UPC · Release
Benjamin Britten
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The UPC for “Britten Conducts Britten” by Benjamin Britten is 028947560401. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2005-01-01. Label: Decca. This release contains 181 tracks, each with its own ISRC. Tracks include GBF076140801, GBF076140802, GBF076140803.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Burning Fiery Furnace: Salus Aeterna | — | ||
| 2 | The Burning Fiery Furnace: Good People, In His Holy Name | — | ||
| 3 | The Burning Fiery Furnace: By The Royal Command | — | ||
| 4 | The Burning Fiery Furnace: Adept In Magic | — | ||
| 5 | The Burning Fiery Furnace: The Waters Of Babylon | — | ||
| 6 | The Burning Fiery Furnace: Sirs, What Is This? | — | ||
| 7 | The Burning Fiery Furnace: We Do Not Lack Enemies | — | ||
| 8 | The Burning Fiery Furnace: By The Royal Decree | — | ||
| 9 | The Burning Fiery Furnace: Procession | — | ||
| 10 | The Burning Fiery Furnace: Merodak! Lord Of Creation! | — | ||
| 11 | The Burning Fiery Furnace: Bring Them Here Before My Majesty | — | ||
| 12 | The Burning Fiery Furnace: O King, Nebuchadnezzar | — | ||
| 13 | The Burning Fiery Furnace: O All Ye Works Of The Lord | — | ||
| 14 | The Burning Fiery Furnace: Shadrach, Meshach, Abednego | — | ||
| 15 | The Burning Fiery Furnace: O Ye Winter And Summer | — | ||
| 16 | The Burning Fiery Furnace: Good People, We Have Shown You | — | ||
| 2-1 | Curlew River, church parable, Op. 71 "Te lucis ante terminum" | — | ||
| 2-2 | Curlew River, church parable, Op. 71 "I am the ferryman" | — | ||
| 2-3 | Curlew River, church parable, Op. 71 "I come from the Westland" | — | ||
| 2-4 | Curlew River, church parable, Op. 71 "But first may I ask you what is that strange noise?" | — | ||
| 2-5 | Curlew River, church parable, Op. 71 "Clear as a sky without a cloud" | — | ||
| 2-6 | Curlew River, church parable, Op. 71 "Near the Black Mountains there I dwelt" | — | ||
| 2-7 | Curlew River, church parable, Op. 71 "A thousand leagues may sunder a mother and her son" | — | ||
| 2-8 | Curlew River, church parable, Op. 71 "Ignorant man! You refuse a passage to me ..." | — | ||
| 2-9 | Curlew River, church parable, Op. 71 "I beg your pardon" | — | ||
| 2-10 | Curlew River, church parable, Op. 71 "Curlew River, smoothly flowing ..." | — | ||
| 2-11 | Curlew River, church parable, Op. 71 "Today is an important day" | — | ||
| 2-12 | Curlew River, church parable, Op. 71 "Look! While you were listening to my story ..." | — | ||
| 2-13 | Curlew River, church parable, Op. 71 "Ferryman, tell me, when did it happen?" | — | ||
| 2-14 | Curlew River, church parable, Op. 71 "Hoping, I wandered on" | — | ||
| 2-15 | Curlew River, church parable, Op. 71 "He whose life was full of promise" | — | ||
| 2-16 | Curlew River, church parable, Op. 71 "The moon has risen" | — | ||
| 2-17 | Curlew River, church parable, Op. 71 "Go your way in peace, mother" | — | ||
| 2-18 | Curlew River, church parable, Op. 71 "Good souls, we have shown you..." | — | ||
| 3-1 | The Prodigal Son: Jam Lucis Orto Sidero (All Voices) | — | ||
| 3-2 | The Prodigal Son: Ah - You People (Tempter) | — | ||
| 3-3 | The Prodigal Son: The Ceremony | — | ||
| 3-4 | The Prodigal Son: I Am Father To You All (Father) | — | ||
| 3-5 | The Prodigal Son: Forgive My Asking You (Tempter) | — | ||
| 3-6 | The Prodigal Son: Father, May I Speak To You? (Younger Son) | — | ||
| 3-7 | The Prodigal Son: Take Your Due Portion (Father) | — | ||
| 3-8 | The Prodigal Son: Go, If You Must Go (Servants) | — | ||
| 3-9 | The Prodigal Son: Welcome, Welcome, Stranger! (Parasites) | — | ||
| 3-10 | The Prodigal Son: You Are Tired From A Long Journey (Tempter) | — | ||
| 3-11 | The Prodigal Son: Nights Are Days (Parasites) | — | ||
| 3-12 | The Prodigal Son: You Have Gambled And Lost (Tempter) | — | ||
| 3-13 | The Prodigal Son: Now - I Have Done What I Said (Tempter) | — | ||
| 3-14 | The Prodigal Son: With Joy I Sowed (Younger Son) | — | ||
| 3-15 | The Prodigal Son: My Son (Father) | — | ||
| 3-16 | The Prodigal Son: O Sing Unto The Lord (Servants) | — | ||
| 3-17 | The Prodigal Son: My Children, You Have Seen (Abbot) | — | ||
| 4-1 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Lord Jesus, think on me | The Congregation, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 4-2 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: I God, that all this worlde hath wroughte | William Trevor Anthony, Owen Brannigan, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 4-3 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Have done, you men and wemen all | Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Sheila Rex, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 4-4 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now in the name of God I will begyne | Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Sheila Rex, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 4-5 | Noye’s Fludde, children’s opera, op. 59: 3 Noye, Noye, take thou thy company | Trevor Anthony, Owen Brannigan, David Pinto, Darien Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Chorus of Animals, Merlin Channon, English Opera Group Orchestra, Norman Del Mar | — | |
| 4-6 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Wiffe, come in! why standes thou their? | Owen Brannigan, Sheila Rex, David Pinto, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, Stephen Alexander, Darian Angadi, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 4-7 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Ha! Children, me thinkes my botte removes | Owen Brannigan, Sheila Rex, David Pinto, Darian Angadi, Stephen Alexander, Chorus of Animals, The Congregation, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 4-8 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now forty dayes are fullie gone | Owen Brannigan, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 4-9 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, take thy wife anone | William Trevor Anthony, Chorus of Animals, Sheila Rex, David Pinto, Darian Angadi, Stephen Alexander, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | — | |
| 4-10 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, heare I behette thee a heste | Trevor Anthony, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | — | |
| 4-11 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: The spacious firmament on high | David Pinto, Darian Angadi, Stephen Alexander, Owen Brannigan, Sheila Rex, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, William Trevor Anthony, Chorus of Animals, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | T-900.045.793-2 | |
| 4-12 | The Golden Vanity, Op. 78: I. There was a ship came from the North Country | — | ||
| 4-13 | The Golden Vanity, Op. 78: II. Then up spake the cabin-boy | — | ||
| 4-14 | The Golden Vanity, Op. 78: III. Casting his clothes off, he dived into the sea | — | ||
| 4-15 | The Golden Vanity, Op. 78: IV. They laid him on the deck | — | ||
| 5-1 | The Little Sweep (Let's make an opera), op. 45: Sweep! Sweep! | Benjamin Britten | — | |
| 5-2 | The Little Sweep (Let's make an opera), op. 45: Sweep this chimney | Benjamin Britten | — | |
| 5-3 | The Little Sweep (Let's make an opera), op. 45: Now, little white boy! | Benjamin Britten | — | |
| 5-4 | The Little Sweep (Let's make an opera), op. 45: Pull the rope gently until he is free! | Benjamin Britten | — | |
| 5-5 | The Little Sweep (Let's make an opera), op. 45: Is he wounded? | Benjamin Britten | — | |
| 5-6 | The Little Sweep (Let's make an opera), op. 45: Sooty tracks | Benjamin Britten | — | |
| 5-7 | The Little Sweep (Let's make an opera), op. 45: Run, poor sweep-boy | Benjamin Britten | — | |
| 5-8 | The Little Sweep (Let's make an opera), op. 45: The kettles are singing | Benjamin Britten | — | |
| 5-9 | The Little Sweep (Let's make an opera), op. 45: O why do you weep | Benjamin Britten | — | |
| 5-10 | The Little Sweep (Let's make an opera), op. 45: Ah!...Blackguards! | Benjamin Britten | — | |
| 5-11 | The Little Sweep (Let's make an opera), op. 45: Help! Help! She's collapsed! | Benjamin Britten | — | |
| 5-12 | The Little Sweep (Let's make an opera), op. 45: The owl, wide-winging through the sky | Benjamin Britten | — | |
| 5-13 | The Little Sweep (Let's make an opera), op. 45: Soon the coach will carry you away | Benjamin Britten | — | |
| 5-14 | The Little Sweep (Let's make an opera), op. 45: Morning, Sammy! Lovely weather | Benjamin Britten | — | |
| 5-15 | The Little Sweep (Let's make an opera), op. 45: Ready, Alfred? | Benjamin Britten | — | |
| 5-16 | The Little Sweep (Let's make an opera), op. 45: Coaching song: The horses are champing | Benjamin Britten | — | |
| 5-17 | Gemini Variations, op. 73 (Quartet for Two Players) | Gabriel Jeney, Zoltán Jeney | T-319.000.035-8 | |
| 5-18 | The Children's Crusade, op. 82 | Mark Emney, John Wojciechowski, Stephen Daniels, Raymond Hares, Barnaby Jago, Graham Preston, Wandsworth School Boys’ Choir, Benjamin Britten | — | |
| 6-1 | Saint Nicolas: Introduction | — | ||
| 6-2 | Saint Nicolas: The birth of Nicolas | — | ||
| 6-3 | Saint Nicolas: Nicolas devotes himself to God | — | ||
| 6-4 | Saint Nicolas: He journeys to Palestine | — | ||
| 6-5 | Saint Nicolas: Nicolas comes to Myra and is chosen Bishop | — | ||
| 6-6 | Saint Nicolas: Nicolas from Prison | — | ||
| 6-7 | Saint Nicolas: Nicolas and the Pickled Boys | — | ||
| 6-8 | Saint Nicolas: His Piety and Marvellous Works | — | ||
| 6-9 | Saint Nicolas: The Death of Nicolas | — | ||
| 6-10 | Rejoice in the Lamb: Rejoice in God, O ye Tongues | — | ||
| 6-11 | Rejoice in the Lamb: For I will consider my Cat Jeoffrey | — | ||
| 6-12 | Rejoice in the Lamb: For the Mouse is a creature of great personal valour | — | ||
| 6-13 | Rejoice in the Lamb: For the flowers are great blessings | — | ||
| 6-14 | Rejoice in the Lamb: For I am under the same accusation | — | ||
| 6-15 | Rejoice in the Lamb: For H is a spirit | — | ||
| 7-1 | A Ceremony of Carols, op.28: Procession | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-2 | A Ceremony of Carols, op.28: Wolcum Yole! | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-3 | A Ceremony of Carols, op.28: There Is No Rose | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-4 | A Ceremony of Carols, op.28: That Youngë Child | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-5 | A Ceremony of Carols, op.28: Balulalow | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-6 | A Ceremony of Carols, op.28: As Dew in Aprille | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-7 | A Ceremony of Carols, op.28: This Little Babe | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-8 | A Ceremony of Carols, op.28: Interlude | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-9 | A Ceremony of Carols, op.28: In Freezing Winter Night | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-10 | A Ceremony of Carols, op.28: Spring Carol | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-11 | A Ceremony of Carols, op.28: Deo Gracias - Adam Lay Ibounden | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-12 | A Ceremony of Carols, op.28: Recession | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-13 | A Boy Was Born, op. 3: "A boy was born (theme)" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 7-14 | A Boy Was Born, op. 3: Variation I. "Lullay, Jesu" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 7-15 | A Boy Was Born, op. 3: Variation II. "Herod" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 7-16 | A Boy Was Born, op. 3: Variation III. "Jesu, as Thou art our Saviour" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 7-17 | A Boy Was Born, op. 3: Variation IV. "The three kings" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 7-18 | A Boy Was Born, op. 3: Variation V. "In the bleak mid-winter" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 7-19 | A Boy Was Born, op. 3: Variation VI. Finale "Noel!" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 7-20 | Songs From "Friday Afternoons", op. 7: Begone, dull care | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.455.238-6 | |
| 7-21 | Songs From "Friday Afternoons", op. 7: A tragic story | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-900.011.973-3 | |
| 7-22 | Songs From "Friday Afternoons", op. 7: Cuckoo! | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-900.009.780-3 | |
| 7-23 | Songs From "Friday Afternoons", op. 7: A New Year carol | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-011.260.559-0 | |
| 7-24 | Songs From "Friday Afternoons", op. 7: I mun be married on Sunday | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.445.495-6 | |
| 7-25 | Songs From "Friday Afternoons", op. 7: There was a man of Newington | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.241.666-9 | |
| 7-26 | Songs From "Friday Afternoons", op. 7: Fishing song | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.241.666-9 | |
| 7-27 | Songs From "Friday Afternoons", op. 7: The useful plough | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.441.763-1 | |
| 7-28 | Songs From "Friday Afternoons", op. 7: Jazz-man | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.441.763-1 | |
| 7-29 | Songs From "Friday Afternoons", op. 7: There was a monkey | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.163.324-2 | |
| 7-30 | Songs From "Friday Afternoons", op. 7: Old Abram Brown | Downside School Choir, Viola Tunnard, Benjamin Britten | T-010.163.324-2 | |
| 7-31 | Psalm 150 for voices & orchestra, op. 67 | Boys of Downside School, Purley, Benjamin Britten | — | |
| 8-1 | Spring Symphony, op. 44: 1. Introduction: Shine out | — | ||
| 8-2 | Spring Symphony, op. 44: 2. The merry cuckoo | — | ||
| 8-3 | Spring Symphony, for soprano, alto, tenor, boys’ chorus, chorus & orchestra, op. 44: III Spring, the sweet spring | Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 8-4 | Spring Symphony, op. 44: 4. The driving boy | — | ||
| 8-5 | Spring Symphony, op. 44: 5. The morning star | — | ||
| 8-6 | Spring Symphony, op. 44: 6. Welcome Maids of Honour | — | ||
| 8-7 | Spring Symphony, op. 44: 7. Waters above! | — | ||
| 8-8 | Spring Symphony, op. 44: 8. Out on the lawn I lie in bed | — | ||
| 8-9 | Spring Symphony, op. 44: 9. When will my May come | — | ||
| 8-10 | Spring Symphony, op. 44: 10. Fair and fair | — | ||
| 8-11 | Spring Symphony, op. 44: 11. Sound the flute! | — | ||
| 8-12 | Spring Symphony, op. 44: 12. Finale: London: to thee I do present | — | ||
| 8-13 | Cantata Academica, (Carmen basiliense) op. 62: I. Bonorum summun omnium II: Quae bene beateque | London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 8-14 | Cantata Academica, (Carmen basiliense) op. 62: III. At huius caelestis...V: Tum vero Aeneas Sylvius virtus | Jennifer Vyvyan, Helen Watts, Peter Pears, Owen Brannigan, London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 8-15 | Cantata Academica, (Carmen basiliense) op. 62: VI: Et gubernacula. VII: Ut ad longaeva tempora | Peter Pears, London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 8-16 | Cantata Academica, (Carmen basiliense) op. 62: VIII: Docendi ac discendi | London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 8-17 | Cantata Academica, (Carmen basiliense) op. 62: IX. Rhenana erga omnes. X: Ut instissime XI: O cives.. | Helen Watts, Peter Pears, Owen Brannigan, London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 8-18 | Cantata Academica, (Carmen basiliense) op. 62: XII. Nos autem cuncti. XIII. Vigeatque academia libera | London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 8-19 | Hymn to St. Cecilia (1942), op. 27: In a garden shady | — | ||
| 8-20 | Hymn to St. Cecilia (1942), op. 27: I cannot grow | — | ||
| 8-21 | Hymn to St. Cecilia (1942), op. 27: O ear whose creatures | — | ||
| 9-1 | War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 9-2 | War Requiem, op. 66: I. Requiem aeternam: What passing bells for these who die as cattle? | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 9-3 | War Requiem, op. 66: II. Dies irae: Dies irae | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-4 | War Requiem, op. 66: II. Dies irae: Bugles sang, saddening the evening air | Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble | — | |
| 9-5 | War Requiem, op. 66: II. Dies irae: Liber scriptus proferetur | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 9-6 | War Requiem, op. 66: II. Dies irae: Out there, we've walked quite friendly up to Death | Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble | — | |
| 9-7 | War Requiem, op. 66: II. Dies irae: Recordare Jesu pie | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-8 | War Requiem, op. 66: II. Dies irae: Be slowly lifted up | Dietrich Fischer-Dieskau, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 9-9 | War Requiem, op. 66: II. Dies irae: Confutatis | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-10 | War Requiem, op. 66: II. Dies irae: Lacrimosa dies illa | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 9-11 | War Requiem, op. 66: II. Dies irae: Move him into the sun | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 9-12 | War Requiem, op. 66: III. Offertorium: Domine Jesu Christe | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 9-13 | War Requiem, op. 66: III. Offertorium: So Abram rose, and clave the wood | Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 9-14 | War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 9-15 | War Requiem, op. 66: IV. Sanctus: After the blast of lightning from the East | Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble | — | |
| 10-1 | War Requiem, op. 66: V. Agnus Dei: One ever hangs where shelled roads part | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 10-2 | War Requiem, op. 66: VI. Libera me: Libera me, Domine | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 10-3 | War Requiem, op. 66: VI. Libera me: It seemed that out of battle I escaped | Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble | — | |
| 10-4 | War Requiem, op. 66: VI. Libera me: Let us sleep now / In Paradisum | Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 10-5 | Rehearsing War Requiem: Requiem Aeternam (rehearsal) | Benjamin Britten | — | |
| 10-6 | Rehearsing War Requiem: Dies Irae: Rehearsal of the opening section | Benjamin Britten | — | |
| 10-7 | Rehearsing War Requiem: Dies Irae: Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter), then between John Culshaw and Galina Vishnevskaya | [dialogue] | — | |
| 10-8 | Rehearsing War Requiem: Dies Irae: Rehearsal of end of movement | Benjamin Britten | — | |
| 10-9 | Rehearsing War Requiem: Offertorium (rehearsal) | Benjamin Britten | — | |
| 10-10 | Rehearsing War Requiem: Sanctus (rehearsal) | Benjamin Britten | — | |
| 10-11 | Rehearsing War Requiem: Sanctus: Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter) | [dialogue] | — | |
| 10-12 | Rehearsing War Requiem: Agnus Dei: Discussion in the control room between Britten, Peter Pears and John Culshaw | [dialogue] | — | |
| 10-13 | Rehearsing War Requiem: Libera Me: Discussion in the control room between Britten and John Culshaw | [dialogue] | — | |
| 10-14 | Rehearsing War Requiem: Libera Me (rehearsal) | Benjamin Britten | — | |
| 10-15 | Rehearsing War Requiem: Libera Me: Rehearsal of closing page | Benjamin Britten | — |
Identifier Graph
028947560401 is a Universal Product Code (UPC) assigned to Britten Conducts Britten by Benjamin Britten. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 181 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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Songwriters/Publishers (IPI)
The UPC for “Britten Conducts Britten” by Benjamin Britten is 028947560401. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2005-01-01. Label: Decca. This release contains 181 tracks, each with its own ISRC. Tracks include GBF076140801, GBF076140802, GBF076140803.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Burning Fiery Furnace: Salus Aeterna | — | ||
| 2 | The Burning Fiery Furnace: Good People, In His Holy Name | — | ||
| 3 | The Burning Fiery Furnace: By The Royal Command | — | ||
| 4 | The Burning Fiery Furnace: Adept In Magic | — | ||
| 5 | The Burning Fiery Furnace: The Waters Of Babylon | — | ||
| 6 | The Burning Fiery Furnace: Sirs, What Is This? | — | ||
| 7 | The Burning Fiery Furnace: We Do Not Lack Enemies | — | ||
| 8 | The Burning Fiery Furnace: By The Royal Decree | — | ||
| 9 | The Burning Fiery Furnace: Procession | — | ||
| 10 | The Burning Fiery Furnace: Merodak! Lord Of Creation! | — | ||
| 11 | The Burning Fiery Furnace: Bring Them Here Before My Majesty | — | ||
| 12 | The Burning Fiery Furnace: O King, Nebuchadnezzar | — | ||
| 13 | The Burning Fiery Furnace: O All Ye Works Of The Lord | — | ||
| 14 | The Burning Fiery Furnace: Shadrach, Meshach, Abednego | — | ||
| 15 | The Burning Fiery Furnace: O Ye Winter And Summer | — | ||
| 16 | The Burning Fiery Furnace: Good People, We Have Shown You | — | ||
| 2-1 | Curlew River, church parable, Op. 71 "Te lucis ante terminum" | — | ||
| 2-2 | Curlew River, church parable, Op. 71 "I am the ferryman" | — | ||
| 2-3 | Curlew River, church parable, Op. 71 "I come from the Westland" | — | ||
| 2-4 | Curlew River, church parable, Op. 71 "But first may I ask you what is that strange noise?" | — | ||
| 2-5 | Curlew River, church parable, Op. 71 "Clear as a sky without a cloud" | — | ||
| 2-6 | Curlew River, church parable, Op. 71 "Near the Black Mountains there I dwelt" | — | ||
| 2-7 | Curlew River, church parable, Op. 71 "A thousand leagues may sunder a mother and her son" | — | ||
| 2-8 | Curlew River, church parable, Op. 71 "Ignorant man! You refuse a passage to me ..." | — | ||
| 2-9 | Curlew River, church parable, Op. 71 "I beg your pardon" | — | ||
| 2-10 | Curlew River, church parable, Op. 71 "Curlew River, smoothly flowing ..." | — | ||
| 2-11 | Curlew River, church parable, Op. 71 "Today is an important day" | — | ||
| 2-12 | Curlew River, church parable, Op. 71 "Look! While you were listening to my story ..." | — | ||
| 2-13 | Curlew River, church parable, Op. 71 "Ferryman, tell me, when did it happen?" | — | ||
| 2-14 | Curlew River, church parable, Op. 71 "Hoping, I wandered on" | — | ||
| 2-15 | Curlew River, church parable, Op. 71 "He whose life was full of promise" | — | ||
| 2-16 | Curlew River, church parable, Op. 71 "The moon has risen" | — | ||
| 2-17 | Curlew River, church parable, Op. 71 "Go your way in peace, mother" | — | ||
| 2-18 | Curlew River, church parable, Op. 71 "Good souls, we have shown you..." | — | ||
| 3-1 | The Prodigal Son: Jam Lucis Orto Sidero (All Voices) | — | ||
| 3-2 | The Prodigal Son: Ah - You People (Tempter) | — | ||
| 3-3 | The Prodigal Son: The Ceremony | — | ||
| 3-4 | The Prodigal Son: I Am Father To You All (Father) | — | ||
| 3-5 | The Prodigal Son: Forgive My Asking You (Tempter) | — | ||
| 3-6 | The Prodigal Son: Father, May I Speak To You? (Younger Son) | — | ||
| 3-7 | The Prodigal Son: Take Your Due Portion (Father) | — | ||
| 3-8 | The Prodigal Son: Go, If You Must Go (Servants) | — | ||
| 3-9 | The Prodigal Son: Welcome, Welcome, Stranger! (Parasites) | — | ||
| 3-10 | The Prodigal Son: You Are Tired From A Long Journey (Tempter) | — | ||
| 3-11 | The Prodigal Son: Nights Are Days (Parasites) | — | ||
| 3-12 | The Prodigal Son: You Have Gambled And Lost (Tempter) | — | ||
| 3-13 | The Prodigal Son: Now - I Have Done What I Said (Tempter) | — | ||
| 3-14 | The Prodigal Son: With Joy I Sowed (Younger Son) | — | ||
| 3-15 | The Prodigal Son: My Son (Father) | — | ||
| 3-16 | The Prodigal Son: O Sing Unto The Lord (Servants) | — | ||
| 3-17 | The Prodigal Son: My Children, You Have Seen (Abbot) | — | ||
| 4-1 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Lord Jesus, think on me | The Congregation, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 4-2 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: I God, that all this worlde hath wroughte | William Trevor Anthony, Owen Brannigan, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 4-3 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Have done, you men and wemen all | Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Sheila Rex, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 4-4 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now in the name of God I will begyne | Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Sheila Rex, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 4-5 | Noye’s Fludde, children’s opera, op. 59: 3 Noye, Noye, take thou thy company | Trevor Anthony, Owen Brannigan, David Pinto, Darien Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Chorus of Animals, Merlin Channon, English Opera Group Orchestra, Norman Del Mar | — | |
| 4-6 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Wiffe, come in! why standes thou their? | Owen Brannigan, Sheila Rex, David Pinto, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, Stephen Alexander, Darian Angadi, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 4-7 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Ha! Children, me thinkes my botte removes | Owen Brannigan, Sheila Rex, David Pinto, Darian Angadi, Stephen Alexander, Chorus of Animals, The Congregation, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 4-8 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now forty dayes are fullie gone | Owen Brannigan, English Opera Group, Merlin Channon, Norman Del Mar | — | |
| 4-9 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, take thy wife anone | William Trevor Anthony, Chorus of Animals, Sheila Rex, David Pinto, Darian Angadi, Stephen Alexander, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | — | |
| 4-10 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, heare I behette thee a heste | Trevor Anthony, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | — | |
| 4-11 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: The spacious firmament on high | David Pinto, Darian Angadi, Stephen Alexander, Owen Brannigan, Sheila Rex, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, William Trevor Anthony, Chorus of Animals, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | T-900.045.793-2 | |
| 4-12 | The Golden Vanity, Op. 78: I. There was a ship came from the North Country | — | ||
| 4-13 | The Golden Vanity, Op. 78: II. Then up spake the cabin-boy | — | ||
| 4-14 | The Golden Vanity, Op. 78: III. Casting his clothes off, he dived into the sea | — | ||
| 4-15 | The Golden Vanity, Op. 78: IV. They laid him on the deck | — | ||
| 5-1 | The Little Sweep (Let's make an opera), op. 45: Sweep! Sweep! | Benjamin Britten | — | |
| 5-2 | The Little Sweep (Let's make an opera), op. 45: Sweep this chimney | Benjamin Britten | — | |
| 5-3 | The Little Sweep (Let's make an opera), op. 45: Now, little white boy! | Benjamin Britten | — | |
| 5-4 | The Little Sweep (Let's make an opera), op. 45: Pull the rope gently until he is free! | Benjamin Britten | — | |
| 5-5 | The Little Sweep (Let's make an opera), op. 45: Is he wounded? | Benjamin Britten | — | |
| 5-6 | The Little Sweep (Let's make an opera), op. 45: Sooty tracks | Benjamin Britten | — | |
| 5-7 | The Little Sweep (Let's make an opera), op. 45: Run, poor sweep-boy | Benjamin Britten | — | |
| 5-8 | The Little Sweep (Let's make an opera), op. 45: The kettles are singing | Benjamin Britten | — | |
| 5-9 | The Little Sweep (Let's make an opera), op. 45: O why do you weep | Benjamin Britten | — | |
| 5-10 | The Little Sweep (Let's make an opera), op. 45: Ah!...Blackguards! | Benjamin Britten | — | |
| 5-11 | The Little Sweep (Let's make an opera), op. 45: Help! Help! She's collapsed! | Benjamin Britten | — | |
| 5-12 | The Little Sweep (Let's make an opera), op. 45: The owl, wide-winging through the sky | Benjamin Britten | — | |
| 5-13 | The Little Sweep (Let's make an opera), op. 45: Soon the coach will carry you away | Benjamin Britten | — | |
| 5-14 | The Little Sweep (Let's make an opera), op. 45: Morning, Sammy! Lovely weather | Benjamin Britten | — | |
| 5-15 | The Little Sweep (Let's make an opera), op. 45: Ready, Alfred? | Benjamin Britten | — | |
| 5-16 | The Little Sweep (Let's make an opera), op. 45: Coaching song: The horses are champing | Benjamin Britten | — | |
| 5-17 | Gemini Variations, op. 73 (Quartet for Two Players) | Gabriel Jeney, Zoltán Jeney | T-319.000.035-8 | |
| 5-18 | The Children's Crusade, op. 82 | Mark Emney, John Wojciechowski, Stephen Daniels, Raymond Hares, Barnaby Jago, Graham Preston, Wandsworth School Boys’ Choir, Benjamin Britten | — | |
| 6-1 | Saint Nicolas: Introduction | — | ||
| 6-2 | Saint Nicolas: The birth of Nicolas | — | ||
| 6-3 | Saint Nicolas: Nicolas devotes himself to God | — | ||
| 6-4 | Saint Nicolas: He journeys to Palestine | — | ||
| 6-5 | Saint Nicolas: Nicolas comes to Myra and is chosen Bishop | — | ||
| 6-6 | Saint Nicolas: Nicolas from Prison | — | ||
| 6-7 | Saint Nicolas: Nicolas and the Pickled Boys | — | ||
| 6-8 | Saint Nicolas: His Piety and Marvellous Works | — | ||
| 6-9 | Saint Nicolas: The Death of Nicolas | — | ||
| 6-10 | Rejoice in the Lamb: Rejoice in God, O ye Tongues | — | ||
| 6-11 | Rejoice in the Lamb: For I will consider my Cat Jeoffrey | — | ||
| 6-12 | Rejoice in the Lamb: For the Mouse is a creature of great personal valour | — | ||
| 6-13 | Rejoice in the Lamb: For the flowers are great blessings | — | ||
| 6-14 | Rejoice in the Lamb: For I am under the same accusation | — | ||
| 6-15 | Rejoice in the Lamb: For H is a spirit | — | ||
| 7-1 | A Ceremony of Carols, op.28: Procession | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-2 | A Ceremony of Carols, op.28: Wolcum Yole! | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-3 | A Ceremony of Carols, op.28: There Is No Rose | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-4 | A Ceremony of Carols, op.28: That Youngë Child | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-5 | A Ceremony of Carols, op.28: Balulalow | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-6 | A Ceremony of Carols, op.28: As Dew in Aprille | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-7 | A Ceremony of Carols, op.28: This Little Babe | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-8 | A Ceremony of Carols, op.28: Interlude | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-9 | A Ceremony of Carols, op.28: In Freezing Winter Night | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-10 | A Ceremony of Carols, op.28: Spring Carol | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-11 | A Ceremony of Carols, op.28: Deo Gracias - Adam Lay Ibounden | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-12 | A Ceremony of Carols, op.28: Recession | Copenhagen Boys' Choir, Benjamin Britten | — | |
| 7-13 | A Boy Was Born, op. 3: "A boy was born (theme)" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 7-14 | A Boy Was Born, op. 3: Variation I. "Lullay, Jesu" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 7-15 | A Boy Was Born, op. 3: Variation II. "Herod" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 7-16 | A Boy Was Born, op. 3: Variation III. "Jesu, as Thou art our Saviour" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 7-17 | A Boy Was Born, op. 3: Variation IV. "The three kings" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 7-18 | A Boy Was Born, op. 3: Variation V. "In the bleak mid-winter" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 7-19 | A Boy Was Born, op. 3: Variation VI. Finale "Noel!" | Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten | — | |
| 7-20 | Songs From "Friday Afternoons", op. 7: Begone, dull care | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.455.238-6 | |
| 7-21 | Songs From "Friday Afternoons", op. 7: A tragic story | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-900.011.973-3 | |
| 7-22 | Songs From "Friday Afternoons", op. 7: Cuckoo! | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-900.009.780-3 | |
| 7-23 | Songs From "Friday Afternoons", op. 7: A New Year carol | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-011.260.559-0 | |
| 7-24 | Songs From "Friday Afternoons", op. 7: I mun be married on Sunday | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.445.495-6 | |
| 7-25 | Songs From "Friday Afternoons", op. 7: There was a man of Newington | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.241.666-9 | |
| 7-26 | Songs From "Friday Afternoons", op. 7: Fishing song | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.241.666-9 | |
| 7-27 | Songs From "Friday Afternoons", op. 7: The useful plough | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.441.763-1 | |
| 7-28 | Songs From "Friday Afternoons", op. 7: Jazz-man | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.441.763-1 | |
| 7-29 | Songs From "Friday Afternoons", op. 7: There was a monkey | Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten | T-010.163.324-2 | |
| 7-30 | Songs From "Friday Afternoons", op. 7: Old Abram Brown | Downside School Choir, Viola Tunnard, Benjamin Britten | T-010.163.324-2 | |
| 7-31 | Psalm 150 for voices & orchestra, op. 67 | Boys of Downside School, Purley, Benjamin Britten | — | |
| 8-1 | Spring Symphony, op. 44: 1. Introduction: Shine out | — | ||
| 8-2 | Spring Symphony, op. 44: 2. The merry cuckoo | — | ||
| 8-3 | Spring Symphony, for soprano, alto, tenor, boys’ chorus, chorus & orchestra, op. 44: III Spring, the sweet spring | Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 8-4 | Spring Symphony, op. 44: 4. The driving boy | — | ||
| 8-5 | Spring Symphony, op. 44: 5. The morning star | — | ||
| 8-6 | Spring Symphony, op. 44: 6. Welcome Maids of Honour | — | ||
| 8-7 | Spring Symphony, op. 44: 7. Waters above! | — | ||
| 8-8 | Spring Symphony, op. 44: 8. Out on the lawn I lie in bed | — | ||
| 8-9 | Spring Symphony, op. 44: 9. When will my May come | — | ||
| 8-10 | Spring Symphony, op. 44: 10. Fair and fair | — | ||
| 8-11 | Spring Symphony, op. 44: 11. Sound the flute! | — | ||
| 8-12 | Spring Symphony, op. 44: 12. Finale: London: to thee I do present | — | ||
| 8-13 | Cantata Academica, (Carmen basiliense) op. 62: I. Bonorum summun omnium II: Quae bene beateque | London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 8-14 | Cantata Academica, (Carmen basiliense) op. 62: III. At huius caelestis...V: Tum vero Aeneas Sylvius virtus | Jennifer Vyvyan, Helen Watts, Peter Pears, Owen Brannigan, London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 8-15 | Cantata Academica, (Carmen basiliense) op. 62: VI: Et gubernacula. VII: Ut ad longaeva tempora | Peter Pears, London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 8-16 | Cantata Academica, (Carmen basiliense) op. 62: VIII: Docendi ac discendi | London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 8-17 | Cantata Academica, (Carmen basiliense) op. 62: IX. Rhenana erga omnes. X: Ut instissime XI: O cives.. | Helen Watts, Peter Pears, Owen Brannigan, London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 8-18 | Cantata Academica, (Carmen basiliense) op. 62: XII. Nos autem cuncti. XIII. Vigeatque academia libera | London Symphony Chorus, London Symphony Orchestra, George Malcolm | — | |
| 8-19 | Hymn to St. Cecilia (1942), op. 27: In a garden shady | — | ||
| 8-20 | Hymn to St. Cecilia (1942), op. 27: I cannot grow | — | ||
| 8-21 | Hymn to St. Cecilia (1942), op. 27: O ear whose creatures | — | ||
| 9-1 | War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 9-2 | War Requiem, op. 66: I. Requiem aeternam: What passing bells for these who die as cattle? | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 9-3 | War Requiem, op. 66: II. Dies irae: Dies irae | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-4 | War Requiem, op. 66: II. Dies irae: Bugles sang, saddening the evening air | Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble | — | |
| 9-5 | War Requiem, op. 66: II. Dies irae: Liber scriptus proferetur | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 9-6 | War Requiem, op. 66: II. Dies irae: Out there, we've walked quite friendly up to Death | Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble | — | |
| 9-7 | War Requiem, op. 66: II. Dies irae: Recordare Jesu pie | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-8 | War Requiem, op. 66: II. Dies irae: Be slowly lifted up | Dietrich Fischer-Dieskau, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 9-9 | War Requiem, op. 66: II. Dies irae: Confutatis | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 9-10 | War Requiem, op. 66: II. Dies irae: Lacrimosa dies illa | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 9-11 | War Requiem, op. 66: II. Dies irae: Move him into the sun | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 9-12 | War Requiem, op. 66: III. Offertorium: Domine Jesu Christe | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 9-13 | War Requiem, op. 66: III. Offertorium: So Abram rose, and clave the wood | Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 9-14 | War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 9-15 | War Requiem, op. 66: IV. Sanctus: After the blast of lightning from the East | Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble | — | |
| 10-1 | War Requiem, op. 66: V. Agnus Dei: One ever hangs where shelled roads part | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 10-2 | War Requiem, op. 66: VI. Libera me: Libera me, Domine | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 10-3 | War Requiem, op. 66: VI. Libera me: It seemed that out of battle I escaped | Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble | — | |
| 10-4 | War Requiem, op. 66: VI. Libera me: Let us sleep now / In Paradisum | Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 10-5 | Rehearsing War Requiem: Requiem Aeternam (rehearsal) | Benjamin Britten | — | |
| 10-6 | Rehearsing War Requiem: Dies Irae: Rehearsal of the opening section | Benjamin Britten | — | |
| 10-7 | Rehearsing War Requiem: Dies Irae: Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter), then between John Culshaw and Galina Vishnevskaya | [dialogue] | — | |
| 10-8 | Rehearsing War Requiem: Dies Irae: Rehearsal of end of movement | Benjamin Britten | — | |
| 10-9 | Rehearsing War Requiem: Offertorium (rehearsal) | Benjamin Britten | — | |
| 10-10 | Rehearsing War Requiem: Sanctus (rehearsal) | Benjamin Britten | — | |
| 10-11 | Rehearsing War Requiem: Sanctus: Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter) | [dialogue] | — | |
| 10-12 | Rehearsing War Requiem: Agnus Dei: Discussion in the control room between Britten, Peter Pears and John Culshaw | [dialogue] | — | |
| 10-13 | Rehearsing War Requiem: Libera Me: Discussion in the control room between Britten and John Culshaw | [dialogue] | — | |
| 10-14 | Rehearsing War Requiem: Libera Me (rehearsal) | Benjamin Britten | — | |
| 10-15 | Rehearsing War Requiem: Libera Me: Rehearsal of closing page | Benjamin Britten | — |
