UPC · Release
Ultimate Opera: The Essential Masterpieces
Various Artists
028947583653
20 tracksReleased 2007-01-01Decca
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028947583653 is the Universal Product Code (UPC barcode) for the release “Ultimate Opera: The Essential Masterpieces” by Various Artists, released 2007-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC. Tracks include GBF077440518, GBF077200050, GBF076240101.
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UPCUltimate Opera: The Essential Masterpieces
ISRC20 recordings
ISWC42 works
IPI1 songwriter
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 5-1 | Madame Butterfly: “Un bel dì” | Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | T-070182950-6 | |
| 5-2 | Aida: “Se quel guerrier io fossi” | Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | T9000653769 | |
| 5-3 | La traviata: Prelude | Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | T9007986143 | |
| 5-4 | La Traviata: Atto I. Brindisi “Libiamo, ne lieti calici” | Carlo Bergonzi, Joan Sutherland, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | T9000111591 | |
| 5-5 | Rigoletto: “Questa o quella” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-928635458-3 | |
| 5-6 | La rondine: “Sogno di Doretta” | Renata Tebaldi, New Philharmonia Orchestra, Oliviero de Fabritiis | T-900088183-4 | |
| 5-7 | La favorita: Atto III. “O mio Fernando” (Leonora) | Fiorenza Cossotto, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | T9140046679 | |
| 5-8 | La fanciulla del West: “Ch’ella mi creda libero” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — | |
| 5-9 | Turandot: “Tu, che di gel sei cinta” | Felicia Weathers, Wiener Opernorchester, Argeo Quadri | T0050008382 | |
| 5-10 | Il Trovatore: Act III, Scene I. "Squilli, echeggi la tromba guerriera" | Nicolaï Ghiaurov, London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | T-928635584-8 | |
| 5-11 | Manon Lescaut: Atto I. "Donna non vidi mai" (Des Grieux) | Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | — | |
| 5-12 | I vespri siciliani: Bolero “Mercè, dilette amiche” | Maria Chiara, Orchestra of the Royal Opera House, Covent Garden, Nello Santi | T9137324926 | |
| 5-13 | Faust, opera: Le Veau d'or (Song of the Golden Calf) | Nicolaï Ghiaurov, London Symphony Chorus, London Symphony Orchestra, Sir Edward Downes | — | |
| 5-14 | Andrea Chénier, opera: Colpito qui m'avete... Un di all'azzurro spazio | Mario del Monaco, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | — | |
| 5-15 | Otello, opera: Fire Chorus: Fuoco di giola | Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Franci | T0055776276 | |
| 5-16 | L' Arlesiana, opera: Lamento di Federico | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — | |
| 5-17 | Aida, opera: O patria mia | Anita Cerquetti, Orchestra del Maggio Musicale Fiorentino, Gianandrea Gavazzeni | T9000653769 | |
| 5-18 | La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” | Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Lorin Maazel | T9001340789 | |
| 5-19 | Cavalleria rusticana: "Voi lo sapete, o mama“ (Romanza) | Philharmonia Orchestra, Oliviero de Fabritiis, Renata Tebaldi | — | |
| 5-20 | Il trovatore: Atto III, scena 2. “Di quella pira” | Athos Cesarini, Renata Tebaldi, Mario del Monaco, Orchestre de la Suisse Romande, Alberto Erede | — |
Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera
Carlo Bergonzi, Joan Sutherland, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Renata Tebaldi, New Philharmonia Orchestra, Oliviero de Fabritiis
Fiorenza Cossotto, Orchestra del Teatro Comunale di Bologna, Richard Bonynge
La fanciulla del West: “Ch’ella mi creda libero”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
—
Felicia Weathers, Wiener Opernorchester, Argeo Quadri
Nicolaï Ghiaurov, London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge
Manon Lescaut: Atto I. "Donna non vidi mai" (Des Grieux)
Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni
—
Maria Chiara, Orchestra of the Royal Opera House, Covent Garden, Nello Santi
Faust, opera: Le Veau d'or (Song of the Golden Calf)
Nicolaï Ghiaurov, London Symphony Chorus, London Symphony Orchestra, Sir Edward Downes
—
Andrea Chénier, opera: Colpito qui m'avete... Un di all'azzurro spazio
Mario del Monaco, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni
—
Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Franci
L' Arlesiana, opera: Lamento di Federico
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
—
Anita Cerquetti, Orchestra del Maggio Musicale Fiorentino, Gianandrea Gavazzeni
Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Lorin Maazel
Cavalleria rusticana: "Voi lo sapete, o mama“ (Romanza)
Philharmonia Orchestra, Oliviero de Fabritiis, Renata Tebaldi
—
Il trovatore: Atto III, scena 2. “Di quella pira”
Athos Cesarini, Renata Tebaldi, Mario del Monaco, Orchestre de la Suisse Romande, Alberto Erede
—
Additional database matches (81)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-912866624-0 |
| Les Pêcheurs de perles, opera in 3 acts: Pearlfishers' Duet: C'est toi... Au fond du temple saint | Jean Borthayre, Libero De Luca, Orchestre de la Société des Concerts du Conservatoire, Alberto Erede | T0717254255 |
| L'elisir d'amore: “Una furtiva lagrima” | Giuseppe di Stefano, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli | — |
| Solenne in quest'ora (Die Macht des Schicksals) | Mario del Monaco, Ettore Bastianini | T-902795641-8 |
| Il trovatore: Atto III, scena 2. “Di quella pira” | Athos Cesarini, Renata Tebaldi, Mario del Monaco, Orchestre de la Suisse Romande, Alberto Erede | T9286355848 |
| Oh! fede negar potessi agl'occhi miei! ... Quando le sere al placido - Luisa Miller | Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Gianandrea Gavazzeni | — |
| Lusia Miller: “Oh! Fede negar potessi… Quando le sere al placido” | Carlo Bergonzi, Gianandrea Gavazzeni | — |
| Il Trovatore, opera: Ah sì, ben mio | Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | T9286355826 |
| L' Africaine, grand opera in 5 acts: Mi batte il cor!... O paradiso | Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | — |
| Una voce poco fa from "The Barber of Seville" | Teresa Berganza, London Symphony Orchestra, Sir Alexander Gibson | — |
| Werther, Act 3: "Pourquoi me réveiller, ô souffle du printemps?" | Giuseppe di Stefano, Tonhalle Orchester Zürich, Franco Patanè | — |
| Pagliacci: “Recitar!… Vesti la giubba” | Mario del Monaco, Orchestra dell’Accademia Nazionale di Santa Cecilia, Francesco Molinari-Pradelli | — |
| Il trovatore: Stride la vampa | Giulietta Simionato, Orchestre du Grand Théâtre de Genève, Alberto Erede | — |
| Tristan und Isolde: Act III. Aria "Mild und leise" (Isolde) | Birgit Nilsson, Wiener Philharmoniker, Hans Knappertsbusch | — |
| La Gioconda: “Cielo e mar” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — |
| "Che farò senza Euridice?" da Orfeo ed Euridice | Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Alexander Gibson | T3077564428 |
| Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Che puro ciel! | Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | T8026877635 |
| I puritani: “Son vergin vezzosa” | Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | T8017440620 |
| Faust : « Ô dieu! Que de bijoux » … « Ah! Je ris de me voir » | Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | — |
| Lakmé : « Ah! Où va la jeune Indoue » | Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | — |
| Cavalleria rusticana: Intermezzo sinfonico | Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | T3075258883 |
| Adriana Lecouvreur: Atto I. “La dolcissima effigie” | Renata Tebaldi, Mario del Monaco, Orchestra dell’Accademia Nazionale di Santa Cecilia, Franco Capuana | — |
| Aida, opera: Ritorna vincitor! | Leontyne Price, Orchestra del Teatro dell’Opera di Roma, Sir Georg Solti | T9000653769 |
| Tosca: Atto I. “Tre sbirri, una carrozza” (Scarpia, Spoletta) | Giuseppe Taddei, Piero de Palma, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — |
| Gianni Schicchi: “O mio babbino caro” | Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli | T-901222501-3 |
| Carmen : Acte I. Seguidilla. « Près des remparts de Séville » | Regina Resnik, Mario Del Monaco, Orchestre de la Suisse Romande, Thomas Schippers | — |
| Un ballo in maschera, opera: Morrò, ma prima in grazia | Renata Tebaldi, Philharmonia Orchestra, Oliviero de Fabritiis | T3073906799 |
| Faust, opera: Serenade: Vous qui faites l'endormie | Nicolaï Ghiaurov, London Symphony Orchestra, Sir Edward Downes | — |
| Norma: Act I. Cavatina "Casta Diva" (Norma) | Joan Sutherland, London Symphony Chorus, London Symphony Orchestra, Richard Bonynge | T9107606304 |
| Die Walküre: The Ride of the Valkyries | Helga Dernesch, Brigitte Fassbaender, Claudia Hellmann, Berit Lindholm, Vera Schlosser, Marilyn Tyler, Helen Watts, Wiener Philharmoniker, Georg Solti | T-902771445-0 |
| Die Walküre: Incantation du feu / Magic Fire Music | Hans Hotter, Wiener Philharmoniker, Sir Georg Solti | — |
| Nabucco: “Va pensiero” (Chorus of the Hebrew Slaves) | Konzertvereinigung Wiener Staatsopernchor, Wiener Opernorchester, Lamberto Gardelli | T-900021750-5 |
| O don fatale - Don Carlo | Grace Bumbry, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | T9024478259 |
| Tosca: “Recondita armonia” | Franco Corelli, Alfredo Mariotti | — |
| O Silver Moon (Mesicku na nebi hlubokem) (Rusalka) | Pilar Lorengar, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Patanè | T0100552804 |
| La Gioconda, opera in 4 acts: Suicido! | Elena Souliotis, Orchestra di Roma, Silvio Varviso | — |
| Tosca: “E lucevan le stelle” | Franco Corelli, Orchestra dell’Accademia Nazionale di Santa Cecilia, Lorin Maazel | T9100679478 |
| Pagliacci, opera: Bell Chorus: I zampognari!... Don, din, don | Coro dell’Accademia Nazionale di Santa Cecilia, James McCracken, Coro ragazza del Colosseo, Orchestra dell’Accademia Nazionale di Santa Cecilia, Lamberto Gardelli | — |
| Die Meistersinger von Nürnberg, WWV 96: Prize Song: Morgenlich leuchtend | James King, Vienna Opera Orchestra, Dietfried Bernet | — |
| Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé) | Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge | T-004938007-5 |
| Samson & Delilah : Acte II. « Mon cœur s'ouvre à ta voix » | Marilyn Horne, Orchester der Wiener Staatsoper, Wiener Opernorchester, Henry Lewis | — |
| Rodelinda, regina de' Langobardi, opera, HWV 19: Dove sei (Art thou troubled) | Marilyn Horne, Vienna Cantata Orchestra, Henry Lewis | — |
| Tannhäuser: “Wie Todesahnung” … “O du, mein holder Abendstern” (O Star of Eve) | Tom Krause, Orchester der Wiener Staatsoper, Argeo Quadri | — |
| Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé) | Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge | — |
| La favorita: Atto IV. “Favorita del re! ... Spirto gentil” (Fernando) | Luciano Pavarotti, Wiener Opernorchester, Sir Edward Downes | T9054994206 |
| Don Giovanni: “Deh! Vieni alla finestra” | Gabriel Bacquier, English Chamber Orchestra, Richard Bonynge | T3064830753 |
| La Wally: “Ebben? Ne andrò lontana” | Renata Tebaldi, Orchestre national de l'Opéra de Monte-Carlo, Fausto Cleva | — |
| La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” | Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Lorin Maazel | — |
| Beglückt darf nun dich (Pilgrims' Chorus - Tannhäuser) | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — |
| Die Zauberflöte, K. 620: Act I. "Der Vogelfänger bin ich ja" | Tom Krause, Wiener Haydn-Orchester, István Kertész | — |
| Le nozze di Figaro, K. 492: Act I. "Non più andrai" | Tom Krause, Wiener Haydn-Orchester, István Kertész | — |
| Don Giovanni, K. 527: Act I. "Fin ch'han dal vino" | Tom Krause, Wiener Haydn-Orchester, István Kertész | T3064819376 |
| Turandot: “Signore, ascolta!” | Maria Chiara, Orchestra of the Vienna Volksoper, Nello Santi | T-005000838-2 |
| Così fan tutte: “Soave sia il vento” | Lucia Popp, Brigitte Fassbaender, Tom Krause, Wiener Haydn-Orchester, István Kertész | T-902525648-8 |
| Les Contes d’Hoffmann : Acte II. Barcarolle « Belle nuit, ô nuit d’amour » | Joan Sutherland, Huguette Tourangeau, Chorale du Brassus, Chœur Pro Arte de Lausanne, Orchestre de la Suisse Romande, Richard Bonynge | T-071153499-4 |
| Don Giovanni: „Là ci darem la mano“ | Tom Krause, Lucia Popp, Vienna Haydn Orchestra, István Kertész | T-905683692-1 |
| Rigoletto: “Bella figlia dell'amore” | Sherrill Milnes, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, London Symphony Orchestra, Richard Bonynge | — |
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-922850296-3 |
| La bohème: Musetta’s Waltz | Elizabeth Harwood, Mirella Freni, Luciano Pavarotti, Nicolaï Ghiaurov, Gianni Maffeo, Michel Sénéchal, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | T0712515779 |
| Turandot: Atto II, scena 2. “In questa reggia” | The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta | T-005000838-2 |
| Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle) | Orchestre de la Suisse Romande, Richard Bonynge | — |
| La Bohème: Atto I. “Che gelida manina” | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-306482666-6 |
| Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | T-011275282-5 |
| Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | — |
| Carmen: Flower song « La fleur que tu m’avais jetée » | Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti | T9002482840 |
| Carmen : Acte II. Toreador Song: « Vivat ! Vivat le torero ! » … « Votre toast … » | Sir Thomas Allen, Jane Berbié, Norma Burrowes, The John Alldis Choir, Pierre Thau, Tatiana Troyanos, José van Dam, London Philharmonic Orchestra, Sir Georg Solti | — |
| Cavalleria rusticana: “Regina coeli” (Easter Hymn) | Júlia Várady, London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | — |
| Il Trovatore: Anvil Chorus | London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | — |
| Pagliacci: Prologo. “Si può? Si può?” | Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | — |
| La traviata: “Un dì felice” | Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | T-309041381-9 |
| Le nozze di Figaro: No. 20 Recitativo “E Susanna non vien!” (La Contessa) | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | — |
| Tosca: Atto II. “Vissi d’arte, vissi d’amore” | Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti | T-900162132-5 |
| La Gioconda: “Cielo e mar” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — |
| La fanciulla del West: “Ch’ella mi creda libero” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — |
| Gianni Schicchi: “O mio babbino caro” | Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli | — |
| La rondine: “Sogno di Doretta” | Renata Tebaldi, New Philharmonia Orchestra, Oliviero de Fabritiis | — |
| Rigoletto: “Questa o quella” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | — |
| La bohème: Musetta’s Waltz | Elizabeth Harwood, Mirella Freni, Luciano Pavarotti, Nicolaï Ghiaurov, Gianni Maffeo, Michel Sénéchal, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | — |
| La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| Turandot: Atto II, scena 2. “In questa reggia” | The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta | — |
La bohème: Atto I. “Che gelida manina” (Rodolfo)
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Jean Borthayre, Libero De Luca, Orchestre de la Société des Concerts du Conservatoire, Alberto Erede
L'elisir d'amore: “Una furtiva lagrima”
Giuseppe di Stefano, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli
—
Mario del Monaco, Ettore Bastianini
Athos Cesarini, Renata Tebaldi, Mario del Monaco, Orchestre de la Suisse Romande, Alberto Erede
Oh! fede negar potessi agl'occhi miei! ... Quando le sere al placido - Luisa Miller
Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Gianandrea Gavazzeni
—
Lusia Miller: “Oh! Fede negar potessi… Quando le sere al placido”
Carlo Bergonzi, Gianandrea Gavazzeni
—
Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni
L' Africaine, grand opera in 5 acts: Mi batte il cor!... O paradiso
Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni
—
Una voce poco fa from "The Barber of Seville"
Teresa Berganza, London Symphony Orchestra, Sir Alexander Gibson
—
Werther, Act 3: "Pourquoi me réveiller, ô souffle du printemps?"
Giuseppe di Stefano, Tonhalle Orchester Zürich, Franco Patanè
—
Pagliacci: “Recitar!… Vesti la giubba”
Mario del Monaco, Orchestra dell’Accademia Nazionale di Santa Cecilia, Francesco Molinari-Pradelli
—
Il trovatore: Stride la vampa
Giulietta Simionato, Orchestre du Grand Théâtre de Genève, Alberto Erede
—
Tristan und Isolde: Act III. Aria "Mild und leise" (Isolde)
Birgit Nilsson, Wiener Philharmoniker, Hans Knappertsbusch
—
La Gioconda: “Cielo e mar”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
—
Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Alexander Gibson
Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson
Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli
Faust : « Ô dieu! Que de bijoux » … « Ah! Je ris de me voir »
Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli
—
Lakmé : « Ah! Où va la jeune Indoue »
Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli
—
Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin
Adriana Lecouvreur: Atto I. “La dolcissima effigie”
Renata Tebaldi, Mario del Monaco, Orchestra dell’Accademia Nazionale di Santa Cecilia, Franco Capuana
—
Leontyne Price, Orchestra del Teatro dell’Opera di Roma, Sir Georg Solti
Tosca: Atto I. “Tre sbirri, una carrozza” (Scarpia, Spoletta)
Giuseppe Taddei, Piero de Palma, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan
—
Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli
Carmen : Acte I. Seguidilla. « Près des remparts de Séville »
Regina Resnik, Mario Del Monaco, Orchestre de la Suisse Romande, Thomas Schippers
—
Renata Tebaldi, Philharmonia Orchestra, Oliviero de Fabritiis
Faust, opera: Serenade: Vous qui faites l'endormie
Nicolaï Ghiaurov, London Symphony Orchestra, Sir Edward Downes
—
Joan Sutherland, London Symphony Chorus, London Symphony Orchestra, Richard Bonynge
Helga Dernesch, Brigitte Fassbaender, Claudia Hellmann, Berit Lindholm, Vera Schlosser, Marilyn Tyler, Helen Watts, Wiener Philharmoniker, Georg Solti
Die Walküre: Incantation du feu / Magic Fire Music
Hans Hotter, Wiener Philharmoniker, Sir Georg Solti
—
Konzertvereinigung Wiener Staatsopernchor, Wiener Opernorchester, Lamberto Gardelli
Grace Bumbry, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti
Tosca: “Recondita armonia”
Franco Corelli, Alfredo Mariotti
—
Pilar Lorengar, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Patanè
La Gioconda, opera in 4 acts: Suicido!
Elena Souliotis, Orchestra di Roma, Silvio Varviso
—
Franco Corelli, Orchestra dell’Accademia Nazionale di Santa Cecilia, Lorin Maazel
Pagliacci, opera: Bell Chorus: I zampognari!... Don, din, don
Coro dell’Accademia Nazionale di Santa Cecilia, James McCracken, Coro ragazza del Colosseo, Orchestra dell’Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
—
Die Meistersinger von Nürnberg, WWV 96: Prize Song: Morgenlich leuchtend
James King, Vienna Opera Orchestra, Dietfried Bernet
—
Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge
Samson & Delilah : Acte II. « Mon cœur s'ouvre à ta voix »
Marilyn Horne, Orchester der Wiener Staatsoper, Wiener Opernorchester, Henry Lewis
—
Rodelinda, regina de' Langobardi, opera, HWV 19: Dove sei (Art thou troubled)
Marilyn Horne, Vienna Cantata Orchestra, Henry Lewis
—
Tannhäuser: “Wie Todesahnung” … “O du, mein holder Abendstern” (O Star of Eve)
Tom Krause, Orchester der Wiener Staatsoper, Argeo Quadri
—
Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé)
Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge
—
Luciano Pavarotti, Wiener Opernorchester, Sir Edward Downes
Gabriel Bacquier, English Chamber Orchestra, Richard Bonynge
La Wally: “Ebben? Ne andrò lontana”
Renata Tebaldi, Orchestre national de l'Opéra de Monte-Carlo, Fausto Cleva
—
La traviata: Atto II, scena 1. “Di Provenza il mar, il suol”
Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Lorin Maazel
—
Beglückt darf nun dich (Pilgrims' Chorus - Tannhäuser)
Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti
—
Die Zauberflöte, K. 620: Act I. "Der Vogelfänger bin ich ja"
Tom Krause, Wiener Haydn-Orchester, István Kertész
—
Le nozze di Figaro, K. 492: Act I. "Non più andrai"
Tom Krause, Wiener Haydn-Orchester, István Kertész
—
Tom Krause, Wiener Haydn-Orchester, István Kertész
Maria Chiara, Orchestra of the Vienna Volksoper, Nello Santi
Lucia Popp, Brigitte Fassbaender, Tom Krause, Wiener Haydn-Orchester, István Kertész
Joan Sutherland, Huguette Tourangeau, Chorale du Brassus, Chœur Pro Arte de Lausanne, Orchestre de la Suisse Romande, Richard Bonynge
Tom Krause, Lucia Popp, Vienna Haydn Orchestra, István Kertész
Rigoletto: “Bella figlia dell'amore”
Sherrill Milnes, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, London Symphony Orchestra, Richard Bonynge
—
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Elizabeth Harwood, Mirella Freni, Luciano Pavarotti, Nicolaï Ghiaurov, Gianni Maffeo, Michel Sénéchal, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan
The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta
Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle)
Orchestre de la Suisse Romande, Richard Bonynge
—
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan
Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus)
Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan
—
Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti
Carmen : Acte II. Toreador Song: « Vivat ! Vivat le torero ! » … « Votre toast … »
Sir Thomas Allen, Jane Berbié, Norma Burrowes, The John Alldis Choir, Pierre Thau, Tatiana Troyanos, José van Dam, London Philharmonic Orchestra, Sir Georg Solti
—
Cavalleria rusticana: “Regina coeli” (Easter Hymn)
Júlia Várady, London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni
—
Il Trovatore: Anvil Chorus
London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge
—
Pagliacci: Prologo. “Si può? Si può?”
Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè
—
Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge
Le nozze di Figaro: No. 20 Recitativo “E Susanna non vien!” (La Contessa)
Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti
—
Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti
La Gioconda: “Cielo e mar”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
—
La fanciulla del West: “Ch’ella mi creda libero”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
—
Gianni Schicchi: “O mio babbino caro”
Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli
—
La rondine: “Sogno di Doretta”
Renata Tebaldi, New Philharmonia Orchestra, Oliviero de Fabritiis
—
Rigoletto: “Questa o quella”
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
—
La bohème: Musetta’s Waltz
Elizabeth Harwood, Mirella Freni, Luciano Pavarotti, Nicolaï Ghiaurov, Gianni Maffeo, Michel Sénéchal, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan
—
La bohème: Atto I. “Che gelida manina” (Rodolfo)
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
Turandot: Atto II, scena 2. “In questa reggia”
The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta
—
What other identifiers does this connect to?
Musical Works (ISWC)
T0049380075T0050008382T0055776276T0100552804T0112752825T0701829506T0711534994T0712515779T0717254255T3064819376
+32 more
T3064826666T3064830753T3073906799T3075258883T3077564428T3090413819T8017440620T8026877635T9000111591T9000217505T9000653769T9000881834T9001340789T9001621325T9002482840T9007986143T9012225013T9024478259T9025256488T9027714450T9027956418T9054994206T9056836921T9100679478T9107606304T9128666240T9137324926T9140046679T9228502963T9286354583T9286355826T9286355848
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000059455588000000005947959800000000627285910000000063044909000000006639157800000000736028710000000073662284000000007689380300000000782282840000000078387285
+40 more
00000000808379430000000081232954000000008160790400000000816244800000000081818787000000008188387X000000008349143100000000835932190000000083655192000000008368263300000000840812820000000107281229000000010776146800000001086022740000000108653645000000010871021600000001087699630000000109069627000000010910093800000001091504170000000109287448000000010938023900000001094046080000000109405387000000010963166700000001096952730000000110019598000000011013657500000001102350470000000110306263000000011031228400000001103633560000000110431996000000011049597300000001106086830000000110633483000000011082942700000001108296380000000110847107000000011297410X
Identifier Graph
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What is UPC 028947583653?
028947583653 is a Universal Product Code (UPC) assigned to Ultimate Opera: The Essential Masterpieces by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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