UPC · Album
Various Artists
Last verified:
028947670421 is the Universal Product Code (UPC barcode) for the release “Classic Gold” by Various Artists, released 2004-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 54 tracks, each with its own ISRC. Tracks include DEF056730100, DEF059102221, DEF057400530.
Credit Chain
| # | Track Title | Artist(s) | ISWC |
|---|---|---|---|
| 1 | Carmina Burana: Blanziflor et Helena: Ave, formosissima | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | — |
| 2 | Carmen Suite: Los Toréadors | Orchestre de l’Opéra Bastille, Myung-Whun Chung | T-308092565-7 |
| 3 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Wiener Philharmoniker, Karl Böhm | — |
| 4 | Concerto for Violin and Strings in E major, op. 8 no. 1, RV 269 "La Primavera": II. Largo | Isaac Stern, Israel Philharmonic Orchestra, Zubin Mehta | — |
| 5 | "Al chiaro di luna" | — | |
| 6 | Orchestral Suite no. 3 in D major, BWV 1068: Air | Adolf Scherbaum, Münchener Bach-Orchester, Karl Richter | T-914248874-2 |
| 7 | Hungarian Dances nos. 1 - 21, WoO 1: No. 5 in G minor | Berliner Philharmoniker, Paul van Kempen | — |
| 8 | Cavalleria rusticana: Intermezzo sinfonico | Wolfgang Meyer, Berliner Philharmoniker, Herbert von Karajan | T-307525888-3 |
| 9 | Liebestraum no. 3 | Roberto Prosseda | — |
| 10 | La Moldau | Boston Symphony Orchestra, Rafael Kubelík | T1040806311 |
| 11 | Quintette à cordes n°5 : "Menuet" | Orpheus Chamber Orchestra | T9181328041 |
| 12 | Der Nußknacker, op. 71a: III. Valse des fleurs: Tempo di Valse | Berliner Philharmoniker, Herbert von Karajan | — |
| 13 | Concerto pour violon et orchestre No. 2, Op. 7: Rondo (La Campanella) | Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | — |
| 14 | "Per Elisa" bagatella in la minore WoO59 | — | |
| 15 | Suite española, op. 47: Asturias (Leyenda) (excerpt) | Narciso Yepes | — |
| 16 | Die Walküre, WWV 86B: Ride of the Valkyries (Concert Version) | Wiener Philharmoniker, Sir Georg Solti | T-902771445-0 |
| 17 | Gymnopédie no. 1 | Jean-Marc Luisada | — |
| 18 | Nabucco: “Va pensiero sull’ali dorate“ | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | — |
| 2-1 | Also sprach Zarathustra, op. 30, TrV 176: Einleitung | Wiener Philharmoniker, Lorin Maazel | T-007163471-3 |
| 2-2 | Adagio for Strings and Organ in G minor (excerpt) | Festival Strings Lucerne, Rudolf Baumgartner | T-005001197-6 |
| 2-3 | Symphonie Nr. 40 g-Moll, KV 550: I. Molto allegro | Wiener Philharmoniker, Karl Böhm | T-312542381-2 |
| 2-4 | Swan Lake Suite: Scene (Act II) | Wiener Philharmoniker, Herbert von Karajan | — |
| 2-5 | Canon and Gigue in D major, T. 377: I. Canon | The English Concert, Trevor Pinnock | T-920151760-4 |
| 2-6 | Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Narciso Yepes, Philharmonia Orchestra, Luis Antonio García Navarro | — |
| 2-7 | Notturno n.2 in mi bemolle, op.9 n.2 | — | |
| 2-8 | Ouvertüre no. 2 h-mol, BWV 1067: VII. Badinerie | Aurèle Nicolet, Munich Bach Orchestra, Karl Richter | T0044400863 |
| 2-9 | Te Deum for Soloists, Chorus and Orchestra, H 146 (revised by Walter Kolneder): Prélude. Rondeau | Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | — |
| 2-10 | Symphonie Nr. 5 c-moll, op. 67: Allegro con brio | Berliner Philharmoniker, Herbert von Karajan | — |
| 2-11 | Le Carnaval des animaux, Le Cygne | Alfons Kontarsky, Aloys Kontarsky, Wolfgang Herzer, Wiener Philharmoniker, Karl Böhm | T-983162734-0 |
| 2-12 | Moments musicaux, D. 780 no. 3 in F minor. Allegro moderato | Wilhelm Kempff | — |
| 2-13 | Danza delle spade da Gayaneh | — | |
| 2-14 | Thais: Méditation | Christer Thorvaldsson, Göteborgs Symfoniker, Neeme Järvi | T-001283021-5 |
| 2-15 | Suite bergamesque, Clair de lune | Tamás Vásáry | — |
| 2-16 | El amor brujo (ballet By G. Martinez Sierra): Danza ritual del fuego, para ahuyentar los malos espíritos | London Symphony Orchestra, García Navarro | T-041489063-3 |
| 2-17 | Sogno da Kinderszenen op.15 | — | |
| 2-18 | Messiah, HWV 56: Part II. Chorus: “Hallelujah” | The John Alldis Choir, London Philharmonic Orchestra, Karl Richter | — |
| 3-1 | Toccata und Fuge D-moll, BWV 565: II. Fuge | Helmut Walcha | — |
| 3-2 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — |
| 3-3 | La Légende du tsar Saltan : "Le Vol du bourdon" | Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | — |
| 3-4 | Les Contes d’Hoffmann : Acte III. Entr’acte | Orchestre de la Suisse Romande, Richard Bonynge | T-010186676-5 |
| 3-5 | Pavane (excerpt) | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T9187040137 |
| 3-6 | Bilder einer Ausstellung: Promenade | Chicago Symphony Orchestra, Carlo Maria Giulini | T-011301790-5 |
| 3-7 | Messa da requiem : Dies irae | Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini | — |
| 3-8 | An der schönen blauen Donau, Walzer, op. 314 | Berliner Philharmoniker, Herbert von Karajan | T-916104233-7 |
| 3-9 | Slawische Tänze, op. 46: Nr. 1 C-dur. Presto | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | T3125270039 |
| 3-10 | Minuetto in sol maggiore BWV App.114 | — | |
| 3-11 | Romance aus "Jeux Interdits" | Narciso Yepes | T-929588677-0 |
| 3-12 | Valzer "Minuto" n.6, op.64 n.1 | — | |
| 3-13 | Xerxes: Act I. Largo in F major | Edward Brewer, Randall Wolfgang, Orpheus Chamber Orchestra | T9050639775 |
| 3-14 | Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning | Gothenburg Symphony Orchestra, Neeme Järvi | — |
| 3-15 | Allegretto "Alla Turca" dalla Sonata per pianoforte K331 | — | |
| 3-16 | Violin Romance no. 2 in F major, op. 50 | David Oistrakh, Royal Philharmonic Orchestra, Eugene Goossens | — |
| 3-17 | Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante | Boston Symphony Orchestra, Seiji Ozawa | T-003506743-6 |
| 3-18 | Boléro | Boston Symphony Orchestra, Seiji Ozawa | T-003006377-4 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Toccata und Fuge D-moll, BWV 565: I. Toccata | Helmut Walcha | T9094070072 |
| Orchestral Suite no. 3 in D major, BWV 1068: Air | Adolf Scherbaum, Münchener Bach-Orchester, Karl Richter | T-914.248.874-2 |
| Concerto pour piano et orchestre No. 21, KV 467: Andante | Géza Anda, Camerata Academica des Salzburger Mozarteums | T0101948713 |
| Carmina Burana: Fortuna imperatrix mundi: O Fortuna | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | T-800639771-4 |
| Serenade in G Major, K. 525 "Eine kleine Nachtmusik": 1. Allegro | Wiener Philharmoniker, Karl Böhm | — |
| Les Quatre saisons, Concerto Op. 8, No. 1 "Le Printemps": Allegro | Isaac Stern, Israel Philharmonic Orchestra, Zubin Mehta | T-306395786-4 |
| Messa da requiem : Dies irae | Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini | T9109327573 |
| Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle) | Orchestre de la Suisse Romande, Richard Bonynge | — |
| Ouvertüre no. 2 h-mol, BWV 1067: VII. Badinerie | Aurèle Nicolet, Munich Bach Orchestra, Karl Richter | T0116544843 |
| Orchestral Suite no. 3 in D major, BWV 1068: Air | Adolf Scherbaum, Münchener Bach-Orchester, Karl Richter | T-914.248.874-2 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028947670421 is a Universal Product Code (UPC) assigned to Classic Gold by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 54 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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