UPC · Album
Ultimate Classics: The Essential Masterpieces
Various Artists
028947580850
65 tracksReleased 2006-01-01Decca
Last verified:
028947580850 is the Universal Product Code (UPC barcode) for the release “Ultimate Classics: The Essential Masterpieces” by Various Artists, released 2006-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 65 tracks, each with its own ISRC. Tracks include GBF071301270, GBF071301300, GBF071303601.
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Credit Chain
UPCUltimate Classics: The Essential Masterpieces
ISRC72 recordings
ISWC43 works
IPI4 songwriters
Track List (72)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | GBF071301270 |
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | GBF071301300 |
| Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | GBF071303601 |
| Elijah, op. 70, MWV A25, sung in English, Part 2: "Oh rest in the Lord, wait patiently for Him" | Kathleen Ferrier, The Boyd Neel Orchestra, Boyd Neel | GBF074610040 |
| Blow the Wind Southerly: Arr. Whittaker | Kathleen Ferrier | GBF074940103 |
| All In The April Evening | Treorchy Male Choir | GBF075510150 |
| Violin Concerto in E minor, op. 64: II. Andante | Ruggiero Ricci, London Symphony Orchestra, Piero Gamba | GBF075810462 |
| Jesu, Joy of Man's Desiring, BWV 147 | Peter White, The Choir of St John’s College, Cambridge, George Guest | GBF075810660 |
| Ave verum corpus | Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, Peter White, George Guest | GBF075810670 |
| Madama Butterfly: Atto II, Parte 1. “Un bel dì, vedremo levarsi un fil di fumo” (Butterfly) | Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | GBF075840218 |
| Orphée aux enfers : Ouverture | Orchestre de la Suisse Romande, Ernest Ansermet | GBF076010430 |
| Silent Worship (“Did You Not Hear My Lady”) (Ptolemy) | Kenneth McKellar, Orchestra of the Royal Opera House, Sir Adrian Boult | GBF076010440 |
| Peer Gynt Suite no. 1, op. 46: Morning Mood | Wiener Philharmoniker, Herbert von Karajan | GBF076110091 |
| Horn Concerto No. 4 in E Flat Major | Barry Tuckwell, London Symphony Orchestra, Peter Maag | GBF076110213 |
| Largo (Xerxes) | London Symphony Orchestra, George Szell | GBF076110260 |
| Nutcracker Suite, op. 71a: Dance of the Sugar Plum Fairy... Waltz of the Flowers | Wiener Philharmoniker, Herbert von Karajan | GBF076110590 |
| Ave Maria | Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | GBF076140412 |
| The Crucifixion: God So Loved the World | The Choir of St John’s College, Cambridge, George Guest | GBF076142008 |
| Bolero (Finale) | L’Orchestre de la Suisse Romande, Ernest Ansermet | GBF076310690 |
| Piano Concerto No. 1 in B Flat Minor | Vladimir Ashkenazy, London Symphony Orchestra, Lorin Maazel | GBF076310700 |
| The Bohemian Girl: Act II. I Dreamt I Dwelt in Marble Halls | Joan Sutherland, London Symphony Orchestra, Richard Bonynge | GBF076341111 |
| Aida: Grand March and Ballet / “Gloria all’Egitto, ad Iside” | Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Franci | GBF076410026 |
| Scheherazade — The Young Prince and the Young Princess | Erich Gruenberg, London Symphony Orchestra, Leopold Stokowski | GBF076410063 |
| Solomon, HWV 67: Act III. The Arrival of the Queen of Sheba | Academy of St Martin in the Fields, Sir Neville Marriner | GBF076410210 |
| The Lord's Prayer | The Ambrosian Singers, Stuart Burrows, Martin Neary, Wyn Morris | GBF076410500 |
| The Lost Chord | Stuart Burrows, Martin Neary, The Ambrosian Singers, Wyn Morris | GBF076410510 |
| The Holy City | Stuart Burrows, Martin Neary, The Ambrosian Singers, Wyn Morris | GBF076410520 |
| The Lord's My Shepherd | The Huddersfield Choral Society, Wyn Morris | GBF076410530 |
| Nabucco: “Va pensiero” (Chorus of the Hebrew Slaves) | Konzertvereinigung Wiener Staatsopernchor, Wiener Opernorchester, Lamberto Gardelli | GBF076540124 |
| Ave Maria "Ellens Gesang III", D. 839 | Joan Sutherland, The Ambrosian Singers, Philharmonia Orchestra, Richard Bonynge | GBF076540211 |
| String Quartet in F major, op. 3 no. 5: Andante cantabile | Stuttgarter Kammerorchester, Karl Münchinger | GBF076610150 |
| The Gondoliers, Act Two: 30-33. Take a pair of sparkling eyes... Dance... | Isidore Godfrey, D’Oyly Carte Opera Chorus, New Symphony Orchestra, Thomas Round | GBF076610610 |
| Casanova: Nuns’ Chorus | Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | GBF076640808 |
| Romance No. 2 in F Major | Wiener Mozart-Ensemble, Willi Boskovsky | GBF076911352 |
| Sanctuary of the Heart | Royal Philharmonic Orchestra, Eric Rogers | GBF076911715 |
| Zémire et Azor: Pantomine and Finale | Richard Hickox Orchestra, Richard Hickox | GBF077010990 |
| Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | GBF077110111 |
| Eine kleine Nachtmusik, KV 525: I. Allegro | Academy of St Martin in the Fields, Neville Marriner | GBF077110151 |
| Wiegenlied, op. 49 no. 4 | Renata Tebaldi, New Philharmonia Orchestra, Anton Guadagno | GBF077110830 |
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | GBF077130101 |
| Fantasia on Greensleeves | Academy of St Martin in the Fields, Sir Neville Marriner | GBF077210002 |
| Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": III. Rondo (Allegro) | Vladimir Ashkenazy, Chicago Symphony Orchestra, Sir Georg Solti | GBF077210163 |
| Symphony no. 9: "From The New World": Largo (excerpt) | London Symphony Orchestra, István Kertész | GBF077210520 |
| Berceuse de Jocelyn: Angels Guard Thee | Kenneth McKellar, [orchestra], Peter Knight | GBF077210860 |
| Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai | Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | GBF077210870 |
| La Bohème: Atto I. “Che gelida manina” | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | GBF077240108 |
| Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso | Radu Lupu, London Symphony Orchestra, André Previn | GBF077300283 |
| Les Pêcheurs de perles: Act 1, no. 2b. Duo: "Au fond du temple saint" | Luciano Pavarotti, Nicolaï Ghiaurov, National Philharmonic Orchestra, Robin Stapleton | GBF077610750 |
| Cavalleria rusticana: Intermezzo | National Philharmonic Orchestra, Gianandrea Gavazzeni | GBF077641012 |
| Hallelujah Chorus (Messiah) | Academy of St Martin in the Fields Chorus, László Heltay, Academy of St Martin in the Fields, Sir Neville Marriner | GBF077641531 |
| Pomp and Circumstance March no. 1 in D, op. 39 no. 1 | London Philharmonic Orchestra, Sir Georg Solti | GBF077710171 |
| Canon in D major | Stuttgart Chamber Orchestra, Karl Münchinger | GBF077710221 |
| Suite bergamasque : III. Clair de lune | Pascal Rogé | GBF077710323 |
| Sheep May Safely Graze (Cantata no. 208) | Stuttgart Chamber Orchestra, Karl Münchinger | GBF077710390 |
| Trumpet Voluntary | Philip Jones, Philip Jones Brass Ensemble, Elgar Howarth | GBF077800040 |
| The Hebrides, op. 26: Overture (Fingal's Cave) | Wiener Philharmoniker, Christoph von Dohnányi | GBF077810341 |
| Judex (Mors et vita) | Richard Hickox Orchestra, Richard Hickox | GBF077911000 |
| La Traviata, opera: Prelude, Act One | National Philharmonic Orchestra | GBF077930101 |
| Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito | Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit | GBF078000030 |
| Concierto de Aranjuez: II. Adagio | Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit | GBF078000032 |
| The Londonderry Air | Philip Jones Brass Ensemble | GBF078110410 |
| Le nozze di Figaro — Overture | London Philharmonic Orchestra, Sir Georg Solti | GBF078130101 |
| Bailero | Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | GBF078241602 |
| Méditation from Thaïs | Nigel Kennedy, The National Philharmonic Orchestra, Richard Bonynge | GBF078310270 |
| Jerusalem | David Flood, The Choir of Canterbury Cathedral, Philip Jones Brass Ensemble, Allan Wicks | GBF078310800 |
| Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto | Vladimir Ashkenazy | GBF078400360 |
| Messiah: “I know that my Redeemer liveth” | Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti | GBF078430425 |
| Karelia Suite, op. 11: III. Alla marcia: Moderato | Philharmonia Orchestra, Vladimir Ashkenazy | GBF078510073 |
| Abide With Me (Eventide) | Bruce Blyth, Choir of King’s College, Cambridge, Stephen Cleobury | GBF078540615 |
| La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | GBFO77230101 |
| Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto | Vladimir Ashkenazy | GBFO78400360 |
| Cavalleria rusticana: Intermezzo | National Philharmonic Orchestra, Gianandrea Gavazzeni | USWWW0125234 |
La bohème: Atto I. “Che gelida manina” (Rodolfo)
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
Rigoletto: Atto III. “La donna è mobile”
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Piano Concerto no. 2 in C minor, op. 18: I. Moderato
Vladimir Ashkenazy, London Symphony Orchestra, André Previn
Elijah, op. 70, MWV A25, sung in English, Part 2: "Oh rest in the Lord, wait patiently for Him"
Kathleen Ferrier, The Boyd Neel Orchestra, Boyd Neel
Blow the Wind Southerly: Arr. Whittaker
Kathleen Ferrier
All In The April Evening
Treorchy Male Choir
Violin Concerto in E minor, op. 64: II. Andante
Ruggiero Ricci, London Symphony Orchestra, Piero Gamba
Jesu, Joy of Man's Desiring, BWV 147
Peter White, The Choir of St John’s College, Cambridge, George Guest
Ave verum corpus
Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, Peter White, George Guest
Madama Butterfly: Atto II, Parte 1. “Un bel dì, vedremo levarsi un fil di fumo” (Butterfly)
Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
Orphée aux enfers : Ouverture
Orchestre de la Suisse Romande, Ernest Ansermet
Silent Worship (“Did You Not Hear My Lady”) (Ptolemy)
Kenneth McKellar, Orchestra of the Royal Opera House, Sir Adrian Boult
Peer Gynt Suite no. 1, op. 46: Morning Mood
Wiener Philharmoniker, Herbert von Karajan
Horn Concerto No. 4 in E Flat Major
Barry Tuckwell, London Symphony Orchestra, Peter Maag
Largo (Xerxes)
London Symphony Orchestra, George Szell
Nutcracker Suite, op. 71a: Dance of the Sugar Plum Fairy... Waltz of the Flowers
Wiener Philharmoniker, Herbert von Karajan
Ave Maria
Leontyne Price, Wiener Philharmoniker, Herbert von Karajan
The Crucifixion: God So Loved the World
The Choir of St John’s College, Cambridge, George Guest
Bolero (Finale)
L’Orchestre de la Suisse Romande, Ernest Ansermet
Piano Concerto No. 1 in B Flat Minor
Vladimir Ashkenazy, London Symphony Orchestra, Lorin Maazel
The Bohemian Girl: Act II. I Dreamt I Dwelt in Marble Halls
Joan Sutherland, London Symphony Orchestra, Richard Bonynge
Aida: Grand March and Ballet / “Gloria all’Egitto, ad Iside”
Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Franci
Scheherazade — The Young Prince and the Young Princess
Erich Gruenberg, London Symphony Orchestra, Leopold Stokowski
Solomon, HWV 67: Act III. The Arrival of the Queen of Sheba
Academy of St Martin in the Fields, Sir Neville Marriner
The Lord's Prayer
The Ambrosian Singers, Stuart Burrows, Martin Neary, Wyn Morris
The Lost Chord
Stuart Burrows, Martin Neary, The Ambrosian Singers, Wyn Morris
The Holy City
Stuart Burrows, Martin Neary, The Ambrosian Singers, Wyn Morris
The Lord's My Shepherd
The Huddersfield Choral Society, Wyn Morris
Nabucco: “Va pensiero” (Chorus of the Hebrew Slaves)
Konzertvereinigung Wiener Staatsopernchor, Wiener Opernorchester, Lamberto Gardelli
Ave Maria "Ellens Gesang III", D. 839
Joan Sutherland, The Ambrosian Singers, Philharmonia Orchestra, Richard Bonynge
String Quartet in F major, op. 3 no. 5: Andante cantabile
Stuttgarter Kammerorchester, Karl Münchinger
The Gondoliers, Act Two: 30-33. Take a pair of sparkling eyes... Dance...
Isidore Godfrey, D’Oyly Carte Opera Chorus, New Symphony Orchestra, Thomas Round
Casanova: Nuns’ Chorus
Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge
Romance No. 2 in F Major
Wiener Mozart-Ensemble, Willi Boskovsky
Sanctuary of the Heart
Royal Philharmonic Orchestra, Eric Rogers
Zémire et Azor: Pantomine and Finale
Richard Hickox Orchestra, Richard Hickox
Piano Concerto no. 2 in C minor, op. 18: I. Moderato
Vladimir Ashkenazy, London Symphony Orchestra, André Previn
Eine kleine Nachtmusik, KV 525: I. Allegro
Academy of St Martin in the Fields, Neville Marriner
Wiegenlied, op. 49 no. 4
Renata Tebaldi, New Philharmonia Orchestra, Anton Guadagno
Rigoletto: Atto III. “La donna è mobile”
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Fantasia on Greensleeves
Academy of St Martin in the Fields, Sir Neville Marriner
Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": III. Rondo (Allegro)
Vladimir Ashkenazy, Chicago Symphony Orchestra, Sir Georg Solti
Symphony no. 9: "From The New World": Largo (excerpt)
London Symphony Orchestra, István Kertész
Berceuse de Jocelyn: Angels Guard Thee
Kenneth McKellar, [orchestra], Peter Knight
Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai
Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti
La Bohème: Atto I. “Che gelida manina”
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso
Radu Lupu, London Symphony Orchestra, André Previn
Les Pêcheurs de perles: Act 1, no. 2b. Duo: "Au fond du temple saint"
Luciano Pavarotti, Nicolaï Ghiaurov, National Philharmonic Orchestra, Robin Stapleton
Cavalleria rusticana: Intermezzo
National Philharmonic Orchestra, Gianandrea Gavazzeni
Hallelujah Chorus (Messiah)
Academy of St Martin in the Fields Chorus, László Heltay, Academy of St Martin in the Fields, Sir Neville Marriner
Pomp and Circumstance March no. 1 in D, op. 39 no. 1
London Philharmonic Orchestra, Sir Georg Solti
Canon in D major
Stuttgart Chamber Orchestra, Karl Münchinger
Suite bergamasque : III. Clair de lune
Pascal Rogé
Sheep May Safely Graze (Cantata no. 208)
Stuttgart Chamber Orchestra, Karl Münchinger
Trumpet Voluntary
Philip Jones, Philip Jones Brass Ensemble, Elgar Howarth
The Hebrides, op. 26: Overture (Fingal's Cave)
Wiener Philharmoniker, Christoph von Dohnányi
Judex (Mors et vita)
Richard Hickox Orchestra, Richard Hickox
La Traviata, opera: Prelude, Act One
National Philharmonic Orchestra
Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito
Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit
Concierto de Aranjuez: II. Adagio
Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit
The Londonderry Air
Philip Jones Brass Ensemble
Le nozze di Figaro — Overture
London Philharmonic Orchestra, Sir Georg Solti
Bailero
Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate
Méditation from Thaïs
Nigel Kennedy, The National Philharmonic Orchestra, Richard Bonynge
Jerusalem
David Flood, The Choir of Canterbury Cathedral, Philip Jones Brass Ensemble, Allan Wicks
Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto
Vladimir Ashkenazy
Messiah: “I know that my Redeemer liveth”
Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti
Karelia Suite, op. 11: III. Alla marcia: Moderato
Philharmonia Orchestra, Vladimir Ashkenazy
Abide With Me (Eventide)
Bruce Blyth, Choir of King’s College, Cambridge, Stephen Cleobury
La bohème: Atto I. “Che gelida manina” (Rodolfo)
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto
Vladimir Ashkenazy
Cavalleria rusticana: Intermezzo
National Philharmonic Orchestra, Gianandrea Gavazzeni
What other identifiers does this connect to?
Musical Works (ISWC)
T-205.092.474-5T-205092474-5T-901.132.044-8T-901132044-8T-905.387.081-8T-905387081-8T0007684970T0030063774T0040133058T0050057287
+33 more
T0101948451T0111742096T0117386772T0315213649T0414890611T0417260435T0608980999T0614727751T0701603135T0714200380T0714818275T0717254255T1040805921T3035559907T3036417462T3063957864T3064826666T8001321252T9000085950T9000217505T9000653769T9000873450T9001429409T9002479723T9027846204T9027955277T9068938023T9095743785T9128666240T9156787961T9214184573T9220432188T9228502963
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000023474007000000005518769400000000631014160000000072660236000000007358539700000000768938030000000077781889000000007827141800000000815305050000000081719498
+40 more
00000000818181460000000081818787000000008181927X000000008363810600000000894037700000000106617448000000010785172X00000001085724230000000108602274000000010863147000000001086749800000000108802225000000010880226800000001089642320000000109069627000000010940677700000001094265240000000109444722000000011022566600000001102350470000000110312284000000011032697700000001103633560000000110386101000000011049597300000001105741020000000110863692000000011297410X000000011446229800000001144995170000000114502261000000011454275700000001145557500000000114556534000000011468668900000001147122500000000114719778000000011476719800000001147676570000000114800285
People also ask
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What is UPC 028947580850?
028947580850 is a Universal Product Code (UPC) assigned to Ultimate Classics: The Essential Masterpieces by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 65 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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