 1: “Shake the cloud from off your brow” … “Banish sorrow, banish care” | — | ||
| 3 | Dido and Aeneas, Z.626, Act 1: “Ah! Belinda, I am press’d” … “When monarchs unite, how happy” | — | ||
| 4 | Dido and Aeneas, Z.626, Act 1: “Whence could so much virtue spring?” … “Fear no danger” | — | ||
| 5 | Dido and Aeneas, Z.626, Act 1: “See, your royal guest appears” … “Cupid only throws the dart” | — | ||
| 6 | Dido and Aeneas, Z.626, Act 1: “If not for mine, for empire’s sake” … “To the hills and the vales” | — | ||
| 7 | Dido and Aeneas, Z.626, Act 1: The Triumphing Dance | — | ||
| 8 | Dido and Aeneas, Z.626, Act 2: Prelude for the Witches “Wayward sisters” … “Ho, ho, ho” | — | ||
| 9 | Dido and Aeneas, Z.626, Act 2: “Ruin’d ere the set of sun” … “But ere we this perform” | — | ||
| 10 | Dido and Aeneas, Z.626, Act 2: “In our deep vaulted cell” | — | ||
| 11 | Dido and Aeneas, Z.626, Act 2: Echo Dance of Furies | — | ||
| 12 | Dido and Aeneas, Z.626, Act 2: Ritornelle: “Thanks to these lonesome vales” | — | ||
| 13 | Dido and Aeneas, Z.626, Act 2: “Oft she visits” | — | ||
| 14 | Dido and Aeneas, Z.626, Act 2: “Behold, upon my bending spear” … “Haste, haste to town” | — | ||
| 15 | Dido and Aeneas, Z.626, Act 2: “Stay, Prince” | — | ||
| 16 | Dido and Aeneas, Z.626, Act 3: Prelude: “Come away, fellow sailors” | — | ||
| 17 | Dido and Aeneas, Z.626, Act 3: The Sailors’ Dance “See the flags and streamers curling” | — | ||
| 18 | Dido and Aeneas, Z.626, Act 3: “Our next motion” … “Destruction’s our delight” | — | ||
| 19 | Dido and Aeneas, Z.626, Act 3: The Witches’ Dance | — | ||
| 20 | Dido and Aeneas, Z.626, Act 3: “Your counsel all is urg’d in vain” … “Great minds against themselves conspire” | — | ||
| 21 | Dido and Aeneas: When I am laid into earth | Anne Sofie von Otter, The English Concert, Trevor Pinnock | — | |
| 22 | Dido and Aeneas, Z.626, Act 3: “With drooping wings” | — | ||
| 23 | King Arthur: First Music: Chaconne | The English Concert, Trevor Pinnock | — | |
| 24 | King Arthur: Second Music: 1. Overture | The English Concert, Trevor Pinnock | — | |
| 25 | King Arthur: Second Music: 2. Air | The English Concert, Trevor Pinnock | T-071.152.558-4 | |
| 26 | King Arthur: Act I. “Woden, first to thee” / “We have sacrific’d” | Choir of the English Concert, Jamie MacDougall, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 27 | King Arthur: Act I. “The white horse neigh’d aloud” / “To Woden thanks we render” | Choir of the English Concert, Jamie MacDougall, Mark Tucker, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 28 | King Arthur: Act I. “The lot is cast” | The English Concert, Trevor Pinnock | — | |
| 29 | King Arthur: Act I. “Brave souls” | Choir of the English Concert, The English Concert, Trevor Pinnock | T-305.769.738-4 | |
| 30 | King Arthur: Act I. “I call you all to Woden’s Hall” | Choir of the English Concert, Mark Tucker, The English Concert, Trevor Pinnock | — | |
| 31 | King Arthur: Act I. “Come if you dare” / First Act Tune | Choir of the English Concert, Jamie MacDougall, The English Concert, Trevor Pinnock | — | |
| 2-1 | King Arthur: Act II. “Hither, this way, this way bend” | Choir of the English Concert, Linda Perillo, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-2 | King Arthur: Act II. “Let not a moon‐born elf mislead ye” | Gerald Finley, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-3 | King Arthur: Act II. “Hither, this way bend” | Choir of the English Concert, Linda Perillo, The English Concert, Trevor Pinnock | — | |
| 2-4 | King Arthur: Act II. “Come follow me” | Choir of the English Concert, Linda Perillo, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-5 | King Arthur: Act II. “How blest are shepherds” | Choir of the English Concert, Jamie MacDougall, The English Concert, Trevor Pinnock | — | |
| 2-6 | King Arthur: Act II. Symphony / “Shepherd, shepherd, leave decoying” | Julia Gooding, Linda Perillo, The English Concert, Trevor Pinnock | — | |
| 2-7 | King Arthur: Act II. “Come shepherds” | Choir of the English Concert, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-8 | King Arthur: Act II. Second Act Tune. Air | The English Concert, Trevor Pinnock | — | |
| 2-9 | King Arthur: Act III. Prelude | The English Concert, Trevor Pinnock | T-312.182.438-8 | |
| 2-10 | King Arthur: Act III. “What ho!” | Nancy Argenta, The English Concert, Trevor Pinnock | — | |
| 2-11 | King Arthur: Act III. “What power art thou” | Brian Bannatyne-Scott, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-12 | King Arthur: Act III. “Thou doting fool, forbear” | Nancy Argenta, The English Concert, Trevor Pinnock | — | |
| 2-13 | King Arthur: Act III. “Great Love, I know thee now” | Brian Bannatyne-Scott, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-14 | King Arthur: Act III. “No part of my dominion” | Nancy Argenta, The English Concert, Trevor Pinnock | — | |
| 2-16 | King Arthur: Act III. “See, see, we assemble” / Dance | Choir of the English Concert, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-17 | King Arthur: Act III. “’Tis I, ’tis I that have warm’d ye” | Nancy Argenta, Choir of the English Concert, The English Concert, Trevor Pinnock | — | |
| 2-18 | King Arthur: Act III. “Sound a parley” / “’Tis love, ’tis love, ’tis love that has warm’d us” | Nancy Argenta, Brian Bannatyne-Scott, Choir of the English Concert, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-19 | King Arthur: Act III: Third Act Tune. Hornpipe | The English Concert, Trevor Pinnock | — | |
| 2-20 | King Arthur: Act IV. “Two daughters of this aged stream” | Julia Gooding, Linda Perillo, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-21 | King Arthur: Act IV. Passacaglia “How happy the lover” / Ritornello / “For love ev’ry creature” / “No joys are above” / “In vain are our graces” / “Then use the sweet blessing” / “No joys are above” | Nancy Argenta, Choir of the English Concert, Gerald Finley, Mark Tucker, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-22 | King Arthur: Act IV. Fourth Act Tune. Air | The English Concert, Trevor Pinnock | — | |
| 2-23 | King Arthur: Act V. Trumpet Tune | The English Concert, Trevor Pinnock | T-071.152.558-4 | |
| 2-24 | King Arthur: Act V. “Ye blust’ring brethren” | Brian Bannatyne-Scott, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-25 | King Arthur: Act V. Symphony | The English Concert, Trevor Pinnock | — | |
| 2-26 | King Arthur: Act V. “Round thy coast” | Choir of the English Concert, Gerald Finley, Julia Gooding, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-27 | King Arthur: Act V. “For folded flocks” | Mark Tucker, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-28 | King Arthur: Act V. “Your hay, it is mow’d” / Dance | Choir of the English Concert, Jamie MacDougall, The English Concert, Trevor Pinnock | — | |
| 2-29 | King Arthur: Act V. “Fairest isle” | Nancy Argenta, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-30 | King Arthur: Act V. “You say, ’tis love” | Gerald Finley, Linda Perillo, The English Concert, Trevor Pinnock | — | |
| 2-32 | King Arthur: Act V. “Saint George, the patron of our isle” / “Our natives not alone appear” | Choir of the English Concert, Julia Gooding, The English Concert, Trevor Pinnock | — | |
| 3-1 | Dioclesian, Z.627: First Music | — | ||
| 3-2 | Dioclesian, Z.627: Second Music | — | ||
| 3-3 | Dioclesian, Z.627: Overture | — | ||
| 3-4 | Dioclesian, Z.627, Act 1: First Act Tune | — | ||
| 3-5 | Dioclesian, Z.627, Act 2: Prelude: “Great Diocles the Boar has kill’d” – “Sing Iô’s! praise the thund’ring Jove” | — | ||
| 3-6 | Dioclesian, Z.627, Act 2: “Charon the peaceful Shade invites” | — | ||
| 3-7 | Dioclesian, Z.627, Act 2: Symphony | — | ||
| 3-8 | Dioclesian, Z.627, Act 2: “Let all mankind the pleasure share”: “Sound all your instruments” | — | ||
| 3-9 | Dioclesian, Z.627, Act 2: “Let all mankind the pleasure share” | — | ||
| 3-10 | Dioclesian, Z.627, Act 2: Prelude: “Let the soldiers rejoice” – “Rejoice, rejoice, with a general voice” | — | ||
| 3-11 | Dioclesian, Z.627, Act 2: Ritornello | — | ||
| 3-12 | Dioclesian, Z.627, Act 2: “To Mars let ’em raise”: “Rejoice, rejoice, with a general voice” | — | ||
| 3-13 | Dioclesian, Z.627, Act 2: Ritornello | — | ||
| 3-14 | Dioclesian, Z.627, Act 2: Symphony: “Since the toils and the hazards” – “All sing great Diocles’ story” | — | ||
| 3-15 | Dioclesian, Z.627, Act 2: Dances of Furies | — | ||
| 3-16 | Dioclesian, Z.627, Act 2: Second Act Tune | — | ||
| 3-17 | Dioclesian, Z.627, Act 3: Chaconne | — | ||
| 3-18 | Dioclesian, Z.627, Act 3: “When first I saw” | — | ||
| 3-19 | Dioclesian, Z.627, Act 3: The Chair Dance | — | ||
| 3-20 | Dioclesian, Z.627, Act 3: Prelude: “What shall I do” | — | ||
| 3-21 | Dioclesian, Z.627, Act 3: Third Act Tune | — | ||
| 3-22 | Dioclesian, Z.627, Act 4: Butterfly Dance | — | ||
| 3-23 | Dioclesian, Z.627, Act 4: Trumpet Tune | — | ||
| 3-24 | Dioclesian, Z.627, Act 4: “Sound, Fame, thy brazen trumpet sound!” … “Let all rehearse” | — | ||
| 3-25 | Dioclesian, Z.627, Act 4: Fourth Act Tune | — | ||
| 3-26 | Dioclesian, Z.627, Act 5: Country Dance | — | ||
| 3-27 | Dioclesian, Z.627, The Masque: Prelude: “Call the Nymphs” | — | ||
| 3-28 | Dioclesian, Z.627, The Masque: “Let the Graces and Pleasures repair” | — | ||
| 3-29 | Dioclesian, Z.627, The Masque: “Come, come away” | — | ||
| 4-1 | Dioclesian, Z.627, The Masque: Prelude: “Behold, O mightiest of Gods” | — | ||
| 4-2 | Dioclesian, Z.627, The Masque: Paspe | — | ||
| 4-3 | Dioclesian, Z.627, The Masque: “Oh the sweet delights of love!” | — | ||
| 4-4 | Dioclesian, Z.627, The Masque: “Let monarchs fight” … “Hear, mighty Love!” | — | ||
| 4-5 | Dioclesian, Z.627, The Masque: “Since from my dear Astraea’s sight” | — | ||
| 4-6 | Dioclesian, Z.627, The Masque: “Make room, make room” | — | ||
| 4-7 | Dioclesian, Z.627, The Masque: “I’m here, I’m here, with my jolly crew” … “We’ll rejoice as well as you” – “The mighty Jove” | — | ||
| 4-8 | Dioclesian, Z.627, The Masque: Dance of Bacchanals | — | ||
| 4-9 | Dioclesian, Z.627, The Masque: “Still I’m wishing, still desiring” | — | ||
| 4-10 | Dioclesian, Z.627, The Masque: Canaries | — | ||
| 4-11 | Dioclesian, Z.627, The Masque: “Tell me why” | — | ||
| 4-12 | Dioclesian, Z.627, The Masque: Dance | — | ||
| 4-13 | Dioclesian, Z.627, The Masque: “All our days and our nights” … “Begone, begone, importunate reason” | — | ||
| 4-14 | Dioclesian, Z.627, The Masque: “Let us dance, let us sing” | — | ||
| 4-15 | Dioclesian, Z.627, The Masque: Dance | — | ||
| 4-16 | Dioclesian, Z.627, The Masque: “Triumph, triumph victorious Love” … “Then all rehearse” | — | ||
| 4-17 | Timon Of Athens, Z.632: Overture | — | ||
| 4-18 | Timon Of Athens, Z.632, The Masque: no. 1 Duet “Hark! How the songsters of the grove” | — | ||
| 4-19 | Timon Of Athens, Z.632, The Masque: no. 2 Solo “Love in their little veins inspires” | — | ||
| 4-20 | Timon Of Athens, Z.632, The Masque: no. 3 Trio “But ah! how much are our delights” | — | ||
| 4-21 | Timon Of Athens, Z.632, The Masque: no. 4 & 5 Solo & Chorus “Hence with your trifling deity” … “But over us no griefs prevail” | — | ||
| 4-22 | Timon Of Athens, Z.632, The Masque: no. 6 & 7 Solo & Chorus “Come all, come all to me” … “Who can resist such mighty charms?” | — | ||
| 4-23 | Timon Of Athens, Z.632, The Masque: no. 8 Solo “Return, revolting rebels” | — | ||
| 4-24 | Timon Of Athens, Z.632, The Masque: “The cares of lovers” | — | ||
| 4-25 | Timon Of Athens, Z.632, The Masque: no. 10 Solo “Love quickly is pall’d” | — | ||
| 4-26 | Timon Of Athens, Z.632, The Masque: no. 11 & 12 Duet & Chorus “Come, let us agree” | — | ||
| 4-27 | Timon Of Athens, Z.632, The Masque: Curtain Tune on a Ground | — | ||
| 5-1 | Come, Ye Sons Of Art Away, Z. 323: Overture | — | ||
| 5-2 | Come, Ye Sons Of Art Away, Z. 323: Come, ye sons of art, away | — | ||
| 5-3 | Come, Ye Sons Of Art Away, Z. 323: Sound the trumpet, sound | — | ||
| 5-4 | Come, Ye Sons Of Art Away, Z. 323: Come, ye sons of art | — | ||
| 5-5 | Come, Ye Sons Of Art Away, Z. 323: Strike the viol, touch the lute | — | ||
| 5-6 | Come, Ye Sons Of Art Away, Z. 323: The day that such a blessing gave | — | ||
| 5-7 | Come, Ye Sons Of Art Away, Z. 323: Bid the Virtues, bid the Graces | — | ||
| 5-8 | Come, Ye Sons Of Art Away, Z. 323: These are the sacred charms | — | ||
| 5-9 | Come, Ye Sons Of Art Away, Z. 323: See Nature, rejoicing | — | ||
| 5-10 | Welcome to all the pleasures (1683) Ode for St. Cecilia’s Day: Overture | — | ||
| 5-11 | Welcome to all the pleasures (1683) Ode for St. Cecilia’s Day: Welcome to all the pleasures | — | ||
| 5-12 | Welcome to all the pleasures (1683) Ode for St. Cecilia’s Day: “Here the deities approve” … “While joys celestial” | — | ||
| 5-13 | Welcome to all the pleasures (1683) Ode for St. Cecilia’s Day: “Then lift up your voices” … “The pow’r shall divert us a pleasanter way” | — | ||
| 5-14 | Welcome to all the pleasures (1683) Ode for St. Cecilia’s Day: Beauty, thou scene of love | — | ||
| 5-15 | Welcome to all the pleasures (1683) Ode for St. Cecilia’s Day: In a consort of voices | — | ||
| 5-16 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: Symphony | — | ||
| 5-17 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: “Of old, when heroes thought it base” … “Brigantium, honour’d with a race divine” | — | ||
| 5-18 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: The bashful Thames, for beauty so renowned | — | ||
| 5-19 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: The pale and the purple rose | — | ||
| 5-20 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: And in each track of glory since | — | ||
| 5-21 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: Symphony | — | ||
| 5-22 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: And now when the renown’d Nassau | — | ||
| 5-23 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: They did no storms, nor threat’nings fear | — | ||
| 5-24 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: So when the glitt’ring Queen of Night | — | ||
| 5-25 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: Let music join | — | ||
| 5-26 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: Sound, trumpets, sound! | — | ||
| 5-27 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: Sound all to him | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| King Arthur: Act III. Prelude | The English Concert, Trevor Pinnock | T-312.182.438-8 |
| King Arthur: Act V. Trumpet Tune | The English Concert, Trevor Pinnock | T-071.152.558-4 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028947467229 is a Universal Product Code (UPC) assigned to Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes by Purcell, Choir of the English Concert, The English Concert, Trevor Pinnock. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 144 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes” by Purcell, Choir of the English Concert, The English Concert, Trevor Pinnock is 028947467229. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2003-01-01. Label: Archiv Produktion. This release contains 144 tracks, each with its own ISRC. Tracks include DEF058830601, DEF059130303, DEF059130304.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Dido and Aeneas, Z.626: Overture | — | ||
| 2 | Dido and Aeneas, Z.626, Act 1: “Shake the cloud from off your brow” … “Banish sorrow, banish care” | — | ||
| 3 | Dido and Aeneas, Z.626, Act 1: “Ah! Belinda, I am press’d” … “When monarchs unite, how happy” | — | ||
| 4 | Dido and Aeneas, Z.626, Act 1: “Whence could so much virtue spring?” … “Fear no danger” | — | ||
| 5 | Dido and Aeneas, Z.626, Act 1: “See, your royal guest appears” … “Cupid only throws the dart” | — | ||
| 6 | Dido and Aeneas, Z.626, Act 1: “If not for mine, for empire’s sake” … “To the hills and the vales” | — | ||
| 7 | Dido and Aeneas, Z.626, Act 1: The Triumphing Dance | — | ||
| 8 | Dido and Aeneas, Z.626, Act 2: Prelude for the Witches “Wayward sisters” … “Ho, ho, ho” | — | ||
| 9 | Dido and Aeneas, Z.626, Act 2: “Ruin’d ere the set of sun” … “But ere we this perform” | — | ||
| 10 | Dido and Aeneas, Z.626, Act 2: “In our deep vaulted cell” | — | ||
| 11 | Dido and Aeneas, Z.626, Act 2: Echo Dance of Furies | — | ||
| 12 | Dido and Aeneas, Z.626, Act 2: Ritornelle: “Thanks to these lonesome vales” | — | ||
| 13 | Dido and Aeneas, Z.626, Act 2: “Oft she visits” | — | ||
| 14 | Dido and Aeneas, Z.626, Act 2: “Behold, upon my bending spear” … “Haste, haste to town” | — | ||
| 15 | Dido and Aeneas, Z.626, Act 2: “Stay, Prince” | — | ||
| 16 | Dido and Aeneas, Z.626, Act 3: Prelude: “Come away, fellow sailors” | — | ||
| 17 | Dido and Aeneas, Z.626, Act 3: The Sailors’ Dance “See the flags and streamers curling” | — | ||
| 18 | Dido and Aeneas, Z.626, Act 3: “Our next motion” … “Destruction’s our delight” | — | ||
| 19 | Dido and Aeneas, Z.626, Act 3: The Witches’ Dance | — | ||
| 20 | Dido and Aeneas, Z.626, Act 3: “Your counsel all is urg’d in vain” … “Great minds against themselves conspire” | — | ||
| 21 | Dido and Aeneas: When I am laid into earth | Anne Sofie von Otter, The English Concert, Trevor Pinnock | — | |
| 22 | Dido and Aeneas, Z.626, Act 3: “With drooping wings” | — | ||
| 23 | King Arthur: First Music: Chaconne | The English Concert, Trevor Pinnock | — | |
| 24 | King Arthur: Second Music: 1. Overture | The English Concert, Trevor Pinnock | — | |
| 25 | King Arthur: Second Music: 2. Air | The English Concert, Trevor Pinnock | T-071.152.558-4 | |
| 26 | King Arthur: Act I. “Woden, first to thee” / “We have sacrific’d” | Choir of the English Concert, Jamie MacDougall, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 27 | King Arthur: Act I. “The white horse neigh’d aloud” / “To Woden thanks we render” | Choir of the English Concert, Jamie MacDougall, Mark Tucker, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 28 | King Arthur: Act I. “The lot is cast” | The English Concert, Trevor Pinnock | — | |
| 29 | King Arthur: Act I. “Brave souls” | Choir of the English Concert, The English Concert, Trevor Pinnock | T-305.769.738-4 | |
| 30 | King Arthur: Act I. “I call you all to Woden’s Hall” | Choir of the English Concert, Mark Tucker, The English Concert, Trevor Pinnock | — | |
| 31 | King Arthur: Act I. “Come if you dare” / First Act Tune | Choir of the English Concert, Jamie MacDougall, The English Concert, Trevor Pinnock | — | |
| 2-1 | King Arthur: Act II. “Hither, this way, this way bend” | Choir of the English Concert, Linda Perillo, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-2 | King Arthur: Act II. “Let not a moon‐born elf mislead ye” | Gerald Finley, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-3 | King Arthur: Act II. “Hither, this way bend” | Choir of the English Concert, Linda Perillo, The English Concert, Trevor Pinnock | — | |
| 2-4 | King Arthur: Act II. “Come follow me” | Choir of the English Concert, Linda Perillo, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-5 | King Arthur: Act II. “How blest are shepherds” | Choir of the English Concert, Jamie MacDougall, The English Concert, Trevor Pinnock | — | |
| 2-6 | King Arthur: Act II. Symphony / “Shepherd, shepherd, leave decoying” | Julia Gooding, Linda Perillo, The English Concert, Trevor Pinnock | — | |
| 2-7 | King Arthur: Act II. “Come shepherds” | Choir of the English Concert, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-8 | King Arthur: Act II. Second Act Tune. Air | The English Concert, Trevor Pinnock | — | |
| 2-9 | King Arthur: Act III. Prelude | The English Concert, Trevor Pinnock | T-312.182.438-8 | |
| 2-10 | King Arthur: Act III. “What ho!” | Nancy Argenta, The English Concert, Trevor Pinnock | — | |
| 2-11 | King Arthur: Act III. “What power art thou” | Brian Bannatyne-Scott, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-12 | King Arthur: Act III. “Thou doting fool, forbear” | Nancy Argenta, The English Concert, Trevor Pinnock | — | |
| 2-13 | King Arthur: Act III. “Great Love, I know thee now” | Brian Bannatyne-Scott, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-14 | King Arthur: Act III. “No part of my dominion” | Nancy Argenta, The English Concert, Trevor Pinnock | — | |
| 2-16 | King Arthur: Act III. “See, see, we assemble” / Dance | Choir of the English Concert, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-17 | King Arthur: Act III. “’Tis I, ’tis I that have warm’d ye” | Nancy Argenta, Choir of the English Concert, The English Concert, Trevor Pinnock | — | |
| 2-18 | King Arthur: Act III. “Sound a parley” / “’Tis love, ’tis love, ’tis love that has warm’d us” | Nancy Argenta, Brian Bannatyne-Scott, Choir of the English Concert, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-19 | King Arthur: Act III: Third Act Tune. Hornpipe | The English Concert, Trevor Pinnock | — | |
| 2-20 | King Arthur: Act IV. “Two daughters of this aged stream” | Julia Gooding, Linda Perillo, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-21 | King Arthur: Act IV. Passacaglia “How happy the lover” / Ritornello / “For love ev’ry creature” / “No joys are above” / “In vain are our graces” / “Then use the sweet blessing” / “No joys are above” | Nancy Argenta, Choir of the English Concert, Gerald Finley, Mark Tucker, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-22 | King Arthur: Act IV. Fourth Act Tune. Air | The English Concert, Trevor Pinnock | — | |
| 2-23 | King Arthur: Act V. Trumpet Tune | The English Concert, Trevor Pinnock | T-071.152.558-4 | |
| 2-24 | King Arthur: Act V. “Ye blust’ring brethren” | Brian Bannatyne-Scott, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-25 | King Arthur: Act V. Symphony | The English Concert, Trevor Pinnock | — | |
| 2-26 | King Arthur: Act V. “Round thy coast” | Choir of the English Concert, Gerald Finley, Julia Gooding, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-27 | King Arthur: Act V. “For folded flocks” | Mark Tucker, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-28 | King Arthur: Act V. “Your hay, it is mow’d” / Dance | Choir of the English Concert, Jamie MacDougall, The English Concert, Trevor Pinnock | — | |
| 2-29 | King Arthur: Act V. “Fairest isle” | Nancy Argenta, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-30 | King Arthur: Act V. “You say, ’tis love” | Gerald Finley, Linda Perillo, The English Concert, Trevor Pinnock | — | |
| 2-32 | King Arthur: Act V. “Saint George, the patron of our isle” / “Our natives not alone appear” | Choir of the English Concert, Julia Gooding, The English Concert, Trevor Pinnock | — | |
| 3-1 | Dioclesian, Z.627: First Music | — | ||
| 3-2 | Dioclesian, Z.627: Second Music | — | ||
| 3-3 | Dioclesian, Z.627: Overture | — | ||
| 3-4 | Dioclesian, Z.627, Act 1: First Act Tune | — | ||
| 3-5 | Dioclesian, Z.627, Act 2: Prelude: “Great Diocles the Boar has kill’d” – “Sing Iô’s! praise the thund’ring Jove” | — | ||
| 3-6 | Dioclesian, Z.627, Act 2: “Charon the peaceful Shade invites” | — | ||
| 3-7 | Dioclesian, Z.627, Act 2: Symphony | — | ||
| 3-8 | Dioclesian, Z.627, Act 2: “Let all mankind the pleasure share”: “Sound all your instruments” | — | ||
| 3-9 | Dioclesian, Z.627, Act 2: “Let all mankind the pleasure share” | — | ||
| 3-10 | Dioclesian, Z.627, Act 2: Prelude: “Let the soldiers rejoice” – “Rejoice, rejoice, with a general voice” | — | ||
| 3-11 | Dioclesian, Z.627, Act 2: Ritornello | — | ||
| 3-12 | Dioclesian, Z.627, Act 2: “To Mars let ’em raise”: “Rejoice, rejoice, with a general voice” | — | ||
| 3-13 | Dioclesian, Z.627, Act 2: Ritornello | — | ||
| 3-14 | Dioclesian, Z.627, Act 2: Symphony: “Since the toils and the hazards” – “All sing great Diocles’ story” | — | ||
| 3-15 | Dioclesian, Z.627, Act 2: Dances of Furies | — | ||
| 3-16 | Dioclesian, Z.627, Act 2: Second Act Tune | — | ||
| 3-17 | Dioclesian, Z.627, Act 3: Chaconne | — | ||
| 3-18 | Dioclesian, Z.627, Act 3: “When first I saw” | — | ||
| 3-19 | Dioclesian, Z.627, Act 3: The Chair Dance | — | ||
| 3-20 | Dioclesian, Z.627, Act 3: Prelude: “What shall I do” | — | ||
| 3-21 | Dioclesian, Z.627, Act 3: Third Act Tune | — | ||
| 3-22 | Dioclesian, Z.627, Act 4: Butterfly Dance | — | ||
| 3-23 | Dioclesian, Z.627, Act 4: Trumpet Tune | — | ||
| 3-24 | Dioclesian, Z.627, Act 4: “Sound, Fame, thy brazen trumpet sound!” … “Let all rehearse” | — | ||
| 3-25 | Dioclesian, Z.627, Act 4: Fourth Act Tune | — | ||
| 3-26 | Dioclesian, Z.627, Act 5: Country Dance | — | ||
| 3-27 | Dioclesian, Z.627, The Masque: Prelude: “Call the Nymphs” | — | ||
| 3-28 | Dioclesian, Z.627, The Masque: “Let the Graces and Pleasures repair” | — | ||
| 3-29 | Dioclesian, Z.627, The Masque: “Come, come away” | — | ||
| 4-1 | Dioclesian, Z.627, The Masque: Prelude: “Behold, O mightiest of Gods” | — | ||
| 4-2 | Dioclesian, Z.627, The Masque: Paspe | — | ||
| 4-3 | Dioclesian, Z.627, The Masque: “Oh the sweet delights of love!” | — | ||
| 4-4 | Dioclesian, Z.627, The Masque: “Let monarchs fight” … “Hear, mighty Love!” | — | ||
| 4-5 | Dioclesian, Z.627, The Masque: “Since from my dear Astraea’s sight” | — | ||
| 4-6 | Dioclesian, Z.627, The Masque: “Make room, make room” | — | ||
| 4-7 | Dioclesian, Z.627, The Masque: “I’m here, I’m here, with my jolly crew” … “We’ll rejoice as well as you” – “The mighty Jove” | — | ||
| 4-8 | Dioclesian, Z.627, The Masque: Dance of Bacchanals | — | ||
| 4-9 | Dioclesian, Z.627, The Masque: “Still I’m wishing, still desiring” | — | ||
| 4-10 | Dioclesian, Z.627, The Masque: Canaries | — | ||
| 4-11 | Dioclesian, Z.627, The Masque: “Tell me why” | — | ||
| 4-12 | Dioclesian, Z.627, The Masque: Dance | — | ||
| 4-13 | Dioclesian, Z.627, The Masque: “All our days and our nights” … “Begone, begone, importunate reason” | — | ||
| 4-14 | Dioclesian, Z.627, The Masque: “Let us dance, let us sing” | — | ||
| 4-15 | Dioclesian, Z.627, The Masque: Dance | — | ||
| 4-16 | Dioclesian, Z.627, The Masque: “Triumph, triumph victorious Love” … “Then all rehearse” | — | ||
| 4-17 | Timon Of Athens, Z.632: Overture | — | ||
| 4-18 | Timon Of Athens, Z.632, The Masque: no. 1 Duet “Hark! How the songsters of the grove” | — | ||
| 4-19 | Timon Of Athens, Z.632, The Masque: no. 2 Solo “Love in their little veins inspires” | — | ||
| 4-20 | Timon Of Athens, Z.632, The Masque: no. 3 Trio “But ah! how much are our delights” | — | ||
| 4-21 | Timon Of Athens, Z.632, The Masque: no. 4 & 5 Solo & Chorus “Hence with your trifling deity” … “But over us no griefs prevail” | — | ||
| 4-22 | Timon Of Athens, Z.632, The Masque: no. 6 & 7 Solo & Chorus “Come all, come all to me” … “Who can resist such mighty charms?” | — | ||
| 4-23 | Timon Of Athens, Z.632, The Masque: no. 8 Solo “Return, revolting rebels” | — | ||
| 4-24 | Timon Of Athens, Z.632, The Masque: “The cares of lovers” | — | ||
| 4-25 | Timon Of Athens, Z.632, The Masque: no. 10 Solo “Love quickly is pall’d” | — | ||
| 4-26 | Timon Of Athens, Z.632, The Masque: no. 11 & 12 Duet & Chorus “Come, let us agree” | — | ||
| 4-27 | Timon Of Athens, Z.632, The Masque: Curtain Tune on a Ground | — | ||
| 5-1 | Come, Ye Sons Of Art Away, Z. 323: Overture | — | ||
| 5-2 | Come, Ye Sons Of Art Away, Z. 323: Come, ye sons of art, away | — | ||
| 5-3 | Come, Ye Sons Of Art Away, Z. 323: Sound the trumpet, sound | — | ||
| 5-4 | Come, Ye Sons Of Art Away, Z. 323: Come, ye sons of art | — | ||
| 5-5 | Come, Ye Sons Of Art Away, Z. 323: Strike the viol, touch the lute | — | ||
| 5-6 | Come, Ye Sons Of Art Away, Z. 323: The day that such a blessing gave | — | ||
| 5-7 | Come, Ye Sons Of Art Away, Z. 323: Bid the Virtues, bid the Graces | — | ||
| 5-8 | Come, Ye Sons Of Art Away, Z. 323: These are the sacred charms | — | ||
| 5-9 | Come, Ye Sons Of Art Away, Z. 323: See Nature, rejoicing | — | ||
| 5-10 | Welcome to all the pleasures (1683) Ode for St. Cecilia’s Day: Overture | — | ||
| 5-11 | Welcome to all the pleasures (1683) Ode for St. Cecilia’s Day: Welcome to all the pleasures | — | ||
| 5-12 | Welcome to all the pleasures (1683) Ode for St. Cecilia’s Day: “Here the deities approve” … “While joys celestial” | — | ||
| 5-13 | Welcome to all the pleasures (1683) Ode for St. Cecilia’s Day: “Then lift up your voices” … “The pow’r shall divert us a pleasanter way” | — | ||
| 5-14 | Welcome to all the pleasures (1683) Ode for St. Cecilia’s Day: Beauty, thou scene of love | — | ||
| 5-15 | Welcome to all the pleasures (1683) Ode for St. Cecilia’s Day: In a consort of voices | — | ||
| 5-16 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: Symphony | — | ||
| 5-17 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: “Of old, when heroes thought it base” … “Brigantium, honour’d with a race divine” | — | ||
| 5-18 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: The bashful Thames, for beauty so renowned | — | ||
| 5-19 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: The pale and the purple rose | — | ||
| 5-20 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: And in each track of glory since | — | ||
| 5-21 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: Symphony | — | ||
| 5-22 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: And now when the renown’d Nassau | — | ||
| 5-23 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: They did no storms, nor threat’nings fear | — | ||
| 5-24 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: So when the glitt’ring Queen of Night | — | ||
| 5-25 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: Let music join | — | ||
| 5-26 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: Sound, trumpets, sound! | — | ||
| 5-27 | Of old, when heroes thought it base (1690) The Yorkshire Feast Song: Sound all to him | — |
