UPC · Release
Ultimate Classics: The Essential Masterpieces
Various Artists
028947580850
15 tracksReleased 2006-01-01Decca
Last verified:
028947580850 is the Universal Product Code (UPC barcode) for the release “Ultimate Classics: The Essential Masterpieces” by Various Artists, released 2006-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 15 tracks, each with its own ISRC. Tracks include GBF076010430, GBF076640808, GBF077710390.
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Credit Chain
UPCUltimate Classics: The Essential Masterpieces
ISRC15 recordings
ISWC43 works
IPI4 songwriters
Track List (15)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Orphée aux enfers : Ouverture | Orchestre de la Suisse Romande, Ernest Ansermet | T0315213649 | |
| 2-2 | Casanova: Nuns’ Chorus | Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | — | |
| 2-3 | Sheep May Safely Graze (Cantata no. 208) | Stuttgart Chamber Orchestra, Karl Münchinger | — | |
| 2-4 | Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto | Vladimir Ashkenazy | T9027955277 | |
| 2-5 | The Lost Chord | Stuart Burrows, Martin Neary, The Ambrosian Singers, Wyn Morris | T9001429409 | |
| 2-6 | Zémire et Azor: Pantomine and Finale | Richard Hickox Orchestra, Richard Hickox | — | |
| 2-7 | Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-912866624-0 | |
| 2-8 | Cavalleria rusticana: Intermezzo | National Philharmonic Orchestra, Gianandrea Gavazzeni | T-921418457-3 | |
| 2-9 | Trumpet Voluntary | Philip Jones, Philip Jones Brass Ensemble, Elgar Howarth | T0117386772 | |
| 2-10 | Messiah: “I know that my Redeemer liveth” | Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 2-11 | Jerusalem | David Flood, The Choir of Canterbury Cathedral, Philip Jones Brass Ensemble, Allan Wicks | T0614727751 | |
| 2-12 | La Traviata, opera: Prelude, Act One | National Philharmonic Orchestra | T-070160313-5 | |
| 2-13 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": III. Rondo (Allegro) | Vladimir Ashkenazy, Chicago Symphony Orchestra, Sir Georg Solti | T8001321252 | |
| 2-14 | Fantasia on Greensleeves | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-15 | Bolero (Finale) | L’Orchestre de la Suisse Romande, Ernest Ansermet | T0030063774 |
Casanova: Nuns’ Chorus
Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge
—
Sheep May Safely Graze (Cantata no. 208)
Stuttgart Chamber Orchestra, Karl Münchinger
—
Zémire et Azor: Pantomine and Finale
Richard Hickox Orchestra, Richard Hickox
—
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Messiah: “I know that my Redeemer liveth”
Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti
—
David Flood, The Choir of Canterbury Cathedral, Philip Jones Brass Ensemble, Allan Wicks
Vladimir Ashkenazy, Chicago Symphony Orchestra, Sir Georg Solti
Fantasia on Greensleeves
Academy of St Martin in the Fields, Sir Neville Marriner
—
Additional database matches (57)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Solomon, HWV 67: Act III. The Arrival of the Queen of Sheba | Academy of St Martin in the Fields, Sir Neville Marriner | T-011174209-6 |
| Ave Maria "Ellens Gesang III", D. 839 | Joan Sutherland, The Ambrosian Singers, Philharmonia Orchestra, Richard Bonynge | T0714200380 |
| Jesu, Joy of Man's Desiring, BWV 147 | Peter White, The Choir of St John’s College, Cambridge, George Guest | T-905.387.081-8 |
| Canon in D major | Stuttgart Chamber Orchestra, Karl Münchinger | T0417260435 |
| The Lord's Prayer | The Ambrosian Singers, Stuart Burrows, Martin Neary, Wyn Morris | T-901.132.044-8 |
| Eine kleine Nachtmusik, KV 525: I. Allegro | Academy of St Martin in the Fields, Neville Marriner | T-303555990-7 |
| Violin Concerto in E minor, op. 64: II. Andante | Ruggiero Ricci, London Symphony Orchestra, Piero Gamba | T0714818275 |
| Madama Butterfly: Atto II, Parte 1. “Un bel dì, vedremo levarsi un fil di fumo” (Butterfly) | Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | T9220432188 |
| Nutcracker Suite, op. 71a: Dance of the Sugar Plum Fairy... Waltz of the Flowers | Wiener Philharmoniker, Herbert von Karajan | — |
| Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso | Radu Lupu, London Symphony Orchestra, André Previn | — |
| Nabucco: “Va pensiero” (Chorus of the Hebrew Slaves) | Konzertvereinigung Wiener Staatsopernchor, Wiener Opernorchester, Lamberto Gardelli | T-900021750-5 |
| Pomp and Circumstance March no. 1 in D, op. 39 no. 1 | London Philharmonic Orchestra, Sir Georg Solti | — |
| Peer Gynt Suite no. 1, op. 46: Morning Mood | Wiener Philharmoniker, Herbert von Karajan | — |
| All In The April Evening | Treorchy Male Choir | T9000085950 |
| Aida: Grand March and Ballet / “Gloria all’Egitto, ad Iside” | Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Franci | T9000653769 |
| Méditation from Thaïs | Nigel Kennedy, The National Philharmonic Orchestra, Richard Bonynge | T-303641746-2 |
| The Holy City | Stuart Burrows, Martin Neary, The Ambrosian Singers, Wyn Morris | — |
| Elijah, op. 70, MWV A25, sung in English, Part 2: "Oh rest in the Lord, wait patiently for Him" | Kathleen Ferrier, The Boyd Neel Orchestra, Boyd Neel | — |
| The Crucifixion: God So Loved the World | The Choir of St John’s College, Cambridge, George Guest | T9068938023 |
| Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — |
| Berceuse de Jocelyn: Angels Guard Thee | Kenneth McKellar, [orchestra], Peter Knight | T9027846204 |
| Symphony no. 9: "From The New World": Largo (excerpt) | London Symphony Orchestra, István Kertész | — |
| Les Pêcheurs de perles: Act 1, no. 2b. Duo: "Au fond du temple saint" | Luciano Pavarotti, Nicolaï Ghiaurov, National Philharmonic Orchestra, Robin Stapleton | T0717254255 |
| The Hebrides, op. 26: Overture (Fingal's Cave) | Wiener Philharmoniker, Christoph von Dohnányi | — |
| La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito | Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit | — |
| The Bohemian Girl: Act II. I Dreamt I Dwelt in Marble Halls | Joan Sutherland, London Symphony Orchestra, Richard Bonynge | — |
| String Quartet in F major, op. 3 no. 5: Andante cantabile | Stuttgarter Kammerorchester, Karl Münchinger | — |
| The Gondoliers, Act Two: 30-33. Take a pair of sparkling eyes... Dance... | Isidore Godfrey, D’Oyly Carte Opera Chorus, New Symphony Orchestra, Thomas Round | — |
| Sanctuary of the Heart | Royal Philharmonic Orchestra, Eric Rogers | — |
| Ave Maria | Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | T0091476673 |
| The Lord's My Shepherd | The Huddersfield Choral Society, Wyn Morris | T1040805921 |
| Blow the Wind Southerly: Arr. Whittaker | Kathleen Ferrier | — |
| The Londonderry Air | Philip Jones Brass Ensemble | — |
| Karelia Suite, op. 11: III. Alla marcia: Moderato | Philharmonia Orchestra, Vladimir Ashkenazy | T-000768497-0 |
| Suite bergamasque : III. Clair de lune | Pascal Rogé | T9156787961 |
| Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai | Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | T3063957864 |
| Le nozze di Figaro — Overture | London Philharmonic Orchestra, Sir Georg Solti | T-909574378-5 |
| Largo (Xerxes) | London Symphony Orchestra, George Szell | T0050057287 |
| Ave verum corpus | Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, Peter White, George Guest | — |
| Judex (Mors et vita) | Richard Hickox Orchestra, Richard Hickox | — |
| Silent Worship (“Did You Not Hear My Lady”) (Ptolemy) | Kenneth McKellar, Orchestra of the Royal Opera House, Sir Adrian Boult | T9002479723 |
| Romance No. 2 in F Major | Wiener Mozart-Ensemble, Willi Boskovsky | — |
| Bailero | Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | T0040133058 |
| Scheherazade — The Young Prince and the Young Princess | Erich Gruenberg, London Symphony Orchestra, Leopold Stokowski | — |
| Piano Concerto No. 1 in B Flat Minor | Vladimir Ashkenazy, London Symphony Orchestra, Lorin Maazel | T0101948451 |
| Wiegenlied, op. 49 no. 4 | Renata Tebaldi, New Philharmonia Orchestra, Anton Guadagno | T9000873450 |
| Abide With Me (Eventide) | Bruce Blyth, Choir of King’s College, Cambridge, Stephen Cleobury | T-205.092.474-5 |
| Horn Concerto No. 4 in E Flat Major | Barry Tuckwell, London Symphony Orchestra, Peter Maag | — |
| Hallelujah Chorus (Messiah) | Academy of St Martin in the Fields Chorus, László Heltay, Academy of St Martin in the Fields, Sir Neville Marriner | T-060898099-9 |
| Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — |
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-922850296-3 |
| La Bohème: Atto I. “Che gelida manina” | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-306482666-6 |
| Concierto de Aranjuez: II. Adagio | Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit | T-041489061-1 |
| La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto | Vladimir Ashkenazy | — |
| Cavalleria rusticana: Intermezzo | National Philharmonic Orchestra, Gianandrea Gavazzeni | — |
Academy of St Martin in the Fields, Sir Neville Marriner
Joan Sutherland, The Ambrosian Singers, Philharmonia Orchestra, Richard Bonynge
Peter White, The Choir of St John’s College, Cambridge, George Guest
Stuttgart Chamber Orchestra, Karl Münchinger
The Ambrosian Singers, Stuart Burrows, Martin Neary, Wyn Morris
Academy of St Martin in the Fields, Neville Marriner
Ruggiero Ricci, London Symphony Orchestra, Piero Gamba
Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
Nutcracker Suite, op. 71a: Dance of the Sugar Plum Fairy... Waltz of the Flowers
Wiener Philharmoniker, Herbert von Karajan
—
Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso
Radu Lupu, London Symphony Orchestra, André Previn
—
Konzertvereinigung Wiener Staatsopernchor, Wiener Opernorchester, Lamberto Gardelli
Pomp and Circumstance March no. 1 in D, op. 39 no. 1
London Philharmonic Orchestra, Sir Georg Solti
—
Peer Gynt Suite no. 1, op. 46: Morning Mood
Wiener Philharmoniker, Herbert von Karajan
—
Treorchy Male Choir
Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Franci
Nigel Kennedy, The National Philharmonic Orchestra, Richard Bonynge
The Holy City
Stuart Burrows, Martin Neary, The Ambrosian Singers, Wyn Morris
—
Elijah, op. 70, MWV A25, sung in English, Part 2: "Oh rest in the Lord, wait patiently for Him"
Kathleen Ferrier, The Boyd Neel Orchestra, Boyd Neel
—
The Choir of St John’s College, Cambridge, George Guest
Piano Concerto no. 2 in C minor, op. 18: I. Moderato
Vladimir Ashkenazy, London Symphony Orchestra, André Previn
—
Kenneth McKellar, [orchestra], Peter Knight
Symphony no. 9: "From The New World": Largo (excerpt)
London Symphony Orchestra, István Kertész
—
Luciano Pavarotti, Nicolaï Ghiaurov, National Philharmonic Orchestra, Robin Stapleton
The Hebrides, op. 26: Overture (Fingal's Cave)
Wiener Philharmoniker, Christoph von Dohnányi
—
La bohème: Atto I. “Che gelida manina” (Rodolfo)
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito
Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit
—
The Bohemian Girl: Act II. I Dreamt I Dwelt in Marble Halls
Joan Sutherland, London Symphony Orchestra, Richard Bonynge
—
String Quartet in F major, op. 3 no. 5: Andante cantabile
Stuttgarter Kammerorchester, Karl Münchinger
—
The Gondoliers, Act Two: 30-33. Take a pair of sparkling eyes... Dance...
Isidore Godfrey, D’Oyly Carte Opera Chorus, New Symphony Orchestra, Thomas Round
—
Sanctuary of the Heart
Royal Philharmonic Orchestra, Eric Rogers
—
Leontyne Price, Wiener Philharmoniker, Herbert von Karajan
The Huddersfield Choral Society, Wyn Morris
Blow the Wind Southerly: Arr. Whittaker
Kathleen Ferrier
—
The Londonderry Air
Philip Jones Brass Ensemble
—
Philharmonia Orchestra, Vladimir Ashkenazy
Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti
London Philharmonic Orchestra, Sir Georg Solti
London Symphony Orchestra, George Szell
Ave verum corpus
Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, Peter White, George Guest
—
Judex (Mors et vita)
Richard Hickox Orchestra, Richard Hickox
—
Kenneth McKellar, Orchestra of the Royal Opera House, Sir Adrian Boult
Romance No. 2 in F Major
Wiener Mozart-Ensemble, Willi Boskovsky
—
Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate
Scheherazade — The Young Prince and the Young Princess
Erich Gruenberg, London Symphony Orchestra, Leopold Stokowski
—
Vladimir Ashkenazy, London Symphony Orchestra, Lorin Maazel
Renata Tebaldi, New Philharmonia Orchestra, Anton Guadagno
Bruce Blyth, Choir of King’s College, Cambridge, Stephen Cleobury
Horn Concerto No. 4 in E Flat Major
Barry Tuckwell, London Symphony Orchestra, Peter Maag
—
Academy of St Martin in the Fields Chorus, László Heltay, Academy of St Martin in the Fields, Sir Neville Marriner
Piano Concerto no. 2 in C minor, op. 18: I. Moderato
Vladimir Ashkenazy, London Symphony Orchestra, André Previn
—
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit
La bohème: Atto I. “Che gelida manina” (Rodolfo)
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto
Vladimir Ashkenazy
—
Cavalleria rusticana: Intermezzo
National Philharmonic Orchestra, Gianandrea Gavazzeni
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-205.092.474-5T-205092474-5T-901.132.044-8T-901132044-8T-905.387.081-8T-905387081-8T0007684970T0030063774T0040133058T0050057287
+33 more
T0101948451T0111742096T0117386772T0315213649T0414890611T0417260435T0608980999T0614727751T0701603135T0714200380T0714818275T0717254255T1040805921T3035559907T3036417462T3063957864T3064826666T8001321252T9000085950T9000217505T9000653769T9000873450T9001429409T9002479723T9027846204T9027955277T9068938023T9095743785T9128666240T9156787961T9214184573T9220432188T9228502963
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000023474007000000005518769400000000631014160000000072660236000000007358539700000000768938030000000077781889000000007827141800000000815305050000000081719498
+40 more
00000000818181460000000081818787000000008181927X000000008363810600000000894037700000000106617448000000010785172X00000001085724230000000108602274000000010863147000000001086749800000000108802225000000010880226800000001089642320000000109069627000000010940677700000001094265240000000109444722000000011022566600000001102350470000000110312284000000011032697700000001103633560000000110386101000000011049597300000001105741020000000110863692000000011297410X000000011446229800000001144995170000000114502261000000011454275700000001145557500000000114556534000000011468668900000001147122500000000114719778000000011476719800000001147676570000000114800285
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What is UPC 028947580850?
028947580850 is a Universal Product Code (UPC) assigned to Ultimate Classics: The Essential Masterpieces by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 15 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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