UPC · Release
Various Artists
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The UPC for “Ultimate Opera: The Essential Masterpieces” by Various Artists is 028947583653. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2007-01-01. Label: Decca. This release contains 83 tracks, each with its own ISRC. Tracks include GBF076240708, GBF076540124, GBF076710650.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Gianni Schicchi: “O mio babbino caro” | Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli | T-901.222.501-3 | |
| 2 | Nabucco: “Va pensiero” (Chorus of the Hebrew Slaves) | Konzertvereinigung Wiener Staatsopernchor, Wiener Opernorchester, Lamberto Gardelli | T-900.021.750-5 | |
| 3 | Rodelinda, regina de' Langobardi, opera, HWV 19: Dove sei (Art thou troubled) | Marilyn Horne, Vienna Cantata Orchestra, Henry Lewis | — | |
| 4 | L'elisir d'amore: “Una furtiva lagrima” | Giuseppe di Stefano, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli | — | |
| 5 | Lakmé : « Ah! Où va la jeune Indoue » | Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | — | |
| 6 | Tosca: “E lucevan le stelle” | Franco Corelli, Orchestra dell’Accademia Nazionale di Santa Cecilia, Lorin Maazel | T-910.067.947-8 | |
| 7 | Cavalleria rusticana: “Regina coeli” (Easter Hymn) | Júlia Várady, London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | — | |
| 8 | Die Meistersinger von Nürnberg, WWV 96: Prize Song: Morgenlich leuchtend | James King, Vienna Opera Orchestra, Dietfried Bernet | — | |
| 9 | Beglückt darf nun dich (Pilgrims' Chorus - Tannhäuser) | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 10 | O Silver Moon (Mesicku na nebi hlubokem) (Rusalka) | Pilar Lorengar, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Patanè | T-010.055.280-4 | |
| 11 | Cavalleria rusticana: Intermezzo sinfonico | Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | T-307.525.888-3 | |
| 12 | La favorita: Atto IV. “Favorita del re! ... Spirto gentil” (Fernando) | Luciano Pavarotti, Wiener Opernorchester, Sir Edward Downes | T-905.499.420-6 | |
| 14 | Tosca: “Recondita armonia” | Franco Corelli, Alfredo Mariotti | — | |
| 15 | Rigoletto: “Bella figlia dell'amore” | Sherrill Milnes, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, London Symphony Orchestra, Richard Bonynge | — | |
| 2-1 | La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-2 | Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé) | Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge | T-004.938.007-5 | |
| 2-3 | Le nozze di Figaro, K. 492: Act I. "Non più andrai" | Tom Krause, Wiener Haydn-Orchester, István Kertész | — | |
| 2-4 | Così fan tutte: “Soave sia il vento” | Lucia Popp, Brigitte Fassbaender, Tom Krause, Wiener Haydn-Orchester, István Kertész | T-902.525.648-8 | |
| 2-5 | Faust : « Ô dieu! Que de bijoux » … « Ah! Je ris de me voir » | Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | — | |
| 2-6 | Les Pêcheurs de perles, opera in 3 acts: Pearlfishers' Duet: C'est toi... Au fond du temple saint | Jean Borthayre, Libero De Luca, Orchestre de la Société des Concerts du Conservatoire, Alberto Erede | T-071.725.425-5 | |
| 2-7 | La Wally: “Ebben? Ne andrò lontana” | Renata Tebaldi, Orchestre national de l'Opéra de Monte-Carlo, Fausto Cleva | — | |
| 2-8 | Oh! fede negar potessi agl'occhi miei! ... Quando le sere al placido - Luisa Miller | Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Gianandrea Gavazzeni | — | |
| 2-9 | Pagliacci, opera: Bell Chorus: I zampognari!... Don, din, don | Coro dell’Accademia Nazionale di Santa Cecilia, James McCracken, Coro ragazza del Colosseo, Orchestra dell’Accademia Nazionale di Santa Cecilia, Lamberto Gardelli | — | |
| 2-10 | Werther, Act 3: "Pourquoi me réveiller, ô souffle du printemps?" | Giuseppe di Stefano, Tonhalle Orchester Zürich, Franco Patanè | — | |
| 2-11 | I puritani: “Son vergin vezzosa” | Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | T-801.744.062-0 | |
| 2-12 | Pagliacci: Prologo. “Si può? Si può?” | Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | — | |
| 2-13 | Tosca: Atto II. “Vissi d’arte, vissi d’amore” | Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti | T-900.162.132-5 | |
| 2-14 | La traviata: “Un dì felice” | Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | T-309.041.381-9 | |
| 2-15 | La Gioconda: “Cielo e mar” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — | |
| 2-16 | Tosca: Atto I. “Tre sbirri, una carrozza” (Scarpia, Spoletta) | Giuseppe Taddei, Piero de Palma, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 3-1 | Die Walküre: The Ride of the Valkyries | Helga Dernesch, Brigitte Fassbaender, Claudia Hellmann, Berit Lindholm, Vera Schlosser, Marilyn Tyler, Helen Watts, Wiener Philharmoniker, Georg Solti | T-902.771.445-0 | |
| 3-2 | Tannhäuser: “Wie Todesahnung” … “O du, mein holder Abendstern” (O Star of Eve) | Tom Krause, Orchester der Wiener Staatsoper, Argeo Quadri | — | |
| 3-4 | Don Giovanni: „Là ci darem la mano“ | Tom Krause, Lucia Popp, Vienna Haydn Orchestra, István Kertész | T-905.683.692-1 | |
| 3-5 | Il Trovatore, opera: Ah sì, ben mio | Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | T-928.635.582-6 | |
| 3-6 | Aida, opera: Ritorna vincitor! | Leontyne Price, Orchestra del Teatro dell’Opera di Roma, Sir Georg Solti | T-900.065.376-9 | |
| 3-7 | Carmen: Flower song « La fleur que tu m’avais jetée » | Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti | T-900.248.284-0 | |
| 3-8 | Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | T-011.275.282-5 | |
| 3-9 | Samson & Delilah : Acte II. « Mon cœur s'ouvre à ta voix » | Marilyn Horne, Orchester der Wiener Staatsoper, Wiener Opernorchester, Henry Lewis | — | |
| 3-10 | Faust, opera: Serenade: Vous qui faites l'endormie | Nicolaï Ghiaurov, London Symphony Orchestra, Sir Edward Downes | — | |
| 3-11 | O don fatale - Don Carlo | Grace Bumbry, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | T-902.447.825-9 | |
| 3-12 | Turandot: “Signore, ascolta!” | Maria Chiara, Orchestra of the Vienna Volksoper, Nello Santi | T-005.000.838-2 | |
| 3-13 | Adriana Lecouvreur: Atto I. “La dolcissima effigie” | Renata Tebaldi, Mario del Monaco, Orchestra dell’Accademia Nazionale di Santa Cecilia, Franco Capuana | — | |
| 3-14 | Les Contes d’Hoffmann : Acte II. Barcarolle « Belle nuit, ô nuit d’amour » | Joan Sutherland, Huguette Tourangeau, Chorale du Brassus, Chœur Pro Arte de Lausanne, Orchestre de la Suisse Romande, Richard Bonynge | T-071.153.499-4 | |
| 3-15 | Un ballo in maschera, opera: Morrò, ma prima in grazia | Renata Tebaldi, Philharmonia Orchestra, Oliviero de Fabritiis | T-307.390.679-9 | |
| 3-16 | Carmen : Acte II. Toreador Song: « Vivat ! Vivat le torero ! » … « Votre toast … » | Sir Thomas Allen, Jane Berbié, Norma Burrowes, The John Alldis Choir, Pierre Thau, Tatiana Troyanos, José van Dam, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 4-1 | Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-912.866.624-0 | |
| 4-2 | Una voce poco fa from "The Barber of Seville" | Teresa Berganza, London Symphony Orchestra, Sir Alexander Gibson | — | |
| 4-3 | Don Giovanni: “Deh! Vieni alla finestra” | Gabriel Bacquier, English Chamber Orchestra, Richard Bonynge | T-306.483.075-3 | |
| 4-4 | Il Trovatore: Anvil Chorus | London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | — | |
| 4-5 | La bohème: Musetta’s Waltz | Elizabeth Harwood, Mirella Freni, Luciano Pavarotti, Nicolaï Ghiaurov, Gianni Maffeo, Michel Sénéchal, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | T-071.251.577-9 | |
| 4-6 | Le nozze di Figaro: No. 20 Recitativo “E Susanna non vien!” (La Contessa) | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 4-7 | Die Zauberflöte, K. 620: Act I. "Der Vogelfänger bin ich ja" | Tom Krause, Wiener Haydn-Orchester, István Kertész | — | |
| 4-8 | Norma: Act I. Cavatina "Casta Diva" (Norma) | Joan Sutherland, London Symphony Chorus, London Symphony Orchestra, Richard Bonynge | T-910.760.630-4 | |
| 4-9 | Il trovatore: Stride la vampa | Giulietta Simionato, Orchestre du Grand Théâtre de Genève, Alberto Erede | — | |
| 4-10 | Pagliacci: “Recitar!… Vesti la giubba” | Mario del Monaco, Orchestra dell’Accademia Nazionale di Santa Cecilia, Francesco Molinari-Pradelli | — | |
| 4-11 | Don Giovanni, K. 527: Act I. "Fin ch'han dal vino" | Tom Krause, Wiener Haydn-Orchester, István Kertész | T-306.481.937-6 | |
| 4-12 | Turandot: Atto II, scena 2. “In questa reggia” | The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 | |
| 4-13 | Carmen : Acte I. Seguidilla. « Près des remparts de Séville » | Regina Resnik, Mario Del Monaco, Orchestre de la Suisse Romande, Thomas Schippers | — | |
| 4-14 | L' Africaine, grand opera in 5 acts: Mi batte il cor!... O paradiso | Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | — | |
| 4-15 | La Gioconda, opera in 4 acts: Suicido! | Elena Souliotis, Orchestra di Roma, Silvio Varviso | — | |
| 4-16 | Solenne in quest'ora (Die Macht des Schicksals) | Mario del Monaco, Ettore Bastianini | T-902.795.641-8 | |
| 4-17 | Tristan und Isolde: Act III. Aria "Mild und leise" (Isolde) | Birgit Nilsson, Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 4-18 | Die Walküre: Incantation du feu / Magic Fire Music | Hans Hotter, Wiener Philharmoniker, Sir Georg Solti | — | |
| 5-1 | Madame Butterfly: “Un bel dì” | Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | T-070.182.950-6 | |
| 5-2 | Aida: “Se quel guerrier io fossi” | Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | T-900.065.376-9 | |
| 5-3 | La traviata: Prelude | Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | T-900.798.614-3 | |
| 5-4 | La Traviata: Atto I. Brindisi “Libiamo, ne lieti calici” | Carlo Bergonzi, Joan Sutherland, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | T-900.011.159-1 | |
| 5-5 | Rigoletto: “Questa o quella” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-928.635.458-3 | |
| 5-6 | La rondine: “Sogno di Doretta” | Renata Tebaldi, New Philharmonia Orchestra, Oliviero de Fabritiis | T-900.088.183-4 | |
| 5-7 | La favorita: Atto III. “O mio Fernando” (Leonora) | Fiorenza Cossotto, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | T-914.004.667-9 | |
| 5-8 | La fanciulla del West: “Ch’ella mi creda libero” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — | |
| 5-9 | Turandot: “Tu, che di gel sei cinta” | Felicia Weathers, Wiener Opernorchester, Argeo Quadri | T-005.000.838-2 | |
| 5-10 | Il Trovatore: Act III, Scene I. "Squilli, echeggi la tromba guerriera" | Nicolaï Ghiaurov, London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | T-928.635.584-8 | |
| 5-11 | Manon Lescaut: Atto I. "Donna non vidi mai" (Des Grieux) | Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | — | |
| 5-12 | I vespri siciliani: Bolero “Mercè, dilette amiche” | Maria Chiara, Orchestra of the Royal Opera House, Covent Garden, Nello Santi | T-913.732.492-6 | |
| 5-13 | Faust, opera: Le Veau d'or (Song of the Golden Calf) | Nicolaï Ghiaurov, London Symphony Chorus, London Symphony Orchestra, Sir Edward Downes | — | |
| 5-14 | Andrea Chénier, opera: Colpito qui m'avete... Un di all'azzurro spazio | Mario del Monaco, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | — | |
| 5-15 | Otello, opera: Fire Chorus: Fuoco di giola | Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Franci | T-005.577.627-6 | |
| 5-16 | L' Arlesiana, opera: Lamento di Federico | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — | |
| 5-17 | Aida, opera: O patria mia | Anita Cerquetti, Orchestra del Maggio Musicale Fiorentino, Gianandrea Gavazzeni | T-900.065.376-9 | |
| 5-18 | La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” | Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Lorin Maazel | T-900.134.078-9 | |
| 5-19 | Cavalleria rusticana: "Voi lo sapete, o mama“ (Romanza) | Philharmonia Orchestra, Oliviero de Fabritiis, Renata Tebaldi | — | |
| 5-20 | Il trovatore: Atto III, scena 2. “Di quella pira” | Athos Cesarini, Renata Tebaldi, Mario del Monaco, Orchestre de la Suisse Romande, Alberto Erede | — |
Identifier Graph
028947583653 is a Universal Product Code (UPC) assigned to Ultimate Opera: The Essential Masterpieces by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 83 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Il trovatore: Atto III, scena 2. “Di quella pira” | Athos Cesarini, Renata Tebaldi, Mario del Monaco, Orchestre de la Suisse Romande, Alberto Erede | T-928.635.584-8 |
| Lusia Miller: “Oh! Fede negar potessi… Quando le sere al placido” | Carlo Bergonzi, Gianandrea Gavazzeni | — |
| "Che farò senza Euridice?" da Orfeo ed Euridice | Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Alexander Gibson | T-307.756.442-8 |
| Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Che puro ciel! | Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | T-802.687.763-5 |
| Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé) | Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge | — |
| La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” | Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Lorin Maazel | — |
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-922.850.296-3 |
| Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle) | Orchestre de la Suisse Romande, Richard Bonynge | — |
| La Bohème: Atto I. “Che gelida manina” | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-306.482.666-6 |
| Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | — |
| La Gioconda: “Cielo e mar” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — |
| La fanciulla del West: “Ch’ella mi creda libero” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — |
| Gianni Schicchi: “O mio babbino caro” | Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli | — |
| La rondine: “Sogno di Doretta” | Renata Tebaldi, New Philharmonia Orchestra, Oliviero de Fabritiis | — |
| Rigoletto: “Questa o quella” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | — |
| La bohème: Musetta’s Waltz | Elizabeth Harwood, Mirella Freni, Luciano Pavarotti, Nicolaï Ghiaurov, Gianni Maffeo, Michel Sénéchal, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | — |
| La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Ultimate Opera: The Essential Masterpieces” by Various Artists is 028947583653. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2007-01-01. Label: Decca. This release contains 83 tracks, each with its own ISRC. Tracks include GBF076240708, GBF076540124, GBF076710650.
